Tip:
Highlight text to annotate it
X
♪ NEED A NEW LOVE? ♪
♪ HEY, I'M READY ♪
♪ WANT MY TIME? ♪
♪ AND I'M WILLING, YEAH ♪
♪ 'CAUSE I'M THE ONE ♪
♪ WHO'S GONNA SHOW ♪
♪ WHEN THERE'S NOBODY ♪
♪ I'LL BE YOUR MAN ♪
♪ YEAH, I'M THE ONE ♪
♪ WHO'S GONNA SHOW ♪
♪ WHEN THERE'S NOBODY ♪
♪ I'LL BE YOUR MAN ♪
♪ I'LL BE YOUR MAN ♪
♪ ALL RIGHT. ♪
P.A.: Ladies and gentlemen,
the captain has just turned off the seat belt sign.
At this time you are free to move about the cabin.
- WINE HELPS. - EXCUSE ME?
SO DOES XANAX.
I HAVE SOME IN MY PURSE IF YOU WANT.
WHY? DO I SEEM NERVOUS TO YOU?
( laughs )
BUSINESS OR PLEASURE? YOUR TRIP.
EXCUSE ME, SIR? IS THAT YOUR LEATHER CARRY-ON IN THE OVERHEAD COMPARTMENT?
PROBABLY, YEAH.
DO YOU NEED ME TO MOVE IT?
- IF YOU DON'T MIND. - SURE.
( mumbles ) I DON'T MIND.
SURE.
SORRY, PARDON ME. NO, DON'T GET UP. DON'T GET UP.
- ARE YOU SURE? OKAY. - YEAH.
I GOT IT, THANK YOU. EXCUSE ME.
- WOULD YOU MIND HOLDING THAT? - OH SURE, THANKS.
( both moaning )
OKAY, PUT IT IN. PUT IT IN.
WHOA-HO-HO. THAT WAS A BIG ONE.
- ( dings ) - DON'T-- DON'T YOU THINK
WE SHOULD PROBABLY GO BACK TO OUR SEATS?
NO NO NO NO, IT'S OKAY. JUST GIVE IT TO ME.
Captain on P.A.: Good morning, everybody.
Looks like we've hit a nasty patch of weather
as we approach Chicago. Please take your seats.
- SHUT THE *** UP, CARL! - CAPTAIN SAYS WE SHOULD RETURN--
DON'T WORRY ABOUT ANYTHING.
- WHOA. - OH GOD.
YOU REALLY ARE SCARED, AREN'T YOU?
- WELL, UH-- - ( unzips pants )
--YEAH. ALL RIGHT, JUST GIVE ME A MINUTE.
- IT'S OKAY. - HONEY, DON'T WORRY ABOUT ANYTHING.
- ( P.A. announcement ) - THOSE SEAT BELTS ARE NOT GONNA HELP YOU.
NOTHING OUT THERE CAN HELP YOU.
- ( dings ) - IF WE GO DOWN, WE GO DOWN.
Ladies and gentlemen, at this time, we ask you to please return to your seats.
SO YOU MIGHT AS WELL *** ME!
OKAY, CONCENTRATE AND THEN *** ME.
LOOK AT MY ***. DOES THAT HELP?
( Ray narrating ) HER *** DID HELP.
( moaning )
BUT I COULDN'T GET THE THOUGHT OUT OF MY HEAD...
- YEAH! - ...THAT AT ANY MOMENT, AT ANY PLACE,
IT COULD ALL COME CRASHING DOWN.
Tanya: CHARLIE, I'M HOME.
THEY DIDN'T HAVE THE--
THE CANNED PLUM TOMATOES THAT YOU WANTED,
SO I GOT THE FRESH ONES-- FRESH ONES INSTEAD.
HEY, BABY. THIS LOVELY LADY CAME LOOKING FOR YOU.
AWW.
- HI. - HI.
- ARE YOU HER OTHER ***? - GET THE *** OUTTA HERE.
( coughs ) SANDEE, HOW CAN I HELP YOU?
OKAY, LOOK NOW, I'LL JUST SAY IT.
LENORE-- I MEAN, SHE'S A ***.
- I'M SO SORRY ABOUT MY LANGUAGE. - IT'S OKAY.
BUT I MEAN SHE IS A *** ***.
AND WE'D LIKE TO TRY SOMETHING NEW,
MAYBE WORK FOR YOU GUYS.
YOU WANT ME TO *** YOUR FIANCE?
YES.
THAT IS A VERY INTERESTING PROPOSAL,
ISN'T IT, TANYA?
SANDEE, I WILL CERTAINLY CONSIDER YOUR OFFER.
HOWEVER, I AM JUST NOT CURRENTLY IN THE MARKET FOR ADDITIONAL GIGOLOS.
- WILL HE DO DUDES? - ( chokes )
- WHAT? - YOUR FIANCE.
WILL HE *** MEN?
YES, I THINK THAT CAN BE ARRANGED.
( chuckles )
HEY. WHAT ARE YOU DOING HERE?
- Damon: WE'RE MOVING IN. - HOW'D YOU GET IN THE HOUSE?
THERE WAS A KEY UNDER THE ROCK BY THE DOOR.
- DID YOU GO SOMEWHERE? - ON A BUSINESS TRIP.
- HOW LONG HAVE YOU, UH... - WE GOT HERE THIS MORNING.
MOM IS PISSED.
( playing notes )
THIS IS WHY THEY SHOULDN'T HAVE THEIR OWN CAR, RAY.
THEY CAN'T JUST COME AND GO WHENEVER THEY PLEASE.
THEY'RE KIDS, JESS. LET 'EM BLOW OFF SOME STEAM.
YOU KNOW? LET 'EM STAY THE WEEKEND.
I DON'T WANT THEM TO STAY THE WEEKEND.
I WANT THEM TO COME BACK.
( Ray narrating ) YEP, JUST WHEN YOU LEAST EXPECT IT,
THE WHOLE THING COMES CRASHING DOWN.
THEY-- THEY WON'T BE VERY HAPPY.
I DON'T CARE IF THEY'RE HAPPY. DO THEY STRIKE YOU
as particularly happy people in general?
YOU HAVE GOT TO SUPPORT ME ON THIS, EVEN IF YOU DON'T AGREE.
RAY, YOU CAN'T LET THEM PLAY US AGAINST EACH OTHER.
- JESS? - OH GOD. RAY.
YEAH. JESS, LET ME CALL YOU BACK.
OW.
HEY, GUYS,
UH, DID YOU SEE ANYTHING
LIKE OUT OF THE ORDINARY
- WHEN YOU CAME IN? - UH, YOU LEFT THE TV ON.
UH-- THE BACK DOOR'S UNLOCKED.
HEY, MRS. KOONTZ. YAEL?
YAEL, DID YOU SEE ANYBODY SUSPICIOUS COME INTO MY HOME?
- ANYBODY AT ALL? - I DON'T PAY ATTENTION TO YOUR VISITORS, RAY.
I HAVE BETTER THINGS TO DO.
OKAY, SO NOTHING STRANGE,
NO BREAK-INS?
( chuckles )
I THINK 69-ING ON THE DOCK IS STRANGE, RAY,
BUT WHAT DO I KNOW?
OH, YOU HAD A BREAK-IN. LOW.
MAYBE IT WAS THE LADY WITH THE CRAZY HAIR WHO'S ALWAYS YELLING.
- UH-- - MAYBE IT WAS THE COP
WHO ARRESTED YOU IN FRONT OF MY HOUSE LAST WEEK.
MAYBE IT WAS THE REDHEAD WHO LIKED TO WALK AROUND IN THE NUDE--
MISS FIRE-CROTCH, RIGHT?
- OKAY, THANKS. - ( dials, line ringing )
- Tanya: Hey. Hi, Ray. - TANYA, MY SHOEBOX IS GONE.
MY MONEY THAT I KEEP IN MY SHOEBOX,
- SOMEBODY TOOK IT. - RAY, YOU KEEP YOUR MONEY IN A SHOEBOX?
YEAH, IT WAS HIDDEN. DON'T LAUGH.
- BANKS CAN GO BELLY-UP. - YEAH, AND HOUSES BURN DOWN, RAY.
IT'S NOT THE SMARTEST MOVE IN THE WORLD.
( sighs ) OH GOD. HOW MUCH DID THEY GET?
- FIVE GRAND. - WELL, YOU KNOW, THAT HAS LENORE WRITTEN ALL OVER IT.
TANYA, WHO ARE YOU TALKING TO?
WHO'S THAT? IS SOMEBODY WITH YOU?
- WHAT? - Is somebody with you?
NO, IT'S NO ONE.
IT'S MY FRIEND. IT'S MY FRIEND.
- OKAY. WELL, UM-- - Let's just go find Lenore.
- I'LL SEE YOU IN HALF AN HOUR. - ( sighs )
OH GOD.
WHAT?
- RAY'S MONEY WAS STOLEN. - YOU GONNA SIGN UP THAT OTHER DUDE?
JASON? NO.
LOOK, RAY AND I HAVE A UNIQUE BUSINESS RELATIONSHIP.
- AND HE'S WORTH IT. ALL RIGHT? - ALL RIGHT.
WELL, IF YOU'RE NOT GONNA TAKE HIM,
I MIGHT MAKE A MOVE.
Y-YOU WANT TO BE JASON'S ***?
YEAH. IF YOU DON'T.
IT'S MONEY ON THE FLOOR.
I GOTTA GO.
- ( bell jingles ) - ( music playing )
UH UM...
- IS LENORE HERE? - FOOT MASSAGE?
NO NO, WE NEED LENORE BERNARD.
DON'T DO THAT HERE. JUST MASSAGE.
- I THINK-- - NO NO, SHE LIVES HERE.
IT'S, UH-- IT'S, UH, LENORE.
LENORE BERNARD? SHE'S TALL, RED HAIR.
- RED HAIR? - ( muttering in Chinese )
( papers rustling )
REDHEAD GONE.
WHAT?
HEY, DO YOU REALLY THINK THAT SHE WOULD...?
NO, RAY, NO. SHE'S TOO MUCH OF A NARCISSIST.
SHE'S NEVER GONNA KILL HERSELF.
( mimics gunshot )
I DON'T KNOW. WHO KNOWS?
WHAT DO WE REALLY KNOW ABOUT HER? WE KNOW NOTHING.
LISTEN, A CERTAIN BUSINESS OPPORTUNITY HAS PRESENTED ITSELF.
- WHAT OPPORTUNITY? - WELL, I DON'T KNOW.
I THINK IT HAS ENORMOUS GROWTH POTENTIAL AND IT COULD REALLY BOOST OUR EARNINGS.
- WHAT IS IT? - ALL RIGHT.
SANDEE CAME TO SEE ME YESTERDAY-- JASON'S FIANCEE.
- JASON BEING... - EXACTLY.
AND SHE WAS INVESTIGATING THE POSSIBILITY OF US TEAMING UP
ON THE D.L. LENORE WOULDN'T KNOW ABOUT IT.
WE'D BRING JASON ON AS AN ADDITIONAL CONSULTANT
AND THEN TAKE A PERCENTAGE.
KIND OF LIKE A MERGER.
ARE YOU FRICKING KIDDING ME?
WELL, NO. I MEAN...
I DON'T KNOW. MAYBE.
- MY MONEY IS MISSING, TANYA. - I THOUGHT IT COULD BE GOOD.
I AM SUDDENLY BROKE AND YOU WANT TO TALK TO ME ABOUT THIS NOW?
I'M SORRY. IT WAS A BAD TIME.
I'M SORRY I BROUGHT IT UP.
IT WASN'T THE RIGHT TIME.
- I'LL SAY. - NEVER MIND. IT'S FINE.
LISA, I WANT YOU TO PUT THE BOTTLE DOWN. DID YOU PUT IT DOWN?
GETTING YOUR STOMACH PUMPED IS AWFUL, LISA.
YOU GET ALL BARFY AND YOUR MOUTH TASTES LIKE CHALK.
UH, DOES LENORE BERNARD WORK HERE?
I DON'T THINK SO. DO YOU MEAN LENORE RUSSELL?
- THERE SHE IS. - SIR?
- IS SHE EXPECTING YOU? - WHY TAKE A WHOLE BOTTLE AND GO TO THE HOSPITAL
WHEN YOU CAN JUST TAKE A COUPLE, DRINK A MARTINI AND FEEL FANTASTIC?
IT'S GREAT. THINK ABOUT IT.
- ( dog growling ) - OKAY, BUZZ ME IF YOU CRATER.
WE DON'T DO WALK-INS, RAY. YOU GOT TO CALL.
OH YEAH? THEY ACTUALLY LET YOU WORK IN THIS PLACE?
IT'S VOLUNTEER. I'M GIVING BACK TO MY COMMUNITY.
PEOPLE WHO ARE GONNA KILL THEMSELVES, THEY WANT TO TALK TO ME FIRST.
LOOK AT YOU, ALL SEXY.
IT'S GOOD TO SEE YOU AGAIN, RAY.
WHERE'S MY SHOEBOX, LENORE?
ARE YOU COMING ON TO ME?
LOOK, I KNOW YOU DID IT.
OKAY? I PROBABLY HAVE WITNESSES.
- SO GIVE IT BACK. - I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT, RAY.
( phone chirps )
STACY, IS YOUR GARAGE DOOR OPEN?
OPEN YOUR GARAGE DOOR.
DID YOU BREAK IN TO MY HOUSE
AND STEAL MY SHOEBOX FULL OF MONEY?
STACE, HOLD ON A SEC. RAY, YOU'RE AN ***.
I AM DEALING HERE WITH PEOPLE WITH REAL PROBLEMS, OKAY?
ALL YOU HAVE IS A BIG *** AND A MISSING SHOEBOX.
AND RIGHT NOW I DON'T CARE ABOUT EITHER.
I HAVE BETTER THINGS TO DO WITH MY TIME
THAN CREEP AROUND YOUR BURNT-OUT HOUSE.
I'M TRYING TO SAVE LIVES.
- ( beeps ) - STACY?
SWEETHEART, DID YOU OPEN THE DOOR? PLEASE OPEN THE DOOR.
OPEN THE DOOR AND TURN THE ENGINE OFF.
( engine cranking )
NO? OKAY.
( sighs )
YOU NEED A JUMP?
OH NO, THAT'S...
THAT'S OKAY. I GOT IT.
YEAH, I CAN SEE THAT.
- I'M KYLA. - I'M RAY.
I KNOW. I ASKED LENORE ABOUT YOU.
SHE TOLD ME, YOU KNOW, YOUR DEAL.
- MY DEAL? - YEAH.
SO HOW DOES IT WORK?
HOW DOES WHAT WORK?
IS THERE SOMEONE
I'M SUPPOSED TO CALL TO SET THINGS UP?
YOU CAN TALK TO ME.
- ( beeping ) - Woman: DOCTOR'S OFFICE.
MMM. HMM-MM-MM.
- ( fax dialing ) - PATSY, GREAT JOB ON THAT BLOOD WORK.
KNOCKED IT OUT OF THE PARK. A+.
UH, JESSICA?
COULD I SPEAK TO YOU PRIVATELY FOR A MINUTE?
HAVE A SEAT.
THAT'S OKAY.
UH, LISTEN, JESSICA. ( sighs )
WHAT HAPPENED THE OTHER NIGHT WAS, UM--
IT BROUGHT SOME THINGS TO THE SURFACE FOR ME.
I THOUGHT WE WEREN'T GONNA TALK ABOUT THAT HERE.
SEE, I'VE HAD BOX SEATS AT TIGER STADIUM FOR 10 YEARS.
AND EVERY GAME I GET TWO HOT DOGS-- MUSTARD/RELISH.
- OKAY. - AND THEN THEY BUILT THE NEW STADIUM
AND I GOT THE CORPORATE BOX.
AND THE FIRST GAME, THEY BROUGHT ME FILET MIGNON.
AND IT WAS DELICIOUS--
I MEAN JUICY AND SUCCULENT.
BUT WHAT HAPPENED?
I MISSED THE DOGS.
MINDY AND I ARE GONNA TRY TO WORK THINGS OUT.
YOU DON'T HAVE TO TELL ME THIS, MATT.
- IT'S-- IT'S FINE. - I DO.
I DO BECAUSE I'M HAPPY WITH YOU WORKING HERE.
I LOVE YOUR OFFICE PRESENCE.
THANK YOU. I HOPE IT'S NICE.
BUT MINDY-- UGH. SHE'S NOT THAT HAPPY ABOUT IT.
YOU TOLD MINDY ABOUT US?
IN THE SPIRIT OF HONESTY.
MATT, ARE YOU FIRING ME?
WHAT? NO!
BECAUSE OF SOME *** RELATIONSHIP
WE MAY OR MAY NOT HAVE HAD?
THAT IS OUT OF THE QUESTION.
- ( sighs ) OKAY. - I HAVE ALWAYS SAID
YOUR JOB IS TOTALLY INTACT.
( chuckles )
THAT IS, IF YOU WANT IT TO BE.
BUT IF YOU FEEL UNCOMFORTABLE-
NO HARD FEELINGS.
( guitar playing softly )
( vocalizing )
( Ray narrating ) THE FRICKING SHOEBOX.
IF LENORE DIDN'T TAKE IT, WHO DID?
I WAS SAVING ALL THAT MONEY TO TAKE MY KIDS
- ON A COLLEGE TRIP. - ♪ WE ARE THE CHILDREN OF DECAY ♪
♪ LIVING IN A LAND ♪
♪ THAT'S BUILT ON DIESEL FUEL AND CLAY ♪
♪ WE FIGHT TO SEE THE STARS ♪
- ♪ AND LIVE ANOTHER DAY... ♪ - ( cellphone rings )
- WHAT? - ♪ DON'T WRITE US OFF YET ♪
♪ YOU MIGHT SEE... ♪
ALL RIGHT, I'LL COME AROUND.
♪ OH, EVOLUTION BREWING ♪
♪ IN THE 313... ♪
- ( knocks on door ) - ♪ OF MANY VACANCIES AND HUNGRY MOUTHS TO FEED... ♪
( singing continues distantly )
WHY DON'T YOU CALL LIKE A NORMAL PERSON?
YOU NEVER CALL, RAY. ANYWAY, THIS IS IMPORTANT.
I HAVE AN IDEA: A MIXER.
I THINK WE SHOULD GET TO KNOW THEM BEFORE YOU MAKE UP YOUR MIND.
- HANG OUT WITH WHO? - SANDEE AND JASON.
I THINK YOU SHOULD RETHINK THEM.
YOU'RE UNBELIEVABLE, TANYA. I ALREADY SAID NO.
- ( huffs ) - JUST DROP IT.
LOOK, I WANT THIS BUSINESS TO GROW.
- I WANT TO MERGE. - WELL, I DON'T.
WELL, THAT'S LIKE POOR PEOPLE WHO SAY THEY'RE REPUBLICAN
AND THEN THEY VOTE AGAINST THEIR OWN SELF-INTERESTS, RAY.
JUST THINK ABOUT US FOR A CHANGE, PLEASE?
OH, I AM. AND I DON'T THINK THEY'RE GOOD FOR US.
NO, YOU DON'T THINK IT'S A GOOD IDEA FOR YOU,
BUT JASON IS A VERY GOOD IDEA FOR US.
JASON IS GONNA MAKE A LOT OF MONEY, RAY.
I MEAN, HE'LL HAVE SEX WITH ANYONE.
HE'LL HAVE SEX WITH GUYS. I MEAN HE'S FULL-SERVICE,
JASON-- HE'S GOOD TO GO.
( sighs ) I HOPE THE THREE OF YOU
ARE VERY HAPPY TOGETHER.
YOU KNOW, CHARLIE SAYS I DON'T NEED YOUR APPROVAL.
WHO CARES WHAT YOU THINK?
HE SAYS THIS IS A GREAT OPPORTUNITY
AND THAT I SHOULD GO FOR IT. AND THAT'S WHAT I'M GONNA DO.
- WHO'S CHARLIE? - WHAT?
WHO THE HELL IS CHARLIE?
( stammers ) MY-- MY-- MY...
MY BOYFRIEND.
( Ray narrating ) BOYFRIEND?
NOW SOME JOKER WAS GIVING HER BUSINESS ADVICE.
( music playing )
- ( knocks on door ) - ♪ STAND UP! ♪
♪ LET'S GET IT RIGHT ♪
♪ STAND UP ♪
♪ LET'S KEEP IT TIGHT... ♪
TANYA AIN'T AROUND.
- ARE YOU...? - AM I WHAT?
YOU'RE CHARLIE.
YEAH.
WHAT CAN I DO FOR YOU, MAN?
YOU GOT A MINUTE?
SURE.
HEY, YOU WANNA TASTE THIS FOR ME?
LISTEN, CHARLIE, I DON'T KNOW WHAT'S GOING ON BETWEEN YOU AND TANYA.
IT'S NONE OF MY BUSINESS AND I DON'T CARE.
BUT WHAT'S GOING ON BETWEEN ME AND TANYA,
YOU SEE, THAT'S NONE OF YOUR BUSINESS.
- ( chuckles ) - WHAT?
OH LOOK, MAN, YOU DON'T WANT ME IN YOUR BUSINESS.
I RESPECT THAT.
BUT THE PROBLEM IS TANYA.
SHE KIND OF MAKES IT MY BUSINESS.
AND WE BOTH KNOW THAT HER JUDGMENT
IS KINDA HAZY WHEN IT COMES TO YOU.
SO WHEN SHE COMES TO ME ALL UPSET
ABOUT THE *** THAT YOU PULL--
TELLING HER TO BLOW AWAY A BUSINESS OPPORTUNITY
AND COMING WHINING TO HER LIKE SOME KINDA BABY ***?
HEY HEY HEY, BUDDY, ALL DUE RESPECT,
WHAT THE *** ARE YOU TALKING ABOUT?
- YOU'RE HOLDING HER BACK, RAY. - I'M WHAT?
YOU'RE A STUBBORN MIDDLE-AGE HO WHO DON'T DO DUDES.
COME ON. YOU WANNA LISTEN UP
AND JUST LET THE TRUTH PERMEATE?
BECAUSE THIS AIN'T ABOUT YOU.
IT'S ABOUT DOLLARS AND CENTS.
YOU GOT TO OPEN YOURSELF TO THE ECONOMICS OF THE SITUATION.
AH. OKAY.
- GOT IT. - YOUR *** GOT AN EXPIRATION DATE, RAY.
MAYBE NOT TODAY, MAYBE NOT TOMORROW,
BUT SOMETIME.
AND THE SMART MOVE WOULD BE TO THINK AHEAD,
MAYBE SEE THIS JASON KID
AS YOUR 401k.
HUH?
( hissing )
YOU'RE A VAMPIRE! YOU'RE A VAMPIRE!
YOU'RE, UM, ROBERT PATTINSON.
UH, UH, UH, TAYLOR LAUTNER. "TWILIGHT"!
NO, IAN SOMERHALDER. HELP ME OUT!
BUFFY--
- TIME! TIME. - WHAT ARE YOU?
DRACULA. I WAS DRACULA.
THE VAMPIRE?
HE'S THE FIRST ONE. THE FIRST VAMPIRE?
THE FIRST--
OKAY, IT'S MY TURN. I DON'T KNOW THIS ONE.
SKIP IT!
- I DON'T KNOW THIS ONE. - SKIP IT.
I DON'T KNOW THAT ONE. I DON'T KNOW THIS ONE EITHER.
- SANDEE, SKIP IT. - EASY, TIGER.
WHOA WHOA, NO, I KNOW THIS ONE! HERE.
- OKAY, UM... - YOU DIDN'T KNOW THOSE OTHER ONES?
- I'M READY. - Jason: READY...
- YEAH. - ...GO!
- KE$HA-- YOU'RE KE$HA! - MIKE TYSON. JANET JACKSON.
- MADONNA. - BRITNEY SPEARS.
- CHRISTINA AGUILERA... - ( Ray narrating ) ME AND THE MICKEY MOUSE CLUB...
- THE DAWN OF A NEW AGE. - OH MY GOD.
- I'M SO OLD. - UH... KATY PERRY?
BACKSTREET BOY-- MICHAEL JACKSON?
UH UH... JUSTIN TIMBERLAKE?
KELLY CLARKSON? KANYE WEST?
- I'M SORRY. - BEYONCE.
I DIDN'T WANT TO DO THIS WITHOUT YOU,
BUT WE HAVE TO ADAPT. WE HAVE TO TRY.
IT'S OKAY.
IT'S OKAY?
IT'S OKAY.
TITO JACKSON? THE JACKSON FIVE!
YEAH.
BEYONCE.
"GLEE!" "GLEE!" BEYONCE.
THEY GOT A LOT OF ENERGY.
YEAH, I'LL GIVE 'EM THAT. YEAH.
SUPER PUMPED, MAN.
AWESOME!
I WANT FIRST DIBS
AND I WANT 20% OF EVERYTHING THE KID MAKES.
- OKAY, DEAL. - '80s BOY BANDS.
RAY, YOU WANNA PLAY?
- IT'S A GOOD MOVE. I DON'T KNOW WHO IT IS. - NO.
I, UH-- I GOTTA GO.
I MEANT TO TELL YOU-- I FOUND A NEW CLIENT.
YOU SET UP A DATE?
YEAH, WHEN I WAS FIXING MY CAR.
I THINK IT'S GONNA BE GOOD.
- I'LL GIVE YOU THE DETAILS LATER. - OKAY, THAT'S GREAT, RAY.
- KELLY CLARKSON? - YOU KNOW YOU'RE LIVING WITH A ***, RIGHT?
- YEAH, I KNOW. - OKAY.
I DON'T KNOW.
( music playing )
Kyla: OKAY, HERE WE GO. YES.
- Ray: OKAY. - WHOO!
THAT'S GOOD, THAT'S GOOD. RODEO. RODEO.
RODEO.
YOU GOT IT, YOU GOT IT.
COME ON, HEADWRUSH, HEADWRUSH.
DOUBLE DIG 'EM WITH A SWING STEP.
OKAY, GOOD GOOD. ALL RIGHT, SWING STEP OUT.
ROUND ABOUT. ROUND ABOUT.
ROUND ABOUT. WHOO! TAP FRONT.
TAP FRONT. TAP FRONT.
INFECTION. YOU'VE GOT IT. THAT'S IT, THAT'S IT.
- WHOO! - Video game: Everybody dance!
♪ Evacuate the dance floor ♪
♪ I'm infected by the sound ♪
♪ Stop, this beat is killing me ♪
♪ Hey Mr. D.J., let the music take me up and down... ♪
OKAY, THAT'S IT.
- ( music stops ) - ENOUGH.
JUST WHEN YOU WERE GETTING GOOD.
YEAH, FANTASTIC.
- I MEAN IT. - ( chuckles )
( groans )
I'M GLAD YOUR CAR BROKE DOWN.
ME TOO. ( sighs )
AND I'M REALLY GLAD YOU WANTED TO DO THIS.
YEAH, I KNOW. THIS IS-- THIS IS GREAT.
THIS IS WHAT I DO.
- Lenore: NICE SHOES, T-BRAIN. - WHAT ARE YOU DOING HERE?
- I WANTED TO TALK TO YOU. - LOOK, WHAT DO YOU WANT?
RAY CAME TO SEE ME YESTERDAY.
APPARENTLY SOMEONE STOLE HIS SHOEBOX AND HE THOUGHT IT WAS ME.
I WONDER WHY HE'D THINK THAT.
ALL RIGHT, TANYA, AS YOU KNOW,
I AM NOW WORKING WITH A VERY TALENTED YOUNG ***.
BUT HE'S GOT A GIRLFRIEND. I THINK SHE STOLE RAY'S MONEY.
ALL RIGHT, WELL, YOU'LL FORGIVE ME
IF I DON'T BELIEVE YOU, LENORE.
YEAH, THAT'S RIGHT. GOOD NIGHT.
- ( knocks ) - ( gasps )
I ALMOST FORGOT. I'VE BEEN SO DISTRACTED LATELY.
KYLA, THIS NEW GIRL WHO'S ON A DATE WITH RAY,
SHE WANTED ME TO TELL HIM--
BUT I'VE JUST BEEN SO BUSY-- I MEANT TO,
BUT I DIDN'T EVEN KNOW IF IT'D BE A PROBLEM FOR HIM.
ALL RIGHT, WHAT IS IT?
THE WOMAN RAY'S ON A DATE WITH IS A MAN.
SHE'S A MAN.
( music playing )
( woman vocalizing )
( soft smacking )
( sighing, moaning )
♪ OH MISS THING, NEVER BEND OR BREAK ♪
♪ YOU FALL DOWN TO FLY AWAY... ♪
- OH WOW. - ♪ ALL YOUR CRAZY CRAZY DAYS ♪
♪ FILLED WITH LOVE ♪
♪ YOU HAPPEN ON YOUR WAY TO FIND ♪
♪ THE PERFECT WAY TO BLOW MY MIND ♪
♪ OH YOU SWEET LITTLE PRETTY THING CALLED LOVE ♪
♪ HI-HO ♪
♪ THAT'S THE WAY IT ALWAYS GOES ♪
♪ I KNOW ♪
♪ YOU'RE BEAUTIFUL, LITTLE GIRL, YOU'RE SO ♪
♪ RIGHT-O ♪
♪ YOU'RE BEAUTIFUL INSIDE ♪
♪ SINGING SWEET SWEET SONGS IN THE MEADOWS ♪
♪ TO THE BEES AND THE BIRDS AND THE FELLOWS ♪
♪ I LIKE THE WAY YOU SHINE... ♪
( vocalizing )
♪ BRIGHT AS ONLY BRIGHT COULD BE ♪
♪ MAKING YOUR OWN MELODY ♪
♪ OH YOU'RE SUCH A SIGHT TO SEE ♪
♪ FILL ME UP ♪
♪ OUT THE DOOR AND BACK AGAIN ♪
♪ WHERE YOU GO AND WHERE YOU BEEN ♪
♪ OH YOU SWEET LITTLE PRETTY THING CALLED LOVE ♪
♪ HI-HO ♪
♪ THAT'S THE WAY IT ALWAYS GOES ♪
♪ I KNOW ♪
♪ YOU'RE BEAUTIFUL, LITTLE GIRL, YOU'RE SO ♪
♪ RIGHT-O, YOU'RE BEAUTIFUL INSIDE ♪
( fades ) ♪ SINGING SWEET SWEET SONGS... ♪