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- PREVIOUSLY ON MILLION DOLLAR DECORATORS...
- HOW'D YOU SLEEP?
- GOOD. GOOD, GOOD, GOOD.
CAN'T BELIEVE I'M LEAVING SO FAST
TO GO BACK TO TAMARA'S.
I'M VERY LUCKY I HAVE A VERY SUPPORTIVE PARTNER.
- HOW LONG ARE YOU GONNA BE GONE?
- JUST FOR A COUPLE OF DAYS.
- SHE'S THINKING THIS ROOM
IS GONNA LOOK LIKE ZSA ZSA GABOR.
- IT'S NOT GONNA BE TOTALLY FASHION.
- GAVE ROSS THE LEAD ON THIS ONE.
- OH, MY GOD! [gasps]
IT LOOKS STUNNING.
I LOVE IT. - [relieved exhale]
- I DON'T WANT THIS AT ALL.
- TAKES A SPECIAL SKILL SET
TO REALLY UNDERSTAND THIS TYPE OF WOMAN.
- WHO'S GONNA PAY FOR THAT?
- YOU ARE, 'CAUSE YOU SIGNED OFF ON IT.
- [sighs]
- I DON'T FOLLOW THE TRENDS. I SET THEM.
- GLAMOUR IS EVERYTHING.
- DECORATING IS TOTALLY DELICIOUS.
- I'M NOT A HOUSE DESIGNER, I'M A LIFE DESIGNER.
- COME ON, YOU GUYS. - COME ON. NACHO, GO.
I'M GONNA LET HIM OFF.
- WHAT DO YOU DO, YOU JUST LET HIM GO?
- YOU ACT LIKE YOU'VE NEVER BEEN TO A DOG PARK.
- WELL, I REALLY DON'T BRING THEM TO THE--
- DAISY! NACHO! - OH, GOD.
- SORRY.
EVEN THOUGH I'M SUPER BUSY,
I ALWAYS HAVE TIME FOR MY LITTLE PUGGLES.
- EW, OH, MY GOD, THERE'S POO EVERYWHERE.
- THERE'S LOTS OF GLAMOUR HERE, DUDE.
HERE'S MY PROBLEM...
I JUST WANT TO SIT DOWN SOMEWHERE
THAT ISN'T COVERED IN POO. - ME, TOO.
UM, THERE'S SOME CHAIRS OVER THERE.
- I PERSONALLY DON'T FEEL LIKE
HAVING A LOT OF PUGS IS ANY PROBLEM AT ALL.
IF YOU'VE GOT ONE DOG THAT'S A LITTLE DOG,
YOU MIGHT AS WELL HAVE FOUR, FIVE, OR SIX.
- WHAT'S HAPPENING, MUMS?
- I'M ACTUALLY LEAVING TOWN IN THREE DAYS.
- FOR WHAT? - DIDN'T I TELL YOU ABOUT THIS?
I'M DOING A STORE IN NEW YORK. - NO.
- I DIDN'T? - I'M IN THE DARK.
- CHRIS BIRCH,
A VENTURE CAPITALIST OF, LIKE, NINE DIFFERENT BRANDS,
HE CALLED ME TO WORK ON THIS NEW BRAND OF HIS
CALLED MONIKA CHIANG. REALLY CUTE.
- CLOTHES AND ACCESSORIES, EVERYTHING?
- YEAH, AND REALLY CUTE, TOO.
- AND YOU'RE GONNA DO THE STORE?
- YEAH. YEAH. - THAT'S REALLY GOOD.
[gasps]
- OH, GET OFF! - [laughs]
THE DOG PARK IS BRINGING OUT THE PASSION IN THE PUGS.
- IT'S WEIRD.
- WHAT HAPPENED TO THAT PAPER?
- WELL, THE WHITE ONE'S RIGHT HERE, ROSS.
THIS IS FOR THE BACK HALLWAY.
I'M DESIGNING A HOUSE IN LA JOLLA.
WE'VE BEEN WORKING ON THE JOB FOR ALMOST A YEAR NOW.
JASON, WHY DON'T YOU WORK ON SEEING IF THE FABRIC'S IN STOCK?
I'VE PRIMARILY BEEN WORKING ON THE ARCHITECTURE.
I'VE BEEN MAKING A LOT OF THE FURNITURE MYSELF
AND WE'RE SIX WEEKS AWAY FROM THE INSTALL.
- THIS IS THE ONE THAT'S STILL COMING IN FROM PARIS.
- HELLO.
- HI, HOW ARE YOU? - HELLO.
- HI, DARLINGS. - HOW ARE YOU?
- ARE YOU READY FOR ME? - WE ARE, YES.
- WE'RE AS READY AS WE'LL EVER BE.
- THIS LA JOLLA HOUSE IS VERY IMPORTANT.
FIRST OF ALL, HILARY IS THE CLIENT'S BUSINESS MANAGER,
AND SHE'S A BALL-BREAKER.
AND SHE'S ON MY *** TO GET THIS HOUSE DONE.
- SO WHAT DO YOU GOT THERE TO SHOW US?
- MARY'S BOOK. - MARY'S BOOK?
- MARY'S BOOK.
- DOES THAT MAKE YOU NERVOUS? - I'VE HEARD OF HER.
- I THINK YOU HAVE.
- IS THIS FOR THE BEDROOM?
- YEAH. WHAT DO YOU THINK OF THAT?
I THINK IT LOOKS REALLY SUMPTUOUS.
- SHE SAW THIS SWEATER AND WANTED THIS COLOR BED.
SO IS THIS NOW-- WE'RE CHANGING?
- REALLY? - YEAH.
THIS SWEATER, SHE SAW, AND SAID SHE WANTED THE BED.
- OKAY, BUT YOU KNOW WHAT I THINK?
WILL YOU MAKE THAT ALL UP IN ONE OF THOSE PRETTY BOARDS
SO WE CAN LOOK AT THAT? - I WILL. I WILL.
- AND THEN WE'LL MAKE SURE IF THAT'S WHAT SHE LIKES,
'CAUSE REALLY, THAT'S NOT MY MAIN CONCERN RIGHT NOW.
MY MAIN CONCERN IS SIX WEEKS.
- RIGHT NOW WE'RE HAVING SOME ISSUES WITH THE PAINTERS.
- ARE THEY PAINTING RIGHT NOW?
- HOPEFULLY. - SUPPOSEDLY.
- LET'S JUST DECIDE WHEN THE PAINTERS NEED TO BE DONE,
AND IF THEY HAVE TO GET IN TEN MORE PAINTERS,
THEN LET'S GET TEN MORE PAINTERS. I MEAN--
- THEY'RE OKAY TO PAY FOR TEN MORE PAINTERS?
- IT NEEDS TO BE DONE. OKAY, WHAT ELSE?
- WE DON'T HAVE ANY ART IN THIS HOUSE.
- LET'S GET ART DOWNSTAIRS IN THE MAIN ROOMS,
AND THEN WE'LL WORK OUR WAY UP.
WHAT'S THE MOST IMPORTANT PIECE?
AND JUST GO FROM THERE, OKAY?
- THIS HOUSE HAS SO MUCH TO DO,
A PUNCH LIST A MILE LONG,
AND WE ONLY HAVE SIX WEEKS.
AND HILARY SCARES ME A LITTLE BIT.
- I JUST WANT IT DONE.
I'LL MAKE THE DECISIONS THAT HAVE TO BE MADE,
BUT LET'S STICK TO THE TIME FRAME AND DO WHAT IT TAKES,
BECAUSE THERE'S NO ALTERNATIVE TO THAT.
- [whistles]
- HEY. - HEY, BABE.
I GOT YOU A NICE LITTLE DRINKY.
HOW WAS YOUR DAY?
- IT WAS GOOD. - WAS IT GOOD? YEAH?
- IT WAS GOOD. HOW WAS YOUR DAY?
- CHEERS.
MY DAY WAS GOOD. IT WAS BUSY.
MICHAEL IS MY PARTNER,
AND WE'VE BEEN TOGETHER FOR... COMING UP TO FIVE YEARS NOW.
HE IS SOMEBODY THAT'S INCREDIBLY PATIENT,
WHICH, GOD KNOWS, YOU NEED WITH ME AROUND.
I KNOW IT'S A BIT OF A BOMB SITE IN HERE,
BUT IT'S A WHOLE REASON FOR IT.
I KNOW I PROMISED THAT I WOULDN'T REDECORATE AGAIN
THIS YEAR... - BUT YOU ARE.
[sighs]
BABE, I LIKE IT THE WAY IT IS, YOU KNOW?
- MY TRIP WITH MARY HAS LEFT ME
ABSOLUTELY SALIVATING FOR CHANGE.
BUT LOOK, LOOK, LOOK, LOOK, WATCH, WATCH.
I'M GOING TO SHOW YOU.
THIS BEAUTIFUL OTTOMAN, WHICH I LOVE.
THIS WOULD BE REALLY AMAZING OVER THERE
INSTEAD OF THAT TABLE.
AND THEN I COULD MAKE A NEW SOFA,
AND THEN THIS CHAIR-- LOOK HOW LOVELY THIS IS.
IT LOOKS SO COZY.
UP UNTIL NOW, I'VE HAD
THESE SORT OF PASSIONATE JEWEL TONES.
AND I QUITE LIKE THE IDEA OF GOING A BIT MORE MUTED,
KIND OF A BIT MORE NATURAL.
AND ALSO KIND OF ADD THIS SLIGHTLY ENGLISH EXPERIENCE
INTO MY VERY MEDITERRANEAN HOUSE.
I COULD DO THE WALLS IN THIS GORGEOUS ANTIQUE-Y CREAM
RATHER THAN ANTIQUE-Y WHITE.
AND THEN, THESE CURTAINS, UNBELIEVABLY,
ARE KIND OF ALMOST PERFECT.
SO I COULD TAKE DOWN THE RED ONES.
OH, LOOK AT THAT.
- NO, IT'S NICE. I JUST LIKE THE OTHER ONE
A LITTLE BETTER.
I JUST--IT'S A LOT.
- MICHAEL'S LOOKING A LITTLE BEWILDERED RIGHT NOW.
I THINK HE MIGHT HAVE GONE INTO SHOCK.
I THINK THAT THE ROOM WOULD TAKE ON NEW LIFE,
AND I THINK I WOULD FEEL MUCH MORE INSPIRED
TO DO REALLY COOL NEW THINGS FOR MY CLIENTS.
THIS ROOM WILL GIVE ME A NEW ME.
WE BOTH NEED A NEW ME.
- YEAH?
- I THINK YOU NEED A LITTLE MORE WINE
TO FEEL MORE LIKE YOU MIGHT LIKE IT MORE.
- OKAY, HERE IT IS. - HOW EXCITING.
I LOVE THESE DOORS. I THINK THEY'RE SO CHIC.
FASHION ITSELF IS ONE OF MY TRUE LOVES,
AND I'M ALWAYS INTEGRATING IT INTO MY INTERIORS.
SO THIS SHOP REALLY MELDS
TWO WORLDS THAT I ABSOLUTELY LOVE.
- HI. - I MADE IT!
- GREAT. - I'M SO GLAD.
I'M SO EXCITED TO TALK ABOUT THE NEW YORK STORE.
- HOW ARE YOU? GOOD TO SEE YOU.
- SO MONIKA CHIANG IS BASICALLY A SUPERMODEL.
SHE IS 10-FEET TALL,
A STICK, AND TOTALLY GORGEOUS.
AND I HATE HER GUTS.
[laughs]
WHAT WE'RE DOING IS WE'RE CREATING--
OR I WOULD LIKE YOU GUYS TO CREATE--
A FORMULA THAT CAN BE CHANGED SLIGHTLY.
BECAUSE YOU'RE GONNA BE OPENING MULTIPLE STORES.
I KIND OF SEE NEW YORK AS MAYBE A DIFFERENT COLOR,
SO LET'S JUST SAY THE BLUES, YOU KNOW, WOULD BE...
MAYBE AN AMETHYST TO A LILAC,
BUT I NEED MORE OF IT, LIKE--
- WELL, I LIKE THE COLOR SCHEME OF THIS STORE.
- LIGHT GRAY AND BLUE
IS A LITTLE TOO ICE ***.
SO WE NEED TO MAKE THE NEW YORK STORE
MORE FRIENDLY.
WE JUST NEED TO MAKE IT MORE FUN.
- I LOVE THE IDEA OF HAVING SOMETHING
MORE LIKE A LIVING ROOM.
- SO BASICALLY THIS IS GOING
TO END UP IN THE FRONT IN NEW YORK.
- WE HAVE MORE SPACE, SO WE CAN ADD MORE FURNITURE,
MORE UPHOLSTERY.
- YOU PUT UP A BIG SCREEN THAT WENT BEHIND THE WHOLE SOFA.
YOU KNOW WHAT I MEAN? - YEAH.
- BUT SOMETHING TRANSPARENT. both: NO.
- HERE. - WE CAN--
- [laughs]
- DO YOU FEEL GOOD ABOUT YOURSELF?
- ARE THERE OTHER IDEAS THAT YOU HAVE,
WE CAN ACCOMPLISH THE SAME?
- SHE DOESN'T FIND THIS FUNNY AT ALL.
I'M GONNA STOP DOING THAT.
WELL, IT TURNS OUT THAT MONIKA HAS A LOT OF OPINIONS,
WHICH I WAS JUST HOPING
SHE JUST WANTED TO BE A SUPERMODEL,
BECAUSE THAT WAS GONNA BE SO MUCH EASIER FOR ME.
OKAY, WELL, I'M GONNA--
SEE THAT EXIT SIGN? I'M GONNA GO!
[laughter] OKAY.
- NOW I LOVE THIS.
- YEAH, TOTALLY. IT'S PROBABLY A LITTLE DEEP.
- I LOVE THE HEIGHT OF IT.
[phone rings]
HELLO? - JEFFREY?
- HI, HILARY, HOW ARE YOU?
- I'M FINE, SWEETHEART.
HOW ARE YOU? - I'M WELL.
- OKAY, SWEETHEART, LISTEN.
CAROLINE'S GONNA BE HERE TOMORROW.
YOU KNOW HOW RARE IT IS THAT SHE'S IN TOWN.
I THINK IT'S VERY IMPORTANT THAT YOU TRY AND MAKE TIME
IN YOUR SCHEDULE TO COME DOWN AND MEET WITH US.
- IT'S A BIG DEAL TO MEET WITH CAROLINE
BECAUSE I'M A LITTLE CONCERNED ABOUT THE SHAPE OF THE HOUSE.
- WE REALLY NEED YOU TO BE HERE.
WE'VE GOT TO HAVE A MEETING. - OKAY.
I'LL REARRANGE SOME THINGS
AND I'LL DEFINITELY MAKE IT HAPPEN, HILARY.
- ALL RIGHT, HONEY, THANK YOU SO MUCH.
- OKAY, BYE. - BYE.
SO YOU'RE GOING TO LA JOLLA TOMORROW.
- WE'RE BOTH GOING TO LA JOLLA TOMORROW.
YOU'RE COMING WITH ME.
- YOU KNOW I CAN'T COME TO LA JOLLA TOMORROW.
I'M IN NEW YORK.
MY MODELING CAREER CURRENTLY DOESN'T EXIST,
BUT OUT OF THE BLUE, I GOT A CALL
TO SHOOT ITALIAN VOGUE WITH STEPHEN MEISEL.
AND WHEN STEPHEN CALLS, YOU ANSWER.
- CAN'T YOU TELL ALL THOSE LITTLE MODEL-Y PEOPLE
TO MAKE IT A LITTLE LATER IN THE WEEK?
JUST A LITTLE? - NO, I'M NOT IMPORTANT.
I CAN'T TELL THOSE "LITTLE MODEL-Y PEOPLE"
TO DO THINGS LATER IN THE WEEK.
I KNOW HE DOESN'T WANT TO GO DOWN TO LA JOLLA
AND HAVE TO FACE THE DRAGON ALONE,
BUT THIS ONE TIME, HE'S GOING TO HAVE TO.
YOU'LL BE FINE. JUST GO AND--
- YOU KNOW WHAT, I NEED TO CALL JASON.
- OH, YOU'RE SULKING NOW,
BECAUSE I'M NOT COMING TO LA JOLLA WITH YOU.
OH, YOU'RE TOTALLY SULKING WITH ME.
- HEY, JASON, COULD YOU MOVE SOME THINGS AROUND
WITH MY SCHEDULE TOMORROW?
I'VE GOT TO GO TO LA JOLLA.
AND YOU'RE COMING WITH ME.
- I HOPE IT DOESN'T LOOK LIKE THIS.
- UM...
THIS COULD BE A VERY, VERY LONG MONTH.
- IT WOULDN'T BE MY FIRST PICK.
- WOULD IT BE YOUR SECOND?
- ARE THEY IN THERE? - I THINK SO.
- HEY. - HI!
- GOD, YOU LOOK CUTE. - NICE TO SEE YOU.
- YOU, TOO. - NO, YOU LOOK CUTE.
VERY CHIC. - THANK YOU.
I'M LOVING THAT COAT. - MM, YEAH, IT'S--
- REALLY HOT. OKAY, COOL.
- SO THIS IS THE SPACE.
- IS IT WHAT YOU IMAGINED?
- YOU KNOW... NO, IT'S A LITTLE DIFFERENT.
IT'S ACTUALLY WIDER AND SHORTER.
- SO WE ONLY HAVE TWO ROOMS INSTEAD OF THREE.
- OKAY, OKAY.
I'M A LITTLE WORRIED BECAUSE WE ONLY HAVE ABOUT A MONTH
TO DO ALL THIS RENOVATION AND INSTALLATION,
SO IT'S SUPER, SUPER TIGHT.
HOW ARE YOU GUYS FEELING ABOUT THE FLOOR?
I MEAN, I COULD SEE EVEN NO CARPET.
- WELL-- - WITH THE CONCRETE? NO.
THINK I LIKE THE CARPET.
I WANT TO CREATE SOMETHING MORE INTIMATE--
- YOU KNOW, YOU CAN STAIN CONCRETE ANY COLOR.
- I THINK IT--IT CREATES-- - YOU WANT CARPET?
- YES. - OKAY.
I JUST LOOK AT YOU AND I SEE "SEXY,"
AND I FEEL LIKE THE STORE
SHOULD BE, LIKE, MORE SEXY THAN ANYTHING ELSE.
YEAH, OKAY. - BUT I--
- YOU COULD HAVE SOMETHING A LITTLE BIT EDGY-SEXY.
- BUT I LOVE A LITTLE BIT OF AN IRONY ALSO.
LIKE, SOMETHING THAT'S FIERCE AND SEXY,
BUT THEN THERE'S A LITTLE BIT OF A WINK.
- WHEN YOU SAY, "WINK," LIKE WHAT?
- THERE A CANDLEHOLDER FROM THE LAST COLLECTION
WITH A LITTLE TEDDY BEAR AND SPIKES ON THE BELLY.
- OKAY.
I DON'T KNOW WHAT TO DO WITH A TEDDY BEAR
JUST FOR THE STORE.
- YOU CAN CREATE TWO STOOLS OUT OF A TEDDY BEAR
WITH SPIKES AND THEN YOU BRING SOMETHING UNEXPECTED AND FUN.
- BUT I'M TALKING ABOUT SPIKED WITH PLAYFUL,
NOT JUST-- IT'S A COMBINATION.
- OKAY. ALL RIGHT.
- WELL, LET'S TRY.
- COME ON, I'M NOT DOING A TEDDY BEAR TABLE.
PEOPLE JUST KIND OF NEED TO GET OUT OF THE WAY
AFTER THEY HIRE YOU, SO YOU CAN DO WHAT YOU DO BEST.
LET ME JUST PUT THAT IN MY COMPUTER
AND SEE WHAT STARTS POPPING UP.
- [sighs]
JEFFREY DOES A LOT OF THINGS REALLY WELL,
AND SULKING IS ONE OF THEM.
YOU'RE GONNA TAKE JASON WITH YOU?
- I THINK I CAN HANDLE THIS ONE.
YOU JUST WORRY ABOUT YOUR PRETTY SELF SHOOTING VOGUE.
- OKAY, I WILL WORRY ABOUT MY PRETTY SELF SHOOTING VOGUE.
BUT I JUST--I'VE BEEN SORT OF, LIKE, ALL OVER THIS PROJECT,
AND SO I'M WORRIED THAT YOU'RE GONNA FREAK OUT
WHEN YOU GET THERE.
- THE CAR'S WAITING FOR YOU OUTSIDE,
SO YOU BETTER GET ON WITH IT.
- YOU TRYING TO GET RID OF ME?
- I HAVE A WHOLE EVENING AHEAD OF ME.
I'M VERY BUSY. - ALL RIGHT, OKAY.
CALL ME IF YOU NEED ANYTHING. - I WILL.
- UM, UH... - WILL YOU BUTTON UP?
DON'T TALK TO ANYONE ON THE PLANES.
THEY'RE ALWAYS BAD PEOPLE. - REALLY?
- YEAH. - [laughs]
- OKAY, WELL, THE CAR'S WAITING.
- GOD, I WISH. - COME ON.
- BYE, COLLIE. I LOVE YOU, BEAST.
I'M GOOD.
- I CAN'T WAIT TO START ON THE DOWNSTAIRS.
I'M VERY BORED WITH ALL THOSE COLORS.
WE HAVE BEEN SATURATED IN ALL THAT COLOR.
NEUTRAL IS THE NEW COLOR.
- SO ONCE THIS IS DONE, CAN WE AT LEAST, LIKE--
COULD YOU PROMISE ME
TWO MONTHS THAT THE HOUSE WON'T BE REDECORATED?
- [laughs] WELL, DON'T SOUND LIKE THAT.
- I GET ATTACHED TO THINGS... LIKE THE CHAIR,
LIKE THE TABLE.
- WHAT CHAIR? - THE CHAIR I ALWAYS SIT IN.
- I'VE ACTUALLY DECIDED TO CHANGE THAT ONE.
- YEAH, I KNOW YOU DID.
IT WOULD ALSO JUST BE NICE TO BE ABLE TO COME HOME
AND JUST HAVE THINGS THE SAME FOR A MONTH.
- I DON'T CHANGE IT EVERY MONTH, COME ON.
- EVERY OTHER MONTH.
IT'S ALWAYS LOVELY. IT'S JUST...
FOR A PERSON THAT DOESN'T
REALLY LIKE CHANGE THAT MUCH, IT'S CHANGING A LOT.
I MEAN, IT WOULD JUST BE NICE TO COME HOME TO A HOUSE
THAT I ACTUALLY RECOGNIZE.
- I DON'T THINK I REALIZED QUITE HOW MUCH
MICHAEL LOVED THE WAY THE LIVING ROOM LOOKS,
AND I WISH IT DIDN'T HAVE TO BE THIS WAY.
THAT HOUSE IS MY EXPERIMENT PAD.
I NEED TO KEEP CHANGING IT UP AND TRYING NEW THINGS.
AND I UNDERSTAND THAT THAT'S OUR HOME,
BUT, FOR ME, IF IT DOESN'T WORK IN THE HOUSE,
THEN I KNOW IT'S NOT GOING TO WORK FOR MY CLIENT.
IT'S ALL PART OF THAT BIG PICTURE.
- I FEEL LIKE YOU'RE MOVING ME OUT.
- WHERE'S THE OTHER BOARD?
- UM, WELL, I BROUGHT--
WE GOT THIS BACK FROM THE RENDERER.
SO HERE WAS THE FINAL RENDERING.
- OH, I LIKE IT SPATIALLY. IT'S A PERFECT COLOR.
MONICA'S A LITTLE HARD TO READ,
SO HOPEFULLY SHE GETS MY VISION
AND HOW I SEE THIS ALL COMING TOGETHER.
THIS TIES THE ENTIRE STORE TOGETHER.
I DON'T KNOW, I HAVE TO PUSH THIS.
I'M GONNA PUSH THIS AND SEE IF THIS--
SHE GETS IT WHEN IT'S ALL TOGETHER ON THE BOARD.
IT'S IMPORTANT THAT WE CONNECT ON COLOR,
AND GIVEN THAT LAVENDER IS BOTH ICY AND COLORFUL,
I THINK IT'LL WORK FOR BOTH OF US.
DO YOU LIKE THIS? - I LOVE THAT SOFA-CHAISE.
- DON'T YOU THINK THAT'S KIND OF HIP AND COOL
FOR WHAT I'M TRYING TO DO HERE?
I JUST WANT TO MAKE SURE THAT SHE FEELS HER VIBE,
'CAUSE I CAN'T REALLY TELL HOW THE MEETING WENT.
I'M NOT EVEN SURE IF SHE LIKES ME.
- THIS PROJECT IS PRETTY IMPORTANT TO ME.
I'M FROM LA JOLLA,
WHICH IS 2 1/2 HOURS AWAY FROM LOS ANGELES.
WOW.
I THOUGHT THE LANDSCAPE WOULD BE IN BY NOW.
OH, MY, WE'VE GOT A LOT OF WORK TO DO.
THE STATE THAT THE HOUSE IS IN IS A COMPLETE MESS.
THIS JOB IS A LONG WAY FROM SIX WEEKS AWAY FROM COMPLETION.
WHERE'S CAROLINE?
- OH, IS THAT HER?
[phone ringing] - IT'S HILARY.
HELLO?
- THERE YOU ARE. - ARE YOU ON YOUR WAY?
- NO, SWEETHEART, WE'RE NOT GONNA MAKE IT.
I'M SORRY, BUT THINGS HAVE GOTTEN CRAZY.
- WELL, THE PAINTERS ARE ONLY HALFWAY DONE,
AND I CAN TELL THEY'RE GONNA BE HERE
FOR ANOTHER TWO WEEKS.
- WHAT'S UP WITH THE FLOORS?
- I'M GONNA CHECK THE FLOORS IN A MINUTE.
- AND THEN WHAT OTHER MAJOR THINGS DO WE HAVE TO DO?
- WELL, WE'VE GOT THE LIGHTING TO INSTALL,
WE'VE GOT THE CURTAINS.
- YOU CAN'T DO ANY OF THAT, OBVIOUSLY,
UNTIL THE PAINTING'S DONE.
ALL RIGHT, WELL, YOU KNOW WHAT?
YOU'RE GONNA FIGURE IT OUT, RIGHT?
- I'M GONNA FIGURE IT OUT.
I-- [phone beeping]
WE CAN FIT-- OH, SHE GOT DISCONNECTED.
THANK GOD. [sighs]
OKAY.
- WHERE DO WE BEGIN?
- WHERE DO WE BEGIN?
WELL, LET'S GO TO THE BEDROOM.
OOH. - THIS IS THE MASTER?
- YEAH, BUT IT'S THE MASTER
THAT WAS SUPPOSED TO BE DONE LAST WEEK.
THE LA JOLLA HOUSE IS ABOUT 12,000 SQUARE FEET,
AND WE HAD A BUDGET OF ONLY $1.5 MILLION.
THAT'S NOT A LOT OF MONEY.
THE CEILING'S A LITTLE HIGH FOR MY LIKING FOR A BEDROOM,
SO I'M THINKING OF UPHOLSTERING THIS NICHE.
I THINK IT WOULD JUST SOFTEN IT
AND MAKE IT A LITTLE COZIER IN HERE.
SHE LIKED THIS PURPLE BED. SHE'S VERY INTO PURPLE AND PINK.
THE CLIENT CAME TO ME WITH A VERY PARTICULAR PALETTE
OF PINK, LAVENDER, AND GRAY.
WE'RE TRYING TO BALANCE THE COLOR SCHEME,
TRYING TO MAKE IT A LITTLE MORE SOOTHING,
BUT IT'S STILL VERY SOPHISTICATED.
AND THE CHANDELIER'S COMING FROM CHARLES EDWARDS IN LONDON.
- OKAY. - CAN YOU MAKE SURE...
THAT IT IS IN ACTUALITY HERE?
A LOT OF THE FURNITURE FOR THE JOB IS CUSTOM.
WE BUILT THIS ROOM AROUND
THIS SANDRA JORDAN GRAY ALPACA SOFA.
THERE'S A GRAY RUG, WHICH WE NEED TO CHECK ON,
AND FOUR CHAIRS,
BUT IT'S A LITTLE SOMBER IN HERE WITH ALL THE GRAY.
I NEED SOME JOLTS OF SOMETHING IN HERE.
NOW, I DID DO THE PURPLE IN PILLOWS,
BUT I NEED MORE IN HERE.
THE CURTAINS AREN'T GONNA HELP.
THEY'RE GRAY.
WHEN THE HOUSE IS FINISHED, IT'LL LOOK GREAT.
IT'S LIKE MARTHA'S VINEYARD MEETS PARIS APARTMENT.
BUT THIS IS A WHOLE BIG MESS RIGHT NOW.
THERE'S A LOT TO DO. OKAY.
ROSS SHOULD BE HERE.
- LET'S SEE.
WE HAVE THESE READY, RIGHT? - YES.
- I CAN'T SHOW THESE, 'CAUSE SHE DOESN'T LIKE THIS.
I'VE COME TO NEW YORK TO MEET WITH MONIKA'S ENTIRE TEAM.
I HOPE THEY DON'T ALL LOOK LIKE SUPERMODELS,
'CAUSE THAT WOULD JUST BE HORRIBLE.
AND I'LL PUT THIS ON TOP. - HI.
- HI, HOW ARE YOU? - HI, HOW ARE YOU GUYS?
- WE'VE GOT A LOT OF THINGS TO SHOW YOU,
WHICH IS GOOD.
- I BROUGHT PART OF MY STORE DEVELOPMENT TEAM,
AND ALSO, I DON'T THINK YOU'VE MET...
- WE HAVEN'T MET. - YEAH.
- HI. - TERENCE.
- HI, TERENCE, NICE TO MEET YOU.
- TERENCE, MY GENERAL MERCHANDISING MANAGER.
- SO PLEASE, DIVE IN WITH ANYTHING
THAT YOU THINK MIGHT BE A PROBLEM.
- I'M NEVER SHORT ON OPINIONS. - OKAY, GOOD.
OKAY, GREAT. I MEAN, DON'T GO CRAZY.
[laughter] - I WON'T.
- WOW. - OH, MY GOD.
- YOU REALLY WENT ALL OUT ON THE LAVENDER AND PURPLE.
- WE COMMITTED.
- I HOPE IT DOESN'T LOOK LIKE THIS.
IT'S A LITTLE PURPLE.
- WE DON'T WANT A LOT OF DIFFERENT CONTRASTS
THAT'S GONNA CONFLICT WITH THE CLOTHES.
BECAUSE FROM ONE SEASON TO THE NEXT,
OBVIOUSLY OUR COLOR PALETTE WILL CHANGE,
SO, YOU KNOW, WE JUST NEED TO MAKE SURE
THAT THE STORE IS LIKE A BACKDROP TO THE COLLECTION.
- NO, BUT I ACTUALLY THINK THIS IS A PRETTY BACKDROP
FOR LOTS OF COLORS, BECAUSE IT'S ALMOST--
- YEAH, I CAN SEE THAT CLASHING WITH--
- LOTS OF COLORS. - OKAY.
- I THINK IT'S IMPORTANT TO START WITH AN ELEGANT BASE.
AND THEN, WHEN YOU GO CRAZY, IT'S ALWAYS TIED TOGETHER.
- I REALLY LOVE THE GREEN ACCENTS THERE.
- OKAY, GOOD.
AND WHERE YOU HAVE THE VENETIAN PLASTER IN LOS ANGELES,
I AM SUGGESTING WE DO THIS GRASS CLOTH
THAT'S IN THIS LAVENDER.
AND THESE FOUR NICHES
WOULD HAVE THE OVER-SCALED FAUX PAINTING
IN A LIGHT, LIGHT, LIGHT LILAC-LAVENDER.
- I LIKE THAT IT BRINGS SOMETHING
MORE ORGANIC TO THE ROOM.
- OKAY, GREAT.
SO LET'S TALK ABOUT OUR ACTUAL PIECES AND THE SOFA.
MARCO AND I TALKED ABOUT THIS.
- NOT CRAZY ABOUT THAT STYLE.
- YOU'RE REALLY NOT INTO THIS.
IT'S OKAY. - I MEAN, I CAN'T--
IT WOULDN'T BE MY FIRST PICK.
- WOULD IT BE YOUR SECOND?
- NO.
- UM...
MY SECOND IDEA, WHICH I DIDN'T DO A BOARD OF...
YOU DON'T DO SOFAS, YOU DO FOUR CHAIRS.
- NO.
- NO? - OH. OKAY.
IF MONIKA DOESN'T SOMEWHAT LOOSEN UP WITH MY IDEAS,
THIS COULD BE A VERY, VERY LONG MONTH.
I DON'T HAVE ANYTHING ELSE FOR YOU TODAY.
I'VE GOT TO GO BACK TO THE DRAWING BOARD...
- OKAY. - WITH SOME OF OUR PIECES.
- JEEZ LOUISE, THAT'S JUST HIDEOUS.
I'M A PERFECTIONIST, AND I'M NOT HAPPY.
BIG MISTAKE. BIG MISTAKE.
- WELL, DO WE HAVE A PICTURE OF IT?
- YEAH, I HAVE A PICTURE OF IT IN A BINDER.
DO YOU WANT ME TO GET IT RIGHT NOW?
- I'LL DO IT.
- COLLIE! HI, COLLIE.
I MISSED YOU. HOW ARE YOU GUYS?
WHAT DID I MISS?
WHAT DID I MISS? WHAT DID I MISS?
- [clears throat] - HOW WAS IT?
- IT WAS FUN, IT WAS GOOD. - YEAH?
- IT WAS WACKY. - WAS THERE ANYONE BETTER THERE?
LIKE, FANCY SUPERMODEL? - OH, BETTER THAN ME?
[laughter]
YEAH, NO, EVERYBODY WAS BETTER THAN ME.
- YOU MISSED SO MUCH.
WE WERE DOWN IN LA JOLLA BY OURSELVES...
- AND HOW'D IT GO? - WITHOUT YOU.
- HOW'D IT GO? HOW'D IT GO?
- WELL, IT'S NOT GOING AS WELL AS EXPECTED.
THERE'S A LOT TO DO. - WELL, THAT'S ALWAYS THE CASE.
- WE HAVE SUCH A LIST OF THINGS HERE TO COVER WITH YOU.
I MEAN, IT'S GONNA TAKE ALL DAY.
- YEAH, NO, I KNOW.
LOOK, HERE'S THE THING. EVERYTHING'S BEEN ORDERED.
I'LL CHECK IN ON THE RUNNER UP THE STAIRS AND THE RUGS.
DID THEY SEND PHOTOS OF THE FINISHED UPHOLSTERED STUFF?
- THEY WENT AHEAD AND UPHOLSTERED THEM?
- YEAH.
- THAT WAS A LONG PAUSE THERE.
I'M A LITTLE WORRIED.
EVEN THOUGH I GAVE ROSS THE LEAD ON AMBER'S PROJECT,
IT DOESN'T MEAN HE'S THE BOSS.
AND THIS HAS GONE STRAIGHT TO UPHOLSTERY
WITHOUT MY OKAY ON IT.
AND I'M NOT HAPPY ABOUT IT.
ALL OF THIS NEEDS TO BE J.A.M.-APPROVED,
SO I NEED TO GO LOOK AT THE CHAIRS,
LOOK AT THE DINING ROOM TABLE. - YEAH.
- AND LOOK AT THE TWO SOFAS.
- LET'S TRY AND GO TOMORROW. - TOMORROW?
- 'CAUSE I THINK THAT NEEDS TO HAPPEN ASAP.
- ALL RIGHT, GUYS. IT'S NICE TO BE BACK.
- GOOD TO SEE YOU.
- I CAME UP WITH ANOTHER--
WELL, WE HAD A COUPLE CHOICES
THAT WERE ALSO KIND OF HIP AND GROOVY.
BUT DO YOU LIKE ANY OF THOSE?
MONIKA REALLY DID NOT LIKE OUR SEATING CHOICES.
AND I'M HOPING SHE'LL CHOOSE ONE OF THEM
SO THAT WE'RE TOGETHER WHEN WE INSTALL.
THIS IS PROBABLY THE MOST FEMININE OF ALL OF THEM,
BUT IT WOULD NEVER BE THIS LONG.
- HAVEN'T I SEEN THIS ONE?
- I DON'T KNOW, MAYBE WE'RE BRINGING IT BACK AROUND AGAIN.
[laughs]
THIS ONE IS DEFINITELY MORE COZY COMFORTABLE.
- YEAH. - BUT IT'S STILL SEXY.
- I MEAN, I LOVE--I LOVE THEM ALL, ACTUALLY, BUT...
I WISH I COULD SEE THESE IN PERSON.
- I KNOW WHAT WILL LOOK GREAT,
SO I DON'T REALLY NEED ANYBODY'S OPINION AT THIS POINT.
THEY HIRED ME, PERIOD.
- WHAT COLOR ARE WE THINKING THIS WILL BE?
- I THINK THIS DEFINITELY HAS TO BE
ONE OF THOSE, LIKE, VERY RICH LAVENDERS.
- IT SEEMS LIKE THIS IS THE ONE THAT YOU'D LIKE TO GO WITH.
- I MEAN, I'D RATHER JUST GET THIS OUT OF THE WAY.
IT'S ONE THING DOWN.
WE CAN GET GOING ON THE DRAWINGS FOR THIS.
- OKAY.
- WELL, LET'S SEE WHAT WE FIND HERE TODAY.
I HOPE IT'S SOMETHING FABULOUS. - YEAH.
- I'VE DECIDED TO KIND OF CHANGE UP MY VIBE AT HOME.
YOU KNOW MY BEAUTIFUL CORAL CHANDELIER?
- YEAH, MM-HMM. - IT'D BE FUN TO REPLACE IT
WITH ONE OF THESE SORT OF INDIAN ONES.
I'M TRYING TO BE REALLY SENSIBLE ABOUT
UNDERSTANDING MICHAEL'S FEELINGS ABOUT THE LIVING ROOM.
I DO FEAR THAT POSSIBLY MICHAEL HAS A BREAKING POINT.
AND SO I WANT TO FIND A PIECE THAT SAYS "MICHAEL."
- YEAH, I LIKE THAT. - BEAUTIFUL, I LOVE ALL OF THAT.
DON'T YOU THINK IT WOULD BE A NICE NEW VIBE...
- YEAH. ABSOLUTELY.
- TO HAVE SOMETHING A LITTLE BIT MORE SIMPLIFIED?
IT'S A LITTLE BIG, THOUGH, THAT ONE.
- IT'S TOO BIG.
- "TOO BIG" IS NOT SOMETHING I USUALLY SAY,
BUT IT MIGHT BE RIGHT IN THIS. - [laughs]
- AND THEN, OF COURSE, THIS ONE'S NICE
BECAUSE THIS ONE'S A BIT MORE OPEN-WORKED.
MY GOD, YOU'VE GOT QUITE A LOT OF THESE.
WHAT DID YOU DO, ROB SOME MAHARAJAH'S PALACE?
- YES. - THIS ONE'S PRETTY.
BUT THIS ONES A LITTLE BIT GEORGIAN IN SHAPE.
I LIKE THE FEEL OF WHERE THEY'RE A BIT MORE...
INDIAN AND COLONIAL AND...ECCENTRIC.
THE SCALE OF THAT ONE IS NICE.
I LOVE THESE HURRICANES, THOUGH.
AREN'T THEY BEAUTIFUL, THE WAY THEY'RE ETCHED?
- THEY'RE ABSOLUTELY STUNNING.
- IT HAS THIS WONDERFUL ESSENCE OF BEING EUROPEAN
YET FLAVORED WITH AN INDIAN ESSENCE,
WHICH I THINK WILL BE THE PERFECT INSTRUMENT
TO GROUND MY LIVING ROOM.
HOW MUCH IS THIS LITTLE NUMBER GONNA SET ME BACK?
AND TRY AND BE GENTLE, FOR HEAVEN'S SAKE.
- SO IT'S $15,000.
- [laughs]
- I LOVE IT.
MICHAEL'S GONNA LOVE THIS WHEN HE SEES THIS.
IT'S A REALLY EXPENSIVE THING,
BUT THIS CHANDELIER IS MICHAEL'S STYLE.
WRAP IT UP. - GREAT.
- AS THE ACTRESS SAID TO THE BISHOP.
[laughter] - ALL RIGHT.
- THIS IS GREAT. THIS IS GENIUS.
- WE'RE MEETING WITH MY UPHOLSTER, ESSA, TO GO OVER
ALL THE CUSTOM FURNITURE FOR LA JOLLA
THAT GOT THE ROSS APPROVAL
BUT NOT THE J.A.M. APPROVAL.
- HEY, ESSA. - WELL, GENTLEMEN.
- SORRY, WE'RE JUST... - HI.
- HOW ARE YOU? - ENJOYING OUR PINK ROUND THING.
- COMFORTABLE THERE? - VERY.
- THIS IS THE FAMILY ROOM SOFA.
- OH, YES. SO IT IS.
THIS IS THE ALPACA.
- MORE ALPACA. STORY OF OUR LIVES.
- I HOPE THIS IS COMFORTABLE.
HE WANTED THIS COMFORTABLE.
I DESIGNED THE LIVING ROOM AROUND
THE GRAY ALPACA SOFA.
- THIS IS GONNA BE STUNNING WITH THE WALLS.
- HMM.
BUT IT'S A LOT OF GRAY.
IS THERE A PILLOW ON THE GRAY SOFA?
- UM, THERE WERE SUPPOSED TO BE BOLSTERS.
- IS THAT RIGHT, ESSA?
IS THAT WHAT YOU HAVE ON YOUR ORDER?
- FOR THE BOLSTERS OR FOR THE PILLOWS?
- BOLSTERS WITH THE GRAY, I THINK.
- PILLOWS ARE THE JEWELRY ON MY UPHOLSTERY GOODS.
AND A SPLASH OF PURPLE
WILL HELP BREAK UP A VERY MONOCHROMATIC GRAY ROOM.
I PICKED ABOUT FOUR, AND I KEPT HANDING IT TO YOU
OVER AND OVER AND OVER.
- IT'S, UM--
LIKE, I DON'T THINK I HAVE A RECEIPT.
- [bleep].
- I GAVE ROSS
ALL MY TRIMS, ALL MY PILLOW FABRICS
IN DETAIL A MONTH AGO.
WHERE ARE THESE PILLOWS?
WHAT ELSE DO WE HAVE LEFT?
- YOU'VE GOT THESE FOUR CHAIRS.
WITH THEIR PINK-- - WITH A PINK WELT.
- WITH A PINK WELT
THAT PICKS UP THE PINK THERE.
AND THE PINK ON THE SHELVES.
- THEY LOOK A LITTLE BIT LIKE GRANDMA'S HOUSE.
THEY'RE A LITTLE SWEET FOR THE ROOM
'CAUSE IT'S QUITE SOPHISTICATED, AND ALL OF A SUDDEN,
YOU'VE GOT THIS CHAIR. ESPECIALLY TIMES FOUR.
MY PLAN FOR THE LIVING ROOM IS FORMAL
BUT STILL VERY UNDERSTATED.
AND THESE CHAIRS ARE JUST HELLACIOUS.
THEY LOOK LIKE GRANDMA'S CHAIRS.
- HERE'S THE DRAPERY FABRIC,
WHICH IS IN THE SAME ROOM AS WELL.
- THAT'S JUST HIDEOUS TOGETHER.
BIG MISTAKE. BIG MISTAKE.
- I HAVE, LIKE, A MILLION 1s IN MY PURSE,
LIKE I'M A WEIRD STRIPPER.
I'M NOT-- - [laughs]
- I'M NOT REALLY SURE HOW I GOT SO MANY.
IT'S REALLY STRANGE. - [laughs]
- I THINK THAT-- AND THERE'S MORE HIDING.
THAT IS, LIKE, CREEPY.
YOU'D THINK IT WAS REALLY FUN
TO BE FLYING BACK AND FORTH, AND LIVING OUT OF HOTELS.
YOU'D THINK IT WOULD SEEM REALLY ROCK STAR-ISH,
BUT AFTER THE FIRST THREE DAYS OF ROOM SERVICE,
YOU'RE PRETTY MUCH READY TO GO HOME AND GET IN BED.
THIS LOOKS GOOD. ALISON?
- HI. - HI.
- HOW ARE YOU? - THIS IS EXCITING.
GOOD. - WHAT DO YOU THINK?
- I THINK SHE DID A REALLY GOOD JOB ON THAT.
- SHE DID A GOOD JOB WITH THAT.
- THIS IS THE FINAL WEEK
BEFORE I ACTUALLY HAVE TO HAVE
ALL THIS CONSTRUCTION FINISHED, INSTALLATION,
AND THEN REVEAL THE ENTIRE,
COMPLETED PROJECT TO MONIKA.
- OUR ONLY ISSUE IS THE WALLPAPER.
- IT WAS SUPPOSED TO BE HERE ALREADY.
- WE'RE STILL WAITING FOR THEM TO TELL US
WHEN IT'S SHIPPING.
- THE WHOLE STORE IS REALLY DONE
AROUND THAT WALLPAPER.
- YOU KNOW, OUR FINGERS ARE CROSSED
THAT THIS IS ALL GONNA UNFOLD.
- IT IS BEYOND IMPORTANT THAT I FIX THIS WALLPAPER PROBLEM.
EVERYTHING ELSE IS HINGED UPON THIS PAPER--
THE WHOLE INSTALLATION.
IF THIS ISN'T RIGHT, NOTHING WILL MATCH.
THAT WALLPAPER HAS NOT ARRIVED,
AND THEY SAID THAT IT MIGHT NOT ARRIVE.
THEY TOLD ALISON THAT THEY DON'T KNOW
IF IT'S GONNA EVEN BE ABLE TO MAKE IT IN TIME,
SO I'M FREAKING OUT.
- A 100% GUARANTEE THAT THIS WAS GONNA GO THROUGH.
- I TOLD YOU, I'M JUST OLDER THAN YOU,
SO I KNOW THAT PEOPLE LIE.
YOU CALL PHILLIP AND TELL HIM
I DON'T REALLY CARE WHAT IT TAKES.
- I WILL DROP EVERYTHING
AND MAKE SURE THAT THIS IS TAKEN CARE OF.
- THANK YOU. BYE. - BYE.
- [exhales]
- THERE'S WAY TOO MUCH FURNITURE IN HERE.
- NO. THERE'S NOT. - HONESTLY.
- I THINK HE SHOULD JUST GET BACK
TO HIS MERCHANDISING,
'CAUSE I'M NOT INTERESTED.
NOW IS NOT THE TIME--
- NOW IS THE TIME BECAUSE
WE OPEN AT 11:00 TOMORROW MORNING.
- LADIES, LADIES, LADIES. - OH.
- YOUR ENTREE THIS EVENING.
- WE'VE ARRIVED AT BACARA TO HAVE
A DELICIOUS DINNER COOKED FOR US
BY THIS DELICIOUS MAN.
FOOD IS THE BIGGEST JOY THERE IS,
NEXT TO SEX.
- IS THERE ANY PARTICULAR ORDER?
- [laughs quietly]
- THERE'S JUST SOMETHING ABOUT DAVID.
AS MY MOTHER WOULD SAY,
HE'S GOT BEDROOM EYES.
SO, JACQUELINE, HAVE YOU EVER BEEN MARRIED?
MARRIAGE? - NO.
- HOW LONG HAVE YOU BEEN MARRIED?
- UM...
18 YEARS.
- HAPPILY?
- [laughs] - DEFINITE.
- I THINK THAT YOU GOTTA GET YOUR FIRST MARRIAGE
OVER WITH AS SOON AS POSSIBLE.
GIVE ME YOUR CARD. - LET ME DO THAT.
- HERE WE GO.
- [sighs]
I AIN'T LETTING THAT ONE GET AWAY.
- [chuckles]
- KENNA? WHERE ARE YOU?
- IN THE OFFICE.
- HOW ARE YOU? - GOOD.
HOW WAS NEW YORK? - I'M JUST REALLY TIRED.
I DON'T KNOW EVEN IF THIS WALLPAPER
IS GONNA MAKE IT ON TIME.
AND THE WHOLE THING IS ABOUT THE WALLPAPER.
- I KNOW. - SO IT'S A BIT--
IT'S JUST BEEN A TOTAL DISASTER, THAT PART.
I DON'T CARE WHAT PEOPLE TELL YOU.
UNTIL I ACTUALLY I HAVE IT IN MY HAND,
THAT'S WHEN I KNOW IT REALLY IS A REALITY
BECAUSE THE TRUTH IS, PEOPLE LIE.
- I DID SPEAK WITH PHILLIP.
HE IS GOING-- - HE'S UPSET ABOUT IT.
- OH, MY GOSH, YEAH. - I MEAN, HE DOESN'T KNOW--
- BUT THEY WILL FOR SURE
BE GETTING IT ON TIME.
- HE'S GOTTA PULL THROUGH
'CAUSE IT'S REALLY A [bleep] OF A JOB.
WE HAVE AN OPENING DATE
THAT IS BASED ON MAKING SURE
THAT THIS WALLPAPER COULD GET THERE,
'CAUSE WE BASED ALL OF OUR COLORS
AROUND THE WHOLE THING.
- FOR SURE, HUGE PROBLEM.
- IT'S RUINING THE WHOLE STORE. - NO, ABSOLUTELY.
I KNOW.
- HELLO, MARTYN.
- OH, DARLING, HOW ARE YOU?
- I COME BEARING GIFTS.
- WHAT? - VERY EXPENSIVE GIFTS.
- I'M NOT SURE THEY'RE QUITE GIFTS.
I THINK I HAVE TO PAY FOR THEM, ACTUALLY, BUT STILL.
I KIND OF MADE THE COMMITMENT
THAT EVERYTHING'S GONNA BE DONE TODAY.
THE NEW LIVING ROOM'S GONNA BE INSTALLED.
OKAY. THAT LOOKS LIKE IT'S A TINY BIT HIGH.
- HAS HE SEEN IT RECENTLY OR--
- NO, HE'S-- - OH, MY GOD.
- NOT AT ALL. HE'S SEEN THE PAINT.
AND REALLY, I WAS GONNA CHANGE EVERYTHING,
BUT I CAN'T CHANGE ALL THE ART. - NO.
- I FEEL THAT BEFORE ALL OF THE REDS
AND JEWEL COLORS WERE VERY POWERFUL.
SO WHAT MY VISION FOR THE ROOM TODAY
IS REALLY ABOUT GIVING IT A MUCH MORE
SUBTLE PALETTE, BUT STILL,
ENHANCED WITH THE POWER OF BLACK.
OH, THAT LOOKS BEAUTIFUL. - MM-HMM.
- THEY DID A LOVELY JOB ON THE FEET.
JUST WANT TO MAKE SURE THAT THAT'S...
- MAKE THAT ONE FRONT AND CENTER.
- FRAMED FOR THE TV.
THE ROOM CERTAINLY HAD THIS IDEA
OF A MEDITERRANEAN VILLA.
BUT NOW I WANT THE IDEA
OF A LITTLE BIT OF INDIA, A LITTLE BIT OF ENGLAND,
A LITTLE COLONIAL ELEMENT.
AND THAT ANTIQUE CHANDELIER'S GREAT.
- MM-HMM.
- MICHAEL WILL LIKE THAT BECAUSE THE CHANDELIER
THAT WAS THERE BEFORE, IT WAS ALL THE CORAL.
- MM-HMM.
- HE KEPT HITTING HIS HEAD ON IT
AND GETTING, LIKE, BIG LUMPS ON HIS HEAD.
SO I KNOW THAT I'M ONTO A WINNER WITH AT LEAST THAT ONE.
AS THE ROOM'S COMING TOGETHER,
I'M REALLY BEGINNING TO SEE MY VISION.
I'M ACTUALLY LOVING IT.
I HOPE MICHAEL LIKES IT AS MUCH AS I DO.
- SO HE'S COMING HOME SOON?
- UM, HE'S COMING HOME IN A COUPLE OF HOURS FROM WORK.
- OKAY. - SO I JUST WANT TO MAKE SURE
I'VE REALLY GOT EVERYTHING IN PLACE.
OKAY.
- HI, DOGGIES.
- WELL, THERE YOU GO. A DAY HALF DONE.
NOW WHAT WE'VE GOT TO DO IS GO FOR DINNER.
- WHEN'S DINNER?
- YOU'VE GOT, LIKE, 45 MINUTES.
AND WE'VE GOT DINNER WITH THE JUDGES.
SO WE BETTER GET MOVING.
- IT'S ALREADY BEEN A 12-HOUR DAY,
AND NOW ROSS HAS A DINNER PLANNED.
- WHAT ARE YOU WEARING TONIGHT?
- I DON'T KNOW WHAT I'M WEARING.
I JUST NEED TO RELAX.
- YOU CAN'T RELAX.
WHY ARE YOU MAD AT ME?
- YOU KNOW WHY I'M MAD AT YOU.
- WHY ARE YOU MAD AT ME?
- THIS IS A MAJOR PROJECT.
HILARY'S ON MY *** RIGHT NOW
TO GET THIS THING DONE.
- I KNOW ALL OF THAT.
- YOU HAVEN'T DONE HALF THE THINGS
I'VE ASKED YOU TO DO.
THERE WERE NO BOLSTERS ON THE SOFA.
- YEAH.
- THERE WERE THOSE GRANNY CHAIRS.
LIKE, WERE YOU NOT WATCHING THE EXECUTION OF THOSE CHAIRS?
- THOSE CHAIRS, BY THE WAY, ARE GOING TO BE FINE.
AND WE HAVE SO MANY PILLOWS IN THAT HOUSE.
WE HAVE MORE PILLOWS THAN
WE KNOW WHAT TO DO WITH PILLOWS.
- I'M JUST WORRIED.
I'M WORRIED IT'S ALL GONNA BE UGLY.
- I KNOW YOU'RE WORRIED, BUT YOU ALWAYS GET LIKE THIS
WHEN WE'RE THIS CLOSE TO AN INSTALL.
- WELL, ROSS, YOU WEREN'T THERE FOR THE WALK-THROUGH.
- I WENT TO NEW YORK FOR FOUR DAYS.
IT WASN'T A BIG DEAL.
- I THINK YOU'RE TOO BUSY MODELING.
- [scoffs] YOU'RE JOKING.
- YOU'RE NOT A MODEL.
- I--
HERE, HAVE A PILLOW.
HERE, LOOK. HAVE ANOTHER PILLOW.
- WHAT ABOUT JUST LOOKING LIKE A MODEL?
- HERE, LOOK. HAVE ANOTHER PILLOW.
AH, WAIT, WAIT, WAIT, WAIT, WAIT.
HAVE ANOTHER PILLOW.
- I NEED THE PILLOWS TO BLOCK MYSELF FROM YOU RIGHT NOW.
- OKAY.
[wood clatters] ALL RIGHT.
A FIRE READY TO ROLL. - GREAT.
- OKAY, SO ALL I'VE REALLY GOT LEFT
IS TO CLEAN UP THE FEW BITS AND PIECES.
- OKAY.
- AND FLOWERS.
I'M USED TO DOING BIG REVEALS TO MY CLIENTS.
THIS IS EVEN TRICKIER IN ESSENCE
BECAUSE I'M HAVING TO PRESENT TO MICHAEL.
- OKAY, WELL, I'M GONNA HEAD BACK TO THE OFFICE THEN.
- OKAY, DARLING. THANK YOU.
- THANKS. IT LOOKS GREAT. - ALL RIGHT.
IT'S GOT TO BE PERFECT.
AND I REALLY HOPE MICHAEL LIKES THIS.
I KNOW IT SAYS "MARTYN."
I HOPE IT SAYS "MICHAEL."
DIVA! HELLO, BABY GIRL.
HELLO, BEAUTIFUL.
HEY, BABE.
- WOW.
IT'S VERY DIFFERENT.
- NEW CURTAIN DRAPERY.
RATHER THAN THAT INCREDIBLE RED,
WE'VE GOT THAT BEAUTIFUL MUTED PAISLEY.
IT'S DEFINITELY GOT A LITTLE BIT OF ENGLAND,
A LITTLE COLONIAL ELEMENT I WANTED.
MUCH MORE WELL-TRAVELED, GENTLEMANLY ESCAPE.
- LOOK AT THE CHANDELIER.
IT'S REALLY, REALLY PRETTY.
- I WANT TO MAKE SURE THAT YOU FEEL
THAT IT REPRESENTS YOU AS WELL IN HERE.
- NO, IT'S REALLY, REALLY NICE.
MASCULINE, AND IT'S BEAUTIFUL.
I REALLY LIKE IT.
- I'M ABSOLUTELY THRILLED BY HIS REACTION
BECAUSE IT MEANS THAT ALL OF THIS EFFORT HAS PAID OFF.
HE LOVES IT AS MUCH AS I DO.
AND MAYBE HE WON'T PUT UP QUITE SO MUCH OF A TROUBLESOME VIBE
NEXT TIME I WANT TO REDECORATE.
- IT'S REALLY RELAXING.
IT'S BEAUTIFUL. I LOVE IT.
- OKAY, BABY. FANTASTIC.
- CHEERS. - CHEERS. SALUD.
[line trilling] - HELLO?
- HI. I'M SORRY. DID I WAKE YOU?
- OH, IT'S OKAY. I'M JUST GETTING UP.
- OH, SORRY. I--
YOU NORMALLY GET UP AT, LIKE, 5:00 OR SOMETHING.
TODAY IS MONIKA CHIANG'S INSTALL DAY.
AND I'M TRYING TO KEEP A VERY COOL, COOL HEAD ABOUT ME
BECAUSE I NEED IT.
SO HE SAID THAT ALL THE WALLPAPER
WAS COMPLETELY UP.
- THEY MIGHT BE DOING SOME LAST-MINUTE TOUCHES,
BUT IT SHOULD BE LOOKING GOOD, THOUGH.
- SO, I DON'T THINK MONIKA--
I DON'T THINK SHE'S GONNA SHOW UP
UNTIL WE'RE TOTALLY INSTALLED, WHICH IS GOOD.
WE'LL JUST SEE HOW SKINNY SHE IS,
WHICH JUST MAKES ME WANT TO KILL MYSELF.
BUT THAT'S OKAY. - [laughs]
[laughter]
- MONIKA'S SHOP ON INSTALL DAY,
IT'S KIND OF THE EXPECTED MAYHEM CRAZY.
- HEY. - OH, MY GOD.
IT'S LOOKING REALLY GOOD.
- I BROUGHT A TREE. - IT'S--I KNOW.
I SEE THAT. I LOVE IT. - A TOUCH OF GREEN.
- AND I'M LOVING THE PAPER.
YOU KNOW THE PAPER COLOR WASN'T MY TONE.
AND THESE LOOK REALLY GOOD. - YOU'RE WELCOME.
- EVERYTHING LOOKS GREAT.
- TO COMPLETE THIS INSTALL,
I'VE GOT ALL THESE MEN BRINGING IN FURNITURE,
HANGING THE CUSTOM DRAPERY, PUTTING ON THE HARDWARE.
THE WINDOW NEEDS TO BE DRESSED,
AND IT'S ALL HAPPENING AT ONCE.
WHAT IS THAT? - THIS IS THE COFFEE TABLE.
- COZY. - IT'S BIG.
- I KNOW IT'S BIG,
BUT WAIT TILL YOU SEE THE SOFA.
IT'S REAL PURPLE FOR DON'T HAVE A HEART ATTACK.
- CAN WE--
- RIGHT HERE IN FRONT OF THIS COFFEE TABLE
THAT EVERYBODY KEEPS COMPLAINING ABOUT.
I'M REALLY TIRED OF MARCO
AND EVERYONE ELSE QUESTIONING ME
ABOUT WHAT I'M DOING, THE SIZE OF THINGS.
JUST LET ME TRY IT. THIS IS WHAT I DO.
COULD YOU JUST LET ME TRY IT?
- I THINK THAT YOU SHOULD WALK THROUGH THE FRONT DOOR
AND JUST RELOOK AT THE SPACE. - NO--
- BECAUSE IT IS A RETAIL SPACE AT THE END OF THE DAY--
- THAT WASN'T WHAT I WAS ASKED TO DO.
- I THINK THAT THERE'S WAY TOO MUCH
FURNITURE IN HERE. - NO.
THERE'S NOT... - HONESTLY.
BECAUSE ALL MY MEETINGS WERE THAT
THIS NEEDS TO FEEL LIKE A HOME.
- I UNDERSTAND THAT, BUT WAS RENDERINGS AND STUFF,
BUT WE'RE IN THE REAL SPACE NOW,
AND I THINK THAT WE SHOULD RECONSIDER.
- BUT WE BOUGHT IT ALL.
- WELL, WE MIGHT HAVE TO RETURN SOME OF IT.
- NO.
WHAT DOES HE THINK, I'M GONNA GO
DOWN THE STREET AND BUY A NEW ONE?
I THINK HE SHOULD JUST GET BACK
TO HIS MERCHANDISING,
AND GET OUT OF MY WHOLE LITTLE LIVING ROOM
KOOL-AID BUSINESS 'CAUSE I'M NOT INTERESTED.
NOW IS NOT THE TIME AFTER WE GOT ALL--
- NOW IS THE TIME BECAUSE WE OPEN AT 11:00 TOMORROW MORNING.
PEOPLE ARE COMING INTO THE STORE TO SHOP.
I DON'T NEED THEM TO BE BUMPING THE FURNITURE.
MY FRIEND MICKEY IS A WHEELCHAIR PERSON,
AND SHE CAN'T COME IN HERE, AND SHE'LL BE THE FIRST ONE--
- SHE WILL! - CALL MICKEY RIGHT NOW.
- I-I WILL. I'LL SEE YOU GUYS LATER.
- GOOD-BYE!
I'M GONNA KILL HIM.
I'M LIKE, "THEY DIDN'T HIRE YOU.
PUT YOUR CLOTHES ON THE RACK."
- AS GREAT AS THIS LOOKS,
IT'S NOT CLOSE TO BEING FINISHED, CLEANED UP.
AND WHERE'S ALL THE STUFF THAT GOES IN HERE?
- ERIC? - I MEAN--
- OH.
- OH, I'M GLAD THEY'RE RELAXING.
SINCE TOMORROW IS THE OPENING DAY OF THE STORE...
ANY SCISSORS?
WE HAVE TO BE DONE TONIGHT.
IT HAS TO BE PERFECT
WITH A CAPITAL "P."
AND ALL THIS-- - JUST PUT THESE RIGHT HERE.
- WHY--WHY THERE'S NOBODY TO HELP US...
- WHERE ARE THE FURNITURE MOVERS?
- MOVING? - THEY JUST CAME AND LEFT?
- I'M, LIKE--YOU KNOW, I'M A GOOD SPORT,
BUT I HAVE A LIMIT. - HOLD ON ONE SECOND.
I'M NOT A GOOD SPORT.
SO YOU CAN IMAGINE HOW WELL THIS IS GONNA GO.
I CAN SEE THE SIDE OF THIS WOOD.
WHAT'S WRONG?
I JUST THINK THERE, I DON'T SEE IT SO MUCH.
WHAT DO YOU THINK?
- LET'S PUT THAT HERE. OH.
- GOD. THIS IS NOT YOUR JOB.
YOU'RE NOT GOOD AT IT. - I KNOW, BUT--
- YOU'RE FIRED.
THESE GO THIS WAY AND THOSE GO THIS WAY.
- YOU LIKE THE SYMMETRY? - YEAH, KIND OF.
- HI, MONIKA. - HEY, MONIKA.
- HEY, HOW ARE YOU? - HI.
- HI. - SO WHAT DO YOU THINK?
- OH, MY GOSH.
THIS IS GREAT.
- DO YOU LIKE IT?
- AMAZING. IT'S SO ME. - IS IT?
- PERFECT. - GOOD! PHEW!
- IT'S SOPHISTICATED, GLAMOROUS, SEXY.
IT'S WARM. - IT'S SEXY.
- IT'S WARM.
- LOOK HOW GLAMOROUS IT IS FROM OVER THERE,
AND YOU KNOW WHAT I LIKE ABOUT YOUR SHOP?
BOTH SIDES ARE BEAUTIFUL.
- "BOUTIQUE." - IF YOU STAND IN THE--
"BOUTIQUE." SORRY.
YOU KNOW WHAT I LIKE ABOUT YOUR AUTO BODY SHOP?
[laughter]
- THE TIRES.
- YEAH, WE SELL CARS AND FIX 'EM.
- SOMEHOW A MIRACLE HAS TAKEN PLACE
AND MONIKA IS GOING WITH EVERY SINGLE CHOICE.
SHE TOTALLY GOT IT.
SO I HAVE TO SAY, I WON.
- THIS IS SO COMFY. - IT IS. THIS IS COMFY.
AND THIS, WE WENT FOR A SEXY SOFA 'CAUSE YOU'RE SO SEXY.
IT'S GOOD. LIE DOWN ON IT. LET'S SEE.
- I KNOW, YOU MATCH PERFECTLY WITH IT, MONIKA.
[laughter] - RIGHT?
SHE DOES.
- I THINK I SHOULD SIT HERE ALL DAY LONG.
IT'S GREAT. I CAN'T BELIEVE HOW GREAT THIS IS.
I LOVE THE WALLS.
- IT'S PRETTY FRIENDLY AND CHIC.
- YEAH. - IT'S NOT AN ICY CHIC.
- YOU KNOW, IT'S NOT-- NOTHING LIKE THE BOARD.
- YOU THOUGHT IT LOOKED THAT WAY,
BUT THAT REALLY THE SIZE IT WAS.
- NO, IT REALLY WORKS.
- MARY KEPT ALL THE ELEMENTS OF L.A.
- THIS REALLY FEELS LIKE ITS SISTER.
- I KNOW. - YOU GOT IT RIGHT ON. I MEAN--
YOU'RE--YOU'RE A GENIUS. - SHE KEPT ALL THE DNA--
[laughter] - OKAY.
PEOPLE JUST KIND OF NEED TO GET OUT
OF THE WAY SO YOU CAN DO WHAT YOU DO BEST.
'CAUSE I ACTUALLY HAD THIS VISION THE WHOLE TIME.
- WHAT'S YOUR FAVORITE THING?
- IN HERE IN THE STORE?
THIS.
THIS. RIGHT HERE.
- OH, GOOD. - I'VE GOT TO GO.
- OH. [laughing]
- BYE.
- THAT'S ALL YOU'RE TAKING?
[laughter]
- NEXT ON MILLION DOLLAR DECORATORS...
- NATE? - COME ON, YOU GUYS.
COME WITH ME. - NATHAN!
WHEN NATHAN SAYS IT'S GOING TO BE MAYBE EVEN A MONTH
TO STAY AT MY HOUSE,
WHICH WILL BOTHER ME... OOH!
OFF THE TABLE! OFF! - OH, MY GOD.
- WHERE IN THE [bleep] ARE THE RUGS?
I CAN'T DO A DAMN THING WITH THIS ROOM.
- ARE YOU MAD AT ME THAT THE RUGS AREN'T HERE?
- I'M NOT MAD AT YOU.
- I HAVE NO [bleep] IDEA WHERE THEY ARE.
- OH! - OH, MY GOD.
STACEY'S REACTION IS LIKE AN ***.
- OH, YES! YES!
- I'M SLIGHTLY FEELING LIKE MAYBE I SHOULD LEAVE THE ROOM.
- OH, MY WORD.