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>> LAST TIME ON THE PREMIERE OF
UNDER THE GUNN...
I'VE TAKEN EVERYTHING THAT I
LOVE ABOUT PROJECT RUNWAY--
TALENTED DESIGNERS, GREAT
FASHION--AND ADDED MY OWN FLARE
AND FLAVOR.
THAT FLARE AND FAVOR IS
MENTORING.
I'VE INVITED THREE SUCCESSFUL
PROJECT RUNWAY ALUMNI TO STEP
INTO MY SHOES.
>> A LITTLE NERVOUS?
>> YES.
>> YOU SHOULD BE.
>> EACH MENTOR MUST CHOOSE FOUR
DESIGNERS TO WORK WITH
THROUGHOUT THE SEASON.
EVERY WEEK ONE DESIGNER WILL BE
ELIMINATED BY THE JUDGES.
AND ANY MENTOR WHO NO LONGER HAS
DESIGNERS IN THE COMPETITION
WILL BE ELIMINATED.
UNFORTUNATELY, WE HAVE TO SAY
GOOD-BYE TO YOU.
ULTIMATELY, THE MENTOR WHO
GUIDES THE WINNING DESIGNER TO
VICTORY WILL ALSO WIN UNDER THE
GUNN.
>> WELL, WHAT I'M REALLY LOOKING
FOR IN A NEW DESIGNER IS
SOMEBODY THAT'S NOT AFRAID TO
PUT THEMSELF OUT THERE.
>> HALF OF IT IS THAT THEY STILL
HAVE THEIR VOICE IN THE MIDST OF
THE CHALLENGE AND ALL OF THE
THINGS THAT ARE BEING THROWN AT
THEM.
>> I DON'T WANT TO SEE SOMETHING
THAT IS IN STORES NOW.
I WANT TO SEE THE FUTURE OF
FASHION.
>> LAST WEEK THE MENTORS CHOSE
SEVEN DESIGNERS FROM A POOL OF
EIGHT.
DESIGNERS, IF MORE THAN ONE
MENTOR CHOOSES YOU, YOU DECIDE
WHICH MENTOR YOU WANT TO WORK
WITH.
>> THE PERSON THAT I'M GOING TO
CHOOSE IS MICHELLE.
>> THANK YOU.
>> I ALSO WOULD LIKE TO CHOOSE
MICHELLE.
>> SURPRISE, SURPRISE, I ALSO
WANT YOU.
>> I THINK I'M GONNA GO WITH
MONDO.
>> WHOO!
[laughter]
>> I WANT TO PICK ANYA.
>> ANYA.
>> MONDO.
>> ANYA.
>> ARE WE A TEAM?
>> YES.
>> IT'S...
THAT'S A DREAM I'M NOT GONNA
HAVE ANYMORE.
>> I WOULD LOVE TO INVITE YOU TO
BE ON MY TEAM.
>> NATALIA, I WAS ACTUALLY GONNA
INVITE YOU ON MINE.
>> OH, GOD. [crying]
>> NATALIA, YOU HAVE A DECISION
TO MAKE.
>> FOR BETTER, FOR WORSE...
>> IS IT ME?
>> IT'S YOU, NICK, YEAH.
>> OH.
>> MONDO AND NICK HAVE CHOSEN
TWO OF THEIR FOUR DESIGNERS, AND
ANYA HAS THREE.
SO SHE HAS ONLY ONE SPOT LEFT TO
FILL.
TONIGHT THE MENTORS WILL
COMPLETE THEIR GROUPS, CHOOSING
FROM A NEW SET OF DESIGNERS WHO
WILL BE COMPETING IN A NEW
CHALLENGE.
>> AH!
>> JUST KEEP SEWING.
>> NOW IT'S TIME TO FINALIZE
WHICH DESIGNERS WILL COMPETE ON
UNDER THE GUNN.
>> HI.
>> LOOK AT THAT.
>> THERE THEY ARE.
>> WHOO!
>> YES.
>> OH.
>> I CAN'T BELIEVE THAT I'M
HERE.
I AM HAVING AN OUT-OF-BODY
EXPERIENCE.
>> THIS IS GETTING REAL.
>> WHEW.
>> IT FEELS LIKE YOU'RE ABOUT TO
HAVE A BABY, EVEN THOUGH I
HAVEN'T HAD A BABY, BUT THAT'S
THE FEELING.
>> HI.
>> GOOD MORNING, DESIGNERS.
>> all: MORNING.
>> WE'VE MISSED YOU.
[laughter]
TODAY WE BEGIN OUR SECOND
SELECTION PROCESS.
OUT OF YOUR GROUP OF SEVEN, FIVE
DESIGNERS WILL BE CHOSEN, AND
TWO WILL BE ELIMINATED.
>> THERE'S TWO PEOPLE OUT OF
SEVEN GOING HOME, SO IT'S
HEARTBREAKING, ACTUALLY, 'CAUSE
I'M THINKING, "THIS COULD BE
ME."
I HAVEN'T EVEN MET TIM, AND, YOU
KNOW, MY LAST DAY COULD BE
TOMORROW.
>> THE MENTORS WANT TO SEE HOW
YOU THRIVE OR FAIL UNDER THESE
TIME CONSTRAINTS AND IN THIS
ENVIRONMENT.
CORRECT?
>> YES.
>> CAN YOU MAKE IT WORK?
>> AND I WANT TO UPDATE YOU
ABOUT WHERE THE MENTORS ARE IN
THIS PROCESS.
MONDO HAS TWO DESIGNERS AND IS
LOOKING FOR TWO MORE FROM YOUR
GROUP.
>> TODAY IS MY OPPORTUNITY TO
PICK THE WINNING DESIGNER.
I BRING EMOTIONAL SUPPORT TO
THIS WHOLE COMPETITION.
AND I FEEL LIKE THE DESIGNERS
ARE GOING TO RECOGNIZE THAT.
AND THEY DEFINITELY WANT ME ON
THEIR SIDE.
>> NICK ALSO HAS TWO DESIGNERS,
AND WILL BE LOOKING TO CHOOSE
TWO OF YOU.
>> MY BIGGEST COMPETITOR IS
MONDO, ONLY BECAUSE HE'S SO BIG
ON INSTAGRAM, AND ALL THE COOL
KIDS ON TWITTER LOVE HIM.
IT'S LIKE, "HELLO. FOCUS.
I'M THE ONE WITH THE GOOD
RESUME."
>> ANYA HAS THREE DESIGNERS, AND
WILL BE CHOOSING ONE OF YOU.
>> THIS ONE SLOT IS VERY, VERY,
VERY IMPORTANT, GIVEN THE FACT
THAT I CAN'T CHOOSE ANYONE ELSE.
>> AS YOU CAN SEE BEHIND US,
MOOD FABRICS HAS EXPLODED ON THE
LAWN OF FIDM.
>> FABULOUS.
>> YOU WILL HAVE 30 SECONDS TO
GRAB AS MUCH FABRIC AS YOU
POSSIBLY CAN FOR THIS CHALLENGE.
THE GOAL FOR THIS CHALLENGE IS
FOR YOU TO SHOW THE MENTORS YOUR
POINT OF VIEW AS A DESIGNER.
BUT HERE'S THE REAL CONSTRAINT.
YOU'RE ONLY GOING TO HAVE SIX
HOURS TO DO THAT.
>> I DON'T KNOW THAT ANY OF US
HAS MADE A DRESS IN SIX HOURS IN
OUR LIFETIME.
>> WHEN I SAY, "GO," LOOK OUT
EVERYBODY.
>> I KNOW.
>> GO!
>> OH, MY GOD!
>> LOOK AT AMY! LOOK AT AMY!
>> 30 SECONDS TO PICK SOMETHING
OUT.
I CAN SPEND 10 HOURS IN A FABRIC
STORE.
SO I'M JUST GRABBING EVERY BOLT
THAT I CAN CARRY.
>> THIS IS SOMETHING I NEEDED TO
KINDA WAKE UP TODAY.
I GREW UP IN PUERTO RICO.
AND MY FAMILY, IT'S BIG, IT'S
LOUD, IT'S LATINO CRAZINESS.
I DESIGN FOR THE WOMAN THAT IS
NOT REALLY AFRAID OF WEARING
PANTS, AND CAREER-ORIENTED
***.
[chuckles]
>> THREE, TWO, ONE.
[horn blows]
TIME'S UP, EVERYONE.
ALL RIGHT, DESIGNERS.
SAY GOOD-BYE TO THE MENTORS.
THEY'LL SEE YA A LITTLE LATER
TODAY.
>> HAVE FUN.
>> OFF WE GO, EVERYONE.
>> ONE OF THE DESIGNERS IS
ACTUALLY FROM DENVER.
STEPHANIE.
AND I KNOW STEPHANIE, AND I'M
EXCITED FOR HER TO BE HERE.
>> SO GROWING UP, I LIVED ON
A FAMILY FARM.
I WANTED TO MAKE THINGS THAT I
COULD WEAR TO SCHOOL THAT NOBODY
WOULD KNOW THAT I MADE AT HOME.
SADLY, I WAS DISAPPOINTED WHEN
THE TEACHER SAID, "HEY, DID YOU
MAKE THAT?"
I WAS LIKE, "UGH!"
I WAS SO CLOSE.
>> COME ON IN.
YOU'RE AT STEPHANIE'S TABLE,
AMY.
>> WHOO!
>> I'M SO EXCITED BECAUSE IT'S
CLEAN.
I LOVE WORKING IN A CLEAN ROOM.
>> WELL, DESIGNERS, I'M GONNA
WELCOME YOU TO THE WORKROOM AT
FIDM.
>> YAY.
[applause]
>> VERY HAPPY TO HAVE YOU HERE.
AND I JUST WANT TO GIVE YOU THE
LAY OF THE LAND.
AT THE BACK OF THE WORKROOM, YOU
SEE FRANCESCA'S, OUR ACCESSORY
WALL.
THIS IS A CUSTOM BOUTIQUE WITH
FABULOUS ACCESSORIES THAT ARE
AFFORDABLE.
BEHIND THIS WALL WE HAVE THE
BROTHERS SEWING STUDIO.
YOUR MODELS WILL BE IN LATER
TODAY FOR A FITTING.
BUT HERE'S WHAT'S REALLY
CRITICALLY IMPORTANT.
YOU HAVE SIX HOURS TODAY.
THIS IS FOR THE MENTORS.
THEY ARE GOING TO BE VISITING
YOU LATER TODAY.
ALSO REMEMBER IT IS A
COMPETITION.
ULTIMATELY, OUT OF YOUR GROUP OF
SEVEN, TWO OF YOU WILL NOT BE
CHOSEN.
ALL RIGHT, YOU READY TO START
THE DAY?
>> YES.
>> YES, SIR.
>> ALL RIGHT, YOUR SIX HOURS
BEGINS NOW.
THANK YOU.
I'LL SEE YOU LATER.
>> OF ALL THE FABRICS I SCOOPED
UP, THERE'S NOT ANYTHING THAT I
WOULD GO TO A FABRIC STORE AND
ACTUALLY BUY.
SO THIS IS A CHALLENGE.
>> TWO OF US ARE GOING HOME.
>> RIGHT.
>> THANKS, I FORGOT ABOUT THAT.
>> THANKS.
WHO WANTS TO THROW STUFF AT HIM
NOW?
>> IT'S GONNA BE SO SAD TO SEE
TWO PEOPLE GO.
[laughter]
>> SO, AMY, I'M INTERESTED TO
KNOW A LITTLE BIT MORE ABOUT
YOU BECAUSE YOU ARE BEAUTIFUL.
>> OH, THANK YOU, REY.
>> SO TELL ME ABOUT YOU.
>> GOT MARRIED, HAVE TWO BOYS
THAT ARE--THEY'RE 26 AND 23.
>> NICE.
>> WHEN BOTH MY BOYS WENT TO
COLLEGE, I WENT BACK TO COLLEGE
AND GOT MY APPAREL DESIGN
DEGREE.
AT THIS POINT IN MY LIFE, THIS
IS REALLY MY TIME TO DO THIS.
>> ARE YOU ANY GOOD?
>> I'M FABULOUS.
[laughs] YOU KNOW, I DON'T HAVE
30 YEARS LIKE ALL OF YOU DO TO
GET GOING, YOU KNOW.
>> OKAY, WE'VE GOT OUR NEXT
SEVEN DESIGNERS.
>> YEP.
>> THIS IS THEIR PORTFOLIO.
>> SO NOT ONLY DID THE DESIGNERS
HAVE THEIR FIRST CHALLENGE, WE
ALSO HAVE A CHALLENGE BECAUSE WE
GET TO SEE THE WORK IN THEIR
PORTFOLIOS, MEET AND GREET THEM
IN THE WORKROOM, AND THEN SEE
THE LOOKS ON THE RUNWAY SO THAT
WE CAN DECIDE WHO WE'D LIKE TO
SELECT FOR OUR GROUPS.
>> THERE'S FIVE MORE SPOTS.
>> THE STAKES ARE REALLY HIGH
FOR THEM.
>> AND A LITTLE BIT MORE
COMPETITIVE WITH EACH OTHER.
>> [laughs]
>> I'M JUST SAYING.
I HAVE TWO SPOTS TO FILL.
THERE ARE DEFINITELY GONNA BE
SOME DARK HORSES IN THIS GROUP,
AND I AM GOING TO FIGHT FOR
THEM.
AND I KNOW THAT I'M GOING TO GET
THEM.
>> FIRST OFF, WE'VE GOT
ISABELLE.
I THINK SHE'S FROM BRAZIL.
>> SHE IS.
[laughter]
>> MY NAME IS ISABELLE DONOLA.
I WAS A PROFESSIONAL
SKATEBOARDER.
I TRAVELED BRAZIL SKATEBOARDING
FOR 12 YEARS UP UNTIL I BROKE MY
ARM.
AND SO AFTER THAT, I THOUGHT,
"IF I CANNOT DO NONE OF THIS,
MAYBE I SHOULD DO WHAT I REALLY
LOVE."
AND THAT'S HOW I CAME TO
FASHION.
GOD HAS A REASON FOR EVERYBODY
TO BE HERE.
WE'RE ALL BLESSED ALREADY.
>> YOU'RE SO CUTE.
[chuckles]
>> I THINK SHE HAS
SOPHISTICATION TO HER WORK, BUT
IT'S ALSO ONE OF THOSE THINGS
WHERE THERE'S A MOMENT OF YOU
LOOK AT IT, AND YOU'RE LIKE, "IS
THAT A MISTAKE, OR IS THAT
INTENTIONAL?"
>> MM.
>> RIGHT. YEAH. [laughs]
>> YEAH.
>> DO YOU THINK THE OTHERS ARE
SCARED THAT WE'RE ALREADY IN THE
SEWING ROOM?
>> I DON'T KNOW.
I THINK EVERYBODY HAS THEIR OWN
TIME, YOU KNOW.
>> I'M, LIKE, WATCHING PEOPLE,
LIKE, SKETCH AND, LIKE, JUST
WASTE TIME.
AND I'M JUST LIKE, "WHAT ARE YOU
DOING?
SKETCH IN YOUR HEAD."
MY SISTER WILL PRETTY MUCH
OPENLY CALL ME A *** DAILY,
BUT THE WORD THAT COMES ACROSS
THE MOST REGULARLY IS, LIKE,
SASSY.
MOSTLY PROBABLY BECAUSE OF THE
ALLITERATIVE QUALITY, SASSY SAM.
LET'S NOT PUT THAT ON TV,
THOUGH.
>> SO SAM DONOVAN.
>> HE'S THE SUSTAINABLE--
>> THAT'S RIGHT.
>> OH, YOU KNOW, IT'S EARTHY,
CRUNCHY.
>> I LIKE HIS LOOK.
>> IT'S ELEGANT.
>> I JUST GRADUATED FROM
PARSONS, AND RIGHT NOW I'M
WORKING ON INDEPENDENT DESIGN
PROJECTS, WHICH BASICALLY MEANS
I'M WORKING RETAIL AT THE SAME
STORE THAT I DID WHEN I WAS IN
HIGH SCHOOL.
>> HE COULD USE SOME HELP IN HOW
TO BALANCE A HEM.
THIS IS THE BIAS, SO IT'S
ACTUALLY STRETCHING.
>> STRETCHING. YEAH.
>> I DON'T KNOW HOW ANYA'S GONNA
DISCUSS CONSTRUCTION WITH THESE
DESIGNERS WHEN SHE BARELY
FINISHED A GARMENT DURING HER
SEASON.
I'D BE LIKE, "REALLY, GIRL?
YOU'RE TELLING ME HOW TO SEW?"
>> LIKE, A MILLION TIMES I HAD
EYE CONTACT WITH ANYA.
I FEEL LIKE WE WERE HAVING,
LIKE, A MOMENT.
>> [gasps] OH, YOU LUCKY--
>> YEAH.
I DON'T KNOW.
I KINDA HOPE THAT I END UP ON
ANYA'S GROUP.
I JUST THINK THAT SHE'S A REALLY
AMAZING BUSINESSWOMAN, AND I
REALLY RESPECT WHAT SHE'S DONE.
>> ALL RIGHT.
>> OKAY, ASHA.
>> ASHA.
THIS IS NOT A GOOD FIRST...
>> NO.
>> IMPRESSION.
>> IT'S NOT.
>> WE'VE GOT FUTURE HOOCHIE.
>> [laughs]
>> SHE'S LIKE STAR TREK HOOCHIE.
AND THEN ALL OF A SUDDEN SHE'S
GOING TO THE PROM.
>> RIGHT.
SHE'S DEFINITELY ONE OF THE
DESIGNERS WHO WOULD REALLY
BENEFIT FROM SOME DIRECTION.
>> I THINK SO.
>> I DON'T KNOW ABOUT THE OTHER
MENTORS, BUT I DEFINITELY KNOW
MY STUFF, AND I'M REALLY, REALLY
GOOD AT SEEING WHAT IS WORKING
AND WHAT'S NOT.
>> NICHOLAS, WHERE YOU FROM?
>> MY FAMILY'S FROM POLAND.
>> SO DO YOU KNOW THE LANGUAGE?
>> I DO.
MY PARENTS USED TO SAY, "ANYONE
WHO SPEAKS ENGLISH IN THE HOUSE
HAS TO DO THE DISHES."
>> [laughs]
>> THIS GUY...
>> NICHOLAS KOMOR.
>> IS SUPER TALENTED.
>> YEAH.
>> WHEN I WAS STUDYING
INDUSTRIAL DESIGN, I GOT
INTERESTED IN FASHION BECAUSE I
WAS DOING WEARABLE ELECTRONICS,
AND I WANTED TO KNOW HOW TO
ACTUALLY MAKE THE CLOTHES THAT I
WAS PUTTING ELECTRONICS INTO.
>> I MEAN, IT LOOKS LIKE A
BELGIAN DESIGNER WHO'S BEEN
DESIGNING FOR 10 YEARS.
>> AND STILL, IT'S FRESH.
>> WE ALL WANT HIM IN OUR GROUP,
YOU KNOW.
IT'S TIME FOR ME AND ANYA AND
NICK TO FIGHT IT OUT.
>> CAN I THROW SOMETHING IN THE
MIX?
IT'S ALL MEN.
>> YEAH.
HE WOULD BE VERY SMART TO DO A
GOWN.
>> YES.
>> SO THE LOOK THAT I'M MAKING
IS SORT OF A TUNIC SWEATER.
UNDERNEATH I HAVE, LIKE, A
DECONSTRUCTED CIRCLE SKIRT.
AND I'M LETTING THAT FRAY A
LITTLE BIT.
IT'S GONNA LOOK KINDA FUNKY.
AND IF THEY'RE NOT LOOKING FOR
FUNKY, I'M FUNKED.
>> JUST CHECKING IN WITH YOU
ALL.
HOW ARE YOU?
>> WE'RE GREAT.
>> THE ONE DISCIPLINE I'D LIKE
TO ASK OF ALL OF YOU, KEEP THE
BIG PICTURE IN MIND...
>> OKAY.
>> THROUGH THIS PROCESS.
AS SEDUCTIVE AS THE DESIGNERS'
PORTFOLIOS CAN BE, THEY'RE ONLY
ONE PIECE OF A LARGE PUZZLE THAT
DETERMINES SUCCESS.
>> ALL RIGHT, SO NOW WE HAVE TO
SEE THEM IN THE WORK ROOM, SEE
WHAT THEY CREATED.
>> THE FUN PART.
>> THIS IS THE FIRST TIME THAT
THE MENTORS ARE SEEING THE
DESIGNERS IN THE WORKROOM AND
INTERACTING WITH THEM.
>> HI, GUYS.
>> HELLO.
>> PERSONAL RAPPORT IS GOING TO
BE A VERY CRITICAL PART OF THEIR
SELECTION PROCESS.
>> WE'RE GONNA CHECK IN WITH
YOU, JUST KINDA GET A FEEL FOR
WHAT YOU'RE DOING.
>> HI, NICOLAS.
>> HI.
SO I'M WORKING ON THIS DRESS
RIGHT HERE.
I WANT TO DO SOMETHING GEOMETRIC
WHERE IT'S LIKE A DOLMAN SLEEVE.
YOU KNOW, MY BACKGROUND IS IN
MENSWEAR, AND I'M TRYING TO
FIGURE OUT HOW I WORK IN THIS
SPACE, 'CAUSE I'VE NEVER REALLY
MADE WOMENSWEAR.
>> WE LIKE THAT YOU ARE MAKING A
DRESS.
>> A DRESS.
EVEN THOUGH HIS WORK IS ALL
MENSWEAR, THAT ACTUALLY EXCITES
ME BECAUSE I THINK IF HE COULD
APPLY HIS MENSWEAR AESTHETIC
INTO WOMENSWEAR, IT COULD BE,
I MEAN, ABSOLUTELY AMAZING.
>> WILL IT BE BOXY, OBVIOUSLY,
LIKE TUNIC-Y SHAPE?
>> WELL, SO RIGHT NOW THIS IS ON
THE STRAIGHT GRAIN, SO YOU CAN
SEE ALREADY HOW IT'S FALLING.
>> I'M REALLY RESPONDING WELL TO
NICHOLAS' DESIGN BECAUSE I THINK
IT'S STEPPING OUT OF THE NORM
AND SHOWING SOMETHING THAT SOME
PEOPLE MIGHT CALL VERY BASIC.
BUT TO ME, I FEEL LIKE IT'S A
VERY INTELLIGENT DESIGN.
LOOKS GOOD.
>> WE'RE ON THE SAME PAGE.
>> GOOD. YEAH.
>> ALL RIGHT.
>> IF I HAVE TO FIGHT FOR
NICOLAS, HANDS DOWN.
>> I'M MAKING SORT OF THIS BIG
SWEATER TUNIC, AND--
>> YOU'VE GOT, LIKE, A RAGLAN
OVER AN EXAGGERATED--
>> I'VE GOT A REALLY
EXAGGERATED RAGLAN.
>> I'M REALLY PLEASANTLY
SURPRISED WITH WHAT SAM'S DOING.
IT'S SO ELEGANT AND CHIC.
HOW IS THIS GONNA REALLY TELL US
WHO YOU ARE?
>> MY STARTING POINT, REALLY, AS
A DESIGNER, WAS JUST LISTENING
TO WOMEN.
THE THINGS THAT I'M REALLY
FOCUSING ON WHEN I'M DESIGNING
ARE, LIKE, "HOW IS THIS GONNA
FEEL?
HOW IS THIS GONNA LOOK?
WHO'S GONNA JUST LOVE TO WEAR
THIS?"
>> RIGHT.
>> I LOVE THINGS THAT ARE
DECEPTIVELY ACTUALLY REALLY
COMFORTABLE.
>> GIRLS LIKE THAT TOO.
I LIKE VERY, VERY, VERY MUCH
WHAT SAM IS DOING.
I THOUGHT HE WOULD HAVE BEEN
SECOND OR THIRD CHOICE TO ME IN
THE WHOLE SCHEME OF THINGS, BUT
HE'S TOTALLY, LIKE, BLOWING ME
AWAY WITH HIS VISION, HIS
CONFIDENCE.
I THINK HE'S THE ONE IT'S WORTH
GOING ALL-IN FOR.
>> AND THIS IS VERY LUXE.
>> IT'S VERY TASTEFUL.
>> YEAH.
>> THANK YOU.
>> YEAH.
>> THAT IS A HUGE COMPLIMENT
COMING FROM YOU.
[laughter]
I LOVE LEARNING FROM WOMEN
BECAUSE I'M A WOMENSWEAR
DESIGNER WHO IS A MAN.
ON THE OTHER HAND, EVERYTHING
I'VE EVER SEEN NICK DO IS JUST
PHENOMENALLY CONSTRUCTED.
AND THAT'S, LIKE, ONE OF THE
THINGS THAT I THINK I SOMETIMES
STRUGGLE WITH AS A DESIGNER.
>> YOU FEEL GOOD WITH WHAT YOU
HAVE?
>> I FEEL REALLY, REALLY GOOD.
>> NICK WANTS HIM, ANYA WANTS
HIM.
ONCE I SEE SOMEBODY WANTING
SOMETHING THAT I MAY WANT, THEN
I REALLY WANT IT.
I WANT SAM.
>> WE GOOD?
>> YEAH.
[laughter]
>> THANK YOU, GUYS.
>> THANK YOU.
>> I DEFINITELY THINK IT'S GONNA
BECOME A FIGHT FOR SAM.
>> AND I'M GONNA FIGHT FOR HIM.
>> THE CHALLENGE IS WE HAVE SIX
HOURS TO CREATE A GARMENT THAT
REPRESENTS WHO ARE AS DESIGNERS.
>> HELLO, DARLING.
>> THIS IS A CHANCE FOR THE
MENTORS TO EVALUATE HOW THE
DESIGNERS ARE HANDLING THESE
PRESSURES, AND TO FIND OUT WHAT
THEY'RE LIKE AS PEOPLE.
>> HOW ARE YOU FEELING?
>> YEAH, HOW ARE YOU FEELING?
>> I'M SO EXCITED TO BE HERE.
I'M VERY GRATEFUL.
THIS IS A POINT IN MY LIFE WHERE
I'M JUST STARTING A WHOLE NEW
CAREER.
>> THIS IS YOUR TIME TO SHINE.
>> MY DREAM--I LOVE FASHION
DESIGN, ALWAYS HAVE.
>> ALWAYS GO FOR YOUR DREAM.
>> ABSOLUTELY.
AT THIS POINT IN MY LIFE, I'M
REALLY LOOKING TO ESTABLISH MY
BRAND.
NICK MIGHT BE ABLE TO HELP ME
THE MOST IN THAT ASPECT.
>> WE SAW YOU RUNNING FOR THE
FABRICS, AND YOU PICKED UP A
LOT.
>> A LOT.
>> I DID.
>> YOU'RE STRONG.
>> OH, I WORK OUT.
[laughter]
>> I'M PLEASED TO SEE THOSE
FABRICS ON THE FLOOR AND THIS
FABRIC ON THE TABLE.
I LOVE THE NECKLINE.
I THINK THAT'S ALSO A SURPRISE.
>> IT LOOKS REFINED.
>> YEAH.
>> THAT'S WHAT I'M GOING FOR.
>> CAN YOU TURN IT AROUND?
>> I'M GOING FOR SOPHISTICATED,
REFINED.
>> FOR ME, IT'S FEELING A LITTLE
SAFE.
>> YEAH.
>> OKAY.
>> THAT'S WHAT I WAS GONNA GET
AT.
>> YOU KNOW, I WANT TO THINK
ABOUT WHAT'S GONNA MAKE THIS
DRESS REALLY SPECIAL.
YES, THE DRESS IS CUTE, AND I
CAN SEE A LOT OF WOMEN WEARING
IT, BUT THIS IS ABOUT DESIGN,
AND I DON'T KNOW IF SHE HAS THE
CHOPS TO DO IT.
>> YOU'RE HUSTLING TO FINISH.
>> [laughs]
>> I JUST WANT TO HAVE A QUICK
CHAT.
>> TELL US WHAT YOU'VE GOT HERE.
>> OKAY, JUST KINDA CREATED THE
WHOLE SHAPE IN MY HEAD.
AND THEN I CUT, IT, CUT IT, CUT
IT, CUT IT, CUT IT.
>> OKAY.
>> AND THEN I PUT IT TOGETHER,
THE SHAPES.
>> I AM ATTRACTED TO ISABELLE
BECAUSE SHE'S ONE OF THOSE
WHACKADOOS THAT I ALWAYS GO
FOR BECAUSE I FEEL LIKE THEY
REALLY EXPRESS THEMSELF IN A
UNIQUE WAY.
>> THIS IS KIND OF WHERE IT'S
GOING.
>> OH, I SEE.
>> THIS IS SUPPOSED TO BE A BIT
MORE, YOU KNOW.
>> OH, IT'S VERY INTERESTING.
I LIKE THE--SORT OF THE BACK
INTO THE SLEEVE.
>> YEAH, I FEEL HAPPY WITH WHAT
IT IS SO FAR.
MANY TIMES IT HAPPEN THAT I
SCREW UP RIGHT IN THE END, SO
I'M COUNTING ON THAT TO HAPPEN.
[laughter]
>> RIGHT THERE, THAT MAY NOT BE
A GOOD SIGN.
>> I REALLY LIKE TO WORK IN
SHAPES AND 3-D.
>> WE NOTICED.
>> SO--YES, I DON'T KNOW IF YOU
NOTICED.
I LOVE TO DESIGN COUTURE
CLOTHING FOR KICK-*** WOMEN.
I GREW UP WATCHING MY MOM SEW,
AND I ALWAYS USE MY LITTLE
SISTER AS MY MUSE TO MAKE HER
THESE RIDICULOUS BALLGOWNS OUT
OF JERSEY AND THINGS THAT MY MOM
DIDN'T USE.
SO I KINDA STARTED OFF WITH THIS
BASIC SHAPE.
AND I BEGAN TO DRAPE.
AND IT HAS TRANSFORMED INTO
THIS.
>> I ABSOLUTELY REALLY LIKE THIS
FABRIC.
>> YEAH.
>> YES.
>> AND LOOK AT THE SHADES, HOW
THEY TURN WITH THE SHADOW.
>> IT'S--YEAH, THE SHADOWING,
IT'S PERFECT...
>> GOOD CHOICE.
>> FOR WHAT YOU'RE DOING.
>> I LOVE WHAT ASHA'S DOING.
THERE'S SHADOW, AND THERE'S
DEPTH, AND THERE'S NUANCE, AND
JUST GORGEOUS.
>> AND I'M ALSO PLAYING WITH THE
DIFFERENT SIDES OF THE FABRIC.
ONE SIDE'S A LITTLE BIT DARKER.
>> YEAH.
>> ONE'S GOT MORE OF THE ORANGE
POP TO IT.
>> I WAS CONCERNED ABOUT ASHA'S
TASTE LEVEL, AND ALL OF A SUDDEN
SHE'S LIKE, "I'M GIVING YOU
COUTURE!"
IT'S QUITE INTERESTING, BUT WHY
THE MIDRIFF?
>> SO WHAT'S HAPPENING?
WHAT ARE YOU WORKING ON?
>> IT'S GONNA BE PRETTY MUCH A
BLAZER WITH PANTS.
>> DOUBLE-BREASTED?
>> YES, SIR.
>> AND I SEE YOU'VE GOT A NOTCH
COLLAR, A SHAWL.
>> CORRECT.
>> WITH REY, HE DEFINITELY HAS
THE TECHNICAL ABILITY, HE KNOWS
HOW TO SEW, BUT HE OVERDESIGNS,
AND THAT IS A HUGE RED FLAG FOR
ME.
>> THE BLAZER IS GONNA BE DONE
ON THIS ONE HERE.
>> OKAY.
>> I LOVE TEXTURE.
OUT OF THE THREE, NICK HAS A LOT
OF EXPERIENCE.
HE'S AN EDUCATOR, HE'S LATINO,
HE HAS A GREAT PERSONALITY.
SO I THINK HOPEFULLY NICK WILL
NEED TO PICK ME.
>> NOW, ARE THE PANTS ALSO GONNA
BE THE BOUCLE?
>> THAT'S WHAT I WAS GONNA--
>> NO, NO, NO.
I PERSONALLY LOVE THIS
COMBINATION.
I THINK--
>> BUT THIS DOES READ A LITTLE
SAFE.
>> YEAH.
>> IT DOES READ A LITTLE SAFE
BECAUSE YOU HAVEN'T DECIDED YET.
>> YOU KNOW WHAT?
YOU'RE NOT GONNA HAVE SAFE.
[laughter]
>> I HAVE A FEELING THAT HE
COULD BE A LITTLE BIT MOLDABLE,
AND I LIKE THAT.
>> I WOULD LIKE TO SEE YOU FIND
A WAY TO MODERNIZE THIS A LITTLE
BIT 'CAUSE IT'S FEELING A
LITTLE...
>> A LITTLE DATED.
>> A LITTLE DATED.
>> IT KINDA SUCKS TO DISAPPOINT
THE MENTORS.
>> THINK ABOUT THAT BACK.
>> ARE YOU TALKING ABOUT THE
BACK OF THE BLAZER?
>> YOU JUST DO THE--YES.
SORT OF THE SHAPE, AND SOMETHING
TO GIVE IT A VOLUME, YOU KNOW.
>> YOU KNOW WHAT?
YOU WILL GET THAT.
>> SOMETHING. I'LL SHUT UP.
OKAY.
OKAY, BYE, BYE.
>> THANK YOU.
>> HELLO.
>> HEY.
>> HI.
>> SO THIS IS MY HOME GIRL.
>> VERY EXCITED.
>> NERVOUS A LITTLE BIT?
>> VERY NERVOUS.
>> YOU'RE GONNA REPRESENT
DENVER?
>> REPRESENT DENVER WELL.
>> OKAY.
>> I KNOW STEPHANIE FROM DENVER.
SHE CAN DESIGN AND SEW AND
EXECUTE VERY, VERY WELL, BUT
SOME OF HER LOOKS CAN BE A
LITTLE QUIET.
SO WHAT ARE YOU WORKING ON?
>> SO I'M WORKING ON A FUN
LITTLE DRESS.
YOU COULD WEAR IT TO THE OFFICE,
YOU COULD WEAR IT AT NIGHT.
USING THIS AS THE OUTSIDE, AND
THEN DOING THE CHARMEUSE AS
PIPING.
AND DOING A LOT OF CUTOUTS.
>> MY FIRST REACTION IS THAT
IT'S BEAUTIFUL UP CLOSE, BUT
WHEN WE PULL AWAY, IT'S REALLY
HARD TO SEE THIS DETAIL.
IT JUST LOOKS TOO GRAY.
>> IT JUST LOSES EVERYTHING THAT
YOU LOVE ABOUT THE FABRIC.
IT'S ONE OF THOSE DRESSES THAT
WE WOULD SEE, AND WE'D BE LIKE,
"OH, WOW."
>> RIGHT. RIGHT.
>> LIKE, RIGHT THERE.
IN HER PORTFOLIO, I REMEMBER
SEEING CUTE DRESSES.
I WANT STEPHANIE TO TAKE THOSE
PRETTY DRESSES AND...LET'S JUST
SAY, PUT A LITTLE MORE BOTOX IN
STEPHANIE'S DRESSES.
PUMP 'EM UP!
I ALWAYS SAY PUT THE FUCHSIA
DRESS IN THE WINDOW.
>> AND THEN--
>> BECAUSE THE CUSTOMER WILL BUY
THE BLACK SHEATH DRESS.
>> RIGHT.
>> I NEED TO SEE THE FUCHSIA
DRESS.
>> OKAY.
>> AND I THINK YOU REALLY HAVE
AN OPPORTUNITY RIGHT HERE.
>> WITH THE SKIRT.
>> I THINK YOU CAN REALLY PLAY
WITH THE SKIRT.
>> YEAH.
>> FOCUS ON SILHOUETTE.
>> YEAH.
>> AND SHAPE.
SILHOUETTE AND SHAPE.
>> EXACTLY. EXACTLY.
>> IT'S DEFINITELY
NERVE-WRACKING.
"MAKE SURE THAT SKIRT IS A
STATEMENT."
WELL, TO ME, WHAT'S A STATEMENT,
BUT TO USE A STATEMENT LIKE, "AM
I GONNA BE CREATIVE ENOUGH AND
PUSH IT ENOUGH?"
>> IT'LL EVOLVE.
>> IT WILL. AND LET IT EVOLVE.
>> YEAH, IT ALWAYS DOES.
>> LET IT HAPPEN AS IT GOES,
YOU KNOW?
>> ALL RIGHT.
YEAH, TRUST YOUR INSTINCTS.
ALL RIGHT, BYE-BYE.
>> I AM DOUBTING WHERE I THINK I
WANTED TO GO WITH IT.
NOTHING IS FEELING GOOD.
I HAVE ZERO CONCEPT FOR A SKIRT,
SO IT'S STRESSFUL, REALLY
STRESSFUL AT THIS POINT.
YOU KNOW, THERE'S TWO OF US
GOING HOME OUT OF SEVEN.
THIS COULD BE IT FOR ME.
>> ALL RIGHT, GUYS, THANK YOU SO
MUCH FOR SHOWING US A LITTLE
PIECE OF YOUR WORLD TODAY.
AND I THINK I CAN SPEAK FOR
EVERYBODY, WE'RE INTRIGUED.
>> IF I CAN PICK ANY MENTOR, I'D
PICK MONDO.
SORRY, ANYA AND NICK.
>> WE REALLY LIKE WHAT WE HAVE
HERE.
YOU GUYS HAVE STEPPED IT UP.
>> NICK'S MY HOPEFUL CHOICE.
>> I HOPE THAT I END UP ON
ANYA'S.
>> EITHER MONDO OR NICK BECAUSE
I THINK THEY HAVE A LOT MORE
EXPERIENCE THAN ANYA.
>> CAN I JUST HAVE ALL THREE OF
'EM HELP ME?
I THINK THAT'D BE PERFECT.
>> I'M GLAD THAT I SAVED TWO
SPOTS.
>> OH.
>> I AM.
>> ME TOO. YEAH.
>> HEY!
>> I'M JUST SAYING, ANYA...
>> YEAH. [laughs]
>> YOU USED ALL YOUR PEOPLE UP.
>> I STILL HAVE ONE.
>> EXACTLY. [laughs]
>> I STILL HAVE ONE.
NOW THAT WE'VE HAD THE CHANCE TO
SEE THE WORK OF THESE SEVEN
DESIGNERS, THE GROUP THAT I
THOUGHT WOULD HAVE BEEN WEAKER,
NOT QUITE AS IMPRESSIVE, I WAS
COMPLETELY WRONG.
>> ANYA HAS THREE DESIGNERS IN
HER GROUP AT THIS POINT.
SO THE ODDS ARE AGAINST HER.
THAT JUST MAKES MY ODDS
STRONGER.
>> BUT WE CAN'T STRESS ENOUGH
THAT TWO PEOPLE ARE GOING HOME.
AND I KNOW NONE OF YOU WANT TO
BE THOSE TWO PEOPLE.
SURPRISE US.
YOU WANT US ALL TO SIT UP IN OUR
SEATS TOMORROW AND REALLY HAVE A
GOOD TIME.
>> THANK YOU, GUYS.
>> WE GOT AN APPLAUSE THIS TIME.
[laughter]
>> LIKE THE FIRST GROUP TO GO.
>> OH, YOU WISH WE WERE THE
FIRST?
>> YEAH.
>> SO WE WOULDN'T BE--HAVE TWO
ELIMINATIONS.
>> YES.
>> WELL, THE STAKES ARE HIGH
RIGHT NOW.
TWO DESIGNERS HAVE TO BE
ELIMINATED FROM MY GROUP, SO
THAT'S PRETTY INTENSE.
>> DO A TWIRL.
>> NO, I'LL DO A TWIRL ONCE I
GET THE SKIRT DONE.
HOW'S THAT?
THE ONLY THING THAT I'M
CONCERNED ABOUT AFTER THE
MENTORS LEAVE IS THEY'VE ONLY
SEEN THE SWEATER AT THIS POINT,
AND THEY'VE SEEN SORT OF WHERE I
WANT THE SKIRT TO GO.
I JUST DON'T WANT TO BE IN A
POSITION WHERE IT'S LIKE I AM
GONNA GO HOME TODAY BECAUSE I,
LIKE, DIDN'T FINISH X, Y, AND Z,
YOU KNOW?
I DIDN'T COME HERE TO BE SAFE.
I CAME HERE TO IMPRESS THE
MENTORS.
YOU WANT THIS SKIRT?
YOU KNOW YOU WANT THIS SKIRT.
SO I FOCUSED ALL OF MY ENERGY
ONTO GETTING THAT SKIRT INTO
SOME SORT OF FORMATION.
>> HI.
>> HI.
>> HI, TIM.
IT WAS A GREAT, GREAT VISIT.
RIGHT? WE WERE VERY IMPRESSED.
>> YEP.
I DIDN'T EXPECT THIS SEVEN TO BE
AS STRONG AS THEY SEEM TO BE.
>> BECAUSE?
>> BASED ON THEIR PORTFOLIOS, I
GUESS, I THOUGHT THEY WOULD BE
THE WEAKER GROUP.
THIS GROUP OF SEVEN DESIGNERS IS
VERY, VERY, VERY STRONG.
I THINK THAT THEIR LOOKS ARE
MORE VARIED, PUSHING THE
BOUNDARIES MORE.
>> I'M HOPING SOME OF THE COOL
KIDS FROM ROUND TWO WILL
ACTUALLY PICK MENTOR NICK.
PICK ME, PLEASE.
>> THE CAKE'S NOT OUT OF THE
OVEN.
>> RIGHT.
>> RIGHT. EXACTLY.
>> I MEAN, THEY'VE MIXED THE
INGREDIENTS.
>> RIGHT.
>> THEY PUT THEM IN A BOWL,
THEY'RE STIRRING THEM.
>> YEAH.
>> BUT IT HAS YET TO COME OUT
AND BE ON THE RUNWAY.
A LOT CAN HAPPEN.
>> MM-HMM.
>> AND SUCH A LARGE PART OF THIS
PROCESS HAS TO DO WITH HOW THEY
DO HANDLE THEIR TIME CONSTRAINT.
WE HAVE TO REMIND OURSELVES
THIS IS A SIX-HOUR CHALLENGE FOR
THESE GUYS.
>> RIGHT.
>> MM-HMM.
>> YEAH, THERE ARE LOTS OF
VARIABLES.
>> THERE ARE LOTS OF THINGS THAT
HAVEN'T HAPPENED YET.
>> I WANT TO TAKE MY BLAZER OUT
OF THE DATED SCENE THAT THEY
CALL IT.
THE MENTORS STARTED GIVING ME A
LOT OF ADVICE, AND I TOOK IT TO
HEART.
CAN I HAVE A THREAD THING?
I REALLY WANT IT FOR THEM NOT TO
THINK THAT I'M A DATED DESIGNER.
I WANT TO BE CURRENT.
>> TWO PARTICULAR DESIGNERS WHO
I THINK ARE PLAYING TOO SAFE, I
THINK, IS STEPHANIE AND AMY.
>> AMY.
>> INTERESTING.
>> IS THIS THE GARMENT YOU'RE
GONNA PUT IN THE WINDOW?
>> THE MENTORS, THEY ENCOURAGED
ME TO STEP THINGS UP, REMEMBER
IT'S SOMETHING THAT'S GONNA BE
SHOWN ON THE RUNWAY.
I NEED TO PROVE TO THEM THAT I
CAN DO THAT.
>> HOW'S EVERYONE DOING?
>> WELL.
>> I JUST WANTED TO GIVE YOU ALL
A HEADS UP.
YOUR MODELS ARE COMING IN VERY
SHORTLY FOR A FITTING, AND
YOU'LL HAVE THEM FOR 30 MINUTES.
OKAY, I WILL SEE YOU LATER, AND
ENJOY THE MODELS.
THANK YOU.
>> THANK YOU.
>> HOW SOON DID HE SAY THEY'RE
COMING?
>> VERY SHORTLY.
YOU'RE GONNA PRETEND TO BE A
SKIRT TODAY.
>> HI, GIRLS.
>> WELL, I'M GONNA PUT YOU IN
KICK-*** CLOTHING.
>> WELL, THIS IS HALF OF THE
TOP. [laughs]
I HAVE ENOUGH DONE OF THE
BODICE TO FIT ON MY MODEL, BUT
THERE'S SOME PEOPLE THAT ARE
FITTING MUSLINS ON THEIR MODELS,
WHICH I DIDN'T REALLY FEEL LIKE
I HAD THE LUXURY TO EVEN DO
SOMETHING OUT OF MUSLIN FIRST.
>> IS THIS THE RIGHT TIME FOR ME
TO TELL YOU I'VE NEVER USED
SCISSORS BEFORE?
>> WHAT WAS THE CHALLENGE?
>> SHOW US WHO YOU ARE IN, LIKE,
SIX HOURS.
>> OH, MY GOD. [laughs]
>> WHICH, YOU KNOW, IT'S LIKE,
"OH, OKAY, WELL, I'M GONNA GO
CRY, 'CAUSE THAT'S WHO I AM."
>> THAT'S A LOT TO ASK.
>> REY PRETTY MUCH HAS HIS
JACKET KINDA FORM DONE.
I'M THINKING, "DAMN!
LIKE, THAT'S A LOT OF DETAIL,
AND CAN I JUST GET MY DAMN THING
DONE?"
>> I ALMOST FEEL LIKE YOU'RE
SKINNIER THAN MY MANNEQUIN,
ACTUALLY.
AS I PUT THE DRESS ON HER, I
REALIZE HER MEASUREMENTS ARE
OFF.
ARE YOU WEARING A BRA?
>> NO.
>> NO.
YOU'RE NOT WEARING ANYTHING,
RIGHT?
I WISH I HAD ANOTHER FABRIC.
>> ISABELLE IS KIND OF LOSING
HER MIND WITH HER MODEL.
>> OH, WAIT, WAIT. WHAT? WHAT?
>> SHE SAYS THAT THE
MEASUREMENTS THAT SHE WAS GIVEN
AREN'T THE CORRECT MEASUREMENTS
AND THAT SHE'S GOING TO HAVE TO
REDO HER GARMENT.
GIRL, AIN'T NOBODY GOT TIME FOR
THAT.
>> GET SOME SLEEP, 'CAUSE I
WON'T BE.
>> MAKE A FULL GARMENT IN A DAY.
IT'S NOT A DAY, ACTUALLY.
>> [laughs]
>> I'M JUST STARTING TO PIECE MY
GARMENT TOGETHER.
I GET A LITTLE, YOU KNOW, BIT OF
EXCITEMENT BECAUSE I'M STARTING
TO SEE SOME FORM TAKE PLACE,
BUT I ALSO REALIZE THAT NOTHING
CONCRETE IS THERE AS WELL.
>> HOUR AND A HALF, GUYS.
>> SHH.
I KNOW, SCARY, WHEN I DON'T EVEN
HAVE A SKIRT ON THIS THING.
I DRAPE FOR AN HOUR, AT LEAST,
TRYING TO FIGURE OUT WHAT I'M
GONNA DO WITH THIS.
AND I STEP AWAY, AND I GO
FORWARD, AND I USE THE MUSLIN, I
USE THE FABRIC, AND I KEEP
THINKING SOMETHING'S GONNA
CLICK, BUT IT'S NOT CLICKING.
>> EVERYONE IS, LIKE, JUST
TAKING SO MUCH TIME TO DO THESE,
LIKE, GARMENTS THAT HONESTLY ARE
KINDA BORING.
JUST MAKE A SKIRT.
>> OH, SO EASY.
>> CUT THAT DOWN AND MAKE IT.
>> TWO OF US HAVE TO GO HOME.
SO EASY TO SAY.
>> WELL, HONEY, I CAN TELL YOU
IF YOU SEND HER DOWN ASSLESS,
YOU'RE GOING STRAIGHT HOME.
>> TRUE ENOUGH.
>> HOW MUCH TIME DO WE HAVE
LEFT?
>> I DON'T KNOW.
>> REY, YOU READ MY MIND.
>> [laughs] PERFECT.
>> DESIGNERS, I CAME IN TO TELL
YOU THAT YOU HAVE AN HOUR
REMAINING, OKAY?
REMEMBER, YOU HAVE AN HOUR AND A
HALF IN THE MORNING.
THIS IS NOT THE END, BUT THE
MAJORITY OF YOUR WORK TIME WILL
BE OVER IN AN HOUR.
THIS SIX-HOUR CHALLENGE IS
CERTAINLY A TOUGH ONE FOR THE
DESIGNERS, BUT IT'S LESS ABOUT
THE QUALITY OF THEIR WORK AND
MORE ABOUT HOW THEY HANDLE THE
EXPERIENCE OF THE WORK ROOM
UNDER THESE KINDS OF PRESSURES.
AND THE PRESSURES ARE REAL.
GET RID OF YOUR FEAR FACTOR.
JUST GO WITH CONFIDENCE.
OKAY?
>> I HAVE AN HOUR TO WORK, AND I
HAVE ABOUT A WEEK'S WORTH OF
WORK TO DO ON THIS DRESS.
STRESS! AH!
>> ARE YOU ALL RIGHT, ISABELLE?
>> I FORGOT WHAT I WAS DOING.
AH!
>> JUST KEEP SEWING.
>> YEAH, GIRL.
>> ISABELLE IS FRANTICALLY
WORKING IN THAT SEWING ROOM TO
GET DONE WHAT SHE NEEDS.
SO I DEFINITELY FEEL HER STRESS,
AND SHE'S KIND OF IN THE SAME
BOAT AS I AM.
WE ARE IN THIS TOGETHER.
YEAH, SCARY.
>> ALL I CAN DO NOW IS THINK
ABOUT, WHAT IS IT THAT I CAN
FIX IT FOR TOMORROW?
AND HOW FAST I CAN DO THAT TO
MAKE IT WORK.
>> BYE, WORK ROOM.
HELLO, SLEEPLESS NIGHT.
>> [sighs]
I FEEL VERY PRESSURED.
>> COMING UP ON UNDER THE
>> SOMEBODY HAVE A NEEDLE?
>> WHAT A QUIET ROOM.
MORNING, EVERYONE.
>> MORNING.
>> I SEE SOME SMILES.
[laughter]
ALL RIGHT, YOUR MODELS WILL BE
COMING IN SOON.
YOU WILL HAVE AN HOUR TO SEND
YOUR MODELS TO THE BENEFIT
COSMETICS ROOM AND THE BLOW PRO
STUDIO.
USE THE FRANCESCA'S ACCESSORY
WALL VERY THOUGHTFULLY.
ALL RIGHT, I WILL SEE YOU ALL A
LITTLE LATER.
THANK YOU.
>> THERE IS SO MUCH TO DO, SO
LITTLE TIME.
IF YOU GUYS SEE MY MODEL, CAN
YOU SEND HER HERE, PLEASE?
I JUST DON'T FEEL LIKE I CAN
FINISH.
IT'S SO MUCH WORK.
BUT I'M GONNA PUSH AS MUCH AS I
CAN.
I NEED TO MAKE SURE THAT
WHATEVER IS GONNA BE DONE IS
GONNA REFLECT MY VISION.
I'M FREAKING OUT. [chuckles]
>> OH, HELLO.
>> HI, GIRLS.
>> IT'S DEFINITELY A STATEMENT.
>> LIKE, YOU KNOW ME.
>> LIKE YOU'RE FROM A DIFFERENT
PLANET.
>> I LIKE THAT IT'S NOT, LIKE,
SUPER TIGHT.
BY THE TIME THE MODEL GETS HERE,
I JUST HAVE TO PUT A BUTTON ON
THE PANTS.
I THINK I REALLY PUSHED MYSELF
AND DID EVERYTHING THE MENTORS
ASKED ME TO DO.
I THINK EVEN MORE.
>> SO HOW ARE YOU GUYS FEELING
TODAY, THE SECOND ROUND OF
SELECTIONS?
>> JUST BY BEING IN THE WORK
ROOM YESTERDAY, I NOTICED THAT
THESE DESIGNERS STEPPED IT UP.
I THINK IT'S BECAUSE THEY KNOW
TWO ARE GOING HOME.
>> GET THAT ON YA.
I GET IT ON HER, AND I'M SO
THRILLED, AND SHE'S SO HAPPY.
SHE'S LIKE, "OH, MY GOD!
MY DRESS IS SO--"
MY MODEL LOVES IT.
LIKE, THAT'S AWESOME.
>> THERE.
>> WATCHING ISABELLE WORK IS
SORT OF LIKE...
>> LET'S GO. COME.
>> WATCHING A SQUIRREL GATHER
ACORNS. [laughs]
>> COME, COME!
>> IT'S JUST, LIKE, CONSTANT
RUNNING BACK AND FORTH.
>> [laughs]
HI.
>> ISABELLE IS GOING HOME.
>> WELCOME TO THE BENEFIT
COSMETIC PRETTY ROOM.
>> PEARL LIPSTICK, STRONG EYES,
BUT NOT OVER THE TOP.
I WANT HER TO LOOK VERY CHIC,
ELEGANT.
I THINK ABOUT A SMOKY EYE.
>> OKAY.
>> BUT WITH BLUE SHADOW.
>> RIGHT THERE WITH THE HIGH
BEAM.
>> I'M EXCITED ABOUT THE
MENTORS SEEING WHAT THEY SAW IN
THE WORK ROOM VERSUS WHAT I'M
GOING TO SHOW THEM ON THE
RUNWAY.
>> THE LAST TIME I THOUGHT IT
WAS MORE OBVIOUS...
>> RIGHT.
>> WHO WAS GOING HOME.
WHO KNOWS WHO'S GOING TO SHINE
AND FLOURISH IN THE COMPETITION
VERSUS IN THE WORK ROOM?
THIS IS MY ONE SPOT.
I'M GONNA DO WHATEVER I HAVE TO
DO.
I DON'T KNOW WHAT'S GONNA HAPPEN
WHEN I SEE WHAT I SEE TODAY.
>> ANYA HAS THREE DESIGNERS, SO
SHE CAN ONLY CHOOSE ONE.
SO THAT GIVES ME MORE ROOM IN
TERMS OF DESIGNERS.
SO I THINK THAT SHE MIGHT BE IN
A BIND.
>> WE NEED TO LASH OUT A LITTLE
BIT.
A LITTLE THEY'RE REAL.
>> I'M THINKING ROSY CHEEKS.
>> FINE-ONE-ONE.
IT'S A CONTOUR AND A HIGHLIGHT,
AND THAT WAY YOU'VE GOT FOCUS
AND DEFINITION ON THE FACE.
PRETTY AND NATURAL...
>> YES.
>> IS WHAT WE DO THE BEST HERE
AT BENEFIT.
>> SO A VERY HIGH-SHINE,
REFLECTIVE LOOK?
>> YES.
>> BUT IT'S REALLY SMOOTHED,
VERY GROOMED?
>> YES, YOU'RE SPEAKING MY
LANGUAGE.
>> KINDA LIKE UPTOWN CHIC.
>> YES.
>> YEP. WE'RE INTO IT.
A LITTLE SPRAY, A LITTLE
TEXTURE.
>> IT MIGHT BE INTERESTING,
LIKE, IF YOU--I'M NOT SAYING
THIS IS WHERE YOU'RE GONNA GO,
BUT TO PICK SOMEBODY WHO MAYBE
DOESN'T HAVE SUCH A STRONG,
IN-YOUR-FACE POINT OF VIEW SUCH
AS CAMILA AND MICHELLE.
IS THAT WHAT YOU'RE THINKING?
>> YOU'RE PICKING MY BRAIN, AND
YOU'RE STRATEGIZING AS WELL...
>> MM-HMM.
>> BECAUSE YOU WANT TO KNOW WHAT
I'M THINKING.
>> RIGHT.
>> THAT'S EXACTLY IT, HONEY.
>> SO YOU CAN MOVE YOUR WAY IN.
>> THAT'S EXACTLY IT.
>> BUT GUESS WHAT?
IT'S NOT GONNA HAPPEN.
>> [laughs]
>> I REALLY HAVE THIS STORY IN
MY HEAD OF HOW I WANT THE BLOW
PRO STUDIO TO HELP ME WITH HER
LOOK.
SOMETHING WITH A LITTLE BIT OF,
LIKE, A GRITTIER KINDA TEXTURE,
LIKE SHE JUST WALKED THROUGH A
SNOWSTORM, MAYBE.
>> OKAY.
WE'LL USE OUR BEACH BLOW, WHICH
IS A SUPER MATTE SEA SALT
TEXTURING SPRAY.
>> PERFECT.
>> DESIGNERS, IN 10 MINUTES YOU
AND YOUR MODELS AND I ARE GOING
DOWN TO THE RUNWAY.
ALL RIGHT?
HOW IS EVERYONE?
YOU ALL LOOK A LITTLE
SHELL-SHOCKED.
10 MINUTES, WE'RE GOING TO THE
RUNWAY.
I'LL BE BACK.
THANK YOU.
>> HERE, JUST TRY ONE OF THEM.
OH, I ACTUALLY KINDA LIKE THAT.
>> YEAH?
>> IT'S COOL.
>> I'M FEELING PRETTY PROUD OF
MYSELF BECAUSE THIS LOOK THAT
I'VE MADE WAS A BIG RISK, AND IT
LOOKS GOOD.
>> I THINK NICHOLAS SHOULD BE
WORRIED.
I JUST DON'T THINK THAT THE
GARMENT THAT HE IS FINISHING WAS
MADE IN SIX HOURS.
I CAN SAY THAT I CAN DO THAT IN
TWO.
>> OH, MY GOD!
THAT SKIRT IS FRICKIN' AMAZING!
[laughs]
>> TIME. WHAT TIME IS IT?
>> 11:15.
>> MY GOODNESS.
I'M SHAKING SO MUCH.
IT'S CRAZY.
>> ALL RIGHT, DESIGNERS AND
MODELS, WE'RE GOING DOWN TO THE
RUNWAY.
>> WHOO!
>> ALL RIGHT?
SO EVERYONE FOLLOW ME.
OFF WE GO.
>> AS WE HEAD TO THE RUNWAY, I'M
GETTING PRETTY EXCITED BECAUSE I
HAVEN'T HAD A LOOK WALK THE
RUNWAY IN SOME TIME, SO...
HERE WE GO.
IT'S A PRETTY GOOD EXAMPLE OF
WHAT I'M HERE TO MAKE.
>> WHERE IS ISABELLE?
>> IS SHE STILL IN THE SEWING
ROOM?
>> OH, JEEZ.
>> OH, MY GOD!
I FEEL LIKE I'M ABOUT TO HAVE A
BABY.
>> ISABELLE, I'VE ALREADY CALLED
TIME, AND THE OTHER DESIGNERS
AND MODELS ARE GOING DOWN TO THE
RUNWAY RIGHT NOW.
YOU MUST STOP.
>> OKAY.
>> YOU MU--NO, NOW!
>> AH! HERE.
WHILE I'M BREATHING, I SWEAR TO
YOU--
>> NO, NO, NO, NO, NO.
>> LIKE THIS.
>> YOU MUST STOP NOW.
ISABELLE! NOW! THIS IS NOT FAIR.
IT MUST COME OUT OF THE MACHINE
AND GO ON YOUR MODEL.
>> OH, IT'S LIKE, TWO MI--JUST--
>> NO, NO, NO, NO, NO, NO, NO.
ABSOLUTELY NOT.
WE MUST GO 'CAUSE NOW WE'RE
HOLDING UP THE OTHER DESIGNERS.
>> AH! I WANT TO KILL MYSELF.
LIKE, OKAY, I WOULD NEVER DO
THAT, BUT I WANT TO KILL MYSELF.
>> OKAY, YOU AND I ARE GOING, AT
LEAST.
ISABELLE, FOLLOW US.
>> OKAY.
I'M SO SORRY. OH, MY GOD!
IT'S FALLING APART.
>> ISABELLE, THAT'S IT. NO MORE.
>> NO MORE TOUCH?
>> NO MORE. NO.
NO, NO, NO, NO, NO.
>> I'M SORRY. I'M SORRY.
>> AH!
>> THE WINNER OF UNDER THE GUNN
WILL RECEIVE A CASH PRIZE OF
$100,000, A TOP OF THE LINE
SEWING AND EMBROIDERY STUDIO
COURTESY OF BROTHER, AN ALL
EXPENSE PAID INSPIRATIONAL TRIP
TO PARIS COURTESY OF BLOW PRO,
THE BLOWOUT EXPERTS, AND BLOW
PRO STYLING PRODUCTS, THE
OPPORTUNITY TO DESIGN THE
UNIFORM FOR BENEFIT COSMETICS, A
FASHION SPREAD IN MARIE CLAIRE
MAGAZINE, A 2014 LEXUS CT 200H,
AND THE OPPORTUNITY TO DESIGN A
COLLECTION SOLD EXCLUSIVELY AT
FRANCESCA'S, YOUR DESTINATION
FOR UNIQUE CLOTHING, JEWELRY,
AND ACCESSORIES.
THE WINNING MENTOR WILL RECEIVE
A 2014 LEXUS CT 200H, A FASHION
SPREAD IN MARIE CLAIRE MAGAZINE,
AND A SPOT AS A GUEST EDITOR FOR
ONE YEAR.
ALL RIGHT, MENTORS, THIS IS THE
SECOND AND FINAL DESIGNER
SELECTION PROCESS.
AND AFTER TODAY, THE JUDGES WILL
BE SITTING IN YOUR SEATS
EVALUATING THE DESIGNER'S WORK,
WHICH MAY BE A BIG RELIEF FOR
ALL OF YOU.
[laughter]
AT THE END OF TODAY'S SESSION,
YOU WILL EACH HAVE FOUR
DESIGNERS IN YOUR MENTORING
GROUP.
DESIGNERS, THE MENTORS HAVE HAD
AN OPPORTUNITY, OF COURSE, TO
LOOK AT YOUR PORTFOLIOS AND
EXAMINE THEM, THEY'VE GOTTEN TO
KNOW YOU IN THE WORK ROOM, AND
TODAY THEY'LL BE LOOKING AT THE
OUTCOME OF YOUR SIX-HOUR STUDIO
SESSION.
AND THEY'LL BE CERTAINLY TAKING
THE WORK THAT YOU'VE CREATED
INTO CONSIDERATION IN SELECTING
YOU TO MENTOR.
WELL, I THINK WE SHOULD BEGIN
THE SHOW.
>> SHE TURNS AROUND THE CORNER,
AND I AM THRILLED WITH THE WHOLE
CONCEPT.
LIKE, IT'S EXACTLY KINDA THE
SILHOUETTE I WANT, THE DETAILING
THAT IS VISIBLE, AND SHE JUST
LOOKS SO CUTE WITH HER HAIR ALL
DONE UP IN A FAUX BOB.
>> STEPHANIE DIDN'T FAIL TO
IMPRESS ME.
SHE HAS TAKEN OUR ADVICE, AND
I'M REALLY GLAD THAT SHE
EXPERIMENTED WITH THE SHAPE IN
HER SKIRT.
>> STEPHANIE'S DRESS STILL
DOESN'T BLOW ME AWAY, AND I FEEL
EXACTLY THE SAME AS I HAVE FROM
THE BEGINNING.
>> I'M REALLY HAPPY.
IT LOOKS ADORABLE.
IT HAS THAT ELEMENT OF SURPRISE.
IS IT MY BEST WORK IN SIX HOURS?
MY BEST WORK DOESN'T HAPPEN IN
SIX HOURS.
>> AS I SEE AMY'S DRESS COMING
DOWN THE RUNWAY, I THINK IT'S
PRETTY AND VERY WELL MADE.
IT IS A BIT OF A STRETCH FOR
HER, AND THAT'S A GOOD THING.
>> AMY'S LOOK IS VERY WELL MADE.
I LIKE THE NECKLINE, AND THE
FABRIC IS PRETTY.
THERE'S REALLY NOTHING WRONG
WITH IT, OTHER THAN IT JUST
DOESN'T EXCITE ME.
>> MY HEART JUST STOPS.
IT IS ONE OF THE MOST AMAZING
MOMENTS.
SHE LOOKS SO FANTASTIC.
>> I LOVE SAM'S LOOK.
IT IS SO SLOUCHY CHIC.
HIS USE OF FABRIC IS FAR BEYOND
HIS YEARS.
>> I LIKE HIS LOOK.
I THINK THAT HE JUST NEEDS A
LITTLE BIT OF DIRECTION TO
REALLY FLOURISH.
>> EVEN THOUGH I DIDN'T FINISH,
SHE DOES LOOK CHIC, GORGEOUS.
SHE DEFINITELY LOOKS FABULOUS.
>> I'M SHOCKED HOW INTERESTED I
AM IN ISABELLE'S LOOK.
THE FOLDING AND THE PLEATING OF
THAT DRESS.
I THINK THAT SHE KNOWS A LITTLE
BIT ABOUT AVANT-GARDE FASHION.
>> ISABELL'S DRESS DEFINITELY
HAS THE POTENTIAL TO BE A REALLY
SUPER INTERESTING, STANDOUT
PIECE, BUT IT DOES SEEM TO ME
THAT SHE DIDN'T QUITE GET THERE.
>> I'M SUPER HAPPY LOOKING AT MY
LOOK WALKING THAT RUNWAY.
IT SHOWCASES MY TAILORING
SKILLS AS WELL AS MY TASTE.
>> THAT SWEATER IS TWO SECONDS
AWAY FROM LOOKING LIKE A
GRANDMA'S OLD CARDIGAN, AND THE
LOOK SEEMS OVER-ACCESSORIZED.
I THINK IT'S JUST--WHAT I LIKE
TO SAY SOMETIMES--TOO MUCHY.
>> I'M SO EXCITED.
AND MY MODEL IS, LIKE, WORKING
THE MESS OUT OF THAT DRESS.
AND I AM JUST COMPLETELY HAPPY.
>> I'M DISAPPOINTED.
I REALLY HAD HIGH HOPES FOR HER.
UNFORTUNATELY, SHE'S SHOWING TOO
MUCH SKIN IN PLACES WHERE I FELT
LIKE SHE COULD HAVE AVOIDED.
>> I DIDN'T THINK THAT SHE WAS
GOING TO ACCOMPLISH WHAT SHE
SHOWED, AND I AM COMPLETELY
IMPRESSED.
I FEEL LIKE IT IS A PIECE OF
ART.
>> I REALIZE THAT MY LOOK IS
PRETTY DIFFERENT FROM EVERYONE
ELSE.
OH, GOD.
WHAT ARE THE MENTORS GONNA
THINK ABOUT THIS?
"NICHOLAS, WE'RE REALLY INTO
THIS," OR, "NICHOLAS, THANK YOU.
YOU CAN GO HOME NOW"?
>> NICOLAS'S LOOK IS ALMOST TOO
BARE.
IT'S REALLY JUST A TUNIC, BUT
IT'S MADE BEAUTIFULLY.
>> SHE LOOKS LIKE A REALLY COOL,
SMART CUSTOMER.
AND I THINK NICK SUPPLIES A VERY
SMART PRODUCT.
>> DESIGNERS, I JUST WANT TO SAY
THAT THAT WAS AN EXCELLENT SHOW.
I THINK I'M SPEAKING FOR ALL OF
US WHEN I SAY THAT.
>> YEP.
>> CONGRATULATIONS.
>> I DIDN'T PREDICT THAT THIS
PARTICULAR GROUP WOULD BE THIS
CHALLENGING FOR ME TO DECIDE.
IT'S GONNA BE REALLY HARD FOR
ME.
>> I THINK SO.
>> REALLY HARD.
>> 'CAUSE YOU HAVE ONE.
>> ONE.
>> YEAH. [laughs]
>> DON'T REMIND ME.
>> YES, I KNOW. P.S... [laughs]
>> OKAY?
>> SO MENTORS, ARE YOU READY TO
MAKE YOUR DECISIONS?
>> ALL RIGHT, DESIGNERS, IF MORE
THAN ONE MENTOR WANTS YOU, THEN,
LISTEN TO ME VERY CAREFULLY,
IT'S YOUR DECISION WHICH MENTOR
YOU CHOOSE.
>> YES.
>> SO THERE'S PRESSURE BOTH
WAYS.
>> MM-HMM.
>> NOW, MENTORS, AT THE END OF
TODAY, YOU WILL EACH NEED FOUR
DESIGNERS IN YOUR GROUP.
AND CURRENTLY, MONDO, YOU HAVE
TWO DESIGNERS IN YOUR GROUP, SO
YOU'RE LOOKING FOR TWO.
ANYA, YOU HAVE THREE DESIGNERS
IN YOURS, SO YOU'RE LOOKING TO
CHOOSE ONE.
AND NICK, YOU HAVE TWO
DESIGNERS ALSO.
SO YOU WERE LOOKING TO CHOOSE
TWO.
>> RIGHT.
>> SO, NICK, ARE YOU READY TO
MAKE YOUR FIRST DECISION?
>> [laughs]
OH!
>> IT'S HARD.
>> YES, IT IS.
IT'S HARD.
YOU GUYS REALLY MADE IT HARD, I
HAVE TO SAY.
CHOICE NUMBER ONE IS SAM.
>> OH, MY GOD.
[laughter]
>> I KNOW HOW TO SPOT THE
TALENT, AND FOR ME, I SEE SO
MUCH GROWTH ALREADY, IN THAT
DESIGN ESPECIALLY.
I'VE SOLD ALL OVER THE COUNTRY,
ALL OVER THE WORLD.
I CAN HELP YOU IN TRANSLATING
THAT BEAUTIFUL SWEATER, THAT
BEAUTIFUL SKIRT, INTO SOMETHING
THAT CAN BE LUXE FOR THE
RUNWAY, BUT AT THE SAME TIME, BE
GREAT FOR POSSIBLY RED CARPET,
FOR THAT COOL--YOU KNOW, FOR
ZOOEY DESCHANEL, FOR THAT "IT"
GIRL.
I CAN HELP YOU WITH THAT.
>> ANYA, WOULD YOU LIKE TO
COMMENT?
>> OH, LORD.
THIS HAS BEEN EXTREMELY
CHALLENGING.
IT'S PROBABLY ONLY GONNA GET
HARDER, BUT I'M GONNA GO WITH MY
GUT FEELING BECAUSE I THINK
YOU'RE A FANTASTIC DESIGNER, AND
I WOULD ALSO LOVE TO HAVE YOU ON
MY TEAM.
>> OH, I--
>> I ONLY HAVE ONE SPOT LEFT TO
FILL MY ENTIRE GROUP OF FOUR
DESIGNERS.
I REALLY AM GONNA FIGHT FOR SAM.
I SAW HOW MUCH YOU HAD FUN WITH
THIS, AND THAT'S SOMETHING THAT
I ALSO WANT TO DO.
YOU KNOW, I MEAN, OF COURSE, YOU
WANT TO WIN, OF COURSE, IT'LL BE
FANTASTIC IF YOU DO, BUT I
REALLY THINK WE'D ENJOY THE
PROCESS OF WORKING TOGETHER.
>> MONDO?
>> YEAH, I'M FORTUNATE ENOUGH MY
MENTOR LIVES HERE IN L.A.
AND I WAS IN THE CAR WITH HER
LAST NIGHT, AND I WAS THINKING,
"WOW!
THIS HAS BEEN SUCH A LONG
JOURNEY."
I'M 35 YEARS OLD; I'VE KNOWN
THIS WOMAN SINCE I WAS 19 YEARS
OLD.
AND I WAS THINKING TO MYSELF,
"WHY WAS SHE SUCH A GOOD MENTOR
TO ME?"
AND THEN I CAME TO THE
REALIZATION THAT SHE JUST ALWAYS
BELIEVED IN ME.
I BELIEVE IN YOU.
I THINK YOU'RE RIGHT HERE, AND
YOU HAVE EXTREME POTENTIAL TO
BE, LIKE, WAY, WAY, WAY UP HERE.
SO I'M GOING TO CHOSE YOU AS
WELL.
>> BECAUSE I FELT SO DEFEATED IN
THE FIRST SESSION WHERE EVERY
SINGLE DESIGNER PICKED THE OTHER
MENTORS FOR THE MOST PART, I
CAME INTO THE SECOND ROUND
THINKING, "OKAY, NICK, LET'S
HOPE THAT THERE'LL BE AT LEAST
ONE DESIGNER WHO WANTS YOU."
>> SO NOW, SAM--
>> NOW I RUN THAT WAY.
[laughter]
>> NO, NO, NO.
YOU KNOW EVERYONE WANTS YOU.
IT'S A WONDERFUL THING.
>> I CAN BARELY REGISTER THE
FACT THAT ALL THREE OF THEM WANT
ME SO BAD.
I JUST--IT'S--I'M SORRY.
I STILL CAN'T, LIKE, FORM WORDS
ABOUT IT. [laughs]
MY GUTS ARE, LIKE, PULLING ME
FOUR DIFFERENT WAYS, THOUGH,
AND I KNOW THERE ARE ONLY THREE
OF YOU, SO I DON'T EVEN KNOW
WHERE THE OTHER ONE'S GOING.
[laughter]
>> YOU CAN'T GO WRONG.
YOU'RE A FABULOUS DESIGNER.
IT'S--WHATEVER IS INSTINCTIVE TO
YOU IS WHAT YOU SHOULD CHOOSE.
>> I NEVER WANT TO GET
COMFORTABLE.
I ALWAYS WANT SOMEONE TO BE
HONEST WITH ME, SOMEONE TO PUSH
ME, SOMEONE TO SAY, LIKE, "YOU
CAN BE BETTER."
AND I WAS ABSOLUTELY NOT
THINKING THIS AT ALL THIS
MORNING, BUT I WANT TO GO WITH
MONDO.
>> I FEEL DOWN, I HAVE TO SAY.
IT'S ALMOST LIKE, "UGH.
I'M NOT WORTH ANYTHING."
>> WELL, CONGRATULATIONS, SAM.
AND YOU MAY GO TO THE
DESIGNERS' LOUNGE.
>> THANK YOU. THAT WAY?
>> THAT WAY.
>> BYE, YOU GUYS.
>> BYE.
>> GOOD LUCK.
>> THANK YOU.
>> MONDO STILL SEES A LOT OF
ROOM FOR ME TO GROW, AND AS A
DESIGNER, YOU NEVER WANT TO
SETTLE.
I KNOW THAT HE'S THE RIGHT
MENTOR FOR ME.
OH! [laughs]
>> SO, MONDO, YOU NOW HAVE THREE
DESIGNERS IN YOUR GROUP.
ANYA, YOU HAVE THREE.
AND NICK, YOU HAVE TWO.
ALL RIGHT.
ANYA, ARE YOU READY TO DECLARE
YOUR DECISION?
>> YES.
THIS IS VERY HARD, BUT I HAVE
MADE DECISIONS BASED ON, IN SOME
CASES, A LOT ON THEIR AESTHETIC
AND SOMETHING THAT I RESPOND TO.
AND OTHERS, THE PERSONALITY AND
THE ATTITUDE TOWARDS THE WORK.
AND IN THIS CASE, IT'S A BIT OF
BOTH. [chuckles]
AND I WOULD LIKE TO ASK
NICHOLAS.
>> NICHOLAS.
>> EVEN THOUGH I THINK THAT HIS
LOOK THAT HE'S PRESENTING RIGHT
NOW IS NOT THE STRONGEST AND
DEFINITELY WILL HAVE TO AMP IT
UP, THERE IS THAT KERNEL OF
TALENT AND VISION THAT IS RIGHT
EN POINTE OF WHAT I'M LOOKING
FOR IN A DESIGNER.
SO NICHOLAS IS GOING TO BE IN MY
LAST SPOT.
LIKE, I'M JUST DETERMINED.
I THINK WHAT I WILL BRING TO THE
PROCESS IS THAT MY WORK IS
COMPLETELY DIFFERENT FROM YOURS.
EVERYTHING THAT YOU DO IS SORT
OF THE ANTITHESIS OF WHAT I DO,
NATURALLY.
AND I THINK THAT AS A WOMAN, YOU
KNOW, THERE IS A SENSE OF WHAT
DOES A WOMAN WEAR?
HOW DO THEY WEAR IT?
WHAT DO THEY LIKE?
AND I THINK THAT THAT'S
SOMETHING THAT I CAN SORT OF
INEVITABLY BRING TO THE TABLE.
BUT MORE THAN THAT, I REALLY
RESPOND TO YOUR CEREBRAL
APPROACH TO WHAT YOU DO.
LIKE, I REALLY GET THAT THAT'S
WHERE YOU'RE COMING FROM.
AND I FEEL LIKE--I DON'T KNOW,
THAT IT'S JUST--IT'S VERY HONEST
TO ME THAT--THAT'S SOMETHING
THAT I UNDERSTAND.
>> MONDO, DO YOU HAVE ANY
COMMENTS?
>> I THINK THAT YOUR APPROACH TO
CREATING IS, IN A VERY QUIET
WAY, VERY ARTISTIC AND SMART,
AND I WOULD LOVE TO WORK WITH
YOU.
>> OH, SO YOU WOULD ALSO?
>> YES.
>> ALL RIGHT.
NICK, ANY COMMENTS FROM YOU?
>> I AM INTRIGUED BY YOUR
INTELLECTUALISM, AND ESPECIALLY
BY THE FACT THAT YOU ARE AN
EXPERT IN MENSWEAR.
AND I'M INTRIGUED BECAUSE OF
YOUR CLASSIC LINES AND YOUR
KNOWLEDGE OF PATTERNS.
AND I WOULD LIKE ALSO FOR YOU TO
BE IN MY TEAM.
I WOULD LIKE TO TRANSLATE AND
SEE THE NICHOLAS WOMAN.
I DO DRESSES, I DO GOWNS, AND I
THINK THAT I COULD GIVE YOU JUST
THE BIBLE.
[laughs]
>> SO, NICHOLAS, NOW YOU HAVE A
HIGH-CLASS CONUNDRUM.
>> I DO.
I FEEL TORN.
I'M GONNA HAVE TO GO WITH THE
FIRST CALLOUT.
>> THANK YOU.
>> ANYA.
>> THANK YOU. [laughs]
I'M THRILLED.
>> REALLY? REALLY?
DO I HAVE TO GO THROUGH THIS
AGAIN?
THE DESIGNERS ARE GOING FOR THE
COOL KIDS, NOT THE OLD GRANDPA.
>> NICHOLAS, CONGRATULATIONS,
AND YOU MAY GO TO THE DESIGNERS'
LOUNGE, OKAY?
>> GOOD LUCK.
I ORIGINALLY HAD MY EYES SET ON
MONDO, BUT I'M A MENSWEAR
DESIGNER, SO IF ANYONE'S GONNA
BE ABLE TO HELP ME UNDERSTAND
WHAT A WOMAN WANTS TO WEAR, IT'S
DEFINITELY GONNA BE ANYA.
>> I'M, LIKE, EXCITED TO SEE
WHAT ANYA'S GONNA--WHERE SHE'S
GONNA PUSH YOU.
HEY, FIST BUMP.
BOOM.
>> [laughs]
>> SO, ANYA, WITH NICHOLAS
JOINING YOUR GROUP, YOUR
GROUP IS NOW FULL.
>> I'M DONE.
>> YOU HAVE FOUR DESIGNERS.
>> I'M VERY HAPPY.
>> WELL, CONGRATULATIONS BECAUSE
NOW YOU CAN SIT BACK, RELAX...
>> I'M JUST GONNA ENJOY THE
SHOW.
>> AND JUST OBSERVE THE REST OF
THE PROCESS.
MONDO, YOU HAVE THREE DESIGNERS,
SO YOU'RE LOOKING FOR ONE.
AND NICK, YOU HAVE TWO
DESIGNERS, AND YOU ARE LOOKING
FOR TWO.
>> MM-HMM.
>> ALL RIGHT.
SO, MONDO, IT'S YOUR TURN TO
CHOOSE FOR THIS ONE REMAINING
SPACE.
>> THAT'S MAKING IT REALLY
DIFFICULT FOR ME BECAUSE, YOU
KNOW, I THOUGHT THAT I KNEW--I
HAD--I'LL BE HONEST.
I HAD ALL THE DESIGNERS IN ORDER
THAT I WANTED THEM, YOU KNOW.
AND THINGS HAVE PLAYED OUT A
LITTLE BIT DIFFERENT.
THANKS, ANYA.
>> [laughs]
>> THIS IS REALLY DIFFICULT
'CAUSE ALL OF YOU ARE SO
WONDERFUL.
NICK, DO YOU WANT TO GO FIRST?
>> YEAH, IF YOU--
>> ALL RIGHT.
>> DO YOU WANT ME TO?
>> YEAH, GO AHEAD.
>> ALL RIGHT, SO I'M NEXT.
>> YOU'RE NEXT.
>> THANKS, MONDO.
[laughter]
>> YOU'RE WELCOME.
>> OH...
UM...
ISABELLE.
>> AH, THANK GOD.
>> COME ON UP.
[laughter]
>> ISABELLE, COME FORWARD.
>> OH, MY GOD. THANK YOU.
>> FIRST OF ALL, YOU HAD ME
YESTERDAY 'CAUSE I WAS SO
INTRIGUED WITH THE DRAPING OF
YOUR DRESS, AND WHAT WAS
HAPPENING, AND ALL THE
CONTRASTING GRAINS, ALL OF
THAT...
>> THANK YOU.
>> WAS SO, TO ME, INNOVATIVE.
TAKING WHAT I LIKE TO DO, WHICH
IS A LOT OF THE DRAPING AND
SCULPTURING, BUT TO ANOTHER
LEVEL.
>> THANK YOU. I APPRECIATE IT.
>> SO THAT'S WHY I WANT TO
MENTOR YOU AND HAVE YOU IN MY
GROUP.
>> THANKS SO MUCH.
>> YEAH.
>> MONDO, ANY COMMENTS?
>> WELL, ISABELLE, YOU KNOW, I'M
SO IMPRESSED WITH YOUR
HAPPY--THEY LOOK LIKE HAPPY
MISTAKES, YOU KNOW.
THAT'S SO MUCH FUN, YOU KNOW.
AND, LIKE...
>> I KNOW.
>> YOU ARE IN YOUR OWN WORLD.
AND THAT'S...
>> I KNOW.
>> A GOOD THING, YOU KNOW.
>> IT'S GOOD TO HEAR THAT.
>> YEAH.
>> SOMETIMES I FEEL LIKE I'M A
TOTAL LUNATIC, BUT...
>> I REALLY APPRECIATE YOU AS A
DESIGNER, BUT I DON'T THINK THAT
I AM THE RIGHT MENTOR FOR YOU.
>> THANK YOU. THANK YOU.
>> AND NICK IS.
>> THANK YOU, MONDO.
>> ISABELLE IS VERY SMART IN
SCULPTING, BUT I AM AFRAID THAT
SHE COULD BECOME TOO
EXPERIMENTAL AND BECOME A
DISASTER.
>> THANK YOU.
I FEEL LIKE YOU'RE GONNA--
>> YES.
>> YOU'RE REALLY GONNA BE A
GREAT MENTOR FOR ME.
I APPRECIATE IT.
>> YAY! THANK YOU.
>> ISABELLE, CONGRATULATIONS.
YOU MAY GO TO THE DESIGNERS'
LOUNGE.
>> OKAY.
THANK YOU SO MUCH, GUYS.
THANK YOU.
I'M SO EXCITED TO HAVE NICK AS
MY MENTOR.
I'M LOOKING FORWARD TO LEARN,
AND TO REALLY JUST SHARE AND
EXPERIMENT TOGETHER.
SUPERB.
>> HI.
>> OH, MY GOD.
I CAN'T BELIEVE I MADE IT.
>> OH, MY GOD!
OF COURSE YOU MADE IT.
WHAT ARE YOU TALKING ABOUT?
>> SO LET'S RECAP.
MONDO, YOU HAVE THREE DESIGNERS.
YOU'RE LOOKING FOR ONE.
>> MM-HMM.
>> NICK, THANKFULLY YOU HAVE
THREE DESIGNERS NOW.
>> YAY! [laughs]
FINALLY.
>> AND YOU'RE LOOKING FOR ONE.
>> YES.
>> ALL RIGHT, SO YOU'RE BOTH IN
THE SAME POSITION.
DESIGNERS, THAT MEANS THAT TWO
OF YOU WILL MOVE FORWARD, AND
TWO OF YOU WILL BE ELIMINATED.
>> MAN, THIS IS STRESSFUL.
I MEAN, MY HEART'S BEATING, AND
THIS IS IT.
LIKE, THERE'S NOTHING MORE I
WANT TO DO THAN TO BE COMPETING.
AND IT COULD JUST BE CUT SHORT.
>> SO, MONDO, IT IS NOW YOUR
TURN.
>> ALL RIGHT, WELL, I HAVE TO
SAY, NICK...
>> YEAH.
>> THAT DID NOT MAKE IT--
>> HELP AT ALL.
>> THAT DID NOT HELP AT ALL.
NO.
>> [laughs]
>> BECAUSE THE TWO DESIGNERS
THAT I WANT TO WORK WITH ARE
STILL UP THERE, BUT I HAVE COME
TO A DECISION OF WHO I WANT TO
WORK WITH.
AND I WAS REALLY IMPRESSED WITH
THIS PERSON REALLY HAVING KIND
OF AN ORGANIC APPROACH TO THE
PROCESS.
I'M JUST GONNA SAY ASHA.
>> OH, MY GOD.
THANK YOU.
>> I WOULD LIKE TO BE YOUR
MENTOR.
I THINK THAT, AGAIN, YOUR
APPROACH IS VERY ORGANIC.
IT'S VERY SCULPTURAL.
IT'S VERY, VERY BEAUTIFUL.
AND I THINK THAT WE WILL BE ABLE
TO EXPLORE HOW WE APPLY THOSE
KIND OF IDEALS IN DIFFERENT
SITUATIONS.
SO I HOPE YOU CHOOSE ME.
>> THANK YOU SO MUCH.
>> WELL, THE ONLY REASON SHE
WOULDN'T IS IF MR. VERREOS HAS
A COMMENT TO MAKE.
>> OH, MONDO.
OH...
I LOVED YOUR TWISTING.
>> THANK YOU.
>> AND ALL OF THAT.
OH.
MM.
MONDO'S GONNA HAVE A GREAT TIME
WITH YOU.
>> I THINK SO. YOU ARE--
>> THANK YOU.
>> SO, ASHA, CONGRATULATIONS.
>> THANK YOU.
>> HEAD OFF TO THAT DESIGNERS'
LOUNGE, OKAY?
>> IT'S GONNA BE GOOD, ASHA.
[applause]
>> I AM SO OVERJOYED THAT I'M
ACTUALLY IN THIS COMPETITION AND
MONDO BELIEVES IN ME AND
APPRECIATES MY WORK.
SO I KINDA JUST HAVE ALL OF
THESE EMOTIONS GOING AT ONCE.
>> WHO ARE YOU WITH?
>> MONDO.
>> YEAH!
>> MONDO, WITH ASHA, YOUR TEAM
IS COMPLETE.
>> YES. I'M EXCITED.
>> YOU SHOULD BE.
>> I THINK THAT THEY'RE GONNA BE
A REALLY GOOD GROUP.
>> I AGREE.
AMY, STEPHANIE, REY, WOULD YOU
PLEASE COME FORWARD ONTO THE
RUNWAY?
WE HAVE A 12-DESIGNER THRESHOLD
FOR UNDER THE GUNN.
THAT MEANS ONE OF YOU WILL
REMAIN IN THE COMPETITION, AND
TWO OF YOU WILL BE ELIMINATED.
NICK'S SITTING NOW WITH THREE
PEOPLE'S FATE IN HIS HANDS.
BEFORE NICK MAKES HIS DECISION,
I'D LOVE FOR EACH OF YOU TO
PLEAD A CASE, IN A MATTER OF
SPEAKING, ABOUT WHY YOU SHOULD
BE CHOSEN.
AND WE WILL START WITH
STEPHANIE.
>> WOW.
I'M NERVOUS TO TALK 'CAUSE I'VE
GOT THE SHAKES, BUT DESIGNING,
FOR ME, HAS BEEN SOMETHING--IT'S
IN MY BLOOD.
I'VE BEEN DOING--WHOO.
I'VE ALWAYS WANTED TO CREATE
THINGS, AND I'VE BEEN DESIGNING
SINCE I WAS SO YOUNG, AND IT'S
WHAT I WANT TO BE DOING FOR THE
REST OF MY LIFE.
IT'S SO REWARDING TO SEE OTHER
PEOPLE IN YOUR CLOTHING.
AND TO, ONE, MAKE IT FOR
YOURSELF AND BE REALLY PROUD IN
IT, AND FEEL GREAT ABOUT WHAT
YOU CAN CREATE.
AND THEN, ONE, TO SEE OTHER
PEOPLE EXCITED ABOUT THE SAME
THING AND GIVE THEM THAT SAME
PASSION AND THE SAME FEELING,
THAT CONFIDENCE, IN WEARING A
PIECE THAT YOU CREATED IS REALLY
AMAZING.
AND I JUST WANT THE OPPORTUNITY
TO EXPRESS THAT ON THIS SHOW AND
THROUGHOUT THE REST OF MY LIFE,
SO...
>> AMY.
>> OKAY.
I'VE DREAMED OF FASHION DESIGN
AND HAD THE PASSION FOR IT FOR
YEARS AND YEARS AND YEARS.
AND THIS IS MY TIME IN MY LIFE
THAT I WANT TO GROW, AND I WANT
TO LEARN, AND AS A MENTOR, I
THINK THAT YOU COULD JUST TAKE
ME THAT DIRECTION BECAUSE I KNOW
THAT I HAVE THE PASSION, WHICH
IS A HUGE PART OF IT, TO HAVE
SOMETHING IN YOUR HEART THAT YOU
REALLY WANT TO DO.
I WANT THIS SO BADLY.
I WANT YOU TO KNOW THAT I WOULD
WORK SO HARD FOR YOU TO JUST,
YOU KNOW, HELP YOU MAKE ME THE
BEST THAT I CAN POSSIBLY BE.
>> THANK YOU.
>> REY.
>> IF I WAS GONNA BE CHOSEN
SOMEHOW FOR MONDO OR ANYA, I
WAS READY TO SAY, "I STILL WANT
NICK," EVEN IF YOU DIDN'T.
AND I REALLY MEAN THAT.
I COME FROM A LOT OF STRUGGLES.
THE REASON I LEFT MY COUNTRY WAS
TO TRY TO GET THIS KIND OF
OPPORTUNITY, BOTH FINANCIAL, AS
WELL AS FAMILY.
SUDDENLY I MOVED HERE, I GOT
CALLED TO BE HERE, AND
EVERYTHING STARTED TO MAKE
SENSE.
I REALLY BELIEVE IN MYSELF.
I REALLY DO.
>> THANK YOU, REY.
>> NICK, DO YOU FEEL PREPARED TO
MAKE A DECISION?
>> [exhales]
I'M FEELING A LOT OF
PRESSURE.
I DIDN'T THINK THAT IT WOULD GET
TO THIS POINT, BUT IT HAS.
AND I HAVE TO TELL YOU, I DON'T
FEEL GOOD.
>> WHATEVER DECISION I MAKE,
THIS SHOULD NOT STOP YOU FROM
FULFILLING YOUR DREAM.
AMY, YOUR DRESS WAS SO FINISHED,
LOOKED SO BEAUTIFUL.
>> THANK YOU.
>> REY, THE LOOK WAS CHIC, YOU
KNOW.
AND, STEPHANIE, I PUT LOVE,
LOVE, LOVE.
SO YOU'RE MAKING THIS SO HARD.
THE REASON I SAID I PASSED ON
ASHA WAS BECAUSE I ALREADY HAD
SOMEBODY IN MIND.
AND THAT SOMEBODY...
IS STEPHANIE.
>> YOU MADE ME CRY.
YES. CAN I HUG YOU?
>> YES.
>> SNOT ALL OVER YOU.
I AM SO THRILLED THAT NICK
PICKED ME.
HE WAS MY NUMBER ONE CHOICE IN
THE FIRST PLACE, AND THEN IT'S A
RELIEF.
LIKE, I CAN BREATHE.
>> [gasps] OH!
>> OH, SHE DID IT!
>> LIKE, THANK GOD.
I JUST AM LIKE, "THANK GOD THAT
THIS WORKED OUT."
>> WE'RE LOOKING AT THE WORK...
>> YOUR WORK WAS THE STRONGEST
ONE.
>> YOU HAD THE BEST DRESS OUT
THERE.
>> YEAH.
>> YOU GUYS ARE SO SWEET.
>> YOU HAVE THE STRONGEST--
THE STRONGEST DRESS.
I MEAN, HOW DID YOU DO THAT?
>> THANK YOU.
>> CONGRATULATIONS.
>> I SAY THIS WITH ALL
SINCERITY.
THIS IS IN NO WAY ANY SORT OF
DENIGRATION OF YOU.
WE HAD 15 DESIGNERS SHOW UP FOR
12 SPOTS.
I REMEMBER WHEN I FELT THE
COMPETITION WAS SO
EXTRAORDINARY.
YOU ARE EXCELLENT DESIGNERS.
I HAVE EVERY CONFIDENCE IN
SHINING, WONDERFUL FUTURES FOR
YOU BOTH.
AND I'M DELIGHTED TO HAVE MET
YOU AND TO HAVE HAD YOU HERE.
AND I WANT TO THANK YOU.
>> I KNOW.
I FEEL LIKE MY TIME HERE WAS
DEFINITELY CUT SHORT, BUT I'M
GRATEFUL TO HAVE THIS
EXPERIENCE.
AND I STILL JUST BELIEVE IN
MYSELF AS A DESIGNER, AND I'M
GOING TO CONTINUE MY JOURNEY.
>> I AM DEFINITELY NOT READY TO
GO HOME, BUT IT'S NOTHING I CAN
CHANGE AT THIS POINT.
>> THANK YOU.
>> I CAN HONESTLY SAY THAT
YOU'RE GONNA SEE ME AGAIN.
THERE'S NO WAY YOU WILL NOT SEE
REY ORTIZ AGAIN.
AND THERE'LL BE A FEW SURPRISES
IN THE FUTURE.
>> OH, MAN.
>> HOW DO YOU FEEL?
>> I'M EXHAUSTED.
I JUST WANT A DRINK. [laughs]
>> I KNOW, RIGHT?
THAT'S WHAT MY FIRST THING--
>> DO YOU SEE WHAT'S BEHIND ME?
>> OH, MY GOD! YES!
>> DON'T YOU WORRY.
>> WE MADE IT!
>> HI.
>> YOU MADE IT, I MADE IT.
>> HEY, CONGRATULATIONS.
>> HI.
>> THANK YOU.
>> WE'RE GONNA BE FRIENDS.
>> HEY, HOW ARE YOU?
>> CONGRATULATIONS.
>> ANYA?
>> ANYA.
>> YOU'RE ANYA?
>> YEAH.
>> ALL RIGHT, COOL.
IT'S GONNA BE FUN.
LIKE, THE DIFFERENT
PERSONALITIES, AND OUR
AESTHETICS ARE SO DIFFERENT.
I'M VERY EXCITED TO SEE HOW WE
WORK AND HOW WE GET ALONG
TOGETHER.
>> YAY!
>> HEY!
CONGRATULATIONS TO OUR 12
DESIGNERS.
HOW THRILLING IS THIS?
>> OH, AMAZING. AMAZING.
>> THAT'S WONDERFUL.
>> COME HERE.
[speaking Spanish]
>> YOU ALL KNOW YOU'RE PART OF
MONDO'S GROUP?
>> YEAH.
>> YES. GOOD.
>> IT'S AMAZING.
YOU ARE MY FOUR.
>> YEAH.
>> LOOK AT ANYA.
SHE HAS ALL GUYS.
>> I KNOW.
>> ALL GUYS OVER THERE.
>> I KNOW.
>> LIKE, I COULD NOT BE HAPPIER,
HONESTLY.
I GOT EVERYBODY I WANTED.
I DON'T KNOW HOW THAT WORKED
OUT. [laughs]
I'M ABSOLUTELY THRILLED, AND I
CANNOT WAIT JUST TO START DOING
THE CHALLENGES.
IN THE WORK ROOM IT GETS KIND OF
TENSE, AND THERE ALSO IS THE
PSYCHOLOGICAL GAMES THAT KINDA
START TO HAPPEN.
AND MY MENTORING IS ALSO GOING
TO BE ABOUT HOW TO PLAY THE
PSYCHOLOGICAL GAME.
>> IT'S GONNA BE A FUN RIDE.
>> YEAH.
>> I'M EXCITED.
>> YES! YES! YES!
>> THE MONDO TRAIN IS COMING
THROUGH.
>> YEAH.
>> I'LL BE THE CABOOSE.
[laughter]
>> SINCE WE'RE ALL SO NEW TO
THIS, WE'LL BE SKETCHING, AND
YOU'LL BE THERE THE WHOLE TIME?
OR YOU'LL COME IN?
>> WE'LL SEE HOW IT WORKS, BUT
I'LL DEFINITELY HELP YOU WITH
THE SKETCHES.
AND ALSO, I CAN TELL YOU, "WELL,
THIS IS WHERE YOU SHOULD PUT THE
SEAM, THIS IS WHERE YOU SHOULD
DO THIS, YOU KNOW."
IT'S AN INTERESTING GROUP, TO
SAY THE LEAST.
I'M EXCITED TO SEE WHAT WE COULD
DO.
>> WHOO!
>> DO ME FIRST.
>> TIM, WOULD YOU LIKE SOME
CIDER?
>> OH, I'LL TAKE CHAMPAGNE.
[laughter]
>> OKAY.
>> TO OUR UNDER THE GUNN
DESIGNERS AND MENTORS.
>> WHOO!
>> CHEERS! YES!
ON THE FIRST SEASON OF
UNDER THE GUNN...
>> NO, NO!
>> NO.
NO, NO, NO, NO, NO.
>> COME DOWN.
>> NICK IS DRAWING, NICK IS
DRAPING.
NO!
>> YOU'RE ABSOLUTELY UNWILLING
TO BUDGE.
>> YOU HAVE NO MORE CHANCES.
>> YOU NEED TO PAY ATTENTION.
IT'S DIFFICULT TO COMMUNICATE
WITH A PERSON LIKE YOU.
>> OSCAR HAS BECOME A LITTLE BIT
OF A DIVA.
>> LITERALLY, I'M RECONSIDERING
WHAT I'M DOING.
>> I NEED YOU ALL TO PROVE THAT
I CHOSE YOU FOR THE RIGHT
REASONS.
>> THE SWEET ANYA THAT WE'VE HAD
HAS LEFT THE BUILDING.
>> LET'S JUST FINISH.
>> NOT HELPING.
>> THIS HAS GOT TO STOP!
>> I DO HAVE TO TAKE IT PERSONAL
'CAUSE YOU WENT RIGHT FOR MY
DESIGNER.
>> I DON'T THINK SHE DESERVES
TO STAY, I DON'T.
>> SPECIAL GUEST JUDGE
MACKLEMORE.
NEIL PATRICK HARRIS.
HEIDI KLUM.
>> I JUST THINK OF, LIKE, A
BANDAGED MUMMY.
I HOPE YOU GUYS EDIT THIS SO I
DON'T LOOK LIKE A TOTAL [bleep].
>> [coughing]
>> I'M SO SORRY.
>> IT'S JUST TRAGIC.
>> YOU SET YOURSELF A NEW
CHALLENGE, AND YOU EVEN FAILED
AT THAT.
>> ANYA, THEY HAVE DECIDED TO
PUT THE DECISION IN YOUR HANDS.
>> OH, MY GOD.
>> [crying] IT'S THE OPPORTUNITY
OF A LIFETIME.
>> I DON'T KNOW WHY I FEEL SO
EMOTIONAL TODAY.