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--Orfeh is a powerhouse performer who is back on the boards in the new musical
based on the well-loved rom-com Pretty Woman. Hear the Tony nominated star
talk about hitting Rodeo Drive with hubby Andy Karl in the splashy new show,
her now iconic turn as Paula in Legally Blonde, and how Broadway became a
surprise replacement dream for pop stardom, on this week's Show People.
[music]
--Orfeh! --Hey!
--So good to see you. Good to see you looking fantastic.
--Why thank you
--Better than ever. --Thank you
--What's your secret? --Good clean living and good good
genes. You know my mother. --Oh yeah yes I've met your mother
You're right you're right the
genes are strong --It's honestly genetics
80% genetics and 20% the way I've
maintained. --You are in Pretty Woman the
Musical. You gotta say the musical
--The musical, yeah
--This was a movie. There's also Pretty Woman the movie
--Yeah, it only grossed about 500 million. I don't think anyone
--Only one of the most successful romantic comedies ever right
and I went the other night and it's packed
--Packed --I mean first of all like the audience was
packed with a lot of women like it was like kind of like the target Broadway
audience, --Absolutely
--This is kind of like their show --The target actual ticket-buying
record-buying audience. It's always I knew that from back in the music business if
you've got the women, you're a hit.
--Yeah if you get women in their fifties and
sixties your golden --No, even from just 13 on
--Just women --If you get the girls
that's --Girls power
--That's the ticket --Pretty women
--Yeah pretty women for pretty women
--Yeah, are you having fun? -- I'm having a
blast, yeah. But we're in rehearsal all day, we're at the theater all day, we do
the shows at night, we come back the next day and do it again.
--Up to opening night
--Yeah
--That's what it's like to be in a Broadway show
--Absolutely
--It's really just like constant work
--People just see the end
result, and they go that's so much fun. They don't really realize. I mean I've
been with this for two plus years. So you know --So Jerry Mitchell is your
director choreographer and of course he also worked with you and your Tony
nominated performance in Legally Blonde --Legally Blonde!
--And I actually saw Jerry like a
year ago or so, I guess when you were working on it, and I remember it's
like the minute I heard the song Rodeo Drive, I had to have I said that's
Orfeh! Orfeh has to do that. And Rodeo Drive is one of your one of
your songs in the show --It is, yeah
--Yeah Bryan Adams and his writing partner Jim Vallance
wrote the score yeah and I immediately thought well you must be excited as a
real rock and roll girl, that you're working with Bryan Adams?
--Nothing could
be better, seriously. Like can you imagine? You grow up, and you wind up doing a
Broadway musical right with one of your childhood music idols. That like,
I've told this story, but I would sit in my
bedroom, I mean if you could call it a bedroom. It was a closet with a bed.
--New York City childhood --New York City childhood
--I would sit there and practice on my rickety guitar the
dunt, dunt, dunt, dunt, dunt, dunt, dunt, bought my first real six-string
--Keep going sing
the whole song
--Yeah I could say I could sing all of Brian's and he knows it because I
Drive him crazy. I'm always running up in his face and going Bryan Adams!
[laughs] --Like, you know that
clip of him and Tina Turner --You just did that and I heard
Celtic Moods --It was basically yeah I
guess I got it from Tina Turner that's now I know where that came from, but I
always run up on him and I'm constantly singing his songs to him. I'm like we got
to do a cover of that! I drive him crazy. It's hilarious but yeah to get to now
work with him and sing songs that he spent what he didn't specifically
knowingly wrote that song for me. But Jerry Mitchell brought the marriage of
that together, and when they called him and said here's this song, Rodeo Drive,
Jerry literally like stopped everything's like to just stop everybody
just stop. I know who's gonna sing this song! And there's nobody else who can
sing this song! And I'm getting on the phone. And that was basically honestly
how it happened. That's honestly how I got this part.
--Well your voice, I mean, you
don't forget your voice --That can be a good or bad thing but yes
It's a little different --Fanstastic and
there's a term, like a Broadway term, the park and bark, right? Like the roles
some roles are called like a park and bar. You do like a strut and bark. --Do I
do a strut and bark
--In the first number --Who knew the things I learn on Show People.
--I love in the first number of Pretty Woman, you have like a bottle of *** and
you're like pouring the drinks for the people
--Welcome to Hollywood!
--And you're singing your
face off. I mean that's another term everyone says, singing your face
I mean I I just I love that sound so much.
--Thank you. I appreciate it. --It warms me I love it
--I've heard it's an
acquired taste. --What does that mean?
--It means someone being Shady. --Broadway?
--Just someone being shady --[laughs]
--No shade here, --Yeah exactly
--No shade coming from this
side. --No, I know that
--No we're good. We're good. And so this character Kit Deluca, it was
played by Laura San Jacomo in the movie and I remember loving her --Everybody
loved her. She has some great lines and you know she's the hilarious friend. Is
it fun to play this character and what are you loving about her?
--First of all,
yes. It's a lot of fun playing this character. --And you look fantastic by the
--Well thank you very much that --In the show
--That we owe to Josh Marquette and Gregg
Barnes. They they and actually Jerry Mitchell because Jerry Mitchell kept
telling Greg Barnes and Josh Marquette
--Costume designer and --And hair costume designer I say it
like you know, but I think you all know.
The fans know who these guys are. And I worked with
Greg on Legally Blonde, and I worked with Josh on the Great American Trailer Park
--Oh Pippi --Fun fact Pippi
--The stripper, another working girl of a different kind
--Another kind of working girl. She was
working a lot. And Jerry kept saying I want Kit to have Orfeh's style so what
you see again is thanks to Jerry Mitchell he was like marry that, marry
that. What she comes into rehearsal with, I want it to be like that. Her hair the way
she shaved on one side. And you know most people don't even know I'm wearing a wig.
--Isn't there some crimping in that wig too?
--There is some crimping
--There's like a crimp moment -- I had a crimping iron. It could have happened
--I love that --Was this a big movie for you when it came
out? I mean it came out in what 90
--It came out in 90. --I remember it's funny I'm really big
about knowing when I saw movies. I don't remember the first time I actually saw a
Pretty Woman but --I do
--I remember that everyone was flipping out about it --Oh it
was a complete like boom! --The girls I went to college with we're like like one of my
best friends was obsessed with it.
--We were all obsessed with it. I remember,
very specifically, I grew up in Murray Hill. There was a big, very highly
frequented movie theater on 34th where I have at some point or another sat next
to Ben Affleck, Matt Damon, Tom Cruise, you name it they all went to this movie
theater so I'd always sneak in and a matinee I used to love to go to
the movies alone it was like my decompression, meditation thing. I can't
sit in a dark hot meditation room. That was it. So, I'd always wind up and I
looked to my side and be like Oh my god it's Ben Affleck in Matt Damon. I could
have put on a little lip gloss, you know?
But, we all, I remember very specifically
going to the movies with a group of my friends. And we just lost it. Oh my god. We
all wanted to be discovered by Gary Marshall
wind up being a megawatt movie star like Julia Roberts. We all fell in love with
Richard Gere. And it was just one of those movies that became an instant
phenomenon because it was so incredibly charming, and Garry Marshall had this
amazing knack for casting, and he just it just I mean it was flawless. Now, it's a
condo, that movie theater.
--It's a condo? --A big condo
--All the best movies all my best memories of going in
the movies are from that theater -- I walk around New York City and it's just condos
--Just shocking isn't
it? Yeah. --You met Julia Roberts
--I did! --How was that? She came to see the show!
--Julia Roberts came to one of our early previews
--Yeah it was like a special honoring
Garry Marshall.
--It was a special event honoring Garry Marshall. --Did you get to meet
Garry Marshall? -- I knew Garry Marshall
--I know your husband worked with Happy
Days musical
--He did, and he was very the whole Marshall family's very supportive, has
been very supportive of Andy's career. They've gone to every musical he's been
in. And the very first half act table read that Ellen Marsh and I did years
ago, Garry was still there.
And he was still with us --It was his dream for this to be
--It was his dream, this was one of his big big passion projects. He's been working
on getting this to the stage for a long time, and we were very lucky enough to
get to be with him, and talk to him and have fun with him. My god, he was just as
funny as you ever wished he was, which leads me back to Julia Roberts. She is
every inch the movie star. --She is really charming
--But the thing about her, she was so
genuinely moved and took time to speak to every single person in the cast, one
on one, and hold them and look at them like this. I I really admire and
appreciate people who can do this rather than like oh who's who's a more
interesting person coming into the room that I need to go and talk to, huh?
I can't stand that, and she was just here, and had something wonderful to say to
everyone. She wasn't just pulling out of the air. It was like and you did
this and then when you did that it was amazing. She spent so much time with us.
Samantha didn't know she was there. We all knew she was there and Samantha
didn't know she was there, and when she found out the the reaction that Sam
had knowing that Julia had been in the audience, Julia, my buddy Julia, we're on a
first-name basis was in the audience, was priceless. It was just worth the price of
admission alone. It was fantastic --Of course you're talking about
Samantha Barks, who's playing the
role of Vivian. There's this new guy playing the role of Edward
--Yeah he's got to really find his way in this role. --His name is Andy Karl
--Andy Karl! --And we're gonna
take a quick break, and we're going to talk more about him.
[music]
[music]
--And we are back with
Orfeh, just one word one name it's all you need.
And your fantastic husband
--Yes, indeed --Mr. Andy Karl
So look at you two, back together again --I know
in a Broadway show. --It's unbelievable in a Jerry Mitchell production
--Of course he was
Kyle to your Paulette. --He was
--Legally Blonde at that time you were
falling in love every night.
--We were --This time it's different. This time you don't even
really see him until the curtain call. --We literally, I look back at him for about
four seconds, and then I don't see him again until the curtain call. -- Because
he is making Vivian Samantha barks fall in love with him,
there's a whole other thing happening. --Whole other thing. He is
not with me. He is with Vivian / Samantha. --Now
you seem super cool about this, you know and it's so funny because it's kind of
ridiculous, but it's such a common thing to talk about when you're talking to
actors who are married to each other you it like you know like you hear
about movie stars like what do you go on the set when he's doing love scenes, you
know like you always hear things like, that and you just are so chill about it.
So where does that come from? I mean is it just you have so much security in
your relationship and in yourself.
-- I mean, look, I wouldn't have married Andy
and spent the last 17 years of my life with him
--17 years you're up to to 17 years
--17 years which in showbiz
years is probably 107. It's like dog ears you know. So, I don't think I would
have spent this much time with him if there wasn't a tremendous amount of
trust. I've also been married to him a long time, so there are certain things
that don't faze a long married couple. And I love and trust Samantha,
so there's no shenanigans going on, and honestly I'm in the wings with Tommy
Brocko and Eric Anderson when they're doing their big piano love making scene
--Yes there is love making in this show
--There is. Get into it and get used to it. So and we're
literally our entrance is seconds after the piano goes off. And I have to be
reminded that that's going on behind me because we're so busy just catching up
and chatting and having a good time like you know gossiping about whatever that
it's I'll catch, you know, I'll look this way because I know I have to enter in
its dark and suddenly I'm like oh yeah okay so yeah they're naked on the piano
having you know some kind of simulated sex. I think people will forgive me for
saying this, but my defining characteristic trait in life as a human
being is I'm cool. I just am cool, and so things that might faze other people
generally don't faze me. Doesn't mean I'm cold. It means that there are things
I would rather waste my crazy on, than that. And again we are in a professional
environment with professional group of very good actors, and what am I gonna get
upset about?
--You know what, you are super cool but what I love about your
relationship with Andy is you're such a fan of his. -- I'm his biggest fan of his on God's green earth
--I know and and you know knowing that you didn't really grow up as like a Broadway
super fan, it was so adorable last year to watch what a super fan you
turned into about Groundhog Day.
--Oh my god
--I mean like you --I still don't even bring
it up I start to like have a slowly I turned moment. I mean, listen yes of
course people are gonna say well of course yes to think that's like your
mother telling you you're good-looking. Of course your mother has to. But when I
say what I say or feel the way I feel about Andy, it's because he is one of the
most gifted, brilliant actors I have ever had the good fortune of seeing. And if
you didn't know that before Groundhog Day, and you saw Groundhog Day, and you
don't think that then then I can't help you. Because it was one of the most
tour-de-force performances I have ever seen anybody
give my life. I don't think there's another soul that could do that role
that way. You know I'm sure there are other people who could bring their
own bend and slant to it....bend and slant?
--But he's brilliant
yeah he's brilliant and he's a good person. What else is there?
--When you fell for him, way back during Saturday Night Fever, great show by the way
I'm not joking. I really like --An amazing show. Should have run ten years
--Yeah, but were you attracted to, obviously his good looks, his personality
--His height --You even though he was doing like a
small role in the show was it also the
talent, or did it late or were you like oh my god this guy like has have you
seen him grow too? I'm sure.
--No I mean I've certainly seen him grow. We were so
much younger then. But he was instantly amazing. He learned the whole show in
seven days or something, and he had the whole you know John Travolta thing down
I'm like look at this great-looking character actor. How does that happen?
So yeah I instantly knew how gifted he was. I've been very lucky I've
worked with very many gifted people, Andy being the top of that he's also a super
cool, --Super cool
--And chill about like work and I mean he took on this lead. I mean he
was not in the show when it was out of town --He was not in the show
--He took on the lead
--Jerry Mitchell called him and said things happen that you know you
don't anticipate, and Steve Kazee couldn't go on with the show
and Andy's pilot literally in that moment didn't
get picked up, which was supposed to go. It was like almost practically a given
greenlight. And it didn't. Jerry called Andy. I was sitting there and
we're like well why not? You know what I mean? You're working with family. You're
working with me. You're working with Jerry. You're doing this amazing music oh
and you happen to be a gigantic Bryan Adams fan. And you'll be singing his
songs. No brainer. Really no brainer. --And his voice sounds great singing the songs.
--It's it's perfect it's like the most perfect match that he's gotten to having
or probably in my time hearing him singing musicals. This is the best fit.
--When you go to the stage door I see a lot of your photos on social media of
you with the fans, do you meet Paulette's? Do you meet Legally Blonde
Paulette's? --That's all I meet.
That's all I hear. That's all I meet. I mean they do enjoy Kitt and
they'll say wonderful things about Kitt, but most of their opening lines is
Legally Blonde changed my life. I'm in musical theater because of your part in
you know Legally Blonde. I played Paulette
here, I played Paulette here, I just played Paulette. I see it on Twitter all the
time. I get it at the stage door all the time. Occasionally be like I played
Vivian in in Legally Blonde. I played so and so. But there opening line, and
especially in Chicago, everyone had a major kind of love and
affection and connection to Paulette.
--Yeah and it's done at schools and it's done
---Everywhere! --I mean I feel like it's
like ahead of its time, I think. I mean it
ran for like a year and a half, but hey everyone. It did not even get nominated
for Best Musical that year.
--Neither did Saturday Night Fever. -- Tony Awards I'm talking about. I mean it's
crazy when you think about that
--You know what I think, again, it's like when they
say luck doesn't exist. Luck does exist, and good timing is everything, and
sometimes being ahead of your time only matters years later when people go oh
that was really ahead of its time. Legally Blonde is just about as close to
a perfect musical as you can get.
--Yeah --You know well and that cast album I mean
--All of it!
--But when you when you're on a cast album. I can't wait for my Pretty Woman
album. --It's gonna be fun
--Bend and Snap and Ireland and the Ireland reprise and the Legally Blonde. I mean come on
I know that album by heart --Oh, gosh
--You know, it's funny I was looking back
and you actually were in one of the first popular movie turned into musicals
Footloose. --Yep
--That really was like one of the first of that genre that
everyone does all the time now.
--All the time --Using the soundtrack and that was when you were
like Broadway was never the dream, never part of it. --It wasn't even that it wasn't
the dream. It wasn't even on my radar. At all. You know I'm a city
kid. --And it happened because you were
coming off your recording career, look it
up on YouTube, Or and More
--Or and More --Everyotherday one word. Yeah you were coming off
that
--Not a lost hit. You can't be lost if it still exists. --What do you mean a lost hit?
--People call it a lost hit of the 90s
--Oh a lost hit --It can't be lost if it was a
hit! You see so the whole term is
ridiculous, but yeah we joke about it. --Stop saying it everyone.
--It's not a lost hit. It was a hit
--All right --Top 40
with a bullet on the hot 100, when people actually still went and bought records!
--Yeah --Okay
--But AC was choreographing Footloose is a big
moment for him. He somehow brought you into this Broadway
world. --Well it's very very very very
bizarre. AC and David Marques were two of my
lead male dancers in my troupe of dancers in my recording career Or and
More they were the two lead male dancers. We went everywhere together. They were in
the videos. We traveled the world, and they both wound up choreographing
Broadway shows. That was the next
--And it wasn't something they saw coming --Well, no, and they
were like if you saw a big music video on MTV, any time, any, literally from the
late 80s to the mid you know 90s, either AC or David were in the video. C&C
Music Factory, Snap. You you name it, they were in the video and somehow they got
into these careers and AC called me up one day and he's like "Hey I'm
choreographing Footloose. You want to come audition? They need a swing." He
might as well have been speaking a foreign language to me. I needed clarity
on everything he had said. I don't know what that means. I don't know what that means
and what do you mean there what do you mean you're choreographing Footloose?
The movie? He's like no no no and he had to like take me through it. So
I showed up for my audition in combat boots, overalls and a tank top with a hat.
--Which by the way is a good look for you.
--Not in that room. It was not good and
he's like bring your book, and I thought he meant to bring a book to read in the
waiting room. No idea. --What book did you bring?
--I brought my Mariah Carey
Unplugged. That was, and I I sang songs from that book for a good six years of
auditions. And every time I did, I booked it and then somebody said you have to
stop singing that song. Big mistake, big, huge! I'm going back to Mariah now. Yeah.
So I got the job as the swing for all the female leads except for Ariel. So I,
Jeannine Myers and I understudied and she did understudy, Ariel
Ariel Betty Blasts Rusty Earlene. we we had all the two of us did
all of the female leads, except for the adults. So that's how I got into Broadway.
--And suddenly you were on Broadway. --And then David Marquez
choreographed Fascinating Rhythm. --That's a good point
for a commercial break. We'll be right back with more Orfeh.
[music]
[music]
--And we are back
with Orfeh. You know, Orfeh, I love a a flop. I love a Broadway flop.
--And what a flop it was
--Fascinating Rhythm was a flop. --What a flop
--It was the first time I saw you! --I a
lot of people it was the first time they saw me --Clap your hands
--Clap your hands, slap your thighes
--Weren't you like a I want to
say you were like a working girl in another number maybe, or you were
--Adriane Lennox and I were like
--You were like saucy --I may have made a career of playing working
girls apparently, so well there you go. Some things never change.
--But the cast of
that show was --Forget it
--Legendary. --Sara Ramirez
Patrick Wilson
Michael Buress, Adriane Lennox.
--Yeah you know Michael Buress is in The Cher Show
--I know. You grew up knowing Cher
--Yes
--So I want to know who's playing Orfeh in The Cher
Show. He's playing Bob Mackie.
Nobody can play Orfeh!
--I was uhh, yeah, they cut my part
[laughs]
--Fascinating Rhythm was a fascinating flop. It was a Gershwin
review. What was it like to star in a flop?
--I didn't know better. So, for me, I
was like, I was just really upset that I didn't get to go to work and hang out
with these wonderful people every day. And it was a really fun show and it was
also ahead of its time, maybe not fully realized.
--I remember it was very uh modern versions
of Gershwin songs, like it was like very modern pop versions takes on Gershwin music
--And people were not ready for that, at all.
--You know, over the years I've heard
you talk a lot about sort of the music industry, and you were you're kind
of like is it fair to say a victim of the music industry? Did you feel that way?
--I was a casualty.
--Casualty, yes
--I don't know that I was a victim. --I don't think you're a
victim of anything. --I don't think so either
--That's not Orfeh
--I don't think I'd ever be able to even
try to pretend I was, even if I have ever been a victim, I'm not gonna be able to
sell that at all. But I was a definite casualty, and it hurt, and it
still hurts, and I still. --That's what I was gonna ask. It feels like it does
still --Absolutely. And I sometimes realize I'm
wearing it like a really ugly winter coat, and I don't mean to, but I miss the
music industry. I miss being on a trajectory to be a pop star.
That is really all I ever ever dreamed about or envisioned for myself
from the time I was 6 years old on to the point where I got a big fat record
deal, which you know is is impossible, you know? And I miss it a lot
and I think that because you know as an adult now I know what youth is wasted on
the young means because had I not been so young, or had I had an intense momager,
you know, or if someone was really looking out for the two of us, Mike Moore
my partner. We were very young, we were very green. And we were street smart New
York kids, so like we came with somewhat of an advantage, but had we known better,
it would have worked out. But everybody that could have done wrong by us,
everything that could have gone wrong, everybody that could have taken gross
and egregious advantage of us, did. And you're kind of left there with a
gigantic omelet on your head, you know? So you're immediately, you're you're too
young to know better, and you're immediately kind of labeled a failure. So
kind of, I've spent the last umpteen years getting out of that failure mode,
and I talk to my cast mates about this all the time. And I we're very close the
Pretty Woman cast is phenomenal and we're really tight. They're like, But
you're you're this, and you're that! And I'm like yeah I just you know inherently
when it's early and it imprints on you, you feel like you have colossally bombed
you know? And then there's the logic that comes with growing up and becoming
smarter and wiser, as you get older. I think to myself, Look, the people that I
grew up worshipping and loving and wanting to be in the music business
because of, Prince, Whitney Houston, Michael Jackson, they're gone. They're not
here on this earth anymore, and so in my heart, of course, I would like to
think I'd be on my 20th studio album with a shelf full of Grammys and
American Music Awards and Billboard Awards, and you know, I'm writing for this
person now and I'm sitting in the studio I'm calling the shots or doing something like that.
--You'd be writing a Broadway musical!
--Right, just literally was going to say doing what
Bryan Adams and Jim Vallance are doing right now. You know what I'm saying where you're
behind the scenes going. Or Cyndi Lauper, okay now I'm doing a musical.
Cuz I've got those chops. You don't know that that's how it would have
turned out, because it could have been that. Ideally, sure, in my version of
the story it would be that. Right
Or I could have peaked at 25 and been begging
people to buy my old merchandise at a convention right now to pay my rent,
because I've seen that happen. I came up with a lot of people who were very very
successful, had huge hits, one hits, you know, not lost hits! But big hits. And
they're literally begging people to buy their memorabilia online, you know what
I'm saying? So, I feel like in my most lucid moments, where I'm not feeling bad
for myself about it, I'm really frickin glad I didn't peak at twenty five.
Because we're older a lot longer than we are young, so I'm really, I guess I'm
alright. If I had met Bryan Adams 15 years ago, maybe he could have been like
I'm gonna drag you into the studio and make a CD with you. I didn't, again, ahead
of my time, as far as like the image and stuff like that. And the guy who signed
me wound up signing me many times thereafter, and they were big successes,
you know? They don't know that they were modeled after me and of course it's
taken me a long time to actually admit this because people think you're being a
jerk, you know, saying oh that was me. And that was my song. It was. When you
put someone in the same clothes that you were in, and used the same photographers,
the same designers, the same makeup people, the same hair people, the same
choreographers, and you know give the same kind of template of the like
blue-eyed soul voice.
--Well it's very easy to dismiss someone's story if you
weren't there to witness it --Exactly and God
forbid there wasn't social media then, so
you can't prove it cuz there aren't five hundred videos on YouTube of me doing
that.
--Right.
--But then when someone that came up after me is in a picture, and 70
people send me is that you? And it's not me, then I know I'm not wrong. Do you know
I'm saying? So, yeah, I do have a certain longing and a
regret and like a hole here about it. But I think I'm doing okay.
--Is there a tip you can give people or you know something
--I think you have to really
just keep forging ahead. You have. Never you know, I very rarely feel sorry for
myself to the point where it keeps me locked in my cocoon.
I'm always forging. I do not let the grass grow under my feet. I don't. People,
human beings are very *** themselves I'm harder on me than anyone could
possibly be. Ever. But I realized that I still get to sing for a living
for live audiences. And that is a --And the audiences go crazy
--Now and then.
Unless it's a Wednesday matinee. No, I'm kidding.
But, you know, I get to and I get to be around a lot of creative beautiful
fabulous energetic people, and I get to meet new people all the time. And that's
a that's a really big blessing, you know what I'm saying? So, I you know I can't
be that down on myself and again very rarely do I even allow myself to go
there, but I get to sing for a living. Still doesn't suck. Ya know.
--And sing amazingly. Oh my god. --He's my publicist, in case you didn't know
Paul Wontorek is also my publicist. --I'm a fan. I'm a fan. I like
being a fan. --Thank you.
--I loved having you
here again. It's been too long since
--How long
--A long time. You have to come back again.
--I mean how long has it been since I was on Show People?
--It's been like seven years-ish. In my humble
opinion, we both look better.
--Oh yeah.
--Yeah --Yeah
--And we have good lighting now --Now
we have good lighting. --Thank you so much for being here.
--Woo! --Happy opening.
--Thank you. --Welcome back.
--Thank you so much. Thank you.
Love being here --Thank you, Orfeh.
Thank you for watching. We'll
see you next time.
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