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I everybody Joe
remand here have been asked by strong school that come
to show you had a plea, a song called gone gone
gone by Phillip Phillips. Okay. So
there's a couple things. Know before we start, though.
Number one is that this is based.
The sole acoustic version worries that picked as
the studio version. The, there
is some bigger thinking going on. That's a little more complicated
and if you want to go over that in Prattville freedom
that hit me up on Strom school number
2 is that most of you.
If you're playing acoustic guitar by the sole
versions can be the one that you want to do that,
number 3 is that the song is recorded
a half step down and the reason that is record have
stepped down is because the guitarist and have stepped down.
Now I thinking about doing that than I thought
everyone of you out there probably has a guitar tune
just to the normal he of turning into
a new flat added a lesson
in the normal tuning. If you want to play along
with the song on the record or what the
performances live performances in 2
new guitar down to E flat to every
string has been that instead of being e 80 GB
and he left me he flatly flat the 4
fat. The fact he for this is probably
done because of their better range for the singer.
The jump right into it. So the first thing we
need are courts. If you don't have records down the
rattling at the fancy think anti picking gone
so let's go over the course, and many
go through all of them now and then we'll go through individually
and as a second. First of
all a G court. And this is a 4-finger
G at the 3 fingered to court
over that a second with distrust
we have hurt
you minus 7 we ever seen.
All right now, so we have
some basic course that you probably already know, if you
don't. Some information here and strong score you need
to know your basing the C in E
minor chords. So if you don't know those
come go check them out and then come back when you're ready
now, there's a slight variations
of, of course, a lot of people know that Jeep court
in either this way or
this way. Now if you know what your 3rd finger
up on top, you the songs and the really hard to
learn. You really have to do with
your 3rd finger your second finger appear
intact. Now the reason for that is
that we need 4 Ferdinand had 4 fingers
off Laughlin variation
and the school that basic 3-finger
G rehab your 3rd finger up on the high
you string 3rd fret okay
now move that to be strong 3rd just
one. Straight
back. So instead of here each year. And then your
pinky goes down and of the Easter
the to other figures.
Exactly the same. So we have
3 do.
Zero zero 3-3.
Now, these 2 fingers up top here the
ring finger in the pinky are gonna stay there at all power.
Okay. Every single
so some dangling cords
that stay on top of the whole court aggression
we moved for a deep chord. You can put
your normal down yet keep that pink you
know said Mets 3rd finger and pinky stay exactly where
they are now, Steven I I can
have 2 fingers, and the Saints drinkers. That's not
gonna matter. I looked at this thing often
happens, but you know that's the, the core that enough
can only that. Think
you know. All right. Next up
in minor these 2 fingers member stay the same.
These go there,
so we have zero. You 2
zero ferrying very,
very good and.
2 R C 9 very common
chord. It's like a
again these 2 fingers stay exactly the same,
so like the for.
Pretty much a G chord
you bring it down a set of strings.
See the bottom half of the deceit.
But the students and topped 32033
no we string and
parents get back the.
Right now it's important.
They had the basic structure down of the song
and that basic structure is going to be the
basic courts and how long you play them for
if you don't have those down the picking parents
can be really difficult forces go
to the court.
And so forth. If you can't strong
through those without taking a break
in between each chord than skinny
really difficult the baking powder, now
the other thing is you can add a strumming pattern to just those and
can get away with the.
But we're gonna go
over the picking.
All right, so the picking pattern
on a tablet out in minute put it on the
screen for you if you have trouble the new
composite and you can spend your time on,
but I want you to take out the
whole thing right now as a nice of
are so the picking pattern
now the picking pattern for the G
court now I'm only going to use
it. 3 strings but
to. I have the jolt G
down there. And the reason I have the G core down
there is because as a, it's a little
further and further into the song the strumming pattern
a. Tense.
You might as well have the core down there. So when
that happens. Number 2
is that if I
miss a string.
And placed in. I don't mean
to the court is still
there and everything will sound hunky
dory. Okay. Now
the school of picking time just
the top 3 string from the beginning and
I see have to say this every student.
What a singer-songwriters they
well they
they're sing along and there is getting into the song. So
sometimes full different from Mike measured measure
will assure the boiled down version. And
then you can go for them. So this
might be a little cleaner, then on
the live version or on the studio
version, but it's the,
the the consensus.
All right.
2. The deep chord for
strings this time.
To the E minor chord.
And.
Altogether.
Altogether.
Right now, you might be thinking,
wait a minute, that is is exactly like it
well, that's because liberties are being taking and sometimes 2 strings
are being strong as the intensifies.
Up to
speed.
I'll be using, wait a minute
here a G chord sounded different second time
here in open up and play the whole court and you're
also not swell up to speed as started plants and other strings
like I was going.
You start a little bit
more of a strumming in there when you get into the,
but you have to have found bare bones
structure to
it and then when you get into it, you start taking
liberties that will allow the sun to
have a little bit more life to it.
Okay, okay,
so now a little bit of a recap. There's
something they should look out for things even keep
in mind, make you point all the better when you're learning the sound
number one I guess said
you got to know your foundation. Number one, your
course number 2 switching between the courts keep
in good time could be number 3 when
you had your picking pattern in there you go in the
clean version. And when you get into it, you can start hitting
the extra strings and strumming a little bit more into it,
but it's gonna require knowing how to play that
basic taking pattern right next
up, there's some things that can look out for
number one member even though you're not playing
the whole court have the whole court down so we start
digging in a little bit more when you hit the lecture strings.
You have got a G court still case of this
don't leave her 2 fingers up there, even though only planned attack.
The handle.
Back another tip is if you
have your a deep chord
the sauce scored for the song down.
You know the accord fingers.
And then, have your pinky down
3rd and the reason I have 2 fingers on
the same string doesn't seem to really make any
sense for the the reason that I do that is because
a lot of songs.
Is
a lot of songs you switch back and forth
and that the anti-satellite, so you might
as well get used to having both fingers down for quick
change.
And that's a very common thing to have,
so just something to acts of having
trouble hit me at the Strom school,
you can either schedule lesson
or you might just find the online
already during one of my shifts,
but I have drunk school where I'll be taking questions
over chat in taking on demand lessons round spot.
All right. So good luck
keep plan and you next.