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- PREVIOUSLY ON THE REAL HOUSEWIVES OF ATLANTA...
- HEY!
- HOO-HOO!
- MY DAD IS COMING TO VISIT ME.
HE IS DEFINITELY ROUGH AROUND THE EDGES.
- WHOSE TASTE IS THIS?
- HOW YOU GONNA HELP ME DO THIS PLAY
IF YOU GO ON A "JOB" FOR SIX MONTHS?
- THAT'S WHAT WE NEED TO TALK ABOUT.
- IF YOU WANT TO TAKE THE JOB, TAKE THAT JOB.
- MY SISTER SURPRISED ME ABOUT A WEEK AGO.
I THOUGHT SHE WAS JUST COMING FOR THE WEEKEND.
SHE'S ACTUALLY STAYING TWO MONTHS.
- WHAT PLANET ARE YOU FROM, MALORIE?
- DON'T AGITATE THE SITUATION. - WELL, WAIT A MINUTE NOW.
- YOU DON'T TEXT. YOU DON'T CALL.
YOU ARE A BAD FRIEND, PERIOD.
- OH, MY GOD, NENE.
- SUCCESS IS IN MY DNA.
WHEN ONE DOOR CLOSES, ANOTHER ONE OPENS.
- MUSIC MAY BE MY PASSION...
[laughs]
BUT FAMILY IS FOREVER.
- MY BUSINESS IS BEAUTY, AND I'M THE BOSS.
- I AM STILL STANDING, AND I'M MAKING MY OWN RULES.
- A TRUE SOUTHERN BELLE KNOWS HER WORTH,
AND I AM PRICELESS.
- PEOPLE THINK THEY HAVE ME FIGURED OUT,
BUT I'M ALWAYS THE WILD CARD.
- UGH, THANK YOU.
- LET ME GET THIS.
- HI!
- HOW Y'ALL DOING? GOOD?
- HELLO.
- I SHOULD HELP YOU SIT DOWN.
- I KNOW. YOU KNOW, MY KNEES AIN'T WHAT THEY USED TO BE.
- CAN WE GET A SERVER?
- PETER AND I ARE CELEBRATING OUR THREE-YEAR ANNIVERSARY.
THREE LONG YEARS.
HI, LET ME GET A *** AND PINEAPPLE.
- I NEED A KETTLE ONE WITH TONIC WITH TWO LIMES.
- OKAY.
- DESPITE ALL THE DRAMA, TONIGHT,
THE ONLY THING I WANT TO DO IS RECONNECT AND LAUGH
AND HAVE A GOOD TIME TOGETHER.
- YOU LOOK GREAT, BABY.
- THANK YOU.
HI! - HI!
- AH!
I'M NOT GETTING UP. THE CHAIR'S TOO LOW.
- THAT'S OKAY. - HI, HONEY.
CHRIS!
HOW YOU DOING?
GOOD TO SEE YOU GUYS. HAVE A SEAT.
- WHAT'S GOING ON WITH YOU? YOU ALL RIGHT?
YEAH, YEAH, YEAH. - GOOD TO SEE YOU.
- YOU GUYS WANT SOMETHING TO DRINK?
- CHRISTOPHER AND NATALIE ARE FRIENDS OF OURS
WHO JUST MOVED TO ATLANTA.
- I APPRECIATE IT. THANK YOU.
- PETER KNOWS NATALIE FROM WAY BACK IN THE DAY
WHEN SHE WAS A STYLIST WORKING IN NEW YORK CITY.
I KNOW CHRISTOPHER FROM ALSO WAY BACK IN THE DAY,
WHEN HE WAS A BIG R&B SINGER.
- HAPPY ANNIVERSARY!
- THANK YOU. THANK YOU. THANK YOU.
- THREE YEARS!
- SO THE PICTURE'S LOVELY.
I DIDN'T NOTICE THAT.
- YOU DIDN'T--YOU DIDN'T NOTICE THAT BIG PICTURE?
- NO, AT FIRST--
- I WANTED TO PUT IT UP THERE
BECAUSE I WANTED EVERY WOMAN THAT WALKED THROUGH THIS DOOR--
THEY GOT TO WALK PAST THAT PICTURE,
AND THEY KNOW WHO THE BOSS IS.
- AND KNOW WHO THE QUEEN IS. EXACTLY.
- HOW LONG HAVE YOU GUYS BEEN TOGETHER?
- 18 YEARS.
- 18?
- 18 YEARS? HOW WAS IT THE FIRST FIVE YEARS?
- I JUST REMEMBER IT JUST BEING LIKE A WHIRLWIND.
- WE SPENT A LOT OF TIME IN THE BEDROOM.
- REALLY?
- WE WERE PASSIONATE. THE ROMANCE WAS THERE.
- I GET IT.
EVERYBODY EXCEPT ME IS JUST HAVING LOTS OF SEX ALL THE TIME.
I KNOW THAT I HAVE TO HAVE SEX WITH MY HUSBAND A LOT,
ALL THE TIME.
I'M BEGGING FOR SEX.
- WHAT'S GOING ON WITH Y'ALL?
- MAN, I'VE BEEN IN THE THEATER,
REALLY JUST HONING IN ON MY ACTING SKILLS AGAIN.
- YOU DID SOME PLAYS WITH HER HOMEGIRL NENE, RIGHT?
- YEAH, YEAH. I WORKED WITH KENYA.
- OH, YOU GUYS WORKED TOGETHER AS WELL?
- YEAH, WE DID A PLAY.
- YOU KNOW, KENYA'S SPECIAL.
SHE'S REALLY SMART.
I FIND THAT SHE DEFINITELY KNOWS HOW TO PLAY
THE VULNERABLE, PRETTY WOMAN.
- YOU KNOW KANDI? SHE'S A SINGER TOO.
DID YOU EVER WORK WITH KANDI?
- I DON'T KNOW KANDI, BUT I MET CROSSING, YOU KNOW,
BACK IN THE DAY.
- WELL, NATALIE MET KANDI A WHILE BACK.
- YEAH.
- ALTHOUGH SOME OF THE LADIES ALREADY MET NATALIE
AT KANDI'S CARDIO CABARET...
GUYS, THIS IS MY GIRLFRIEND NATALIE.
- HOW OFTEN DO YOU WORK OUT?
'CAUSE YOUR STOMACH IS TIGHT.
- I'M A FITNESS TRAINER, SO...
- OH, OKAY, OKAY, OKAY.
- I NEED HER HELP ME OUT.
- I JUST WANT NATALIE TO HANG OUT WITH THE GIRLS
AND GET TO KNOW EVERYONE.
- ACTUALLY, I KNOW TODD.
- GET OUT OF HERE. HOW DO YOU KNOW TODD?
- HE USED TO DATE MY GIRLFRIEND AHNI.
- THEY USED TO DATE, OR THEY JUST--
- NO, THAT WAS HER MAN.
THEY USED TO DATE. THEY USED TO--
I MEAN, IT WAS YOUNG LOVE.
BUT TODD, I KNEW BACK IN THE DAY.
YOU KNOW, WELL, TODD IS--
- WELL, HE WAS YOUNG. HE WAS JUST COMING TO L.A.
- AND HE WAS ALWAYS COOL.
HE BROKE HER HEART A COUPLE OF TIMES,
BUT SHE REALLY--YOU KNOW, SHE REALLY CARED ABOUT HIM.
SHE REALLY--SHE WAS IN LOVE, AND BECAUSE OF HIS ACTIVITY,
SHE HAD TO MOVE ON.
- WHAT DID HE DO? HE CHEATED ON HER?
- YEAH. YOU KNOW, A COUPLE OF TIMES.
- REALLY?
- TODD HAS A STREET HUSTLE.
DON'T EVER GET THAT TWISTED.
- YOU MEANT THAT, LIKE, IN A GANGSTER WAY
AS--LIKE, AS OPPOSED TO, LIKE, AN OPPORTUNIST WAY.
- I MEANT THAT TODD KNOWS HOW TO FIND HIMSELF IN SITUATIONS
TO BETTER HIMSELF.
- THAT'S WHAT OTHER PEOPLE ALREADY SAYING ABOUT HIM.
SO TO HEAR YOU SAY THAT HE'S AN OPPORTUNIST,
IT'S LIKE, WELL, GOD DAMN.
- THIS IS NOT GOOD.
THIS IS EXACTLY THE KIND OF THING KANDI'S MOM
HAS BEEN TRYING TO TELL KANDI.
IT'S ONE THING TO SAY THAT MOMMA JOYCE IS JUST MAKING THIS UP,
AND ANOTHER THING FOR ME TO BE HEARING IT FROM SOMEBODY ELSE
WHO DOESN'T REALLY EVEN KNOW KANDI.
- I'M JUST SAYING, YOU KNOW, YOU'RE MY PEOPLE,
SO I'M GONNA TELL YOU WHAT'S UP.
- AND, UNFORTUNATELY, YOU HOPE FOR THE BEST,
BUT SOMETIMES YOUR FIRST GUT KIND OF...
BUT YOU HOPE FOR THE BEST.
- YEAH.
- HE SEEMS LIKE A GREAT GUY, AND KANDI'S HAPPY,
SO I'M HAPPY.
- YEAH.
- TO BE CONTINUED.
OKAY, I NEED TO SHOW YOU THE SPACE THAT WE WERE TALKING ABOUT
ACROSS THE STREET, THOUGH.
- THEY CAME TO INDUSTRY, BABE.
WE DON'T HAVE TO GO OVER THERE.
- YEAH, I KNOW, BUT I NEED TO SHOW HIM SOMETHING.
- ALL RIGHT. - OKAY?
- CHEERS TO YOUR ANNIVERSARY.
- THANK YOU. - CHEERS.
- CHEERS TO MOVING TO ATLANTA.
- OPEN INDUSTRY ACROSS THE STREET FROM BAR ONE.
IT'S CRAZY, HUH?
[laughter]
Y'ALL-- [laughs]
PETER, GET IN HERE!
- WOW, THIS IS BIG.
- OH, MY GOD!
- I'M THE CORNY, ROMANTIC GUY
THAT'S ALWAYS DOING STUFF LIKE THIS, OKAY?
LET ME GET THIS TABLE FOR YOU.
HAVE A SEAT.
THANK YOU.
CHRIS GOT A LITTLE SURPRISE.
HE'S GONNA PUT A LITTLE POP ON IT.
- THIS IS YOUR THREE-YEAR ANNIVERSARY,
AND THESE WORDS, UM,
ARE PRETTY MUCH WHAT PETER FELT ABOUT HIS LOVE FOR YOU.
- WOW. - ALL RIGHT.
THIS IS CRAZY.
- ♪ I WAS A LONELY MAN ♪
♪ ON A LONG AND WINDING ROAD ♪
♪ MY MONEY WAS TIGHT ♪
♪ I WAS STRUGGLING TO SURVIVE ♪
♪ BUT THEN YOU CAME MY WAY ♪
♪ LIKE AN ANGEL HERE ON EARTH ♪
♪ AND YOU BELIEVED IN ME ♪
♪ YOU HELPED ME CHANGE MY LIFE ♪
♪ OHH, BABY ♪
♪ WITH MY LOVE ♪
CONGRATULATIONS, PETER.
YOU HAVE A BEAUTIFUL, ENCHANTING WOMAN.
YOU DESERVE IT.
WHAT GOD HAS PUT TOGETHER, MAKE NO MAN PUT ASUNDER.
- HERE'S WHAT I'M TALKING ABOUT. MY MAN.
- I'M SO HAPPY FOR Y'ALL.
- THANK YOU! - I BET.
- ALL RIGHT, THAT'S WHAT'S UP.
DID YOU ENJOY?
- AH, HE SINGS AMAZING.
I LOVED THAT SONG.
AND HE WROTE IT FOR YOU?
- YEAH, HE WROTE IT.
- HE STILL GOT IT.
OH, THIS LOOKS GOOD.
- MAY I? - WE GOOD?
YES, PLEASE DO.
- THROUGH ALL OF OUR UPS AND DOWNS,
THE ONE THING THAT I LOVE ABOUT PETER IS,
HE ALWAYS GOES OUT OF HIS WAY
TO MAKE OUR SPECIAL DAYS SO SPECIAL.
THIS IS AMAZING.
I FEEL--I FEEL REALLY LUCKY.
- IT'S THREE YEARS.
CHEERS FOR BETTER DAYS.
- BETTER DAYS.
- MM-HMM.
- TODD'S ON THE BUDGET STUFF.
- SO WHAT IS TODD THINKING ABOUT THE VENUE?
- KANDI'S SUPPOSED TO HAVE MORE INFORMATION.
SHE'S HAD SOME MEETINGS. - OKAY.
- AND ONCE WE GET THE LIVE SCRIPT FOR IT,
WE'RE GOOD, BUT I'M STILL--
HEY, WHAT'S UP? - WHAT'S UP?
HOW Y'ALL DOING? - HOW ARE YA?
YOU LOOK PRETTY.
- THANK YOU.
I HEARD Y'ALL IN HERE TALKING ABOUT THE PLAY.
- YES.
TRYING TO FIGURE OUT WHAT'S GOING ON WITH THE VENUE.
- OKAY.
AT FIRST, I WAS THINKING BIG PRODUCTION,
BUT WHEN WE DO THAT, THAT PUSHES THE MONEY UP.
- I FEEL LIKE IT'S ALWAYS BEST FOR YOU TO START SMALL.
YOU CAN ALWAYS ADD SHOWS, BUT START SMALL.
- IF YOU SELL OUT, EVERYBODY GONNA BE LIKE,
"I GOT TO GET TO THAT SHOW."
IF YOU HAVE ONE WHERE IT'S A 5,000-SEATER
AND YOU ONLY DO 3,000, THAT LOOKS--
- IT LOOKS LIKE NOBODY'S THERE.
- I FEEL LIKE THE MUSICAL IS DOING A LOT OF THINGS
THAT I NEVER KNEW THAT I COULD DO.
I WRITE MUSIC FOR ARTISTS, BUT TO ACTUALLY DO A TOTAL MUSICAL--
NEVER.
THIS IS THE OTHER ISSUE.
TODD QUIT.
YEAH.
HE'S QUIT.
IT WAS, "WE'RE NOT ORGANIZED," AND HE CAN'T WORK LIKE THIS.
THIS IS SOMETHING THAT TODD HAS EXPERIENCE IN,
AS FAR AS BIG-BUDGET PRODUCTIONS,
AND I REALLY NEED HIM.
BUT EVERY TIME WE DISAGREE ON SOMETHING,
HE WOULD RATHER LEAVE ME FOR FIVE, SIX MONTHS
AND GO BACK TO HIS LITTLE, COMFORTABLE JOB.
- I MEAN, ONE MONKEY DON'T STOP NO SHOW.
THE SHOW MUST GO ON.
- I MEAN, BUT THE MONEY MONKEY CAN CAUSE THE SHOW.
LIKE, WE NEED TO--
- SO TODD IS THE MONEY MONKEY?
- HE'S NOT THE MONEY, BUT WHEN IT COMES TO BUDGETS AND STUFF,
THAT'S WHAT HE DOES.
- DON IS NOT HAPPY ABOUT TODD QUITTING,
BECAUSE, CLEARLY, I'M GONNA BE DEPENDING ON DON JUAN
TO DO A LOT OF STUFF,
AND HE HAS NO CLUE HOW TO PUT A PRODUCTION LIKE THIS TOGETHER.
I'M A GAMBLER.
ALWAYS HAVE BEEN.
THAT'S THE ONLY WAY YOU CAN WIN.
THIS IS WHAT I REALLY WANT TO DO.
I WANT TO MAKE IT HAPPEN.
- I GET THE IDEA.
I LOVE THAT YOU LIKE TO GAMBLE.
I'M DOING AN INJUSTICE TO YOU IF I DON'T SAY, LIKE,
WHAT THE HELL ARE WE DOING?
- AND I APPRECIATE THAT,
BUT THERE'S BEEN TIMES IN THE PAST WHERE YOU SAID,
"KANDI, I DON'T KNOW ABOUT THAT. KANDI..."
[grumbling] - I GET THAT.
- AND IT ENDS UP, WE DO IT, AND IT TURNS OUT GREAT.
- BUT GUESS WHAT.
EVERY TIME, YOU NOT SPENDING THIS AMOUNT OF MONEY, KANDI.
- I KNOW, BUT WHAT I'M SAYING IS,
WE'RE NEVER GONNA GET TO THE LEVEL OF TYLER PERRY
IF WE DON'T TAKE THE GAMBLE AND TRY THESE THINGS.
DON JUAN IS ALWAYS WORRIED ABOUT THE MONEY,
WHICH IS A GOOD THING,
BUT IF WE DON'T SPEND NO MONEY, NO MONEY'S GONNA BE MADE.
- IF WE DON'T HAVE THE PERSON WHO'S CASTING IT HERE,
THIS MONEY'S COMING OUT OF YOUR POCKET.
BIG PROBLEM NUMBER [bleep] ONE.
AND YOU ARE JUST, LIKE, SMILING AND BLAH, BLAH, BLAH.
- I KNOW WE SIT HERE.
WE KNOW THAT WE HAVE YOU.
YOU'VE DONE PRODUCTIONS BEFORE.
YOU HAVE A ROLODEX OF PEOPLE THAT WE CAN CALL
AND HIRE THOSE PEOPLE.
OH, I FORGOT TO TELL YOU.
I ALREADY KIND OF, LIKE-- KIND OF--
PORSHA PUT HER IN MY HEAD THAT I WANT HER IN THIS.
- I DON'T LIKE THAT. - WHY?
- WELL, WE'RE STILL-- - NO OFFENSE TO HER.
- WE'RE GONNA AUDITION.
- YEAH, BUT I DON'T WANT ANY OF THE PEOPLE THAT WE KNOW
TO JUST GET THE PASS.
LIKE, YOU GET WHAT I'M SAYING?
LIKE, I'M LOOKING AT THE BIG PICTURE.
KANDI, YOU GOT A WHOLE BUNCH OF OTHER STUFF
GOING ON PERSONALLY EVEN.
THE PIECES OF THE PUZZLE RIGHT NOW
WE JUST THROWING IN THE DAMN CHICKEN COOP,
AND IT'S... [clucks like chicken]
RIGHT NOW, IT'S JUST A MESS.
- WE JUST NEED TO GIVE OURSELVES SOME HARD DEADLINES,
'CAUSE AT THIS POINT, SHE AIN'T GONNA SAY NO.
- [laughs]
- I'M JUST THINKING WHAT I FEEL LIKE--
THIS IS AN INNER CIRCLE MEETING,
SO I'M SAYING THAT I'M SCARED [bleep] RIGHT ABOUT NOW.
- WE'RE HERE. WE CAN PUT OUR HEADS TOGETHER.
WE CAN MAKE THIS HAPPEN.
GOOD.
[laughs]
COME ON. - KANDI FACTORY.
- ON THE ONE.
all: OHH... - OOH!
COME ON. IT'S GONNA KILL.
- COMING UP NEXT...
- GUYS DO TRY TO TALK TO ME, BUT I'M JUST--I DON'T SEE THEM YET.
- BUT YOU KNOW YOU WANT TO GET YOU A LITTLE SOME.
- I'M DEFINITELY GOING TO HAVE A CHILD.
- OOH, PORSHA, HONEY.
OKAY, YOU DONE LEFT COURT.
NOW YOU GOT YOUR OWN SPOT, HONEY.
- STEPPING OUT, GIRL.
- SINCE PORSHA DECIDED TO DO HER LITTLE CRY AT THE TRUMP SHOW,
I DECIDED I WOULD JUST LET BYGONES BE BYGONES
AND GO VISIT PORSHA AT HER NEW HOME.
PORSHA, THIS IS PERFECT FOR YOU.
I LIKE THE COLOR OF THE PAINT AND EVERYTHING, PORSHA.
- THANK YOU! - I LOVE IT.
YOU CAN TAKE THE WALLPAPER DOWN IN THE DINING ROOM.
- OH, YES, MA'AM.
IT IS SO HARD TO HEAR NENE CONTINUOUSLY SAY
I'M A BAD FRIEND.
I'M BEING SELFISH.
AND INSTEAD OF FIGHT HER, I'M JUST GONNA OWN IT.
GOING THROUGH THIS DIVORCE, I HAVE BEEN A LITTLE DISTANT.
- OH, I GOT SOMETHING IN MY PURSE FOR YOU.
- OH, YES!
- YOU CAN'T COME AROUND WITHOUT BRINGING WINE.
- SO IT MUST TURN.
- AH!
[bottle pops] - OOH.
- [laughs] - AND AMAZING.
THIS IS WHAT WE'RE GONNA DRINK OUT OF.
- YOU CAN GO TO THE DOLLAR STORE AND GET SOME GLASS.
THERE'S NO NEED FOR YOU NOT TO HAVE A DAMN WINE GLASS.
- BUT WE GET TO DRINK MORE OUT OF THESE.
- I'LL HAVE THE LEAST.
- WE CAN GO COUNTRY STYLE. - HERE.
- CHEERS. - TO YOUR NEW HOME.
- YES.
- SHOW ME AROUND. LET'S SEE WHAT YOU GOT.
- THIS IS THE FAMILY ROOM.
- OH, I LIKE THIS.
- THEY WERE REALLY INTO, LIKE, THE MEDIEVAL TIME PERIOD.
- I CAN SEE WITH THOSE DAMN CHAIRS OVER THERE.
- [laughs]
- I CAN'T HELP BUT THINK, WHY WOULD A SINGLE WOMAN
WANT TO LIVE IN AN 8,000-SQUARE FEET HOME?
BUT SHE'S NOT A LITTLE GIRL.
SHE'S OVER 30 YEARS OLD.
SHE SHOULD HAVE A PLACE OF HER OWN.
WHERE DID THE OWNERS GO TO?
DID THEY GO SOMEWHERE ELSE?
- I THINK THEY WENT TO THE VININGS AREA.
- OH.
KENYA'S NOT FAR FROM THE VININGS.
- OH, REALLY?
- SHE HAS A MUCH SMALLER HOME THAN SHE WAS IN BEFORE.
BUT, YOU KNOW, THE REAL TRIP WAS:
SO WE PULL UP, AND SHE HAS THIS BRAND-NEW CONVERTIBLE,
WHITE BENTLEY OUTSIDE,
AND SHE SAID THAT HER GUY IN AFRICA GAVE IT TO HER.
- MM.
- SO WAS HE THERE?
- ABSOLUTELY NOT.
[both laugh]
KENYA'S GOING AROUND TOWN
TELLING EVERYBODY THAT SHE'S DATING AN OIL TYCOON.
[fake laugh]
LET'S LAUGH TOGETHER.
[fake laugh]
WHERE'S THE OIL TYCOON, HONEY?
GIRL, BYE.
YOU, ON THE OTHER HAND--
- WHAT ABOUT ME?
- NOW YOU'RE OVER HERE BY YOURSELF.
- I FEEL DIVORCED.
I'M GONNA SAY THAT. I'M GONNA SAY THAT.
I'VE BEEN THINKING.
I'VE BEEN OVER HERE FOR ABOUT THREE WEEKS NOW.
I LIKE THE FREEDOM, HONEY, AND I THINK I'M READY TO ENJOY IT.
- I CAN'T DEAL WITH THIS.
I MEAN, I NEED YOU TO LET THAT GO.
- AH!
HE IS WATCHING OVER THE HOUSE, NENE.
- HE IS NOT. HE IS SCARY AS HELL.
- NO, HE IS MUSCULAR AND PREEN AND BEAUTIFUL.
- I'VE BEEN AROUND PORSHA.
I KNOW THAT SHE CAN DECORATE.
NO SHADE, HONEY, BUT I THINK THAT THE PREVIOUS OWNERS
WHO LEFT THE DEER HEAD COULD'VE TOOK THAT WITH THEM.
YOU KNOW, EMOTIONALLY,
ARE YOU READY TO REALLY START DATING SOMEBODY?
- I MEAN, GUYS DO TRY TO TALK TO ME,
BUT I'M JUST-- I DON'T SEE THEM YET.
YOU KNOW WHAT I'M SAYING?
MAYBE I'M JUST PISSED AT ALL MEN RIGHT NOW FOR THE MOMENT.
- I KNOW YOU JUST FEEL THAT RIGHT NOW.
I FELT ALL OF THAT, LITERALLY.
I DIDN'T EVEN LIKE HOW BRENTT WALKED, OKAY?
LIKE, ALMOST LIKE HOW HE PICKED UP A GLASS.
- EVERYTHING LITTLE THING.
- EVERY LITTLE THING IRRITATED ME.
HE'D JUST COUGH. I WAS LIKE, "EW!"
EVERYTHING.
SO I KNOW THAT YOU GUYS CAN GET TO A PLACE
WHERE YOU CAN AT LEAST SAY "HI."
- LET ME TELL YOU WHEN I'LL SAY "HEY" TO KORDELL.
WHEN I HAVE THE NEW MAN ON MY SIDE,
AND THEN WE GONNA WALK IN THE ROOM AND SAY,
"HEY, KORDELL."
- BUT YOU KNOW YOU WANT TO GET YOU A LITTLE SOME, THOUGH.
[both laugh]
PORSHA BEEN TAKING CARE OF PORSHA, SO I'M GOOD ON THAT ONE.
[both laugh]
- YOU CAN MIX THIS UP FOR ME.
VELVET, YOU'RE NOT GONNA HAVE ANY OF THIS FOOD.
- AM I DOING THIS NEXT?
- YEAH, JUST MIX-- TAKE THAT WHOLE THING
AND PUT IT IN THERE.
- WHO ELSE IS COMING?
- UH, LORI, WHO YOU HAVEN'T SEEN IN HOW MANY YEARS?
CHE, WHO YOU HAVEN'T SEEN IN A HUNDRED YEARS.
RECONNECTING WITH MY DAD DURING HIS VISIT
REMINDED ME OF HOW IMPORTANT FAMILY REALLY IS.
IT'S GOOD TO SEE THEM COME AND VISIT,
TO SEE THE NEW HOUSE.
I FEEL LIKE WE'RE READY FOR SOME BONDING TIME.
I JUST WANTED TO BE WITH MY FAMILY,
SO I'M HAPPY YOU GUYS CAME IN FROM DETROIT AND...
LISA IS MY DAD'S SISTER, AND MARC IS HER HUSBAND.
THEY LIVE IN DETROIT.
EVEN THOUGH SHE'S MY AUNT,
WE WERE RAISED TOGETHER AS SISTERS, REALLY.
THIS IS, LIKE, MY SHORTCUT DINNER.
- THAT DOESN'T SOUND GOOD.
- IT'S NOT GONNA BE LIKE MAKING EVERYTHING FROM SCRATCH DINNER.
- HELLO?
- IS THAT LORI?
- WHO'S THAT?
OH, MY GOD!
[laughs]
OH, MY GOD!
OH. - HI.
LONG TIME.
- HOW ARE YOU?
- GOOD TO SEE YOU.
- OH, MY GOD. YOU LOOK GREAT.
- DOESN'T SHE LOOK BEAUTIFUL?
I MUST SAY, CHE, YOU MIGHT WANT TO HIRE ME,
MISS CHEF.
- NO, YOU MIGHT WANT TO HIRE ME WITH YOUR LAST-MINUTE ***.
- MARC. - YES.
- CAN YOU TAKE A LOOK AT THIS?
I DON'T KNOW WHY IT WON'T SHUT.
- I'M OFF DUTY. SORRY.
- I LOVE HAVING A MAN IN THE HOUSE, EVEN IF HE'S NOT MINE.
[laughs]
ALL RIGHT, CHE, YOU CAN SIT THERE,
AND THEN HUSBAND AND WIFE,
YOU GUYS SIT ACROSS FROM EACH OTHER.
HERE ARE PAPER TOWELS FOR YOUR NAPKINS.
'CAUSE I'M JUST SO CLASSY.
- I GET THE BIG ONE.
- YOU'RE DOING A GOOD JOB, THOUGH, SO FAR.
- I HAVEN'T HAD TIME TO UNPACK EVERYTHING.
I'M TRYING, MAN.
I'M TRYING.
- ARE YOU HAPPY WITH THE HOUSE SO FAR?
IT LOOKS COMFORTABLE.
YOU DON'T NEED A WHOLE LOT OF SPACE.
- WELL...
I MAY NEED A BIGGER HOUSE WITH MORE BEDROOMS SOON.
- CAN YOU SPIT IT OUT?
- I'M DEFINITELY GOING TO HAVE A CHILD.
- CAN YOU BE A LITTLE MORE SPECIFIC?
- I'M GOING TO HAVE A CHILD.
I HAVE AN APPOINTMENT TO SEE A FERTILITY SPECIALIST.
- IS THERE A POTENTIAL BABY DADDY?
- DO WE HAVE TO REFER TO IT AS "BABY DADDY"?
- WELL, THAT'S THE-- THAT'S THE CURRENT VERNACULAR.
- RIGHT NOW, IT'S TRYING TO MAKE THE DECISION ON WHO IT WILL BE.
I FEAR A LOT OF THINGS BY HAVING A CHILD WITH MY AFRICAN PRINCE.
HE LIVES I DON'T EVEN KNOW HOW MANY MILES AWAY.
DO I WANT TO HAVE A CHILD,
KNOWING THAT MY LIFE WILL CHANGE,
NOT ONLY WHERE MY CHILDREN WILL LIVE, BUT WHERE I WILL LIVE?
- YOU ARE A BUSY PERSON.
HAVING A CHILD TAKES TIME, PATIENCE.
DO YOU HAVE THAT?
- I KNOW THAT I WANT A CHILD, AND I KNOW
THAT I WOULD BE WILLING TO MAKE SACRIFICES FOR IT.
THIS IS WHY I'M TRYING TO BRING MY FAMILY CLOSER.
- WHY DO YOU FEEL THAT YOU WANT TO HAVE CHILDREN SO BADLY?
- I'M SO TIRED OF NOT HAVING MY OWN FAMILY.
THE RELATIONSHIP THAT I EXPERIENCED WITH MY MOTHER
HAS LEFT ME WITH A HUGE VOID IN MY LIFE,
AND HAVING A CHILD OF MY OWN WILL, IN SOME WAY,
REPAIR THAT VOID.
- I HEAR WHAT YOU'RE SAYING,
BUT I WANT TO CHALLENGE YOU TO BE COMMITTED TO YOUR FAMILY.
LET'S SEE WHAT YOU CAN DO BEFORE.
- I MEAN, I KNOW THAT I HAVEN'T SEEN YOU GUYS
AS MUCH AS I WOULD LIKE TO.
IT'S JUST BEEN REALLY DIFFICULT FOR ME.
YOU KNOW, I WENT THROUGH THAT EVICTION.
I'VE BEEN TRYING TO FIND A NEW HOUSE.
IT'S NOT BEEN EASY FOR ME.
SO HOPEFULLY YOU GUYS WILL COME SEE ME.
WE'LL MAKE A CONCERTED EFFORT,
MORE OF IT.
- LET'S DO IT.
I HAVE NO PROBLEM WITH THAT.
- ALL RIGHT, CREPES.
- I'M STILL TRYING TO GET OVER THESE PAPER NAPKINS.
- OH, LORD.
- COMING UP NEXT...
NATALIE'S GIRLFRIEND BROKE UP WITH TODD
BECAUSE TODD WAS CHEATING ON HER.
- I HAVE NEVER SEEN CYNTHIA DISH SO MUCH TEA.
[slurping]
- I'M NOT EVEN FEELING IT.
- YOU CANNOT QUIT NO MORE.
- ARE YOU SURE THIS IS THE PLACE?
- TODD, I'M POSITIVE.
THIS AREA AREA IS CONVENIENT TO EVERYWHERE.
THIS IS DOWNTOWN.
WHY DO YOU CARE ANYWAY?
YOU QUIT, REMEMBER?
- I'M TRYING TO BE SUPPORTIVE A LITTLE BIT, YOU KNOW.
- OKAY, WELL, BE SUPPORTIVE.
COME ON. - ALL RIGHT, COME ON.
[phone tone plays]
HELLO?
IT'S WHO?
- WHAT ARE YOU-- CAN YOU--
YOU COULDN'T TAKE THAT CALL LATER?
- OH, OKAY, HOW YOU DOING?
ACTUALLY, I NEED TO CALL YOU BACK
IN ABOUT 20 MINUTES, IF THAT'S OKAY.
GOTCHA.
THAT'LL BE FINE.
BYE.
THAT WAS ABOUT THE JOB. - OH.
EVEN THOUGH HE'S QUIT,
TODD IS COMING WITH ME TO SCOUT THE RIALTO
AND TAKING CALLS FROM HIS OTHER JOB.
UGH.
IF THAT'S WHAT HE WANTS TO DO, TAKE YOUR LITTLE CALL.
SO FAR, I MEAN, IT'S REALLY OPEN WHEN YOU WALK IN.
- KANDI?
HI, I'M JO. - HEY, HOW YOU DOING?
- EVENTS MANAGER. NICE TO MEET YOU.
- NICE MEETING-- THIS IS TODD.
- TODD, NICE TO MEET YOU.
SO YOU'RE LOOKING TO DO AN EVENT.
- YES, WE'RE TRYING TO PUT A MUSICAL PLAY ON,
AND RIGHT NOW, WE'RE JUST KIND OF CHECKING OUT
DIFFERENT EVENT SPACES TO SEE IF IT COULD POSSIBLY WORK.
- OKAY, WELL, GREAT.
THE THEATER IS UP THIS WAY.
THIS LOOKS NICE, BABE.
I'M FEELING THIS SPOT.
I LOVE IT.
- IT LOOKS GOOD, WOW.
I THINK THIS IS A GOOD SPACE.
- I LOVE THE WAY THE ROOM SOUNDS.
♪ OOH, OOH, OOH, OOH, OOH ♪
♪ OOH ♪
- ♪ OOH, YEAH ♪
- NO, NO, STOP, OKAY?
- I WANT JO TO SEE.
- NO, NO, NO, NO.
- SORRY, JO.
- THAT'S ALL RIGHT. THAT'S ALL RIGHT.
[cell phone beeps]
- UH-OH.
HE HAS A CALL TO DO.
- SORRY. EXCUSE ME, JO.
- I THINK YOU WERE LOOKING AT A THREE-DAY.
- YEAH, WE WERE THINKING, LIKE, A THREE-DAY SITUATION.
- WHICH IS FINE.
- SO HOW MANY SEATS?
- 833 FIXED SEATS.
- THAT'S PERFECT.
- JUST GOT TO FILL IT UP.
- 800 PEOPLE?
I MEAN, THAT'S NOTHING.
I'VE PACKED OUT A CLUB WITH MORE THAN 800 PEOPLE BEFORE.
I MEAN, THIS SHOULD BE EASY.
- SO, LISTEN, YOU ALL TALK IT OVER.
LET ME KNOW WHAT YOU'RE GONNA DO.
IF YOU WANT THE DATE, I NEED TO GET THE RESERVATION IN
PRETTY QUICKLY SO WE DON'T LOSE IT, OKAY?
- OKAY.
- THANK YOU SO MUCH. - THANK YOU, JO.
- I HOPE TO HEAR BACK FROM YOU.
I'LL LET YOU LET YOURSELVES OUT THIS WAY.
I'M GONNA CLOSE UP HERE, OKAY?
- THANK YOU. - THANKS.
- I LOVE THIS THEATER.
- YOU CAN DO A NICE RECEPTION UP HERE,
PRE-RECEPTION, AND...
- YEAH. - IT'LL BE COOL.
- OH, I'M SO EXCITED.
I'M NOT EVEN FEELING IT.
- WELL, IF YOU'RE TURNING THEM DOWN...
- YOU GOT A POSITION OPEN ON YOUR TEAM?
- OH, OH.
- OH, YOU GONNA ACT LIKE THAT?
YOU'RE ACING LIKE YOU DON'T NEED ME?
- DON'T EVEN GO THERE,
BECAUSE I SAID FROM THE BEGINNING THAT I NEEDED YOU,
BUT THAT DIDN'T SEEM TO MATTER
WHEN YOU JUST WAS UPPING AND QUITTING ON ME.
- BUT YOU KNOW WHY I DID IT, THOUGH.
- WHY?
- YOU WANT TO DO A STAGE PLAY IN LITERALLY MONTHS.
NO SCRIPT, NO SET, NO LOCATION.
NOTHING.
I DON'T HAVE TIME TO GO BACK AND FORTH WITH YOU
ON EVERY LITTLE THING.
I GOT TO GET [bleep] DONE IF I'M GONNA DO IT.
IF YOU SAW A TO-DO LIST FOR SOMETHING LIKE THIS,
YOU'D BE LIKE, "OH, I GET IT.
THIS [bleep] IS BIG."
- CHECK MY TRACK RECORD.
- YEAH, MAN--
- I ALWAYS GET IT DONE. - YEAH, BUT--
- ALWAYS.
I DON'T NEVER NOT COME THROUGH.
- WE'LL SEE. COME ON.
- YOU GOT TO BE A TEAM.
TODD NEEDS TO REALLY TRUST ME AND LET ME DO WHAT I DO.
I BELIEVE WE CAN REALLY PULL THIS OFF.
IF YOU DECIDE THAT YOU ARE DEFINITELY GONNA WORK WITH ME
AND WE ARE GONNA BE A TEAM
AND DO THIS TOGETHER,
YOU CANNOT QUIT NO MORE.
- I'M WITH YOU.
WE'RE GONNA MAKE IT HAPPEN.
NO, IT'S GONNA WORK OUT.
- ALL RIGHT.
I'M SUPER EXCITED, BECAUSE I'M LIKE,
"COME ON, LET'S BUILD OUR THING TOGETHER.
"WE'RE GONNA BE MARRIED.
LET'S DO THIS."
- ALL RIGHT, DON'T MAKE ME QUIT.
- DON'T MAKE YOU QUIT?
YOU BETTER NOT QUIT.
- MAL!
I NEED YOU TO HELP ME SET UP
A LITTLE, QUICK BREAKFAST SITUATION BEFORE WE LEAVE.
- WHO'S COMING OVER?
- UM, IT'S GONNA BE NENE, MARLO, KENYA, NENE'S FRIEND LEXUS.
YOU HAVEN'T MET LEXUS.
SHE WAS IN NENE'S WEDDING.
SHE WAS ONE OF HER BRIDESMAIDS.
PHAEDRA AND PORSHA AND KANDI ARE GONNA MEET US THERE.
AFTER TALKING TO NENE,
WE DECIDED TO DO A GIRL'S TRIP TO THE VINEYARD.
AND I THOUGHT IT WOULD BE A GREAT IDEA TO INVITE NATALIE.
AS MUCH AS THESE WOMEN LIKE TO DRINK,
YOU WOULD THINK WE'D BE THE FIRST ONE TO KNOW
THAT ATLANTA HAD A WINE VINEYARD.
- IS THIS YOUR ORANGE JUICE?
- IT IS.
I WAS GONNA DO, LIKE, MIMOSAS WITH CHAMPAGNE AND STUFF,
BUT WE'RE GOING TO A WINERY,
SO I DIDN'T WANT TO GET TOO TURNED UP.
- HEY!
- WELL, HELLO!
OH, MY GOD!
MWAH!
- HI, CYNTHIA!
- GREAT TO SEE YOU.
HI, HOW ARE YOU?
WELCOME. - HAVE A SEAT.
- WAIT A MINUTE.
WE NEED SOME CHAMPAGNE TO TOAST WITH, CYNTHIA.
- NO, IT'S NOT!
- I'M SORRY, IS IT 11:00 IN THE MORNING?
NOT TO MENTION, WE'RE ACTUALLY GOING TO A VINEYARD
TO DRINK ALL DAY.
OKAY, THIS IS SOME KIND OF BUBBLY MOSCATO,
AND IT'S ACTUALLY CALLED "SWEET ***," SO...
- OKAY.
- AH, DON'T DO IT, MARLO.
DON'T START. IT'S TOO EARLY, NOW.
BE SWEET ***, OKAY?
- [laughs]
- HERE'S TO OUR GIRL'S DAY.
- WE CAN COME ALL TOGETHER IN THE END.
REMEMBER MY FRIEND NATALIE?
YOU GUYS DON'T KNOW HER, BUT, NENE, YOU MET HER BEFORE.
AND I THOUGHT, "OKAY, EVERYBODY ELSE IS GOING."
- AND KENYA'S COMING. - HAVE YOU MET KENYA?
- WE'VE MET BEFORE, BUT I DON'T KNOW HER, KNOW HER.
- BUT YOU GUYS BOTH HAVE THE SAME HAIRDRESSER.
DON'T YOU YOU GUYS BOTH GO TO LAWRENCE?
- YEAH.
- SO YOU GUYS ARE IN THE SAME CIRCLE.
all: HI!
- HEY!
HEY. - HI.
- HI, MARLO. - HI, HOW YOU DOING?
OH, HE'S CUTE.
HI, BABY.
- HI, CYNTHIA.
WELL, HEY, DOLLY.
- THE LAST TIME I SAW MALORIE, SHE TRIED TO COME FOR ME.
YOU DON'T KNOW ME VERY WELL, 'CAUSE I DON'T HOLD MY TONGUE.
- NO, YOU DON'T KNOW ME, BUT SAY WHAT YOU WANT.
- OH, TRUST ME, NO, I GUESS IT'S NOT.
IT'S NOT.
AT THIS POINT, SHE REALLY COULD JUST CRAWL UP UNDER A ROCK
AND DISAPPEAR AND NO ONE WOULD NOTICE.
- OKAY, SO LET'S GO.
- OKAY.
- WELL, THE ONE THING ABOUT ME,
IF I'M GONNA HANG OUT WITH ALL THESE GIRLS,
I NEED TO AT LEAST BE A LITTLE BIT DRUNK.
I WANT ALL THE ALCOHOL.
SO LET'S GET THE SHOW ON THE ROAD.
LET'S GO.
- WE'RE MEETING THE GIRLS THERE?
- WE'RE GONNA MEET THEM THERE.
- I WONDER WHAT THE OTHER GIRLS DOING ON THEIR BUS.
- GOING TO THE WINERY.
I LOVE A WINERY.
IT'S ALWAYS BEAUTIFUL TO BE IN THE VINEYARDS.
ALL OF THESE EXCURSIONS JUST AGGRAVATES MY PUMPING SCHEDULE.
BUT BREAST MILK IS LIKE LIQUID GOLD.
YOU HAVE TO KEEP PUMPING TO KEEP IT FLOWING.
- SO NOBODY CAN MESS WITH THEM *** RIGHT NOW.
- YOU AIN'T LYING, HONEY.
THEY GOT SOME...
MY BABY SAID, "THAT'S ORGANIC."
I SAID, "IT SURE IS."
- THEY'RE STRONG, 'CAUSE YOUR BABY IS SO BIG.
- I GOT A LUCKY ***.
IT SQUIRTS MILK.
- IS IT A THIRD ONE?
- OH, MY GOODNESS.
- IT TWERKED MILK.
- SHE SAID IT SQUIRTS MILK.
- OH, I THOUGHT YOU SAID "TWERKS MILK."
I WAS LIKE, WELL--
- OH, NO. - GROSS!
[laughter]
- SO, C.B., YOU WERE SAYING
SOMEONE NAMED NATALIE WAS COMING?
- YES.
CHRISTOPHER WILLIAMS IS AN OLD FRIEND.
HIS WIFE, NATALIE, THEY JUST RECENTLY MOVED TO TOWN,
AND PETER ACTUALLY KNOWS NATALIE REALLY WELL,
AND I KNOW CHRISTOPHER FROM NEW YORK.
- WELL, IT'S HIS COMMON-LAW WIFE.
- WELL, SHE TOLD ME SHE WAS MARRIED.
- HE CLEARLY TOLD ME THEY WERE COMMON--
THEY CONSIDERED THEMSELVES COMMON-LAW,
AND DEPENDING ON WHO HE INTRODUCES HER TO,
SHE HAS A DIFFERENT TITLE.
SEVERAL YEARS AGO, NATALIE WAS INTRODUCED TO ME
BY CHRISTOPHER WHEN WE WERE DOING A PLAY TOGETHER
CALLED GOSSIP, LIES, AND SECRETS,
AND HE MADE IT SEEM LIKE NATALIE WAS JUST HIS GROUPIE.
I GUESS GROUPIE FOR LIFE?
I DON'T KNOW.
BUT NOT HIS WIFE.
- I DON'T KNOW THE EXACT DETAILS OF THEIR MARRIAGE.
ALL I KNOW IS, SHE TOLD ME THAT SHE WAS MARRIED.
- SO THEY'RE NOT MARRIED.
- IN THEIR EYES, THEY ARE.
- YOU KNOW, NATALIE ACTUALLY HAS KNOWN TODD
FOR A REALLY LONG TIME.
I THINK TODD USED TO DATE ONE OF NATALIE'S BEST FRIENDS.
APPARENTLY, NATALIE'S GIRLFRIEND BROKE UP WITH TODD
BECAUSE TODD WAS CHEATING ON HER.
- WHO ARE YOU, AND WHAT HAVE YOU DONE TO CYNTHIA?
I HAVE NEVER SEEN CYNTHIA DISH SO MUCH TEA IN ONE AFTERNOON.
TELL ME MORE.
[slurping]
- BUT WASN'T THAT YEARS AGO?
- IT WAS A LONG TIME AGO.
IT DEFINITELY WAS A LONG TIME AGO.
- WELL, I CAN TELL YOU THIS.
"DON'T TALK ABOUT MY MAN AND MY CHILD AND MY MAMA."
[laughter]
"DON'T TALK ABOUT MY MAN AND MY CHILD AND MY MAMA."
[laughter]
COMING UP NEXT...
- YOU DON'T WANT ME TO GO THERE ABOUT YOUR MAN, HONEY.
- IF YOU AIN'T NEVER BEEN MARRIED,
YOU CAN'T TALK ABOUT NOBODY'S MARRIAGE.
- KANDI WILL PROBABLY BE DOING SIGN LANGUAGE AND EATING.
IS SHE STILL FAT?
[laughter]
NO, I'M SERIOUS.
- SHE LOST A COUPLE POUNDS, ACTUALLY.
- 'CAUSE SHE WAS THICK.
- SHE ACTUALLY HAS LOST SOME WEIGHT, ACTUALLY.
- SHE LOST SOME WEIGHT.
- YOU KNOW, KANDI'S UP AND DOWN.
- SHE'S UP AND DOWN.
- WHAT ABOUT PHAEDRA? 'CAUSE SHE WAS FAT TOO.
- WELL, SHE WAS PREGNANT, GIRL.
- SHE WAS PREGNANT.
- SHE WASN'T JUST PREGNANT.
SHE DID A WORKOUT VIDEO,
AND SHE SHOULDN'T HAVE BEEN DOING A WORKOUT VIDEO.
- I DIDN'T LIKE THE OUTFIT.
- THAT GREEN OUTFIT--
- SHE LOOKED LIKE THE JOLLY GREEN GIANT.
[laughter]
- OH, LORD.
- OH, MY GOD, YOU GUYS, WE'RE HERE!
COME ON, GIRLS.
- DON'T LEAVE VELVET.
- CAN'T SHE JUST STAY IN THE CAR?
SHE'S TAKING AWAY FROM YOUR FABULOSITY RIGHT NOW.
- I'M OUT OF BREATH AND EVERYTHING.
- THIS IS TOO MUCH.
- HI. - HI.
- HEY, WELCOME, EVERYBODY.
HOW WE DOING?
MY NAME IS BRANNON BOEGNER.
I'M THE WINEMAKER AND THE VINEYARD MANAGER
HERE AT WOLF MOUNTAIN VINEYARDS.
WANT TO WELCOME YOU GUYS TO MY FAMILY'S WINERY.
NOW LET'S GET OUT OF THE SUN.
LET'S COME OVER HERE TO THE SHADE.
- YEAH, LET'S DO IT.
- ONCE AGAIN, PHAEDRA, KANDI, AND PORSHA ARE LATE.
BUT INSTEAD OF LETTING THEM RUIN MY DAY,
I AM GOING TO COUNT TO TEN, TEXT MY THERAPIST,
AND TRY AND HAVE A GREAT DAY.
- SO WE DON'T HAVE TO DO--
LIKE, WE DON'T HAVE TO TAKE OFF OUR SHOES
AND GET IN A BIG BARREL?
- NO, MA'AM.
YOU'RE NOT GONNA HAVE TO WORRY ABOUT THAT.
- THAT WAS THE FUN PART.
- YOU ALL RIGHT, PHAEDRA?
ARE YOU GONNA MAKE IT UP THIS STEEP HILL?
- I AM.
- LET'S JUST MAKE A DEAL.
IF YOU FALL, LET GO.
- OKAY. - LET GO OF US.
- HI!
- HELLO! - HELLO.
HOW Y'ALL DOING?
WHAT'S UP?
- HOW ARE YOU?
- WHAT TOOK Y'ALL SO LONG?
- YOU LOOK SO PRETTY.
HOW YOU DOING, SWEETIE?
HEY, PHAEDRA.
- I'M NOT A MARLO FAN.
SEEING HER TODAY IS JUST-- I DON'T KNOW.
I'M TRYING TO FIGURE IT OUT.
LIKE, WHAT IS THIS ABOUT?
- WELCOME TO THE LADIES WHO JUST JOINED US.
ARE YOU GUYS READY TO TASTE SOME WINE?
all: YES! - ALL RIGHT.
- I USED TO BE A REAL WINE CONNOISSEUR,
BUT NOW I'VE TURNED TO ***.
BEING AROUND ALL THESE ***,
I DONE TURNED TO STRAIGHT ALCOHOL.
[laughs]
IT'S THE TRUTH.
[laughs]
- STEP ON UP.
WE'RE GONNA TASTE A COUPLE OF SPARKLING WINES.
- [laughs] LEXUS.
- SO WHAT WERE Y'ALL TALKING ABOUT ON THE WAY UP HERE.
- UH...
- A LITTLE OF THIS, A LITTLE OF THAT.
- SPEAKING ABOUT Y'ALL...
[laughter]
- HEY, GIRL!
- HI. - HOW ARE YOU?
HOW YOU DOING? - I'M WELL.
- GOOD TO SEE YOU.
- OH, YOU LOOK BEAUTIFUL. MWAH.
YOU GUYS REMEMBER NATALIE.
NATALIE, THIS IS LEXUS. - NATALIE, NICE TO MEET YOU.
- THIS IS MARLO. - HI, HOW ARE YOU GUYS?
NICE TO MEET YOU.
- ALL RIGHT, LADIES, LET'S ALL STAND UP
AND TAKE A CRUISE AROUND THE VINEYARDS.
WE'LL GET DOWN TO THE BUILDING.
- WHAT ARE WE DOING? - OH, WE'RE LEAVING?
- ALL RIGHT, LET'S GO.
- THE VINEYARD IS ABSOLUTELY BREATHTAKING.
IT'S BEAUTIFUL:
ROLLING HILLS OF WONDERFUL VINES.
I FEEL LIKE I'M IN THE SOUND OF MUSIC,
WITHOUT THE SINGING.
[chimes twinkle]
- OH, THIS IS THE CHAPEL.
COME ON, KANDI!
- KANDI! GOING TO THE CHAPEL!
- [laughs]
- THIS IS NICE.
- WHEN IS THE INFAMOUS WEDDING THAT KANDI--
- OH, WELL, I WANTED TO GET MARRIED ON FEBRUARY 14TH,
VALENTINE'S DAY,
BUT I DOUBT WE'RE GONNA DO AN ACTUAL WEDDING NOW.
WE'LL PROBABLY JUST DO THE STRAIGHT TRIP TO THE COURTHOUSE.
- CAN WE COME?
- AH.
- OH, LORD.
- I DON'T KNOW IF I COULD WALK DOWN THE AISLE
WITH MY MOTHER BEING THERE.
I DON'T KNOW IF SHE WOULD JUST JUMP UP WHEN THEY SAY,
"DOES ANYBODY OBJECT?"
SHE'D BE LIKE, "I OBJECT!"
LIKE, I CAN-- I CAN SEE IT IN MY MIND.
NOW IT JUST MADE ME BE LIKE, "OH, FORGET IT.
LET'S JUST GO TO THE COURTHOUSE."
- IF YOU DO THAT WITH TODD,
WILL YOU HAVE A PARTY SO WE CAN COME?
- OH, I'LL DEFINITELY DO THAT.
- SEE, I LOVE THAT IDEA.
- EIGHT YEARS LATER, WE'RE STILL TOGETHER.
- THAT'S NICE.
- CHRIS AND I ELOPED. - WHERE?
- 18 YEARS AGO, WE ELOPED IN VEGAS.
HE WAS ON TOUR, AND WE WERE JUST YOUNG,
CRAZY IN LOVE, AND WE JUST DID IT.
- THAT'S NOT THE--I KNOW THAT'S NOT THE STORY I GOT.
- OH, WHAT STORY DID YOU GET?
- WELL, I MET HIM A LONG TIME AGO.
HE, BASICALLY, WHENEVER HE WOULD TALK TO ME ABOUT YOU,
HE WOULD CALL YOU HIS GIRLFRIEND.
- I INVITED NATALIE TO THE VINEYARD,
AND I DON'T KNOW IF IT'S REALLY THAT COOL
FOR KENYA TO JUST THROW MY GIRL'S MARITAL STATUS OUT THERE
FOR US TO ALL TAKE A LOOK AT.
I DON'T THINK THAT'S COOL.
- THAT HE WOULD CALL ME HIS GIRLFRIEND?
- ACTUALLY, HIS COMMON-LAW WIFE.
- HE SAID THAT?
- YES.
- AS OUR RESIDENT LEGAL EAGLE,
COMMON LAW MEANS THAT YOU HAVE NOT WENT
IN FRONT OF THE PREACHER OR ANY OTHER OFFICER OF THE COURT.
YOU HAVE JUST DECIDED TO WED YOURSELF
WITH SOME MAN THAT YOU ARE COHABITATING WITH,
AND GEORGIA DOES NOT RECOGNIZE IT.
THEY DISCONTINUED COMMON LAW CIRCA 1994.
- I'VE NEVER, EVER, EVER HEARD THAT BUT FROM YOU, EVER.
- WELL, I CAN GIVE YOU A FEW NUMBERS OF PEOPLE
THAT HAVE WORKED ON THE PLAY THAT MIGHT, YOU KNOW--
BUT I REALLY JUST WANT TO STAY OUT OF IT.
- NOBODY'S MARRIAGE IS ANY BUSINESS OF KENYA'S, OKAY?
LET'S GET THAT STRAIGHT.
- ALL RIGHT, WELL, LET'S HEAD TO LUNCH.
- OH, LUNCH IS READY.
- GRAB YOUR GLASS, AND WE'LL COME ON.
- DO YOU LIKE THIS? IT'S SO QUAINT.
DO YOU LIKE THIS, KANDI?
- IT IS BEAUTIFUL. THIS IS BEAUTIFUL.
- IT'S TOO FAR FROM THE CITY.
- CHILD, THEY GOT ALL THIS LAND.
YOUR FAMILY COULD FIGHT AND WRESTLE.
[laughter]
- AND THAT'S WHAT I DON'T WANT TO HAPPEN.
- WE CAN SIT HERE.
- OH, SORRY.
UH-OH, THAT'S OKAY, BABE.
- MISS LEXUS.
- YES.
- DID YOU SNEAK A BOTTLE THAT WE DON'T KNOW ABOUT?
- Y-Y-A-A-A-S-S-S.
YES!
- [laughs]
- KANDI, ARE YOU REALLY GONNA GO TO THE COURTHOUSE?
- UM, POSSIBLY.
- NO, KANDI, DO NOT GO TO THE COURTHOUSE.
- OH, KANDI, I HAVE A QUESTION.
- AM I GONNA BE A BRIDEMAID?
[laughs]
- YOU'LL PLAY THE SAME POSITION I PLAYED
AT YOUR WEDDING.
[laughter]
- WELL, KANDI, YOU GOT A GOOD ONE NOW,
AND YOU'RE ABOUT TO EITHER ELOPE, WALK DOWN THE AISLE.
- THERE'S THREE THINGS I KNOW ABOUT KANDI.
YOU DON'T COME FOR HER MOM, YOU DON'T COME FOR HER FOOD,
AND YOU DEFINITELY DON'T COME FOR HER MAN.
SO WATCH OUT, NATALIE.
- HOW DO YOU KNOW TODD?
- I HAVE A GIRLFRIEND NAMED AHNI,
A VERY GOOD FRIEND OF MINE,
AND THAT'S HIS EX-GIRLFRIEND.
- RIGHT. HE TOLD ME.
- HE KIND OF, YOU KNOW, BROKE HER HEART.
- AWE.
- OH, WELL.
- ARE WE GOING THERE?
- YOU WENT THERE.
- OH, NO, NO, I NEVER SAID THAT.
I NEVER WENT THERE.
- OH, BUT YOU DID, BECAUSE-- YEAH, YOU DID GO THERE, KENYA,
WHICH, YOU KNOW--
- NO, NO, I JUST-- - WHICH WAS VERY RUDE.
- OH, YOU THINK SO?
- YOU CAN'T TALK.
DON'T, YOU KNOW, COME FOR PEOPLE'S MARRIAGES
WHEN YOU'RE NOT MARRIED.
IT WAS VERY RUDE. - I'M SORRY YOU FEEL THAT WAY.
- NO, I ACCEPT YOUR APOLOGY.
- OH, THAT WASN'T AN APOLOGY.
- KENYA IS SUCH A TROUBLEMAKER.
- I'M NOT! I WAS GIVING HER A COMPLIMENT.
- AIN'T SHE, NATALIE?
- YEAH, YOU ARE, KENYA.
- OH, I'M GLAD YOU KNOW ME SO WELL.
- NO, I DON'T KNOW YOU AT ALL.
I MEAN, CHRISTOPHER'S TOLD ME SOME THINGS ABOUT YOU
THAT I COULD BLURT OUT.
- WELL, HONEY, WHATEVER YOUR MAN NEEDS TO TELL YOU
SO HE CAN SLEEP WELL AT NIGHT, GOOD FOR HIM.
BECAUSE, TRUST ME,
YOU DON'T WANT ME TO GO THERE ABOUT YOUR MAN, HONEY,
'CAUSE I KNOW A LOT ABOUT YOUR MAN.
WE WERE ON TOUR TOGETHER.
- USUALLY WHEN MOST PEOPLE GO TO WINE TASTINGS,
IT'S TO ACTUALLY ENJOY THE WINE AND RELAX.
THIS IS NOT THE WAY I IMAGINED THAT THE DAY WOULD GO.
- I AM MARRIED.
YOU CAN'T EVEN-- YOU CAN'T EVEN--
- SHE'S TALKING ABOUT GIFT CERTIFICATES.
- DON'T BE MAD AT ME.
BE MAD AT YOUR "HUSBAND."
I AM TRYING TO BE NICE TO YOU, BUT YOU KEEP COMING FOR ME.
AND WE ALL KNOW HOW THIS IS GOING TO END.
NOT WELL FOR YOU.
- CHRIS AND I ARE ONE,
BUT YOU WOULD KNOW NOTHING ABOUT THAT,
BECAUSE YOU KNOW NOTHING OF MARRIAGE.
- I CERTAINLY DON'T THINK THAT SOMEONE WHO CLAIMS ME
ONE MINUTE AS A WIFE, ONE MINUTE AS A COMMON-LAW WIFE,
AND ONE MINUTE AS GIRLFRIEND REALLY MATTERS.
- I BELIEVE YOU'RE LYING.
- I DON'T REALLY CARE. - YOU'RE LYING.
JUST DON'T TALK ABOUT ME AND MY HUSBAND.
- IF YOU AIN'T NEVER BEEN MARRIED,
YOU CAN'T TALK ABOUT NOBODY'S MARRIAGE.
THAT'S--
- IF THERE WAS AN ACTUAL MARRIAGE.
- IT IS NONE OF KENYA'S BUSINESS
WHETHER NATALIE IS COMMON-LAW MARRIED, ENGAGED.
WHY ARE YOU SO AMPED UP?
- SHE'S TRYING TO BE EVERYBODY'S FRIEND...
- I DON'T NEED ANYMORE FRIENDS, KENYA.
- BUT SHE WAS THE ONE TELLING CYNTHIA
THAT YOUR MAN WAS AN OPPORTUNIST.
- COMING UP NEXT...
- BACKPEDAL NOW.
- NO, NO ONE'S BACKPEDALING.
- YOU TRYING ME RIGHT NOW.
YOU TRYING ME.
- SHE'S TRYING TO BE EVERYBODY'S FRIEND...
- I DON'T NEED ANYMORE FRIENDS, KENYA.
- BUT SHE WAS THE ONE TELLING CYNTHIA
THAT YOUR MAN WAS AN OPPORTUNIST.
- I NEVER TOLD CYNTHIA THAT HER MAN WAS AN OPPORTUNIST, EVER.
THOSE WORDS NEVER CAME OUT OF MY MOUTH,
LYING PAGEANT GIRL.
I'VE NEVER SAID THAT.
- WHAT A MINUTE.
I AM NOT TRYING TO GET INVOLVED WITH THIS.
ALL RIGHT, LET ME JUST SAY THIS.
Y'ALL DONE PUT ME IN IT NOW.
WE DID HAVE A CONVERSATION ABOUT IT.
SHE KNOWS TODD, AND SHE DID SAY THAT, YOU KNOW--
- HE WAS A HUSTLER.
- YOU KNOW, A HUSTLER,
WHICH IS THE SAME THING AS AN OPPORTUNIST IN SOME WAY.
- I MEAN, YEAH, WELL, IT COULD BE--
IF YOU'RE SAYING A HUSTLER IS--
I TOLD YOU TODD HAS HIS WAY OF SWERVING.
TODD KNOWS HOW TO FIND HIM--
TODD KNOWS HOW-- NO, NO ONE'S BACKPEDALING.
TODD KNOWS HOW TO SWERVE.
HE KNOWS HOW TO FIND HIMSELF IN BETTER SITUATIONS.
THAT IS-- THOSE ARE MY EXACT WORDS.
- YOU WANT ANYBODY THAT YOU'RE WITH--
YOU DON'T WANT THEM TO, LIKE, NOT, LIKE,
YOU KNOW, HAVE A HUSTLE.
- TODD DID HAVE HIS WAY OF SWERVING.
- OKAY, HELP ME UNDERSTAND. WHAT DO YOU MEAN?
WHY DO YOU SAY THAT HE HAD HIS WAY OF SWERVING?
- HE JUST--HE HAD--YOU KNOW, TODD WAS ALWAYS ON THE--
HE WAS ALWAYS ON THE COME-UP, AND I'M NOT MAD AT THAT.
- BUT YOU ALREADY KNOW THAT WHEN PEOPLE SAY "ON THE COME-UP,"
YOU KNOW THAT MEANS YOU'RE GETTING WITH SOMEONE
WHO HAS MORE MONEY.
- BUT ALL I'M SAYING IS,
HE ALWAYS FOUND HIMSELF IN A BETTER SITUATION.
- [mimics horn blaring]
NATALIE, DON'T WATER IT DOWN.
- HONESTLY, YOU SEEM SWEET,
BUT YOU'RE DOING THE SAME THING TO KENYA
THAT SHE JUST DID TO YOU.
THAT'S HER FIANCE,
AND YOU'RE CALLING OUT HER FIANCE IN A WAY--
- I--NO, NO, NO, NO.
- REGARDLESS OF WHATEVER YOU SAID OR HOW YOU MEANT IT,
THAT'S HOW EVERYBODY TOOK IT.
TO ME, THAT'S JUST LIKE WITH PETER.
I MEAN, I KNOW PLENTY OF [bleep] FROM PETER'S PAST,
BUT I DON'T THINK HE CARRIED THAT
INTO HIS RELATIONSHIP WITH YOU.
- I NEVER SAID PETER DIDN'T HAVE A PAST.
HE'S BEEN CALLED A LOT OF THINGS,
BUT ONE THING HE HAS NOT BEEN CALLED IS AN OPPORTUNIST.
THE WAY YOU SAID IT WAS KIND OF LIKE A LITTLE DIG.
"YOU KNOW, I'VE KNOWN A LOT OF STUFF ABOUT PETER,
DAH, DAH, DAH."
- IT WASN'T A DIG.
IT WASN'T A DIG. AND THAT'S MY POINT.
I WAS LIKE, "I DON'T BRING UP THE PAST,
BECAUSE IT DOESN'T MATTER."
- AND THAT WASN'T WHAT WAS SAID, KANDI.
IT WAS--THAT WASN'T WHAT WAS SAID AT ALL.
THAT WAS JUST THE PAST.
- YOU TRYING ME RIGHT NOW.
YOU TRYING ME.
I DON'T KNOW YOU, LADY.
WHATEVER YOU TALKIN' ABOUT IS FROM OVER A DECADE AGO.
THANK GOODNESS SHE'S ON THE OTHER SIDE OF THE TABLE.
NO OFFENSE TO YOU.
NOBODY REALLY CARES ABOUT YOUR FRIEND.
AND YOU CAN STOP BRINGING HER UP,
'CAUSE WE DON'T REALLY GIVE A [bleep] ABOUT HER.
AND BOTTOM LINE, FOR YOU TO SAY THAT HE WANT TO DATE UP,
YOU JUST LET ME KNOW YOU THINK I'M A HOT ***,
AND I AM.
AND IT'S ALL GOOD, AND THE BUCK STOPS HERE,
'CAUSE IT DON'T GET NO HOTTER.
YOU'RE RIGHT.
YOU'RE RIGHT.
I'M SUCCESSFUL.
I CAN'T HELP IT.
AND I LOOK GOOD.
SO THAT MEANS HE HAS NO REASON TO CHEAT.
HE'S GOT THE HOTTEST *** IN THE PRIDE IN ATLANTA.
HE CAME UP.
GIVE IT UP FOR TODD.
HE CAME UP LIKE A MOTHER[bleep], DIDN'T HE?
HE CAME UP.
HE SAID NOTHING BUT NICE THINGS ABOUT YOU.
WE'LL BE DONE. WE'LL BE DONE.
AND I'MA LEAVE IT AT THAT.
[laughter]
- THANK YOU FOR COMING.
[laughs]
- NEXT TIME OF THE REAL HOUSEWIVES OF ATLANTA...
- LADIES AND GENTLEMEN, THE FIRST FAMILY,
MISS PHAEDRA PARKS-NIDA.
[applause]
- DO YOU HAPPEN TO HAVE, LIKE,
MICHAEL JORDAN'S *** IN THERE AT ALL?
I'M ALREADY A *** EXPERT.
OH, MY GOD!
THEY'RE SO LITTLE.
- OH, WOW.
- I DO NOT WANT YOU AND KANDI TO GET INTO IT.
- I'M JUST GONNA ASK HER.
I'LL SAY, "YEAH, I HEARD YOU BROUGHT MY NAME UP
LIKE YOU KNOW SOME [bleep] ABOUT ME."
I AIN'T CHECKING FOR THAT.
- WHAT ARE WE DOING HERE TONIGHT?
- IT'S PILLOW TALK.
- KENYA SAID THAT YOU SAID, "DUDE, WE WERE COMMON LAW."
- NO, HOLD ON. HOLD ON. HOLD ON.
- DON'T PUT YOUR HANDS ON HER. - DON'T TOUCH ME!
- [bleep] YOU, ***!
[bleep].
- I DIDN'T DO ANYTHING!
- YOU GOT UP OUT YOUR *** SEAT!
- WATCH OUT!
- TO LEARN MORE ABOUT THE REAL HOUSEWIVES, GO TO: