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We’ve listened the witnesses and discoveries of Doctor Canino
but we should try to go beyond, reconstructing a mosaic with missing pieces
which conceals a deep uniformity enclosed into millenniums.
Let’s scan the sequence:
we’ve been talking about a figure thet could be related to Campana stones
the nomolo figure discovered by Doc. Angelo Pitoni
it represents a giant with anthropomorphic features who rides an elefans antiquus.
Who is this giant?
why would he be fundamental for the understanding of Campana stones?
Doc. Angelo Pitoni was a precious stones expert, explorer of distant lands,
mines discover, unique relics discovers, even in Africa.
the Sky stone, the Mali Dame and the Nomolis
those were found during a mine site study.
Pitoni discussed with some tribe leaders of that area,
becoming aware of a local myth, very similar to that of Nefili, Mesopotamia:
The mythical fallen angels, that appear in many cultures.
Local tales tell about stone men, as the angels Allah sent into the abyss.
During the excavation of an alluvial site, few meters deep in the ground,
he found the proof of these legends: the nomolis.
granite statues 20-40 centimeters tall
some of them sunken, with anthropomorphic features,
reporting some evident stylistic anomalies, features which deviates from the local manufacturing.
The term nomol is very similar to the term nommi,
by which the Dogon indicated some beings with a shiny skin,
who came from Syrius B, settling in Africa long time ago.
Carbon14 analisys were made on that fields,
it came up that those figures were made 11-12,000 years ago.
At that time official history knowledge tells us that man couldn’t sculpt granite,
hollow it, or inserting chromed steel spheres in it without leaving relevant holes or assembly marks.
If we compare the nomol to the elephant figure
we can find some amazing similarities by focusing on the horseman proportions:
in both cases (no matter for the scale) the horseman is a gigantic figure,
much taller than the elephant,
so the elephant seems to be symbolically and perhaps objectively an appropriate conveyance.
But there’s more:
few meters aside there can be seen a pair of gigantic legs of another colossal figure,
which can be compared to the sumeric sphinx-bodied gods in the entrance of the ancient city of Ninive.
Someone could even say those leg belong to an anthropomorphic figure
who’s sitting on a throne,
referring to the figure of a king or even of an Egiptian or Sumeric god.
This seems to resemble the scene of an event:
the delivery of a gift between the two Campana figures.
But why so gigantic?
If we read the myths with a mystified eye,
if we refer to a wrong psycho-totemic analisys,
there would seem to be nothing more to say;
things change if we see this as a faithful representation of an event.
We can think about Doctor Zacharia Sitchin discoveries
about the genesis of the atavistic culture of our planet and on its heavenly origins.
We can think about the gigantic submerged structure in Japan, in Yonaguni,
or the inexplicable Puma Punku structures in Bolivia.
We can think about the recent Claus dona discoveries in Equador,
were he found representations of an advanced culture
and object that deliver us witnesses of an ancient era when huge humans
with planetary knowledge lived.
But were they really gigantic, or just considered “gigantic” because of their superiority?
Were they considered huge because of their skill in stone modeling, stone vitrifying,
and place the stones in a manner that nowadays man cannot do, even in a reduced scale?
Advanced beings who gifted earth with part of their knowledge,
or supreme creators of works that still today we can’t understand?
This is one of the questions that still have not response,
but at the same time this is our first arrow, thrown with strength and precision.