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This relief of a face is called "Archangel"}{\author WrightDC}
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\ltrch\fcs0 \f1\fs24\insrsid336629\charrsid336629 This relief of a face is called "{\*\xmlopen\xmlns2{\factoidname
place}}Archangel{\*\xmlclose}". It\rquote s by the artist Edris Eckhardt, an American
artist who was one of the pioneers of studio glass. She was one of a group of people who
identify themselves as artists/craftsmen; these artists worked prior to studio glass
artists of the 1970\rquote s and 1980\rquote s. They focused mostly on
what we call warm techniques, which means that they were using casting techniques in
a kiln, as opposed to hot techniques, which is something like glassblowing at the furnace.
So while artists in the 1950 \rquote s and 1960\rquote s could not work
with blown glass in their studios, they could use other methods, such as casting; and, this
is a particularly ambitious example, a particularly large example, that Eckhardt was able to make
in her studio kiln . This piece was cast inside of a kiln: the
artist made a positive in ceramic, and then made a mold from that positive in plaster
and refractory material, and put glass in the cavity of that mold, and allowed it to
melt and fuse inside of the kiln - much like when you make candy and you pour chocolate
inside of a mold and allow it melt inside of an oven.
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