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X
OW.
COME ON, OVER HERE.
YOU DON'T KNOW -- YOU DON'T KNOW.
YOU THINK YOU KNOW, BUT YOU DON'T, OK.
YOU JUST THINK YOU DO.
COME ON, THAT'S FINE.
NOW JUST-- LET'S SIT DOWN
AND TALK ABOUT IT, OK, EDDIE?
GET YOUR *** OUT HERE.
COME ON.
THINK YOU'RE SAFE IN HERE, HUH?
YOU'RE NOT SAFE ANYWHERE, ***.
I'M GOING TO GET YOU.
TOUGH GUY, TOUGH GUY.
YOU ARE GETTING IN MY FACE ONCE TOO OFTEN.
YEAH, WHAT ABOUT RIGHT NOW, HUH?
COME ON -- TAKE IT EASY.
OUTSIDE, HUH?
BRIAN.
WHAT HAPPENED?
IT'S OK -- IT'S ALL RIGHT.
I TOLD HIM I DIDN'T WANT
TO DO THIS ANY MORE.
YOU DON'T TELL THEM.
YOU DID FINE -- YOU DID FINE.
HEY, RICKLAND!
[ ALARM RINGING ]
[ TELEVISION ]: ...LOWS IN THE UPPER TEENS
FOR THE WHOLE METRO REGION.
THINK YOU'RE BEING PARANOID.
OH, YEAH, DID YOU SEE
THE MEMO THIS MORNING?
NO SHOP TALK, SWEETIE -- THAT WAS THE DEAL.
JUST YOU AND ME AND A BIG BOTTLE OF WINE.
...OF COURSE, JUDGING BY LAST WEEKEND, IT PROBABLY WON'T.
ANYHOW, ON TO OTHER THINGS.
IF YOU HAVE ANY COMMENTS ABOUT TONIGHT'S SHOW, GIVE US A CALL
ON OUR TALK BACK TO TEN ANSWERING MACHINE.
THE NUMBER TO CALL--
OH, TURN IT OFF.
OH, JAKE -- OH, THAT LOOKS GOOD.
COME ON.
LOOK, YOU CAN WAH THIS TOMORROW.
NO, I CAN'T -- MIKE'S GOING TO WATCH IT,
AND HE'LL WANT TO KNOW WHY I DIDN'T.
IT WAS A BIG NIGHT FOR GOLF, WASN'T IT?
MORE OF A DAY GAME, ROLA.
AT THE LA JOILA OPEN
OH, NO, IT'S LA JOLLA.
OH, WHAT IS HE...?
WHAT IS HE DOING?
[ LAUGHING ]
NO...OH!
...TO SURGE INTO THE FIRST-ROUND LEAD OF THE LA JOILA OPEN.
THIS IS NOT FUNNY.
...TO BETTER PAR AT THE ROUGH...
OH, I CAN'T BELIEVE IT.
OH, NO.
...OF THE LA JOILA OPEN.
NONE OF THE SHELTERS WOULD TAKE DARIA?
"IS SHE IN ACUTE PHYSICAL DANGER, MISS FENNELL?"
BUNCH OF SQUIDS.
SQUIDS?
DAD.
DAD?
BUREAUCRATS.
WHEN THERE'S TROUBLE, THEY RUN FOR COVER AND SQUIRT INK.
HA, HA, NOT BAD.
WHERE DID YOU GET THAT -- BRIAN?
ME.
REALLY.
WELL, DON'T SOUND SO SURPRISED.
I'M SORRY, IT'S JUST THAT I'M, UH...SURPRISED.
WHY IS IT THAT PARENTS ARE ALWAYS SUPRISED
TO LEARN THAT THEIR KIDS ARE HUMAN BEINGS?
ASK ME THAT QUESTION WHEN YOU GOT KIDS OF YOUR OWN.
WHAT MAKES YOU THINK I'M HAVING KIDS?
I'M NOT.
THAT'S WHAT I SAID, AND LOOK WHAT I GOT.
SO WHERE'S DARIA GOING TO STAY?
WHERE ELSE?
BRIAN'S PLACE.
MM-HMM.
I KNOW ONE CHICK STAYED AT HIS PLACE,
WOKE UP IN THE MIDDLE OF THE NIGHT,
AND HE WAS CLIMBING INTO BED WITH HER.
I HEARD WAY WORSE THAN THAT.
WELL, LIKE WHAT?
LIKE A LOT OF KIDS WON'T GO ANYWHERE NEAR STREETFRONT
BECAUSE OF THIS GUY.
YOU KNOW WHAT THIS GUY'S NAME IS?
BRIAN SOMETHING.
IT'S RICKLAND OR RICKMAN.
RICKLAND?
RICKLAND.
OD MORNING.
J.C.
@
A MAN IN NEED OF CAFFEINE IF EVER I SAW 'gE.
@@
@@@@
'MORNING.
IS THAT LAST NIGHT'S
YEAH.
SO, CAN I USE THESE KIDS IF THEY'RE UNDER AGE?
CHECK WITH THE LAWYERS.
CHECK WHAT?
JkSHE GOT A TIP ABOT SOME *** ABUSE
AT A PLACE CALLED CALLED STREETFRONT.
WHAT?
YEAH, IT'S THIS COUNSELLING CENTRE--
WHERE DID YOU GET THE TIP?
FROM A PHOg" CALL.
@@
JáI DON'T KNOW.
SOMEBODY CALLS, AND WE WANT A LYNCHING.
WHAT'S THE PROBLEMJ
THE PROBLEM IS THERE'S NO STORY.
IF THERE WAS WAS A STORY, I'D
KNOW ABOUT IT -- I WORK THERE.
WAIT A SEC'gD. @@
BECAUSE YOU WORK THERE,
WE'RE NOT SUPPOSED@@ TO DO IT?
SHE'S ONLY GOT A CRANK PHONECALL.
SHE HAD A COUPLE OF KIDS SAYING THEIR FRIENDS WERE MOLESTED.
@@
AND LET ME TELL YOU SOMETHING ABOUT STREET KIDS.
A REPORTER COMES NOSING AROUND ABOUT
SEX AT STREETFRONT, YOU'RE GOING TO GET STORIES
ABOUT SEX AT STREETFRONT.
MIKE, THEY WEREN'T MAKING IT UP.
MIKE--
FIND THE KIDS, AND IF YOU GET ANY FACTS,
MAKE SURE THAT YOU'VE GOT IT NAILED DOWN COLD.
I'LL DEAL WITH MIKE.
COACH.
HEY, JANE.
SHE'S MY COACH...
FOR THE, UH, BABY.
SHOULDN'T YOU BE SITTING DOWN?
HONEST TO GOD, YOU GET PAST
SEVEN MONTHS, AND MEN START
RUNNING AROUND WITH PILLOWS.
WELL, THERE'S NO LAW
THAT SAYS YOU HAVE TO KEEP ON WORKING
RIGHT UP UNTIL THE LAST MINUTE.
NO, BUT THERE IS A LAW
THAT SAYS SHE DECIDES WHEN SHE STOPS WORKING.
I'M JUST TRYING TO BE HELPFUL.
MM-HMM.
DID YOU SEE LAST NIGHT'S SHOW?
MM-HMM.
YOU BETTER HAVE A HELL OF AN EXPLANATION.
OH-OH.
MAC!
WHAT WAS THAT ALL ABOUT?
THE, UM, LARGE GENTLEMAN
WITH THE SILLY NICKNAME
SCREWED UP LAST NIGHT.
THE WIDOW-MAKER?
HARD TO BELIEVE, ISN'T IT?
THIS IS COMPLETELY
AND TOTALLY UNPROFESSIONAL.
HE HAD A PROBLEM WITH HIS CONTACT LENSE.
COULDN'T THE PRODUCER GO TO COMMERCIAL?
I'VE ALREADY TALKED TO THEM ABOUT IT.
COULDN'T SOMEBODY HAND HIM HIS GLASSES?
KEEP IT DOWN, ALL RIGHT?
WHY -- I JUST WATCHED THE WORLD'S WORST NEWSCAST.
YOU HIRED HIM.
I'M TALKING ABOUT THE WHOLE SHOW.
WHAT DO YOU EXPECT -- THE ENTIRE NIGHT STAFF DOESN'T HAVE MORE
THAN FIVE YEARS' EXPERIENCE BETWEEN THEM.
MAC, YOU'RE ON NIGHTS
FULL TIME FROM NOW ON.
WHO PRODUCES THE 6:00?
SHE DOES.
AN.TNELLI'S ON 4:00 TO MIDNIGHT.
MAYBE HE'LL TEACH THE KIDDIES HOW TO TELL A PICTURE STORY.
OH, BRILLIANT IDEA.
WE KILL THE 6:00 FOR THE 11:00.
THE ONLY ASSET A NEWSROOM HAS IS ITS CREDIBILITY.
AT 11:00, WE HAVE ZIP.
YOU'RE OVERREACTING TO THIS.
I'M DOING WHAT NEEDS TO BE DONE, BECAUSE YOU HAVEN'T.
NOW, I'VE GOT A LIST OF THINGS I WANT DONE.
FIRST OF ALL, YOU'VE GOT TO RIDE CALLAHAN.
THE STORIES STINK, AND THE WRITING'S INCOHERENT.
HEY, BUDDY.
WHAT ARE WE DOING, HA, HA.
I DON'T KNOW -- SOME KIND OF CRISIS IN THE BUNKER.
WHAT, THE WIDOW-MAKER?
NO, DIDN'T YOU SEE THE BULLETIN?
NO.
"AS A SPORTSCASTER, ELMAN"
"MAKES A HELL OF A MIDDLE LINEBACKER."
OH, JEEZ--
THANKS A LOT, PAL -- THAT'S GREAT.
DON'T TALK WHEN MY MOUTH'S FULL.
OH, MAC, MAC, HEY, LOVED THE SHOW LAST NIGHT.
REALLY -- THAT'S GREAT.
YOU KNOW WHY THAT'S GREAT?
WHY?
BECAUSE WE'RE DOING IT FROM NOW ON.
IF WE CAN DO THE SALUTE.
HEY, GO AHEAD AND LAUGH.
MIKE JUST PUT YOU ON NIGHTS.
YOU SERIOUS?
VERY SERIOUS.
AND IF I WERE YOU,
I'D GO HOME AND TAKE A NAP.
MY UNION SAYS YOU'VE GOT TO GIVE ME 48 HOURS' NOTICE.
OR PAY A PENALTY.
WE'RE GOING TO PAY A PENALTY.
SEE YOU AT 4:00.
WHAT'S ALL THIS 4:00-TO-MIDNIGHT CRAP?
THAT'S MIKE PLAYING MR. FIXIT.
WE'RE SUPPOSED TO SPEND MORE TIME TOGETHER.
THIS WASN'T MY IDEA.
WELL, THEN DO SOMETHING ABOUT IT.
I CAN'T.
WHAT DO YOU MEAN YOU CAN'T?
I CAN'T, JAKE.
MIKE, CAN I TALK TO YOU FOR A MINUTE?
I'VE GOT A MEETING WITH KYLE.
IT'S ABOUT THE BRIAN RICKLAND STORY.
THERE IS NO BRIAN RICKLAND STORY.
WELL, I ASKED TERRI TO CHECK IT OUT.
YOU KNOW WHAT HAPPENS WHEN
A REPORTER STARTS ASKING ABOUT ABUSE
THAT IS HER JOB.
WHERE THERE'S SMOKE, THERE'S FIRE -- THAT'S WHAT THEY THINK.
IF THIS GUY WASN'T A FRIEND, WE'D BE ALL OVER THIS STORY.
T.
I'LL PRETEND I DIDN'T HEAR THAT.
BECAUSE IF IT IS--
LISTEN, I AM DOING MY JOB.
IF YOU DON'T LIKE HOW I'M DOING MY JOB...
WAS EXTREMELY RUDE TO THE MAYOR.
SHE'S A VERY NICWOMAN, AND E FR SWIMMING PO
SHE GOT FR THAT DEVEPER IS NOBODY ELSE'SUSINESS.
CANCEL MY SUBSCRIPTION.
THAT'S MY KIND OF VOTER -- CONFUSED.
PROBABLY THE DEVELOPER'S MOTHER.
PALACE REVOLT?
VOX POP -- THE POLYESTER PEOPLE
TELL US WHATHEY THINK OF THE SHOW.
TERRI, I WANT TO SCREEN WHATER YOU GET ON STREERONT.
I RESERVE THE RIGHT TO MAKE
ON TOUCHY STORIES.
DO YOU HAVE A PROBLEWITH THAT?
NOT T.
FRANKL IHINK THE 100 NEWS OUGHT TO BE GOOD NEWS.
ACY, CRISP, TO DATE.
LIGHR, BRIR -- I MN, WHO NTS TO GO BED
WITH VISIONS OSTARVING KIDS RATTLING AROU
IN YOUR BR RIGHT?
YEAH, AH, THAT'S SOROF A SUPPER-TIME THING, ISN'T IT?
KYLE, I'M GOING TOE LATE
I'LL BE RIGHT WITH YOU, MIKE. @@
LOOK, I HAVE A COUPLE IDE'D LIKE YOU
TO THROW INTO THE MIX, THAT IS IF YOU DON'T THINK
THAT THIS WOULD BE, UH,
UNDUNOT ATLL. IN THE EDITORIAL PROCESS.
BET YOU'RE GOING TO LOVE NUMBER 3.
A STAND-UP COMIC DOING THE WEATHER.
[ STREETCAR BEGI ]
SHE CAN'T MO TN 15.
SHE'S .
SO THEY'RE KIDS, ANTHEY'RE NOT KIDS.
THEY'VE SEEN AND DONE THINGS THAT WOULD CURL YOUR HAIR.
AS I WAS TELLING MI, I
THINK THIS IS AN AREA WHE OUR FRIENDS
FROM THE FNDATION HAVE SOME RESERVATN.
WELL, WE'LL TRY NOT TO GET ANY ON YOU.
BRIAN.
JhI'M SORRY, BUTT'S METHING WE HAVE TO BE NCERNED ABOUT.
IF YOU WANT SOMETHING PRETTY AND UTING,
ND YOURSELF A BALLET COMPANY.
I DIDN'T BRING THE PEOPLE HERE TO BE INSULTED.
ALL WE'RE KING FOR IS IS SOME...SOME PARAMETERS.
KIDS DON'T HAVE PARAMETERS -- THEY HAVE PROBLEMS.
SEE, SOMETHING THAT SEEMS ETTY SIMPLE CAN TURN OUT
TO BE A HORROR SHO-- WHAT DO WE TELL THEM
WE CAN'T HELP THEM TH THE SCARY STUFF?
YOU CA UH,AKE
ALL THE RAMETE YOUIKE.
IF PUSH COMES TO SHOVE, I WILL IGNORE THEM.
I'M HERE FOR MY KIDS, NOT YOUR CORPORATE IGE.
OK, WE'LL TAKE A CHANCE.
EAT.
LISTEN, I HATE TO BAK UP THE PARTY,
WE GOT TO GET BACK TO THE STUDIO.
CARRIE.
BYE-BYE.
OH, MIKE, YOU WANTED TO TALK TOE ABOUT SOMETHING?
FENNL AND COPELAND?
YOU SURE KNOW HOW TO PICK YOUR SPOTS.
DON'T I, THOUGH?
READY OR NOT, LET'S DO IT.
I HAVE BEEN TOLD YOU'VE BEEN
SEXUALLY ASSLTING WOMEN WHO'VE BEEN COMING HERE.
WHO TOLD YOU THIS -- WHO SENT YOU HERE?
HAVE THE POLQUESTIONED YOU ABOUT THESE COMPLAINTS?
IS THAT WHERE YOU GOT THIS?
YOU HAVE TALKED TO THE POLICE?
I JU WANT TO KNOW WHO TOLD YOU ABOUT THIS.
SO THERE IS A COMPLAINT?
NO.
"NO, THERE'S NO COMPLAINT, ANDOW"
"DID YOU FIND OUT ABOUIT?"
WELL, HOW WOULYOU LOOK
IF SOMEBODY STUCK A CAMEN YOUR FACE
AND ASKED YOU THOSE KIND OF QUTIONS, HUH?
OH, SORRY.
IS THERE A COMPLAINT?
THEYAVEN'T CFIRMED IT, BUT THREE KIDS TOLD ME
SOMEONE FINALLY WENT TO THE COPS TOD.
OH, FOR GOD'S SAKE.
ARE YOU GOING TO BE LONG?
GET THE HELL OUT OF HER
DIYOU FIND THAáGIRL?
WHAT GIRL?
IT SEEMS HE GAVE AID A BED, THEN HE JUMPED IN.
HER NAME IS JULIE.
DOES JULIE HAVE A LA NAME?
THAT'S ALL I'VE GOT.
COMPLAINT, NO LAST NE,
ANYOWANT TO PUT THIS ON THAIR.
@@
NO.
YOU NEVER HAD ANYTHING INHE FIRST PLACE.
EAT.
MAC.
I NEED ANDIR.
I'M BUSY.
YOU WANT THE MAYOR FOR 00?
I'M NOT ON THE 6:00 ANY MORE.
WH IS GOG ON AROU HERE?
SO?
THEY SAT ON IT.
YOU'RE KIDDING ME.
NO.
WELL, WHAT ABOUT ALL THOSEIDS?
WE'RE BACK IN0.
I THOUGHT YOU'D OUTGROWN THIS.
WE'RE NOT GOING TO MAKE IT.
WHY THE HELL NOT -- SETH, STRETCH THE WEATHER OUT.
DON'T STOP STRETCHING IT UNTIL I TELL YOU TO -- WHY?
SECOND-STRING CAMERA AND EDIR-
@@
ONE OF THE DAYS, OLD MAN.
WHENILL YOU HAVE IT FOR?
HOPEFULLY THE NEXT BLOCK.
OH, GREAT -- EVERYBODY ELSE LEADS WITH THE MAYOR.
PUT IT BETWEEN THE GARDENING REPORT AND THE MOVIE REVIEW.
YEAH, JUST A GREAT DAY OUT THE,
WASN'T IT, JANE?
IT SURE WAS -- WE'VE GOT MORE TO COME.
PERFECT WEATHER FOR TOPPING UP THE OLD BRONZAGE
AS THEY SAY ON THE RIVIERA.
BRONZAGE -- I'M IMPRESSED.
I GUESS YOU DON'T GET OUT
IN THE SUN TOO MUCH ANY MORE,
ITH THE
UHWELL I TRYCATCH A COUPLE RAYS NOW AND AGAIN, UH,
AND AS YOU CAN SEE...
SETH, I SAID STRETCH IT.
PERFECT DAY DO JUST THAT.
NOING BUT BLUE IES AND A
HIGH PRESSURE AR FOR TWO DAYS.
WHEN'S THE, UM, COMING-OUT PARTY, NE?
EXCUSE ME?
OH, GOD.
YOU KNOW, WHEN ARE YOU DUE?
A MONTH FROM TOMORROW, ACTUALLY.
OK, SETH, WRAPT UP.
A BOOR AIRL?
HA, HA, CALL MOLD-#úSHIONED;
I OUGHT I'D LET IT BE A SURPRISE.
NO SURPRES IN THWEATHER, THOUGH.
THISIGH PRESSU AREA THAT IS MOVING IN FROM THE PRAIRIES--
HAVE YOU PICKED A NAME YET?
SETH, SHUT UP.
HA, HA.
AM I GOING TO GET A PIE IN THE FACE ORHAT?
UM, WELL, LOOKS LIKE WE'RE GOING
TO H IDEA
FOR THE NEXT THREE OR FOUR DAYS...
.
I JUST HAPPENED TO BE PASSING BY EDITING A MOMENT AGO.
MARGE S HAVING LOOK ATN ITEM ABOUT A CHILD MOLESTER.
KYLE--
TO KNOW?
.
W COULD YOU DO THAT TO ME?
KYLE, THE KIDS AT STREETFRON NEED YOUR HELP.
THERE THIS AFTERNOON
BECAE THEY TRUST ME.
TRUST RICKLAND -- I'VE BEEN WORKING WITH HIM FOR A YEAR.
U'RE NOT LISTENING -- I WANT TO KNOW WHY
YOU DIDN'T TELL ME.
BECAUSE THERE'S THING TO TELL.
THINKS THERE IS.
SHE'S WRONG -- I TOLD HER THAT.
I DON'T RE WHAT YOU TOLD HER.
WHY DIDN'T YOU TELL ME?
MIKE
WH?
THE COPS JUST CONFIRMED IT.
THERE IS A CPLAINT, AND THEY'VE OPENED AN INVESTIGATION.
@
@@
BRIAN, IT'S ME.
OPEN THE DOOR.
+dAT DO YOU WANT
SOME ANSWERS.
SO DO I.
HOW COME YOU'RE CLOSED?
DIDN'T REALLY HAVE MY HEA)á IN IT TONIGHT.
WH'S GOING ON, BRIA
YOU TELL ME.
10 SECONDS AFTER YOU WALK OUT THE DOOR,
YOUR REPORTER'S ALOVER ME.
DIDN'T KNOW ANYTHING ABOUT THAT.
IF I HAD--
FTER THAT,
WHERE DID THAT COME FROM?
HOW THE HELL DO I OW?
TRY TO HELESE KIDS,
THINYOU'RE DOING SOMETHING WORTHWHILE
AND ALL OF AUDDEN, WHAP, YOU'VEOT A KNIFE IN YOUR BACK.
WHO?
DARIA.
THE GIRL WHO STAYED AT YOUR PLACE?
THE ONE THE LEFT WITH TWO TOWELS
AND 20 BUCKS I KEEP IN A COOKIE JAR FOR EMERGENCY PIZZAS.
WELL, I HAVE TO ASK.
DID ANYTHING HAPPEN?
WH DO YOU THINK?
I HAVE TO KNOW.
NOING.
YOU RE
DON'MAKE IT ANY WORSE THAN IT IS.
SO...
WHAT ARE WE GOINTO DO?
YOU GOT A LAWYER?
DOES IT MATTER?
OFOURSIT MATTERS.
YOU DON'T WANT TO ROLL OVER
D PLAY DEAD JUST BECAUSE--
YOU DON'T GET IT, DO YOU -- COPS DON'T MTER.
KIDS DON'T TRUST THEM -- YOUR REPORTER MATTERS.
SHE'S FROM TV -- THEY TRUST TV.
AND IT WON'T BE.
THE DAMAGE IS DONE -- THE TRUST GONE.
KIDS THAT NE THIS PLACE E MOST ARE
THONES THAT WILL STAY AWAY
BECAUSE THE WORD'S OUT -- RICKLAND'S ON THE MAKE.
TERRI MO)cAN SAYS SO
I LOVE MY KIDS, MIKE.
I WOULDN'T DO ANYTHING TO HURT THEM.
WHAT ARE YOU LOOKING FOR?
OH, THE YOGHURT THAT'LL CHANGE MY LIFE.
OH, YEAH?
I COULD CHANGEY NAME.
YO, GHURT.
WHAT DO YOWANT FROM ME?
I JUST SPENT TWO HOURS WITH A REPORTER
WHO STILL NEEDS TRAINING WHEELS.
MMM...WELL, EVERYBODY HAS TO START SOMEWHERE, YOU KNOW.
WHY DON'T THEY START IN THE BOONIES LIKE EVERYBODY ELSE?
I'M SICK TIRED OF TEACHING THESE PEOPLE THEIR JOBS.
NOA THING I CAN DO ABOUT IT.
SO HOW ARE WE GONNA WORK THIS?
ARE YOU GONNA START MING IN LATER?
WHAT ARE YOU TKING ABOUT
OUR ME TOGETHER -- WHEN ARE WE GONNA DO IT?
WEEKENDS, LIKE EVERYBODY ELSE.
I TTA SEE THE KIDS ON THE WEEKENDS.
THEN WE'RE GONNA HAVE TO WAIT TILL THINGS GET BACK TO NORMAL.
I DON'T WANT TO WAIT.
WHY DON'T YOU JUST START COMING IN TER?
I CAN'T -- I'M GONNA HAVE TO COME IN EARLIER
BECAUSE MAC WON'T BE IN.
SO WHEARE WE SUPPOSED TO FIND TIME FOR US?
JAKE.
GONNA WAIT UP FOR ?
MM-HMM.
HEY, DAD.
WHAT'S GOING ON?
BRIAN'S NOT IN VERY GOOD SHAPE
WHAT, IS HE SICK?
NO.
WELL, THEN, WHAT?
DARIA FILED A COMPLAINT WITH THE POLICE TODAY.
THAT'S GAT.
NOABSEXUAL ASSAULT. ABOUT BRIAN.
NICE, HUH?
CAN I GIVE YOU A LIFT SOMEWHERE?
NO.
@
I' TRY AND FIND OUT WHAT'SAPPENING.
TALK TO YOU LATER, ALL RIGHT?
[ MUMBLING ]
@@
THE CONTACT LENS GET STUCK BEHIND YOUR EYELID?
I DON'T WANT TO TALK ABOUT IT.
AH, THESE THINGS HAPPEN.
NOT TO ME, THEY DON'T.
COMEN, DON'T TAKE IT SO SERIOUSLY.
WHY NOT?
@@
I'LL GET THE NEXT ONE.
NEVER GET IN AN ELEVATOR
WITH A LARGE MWITH NNSE.
HEY, YOU, UH, WANT SOME COMPANY?
SURE.
75.
WHATEVER.
[ SQUEALING TIRES ]
[ HONKING ]
HEY, WHAT ARE YOU ING?
I WANT TO TALK TO YOU.
LET ME OUT OF HERE.
DARIA, I JUST WANT TO TALK.
LET ME OUT, OR I'LL SCREAM.
JUST A SECOND, JUST A SECOND, CALM DOWN.
I'M NOT GONNA HURT YOU
I JUST WANT TO FIND OUT WHAT HAPPENED
TWEEN YOU AND BRIAN.
I'M TRYING TO PTECT STREETFRONT.
YEAH, WELL, IT'S TRUE.
EVERY SINGLE WORD OF IT'S TRUE.
SO WHY ARE YOU DOING THIS?
I'M NOT DOING YTHING.
YOU'RE LYING.
HE DIDN'T DO ANYTHING TO YOU, DID HE?
HE DIDN'T WANT TO DO IT.
THEY SAID THEY'D THROW ACID IN MY FACE.
GIVE ME THE 75 BUCKS, QUICK.
NO...
GOD.
...NOT UNLESYOU TELL THE COPS THE TRUTH.
GOD, PLEASE, THEY'LL KILL ME.
JUST GIVE ME 50 BUCKS, ALL GHT,
WHATEVER YOU'VE GOT, PLEASE?
YOU GOTTA TELL TM.
DARIA...
WE WERE GETTIN' WORRIED ABOUT YOU.
HEY, WHY DON'T YOU JUST LEAVE HER ALONE, HUH?
WE THOHT MAYBE THIS NASTY MAN
HERE WAS TAKIN' ADVANTAGE YOU.
CALL ME, DERRIA.
TREAT YOU NICE, LIKE SHE TREATED YOURAL RICKLAND?
[ HEAVY BREATHING ]
[ BUZZING ]
<
[ SIGHG ]
[ ORING ]
UGH!
AT WAS THAT ALABOUT?
I WAITED UP.
OH.
OH?
I SIT AROUND UNTIL 2:00 IN THE MORNING TWIDDLING MY THUMBS,
AND WHATOU HAVE TO SAY IS "OH"?
.
I DIDN'T FINISH TILL 12:30.
I HAD TO UNWIND.
OH, RIGHT, AND UNWINDING IS A LOT MORE IMPORTANT
THAN SNDING TIME WITH ME, RIGHT?
ANNE.
RGET IT,AKE, I'M GONNA BE LATE FOR WORK.
HOW DO YOU THINK I'D LOOK IN TAUPE?
BLONDE.
WHAT?
I ID YOU'D LOOK BLONDE.
HE HEH.
WHAT ARE YOU DOING WITH THAT THING?
HE'S INTO WATER SPORTS.
TERRI... RICKLAND -- DO
WEW IFHEY'RE LAYI CHARGES?
DY'STAL. @@
GET DO TO THE COP SH
AND BAT YOUR BY BLUES UNL TH D
I'D RESENT THAT IMPLICATION
IF I WERE YOU.
WHAT, ABOUT THE BABY BLUES?
YEAH.
WHY? IT'S TRUE.
BE MINE ARE BR
YEAH.
MIKE NOT IN YET?
I'M HE -- PROBLEM?
NO, EVERYTHING'S UNDER CONTROL.
GOOD.
COULD I HAVE A WORD WITH YOU?
SEVERAL...CLOSE THE DOOR.
I THINIT'S TIMTHAT WE ALT WITH A COUPLE OF THINGS.
RICKLAND -- IT'S NOTT YOU THINK, BUT THERE IS STORY.
IT'S THESE TWO PIMPS --
THEY FORCED ONE OF TIR GIRLS TO FILE A FALSE COMPLAT.
WHY WOULD THEY DO THAT?
THEY WANT HIM OUT OF THE W.
HE TOOK THREE OF THEIR GIRLS OFF THE STREET.
SO THEY BREAK S LEGS.
MO MONEY, RE VOLUNTEERS, MORE KIDS OFF THE STREET.
I FOUND THE GIRL WHO MADE THE COMPLAINT.
SHE SAYS THE PIMPS MADE HER DIT.
SHE LIED TO THE COPS.
EXACTLY.
@
WHY IS IT SO DIFFICULT FOR YOU TO BELIEVE BRIAN IS INNOCENT?
I JUST DON'T BELIEVE THAT
KIDS LIE ABOUT THINGS LIKE *** ASSAULT.
THEY SAID THEY'D THROW ID OHER FACE.
HER NAME IS DARI
THIS IWHERE SHE HANGS OUT.
I THINK SHE'LL OPEN UP TO TERRI AND BOBBI.
I DON'KNOW.
SOMEING'S NOT RIGHT ABOUTHIS.
AT?
SHE'S THE VICTIM -- WE'RE GOING AFTER HER.
SHE IS A VICTIM, BUT SO IS BRIAN.
ANIF STREETFRONT CLOSES, ARE THE KIDS ON THE STREET.
J
OD MORNING.
I D A DOCT'S AOINTMENT
AND?
I'M GONNA HAVE BABY... A MONTH FROM NOW.
@@
ONE MOMENT, PLEA.
UGH.
WHAT'S THE MATTER?
OH, NO, CALL THE NUR.
DON'BOER.
@@
IT W JUST A BRAXTON-HICKS.
A WHAT?
A SPASM.
PHYLLIS, DIDOU FIND TERR
NOT YET.
ANNE, HAVE YOU SN MY COPY?
NO, IN FAC I HAVEN'T SEEN J.C., EITHER.
I LIKE TO GET MY COPY EARLY.
DAN, DID YOU SEE J.C.?
UH, NO.
LY'S PIECE IS READY
OH, SHOW IT TO MAC.
MAC'S THE 11:00.
- I'LL BE TH YOU IN A MINUTE.
HAT ABOUT THE MAYOR?
HE'S NOT TILL 5:00 -- JUST START WRING IT, OK?
ANNE, J.C. SAYS AT DAN WRITES WITH A TROW.
WE, WRITE IT YOURSELF.
HEH, HEH, HEH -- I'M SURE HE' DO JUST FINE.
GOD.
WHAT IF WE DIDN'T LIMIT OURSELVES
TO THE TRADITIONAL DEFINIá$ON OF NE?
YOU KNOW, YOU REALLY SHOULD BE
TALKINTO MIKE ABOUTHISERIC.
WE'RE BLUEKYINHERE.
WHAT IF THE NEWS IS WHAT WE WANT IT TO B
AND NOT WHAT REPORTERS TELLS IT IS?
WHO'S WE?
-YOU AND ME.
THE YOU AND ME WE.
USE -- THE VIEWERS WE.
WHO DECIDES WHICH US
GOES ON THE AIR?
WE DO.
THE US WE, T THE
YOU AND ME WE?
OF COURSE.
WELL, IF WE IS US, HOW DO US
DECI WHICH WE GOES ON THE AIR?
MAYBE THERE ARE MANY WE'S.
MANY WE'S MEAN MANY CAMERAS.
EXACTLY.
WE COU BE EXPENSIVE.
US BETTER THINK ABOUT WE.
YEAH...YEAH.
THIS IS STONE AGE TECHNOGY.
I'M GONNA DO IT ON MY COMPUTER.
NO, IT HAS TO BE ON A TYPEWRITER.
WHY?
I CAT READ COMPUTER -- THIS NEEDS COMMAS.
WHAT?
COMMAS, SO I'LL KNOW WHERE TO BREATHE.
DON'T YELL AT ME -- I DON'T BOOK CAMERAS.
ANNE, TERRI ON 2.
HI, LOOK, FORGETHE C
MIKE SAID THAT THE KID TOLD HIM SHE LIED.
CALM DOWN, CALM DOWN.
HOW MANY MORE?
NO, NO, NO, NO, NO, YOU STAY DOWN AT THE COP SH,
AND I'M GONNA SEND THE MOLE TO YO
OK, HANG ON.
PHYLLIS,RI'S GNA NEED SOME FILE FOOTAG OK?
MAC, WE NEED THE MOBILE.
ITAS TO GO TO POLICE HEADARTERS.
PHYLLIS, GET ON IT.
DAN, PICK UP LINE 2 -- TERRI'S GONNA DICTATE HER INTRO.
WHAT'S GOIN' ON?
TWO MORE GIRLS
SAY THATICKLMOLESTED TM.
SETUP.
THREE GIRLS?
OH, COME ON -- WHE ARE YOU GOING?
I GOT THE MAYOR AT 5:00.
NO, , START WRITING -- I'LL SEND SOMEBODYLSE.
@@
IN OTHER FINANCIAL NEWS,
PULP AND PAPER CONGLOMERATE...
WHEN -- THAT'S ALL I WANT TO KNOW.
THEY PROMISED ME SOMETHING BEFORE THE END OF THE SHOW.
SETH'S RUNNING OUT.
OK, SL IT DOWN, SETH.
WHAT IS SOMETHING?
SOMETHING -- THAT'S ALL THEY SAID.
SETH, TEE TERRI,
BILLBOARD, COMMERCIAL.
TEASE TERRI,
BILLBOAR COMMERCIAL.
I'M ING TO HAVETRAIGHT HAIR
BEFORE THIS SHOW'S OVER.
ARE THEY GOING TO LAY CHARGES?
ROLL BUMPER.
I DON'T KN YET -- THEY'RE PLAYING REALLY COY.
I THINK THAT THEY'VE INVESTIGATED THE FIRSTHARGES,
BUT NOT THE OTHER TWO.
UH, HIGHS ANLOWS -- WHO GETS THEM?
WE'RE IN COMMERCIA
WHO PUT THE COMMAS IN?
WHERE ARE THEY?
WHAT'S THE MATTER?
NOTHING, W?
YOU OK
COMING OUT OF COMMERCIALS TO CAMERA 2...
TAKE SOME DEEP BREHS
B-B-BREATHE, ONE, TWO, TEE...
UH, THIS IS IT
OH, -- CAN YONG ON?
MM-MMM.
NO, OK, THIS IS IT.
OK, THIS IS IT, OK, OK.
OK, HERE WE GO.
SIT DOWN.
DAN, CALL AMBULANCE.
GET MIKE, GET MIKE IN THERE.
GET AN AMBULANCE, DAN.
DID MORGAN GET ANYTHING CONCRETE?
WHAT ?
I'M TAKING HER TO THE HOSTAL.
NOW?
BABIES AREN'T GOOD AT WAITING, MIKE.
WHO'S GOING TO DO THE WEATHER?
I DON'T KNOW.
WELL, SOMEBODY'S GOT TO DO THE WEATHER.
YOU'VE BEEN TELLING ME HOW TO DO MY JOB ALL WEEK.
HERE'S YOUR ANCE -- GO DIT.
ELMAN'S IN STUDIO 3.
WHERE'S YOUR BAG?
I DIDN'T PACK ONE.
I'M NODUE FOR ANOTHER MONTH.
I'REAL SRY -- I PUT THE ALARM ON SNOOZE.
I DON'T CARE, J.C. -- GO TO WORK.
AND THERE WAS A POWER FAILURE, AND MY WIFE--
CLOSE TH
[ TELEPHONE RINGING ]
[ ELEVATOR CLANKING ]
OH, NO!
OH, GOD!
WILL YOU HOLD?
THANK YOU.
MIKE, CAN WE JUST DO IT?
WE DO NOTHING UNTIL I KNOW WHAT HE'LL SAY.
COMING OUT OF COMMERCIALS TO CAMERA 2.
ARE YOU LAYING CHARG?
WE'RE GOING TO COMPLET THE INVESTIGATION
BEFOREING DECIONT THIS TIME.
CHARGES?
NO CHARGES?
NOT AT THIS ME.
FORGETT.
AT?
BACK IN 30 SECONDS -- WHAT ARE WE DOING, MIKE?
SEWEE DROPPING TERRI -- WHAT'S NEXT?
MIKE, U CAN'T DO THIS.
SOMEONE'S LAID A COMPLAINT; THEY'RE INVESTIGATING.
THAT A STORY.
WHAT'S NEX
PAGE 53.
[ SETH ]: AT ARE WE DOING, MIKE?
NODY ELSE HAS THIS STORY.
PAGE 53 ISEXT.
PAGE 53,
PAGE 53 NEXT, EVERYONE.
THE STORY IS INCOMPLETE.
IT'S NOT GOING ON THE AIR.
CHANNEL 7 IS HERE; THEY'RE GOING WITH IT.
RGET IT, TRI.
...FIVE, FOUR, THR, TWO, ONE.
MIKE, I DIDN'T WANT YOU TO HEAR THIS FROM SOONE ELSE.
HEAR WHAT?
E FOUNDATI HAS DECIDED TO PULL OUT
ROJECT.
CAN
THEIR IMAGE, THEY'D BUILD THAT SHELTER.
MIKE, YOU'RE REMARKABLY NAIVE.
WHAT'S WRONG?
.
NO, ITON'T.
IT'S A L
USED DARIA
D.
[ SOBBING ]
HE...
@@
COULDN'T.
WHNOT?
BECAUSI NTED TO BELIEVE HIM.
BELIEVE WHAT?
THAT IT WAS JU ONE OF THOSE THINGS,
THAT HHAD HAD A ROUGH WEEK, THAT HE HAD A LE OF BEERS.
HE HAD A BUNCHF EXCUS.
DID HE--
NO...N HE'S SMART, YOU KNOW.
PUS BUT ONLY FAR.
HE KNOWS RIGHWHERE THE LINE IS.
YOU SHOULD HAVE TOLD ME
I CODN'T.
HE MAKES YOU FEEL SPECIAL,
LIKE YOU'RTHE ON ONE IT EVER HAPPENED WH.
I WANTED TO FEEL SPECIAL.
[ SOBBING ]
@@@
WAITING U.
WHAT'S U
I WANT TO KNOW WHAT I SHOULD LLHE KIDS.
OUT WHAT?
YOU, ME,
STREFRONT.
SHOULD S I'M DIFFENT,@@@ THAT I'MIKE
THAT Y'j BELVE IN THIS CRAP NOW?
I BEEVE CARR.
MIKE, I WATIRE
STNG OUT.J
I'D BEEN DRINKI.
OH, WHY DON'T YO CUT THE AP, BRIAN, UH?
SHE TRUSTED YOU, SHE BELIEVED IYOU.
I DIDN'T MEAN ANY HARM.
I JUST, I JUST--
AT, WHAT, YOU JUST WHAT?
I NTED TO... I WANTED TO--
WHY?
I DON'T KNOW.
I'VE TRIED TO FIGURE IT OU
BUT I CAN'T.
KNOW, YOU WERE THE ONE TH TALKED TO ME ABOUT TRUST.
YOU WERE THE ONE THAT TO M
YOU WOULDN'T DO ANHI TO HURE KIDS.
I'VE LOST TWO MARRIAGES
AND THE KIDS TO THIS PLACE.
'S A I HE FT IN MY LIF
AND SO THAT KEIT O UH?
6 POUNDS, 2 OUNCES.
@@
"ANNE" BEING THE NAME
OF A VERY FAMOUS BIRTHING COACH.
AND A TWO-HO FLAWLESS DELIVERY,
IF I DO SAY SO MYSELF.
AH, QUIT WHI YOU'RE AHEAD.
SHE SAIDHAT SHE THANKS EVERYBODY FOR THE FLOWERS,
AND SHE'S GOING TO COME BACK TO WORK NEXT WEEK.
NEXT WEEK?
I DID WORSE -- I TOLHER I'D FIRE HER IF SHE DID.
@@
YEAH?
COD SEE U FOR A MINUTE?
[ BABY CRYING ]
LISTEN THER.
@@[ SIGH]
HA AEAT.
NO, THANKS.
I K BETTER ON MY FEET.
@
I THOUGHT YOU WERE GOING TFIRE ME.
WHY WOULD I FIRE YOU?
OH, THE 11:00 NEWS LAST NIGHT, LEAVING YOU HIGH AND DRY,
THRICKLAND STORY--
I WAS WRONG OUT THE RICKLAND STORY.
DEAD WRONG
YE, WELL...
TH11:00 LOED GOOD LAIGHT.
THANKS.
IS TER--
SHE'S GOING DOWN TO STREETFRONT.
THEY'RE GOING TO AEST HIM THIS MORNING
WHAT'S GOING TO HAPPEN TO THAT AC
CARRIE AND I ARE GOING TO TRY AND KEEP IT OPEN.
GOOD LUCK.
IF YOU NEED ANY HELP,
LET ME KNOW.
THANKS.
JOHN, I WANTED TO APOLOGIZE ABOUT THE OTHER DAY.
YOU KNOW...
@@
LOOK, IS HAS HAPPENED TO ALL OF US.
DON'T PATRIZE ME.
WHY WOULD DO THAT?
POOR DUMB JOCK CAN'T GET
HIS LENSES IN STRAIGHT.
I'VE DONE WORSE ANHA @@
@@
MM-HMM, YEARS AGO, AN ICE CREAM COMMERCIAL.
I WAS IN THE BACK, GETTING MYAKE-UP TOUED U
ONE OF THE STAGE HANDS SEES
TH FLYUZZING AROUND THICCREAM.
SO HE ABS A CAN OF STUFF PSSST, BLASTS IT.
VERY FNY
BUCOME BACK IN,
I COME BACIN,
THEY COUNT ME DOWN,
I LAUNCH INTMY SPIEL.
I'M JUST GETTING TO THE PART WHERE I'M GOING TOAKE
A BIG SPOONFUL AND T IT INTMY MOU,
JUST BEFORI SAY, "MMM, GO," Y KNO
I TOOK A BIG MOUL.
[ SPITTING ]
UGH, BUG SPRAY.
WELL, AT LEAST YOU GOT ANOTHER TAKE.
UH-UH,HIS S LIVE AND COAST TO COA.
[ LAUGHING ]
MMM.
MMM.
[ LAUGHI ]
AH!
MM
MMM.
[ GIGGLING ]
I LIKE THIS.
MM-HMM, I KE THIS TOO.
WEE NOT SPENDING A LOT
JkOF TIME TOTHER, BUT AT LEAST
IT'S QUALITY ME.
YOU SOUND LIKE A SELF-HELP BOOK.
I LIKE TO HELP MYSELF
WHENEVER I CAN.
TALK TO JANE?
YEAH, SHE FEELS GOOD.
YOU LOOK PRETTY GOOD
WITH A BABY IN YOUARMS.
JAKE.
[ CHUCKLING ]
AH!
[ LAUGHING
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