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>> ON THIS EPISODE OF
"BIG RICH ATLANTA"...
>> WHAT IS A MOBILE BOUTIQUE
CONCEPT?
>> I COULD JUST PLACE THEM RIGHT
HERE, I GUESS. WELL, THAT'S NOT
WORKING VERY WELL.
>> HORRIFIC START.
>> [SOBS]
>> SHE'S LYING IN THE BLOG.
I JUST DON'T LIKE THE FACT THAT
SHE'S TRYING TO PLAY THIS
VICTIM. THE VICTIM DOESN'T WORK
FOR ME.
>> WHAT IF WE JUST HAD A SHOW
OF YOUR ART WORK?
>> IT'S WEIRD.
>> DO YOU THINK YOU'RE READY
FOR A SHOW?
>> I DON'T KNOW, TO BE HONEST.
>> PARTY IS OVER.
THE ARTIST COWERED OUT!
>> SHARLINDA, YOU ARE SO LOUD--
>> I AM VERY LOUD!
>> SETTLE--SETTLE DOWN!
>> GET IN BETWEEN THESE LADIES.
>> THEY'RE SO BIG.
>> [GIGGLES]
>> TODAY WE ARE GOING TO GAY
PRIDE, WHERE OUR FAB QUEEN
EVELYN WILL GIVE US THE
V.I.P. TOUR.
>> ♪ LADIES ♪
>> YOU GOT COMPANY.
>> HI!
[DOG BARKING]
>> READY?
>> HELLO--OH.
>> HI. [GIGGLES]
>> HOT TOES.
>> HUSH! HUSH, HUSH, HUSH, HUSH!
NO ONE BARK AT THE QUEEN!
>> MM-WAH. HONEY, HAPPY HOUR
DOESN'T START TILL 5:00, AND I'M
ON NUMBER 3.
>> WHEN I FIRST MET EVELYN, I
THINK I WENT INTO SHOCK. OH, MY
GOSH. SHE MUST BE ALMOST 7 FEET
IN THOSE HEELS. OVER THE TOP,
PRETTY, BIG.
>> YOU GUYS ARE GONNA HAVE THE
TIME OF YOUR LIFE. YOU KNOW IT'S
A BUNCH OF JUST, LIKE, SUPER-HOT
GAY MEN RUNNING AROUND, LIKE,
HALF-NAKED, SHIRTS OFF,
SWEATING.
>> GAY PRIDE IS HUGE IN ATLANTA.
IT'S A BIG PARTY, A BIG PARADE,
AND COSTUMES ARE EVERYTHING TO
US ALWAYS. WE WOULD NEVER GO
ANYWHERE WITHOUT A GREAT
COSTUME.
>> THE GIRLS GET THE CUTE FAIRY
COSTUMES, AND I GET TO BE
THE MAN.
>> YOU'RE THE SUGAR DADDY.
>> YEAH. SUGAR MAMA.
>> THAT'S RIGHT.
>> THIS IS GONNA BE SO CRAZY.
>> I GOT TO SEE THIS. I'M
AFRAID IT'S GONNA SCARE ME.
>> OK, ARE YOU GUYS READY FOR
THE FINAL REVEAL? WAIT FOR IT.
>> AH! WHOO! WHOO!
>> I GOT TO GO LOOK IN THE
MIRROR. HA HA!
>> MOM IS SO HOT THAT SHE REALLY
IS ACTUALLY A KINDA HOT
GUY, TOO.
>> I THINK SHE SNEAKY LIKED IT.
>> [GIGGLES]
>> STEP INTO MY OFFICE.
>> MOM, IS THIS YOU NAKED IN
THIS PICTURE?
>> SURE IS. ACTUALLY, HARVIN
DREW THAT.
>> THAT'S AMAZING.
>> SHE'S AN AMAZING ARTIST.
>> TELL MOM TO STOP TALKING
ABOUT MY ART.
>> HER PAINTINGS ARE, LIKE, VERY
MUCH SO A REFLECTION OF, LIKE,
WHAT SHE'S GOING THROUGH AT THE
POINT IN TIME.
>> WHEN I WAS IN HIGH SCHOOL,
MY BOYFRIEND KILLED HIMSELF.
NOBODY COULD EVER IMAGINE WHAT
IT'S LIKE TO GO THROUGH THAT.
>> YOU KNOW HOW MUCH MONEY YOU
CAN MAKE WHILE ALSO DOING WHAT
YOU LOVE?
>> I JUST DON'T THINK I WANT TO
SELL THEM.
>> WHY ARE YOU SO RELUCTANT TO
SHARE IT?
>> SOMETHING ABOUT, LIKE, THE
EXPOSURE IS KIND OF, LIKE--
>> WHAT IF WE JUST HAD A SHOW
THAT WAS, LIKE, YOUR SHOW?
>> TO ME, IT WAS ENTIRELY
PERSONAL AND PRIVATE, AND
SOMETIMES YOU ALL REALLY FORGET
THAT, MOM, MEYER.
YOU ALL ARE STRESSING ME OUT.
>> I TRIED EVERYTHING TO FIX HER
BACK LIKE I THOUGHT SHE WAS, BUT
APPARENTLY SHE WASN'T FIXABLE.
>> SHE JUST CALLED ME EVERY BIT
OF DAMAGED.
>> YOU WERE PRETTY MUCH A MESS
AT THAT TIME.
>> MOM, WE WERE ALL MESSES AND
WE ARE ALL STILL MESSES.
>> I DON'T THINK THAT'S A HABIT
WE'RE GONNA KICK ANY TIME SOON.
>> YOU GUYS ARE RIGHT.
>> BUT IF I DO IT, IF I SAY YES,
Y'ALL ALL BETTER [BLEEP]
BE THERE.
>> WE WILL BE THERE.
>> YOU, YOU, AND YOU, START TO
FINISH.
>> YOU CAN COUNT ON IT.
>> AND YOU WILL BE ON OUR FLOAT,
SPEAKING OF WHICH, TIME IS
CRACKIN', LADIES.
LET'S GET GOIN'.
>> I'M GOING ON THE FLOAT RIGHT
NOW. WHERE'S MY RIDE?
[CROWD CHEERING]
>> WE MET EVELYN RIGHT AFTER WE
FIRST MOVED TO ATLANTA, AND
WE'VE BEEN GOING TO THE PARADE
EVER SINCE. EVELYN GETS A FLOAT
EVERY YEAR 'CAUSE SHE IS
SPECIAL. SHE'S THE QUEEN OF THE
PARADE.
>> HEY, TONI.
>> HI.
>> HOW ARE YOU?
> YOU LOOK SO CUTE.
HOW ARE YOU?
>> GIRL, NOT GOOD.
>> AFTER THE ALTERCATION WITH
KAHDIJIHA AND ASHLEE, ASHLEE PUT
OUT THESE PACK OF LIES ABOUT
KAHDIJIHA, DAMAGING TO HER
REPUTATION AND OUR FAMILY.
SO TONI, OUR FAMILY BUSINESS
MANAGER, SHE'S HERE TO HELP US
SET THE RECORD STRAIGHT.
>> I'D LIKE TO SET ASHLEE
STRAIGHT.
SHE'S LYING IN THE BLOG. I JUST
DON'T LIKE THE FACT THAT SHE'S
TRYING TO PLAY THIS VICTIM.
THE VICTIM DOESN'T WORK FOR ME.
>> THIS HAS BEEN A PROBLEM WITH
MY FAMILY SINCE IT HAPPENED.
>> HONEY, YOU ARE FAT.
JELLY BELLY.
>> YOU ARE FAT!
>> JELLY BELLY, 1, 2, 3.
[PEOPLE SHOUT]
[BLEEP]
>> READ TO HER WHAT YOU WANT
TO SAY.
>> "I AM A VERY EDUCATED YOUNG
PROFESSIONAL WITH LOTS OF
RESPECT FOR MYSELF AND OTHERS."
>> GOOD.
>> "I WAS APPROACHED BY
ASHLEE HAWN..."
>> GOOD.
>> "AND SHE SAID SOME VERY
DISRESPECTFUL THINGS."
>> GOOD.
>> "AFTER SHE STARTED WITH ME,
IT WENT DOWN."
>> ABSOLUTELY NOT.
>> HA HA!
>> I THINK WHAT WE NEED TO DO IS
WE NEED TO FOLLOW OUR ADVISORY
BOARD'S ADVICE. WHAT ARE YOUR 5
POINTS THAT YOU WANT TO MAKE IN
THIS STATEMENT?
>> YOU DID NOT DRAG HER ON THE
FLOOR, YOU DID NOT PULL HER
CLOTHES OFF, YOU DID NOT PUT
YOUR FINGERS IN THE CAKE, YOU
DID NOT GO UP TO ASHLEE AND CALL
HER A ***.
>> AFTER, I DID!
>> OK, SO WHY DON'T WE SAY THE
INCIDENT THAT OCCURRED BETWEEN
YOU AND ASHLEE WAS NOTHING
LIKE IT WAS DESCRIBED?
>> OH, ABSOLUTELY. THAT'S THE
PART ABOUT IT BEING A LIE.
I HAVE READ THE BOOK CALLED
"ASHLEE," AND I'M READY TO CLOSE
IT. IT IS DUSTY. LET'S JUST
CLOSE THIS CHAPTER AND LET'S
JUST MOVE ON. I HAVE SO MUCH
OTHER STUFF TO DO.
>> AND THEN WE JUST NEED TO END
IT WITH A STRONG STATEMENT.
>> YOU NOT GONNA BE A MODEL.
YOU NOT ABOUT TO BE FAMOUS.
SHE WOULD BE BETTER OFF
RELEASING A SEX TAPE.
>> NO. ABSOLUTELY NOT.
>> HA HA HA!
>> I WANT CERTIFICATES IN THE
BAG FOR HAIR CARE.
TONIGHT MY ASSISTANT PHYLLIS IS
HELPING ME PREPARE FOR THE
CHARITY EVENT TOMORROW.
I COULDN'T IMAGINE WHAT I WOULD
POSSIBLY DO WITHOUT MY FAMILY,
MY STAFF, MY TEAM.
>> HI.
>> HEY, NA-NA, YOU LOOK PRETTY.
>> THANK YOU.
>> JUST IN TIME.
>> IN TIME FOR WHAT?
>> I NEED YOUR HELP, SWEETIE.
>> I'M LEAVING.
LIVING AT HOME IS GREAT, BUT
GOING OUT DEFINITELY BECOMES
REALLY IMPORTANT. IT'S THE ONLY
WAY I CAN GET AWAY FROM...
>> I NEED THESE BAGS STUFFED,
LIKE, I NEED YOUR HELP.
>> BUT I HAVE TO LEAVE NOW
'CAUSE I ALREADY PLANNED ON
GOING OUT.
>> WHAT? I DON'T--WHERE ARE YOU
GOING, NANDI?
>> I'M GOING OUT WITH MY
FRIENDS.
>> I GO TO BED EARLY. I'M NOT
TRYING TO WAIT UP FOR YOU, SO--
>> YOU DON'T WAIT UP FOR ME.
I'LL COME BACK AND DO THAT.
I REALLY JUST CAME TO SAY BYE.
I'M ALREADY READY TO GO OUT. I'M
GONNA GO WAIT FOR THEM OUTSIDE.
>> ARE YOU SERIOUS?
LORD, HAVE MERCY. KUMBAYA. LET'S
JUST KUMBAYA FOR TWO SECONDS.
>> OK.
>> BOOM SHAKALAKALAKA. MMM!
>> JUST REMEMBER ALL YOUR POINTS
YOU'RE GONNA GO OVER. HI.
>> HI. GOOD MORNING.
HOW ARE YOU?
>> TODAY WE'RE GONNA GO SEE MY
FRIEND DEBORAH O'CONNOR. SHE
MEETS WITH A LOT OF UPSCALE
BUSINESSES TO HELP THEM WITH
THEIR BUSINESS PLANNING, AND
MEAGAN IS GOING TO ACTUALLY DO
A PRESENTATION TO HER FOR OUR
BUSINESS PLAN FOR POPPY RED.
ARE YOU NERVOUS?
>> YEAH, I'M KINDA NERVOUS.
>> JUST DON'T GET OFF-TRACK.
KEEP IT, YOU KNOW, SPECIFIC.
>> YES.
>> DON'T LOOK AT ME LIKE THAT.
>> WELL, OFF-TRACK? WHAT DO YOU
MEAN BY THAT?
>> 'CAUSE SOMETIMES YOU HAVE A
TENDENCY TO RAMBLE.
>> WELL, SO DO YOU.
>> OK, THEN PULL IT IN WHEN I
DO, TOO.
>> OK, WELL, GIVE ME A CODE WORD
IF I START RAMBLING.
>> "RAMBLING."
>> NO.
>> I'LL DO THIS.
>> THAT'S NOT A CODE WORD.
THAT'S "YOU'RE RAMBLING."
>> OK, I'LL JUST GO, "AHEM."
>> GO LIKE THIS OR SOMETHING.
>> OK, THAT'S GONNA WORK.
>> I'M GONNA HAVE, LIKE, AN
ANXIETY ATTACK RIGHT NOW
BEFORE--AND WE'LL JUST GO TO THE
HOSPITAL BECAUSE--
>> SHH, SHH, SHH.
>> OH, HELLO, LADIES.
>> HELLO. HOW ARE YOU?
>> SO NICE TO SEE YOU.
>> GOOD TO SEE YOU.
>> HI, MARCIA. NICE TO SEE YOU
AGAIN.
>> I WANT TO SEE HOW MEAGAN CAN
DO ON HER OWN.
>> I MADE THE WHOLE
BUSINESS PLAN.
>> SO SHE OUGHT TO REALLY KNOW
THE THING UP AND DOWN, BACKWARDS
AND FORWARDS.
>> DO YOU HAVE A PRESENTATION
FOR ME?
>> DO YOU HAVE, LIKE, A TACK
OR ANYTHING, LIKE--
>> UM, I DON'T KNOW.
>> I'LL JUST PLACE THEM
RIGHT HERE, I GUESS.
>> YEAH, YOU CAN JUST SET THEM
RIGHT THERE AND JUST EXPLAIN
WHAT THEY ARE.
>> OK. WELL, THAT'S NOT WORKING
VERY WELL.
>> WELL, THAT'S OK. YOU CAN JUST
HOLD THEM UP, SHOW ME. YEAH,
LET ME SEE. OK. MOBILE BOUTIQUE.
WHAT IS A MOBILE BOUTIQUE
CONCEPT?
>> THE MOBILE BOUTIQUE IS WHERE
WE WANT TO START OUR COMPANY OFF
WITH, IS THE BOUTIQUE SIDE.
IT'S A VERY, VERY DETAILED
CONCEPT THAT I CAME UP WITH.
>> I WANT TO KNOW MORE ABOUT THE
FASHION TRUCK. THAT'S THE WHOLE
BASIS OF YOUR BUSINESS. THAT'S
THE THING THAT'S NEW AND
DIFFERENT THAT'S A COOL IDEA.
>> SO, BASICALLY, THE TRUCK,
UH--SO I DON'T REALLY KNOW HOW
TO DRAW A TRUCK VERY WELL.
OBVIOUSLY I'M NOT CREATIVE IN
THAT SENSE.
>> SO WHAT'S IN THE TRUCK? TELL
ME. ARE THERE RACKS WHERE YOU
HANG THE CLOTHES, THAT DISPLAY
THE JEWELRY, WHAT?
>> THIS'LL BE THE INSIDE.
>> OK.
>> WHEN I WAS DRAWING ON THE
BOARD AT THE MEETING, I COULD
FEEL MY CONFIDENCE GO WAY DOWN
BECAUSE I SUCK AT DRAWING.
>> OK.
>> OH, MY GOD. I REALLY
CANNOT DRAW.
>> NOW, MEAGAN, WAIT A MINUTE
NOW. I WANT YOU LADIES TO KNOW,
AND I KNOW THIS FIRSTHAND, 95%
OF ALL SMALL BUSINESSES FAIL
WITHIN THE FIRST 6 MONTHS. YOU
CAN LOSE EVERYTHING.
YOU CAN LOSE ALL THE MONEY
YOU'VE PUT INTO IT. YOU CAN END
UP BEING PENNILESS. YOU CAN BE
IN DEBT. YOU CAN GET SUED. IT'S
A DANGEROUS BUSINESS. IT IS.
>> I TAKE THIS WHOLE THING
VERY SERIOUSLY.
>> I KNOW YOU DO.
>> AND I SEE ALL THE NEGATIVES,
BELIEVE ME, BUT YOU CAN'T SIT
HERE AND THINK ALL THOSE
NEGATIVES--
>> THE BOTTOM LINE, THIS
PRESENTATION ISN'T READY FOR
INVESTORS YET. IT'S NOT GOOD
ENOUGH.
>> OK.
>> WHAT, YOU DON'T LIKE THE
PICTURES?
>> NO. HA HA HA!
>> THANKS.
>> ENJOY YOUR LUNCH.
>> YOU WANT TO GET INTO THE REAL
BUSINESS WORLD? IT'S MORE THAN
JUST THE FUN PART. THIS WAS A
HORRIFIC START. YOU DIDN'T EVER
EVEN REALLY GO OVER THE WHOLE--
>> WHERE WAS YOUR CODE WORD THAT
WE TALKED ABOUT?
>> I WAS, LIKE, STUNNED. I
DIDN'T KNOW WHAT TO DO. I MEAN,
I KNOW YOU CAN DO BETTER
THAN THAT.
>> I DON'T EVEN WANT TO LISTEN
TO YOU RIGHT NOW.
>> WELL, YOU NEVER DO.
>> THERE IS A POINT WHERE I DO
SNAP AND I DO THINK ABOUT MY
NEEDS AND I DO THINK ABOUT MY
FEELINGS SOMETIMES. I FEEL VERY
ALONE. [VOICE CRACKING] I DON'T
HAVE DAD. HE JUST COMPLETELY
REJECTED ME. YOU KNOW HE GIVES
EVERYTHING TO THOSE OTHER
CHILDREN. IT'S LIKE I DON'T
EXIST. I'M, LIKE, JUST A PROBLEM
FOR HIM.
>> I'M SORRY.
>> [SOBBING]
>> I JUST WANT YOU TO DO
SOMETHING OUTSIDE YOURSELF FOR
YOU, AND I WANT TO BE THERE FOR
YOU, BUT I WANT YOU TO DO IT ON
YOUR OWN.
>> HEY, VIRGINIA!
HOW YOU DOING, SWEETIE?
>> HEY, SHARLINDA. HOW ARE YOU?
>> I'M GOOD. COME OVER AND HAVE
SOME LUNCH WITH ME.
>> WELL, I'M NOT TOO TERRIBLY
HUNGRY, BUT I'D LOVE TO HAVE
A DRINK WITH YOU.
>> COME ON.
>> I'LL BE UP THERE IN A MINUTE.
>> VIRGINIA HASN'T BEEN IN TOWN
LONG, BUT OUR GIRLS ARE REALLY,
REALLY GOOD FRIENDS, AND I'VE
GOTTEN TO KNOW HER A LITTLE BIT
AND I THINK SHE'S A COOL LADY.
I REALLY DO LIKE HER.
>> HI. HOW ARE YOU? I'D LIKE A
GREY GOOSE MARTINI STRAIGHT UP
WITH A LEMON TWIST.
>> THAT IS A DRINK. HA HA!
>> I'LL GET THAT RIGHT OUT
FOR YOU.
>> OH, WOW! HA HA HA!
>> TELL ME ABOUT YOU AND
KAHDIJIHA. HOW ARE THINGS GOING?
>> YOU KNOW WE LOVE OUR GIRLS TO
DEATH, BUT SOMETIMES YOU CAN'T
KEEP BABYING THEM GROWN GIRLS.
>> I'VE GOT TO BECOME TOUGHER,
AND THAT'S HARD FOR ME. IT'S
VERY HARD FOR ME. I WAS TRYING
TO ENCOURAGE HARVIN TO MAYBE
DISPLAY SOME OF HER ART AND TO
SHARE HER ART WITH OTHER PEOPLE.
>> I DIDN'T KNOW
SHE WAS INTO ART.
>> OH, SHE'S A FABULOUS ARTIST,
BUT, SEE, NOBODY GETS TO SEE
HER WORK. SHE FEELS LIKE, BY
SHOWING PEOPLE HER ART, THEY'LL
WANT TO KNOW, "WHAT INSPIRED YOU
TO DO THAT? WHERE DID THAT COME
FROM?" THEN SHE'LL HAVE TO
REVEAL THINGS THAT SHE WAS
STRUGGLING THROUGH, AND IT
MAKES HER FEEL NAKED.
>> WELL, SOMETIMES THAT IS THE
BEAUTY OF THINGS. SHE NEEDS TO
MOVE PAST IT AND PUT IT BEHIND
HER SO SHE CAN MOVE FORWARD.
MY HUSBAND AND MYSELF, WE ARE
WELL-CONNECTED IN THE ART SCENE,
AND I WAS JUST THINKING MAYBE WE
CAN HELP THEM OUT AND DO A SHOW.
>> I THINK IT'S A GREAT IDEA.
>> WHY DON'T WE PUT ON
SOME TYPE OF SHOW?
>> I WOULD LOVE TO.
>> I HAVE SOME GALLERIES IN MIND
THAT WE CAN GO TO, AND IT'S A
POSSIBILITY SHE CAN MAKE SOME
MONEY.
>> SHARLINDA, YOU DON'T KNOW.
THAT IS SO NICE OF YOU TO OFFER.
>> LET HER LET US DO THIS.
>> I MEAN, THAT WOULD BE SO
FABULOUS FOR HARVIN.
>> TOAST TO THAT. HA!
>> AH!
AFTER A DAY LIKE YESTERDAY, IT
IS SO NICE TO GO TO THE CLUB AND
HIT THE TENNIS COURTS. I'M GLAD
MY BROTHER McCLAIN IS HOME FROM
COLLEGE. IT'LL BE REALLY NICE
TO BEAT SOMEONE AT TENNIS.
OH, MY GOD, I'M GOOD.
>> YOU'RE PRETTY GOOD.
>> HAVE YOU DONE ANYTHING
LATELY, LIKE, ANY FUN PARTIES?
>> I'M TRYING TO NOT PARTY AS
MUCH AS I DID AT GEORGIA
SOUTHERN.
>> MEAGAN. HEY, GIRL.
>> HOW ARE YA?
>> OH, I'M GOOD. HOW ARE YOU?
>> GOOD.
>> HI. I'M McCLAIN.
>> I'M ANANDI.
>> NICE TO MEET YOU.
>> HI. I'M DIANA.
>> HI. NICE TO MEET YOU.
McCLAIN.
>> OF COURSE, THIS IS MY
BROTHER.
>> HI.
>> WHAT HAVE YOU BEEN UP TO?
I HEARD YOU ALL DID SOMETHING
LIKE A PAGEANT THING. LIKE, ARE
YOU ALL STILL DOING THAT?
>> ASHLEE TAKES ME OUT.
>> WELL, MAYBE IT'S FOR THE
BEST. HOW'S IT GOING WITH YOU?
>> WELL, I'M NOT DOING THAT
ANYMORE, EITHER. I DECIDED WHEN
THAT HAPPENED.
>> I'M OVER IT NOW, BUT IT WAS
JUST REALLY SHOCKING. AND
EVERYTHING WORKS OUT FOR THE
BEST, SO...
>> I'M NOT DOING THE PAGEANT
TRAINING ANYMORE BECAUSE ASHLEE
LEFT TOWN. SO NOW, OF COURSE,
I'M PURSUING MODELING.
>> I LOVE THAT.
>> IT'S BETTER THAN
PAGEANTS, RIGHT?
>> MUCH BETTER, YES.
MUCH BETTER.
>> WELL, YOU KNOW WHERE YOU'RE
GOING TO COLLEGE YET?
>> NO. I HAVE A FEW IDEAS, BUT
NOWHERE IN PARTICULAR.
WHAT ABOUT YOU?
>> I'M GOING TO KENNESAW
RIGHT NOW.
>> OH, COOL.
>> I'M A COMPUTER SCIENCE MAJOR.
>> ARE YOU, REALLY?
>> YEAH, SO--
>> SO YOU'RE ACTUALLY, LIKE,
A GIANT NERD.
>> NO.
>> HA HA HA!
>> NO, IN A GOOD WAY.
LIKE, THIS GUY'S ACTUALLY REALLY
CUTE, AND HE'S A NERDY TYPE;
NOT, LIKE, SUPER NERD, BUT,
LIKE, CHILL, LAID-BACK NERD,
WHICH IS WHAT I GO FOR.
IT WAS NICE TO MEET YOU. HA HA!
>> ALL RIGHT, MY HANDS ARE,
LIKE, GROSS.
>> IT WAS SO NICE TO MEET YOU.
>> ALL RIGHT. BYE.
>> AREN'T THEY CUTE?
>> THEY WERE VERY--THEY'RE
DEFINITELY CUTE.
>> YOU SHOULD GO OUT WITH THEM,
FOR SURE.
>> HI, LADIES.
>> THIS IS IT. THIS IS THE SPOT.
HEY, THERESA. HOW ARE YOU?
>> I'M DOING WELL. HOW ARE YOU?
>> GOOD SEEING YOU AGAIN.
WE ARE HERE AT THE ART GALLERY
WITH A FRIEND OF MINE'S NAMED
THERESA, WAITING FOR HARVIN AND
MEYER SO WE CAN PREVIEW AND LOOK
AT HER ART AND SEE IF THIS IS
THE PLACE FOR IT.
>> THERESA HAS A FABULOUS
GALLERY.
>> SHE DOES.
THE EVENT, WE JUST WANT TO HAVE
JUST SOME WINE, SOME CHEESE, AND
JUST INVITE A FEW FRIENDS TO
WHERE SHE CAN JUST TELL HER
STORY. NOT TOO MANY PEOPLE, ONLY
BECAUSE I DON'T KNOW IF IT WOULD
BE TOO OVERWHELMING FOR HER.
>> WHAT TIME ARE THEY SUPPOSED
TO BE HERE?
>> THEY SHOULD HAVE BEEN HERE.
>> YEAH? OK.
>> YEAH. LATE.
>> ALL RIGHT. WELL, IT SHOULD
BE FUN.
>> YEAH.
>> YEAH. OK. ALL RIGHT.
WELL, MAKE YOURSELF AT HOME.
>> OK.
>> THANK YOU.
>> OK, SURE.
>> WHERE THE HELL ARE THEY?
>> HMM? I DON'T KNOW.
>> IF THEY'RE NOT HERE IN A FEW
MINUTES, I'M GONNA LEAVE AND
THEY CAN DEAL WITH THIS [BLEEP]
LATER. DON'T LOOK AT ME
LIKE THAT.
>> [SCOFFS]
>> HOW THE HELL YOU GONNA HAVE
US UP HERE WAITING ON YOU?
>> [SIGHS]
>> THEN THEY'RE GONNA COME IN
HERE GIGGLING, ALL "HEE HEE HEE
HEE! HEY, HEY, HEY." LIKE, I DID
THIS AS A FAVOR.
VIRGINIA, I THINK SHE'S A
SWEETHEART, BUT SHE JUST DOES
NOT HAVE A GRIP ON THE GIRLS.
>> I THINK THEY HAVE A REALLY
GOOD SPIRIT ABOUT THEM, THOUGH.
>> THEY DO, BUT IT'S ALL OVER
THE PLACE.
>> YEAH, SO IT'S LIKE AN
UNCONTROLLED SPIRIT.
>> [SIGHS]
SEE, I DON'T HAVE TIME FOR THIS.
I REALLY DON'T.
>> I SAY WE GO.
>> WE'RE GONNA JUST LEAVE.
>> ALL RIGHT.
>> I MEAN, THAT'S IT.
>> LET'S GO.
[SCOFFS]
OH, GOD.
>> HELLO-O! Y'ALL ARE LATE!
>> GIRL, WE'RE ALWAYS LATE!
>> YOU KNOW WE'RE ALWAYS LATE.
>> NO, BUT NOT ON MY TIME!
>> IF I HAVE TO ARRIVE WITH
HARVIN AND MEYER, I PROBABLY
WILL BE LATE. I TRY TO TAKE OFF
WITHOUT THEM.
>> [GIGGLES]
>> BUT WHEN A MEETING'S ABOUT
HER, IT MAKES IT A LITTLE
DIFFICULT, SO I'M JUST STUCK.
SOMETIMES I JUST TAKE A NAP
BEFORE WE'RE SUPPOSED TO GO.
I FIGURE I HAVE TIME TO FIT
ONE IN.
>> HA HA HA!
>> YOU CAN'T DO THAT TO PEOPLE.
THIS LADY KEPT HER ART GALLERY
OPEN JUST FOR YOUR SPECIAL--
>> SHE STAYED OPEN LATE?
>> YES.
>> OH, NO.
OK. THANK YOU.
>> YOU'RE WELCOME.
>> AND YOU GOT TO COME IN HERE
AND MAKE A GREAT IMPRESSION.
I STUCK MY NECK OUT ON THE LINE
TO HELP TWO PEOPLE THAT DON'T
WANT TO BE HELPED?
ARE YOU SERIOUS?
>> YOU GOT TO BE CAREFUL WHO YOU
GIVE YOUR CONNECTIONS TO.
>> YOU'RE RIGHT ABOUT THAT.
>> THIS IS MEYER AND HARVIN.
>> VERY NICE TO MEET YOU.
>> THERESA.
>> HI. I'M HARVIN.
IT'S NICE TO MEET YOU.
>> OH, IT'S NICE TO MEET YOU.
>> THIS IS THE ARTIST HERE.
>> AH, SO YOU HAVE THE PIECES.
I'VE BEEN DYING TO SEE
THIS WORK.
>> THIS ONE THERE AND THIS ONE.
>> YOU GONNA APOLOGIZE TO HER
FOR BEING LATE?
>> OH, I'M SORRY.
>> ANY TIME?
>> TELL ME A LITTLE BIT ABOUT
THIS ONE.
>> JESUS.
>> WHY DID YOU USE THOSE COLORS?
>> WELL, COLOR IS, LIKE--
I'M FASCINATED WITH COLOR.
>> MM-HMM.
>> AND I LOVE BRIGHT COLORS.
I GET THAT FROM MY MOM, I
THINK, YOU KNOW.
>> OK. SEE, THIS ONE I REALLY
LIKE. THIS ONE, I SEE A LOT OF
EMOTION IN THAT. WHAT WAS GOING
THROUGH YOUR HEAD WHEN YOU
DID THIS?
>> UM...I DON'T--I MEAN...
I DON'T KNOW. CAN WE GO TO THE
NEXT ONE? [GIGGLES NERVOUSLY]
>> DO YOU THINK YOU'RE READY
FOR A SHOW?
>> UM...I DON'T KNOW, TO BE
HONEST. SORRY. I'M NOT USUALLY,
LIKE, AROUND--USUALLY CAN'T GET
ME TO SHUT UP. I FEEL LIKE
EVERYBODY'S EYES ARE ON ME.
I'M, LIKE, I'M FREAKING OUT.
>> IT LOOKS LIKE YOU'RE ASHAMED
OF YOUR WORK. THIS IS
AWESOME WORK.
>> I'M NOT ASHAMED. THEY'RE
JUST, LIKE, SECRETS--
>> WHATEVER YOU'RE--BUT SECRETS.
DO YOU KNOW HOW MANY PEOPLE IN
THIS WORLD HAVE SECRETS? IT'S A
LOT OF PEOPLE OUT HERE THAT CAN
RELATE TO THESE PIECES HERE,
YOU KNOW, AND WOULD BE KNOCKING
ON YOUR DOOR TRYING TO GET A
COPY. ARE YOU KIDDING ME?
YEAH, I NEED YOU TO STAND UP AND
OWN THIS. THIS IS YOU. OWN UP
TO IT, STAND UP, BELIEVE IN IT,
AND ROLL WITH IT.
>> HELLO-O!
>> HEY, I'M IN HERE.
>> HEY. WHAT YOU DOING?
>> I'M WORKING.
>> OH, THAT'S GOOD.
>> I AM WORKING EXTRA ***
THIS FASHION TRUCK BUSINESS NOW
BECAUSE I REALLY NEED TO STEP UP
MY GAME. NOT EVERY MEETING GOES
GREAT, SO YOU JUST HAVE TO GET
BACK ON THE HORSE AND RIDE.
>> I WAS JUST KIND OF
RESEARCHING AND READING OVER THE
VAN THAT WE LOOKED AT, THE
SPRINTER, AND JUST TRYING TO GET
EVERYTHING IN ORDER.
>> MEAGAN, I JUST THINK WE NEED
TO TAKE A STEP BACK ON THIS
RIGHT NOW.
>> WHAT--WHAT ARE YOU
TALKING ABOUT?
>> I JUST FEEL LIKE IT'S JUST
BEEN TOO MUCH OF A ROLLER
COASTER, AND I DON'T WANT TO BE
RUSHING INTO SOMETHING THAT
WE'RE NOT READY, YOU'RE NOT
READY.
>> I AM READY TO DO THIS. I'M
PUTTING MY HEART AND SOUL INTO
THIS, AND I KNOW THAT WE CAN
DO THIS.
>> MEAGAN HAS ALWAYS SUCCEEDED
AT WHATEVER SHE'S SET HER MIND
TO, BUT WE HAVE TO GET TO A
BETTER PLACE. SHE NEEDS TO TAKE
A STEP BACK AND NOT BE SO
ANXIOUS TO GET IT DONE THAT IT'S
NOT DONE THE RIGHT WAY.
>> WE ARE READY TO GO.
>> NO. YOU'VE NEVER DONE THIS
BEFORE. I HAVE, AND IT, LIKE,
TAKES ALL YOUR TIME. AND JUST
WANTING IT TO BE SUCCESSFUL IS
NOT GONNA DO IT.
>> SHE JUST COMES IN OUT OF
NOWHERE AND SAYS THAT SHE WANTS
TO STOP DOING IT. I FELT LIKE,
"CAN I GET A BREAK HERE?"
WELL, IF WE'RE PUTTING BRAKES
ON IT, THEN I'M GETTING THE
VINTAGE TRUCK.
>> ARE YOU BUYING IT?
>> I'M NOT GETTING THAT UGLY
SPRINTER.
>> ARE YOU BUYING IT?
>> I'LL FIND AN INVESTOR.
>> WELL, SEE? THAT'S JUST BEING
STUBBORN. YOU'RE GONNA GET A
TRUCK THAT'S GONNA GO DOWN THE
STREET AND THAT'S GONNA FALL
APART? HOW'S THAT GONNA WORK?
>> IT DOESN'T REALLY NEED
TO MOVE.
>> [SCOFFS] HOW ARE WE GONNA
TAKE IT TO EVENTS? YOU GONNA,
LIKE, PULL IT BEHIND A TRACTOR?
I MEAN, SEE--
>> A TRACTOR?
>> THIS IS THE THING I'M SAYING,
YOU KNOW. YOU'RE NOT THINKING--
>> I WAS THINKING WE COULD
TRAILER IT, BUT, YOU KNOW--
>> THE MORE I'M HEARING, THE
MORE CONCERNED I AM AND THE MORE
I AM SURE THAT WE ARE MAKING THE
RIGHT DECISION TO PUT IT ON HOLD
FOR NOW.
>> [SIGHS]
>> HONEY, I KNOW. I DIDN'T MEAN
TO UPSET YOU. I JUST WANTED YOU
TO, LIKE, THINK ABOUT IT AND YOU
CAN STILL WORK ON IT AND ALL
THAT STUFF, BUT WE GOT TO TAKE
A STEP BACK AND TAKE IT EASY AND
TAKE IT A LITTLE BIT SLOWER, OK?
>> [SNIFFLES]
>> IT'LL BE ALL RIGHT, AND I
LOVE YOU MORE THAN ANYTHING,
ANYTHING IN THE WORLD.
>> HEY, ISN'T McCLAIN COMING?
>> HE'S SUPPOSED TO BE.
>> SHOULD WE GET STARTED
WITHOUT HIM?
>> I GUESS SO, YEAH.
WE SHOULD START WITHOUT HIM.
>> YEAH, LET'S GET SOME PRACTICE
IN BEFORE HE COMES, FOR SURE.
>> HEY. HOW'S IT GOING?
>> McCLAIN, WHERE HAVE YOU BEEN?
>> GOOD TO SEE YOU AGAIN.
>> GOOD TO SEE YOU, TOO.
>> OH, YOU ALL HAVING FUN?
>> YEAH.
I THINK McCLAIN PICKED BOWLING
BECAUSE HE'S TRYING TO TAKE US
BOTH OUT AT THE SAME TIME TO SEE
WHO HE LIKES THE BEST.
>> GOOD TO SEE YOU AGAIN.
>> YEAH, YOU, TOO. GLAD YOU
FINALLY MADE IT.
>> I'M REALLY EXCITED TO SEE
McCLAIN RIGHT NOW. I THINK IT'S
A LITTLE WEIRD THAT IT'S THE 3
OF US. HE DIDN'T BRING A FRIEND
OR ANYTHING, BUT--
>> THERE WAS THE 3 OF YOU,
ALL TOGETHER?
>> YEAH.
>> THAT IS A LITTLE WEIRD.
>> SO, ARE YOU GONNA SUCK?
>> I'M GONNA TRY NOT TO.
I'LL TRY MY BEST.
>> THAT WAS REALLY GOOD,
ACTUALLY. HA HA!
>> I'D LIKE TO IMPRESS McCLAIN,
JUST TO KEEP HIM AS AN OPTION.
[GIGGLES]
>> WHAT?
>> I MEAN, LIKE, YOU CAN'T SET
ON, LIKE, ONE GUY WHEN YOU'RE
JUST STARTING TO KNOW THEM. YOU
KEEP YOUR OPTIONS OPEN, PLAY THE
FIELD, AND THEN SEE WHO'S BEST.
HA HA!
>> I'VE RAISED YOU WELL.
>> IT'S YOUR TURN RIGHT NOW.
>> WHAT DO YOU THINK ABOUT HIM?
>> I ACTUALLY REALLY LIKE HIM.
LIKE, HE'S REALLY COOL.
>> HE'S A NICE GUY. I KNOW. HE'S
REALLY, LIKE, DOWN-TO-EARTH AND,
LIKE, GENUINE.
>> YEAH.
YAY! [GIGGLES]
>> MAYBE YOU SHOULD BOWL FOR ME.
>> NO WAY.
>> SHE'S DOING BETTER.
>> YEAH, SHE WAS.
>> I GUESS IT'S MY TURN.
>> SHE'S GONNA WIPE US OUT OF
THE WATER AGAIN.
>> I HEAR YOUR MOM'S A PREACHER?
>> SHE DANCES, TOO, SO SHE'S THE
DANCING PREACHER.
>> AND YOU DANCE LIKE--
>> NO, NOT AT ALL. I CAN, LIKE,
DANCE, LIKE, RATCHET DANCING
A LITTLE BIT.
>> I DON'T KNOW WHAT RATCHET
DANCING IS AT ALL.
>> WHERE YOU'RE, LIKE, GRINDING
AND STUFF.
>> I'M THE SAME WAY.
I CAN GRIND, BUT--
>> WAIT. DO YOU GRIND OR DO YOU
GET GRINDED ON? PLEASE TELL ME.
>> WELL--
>> BECAUSE IT'LL BE REALLY
INTERESTING. HA HA!
>> I GET GRINDED ON.
>> OK. HA!
TALKING TO McCLAIN, I FEEL LIKE
THERE IS A CONNECTION AND I CAN
DEFINITELY SEE US HANGING
OUT MORE.
>> MAYBE WE CAN GO TO INFERNO?
I CAN SHOW YOU INFERNO.
>> THAT WOULD BE SO COOL.
>> OH, YOU'LL LOVE IT, I'M SURE.
YEAH, LIGHTS, PRETTY LIGHTS,
EVERYWHERE.
>> IT'S LEGIT. I'M EXCITED.
I'M SO EXCITED TO GO.
>> SO, WANT TO GET OUT OF HERE,
GO GET A HAMBURGER OR SOMETHING?
>> I WANT A HAMBURGER RIGHT NOW.
WHAT DO WE DO WITH OUR SHOES?
>> WE JUST BRING THEM TO THE
COUNTER OVER HERE.
>> OK.
>> MOM?
>> I'M MISSING SOME OF MY
MAKEUP.
>> OH. HA HA! I KNOW.
>> WILL YOU COME DO MY HAIR?
>> RIGHT THIS SECOND?
>> YEAH.
>> OK, WHAT? YEAH.
>> I SAID I WAS GONNA DO THAT--
THE ART SHOW.
>> EXHIBIT YOUR PAINTINGS?
>> YEAH, BUT I'M KINDA--
I FEEL LIKE I JUST CAUGHT UP IN
THE MOMENT A LITTLE BIT.
>> MAYBE THIS WOULD BE ANOTHER
STEP TOWARDS BANDAGING YOUR
HEART. I KNOW IT'S HARD.
YOU KNOW, IT AFFECTED ALL OF US.
>> I KNOW. THAT'S WHAT I'M
SAYING. THAT'S WHY--
>> IT TAKES TIME, AND MAYBE
SHARING THIS ART IS ANOTHER STEP
IN THE RIGHT DIRECTION,
YOU KNOW? IT'S OK, HONEY.
>> I MEAN, I'M FINE.
IT'S NOT THAT--
>> WE'LL DO WHATEVER YOU FEEL
LIKE DOING, I PROMISE YOU, BUT
I JUST WANT TO ENCOURAGE YOU TO
SHARE YOUR TALENT.
>> I DON'T KNOW. I WAS JUST SO
COMPLETELY AND ENTIRELY, LIKE,
JUDGED AND DROPPED BY EVERYBODY.
>> YOU WEREN'T THE PROBLEM.
>> LIKE, I WAS STILL--
[SNIFFLING]--STILL THE ONE THAT,
LIKE, IT ALL FELL APART ON, LIKE
IT--I'M JUST SAYING, LIKE--I'M
NOT SAYING THAT I WON'T DO IT.
I'M JUST SAYING THAT--
>> JUST THINK ABOUT IT, OK?
>> YEAH.
I THINK I STILL STRUGGLE WITH
MY EX-BOYFRIEND'S DEATH BECAUSE
I JUST THINK IT COULD HAVE BEEN
SO AVOIDED, AND THAT MAYBE I
COULD HAVE DONE MORE, SAY
MORE...I DON'T KNOW,
PREVENTED IT SOMEHOW.
I SHOULD GO TO LAY DOWN
FOR A SECOND.
>> I THINK HARVIN'S ART IS AN
EXPRESSION SOMETIMES OF HER
HURT, AND I THINK IF SHE COULD
SHARE THAT MORE OPENLY THAT IT
WOULD HELP HER IN HER HEALING
PROCESS. SHE MIGHT BECOME
WHOLE AGAIN.
>> HEY, ***.
>> HARVIN, DO YOU RECOGNIZE THAT
THIS IS VERY MUCH SOME OF THE
SAME REACTION YOU USED TO DO IN
HIGH SCHOOL, RETREATING TO BED
AND JUST BOTTLING UP ABOUT IT?
>> THIS SOUNDS DEEP.
>> IT IS.
>> WHAT ARE Y'ALL TALKING ABOUT?
>> DEEPLY MISERABLE.
>> ABOUT HARVIN'S ART WORK AND
WHY SHE'S SO HESITANT TO SHARE
IT WITH THE WORLD.
>> YOU'RE JUST AFRAID. DO YOU
NOT THINK THAT IT COULD BE
SOMETHING THAT REALLY MIGHT
HELP YOU?
>> I JUST...
>> WE'LL BE THERE EVERY STEP
OF THE WAY.
>> IT COULD BE HEALING FOR OUR
WHOLE FAMILY.
THE MORE I THINK ABOUT IT,
I THINK AN ART SHOW FOR HARVIN
IS JUST GREAT IN TERMS OF NAME
RECOGNITION FOR OUR JEWELRY
LINE. SHE BLAMES ME, TOO, SO I
THINK IT'S A REALLY GREAT IDEA.
>> I GIVE UP. I'LL JUST SHOW IT.
IT'S TOO--Y'ALL ARE ANNOYING.
>> HARVIN, IT IS MY JOB TO BE
ANNOYING 'CAUSE I WOULDN'T BE
A VERY GOOD MOTHER.
>> MAYBE YOU SHOULDN'T TAKE
THAT JOB.
>> UNFORTUNATELY, I HAVE
NO CHOICE.
>> [GROANS]
IF I LOOK LIKE A TOTAL IDIOT AND
I EMBARRASS MYSELF, THEN Y'ALL
BETTER SET UP SHOP RIGHT AROUND
ME SO I CAN HIDE OR SOMETHING.
>> WE'RE ALWAYS RIGHT BY YOU.
>> IT'S MY FIRST REAL DATE WITH
McCLAIN, AND I'M EXCITED. I'M
ALSO A LITTLE BIT MORE NERVOUS
THAN I THOUGHT I WOULD BE.
I GUESS IT'S BECAUSE HE'S BEEN
ON MY MIND SINCE THE LAST TIME
I SAW HIM.
[DOORBELL CHIMES]
>> HI. MRS. McKENZIE?
>> HOW ARE YOU?
>> I'M McCLAIN. I'M HERE--
I'M ONE OF ANANDI'S FRIENDS.
>> OH, OK.
>> I CAME OVER HERE
TO PICK HER UP.
>> PICK HER UP FOR WHAT?
>> WE'RE GONNA GO HANG OUT
TONIGHT.
>> OK, COME IN.
>> OK, ALL RIGHT.
>> SO SOME GUY JUST KNOCKS ON MY
DOOR AND SAYS, "I WANT YOUR
DAUGHTER."
>> HE DIDN'T SAY IT LIKE THAT!
>> INVASION OF THE BODY
SNATCHERS. WHO ARE YOU?
YOU SAID YOUR NAME WAS McCLAIN?
>> YES, MA'AM.
>> OK, McCLAIN.
HOW OLD ARE YOU?
>> I'M 21.
>> YOU'RE 21.
>> MM-HMM.
>> OK, AND ARE YOU IN SCHOOL?
>> I AM, I AM. I'M AT KENNESAW
UNIVERSITY. I'M ABOUT TO
GRADUATE, ACTUALLY.
>> OK. WHAT'S YOUR MAJOR?
>> COMPUTER SCIENCE.
>> COMPUTER SCIENCE?
>> MM-HMM.
>> OK.
YOU KNOW, I LIKE McCLAIN.
I THINK HE'S A NICE GUY. I THINK
HE'S A LITTLE TOO OLD FOR
ANANDI.
>> HE'S ONLY, LIKE, TWO YEARS
OLDER THAN ME.
>> OK, I THINK HE'S TOO OLD FOR
ANANDI, BUT I THINK HE'S
A NICE GUY.
LET'S GO GET ANANDI.
>> ALL RIGHT.
>> WELL, YOU--NO, YOU HAVE
A SEAT AND I--
>> ALL RIGHT. I'LL LET YOU
GET HER.
>> I JUST MET YOU. HA HA!
>> I WON'T BE RUNNING AROUND
YOUR HOUSE. I PROMISE.
>> NA-NA?
>> YEAH?
>> NA-NA?
>> YEAH?
>> HEY, THERE'S A GUY HERE.
>> YEAH?
>> WHO IS HE?
>> McCLAIN.
>> YOU DIDN'T TELL ME ABOUT HIM.
YOU DIDN'T TELL ME YOU WERE
GOING OUT. YOU NEVER MENTIONED
A McCLAIN.
>> WHEN DID ALL THIS--I MEAN,
IT'S JUST, LIKE, A DATE, THOUGH,
AND I DON'T SEE WHY WE HAVE TO
TALK ABOUT IT.
>> LOOK AT YOUR SHIRT.
>> MY *** ARE THERE. THEY'RE
JUST THERE. THEY'RE CHILLIN'.
THEY'RE BEING COOL.
>> THEY'RE CHILLING, BUT
EVERYBODY DOESN'T HAVE TO KNOW
THAT THEY'RE COLD.
>> I'M TIRED OF THIS
CONVERSATION.
>> ARE YOU HAVING SEX?
>> McCLAIN COMES OVER, AND HE
INSTANTLY HAS TO DEAL WITH MY
MOM. SHE'S FRANTIC, GRILLING
HIM, GRILLING ME. I'M AFRAID
HE'S JUST GONNA WALK OUT BECAUSE
HE'S GONNA FREAK OUT.
>> I JUST WANT YOU TO FEEL
COMFORTABLE TALKING TO ME AND
KNOWING THAT YOU CAN COME TO
TELL ME ANYTHING. AND YOU NEED
TO ALSO KNOW THAT IF YOU DID
DECIDE OR CHOOSE TO HAVE--BE
INTIMATE OR HAVE SEX, THAT YOU
KNOW--DO YOU KNOW ABOUT BIRTH
CONTROL AND--
>> MOMMY, PLEASE.
>> PILLS AND RUBBERS?
>> WE'RE NOT GONNA TALK.
>> ANANDI. ANANDI. DON'T BE
DISRESPECTFUL, ANANDI.
>> McCLAIN, LET'S GO.
>> ANANDI. ANANDI.
>> IT WAS VERY NICE MEETING YOU.
>> McCLAIN!
>> REMEMBER WHAT WE TALKED
ABOUT, OK?
>> I'LL KEEP HER SAFE,
I PROMISE.
>> THANK YOU. I APPRECIATE IT.
ANANDI, HONEY.
[ENGINE TURNS OVER]
[CAR ALARM CHIRPS]
>> HELLO, I'M HERE. HELLO-O.
>> HI THERE. I'M FELIX.
>> HOLD ON, HOLD ON. HOW ARE
YOU? WHY ISN'T THE PAINTINGS
HANGING UP ALREADY?
>> WE'RE JUST ABOUT READY.
IT'S HAPPENING NOW.
>> OK, AND THIS ONE. YOU
REMEMBER? WE DID THE
WALK-THROUGH EARLIER. NO--AH AH
AH! THE TIGER GOES UP FRONT.
I WANT THEM TO SEE THE COLOR.
THERESA MAY OWN THIS ART
GALLERY, BUT THIS IS MY SHOW.
I WANTED THINGS TO BE PERFECT.
>> MOMMY, THINGS ARE NEVER
PERFECT.
>> IN MY WORLD, THINGS CAN BE
PERFECT.
THIS IS A HOT MESS. WHAT IS ALL
THIS TRASH? COME ON. I NEED YOU
TO GET--WHOA, WHOA, WHOA.
FIRST OFF, CAN YOU PLEASE
TUCK YOUR SHIRT?
>> YES, MA'AM.
>> DON'T STACK THE BOTTLES HERE.
I NEED ALL OF THE BOTTLES IN THE
BACK. PLASTIC CUPS? HEY, HEY,
HEY, HEY. EXCUSE ME? PLASTIC
CUPS? SERVE EVERYBODY GLASSES,
AND I WANT EVERY CUP FULL.
WE NEED SOME DRUNK PEOPLE SO WE
CAN SELL THIS ART, OK?
I SHOULD HAVE HIRED MYSELF.
>> WHERE IS HARVIN? SHE'S NOT
READY? HARVIN! YOU GIRLS ARE
NOTHING BUT HIGH MAINTENANCE.
HARVIN, WE HAVE GOT TO GO.
YOU'RE NOT EVEN NEARLY READY.
WHAT ARE YOU DOING? AND YOU'RE
GONNA GET YOURSELF DRESSED IF I
HAVE TO PULL YOU BY THE HAND
LIKE A LITTLE GIRL DOWN THERE.
DON'T LET SHARLINDA DOWN.
>> WHAT DOES SHARLINDA
HAVE TO DO WITH IT?
>> SHE DID US A FAVOR.
>> THAT'S YOUR REASON FOR
WANTING ME TO GO?
>> THAT'S ONE REASON, BUT THE
BIGGEST REASON IS FOR YOU.
GO GET READY.
>> WELL, ARE WE GOING
OR ARE WE STAYING?
>> I DON'T THINK WE HAVE MUCH
CHOICE. YES, YOU HAVE TO GO, AND
WE'RE OUTTA HERE. WE'RE LATE AS
IS. COME ON. THIS IS RIDICULOUS.
>> I DON'T WANT TO GO.
>> I WISH I'D FIXED 3 MORE
DRINKS BEFORE I LEFT AT THIS
POINT, IF I'D KNOWN HARVIN WAS
GONNA PULL THIS RIDICULOUSNESS.
>> CAN YOU POUR ME SOME MORE
*** IN HERE?
>> NO, WE GOT TO GO.
WE'RE LATE. COME ON.
>> HELLO?
[OVERLAPPING CHATTER]
>> PEOPLE ARE COMING, SO LET'S
SELL, SELL, SELL, OK?
>> HI. HOW ARE YOU?
>> WHERE'S VIRGINIA?
>> WITH HER GIRLS.
>> OH.
>> YOU KNOW, AND I THINK SHE
SHOULD PUT THE FIRE BEHIND THEM
AND MAKE THEM BE ON TIME.
>> HI.
>> HI, GUYS. HOW ARE YOU ALL
DOING? YOU ALL LOOK SO NICE.
>> I DIDN'T SEE YOU.
>> HEY, GIRL. HOW ARE YOU?
>> YOU LOOK SEXY.
>> THANK YOU. DO I?
>> YES, YOU DO.
>> HOW ARE YOU? I WANT YOU
TO MEET MARCIA.
>> I ADMIRE YOUR WORK. I SAW HER
BEAUTIFUL HOME.
>> DONALD MITCHELL, AND HE'S MY
DESIGNER. HE'S ONE OF THE
PROMINENT DESIGNERS IN ATLANTA.
>> SO I'M JUST TRYING TO THINK
OF WHERE SHE COULD POSSIBLY BE.
I'M LOOKING AT THE RED AND THE
SPLATTER. THAT REMINDS ME
OF BLOOD.
>> IT WAS THE BLOOD.
>> LIKE, WAS THAT WHAT SHE WAS
THINKING?
>> YEAH, SHE--IN HER VISUAL FROM
THE GUY COMMITTING SUICIDE.
>> WOW.
>> NO ONE IN THE TOWN LIKED HER
AFTER THAT. THEY JUST THOUGHT,
LIKE, IT WAS ALL HER FAULT.
>> I WOULD BE INTERESTED IN THIS
ONE AND THE ONE OVER THERE.
>> WELL, I THINK WE GOT A SALE.
WE NEED TO BE FRIENDS LATER ON.
HELLO. YES. I HAVE A SALE!
I HAVE A SALE! YES. I'M STILL
WAITING ON HARVIN.
>> I MEAN, I COULD SEE HER NOT
SHOWING UP. SHE HAS SOME
SERIOUS NERVES.
>> MOM, YOU REALLY NEED TO GET
A NEW CAR. THIS ONE'S NOT REALLY
WORKING. I HAVE THE HOTTEST DATE
HERE TONIGHT. I'M JUST SAYING.
>> SO YOU GUYS FINALLY ARRIVED.
HOW ARE YOU LATE TO YOUR
DAUGHTER AND YOUR SISTER'S
PARTY, LADIES?
>> HARVIN'S NOT HERE.
>> SHE'S NOT HERE?
>> NOPE.
>> THAT'S VERY DISRESPECTFUL...
>> I THINK SHE'S GONNA COME.
>> AND VERY RUDE.
>> WELL, I MAY AGREE ON SOME
LEVELS, AND SOME LEVELS I DON'T.
>> WELL, I THINK BECAUSE I
STEPPED IN--
>> YOU DID.
>> AND THIS IS SOMETHING--
>> AND YOU DON'T KNOW HOW MUCH
I APPRECIATE WHAT YOU DID.
>> I FEEL LIKE VIRGINIA AND
MEYER SHOULD HAVE BROUGHT HARVIN
WITH THEM.
>> DON'T THEY LIVE
IN THE SAME HOUSE?
>> [SCOFFS] CHILD, PLEASE.
I WOULD NEVER, EVER JUDGE YOUR
MOTHER SKILLS, BUT I DO SAY YOU
NEED TO PUSH THESE TWO OUT OF
THE NEST AND LET THEM GROW UP.
>> I AGREE, BUT THE TRAUMA THAT
HAPPENED TO HARVIN THAT INVOLVES
HER ART HAS NOTHING TO DO WITH
PUSHING THEM OUT AND COMING
BACK. THIS IS NOT HER DREAM
BUSINESS; THIS IS HER HEART AND
SOUL FROM A TRAUMA.
>> BUT IF THIS IS NOT HER DREAM
BUSINESS, THEN YOU GUYS ARE
SAYING THAT SHE DON'T WANT
TO DO THIS?
>> AS EMBARRASSED AS I AM THAT
HARVIN HAS NOT ARRIVED WITH ME
AT THE GALLERY, I CAN BARELY GET
THE WORDS OUT OF MY MOUTH AND
SHARLINDA'S GOING BALLISTIC.
>> YOU SHOULD HAVE GIVEN ME
A PHONE CALL TO TELL ME
THAT SHE WAS NOT GONNA COME.
>> SHE IS A 30-YEAR-OLD WOMAN.
>> AND SHE NEEDS TO ACT IT.
I WISH YOU WOULD HAVE CALLED ME
TO SAY, "HEY, SHARLINDA, PLAN'S
CHANGED, DON'T WASTE YOUR TIME,"
'CAUSE I'M A BUSINESSWOMAN
FIRST, AND GUESS WHAT.
I HAVE OTHER THINGS TO DO.
>> UH...
>> HEY, HEY, EVERYBODY,
EVERYBODY! THE PARTY IS OVER!
THE ARTIST COWERED OUT! SHE DOES
NOT WANT TO COME AND APPEAR HERE
TONIGHT. HER HEART IS NOT IN IT.
>> CUT IT OUT!
>> WELL, YOU SAID SHE'S NOT
COMING. YOU SAID THIS IS NOT
HER DREAM, SO I--
>> SHARLINDA, YOU ARE SO LOUD.
>> I AM VERY LOUD!
>> HEY, HEY! SETTLE DOWN!
>> NO, YOU SETTLE DOWN!
>> SETTLE DOWN!
>> DON'T YOU TALK TO ME
LIKE THAT, EVER!
>> WHAT IS WRONG WITH Y'ALL?
[ALL SHOUTING]
>> DON'T GO THERE!
>> HEY! WHAT THE HELL?
MY MOM GOES TO GRAB THE DRINK
OUT OF MEYER'S HAND, AND IT
ENDS UP IN MY HAIR.
>> I'M SORRY.
>> NO, IT'S FINE. I WOULD JUST
SAY I WAS IN THE WAY.
HOW ABOUT THAT?
>> WELL, HELL, HERE SHE COMES!
THE PARTY IS DAMN NEAR OVER.
>> WHAT THE HELL IS GOING ON?
I ULTIMATELY DECIDED TO GO TO
THE ART GALLERY BECAUSE I DIDN'T
WANT TO LET MY MOM AND MY
SISTER DOWN.
>> I WAS PROUD OF YOU.
>> I WAS, TOO.
>> AND THEN I WALKED
INTO WORLD WAR III.
>> WE WANTED TO DISPLAY YOUR
ART. YOU SHOULD HAVE SAID,
"SHARLINDA, DON'T WASTE YOUR
TIME." BUT MY THING IS, YOU'RE
HERE NOW. ARE YOU GOING TO GREET
THESE PEOPLE WHO CAME TO SEE
YOUR ART WORK?
>> OK, WAIT, I--I'M JUST
CONFUSED.
>> YOU DON'T HAVE TO TALK
ABOUT IT, HARVIN.
>> OK, I FEEL, LIKE, REALLY
FREAKED OUT.
>> IT'S GONNA BE ALL RIGHT.
COME ON. GIVE IT A TRY. COME ON.
>> WELL, HARVIN HAS ARRIVED,
FINALLY!
>> YOU'RE HERE. OH, MY GOD.
>> WE BOUGHT TWO OF YOUR
PAINTINGS, BUT WE NEED YOUR
SIGNATURE.
>> I WANTED THIS ONE, AND I
DIDN'T GET TO IT SOON ENOUGH.
>> WHAT IS IT?
>> THE ONE OF THE SUICIDE.
>> OH, GOD. I FEEL LIKE I'M
HAVING A NERVOUS BREAKDOWN.
>> WHAT HAPPENED?
>> EXCUSE ME, EVERYONE. CAN I
GET YOUR ATTENTION, PLEASE?
I WANT TO INTRODUCE YOU GUYS
TO THE ARTIST, HARVIN.
[CHEERS AND APPLAUSE]
THE REASON I PUT ON THIS ART
SHOW FOR HARVIN IS TO HELP HER
GET PAST THE PAIN.
MAYBE GIVE A DESCRIPTION OF
MAYBE ONE PIECE IN HERE?
CAN WE MAYBE PICK THIS PIECE,
AS WE'RE CLOSEST TO IT?
>> I THOUGHT IT WAS CLEAR HARVIN
DIDN'T WANT TO GO THERE.
WHAT IS SHARLINDA DOING?
>> UM...DESCRIPTION?
>> AND, Y'ALL, SHE IS NEVER LOST
FOR DAMN WORDS, AND I DON'T
UNDERSTAND WHY SHE'S LOST FOR
WORDS TONIGHT.
>> OH, MY GOD. ARE WE SERIOUS
RIGHT NOW? BABY, YOU DON'T HAVE
TO DO IT IF YOU DON'T WANT TO.
>> YOU NEED TO CALM DOWN.
>> WHAT'D SHE SAY?
>> WHAT DID I SAY?
>> LET HARVIN HAVE HER NIGHT.
YOU'RE RUINING IT. SHE WAS ABOUT
TO GIVE A DESCRIPTION, AND YOU
JUST KINDA KEEP STEALING HER
JOY. LET HER HAVE HER JOY.
>> I'M NOT JEALOUS OF IT!
>> I DIDN'T USE THE WORD
JEALOUS. YOU USED THE WORD
JEALOUS. I SAID LET YOUR SISTER
HAVE HER PLATFORM.
>> I'M LETTING HER HAVE IT, BUT
I KNOW THE PAIN--HEY, HEY, HEY!
CAN WE HAVE AN ADULT
CONVERSATION?
>> WHAT IS GOING ON?!
>> WHAT DOES THAT MEAN?
>> WHY ARE YOU PULLING ME?
DON'T PULL ME!
>> AIN'T NOBODY TRYING
TO PULL YOU! YOU'RE NOT--
>> I JUST WANT TO GO! I WANT TO
GO! I WANT TO GO. I WANT TO GO.
>> GET YOUR--GET YOURSELF--
SEE YA. HEY, YOU GOT GREAT ART
WORK. SEE YA, BOO. I'LL SEE YOU
IN THE NEXT LIFE. BYE.
>> IT COULD NOT HAVE BEEN
A BIGGER DISASTER. IT
ACCOMPLISHED NONE OF THE THINGS
Y'ALL PROMISED ME IT WOULD
ACCOMPLISH, AND IT WAS LIKE
A STRAIGHT DOGGY-PILE MELTDOWN.
>> ON THE NEXT EPISODE
OF "BIG RICH ATLANTA"...
>> DARYLL SPENDS AND SHARLINDA
BRINGS KAHDIJIHA, TOO, SO WHAT
IF HE JUST SAYS, "NO, I'M NOT
GONNA DO IT"?
>> THEY WANT TO GET IN HERE
WITH THE JEWELRY.
>> I DON'T THINK YOU
SHOULD PUT IT IN HERE.
>> Y'ALL PREACH THIS WHOLE
BUSINESS THING, BUT IT'S
VERY PERSONAL.
>> YOU'RE RIGHT.
>> I AM REDOING MY MASTER.
SHE BROUGHT ALL THESE SAMPLES
OF THINGS.
>> OH, NO, SHE DIDN'T.
>> I FEEL LIKE I HAVE TO FIRE
YOU EVEN BEFORE I HIRED YOU.
>> YOU, LIKE, JEOPARDIZED
OUR FRIENDSHIP.
>> I RENTED A LAKE HOUSE
FOR THE WEEKEND. IT'LL BE
SO MUCH FUN.
>> IF YOU ALL WANT TO SEE WHAT'S
GOING ON IN MY MAMA'S HEAD,
YOU NEED TO ASK MY MAMA, 'CAUSE
GUESS WHAT. SHE DON'T HAVE
NO PROBLEM TELLING YOU.
>> DIG DEEPER INTO THE DRAMA AT
STYLENETWORK.COM/BIGRICHATLANTA.