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BUT NOW IT'S ALL...
BREATHE...
...IN THROUGH THE NOSE, OUT THROUGH THE MOUTH.
YOU'RE SO CUTE.
YOU JUST NOTICED?
MIKE'S LOOKING FOR YOU.
HE'S IN EDIT ONE.
I NEED TO MAKE A PHONE CALL FIR.
LISTEN...
I'M COOKING TONIGHT, AT YOUR PLACE.
NOTHING WITH BARBEQUE SAUCE.
DAMN.
WE HOPE THIS WILL BE THE BIGGEST CHARITY MARCH IN METRO HISTORY.
HOW MUCH DO YOU EXPECT TO RAISE?
WE'RE AIMING FOR AT LEAST $800,000.
IS YOUR ORGANIZATION WORKING WITH THE NGAISIAN GOVERNMENT?
YES.
...WE HAVE THEIR AUTHORIZATION FOR ENTRY INTO THE COUNTRY,
DISTRIBUTION OF SUPPLIES...
THERE WON'T BE ANY DISTRIBUTION.
--THE FAMINE IS IN THE NORTH,
WHICH IS REBEL- CONTROLLED.
THE GOVERNMENT CAN'T GET IN THERE.
THEY CAN TAKE EVERYTHING YOU SEND AND USE IT AS LEVERAGE--FOOD, MEDICAL SUPPLIES...
THAT'S ENOUGH.
THAT IS PURE THEATRE--
THE GUY STANDS UP AT A PRESS CONFERENCE,
...AND GETS ALL THE CAMERAS TURNED ON HIM.
WHO IS HE?
HE'S THE INFORMATION OFFICER FOR "AFRI-CAN",
THAT RELIEF ORGANIZATION OUT OF LONDON.
IT'S A PAIN-IN-THE-*** BUNCH OF INTELLECTUALS FROM EUROPE.
THEY'VE BEEN KICKED OUT OF MORE PLACES THAN MOST ORGANIZATIONS HAVE BEEN IN.
I'VE GOT A "HOME AND SCHOOL" MEETING.
WHAT ABOUT THIS?
WAYNE WILL MAKE ANY CHANGES YOU NEED.
I DON'T WANT TO WORK WITH WAYNE!
WHAT'S GOING ON AROUND HERE?!
"HOME AND SCHOOL".
AGAIN?
WAYNE'S HERE.
I'VE GOTTA' GO.
OTHER STATIONS WILL RUN THIS.
...IF WE DON'T, IT LOOKS LIKE WE'RE PROTECTING YOU.
WHAT'S UP?
A GUY AT THE "METRO MARCH" PRESS CONFERENCE
SAID DONATING TO THE MARCH IS POINTLESS.
THAT'S CONFLICT OF INTEREST--
HE WANTS THE CASH FOR HIS GROUP, SO HE'S TRASHING US.
WE WILL LOOK INTO HIS GROUP.
THAT'S THE BEST WE CAN DO.
..NLESS ANNE HAS ANOTHER TAKE ON THIS.
NO.
THERE WAS A SCRUM WITH THIS GUY OUTSIDE THE CONFERENCE...
--I'LL GET THE TAPE.
HE'S TRYING TO WRECK TWO YEARS OF PLANNING.
I'M NOT GOING TO LET HIM.
DO YOU KNOW THIS GUY?
YEAH.
I ALMOST MARRIED HIM.
[♪♪♪]
NOT SAYING THE MARCH ORGANIZERS DON'T MEAN WELL.
I'M NOT QUESTIONING ANYONE'S GOOD INTENTIONS.
IT'S WHAT HAPPENS ONCE THE MONEY LEAVES THEIR HANDS.
IF YOU WANT IT TO GO WHERE IT'S NEEDED,
YOGO WITH AN AGENCY THAT HAS ACCESS.
THAT IS WHAT WE'VE GOT.
LYNN'S PUBLIC CRITICISM OF "METRO MARCH"
AND PITCH FOR "AFRI-CAN"
IS AN UNUSUAL TACTIC.
AID AGENCIES HAVE TRADITIONALLY KEPT THEIR DISPUTES PRIVATE.
BUT PUBLIC CONTRIBUTIONS ARE NOT KEEPING PACE WITH THE NEED.
THE BATTLE FOR DONORS' HEARTS AND MINDS...
MAY HAVE JUST ENTERED A NEW AND COMPETITIVE PHASE.
DAN'S NOT GOING TO FIND ANY DIRT ON "AFRI-CAN".
OH.
IF PETER IS BACKING IT, IT'S LEGIT'.
HE WOULDN'T BACK A SCAM.
WANNA' TELL THAT TO KYLE?
SOMEBODY SHOULD.
HE ONLY PUSHES WHEN HE KNOWS HE'S RIGHT.
PART OF YOUR MONTREAL DAYS?
HEAS ONE OF THE BEST PRINT JOURNALISTS IN THE CITY.
YOU'RE NOT BEING SUBJECTIVE, OR ANYTHING?
DAN'S GOING TO STRIKE OUT.
[ ♪ PIANO ♪, "BUZZ" OF PEOPLE TALKING ]
HE'S DONE "FEELINGS" FOUR TIMES.
I'M SORRY, LES.
MY BOY STARTED A COLD AND I WANTED TO GET HIM INTO BED BEFORE...
FORGET IT.
JUST GO, OKAY?
[ TINKLING NOTES OF PIANO ]
[ APPLAUSE ]
HI.
I WA TO START THE "STREET KIDS" INTERVIEWS TOMORROW,
SO I THOUGHT THAT MAYBE WE COULD...
TOMORROW YOU'RE AT THE "MID-TOWN COMMUNITY CENTRE".
FOR...?
THE "WETHERLEY HOSPITAL" JUGGLE-ATHON.
NO!
THE PRESIDENT OF A TOY COMPANY SAID
HE WOULD DOUBLE THE DONATIONS...
IF THE JUGGLERS COULD KEEP IT GOING FOR 36 HOURS.
LET ANDREA DO IT, SHE LOVES CHARITY STUFF.
YOU'RE DOING IT, AND IT STARTS AT 10:00.
I'LL BRING MY KNITTING.
ANNE CONSIDERS THE STREET KID SERIES A BIG THING,
SO YOU MIGHT WANT TO CHECK WITH HER BEFORE...
J.C., I'M NOT VERY GOOD AT FILLER.
YOU KNOW THAT!
YOU'RE YOUNG, YOU'LL LEARN.
ALL THE INTRO'S IN THE FIRST HALF ARETILL TOO LONG.
IT'S COMPLICATED STUFF.
I KNOW, BUT SETH AND NO PICTURES FOR 30 SECONDS IS BORING!
HRMPH.
I THINK THE WRITING...
HE HAS THE WIERDEST TIMING--
INVERTED OR SOMETHING.
SETH?
SETH?
HI, RED.
HOW'D YOU FIND ME?
I ASKED AROUND.
MY OFFICE IS...
MIKE, PETER LYNN.
THIS IS MIKE FENNELL, OUR NEWS DIRECTOR.
I CAUGHT YOU ON OUR NEWS.
--I GUESS THAT WAS THE WHOLE IDEA.
MORE OR LESS.
LET'S GO IN HERE.
SO, WHO TALKS FIRST?
WE COULD DRAW STRAWS.
YOU LOOK FANTASTIC.
AHH...
I CAN'T...
I CAN'T BELIEVE THAT AFTER EIGHT YEARS
WE'RE GOING TO HAVE A NORMAL CONVERSATION
...WITH NORMAL QUESTIONS AND ANSWERS.
WHAT ARE WE SUPPOSED TO DO?
I DON'T KNOW, SOMETHING ELSE.
WE COULD GO EAT.
HMMM...
DON'T THINK SO.
DON'T TELL ME YOU'RE HUSBAND
AND TWO KI.
WHAT IF I AM?
YOU'RE NOT.
HOW DO YOU KNOW?
I'M NOT HUNGRY.
WELL... COULD JUST TALK.
I PROMISE.
TO YOU.
WHAT FOR?
FOR BEING HERE.
[ CLINK ]
SO, WHAT SHOULD WE TALK ABOUT NOW?
"AFRI-CAN".
STOP PLAYING JOURNALIST.
WHO ARE THEY?
THE MOST COMMITTED GROUP OF PEOPLE I HAVE EVER MET.
EX-JOUALISTS?
NO; DOCTORS, ECONOMISTS, AGRONOMISTS.
IF YOU WANTED TO TALK ABOUT "AFRI-CAN",
WHY DIDN'T YOU CALL YOUR OWN NEWSER?
YOU GET MORE ATTENTION
BUSTING IN TO SOMEONE ELSE'S.
ANY HACK KNOWS THAT.
DAN SAYS YOU WANT TO TAKE THIS PITCH ACROSS THE COUNTRY.
STOP INTERVIEWING ME.
TALK TO ME.
SORRY I'M LATE, BOSS LADY.
ANNE?
[ CLICK ]
JAKE, HI, IT'S ME.
SOMETHING CAME UP.
I CAN'T MAKE DINNER TONIGHT.
I'M REALLY SORRY.
I'LL SEE YOU LATER, OKAY?
WHY ARE YOU STILL IN THIS ROTTEN BUSINESS?
I LIKE WHAT I DO, I DO IT WELL,
AND SOMETIMES IT MAKES A DIFFERENCE.
DON'T HIDE BEHIND THAT.
I'M NOT HIDING.
YES, YOU ARE,
JUST LIKE I DID.
I HID IN THE BEST HOTELS, ON EXPENSE ACCOUNTS--
PIMPING TRAGEDY.
COME ON!
IT'S TRUE.
YOU DRESS IT UP AND SELL IT--
TO THE READERS, TO THE VIEWERS,
TILL IT'S TOO OLD TO SELL.
--LIKE THE FAMINE IN NGGAISO.
IT SEEMS TO ME IT WAS THE PRESS
THAT BROUGHT THAT
YEAH, THE FIRST TIME.
NOW IT'S FOUR TIMES WORSE.
HAVE YOU SEEN ANY HEADLINES ABOUT THAT?
[ SIGHS ]
THAT'S WHAT I SAW WHEN I WENT BACK IN '89.
THAT'S WHY I STAYED.
NOW YOU FEEL USEFUL.
NOW I FEEL.
AFRICA CAN DO THAT TO YOU.
YOU SHOULD TRY IT.
♪ 'BEEN INVITED ON DATES, ♪
♪ MIGHT HAVE GONE, BUT WHAT FOR? ♪
[ ♪♪♪ ]
♪ AWFULLY DIFFERENT WITHOUT YOU, ♪
♪ DON'T GET AROUND MUCH ANYMORE, ♪
♪♪ DON'T GET AROUND MUCH ANYMORE. ♪
[ ♪♪♪ ]
♪ DON'T GET AROUND MUCH ANY-MORE! ♪
[ APPLAUSE ]
WELL, WE GOT THROUGH IT AGAIN, HUH?
YOU GOT IT.
WHAT?
IF YOU HATED IT, JUST SAY SO.
A GUY NAMED STAN LEVITTS CALLED.
HE SETS UP CLUB TOURS ALL ACROSS THE CONTINENT.
HE WANTS TO SEE YOU GUYS.
SEE US?
AUDITION, DAY TER TOMORROW.
COME ON!
IT'S YES OR NO.
BUT THAT'S A BIG COMMITMENT;
EVEN IF I SAY YES TO THE AUDITION,
THAT MEANS I'M SAYING...
MARGE!
I MEAN, THE KIDS, MY JOB...
YES.
HA-HA!
I SAID "YES"!
THANKS, LES.
[ HIGH HEELS ON FLOOR ]
HI.
HI.
WHAT HAPPENED?
NOTHING.
A FRIEND OF MINE NEEDED TO TALK.
I MADE SOME EXTRA BURGERS FOR YOU.
OH, NO THANKS.
I ALREADY ATE.
YOU'RE GOING TO GET FOOD ON THE SHEETS.
ARE YOU OKAY?
I'M FINE.
IS YOUR FRIEND OKAY?
EVERYTHING'S FINE.
THEN WHAT'S YOUR PROBLEM?
I DON'T HAVE A PROBLEM.
OKAY?
NOT REALLY.
OKAY, WHAT'S YOUR PROBLEM?
--BESIDES THE FACT THAT YOU CANCELLED DINNER
FOR THE THIRD TIME THIS MONTH AT THE LAST MINUTE,
AND THEN BLOW IN HERE READY TO SNAP MY HEAD OFF?
OH, LET'S GET REALLY SENSITIVE.
JAKE!
DAMN IT.
PONSORS.
THE REST ALL WANT TO KNOW...
...IF LYNN IS RIGHT.
THE KIDS ANSWERING THE PHONES OVER THERE ARE IN TEARS.
ANNE THINKS HE PROBABLY IS RIGHT.
YOU'RE BUYING THIS CRAP?!
KYLE...
HE IS A LOUDMOUTH EXPATRIATE.
IF HE'S PART OF "AFRI-CAN", HE'S ALSO A LEFTIST.
HE'S DOING HIS JOB.
NO, HE'S PREVENTING OTHERSROM DOING THEIRS.
THE AID BUSINESS IS COMPETITIVE AS HELL.
AND POLITICA ASELL.
ONLY TO "AFRI-CAN".
AN AGENDA...
AND I WANT YOU TO SPELL IT OUT ON THE AIR!
THE NEWSROOM ISN'T HERE TO GET EVEN WITH PEOPLE.
DAN IS LOOKING INTO ALL THIS.
AND, WE'LL GIVE THE MARCH ORGANIZERS A CHANCE TO RESPOND.
GOOD.
IT'S POINTLESS TO ARGUE WITH HIM.
FINE, HUMOUR HIM?
MORE OR LESS.
YOU HUMOUR HI.
PETER DESERVES A FULL INTERVIEW,
AND HE'S GOING TO GET IT.
HE ALREADY MADE HIS CASE ON V.
IT'S MORE COMPLEX THAN WHAT WE AIRED LAST NIGHT!
DO ME A FAVOUR, ANNE, DON'T GIVE ME THAT...
THE FAMINE DESERVES MORE ATTENTION THAN IT'S GETTING
HE KNOWS THE AREA AND THE PROBLEMS.
IT'S GOING TO BE A FIRST-HAND ACCOUNT,
--AND DAN'S PROBABLY GETTING IT FROM HIM RIGHT NOW.
YOU SENT DAN
YES.
ASSIGNING REPORTERS IS PART OF MY JO DESCRIPTION.
SO IS MAKING IMPARTIAL DECISIONS.
OH, MIKE!
THIS IS NEWS--
I'M NOT ABOUT TO LOSE IT IN A SCUFFLE WITH KYLE!
CONCENTRATION.
THAT'S ALL IT TAK?
HOW LONG CAN YOU CONCENTRATE?
HOW LONG CAN YOU WATCH?
OKAY, THAT'S IT.
LET'S GO.
"CFJZ F.M." AND THE "MID-TOWN COMMUNITY CENTRE"
ARE HAPPY TO KICK OFF THIS YEAR'S JUGGLE-ATHON.
EVERYBODY OUT IN RADIO-LD, GET YOUR FRIENDS TOGETHER,
GET YOUR CHEQUE-BOOKS, AND COME ON DOWN HERE.
WE'VE GOT 36 HOURS OF FUN...
THAT ALL
IRST.
OH, THEY'VE GOT KNIVES.
GOOD, MAYBE THEY'LL KILL EACH OTHER.
YOU'RE A VERY NEGATIVE PERSON, YOU KNOW THAT?
WELL, I CAN'T SIT HERE AND WATCTHIS ALL DAY.
WE'RE NOT GOING TO BE HERELL DAY.
I CAN'T WATCH THIS FOR ONE HOUR.
I CAN WATCH FOR A LONG TIME.
ARE YOU IN THE ACT?
I WOULD LIKE VERY MUCH.
THEY WILL PLAY WITH MANY SHARP, POINTY THINGS.
WATCH 'M NOT PLAY GS.
BUT I WOULD LIKE VERY MUCH.
A TRAFFIC JAM'S A TRAFFIC JAM;
WHAT DO YOU WANT ME TO SAY?
TELL THAT TO HILDY'S BOYFRIEND.
WHAT DO YOU MEAN, "HER BOYFRIEND"?
SHE TOLD FENNELL SHE ALMOST MARRI THIS GUY.
[ KNOCK- KNOCK ]
--I BET SHE SCARED HIM OFF.
MR. LYNN?
DAWATSON.
COME I
SORRY ABOUT THE DELAY...
WE GOT STUCK IN TRAFFIC.
HI.
PETER LYNN.
JAKE ANTONELLI.
READY?
JAKE?
YEAH... YEAH.
MR. LYNN, HOW DID "AFRIC-CAN"
GET INTO THE REBEL-HELD NORTHERN AREAS?
'VE BEEN WORKING WITH THE REBEL AID
ORGANIZATIONS IN THE NORTH FOR AWHILE.
BECAUSE WE'VE REFUSED TO DEAL WITH PRESIDENT MUARU'S GOVERNMENT,
WE'RE RECOGNIZED AS AN INDEPENDENT AGENCY.
THAT GIVES US UNRESTRICTED ACCESS.
WHAT AREAS DO THE REBELS HOLD?
THEY HAVE CONTROL OF SASA PROVINCE,
WHERE NGAISO'S ONLY NORTHERN PORT IS,
AND WHERE THE FAMINE IS WORST.
HE TALKS ABOUT THE ETHNIC DIVISIONS,
THE WHOLE BACKGROUND OFHE WAR.
MARGE, THIS CAN'T KEEP HAPPENING.
THIS IS THE BUSIEST TIME OF DAY FOR US.
I KNOW.
THEN WHAT ARE YOU DOING?
I'M SINGING.
WHAT?
SINGING.
AT THE "HOME AND SCHOOL" MEETINGS?
NO, AT A LITTLE CLUB.
THERE ARE NO "HOME AND SCHOOLS",
I WAS JUST SORT OF EMBARRASSED, SO I DIDN'T TELL ANYONE.
OH, I DON'T BELIEVE THIS.
I KNOW IT SOUNDS WIERD,
BUT THAT'S WHAT'S HAPPENING.
I REALLY LOVE IT,
AND NOW THERE'S THIS GUY WHO BOOKS NORTH AMERICAN CLUB TOURS,
AND HE WANTS TO SEE ME TOMORROW.
THS
OAD.
WHAT ABOUT YOUR KIDS?
I KNOW.
I'D HAVE TO FIGURE OUT A FEW THINGS.
WHAT ABOUT THE JOB?
I HAD A CHANCE TO DO THIS 10 YEARS AGO,
BUT I'D JUST GOMARRIED,
AND FRANK SAID, "YOU GO ON THE ROAD, I GO OUT THE DOOR."
,
BUT, YOU'VE BEEN HERE LONGER THAN I HAVE.
IT'S MLAST CHANCE.
OKAY.
GOOD LUCK.
THANKS.
I'LL BE LATE TOMORROW.
N...
...OH.
...KEEP YOUR MOUTH SHUT,
AND SOON THE POPULATION WILL BE DEAD.
HE STILL DIDN'T GIVE US ANY PROOF.
WELL, WHAT DO YOU WANT, VIDEOTAPE?
IT'D HELP!
YOU'RE BEING UNREASONABLE.
AM?
[ EXASPERATED SIGH ]
THE GUY KNOWS WHAT HE'S TALKING ABOUT, MIKE.
I DON'T CARE IF HE COMES ACROSS AS THE WHITE KNIGHT.
I JUST WANT YOU TO TALK TO SOMEONE ELSE
WHO KNOWS "AFRI-CAN", WHO'S BEEN THERE.
THEN MAYBE WE'LL HAVE A CASE...
ONE WAY OR THE OTHER.
DOES MADAM WISH THE CAR PARKED INSIDE?
NO, IT'S JUST DINNER.
IF YOU'LL LEAVE ME THE KEYS,
I'LL MOVE IT TO THE SIDE.
THANK YOU.
NOT ONLY DID I WATCH A BUNCH OF GUYS THROWING KNIVES AT EACH OTHER,
BUT THEN I HAD TO COME HERE AND EDIT THE STUF WITH WAYNE BECAUSE MARGE TOOK OFF.
I SHOULD JUST OPEN MY WRISTS.
YOU SHOULDA' DONE IT AT THE "JUGGLE-ATHON"--
YOUR CHOICE OF WEAPONS, AND ALL.
CAN I DO THE "STREET KIDS" TOMORROW, PLEASE?
IN THE MORNING, IF YOU HAVE TIME.
I NEED THE "JUGGLE-ATHON" IN THE AFTERNOON.
I WANT YOU TO KNOW THAT I RESENT THIS.
IT'S ONLY GOING TO GET BETTER.
OH, THEY'RE THROWING AXES TOMORROW!
TOLD YA'.
GOODNIGHT, J.C.
NO.
MEANING?
MEANING "NO".
I JUST ASKED YOU UP FOR A GLASS OF WINE!
PETER...
SAY IT INSIDE.
I WANT TO TALK ABOUT THE STORY.
OH.
--PARTICULARLY ABOUT THE GOVERNMENT'S GIVING OUT OF SUPPLIES.
IF THERE WAS SOME PROOF,
IF THERE W NEWS ORGANIZATION
THAT HAD SOME FOOTAGE OR A LEAKED DOCUMENT, OR ANYTHING...
I CAME TO...
YOU CAME TO HAVE DINNER.
FINE.
WE HAD IT.
AND NOW I'VE ASKED YOU UP FOR GLASS...
ANNE, FOR GOD'S SAKE, I'M NOT POISONOUS.
NO, DON'T.
DON'T TOUCH ME, PLEASE.
I USED TO WAKE UP WITTHIS ON MY PILLOW.
I SHOULD HAVE SAID "NO".
TO WHAT?
TO D TO THIS.
I SHOULD HAVE SAID "NO" IN MONTREAL.
WHY?
IT WASN'T SUCH A BAD THREE YEARS.
YES, IT WAS.
I HAD TO TAKE WHATEVER I COULD GET.
IT WAS LIKE I WAS STEALING.
YOU DIDN'T STEAL.
YOU DIDN'T GIVE.
SIR, CAN I HELP YOU?
[ SCREECH! ]
ARE YOU GOING TO GIVE ME A CHANCE?
SOMEONE WHO HAS SEEN "AFRIC-CAN" IN ACTION.
THAT FAST?
THAT'D BE GREAT.
THANKS A LOT.
ERIC?
WHERE'S JAKE?
HE WAS AROUND.
TELL HIM TO MEET ME THERE, A.S.A.P.
GOOD MORNING AND GOODBYE.
SAME TO YOU.
WE'RE MEETING AT 11:00 ON THE "STREET KIDS" SERIES.
GOOD MORNING.
'MORNING.
SETH, COULD I SEE YOU IN MY OFFICE?
IT'S OKAY, ANNE.
NO, SETH, JUST COME INSIDE.
S ABOUT THE NIGHT,
I'M FINE.
I WASN'T TRYING TO SAY THAT YOU ARE BORING.
I JUST MEANT THAT A NEWSCASTER
TALKING DIRECTLY INTO THE CAMERA FOR A LONG TIME...
IS BORING.
...IS... DIF
T.V. IS IMAGES, AND VEMENT.
I USED TO THINK I WAS BORING.
NO, REALLY.
I JUST DIDN'T THINK I HAD THE SPARKLE, THE EDGE.
[ RRING! ]
MY PHONE IRINGING.
THEN, I TOOK ONE OF THOSE SELF-POTENTIAL COURSES.
AT THE END,
THE GUY WHO GAVE THE COURSE
SAID I WAS THE MOST INTERESTING MAN
HE HAD EVER MET.
AND HE WAS RIGHT.
GOOD TO TALK TO YOU, SETH.
THANKS, ANNE.
[ ♪ WHISTLING ♪ ]
[ RING! ]
[ B-RRING! ]
YOUR PHONE.
[ BRRING! ]
THAT'S JUST MACK.
DAN LEFT.
WHAT'S THE MATTER?
JAKE!
DO YOU HAVE SOMETHING YOU WANT TO SAY?
ABOUT...WHAT?
IF YOU'RE NOT GOING TO TELL ME...
I'LL TELL YOU!
I'LL TELL YOU WHE YOU WERE LAST NIGHT.
OKAY.
IF YOU HAVE A QUESTION FOR ME, ASK.
YEAH, I DO HAVE A QUESTION.
I WANT TO KNOW ABOUT ALL THIS SHARING CRAP WE KEEP TALKING ABOUT!
MAYBE YOU SHOULD BRING THIS GUY HOME TO BED AND WE COULD SHARE YOU, HUH?!
SORRY!
I DID NOT SLEEP WITH HIM.
YOU CAN BELIEVE THAT OR NOT, IT'S YOUR CHOICE.
IT'S NICE TO KNOW I STILL HAVE A CHOICE.
JANE...
COULD WE TAKE A WALK?
SURE... I'LL GET MY COAT.
THE DAY IS STARTING WELL.
N
WHAT AM I, A PUNCH CLOCK?
YOU'D BE MORE USEFUL.
♪♪ EVER SINCE TH
, ♪
♪ THERE IS NOTHING SADDER THAN♪
♪ A ONE-MAN WOMAN ♪
♪ LOOKING FOR THE MAN THAT GOT AWAY. ♪
♪ EVER SINCE THE WORLD BEGAN, ♪
♪ THERE IS NOTHING SADDER THAN... ♪
♪ A ONE-MAN WOMAN ♪
♪ LOOKING FOR THE MAN THAT GOT AWAY. ♪♪
I'M A BIT SCRATCHY FIRST THING IN THE MORNING.
I COULD DO IT AGAIN.
YOU DON'T HAVE TO DO IT AGAIN.
I TOLD YOU.
I'M TERRIFIC?
I COULD KEEP YOU BUSY FOR A YEAR.
THAT'S..
TWO YEARS, EVEN.
I LOVE WHAT YOU ARE,
I LOVE WHAT YOU SOUND LIKE.
LET'S USE IT.
SURE.
YOU'VE GOTIRE IN THE VOICE.
SO, MAYBE, WE CAN PUT THAT INTO YOUR HAIR.
I'M SORRY?
RED HIGHLIGHTS
BUT SUBTLE, YOU KNOW?
E
A LITTLE WILDNESS.
DITTO FOR THE OUTFIT.
WHAT KIND OF CLOTHES?
NO MORE "GYPSY QUEEN".
IF YOU'RE GOING TO BE A TORCH SINGER,
YOU MIGHT AS WELL LOOK LIKE A TORCH SINGER.
I NEED HEAT !
HEAT?
YOU GOTTA' BURN !
DO YOU KNOW ANY STREISAND?
I JUST THOUGHT THAT IT WOULD MPLICATE THINGS,
PEOPLE WOULD WONDER...
I JUST THOUGHT IT WOULD BE EASIER IF NO ONE KNEW.
SO NOBODY WILL KNOW.
THANK YOU.
HOW DOES JAKE FEEL ABOUT THAT?
HE DOESN UNDERSTA
HE THINKS I'M ASHAMED OF HIM.
ARYOU?
NO.
AND NOW HE'S GOT AN OLDOYFRIEND TO COPE WITH.
PETER'S HISTORY, THAT'S OVER.
WHAT?
PETER'S HISTORY, SO YOU DRAG A PREGNANT LADY
OUT TO THE PARKING LOT AND FREEZE HER BUM OFF.
DO YOU WANT TO GO INSIDE?
I WANT YOU TO DEAL WITH THIS.
DO YOU FIGURE THIS IS YOUR LAST CHANCE WITH THIS GUY?
IT'S OVER.
I MEAN, HE'S CHANGED, I'VE CNGED...
AND YET,
WHEN YOU FINALLY LOOK AT EACH OTHER,
WHEN HE FINALLY TOUCHED YOU...
CUT IT OUT.
TELL ME HOW IT ENDED.
HE WAS POSTED TO CHINA,
AND I DIDN'T GO.
WHY?
I ALWAYS FOLLOWED HIM.
I NEVER QUESTIONED ANYTHING...
EXCEPT MYSELF.
AND THAT'S WHAT THIS GUY DID TO YOU?
THEN LET IT GO.
YEAH.
THERE'S ACTUALLY A LARGE NGAISIAN
REFUGEE COMMUNITY IN METRO,
MANY FROM SASA PROVINCE.
THE WAR GOT WORSE, AND THEY GOT OUT.
WHO ARE WE MEETING?
A WOMAN WHO'S BEEN IN CANADA ABOUT 8 MONTHS.
SHE SPENDS A LOT OF TIME AT THE "FOUNDATION".
SHE WAS HERE WHEN YOU CALLED THIS MORNING.
SHE'S ACTUALLY
GREAT.
SABA, I'D LIKE YOU TO MEET DAN WATSON,
AND, OH, I'M SORRY...
THAT'S OKAY.
JAKE ANTONELLI.
TH'RE DOING THE STORY ON "AFRI-CAN".
WHAT KIND OF STORY ARE YOU DOING?
GENERAL BACKGROUND.
WE WANT TO TALK TO SOMEONE WHO KNOWS
WHAT'S GOING ON IN THE NORTH.
A WAR.
YEAH, I MEANT...
I'LL SET UP BACK HERE.
HOUR 25, AND IT IS GETTING TOUGH UP THERE!
BUT, THE TOTE BOARD IS EDGING UPWARDS,
SO LET'S ENCOURAGE THESE PEOPLE IN THEIR NOBLE QUEST
FOR A NEW CHILDREN'S WING AT "WETHERLEY".
TERRY, YOU'VE GOTTA' LOOK AT THIS!
TWO YEARS OF J. SCHOOL,
TWO YEARS IN GANDER AT "C.F.P.N", ONE OF THEM DOING WEATHER...
THIS IS AMAZING.
I THOUGHT I WAS BUILDING TO SOMETHING.
WHAT'S UP?
I WANTED YOU TO SEE THIS.
I WORKED WITH THEM FOR THREE MONTHS.
I DIDN'T REALIZE AT FIRST
WHERE MUCH OF THE MONEY AND SUPPLIES WERE GOING.
WHERE WERE THEY GOING?
TO THE REBELS.
LONG HAVE THEY
BEEN SUPPORTING REBEL MOVEMENTS?
FROM THE BEGINNING.
WERE ALL THE MEMBERS
OF "AFRI-CAN" INVOLVED?
ALL OF THEM WHERE WE WERE.
DID YOU ASK THEM WHY?
WHAT DID THEY TELL YOU?
THEY SAID THERE WAS NO POINT SENDING MEDICAL AID AND SUPPLIES UP NORTH
IF THE ARMY WAS KILLING EVERYONE,
THAT THE REBELS WERE OUR BEST CHANCE FOR SURVIVAL.
WHO IS SHE?
A WOMAN FR SASA PROVINCE,
FROM THE FRONT.
YOU'RE SURE?
WE CHECKED HER OUT WITH "IMMIGRATION".
YOU REALLY ARE DETERMINED TO GET HIM, AREN'T YOU?
IF HE'S GETTING WHAT HE WANTS BY LYING, YES.
WHAT IF
DO ME A FAVOUR.
WORRY LESS ABOUT YOUR OLD BOYFRIEND,
AND MORE ABOUT THE INTE STOR
.
THAT IS EXACTLY WHAT I AM... WORRYING ABOUT!
I'VE GOT SOME NEW INFORMATION FOR THE REPORT.
HER BOYFRIEND ?
ssTHE NGAISIAN GOVERNMENT HAS ONE OF THE BEST INTELLIGENCE SERVICES AROUND.
THEY FIND A LOCAL REFUGEE COMMUNITY AND BLEND RIGHT IN.
SHE CLEARED "IMMRATION".
OH, GOD, THE ULTIMATE HURDLE.
IS THAT ALL YOU WANT TO SAY?
WHAT, DO YOU A GOOD SOUND
IT'S A LIE.
WE'VE NEVER FUNDED THE WAR EFFORT,
AND WE DON'T ARM THE REBELS.
YOU FEED THEM.
OF COURSE WE DO!
WE FEED EVERYBODY, WE'VE NEVER HIDDEN THAT.
YOU'VE BEEN SET UP.
IF YOU RUN THIS INTERVIEW,
THE GOVERNMENT HAS EXACTLY WHAT IT NEEDS
TO THROW "AFRI-CAN" OUT OF THE COUNTRY.
I'LL TRADE YOU--
THE INTERVIEW FOR A TRUCE.
BETWEEN?
BETWEEN YOU AND "METRO MARCH".
THEY'RE WRONG.
THEY'RE NOT WRONG .
THINGS AREN'T JUST RIGHT OR WRONG.
YEAH, THEY ARE.
THEY'RE TRYING TO HELP.
IF THEY'RE DOING IT THE WRONG WAY, SHOW THEM.
I HAVEN'T GOT TIME FOR THAT.
OH, RIGHT--
YOU'REOO BUSY TEARING THINGS DOWN.
THINGS AREN'T THAT ONE-SIDED, PETER.
BALANCE--
EXACTLY WHY I GOT OUT
OF THIS BUSINESS.
FAIRNESS--
WHY I STAY IN IT.
IT NEVER CHANG A DAMN THING.
REALLY?
IT GOT YOUR MESSAGE OUT...
IN THE MIDDLE OF SOMEONE ELSE'S PRESS CFERENCE.
YOU'VE TURNED INTO A FIGHTER.
I'VEWE'RE COMING UP ON YE
THE 31st HOUR,
AND I THINK THE JUGGLERS ARE GETTING A LITTLE BIT TIRED...
SO, NOW, IT'S TIME FOR THE TOUGH STUFF!
[ VROOM! ]
[ GROWWWL! ]
HOW LONG HAVE YOU HAD THIS THING ABOUT SHARP STUFF?
OH, IT IS VERY NEW INDEED!
BEFORE, IT WAS THINGS THAT EXPLODE,
S...!
THESE HAVE MORE... HOW YOU SAY--
"POTENTIAL".
EXCUSE ME A SECOND.
TURN IT OFF.
TERRY!
IT'S 4:30.
YEAH, BUT THEY JUST GOT STARTED.
WHAT'S GOING TO CHANGE?
NOW IT'S CHAINSAWS,
BEFORE IT WAS KNIVES.
YOU'VE BEEN LOOKING...
TURN THE CAMERA BACK ON.
WHEN'S TERRY DUE BACK?
EARLY ENOUGH TO EDIT.
SHE HAS A WONKY SCHEDULE.
I NEED HER PIECE TO FILL.
I WANT TO SEE WHERE YOU STUCK...
WHY HAS THE LYNN PIECE GOT A LINE THROUGH IT?
ANNE CALLED AND SAID TO HOLD IT.
SHE SAID WHAT?!
TO HOLD IT.
THE SOURCE ISN'T RELIABLE, KYLE.
WHO TOLD YOU THAT?
I ASKED DAN TO GO BACK A LITTLE FUR HISTORY.
IF SHE CLEARS, WE RUN IT.
IF SHE DOESN'T...
WHO ARE YOU CLEARING HER WITH--
MORE FRIENDS OF FRIENDS?
IT'S UP TO US WHAT RUNS HERE, KYLE.
AND WHAT DOESN'T.
OKAY.
YOU TWO WORK IT OUT BETWEEN YOU.
JUST REMEMBER,
WHATEVER YOU DECIDE WILL MAKE A BIG DIFFERENCE--
OVER HERE, AND OVER THERE.
COULD I SEE YOU IN MY OFFICE?
WHY DID YOU CALL MACK INSTEAD OF ME?
I WANTED IT OUT,
AND I THOUGHT I WOULD COME BACK AND TELL YOU WHY.
TELL ME WHY, NOT DISCUSS IT?
WE DON'T SEEM TO BE TOO GOOD
AT DISCUSSIONS THESE DAYS.
PETER SAYS SHE IS WITH NGAISIAN INTELLIGENCE.
AND, 'CAUSE HE SAYS IT...
BECAUSE PETER SAYS IT, IT'S TRUE.
THAT'S S ENOUGH F
YEAH.
WE ARE STILL GOING FOR THE GOLD HERE...
IF WE CAN STILL, PLEASE, HOLD IT TOGETHER.
[ LAUGHTER ]
I'VE NEVER SEEN ONE PERSON DO SO MUCH DAMAGE
...IN SO LITTLE TIME.
IT WAS LIKE THE "TEXAS CHAINSAW MASSACRE"...
IN SLOW-MOTION!
SIR, DO YOU HAVE ANYTHING TO SAY?
YES-- NOW I KNOW DREAMS COME TRUE!
GHTER ]
GREAT ACT, HE SHOULD TAKE IT ON THE ROAD.
YEAH.
MARGE, CAN YOU GIVE ME 90 OF THIS?
I CAN GIVE YOU A FEATURE.
[ LAUGHS ]
OH-- IS ANNE BACK YET?
YEAH.
HEY, WHERE...?!
MARGE, IT'S TEN TO 6:00!
KEEP YOUR HAIR ON.
SHE SHOULD TALK.
VERDICT?
ON THE SIDE OF RIGHT.
ANNE?
'GOT A MINUTE?
YEAH.
THEY WANT ME.
IS THIS WHAT HAPPENS TO YOU WHEN YOU GET GOOD NEWS?
IT'S JUST...
THEY WANT A NEW LOOK.
WHY?
SHOW-BIZ?
WHAT ELSE DO THEY WANT?
NOTHING, REALLY.
YOU KNOW...
A DIFFERENT SONG LIST, SORT OF.
SORT OF?
STUFF I DON'T DO VERY WELL.
IT'S SO WIERD!
IF I HESITATE FOR A SECOND.
LDN'T
THAT WAS THEN?
AND THIS IS NOW?
I LOVE SINGING.
DON'T LOSE THAT.
I LOVE SINGING FOR FRIENDS.
CAN YOU COME, TOMORROW NIGHT?
I WOULDN'T MISS IT FOR ANYTHING.
GREAT.
I'M GLAD WE'RE NOT LOSING YOU.
YEAH...
BESIDES,
THERE'S NO SUCH THING AS A "LAST CHANCE"...
RIGHT?
RIGHT!
THERE'S NO SUCH THING.
EXCUSE ME.
I'VE GOTTA' HIT THE SHOWERS.
SO?
WE'RE NOT GOING TO RUN THE INTERVIEW.
NOW DO WE GET THE TRUCE?
I WON'T BACK DOWN, YOU KNOW THAT.
YEAH, I JUST THOUGHT YOU MIGHT HAVE CHANGED.
I HAVE... A LITTLE.
I WON'T LET YOU STAY BEHIND THIS TIME.
YOU KNOW,
IF YOU HAD SAID THAT TO ME EIGHT YEARS AGO,
OR MAYBE EVEN LAST YEAR...
WHAT'S DIFFERENT BETWEEN LAST YEAR AND NOW?
ME.
I NEED YOU.
YOU'VE NEVER NEEDED ANYONE, PETER.
YOU'RE WRONG.
UNH-UNH.
I'M RIGHT.
I COULD CHANGE SOME MORE.
...GIVEN THE CHANCE.
THIS MAY BE OUR LAST CHANCE.
RE'S NO SUCH THING T CHANCE.
RIGHT AGAIN.
TAKE IT EASY, RED.
ALWAYS DO.
THIS IS A SPECIAL NIGHT FOR ME.
I HAVE A ROOMFUL OF FRIENDS OUT THERE.
[ APPLAUSE ]
THIS ONE'S FOR ALL OF YOU.
I DIDN'T KNOW SHE WAS AN ARTIST.
I SHOULD HAVE SENSED IT.
YOU CAN TELL WHEN SOMEONE LIVES FOR THEIR MUSIC.
SHE'S STARTING, SETH.
I DON'T KNOW MARGE VERY WELL,
BUT SHE LOOKS LIKE SHE'S A REALLY INTERESTING PERSON.
SHE'S STARTING!
SHE'S STARTING!
I WONDER IF SHE KNOWS "FEELINGS".
♪ TABLE FOR TWO, ♪
♪ LUNCH AT NOON, ♪
♪ WE SERVE IT IN THE NAME OF MISTER BLUE. ♪
DO YOU WANT TO HEAR ABOUT
THE VANISHING NGAISIAN?
NOPE.
SHHHH!
INTO THIN AIR!
NOBOBY AT THE REFUGEE FOUNDATION CAN FIND HER--
NO ONE IN THE COMMUNITY EVEN KNOWS HER.
I GUESS LYNN WAS RIGHT.
DO YOU WANT ME TO DO YOU BODILY HARM?
♪ DAIQUIRI LUNCHEON, ♪
♪ COCKTAIL AFTERNOON, ♪
♪ THAT'S HOW I GET THROUGH MY DAY. ♪
NEED ANOTHER BEER?
YEAH.
HI.
HI.
HI.
OH, BOY.
♪ FUNNY HOW YOU TOLD ME ♪
♪ THIS TIME WOULD COME. ♪
♪ I DIDN'T LISTEN TO A WORD YOU HAD TO SAY. ♪
GO ON.
GO!
IS THAT HOW IT'S GOING TO BE?
WE SHOULD JUST STOP.
OH.
IT'S POINTLESS, RIGHT?
♪ NO ONE WILL BE JOINING ME, ♪
♪ I'LL BE DINING ALONE... ♪
I FOUND SOMETHING OUT.
I FEEL GOOD WITH YOU.
YOU...
I DUNNO'.
YOU TAKE ME FOR WHAT I AM.
WHY SHOULDN'T I?
A LOT OF PEOPLE PLAY POWER GAMES,
THEY WANT YOU TO PROVE YOURSELF,
WANNA' CHANGE YOU.
WELL, YOU'VE GOT NOTHING TO PROVE TO ME.
YES, I DO.
[ APPLAUSE ]