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- YOU KNOW, $30 MILLION, $40 MILLION ESTATES OUT HERE.
- MY GOD, MARTYN!
- LAST YEAR WAS AN INCREDIBLY SUCCESSFUL YEAR.
I COMPLETED SOME SPECTACULAR CELEBRITY HOMES.
IT'S PRETTY GOOD TO BE MARTYN LAWRENCE-BULLARD.
BEHAVE YOURSELF. THIS YEAR,
I HAVE AN EXTRAORDINARY ARRAY
OF CELEBRITY CLIENTS.
- YES. YES!
- THAT'S DELICIOUS DECORATING.
- TA-DA! - SO I COULD LIVE HERE.
MY CAREER, AT THIS POINT, COULD NOT BE MORE HOT.
- YOU'RE A DESIGN GOD. - OVER THE PAST YEAR,
I THINK ROSS HAS REALLY FOUND HIS VOICE
AS AN INTERIOR DESIGNER.
- I'M NOT GONNA REDESIGN THE SCHEME NOW.
- AND IT'S LOUDER THAN EVER.
I'M ESPECIALLY NERVOUS. I'M NOT IN CONTROL OF THIS.
- I AM CRAZY FOR THIS.
I ONCE SAID I WOULDN'T GET OUT OF BED
FOR LESS THAN A MILLION DOLLARS.
BUT THAT DOESN'T MEAN TO SAY I WON'T GET IN FOR A LOT LESS.
- THIS IS A CIRCUS.
- LAST YEAR, I WAS WORKING WITH A DIFFERENT CLIENT.
YOU KIND OF HAVE TO STEP OUT OF IT.
- I--I CAN'T STEP OUT. NOTHING HAPPENS.
- WELL, THAT'S NOT TRUE.
AND THIS YEAR, I HAVE EVEN MORE.
CAN WE JUST DO MY VISION?
- WELL, LET'S DO ONE OF EACH.
- I'M ABOUT TO HAVE A BREAKDOWN.
- I NEED PROPS ABOUT IT. - I LOVE IT.
- I NEED MORE. MY CAREER'S PHENOMENAL.
THE BEST PART ABOUT IT IS I GET TO WORK WITH
THE MOST PRIVILEGED PEOPLE IN THE WORLD.
AND THIS YEAR, IT'S EVEN CRAZIER.
- IT WOULDN'T BE MY FIRST PICK. - WOULD IT BE YOUR SECOND?
- NO. - UM...
YOU KNOW, HALF THE TIME I'M WONDERING
ARE THERE OTHER FORMS OF LIFE?
AND DO THEY DECORATE?
- I DON'T FOLLOW THE TRENDS, I SET THEM.
- GLAMOUR IS EVERYTHING.
- DECORATING IS TOTALLY DELICIOUS.
- I'M NOT A HOUSE DESIGNER, I'M A LIFE DESIGNER.
- THAT GOES THE OTHER WAY, JOHNNY.
- WHAT DOES? CUTTING THE ORANGE?
- YES. NOT THAT WAY. THE OTHER WAY.
- YES. - IT'S MORE JUICY.
- WILL YOU BE ABLE TO LOOK AFTER YOURSELF?
I'M TAKING JACQUELINE AWAY FOR A NIGHT.
- WE'LL BE FINE.
I WAS THINKING OF THROWING A BIG PARTY TONIGHT.
IS THAT ALL RIGHT?
- I DON'T MIND YOU HAVING FRIENDS OVER,
YOU KNOW, BUT-- JOHNNY, THAT IS DISGUSTING.
THE HOUSE CONTINUES TO BE CRAZY AND FULL OF LIFE.
I WOULDN'T WANT IT ANY OTHER WAY.
I AM NOT SAYING YES YET.
- OKAY. - DO NOT SEND OUT INVITATIONS.
LET ME JUST THINK ABOUT IT.
- KATHRYN, IT'S FINE.
IT'S OKAY. NO PROBLEM.
- LET'S NOT RUIN OUR TRIP BEFORE WE'VE GONE ON IT.
I DON'T NEED MUCH. JACQUELINE, WE'RE ONLY GOING FOR ONE NIGHT.
SO TODAY, JACQUELINE AND I ARE GOING TO GO WINE TASTING.
BUT ON OUR WAY, WE'VE GOT TO STOP
AT MY JOB SITE IN OJAI.
IT'S ABOUT AN HOUR AND 20 MINUTES
OUTSIDE LOS ANGELES.
WE HAVE TO STOP IN OJAI BECAUSE OF MY--MY JOB.
DON'T GO CRAZY. I MEAN...
- OKAY? - ALL RIGHT.
- OKAY... [speaks French]
- GOOD MORNING, DARLING. - GOOD MORNING, BABE.
- LOOK HOW CUTE YOU TWO LOOK DOWN THERE.
I BROUGHT YOU SOME TEA. COME ON DOWN.
- DELICIOUS. I'LL BE THERE IN A SECOND.
- ALL RIGHT. - BUSINESS IS PHENOMENAL.
I AM ONE OF THE TOP DESIGNERS IN AMERICA.
AND IT'S NOT JUST A JOB FOR ME,
IT'S THE LIFESTYLE I'VE CREATED.
- HOW'D YOU SLEEP? - GOOD.
A LITTLE BIT JET-LAGGED.
BUT IT WAS WORTH IT. TAHITI WAS AMAZING.
- I WISH WE WERE STILL THERE.
- I CAN'T BELIEVE I'M LEAVING SO FAST
TO GO BACK TO TAMARA'S.
MICHAEL IS MY PARTNER,
AND I'M VERY LUCKY I HAVE A VERY SUPPORTIVE PARTNER.
HE UNDERSTANDS THE WAY MY CAREER WORKS.
- HOW LONG ARE YOU GONNA BE GONE?
- JUST FOR A COUPLE OF DAYS.
BUT IT'LL BE SO FUN TO HANG OUT WITH TAMARA,
AS ALWAYS.
- YEAH. WELL, GIVE HER MY LOVE.
- TAMARA MELLON CREATED AND FOUNDED
THE BRAND JIMMY CHOO.
AND I'M FINISHING HER
$30 MILLION APARTMENT IN NEW YORK.
ALL RIGHT, DARLING, HAVE A GREAT DAY.
- YOU TOO, BABE. - THANK YOU FOR MY TEA.
- ALL RIGHT, BABE. HAVE A GOOD DAY.
- THANK YOU, DARLING.
- HEY, MARGIE. - HEY, MARY.
- I'M SORRY I'M LATE. - WHAT ELSE IS NEW?
- I CAN'T HELP IT. LOOK HOW SKINNY YOU ARE.
- WELL, YOU KNOW, I'VE BEEN CUTTING OUT GLUTEN.
- MY CAREER'S PHENOMENAL. WHO WOULDN'T LOVE A JOB
WHERE YOU GET TO SPEND OTHER PEOPLE'S MONEY?
CONSTANTLY. ENDLESSLY.
- OH, MY GOD.
- I KNOW, MY CAR'S REALLY DIRTY. DON'T LOOK AT IT.
- WHAT, HAVE YOU BEEN TO THE RODEO?
- IT'S REALLY EMBARRASSING. DON'T LOOK AT IT.
- COULD YOU GET RAUL OR SOMEBODY
TO WIPE THIS CAR OFF?
WHAT'S WRONG WITH YOU? - I'M BUSY.
I'M WORKING WITH MARGIE PARENCCIO,
WHO IS, HONESTLY, ONE OF THE WEALTHIEST PEOPLE I'VE EVER MET.
SO WE'RE GONNA LOOK AT THE GUEST HOUSE.
LOOK AT YOUR TEENY LITTLE BOTTOM.
IT'S SO SMALL. - YEAH.
- GOD, I HAVE THE BIGGEST BUTT IN THE WORLD.
- YES, YOU DO. [laughter]
- YOU KNOW, I LOVE THIS GUEST HOUSE.
I THINK IT'S SO HAPPY AND BRIGHT.
THE GUEST HOUSE CONSISTS MAINLY OF TWO BEDROOMS
AND A LIVING ROOM, WITH A LITTLE SEATING AREA.
- OKAY, SO COME ON.
- I DON'T MIND THIS SEATING GROUP LIKE THIS.
I THINK IT'S ACTUALLY NICE
TO HAVE A SOFA HERE-- MAYBE TWO CHAIRS.
- RIGHT. - LET'S LOOK IN HERE.
- ALL RIGHT.
- I'VE GOTTA PUT A COLOR SCHEME TOGETHER.
SO ARE YOU STILL-- YOU WANT IT BASED ON CREAMS?
- LAVENDERS, LILACS.
UH...SOFT COLORS. - OKAY. OKAY.
I THINK IT'S IMPORTANT THAT MARGIE ACTUALLY GETS ON BOARD
FOR A COLOR SCHEME FOR THE GUEST HOUSE.
DIDN'T YOU SAY THAT YOU WANTED ME TO KEEP
THE HEADBOARD AND THE CURTAINS?
- RIGHT. - SO I'M JUST GONNA CONTINUE
WITH THIS THEME OF THIS SORT OF BATIKY FABRIC.
- YEAH, I LIKE THE FABRIC.
- AND THIS SORT OF CARAMEL COLOR.
I ALSO LIKE WALLPAPER IN THIS COLOR.
I MEAN, DO YOU LIKE THAT?
- YOU KNOW, I'M CHANGING MY MIND.
- OH.
- I'M THINKING MAYBE WE SHOULD GO WITH BRIGHTS AND--
- REALLY? - I WANT IT TO SING!
- OKAY. - LIKE PAVAROTTI WOULD SING.
- REALLY? - YEAH.
- I WASN'T REALLY QUITE SURE
AT WHAT POINT MARGIE WAS GONNA CHANGE HER MIND ABOUT THIS ROOM,
BUT I KNEW IT WAS GONNA HAPPEN AT SOME POINT.
- RED. RED. - ARE YOU KIDDING?
REMEMBER, WE DO HAVE THIS, LIKE, CREAMY LIMESTONE FLOOR.
- YOU KNOW, YOU'RE GETTING ME A LITTLE CRAZY.
I DON'T KNOW NOW. I--I--
I'VE COMPLETELY CHANGED MY MIND.
I'M VERY UNHAPPY RIGHT NOW.
- OFF WE'RE GOING TO GO
ON A LITTLE GIRL ADVENTURE.
YOU KNOW, I HAVE A FEELING THERE MIGHT BE SOME ATTRACTIVE MEN
UP THERE, JACQUELINE.
I'D SAY ALL COWBOYS ARE VERY SEXY.
BUT, DARLING, THIS IS QUICK.
YOU'VE NEVER SEEN WHAT I DO.
- YEAH, BECAUSE IT FINISHES-- IT'S NOT FINISHED--
- LET'S GO. - OH, KATHRYN, LUCKY.
- WE'RE JUST GONNA *** IN.
MY CLIENT IS PART OF AN ICONIC,
WELL-KNOWN ENGLISH FAMILY WHO LIVES IN ENGLAND
AND REALLY DOES NOT HAVE THE TIME
TO OVERSEE ANY OF THIS.
ROBERT! - ROBBIE?
- JANE. - WHERE ARE YOU?
- HI, GUYS. - HI.
- THE HOUSE IS ABOUT 5,000 SQUARE FEET.
THE BUDGET IS BETWEEN $1 MILLION AND $2 MILLION.
MY OVERALL INSPIRATION FOR THIS HOUSE
IS A SOUTHERN SPANISH RAMBLING FARMHOUSE.
- I WON'T BE LONG. - YEAH, OKAY, WAITING FOR YOU.
SHE'S IRRITATING ME ALREADY,
AND WE HAVEN'T EVEN GOTTEN TO WINE COUNTRY.
- IT IS A WONDERFUL DAY.
- THIS IS WHAT I WANT TO DO.
WE LIKE THE FAR RIGHT COLOR.
WE WANT TO PAINT OUT THIS BEAM, THAT BEAM,
THEN THE A-FRAME.
OH, GREAT, THE TILE'S ARRIVED.
FANTASTIC.
IN THIS HOUSE, I THINK THE COLOR
IS GOING TO PLAY A LARGE ROLE.
I'M SEEING A LOT OF YELLOWS, GREENS, BLUES.
TOUCHES OF RED.
AND THESE FLOORS, ARE WE GONNA HAVE TO--
- NO, THEY'RE GONNA BE HEAVY SANDED.
- I'VE BEEN ON THIS JOB SIX MONTHS.
WE'RE GOING TO INSTALL IN ABOUT THREE WEEKS,
WHICH IS TOTALLY DOABLE,
AND WE ARE RUNNING ON SCHEDULE.
OKAY, YOU KNOW, THAT COLOR, REUBEN,
WE'RE GETTING THERE-- LOVE THE YELLOW.
BEFORE I LEAVE NOW-- - KATH--
- YES?
YES, IT'S GONNA BE FINE. PLEASE, PLEASE--
YEAH, IN THE CAR. IN THE GATE?
AS YOU CAN SEE, SHE'S DESPERATE TO GO TO WINE TASTING.
- TAMARA BOUGHT THIS EXTRAORDINARY
9,000-SQUARE-FOOT APARTMENT.
THIS ONE WAS AROUND $30 MILLION.
AND, OF COURSE, WE'VE BEEN SPENDING
QUITE A LOT MORE DECORATING IT.
[elevator bell dings]
T? HELLO?
- HELLO, HELLO. OH, IT'S SO GOOD TO SEE YOU.
- OH, MY GOD, YOU LOOK GORGEOUS! - THANK YOU.
- HOW ARE YOU? - I'M REALLY GOOD.
- YEAH? - HOW ARE YOU?
I FOLLOW YOU ON TWITTER. - YES.
- YOU HAVE BEEN EVERYWHERE. I CAN'T KEEP UP WITH YOU.
- MARRAKECH, ISTANBUL. IT'S JUST BEEN CRAZY.
BUT HERE--NOW I'M HERE.
SO WE'VE BEEN WORKING ON THE APARTMENT,
BASICALLY, FOR ABOUT TWO YEARS.
THE POINT NOW, WE'RE ACTUALLY GONNA FINISH IT OFF
OH, MY GOD. AH-HA!
I CAN'T BELIEVE MINTY'S ACTUALLY AGREED
TO GIVE UP HER PLAYROOM NOW. - IT'S TAKEN A WHILE.
- IT'S QUITE A PIECE OF REAL ESTATE.
IT WAS, LIKE, THE MILLION-DOLLAR PLAYROOM.
- I KNOW. - SO NOW WE'LL MAKE IT INTO
THE MILLION-DOLLAR DINING ROOM.
A BIG PART OF NEW YORK SOCIETY LIFE
IS A LEGENDARY DINING ROOM.
SO IT'S CRAZY THAT THIS BEAUTIFUL ROOM
HAS BEEN BEING USED AS A PLAYROOM.
ONE OF THE THINGS THAT I LOVE IS THE IDEA
OF, LIKE, AN EXTRAORDINARY DINING TABLE MADE OUT OF
BEAUTIFUL MATERIALS.
MAKE IT FEEL MORE KIND OF LIKE '70s GLAM.
- I THINK THAT'S A REALLY GOOD IDEA.
- AND AS I SEE, YOU KNOW, OUT THE CORNER OF MY EYE,
I KEEP CATCHING THAT RED CHANDELIER.
SO IT WOULD BE REALLY GREAT TO PULL RED INTO HERE.
SO MAYBE EVEN SOMETHING WILD,
LIKE A RED LACQUERED CEILING.
- OH, I'D LIKE THAT.
I WANT TO INVITE PEOPLE OVER FOR DINNER!
- I GET IT. - I'M PLANNING--
I'VE DECIDED TO MAKE THE MOVE.
- AND NOW YOU'VE GOT MINTY MOVING.
LET'S GO LOOK AT MINTY'S, 'CAUSE NOW
WE'VE GOTTA MAKE SURE THAT HERS IS REALLY FABULOUS
IF SHE'S GIVING THIS UP. - YEAH.
- PART OF THE DEAL TO GIVE UP THE DINING ROOM AS A PLAYROOM
WAS OFFERING TAMARA'S TEN-YEAR-OLD DAUGHTER, MINTY,
TO LET HER REDO HER OWN BEDROOM.
- I ABSOLUTELY LOVE THIS ROOM FOR A LITTLE GIRL.
AND SHE JUST-- SHE CAN'T DO PINK ANYMORE.
IT'S ALL ABOUT BLUE AND PURPLE.
BUT IF YOU THINK THAT IT'S GOING IN THE WRONG DIRECTION,
GUIDE HER BACK.
- SHE'S GOT GREAT TASTE, THOUGH.
I'VE GOT A FEELING SHE'S GONNA BE TEACHING ME SOMETHING.
- I KNOW. SHE'S A COOL KID.
MY LITTLE GIRL'S GROWING UP. - I KNOW.
- THIS NEW PHASE, I THINK,
IS GONNA COST HER SOMEWHERE AROUND A MILLION DOLLARS.
BUT WE'RE GONNA REALLY MAKE IT LOOK
LIKE IT COST FIVE MILLION.
IT'S GONNA BE QUITE EXPENSIVE,
SO I HOPE YOU'VE SHARPENED UP THE AMEX.
- OH, OKAY. - READY TO TOUCHE WITH IT.
[laughter]
- IT'S SO HEAVY.
- IT'S APPROXIMATELY 3,000 POUNDS.
- [laughs] HOW EVER ARE WE GONNA GET IT IN THE BUILDING?
I'M GONNA BE SO SCREWED IF WE CAN'T GET THIS IN.
- DARLING GIRLS, ARE YOU UP HERE?
- HELLO?
- SO I'VE HAD A FEW DISCUSSIONS WITH TAMARA OVER THE PHONE,
BUT NOW I'M GOING ON TO PRESENT MY BOARDS.
- GORGEOUS GIRLS... - HELLO.
- HI! - ARE YOU TAKING SNEAK PEEKS?
- I KNOW, I KNOW, WE'VE GOT THE BOARDS,
AND WE'RE HAVING A SNEAKY LOOK.
- HOW ARE WE? - GOOD.
- HI, MINTY-MIN. - HI.
- HELLO, DARLING ONE. DO YOU LIKE THE BOARDS?
- YEAH. - YOU DO?
- SHOULD WE SIT DOWN AND LOOK THROUGH THEM?
- YEAH, LET'S HAVE A LOOK. - SURE.
- MINTY IS AN EXTRAORDINARY LITTLE GIRL.
ACTUALLY, A RATHER SOPHISTICATED YOUNG LADY.
SO I WANT TO REALLY GIVE HER A ROOM
THAT'S A LITTLE BIT MORE ADULT.
SO... - OKAY.
- FIRSTLY, MINTY-MIN... - MM-HMM.
- I CREATED FOR YOU THE IDEA OF DOING
KIND OF THIS WONDERFUL--
ALMOST LIKE A FOUR-POSTER BED... - MM-HMM.
- WHERE INSIDE OF IT YOU'LL HAVE
A PROPER GROWN-UP DESK
AND A FANTASTIC FULL-SIZE BED.
SO THIS IDEA OF KIND OF A BEAUTIFUL SILVERY CEILING.
MAYBE THIS BEAUTIFUL COLOR,
BECAUSE IT REMINDED ME OF YOUR EYES.
- I LIKE--I LIKE THE WALLPAPER.
- YOU LIKE THE WALLPAPER? - YEAH.
I LOVE THIS RUG. - SO SOFT.
- WITH A FULL-SIZE BED, AND THE BLUE AND THE PURPLE,
WE ARE GIVING HER A MUCH MORE SOPHISTICATED
TEENAGER'S VIBE.
- THIS IS PERFECT. - OKAY, GOOD.
WELL, IT'S GONNA BE FANTASTIC
BECAUSE THE PLAYROOM IS ABOUT TO BECOME
A DISCO-FRENZY DINING ROOM. - OH, MY GOSH.
LET'S HAVE A LOOK AT THIS. - [chuckles]
- WOW! OKAY.
- WE'RE GONNA CREATE THIS INCREDIBLE
WHITE MARBLE DINING TABLE
THAT'S REALLY MODERN, BUT HAS THAT SORT OF
'70s TWIST TO IT.
AND THEN THAT'LL BE KIND OF LIKE
YOUR OWN REAL STATEMENT PIECE.
- YEAH, WHICH IS SO ME TO BRING THE '70s INTO IT.
- TOTALLY. TOTALLY. - MY FAVORITE DECADE.
- THE WHITE MARBLE DINING TABLE.
THAT'S REALLY GONNA BE THE PIECE DE LA RESISTANCE,
AND IT'S GONNA GROUND THE WHOLE DESIGN.
I LOVE THE IDEA OF RED LEATHER,
MAYBE ON DINING CHAIRS.
AND THEN I THINK BLACK PATENT LEATHER DRAPERY.
- I LOVE THAT TOO.
I LOVE DOING, LIKE, SOMETHING COMPLETELY UNEXPECTED.
- THERE ARE NOT MANY CLIENTS THAT WOULD GO ALONG
WITH BLACK PATENT LEATHER DRAPES.
THIS IS ACTUALLY A BIG RISK.
BUT THIS DINING ROOM HAS TO BE THE TALK OF THE TOWN.
AND NOW IT'S ALL ON MY SHOULDERS.
I WANT YOU TO HAVE AN EXTRAORDINARY DINING ROOM.
IN FACT, A LEGENDARY DINING ROOM.
- WE'LL SEE IF WE CAN MAKE IT THAT.
- EXACTLY.
HEY, CRAIG, HOW ARE YOU?
MY GOD, THE STORE LOOKS BEYOND DELICIOUS.
- THANK YOU.
- HAVING HAD THIS REALLY SUCCESSFUL MEETING WITH TAMARA,
I'M GONNA BUILD JUST A BEAUTIFUL CUSTOM DINING TABLE.
AND I NEED TO FIND THE PERFECT FURNITURE TO GO WITH IT.
ONE OF THE THINGS I'M REALLY LOOKING FOR
IS ACTUALLY CATCHING MY EYE OVER THERE.
THE PAUL EVANS DINING CHAIRS.
OH, WOW, LOOK AT THESE. - THESE ARE THE CHAIRS.
- I LOVE THESE CHAIRS.
AND HOW MUCH ARE THESE, CRAIG?
- UH, THESE ARE $20,000. OKAY?
- IT REALLY NEEDS TO BE PERFECT.
THESE PAUL EVANS CHAIRS I'M GONNA RECOVER
IN THE RED LEATHER THAT TAMARA LOVED.
AND THEY ARE GONNA BE SPECTACULAR.
AND THESE CHANDELIERS ARE ABSOLUTELY INCREDIBLE AS WELL.
AND HOW MUCH ARE THEY? - THEY'RE $28,000.
- GOOD GRIEF!
NO, THEY'RE FABULOUS. I LOVE THEM.
- WONDERFUL. GREAT SEEING YOU.
- LOVELY TO SEE YOU. THANK YOU.
- DYING FOR A GLASS OF WINE, JACQUELINE.
- GOOD MORNING. - GOOD MORNING, GUYS.
- WELCOME. - AH...
- WE HAVE TWO TASTING? - YES.
FABULOUS.
- THIS IS CHARDONNAY.
- CHARDONNAY! - YEAH.
- TWO? - OH, YEAH. YEAH.
[laughter] I WON'T.
- I'M TAKING JACQUELINE FOR A LITTLE OUTING.
- BEAUTIFUL. - I'M WORKING TOO HARD.
- YES, YOU DO WORK TOO HARD. YOU DON'T DO MUCH,
BUT YOU WORK MUCH.
- SO WE'RE MOVING ON TO OUR 2008 PINOT NOIR.
IT'S COMING FROM OUR VINEYARD IN SANTA MARIA.
- OH, MY GOD, IT'S DELICIOUS!
- A LITTLE BIT RACIER, AND A LOT MORE TANNINS THERE TOO
SO YOU'RE GONNA GET A LOT OF TEXTURE.
SO...
THANK YOU. THANK YOU.
I'M PROBABLY-- - YOU'RE NOT ALONE.
YOU'RE WITH ME. - NO, NO.
- JACQUELINE WAS QUITE BRAZEN. SHE DOESN'T MISS A BEAT.
SHE GETS RIGHT IN THERE.
CAN I JUST TELL YOU ONE THING? - YEAH.
- THE REASON I PUT MY FIRM IN FRANCE IS
YOU WANT TO END UP BEING OLD IN FRANCE
BECAUSE FRENCH MEN LOVE AN OLDER WOMAN.
- YEAH.
WE, UH--WE...
SO WE HAVE OUR 2008 MERLOT HERE.
- COME ON, MONTY, YOU'RE GONNA HELP ME DECORATE TODAY.
HE'S VERY SMART.
HE PICKED ME FROM THE SHELTER.
- FROM MARGIE'S WANTING IT TO BE CREAM AND WHITE,
AND THEN GOING TO PAVAROTTI RED,
I'M KIND OF HOPING I CAN TALK MARGIE BACK INTO
WHAT WE STARTED WITH.
OKAY, SO WE'RE-- THE RED IS OUT.
- I'M GLAD THE RED IS OUT.
- OKAY, GOOD. I NEVER WANTED RED.
- BUT WHO WANTED THE RED? - YOU--
YOU WANTED THE RED.
- I WANTED THE RED? - YOU REMEMBER, YOU SAID RED?
- IN A BEDROOM?
- IT TAKES A SPECIAL SKILL SET
TO REALLY UNDERSTAND THIS TYPE OF WOMAN.
LET'S DROP IT. IT'S OKAY.
- MAY I JUST PICK THIS? - NO.
- OKAY, GREAT.
I KINDA LIKE THIS ONE.
- YOU CAN COME IN, MONTY. COME ON.
OH, WHAT A GOOD BOY. WHAT A GOOD LITTLE BOY.
- MARGIE, I EVEN LIKE THIS ONE.
IS THIS TOO WEIRD FOR YOU?
- WHAT DO YOU THINK, MONTY?
OH, KISSES FOR MOM. - DO YOU LIKE THIS ONE?
- THIS IS A NICE COLOR. - UM, IT'S FUN.
IT'S SUPER GREEN, THOUGH.
I'M THINKING SOMETHING THAT'S ALONG THE LINES
OF ONE OF THESE MORE NATURAL ONES.
- THAT'S BORING. MONTY, WHAT DO YOU THINK?
DO YOU LIKE IT? I LOVE THIS.
- OKAY, GREAT.
WELL, THE UPSIDE IS SHE MADE A DECISION.
AND THE DOWNSIDE IS
SHE MADE A DECISION FOR GREEN.
OKAY. MONTY, WHAT DO YOU THINK? [dog growls]
AAH...GOD!
YOU'VE GOTTA GET THAT FREAKY DOG OUT OF HERE.
- HE DOESN'T LIKE THIS.
HE HATES THAT FABRIC.
- LISTEN, YOU'RE TALKING TO SOMEONE
THAT HAS MORE DOGS THAN THEY SHOULD.
AND MONTY REALLY TESTS MY DOG PATIENCE.
I COULD LOSE MONTY, EASY.
LET'S GO DO SOME SHOPPING.
- CAN MONTY COME? - NO.
LET'S GO THIS WAY. YOU'VE BEEN HERE BEFORE.
- YEAH, I REMEMBER. I LIKED IT HERE.
- REMEMBER? - YEAH.
- I ACTUALLY REALLY LIKE TO TAKE MARGIE SHOPPING
BECAUSE IF SHE'S IN ON IT WITH ME,
SHE HAS LESS OF A CHANCE TO CHANGE HER MIND.
DO YOU LIKE THESE?
- UH-UH.
I FEEL LIKE I'M IN BALI OR SOMETHING.
- OH, THAT'S WHAT I LIKE ABOUT 'EM.
MARGIE'S NOT RELATING AT ALL.
IT'S KIND OF HARD FOR MARGIE TO SEE THE RESULT
OF SOMETHING THAT ISN'T SUPER, SUPER TYPICAL.
DO YOU HAVE SOMETHING ELSE THAT'S LIKE THIS,
BUT NOT SO ETHNIC?
- WE HAVE THE ROPE CHAIR OVER THERE.
THE SPA MEDITERRANEAN... - I LIKE THAT.
- THAT'S CUTE. - OH, YEAH, I LIKE THAT.
- IT'S A TIGHTER UPHOLSTERY. IT'S MORE COMFORTABLE.
- I LIKE THAT BETTER. - YOU WANT TO TRY THAT?
WILL YOU SIT IN THAT? - YEAH, SURE.
- IT'S KIND OF A WOVEN RUSH ROW CHAIR,
WHICH IS EXACTLY WHAT I'M LOOKING FOR
FOR ALL OF THOSE LAYERINGS OF NEUTRALS FOR THE LIVING ROOM.
DOES IT FEEL RIGHT? - FEELS RIGHT FOR ME,
BUT I'M NOT GONNA BE IN THE GUEST HOUSE.
- YOU HAVE TO SPEND ONE NIGHT IN YOUR GUEST ROOM
TO SEE WHAT YOUR GUESTS GO THROUGH.
ACCORDING TO EMILY POST. - SHE'S DEAD, DAVE.
- YOU EVER SPENT A NIGHT IN YOUR GUEST ROOM?
- YEAH, BUT I PROBABLY WAS DRUNK
AND COULDN'T MAKE IT UPSTAIRS.
[laughter]
- OH, THANK YOU.
- I'M SO EXCITED THIS MORNING BECAUSE
I'M COMING TO SEE THE MARBLE TABLE
I'VE DESIGNED FOR TAMARA.
HELLO, HELLO. - HELLO, HELLO.
- THIS TABLE IS REALLY, REALLY IMPORTANT TO ME
BECAUSE IT IS GONNA BE THE JEWEL IN THE CROWN
OF THAT DINING ROOM.
OH, MY GOD.
THAT IS MAGNIFICENT.
SUPER, SUPER SEXY.
THE TABLE, NOT YOU. DON'T GET CARRIED AWAY.
[laughter] - I FIGURED THAT.
- THE STONE IS MAGNIFICENT.
- IT REALLY, REALLY IS.
- I CAN'T BELIEVE WE GOT A PIECE THIS BIG.
IT'S SO PERFECT.
SO WORTH THE $50,000 IT'S COST US TO MAKE IT.
OH, MY GOD, IT'S SO HEAVY.
- IT IS EXTREMELY HEAVY.
IT'S APPROXIMATELY 3,000 POUNDS.
- WHAT?
- 3,000 POUNDS BETWEEN BASE AND TOP.
- WOW. - 3,000 POUNDS?
ARE THEY KIDDING ME? OKAY.
HOW EVER ARE WE GONNA GET IT IN THE BUILDING?
I'M GONNA BE SO SCREWED IF WE CAN'T GET THIS IN.
WE'VE SPENT $400,000 DECORATING THE ROOM
AROUND THIS TABLE. - YES.
- THERE'S A SERVICE ELEVATOR THERE.
I'M NOT SURE THAT THE CABLES WILL EVEN HOLD THIS.
- NO, I THINK THIS IS GONNA BE OVER THE WEIGHT LIMIT.
IT'S FIVE FLIGHTS OF STAIRS.
- IT IS NOT GONNA BE POSSIBLE TO CARRY IT UP THE STAIRS.
YOU'RE GONNA NEED TO HAVE, YOU KNOW, A REAL HEAVY CRANE.
- A CRANE? WE NEED A CRANE?
- SHE SAYS FIFTH FLOOR.
TO GO UP THAT HIGH, YOU NEED TO HAVE A CRANE.
- THE IDEA OF MY INCREDIBLY EXPENSIVE TABLE
FLOATING ABOUT UP IN THE AIR
IS FREAKING ME OUT.
I NEED TO GO. THIS IS GETTING WORSE BY THE MINUTE.
I'M GETTING A HEADACHE.
- WELL, I DON'T WANT THIS AT ALL.
- I HAVE TO PUT IT SOMEWHERE.
- WHO'S GONNA PAY FOR THAT? - YOU ARE.
'CAUSE YOU SIGNED OFF ON IT.
- WE HAVE UPDATES. THE TABLE, FOR SURE,
IS NOT GOING TO FIT IN THE FREIGHT ELEVATOR.
I'M WORKING WITH THE MOVING COMPANY,
WHO RECOMMENDED A FEW CRANING COMPANIES,
BECAUSE WE'RE GONNA HAVE TO GET THE CRANING COMPANY
TO COME IN AND BRING IT OVER THE LIVING ROOM TERRACE,
AND INTO THE DINING ROOM. - GOOD GRIEF.
- IT SOUNDS LIKE A NIGHTMARE.
- THIS IS THE ONLY WAY THIS FURNITURE IS
GOING INTO THIS SPACE.
WE DO HAVE TO HAVE THE STREET BLOCKED OFF.
I NEED TO PULL PERMITS WITH THE CITY OF--
- HANG ON, HANG ON. A BUSY STREET?
- IT IS A MAJOR CRANE. - MM-HMM.
- I'VE NEVER IN MY ENTIRE CAREER
HAD TO USE A CRANE BEFORE.
HOW MUCH IS THIS GONNA COST?
- IT'S GONNA BE OVER TEN GRAND.
- OH, MY GOD. - YEAH.
- THIS IS, LIKE, THE BIGGEST NIGHTMARE
I CAN IMAGINE.
BUT I'VE GOTTA DO IT.
NEW YORK CITY, HERE WE COME.
- HERE WE COME. [laughs]
- OH...YES... THAT'S GREAT.
OH...A LITTLE DEEPER.
OH, THAT'S SO GOOD.
[pleasant moans]
GOD, I THINK THIS IS ALMOST BETTER THAN SEX, JACQUELINE.
'CAUSE YOU DON'T HAVE TO DO ANYTHING.
THE BACARA LOCATION IS TRULY EXTRAORDINARY.
I MEAN, IT'S FANTASTIC.
- AAH! OH, MY GOD.
- OOH, THAT SPOT. WILL YOU DO IT ONE MORE TIME?
OH, YEAH, RIGHT, THERE. RIGHT THERE. YEAH.
- AGAIN? - YES, WHATEVER THAT IS.
- ENCORE?
- OH. THEY'RE VERY GOOD, THESE LADIES,
AT FINDING ALL YOUR INNARDS.
JACQUELINE, DO YOU LIKE IT? - YEAH.
I LOVE IT.
- REFLEXOLOGY SEEMS TO BE THEIR SPECIALTY.
THAT MUST BE MY OVARIES. - ENCORE.
- SO THIS IS THE DAY OF THE INSTALL.
I HAD THIS CRANE BOOKED FOR TWO HOURS
TO GET MY TABLE UP.
WOW, I HOPE THIS IS ALL GONNA GO SMOOTHLY.
WOW. - HELLO.
- OH, MY GOD. - I KNOW, RIGHT?
- THE CRANE'S ON ITS WAY? - CRANE IS ON ITS WAY.
- I LITERALLY HAVE A TWO-HOUR WINDOW.
THIS CRAZY CRANE--
I'M JUST GONNA NEED A HELL OF A LOT OF ASPIRIN,
I THINK, TO GET THROUGH IT.
- OUR BEAUTIFUL TABLE IS THERE.
- OH, IT'S OUT. - YEAH, IT'S OUT.
SO...
- HOW YOU DOING, GUYS? - HEY.
- GOOD. - VERY GOOD.
- SO ARE WE GOING UP THAT WAY?
- YEAH. THIS GOES ALL THE WAY UP THERE
AND OVER THE BALCONY.
AND THEN THEY'VE HAD TO CREATE A RAMP
THROUGH THE LIVING ROOM
TO TAKE IT OVER TO THE DINING ROOM.
- BUT EVERYTHING ELSE IS DONE?
IT'S ALL DONE AND READY TO RECEIVE EVERYTHING, RIGHT?
- NO. UNFORTUNATELY, THERE WAS A MISCOMMUNICATION
BETWEEN THE PAINTERS.
THE WORK WAS SUPPOSED TO HAVE BEEN DONE A WEEK AGO.
THE WALLPAPER WAS SUPPOSED TO HAVE
ALREADY BEEN FINISHED, AND IT'S NOT.
AND THEY'VE ASSURED ME THAT THE WORK'S GONNA GET DONE,
BUT WE ARE UNDER A CRAZY, CRAZY DEADLINE.
- HOW LONG BEFORE THIS STUFF GOES OFF?
- EXCUSE ME. ANOTHER HALF HOUR.
- SHOULD WE GO LOOK UPSTAIRS? - MM-HMM.
- OH, MY GOD.
- YES?
WHAT?
- I THOUGHT THIS ROOM WAS GONNA BE BASICALLY DONE.
[bleep] - SO DID I.
- THE SHOCK OF THIS WHOLE INSTALL IS GETTING WORSE.
I THOUGHT MINTY'S BEDROOM WOULD BE FULLY WALLPAPERED
AND READY TO ROLL.
[indistinct chatter]
HOLY, [bleep].
OH--OH, MY GOD,
I THOUGHT THIS WOULD ALL BE TOTALLY TOGETHER.
- YEAH, I WAS TOLD IT WAS GONNA BE READY.
- HOW ARE WE GONNA PUT THE TABLE IN HERE?
- EVERYTHING'S GONNA HAVE TO COME UP,
AND WE'RE GONNA CLEAN IT OUT AND PUT THE RUG,
PUT THE TABLE, WRAP IT ALL BACK UP.
- THE CRAZINESS WITH THIS DINING ROOM
IS ONCE THE TABLE'S BEEN PLACED,
WE CAN'T MOVE THAT AGAIN.
SO THIS IS GONNA BE JUST THE MADDEST THING.
- OKAY. - OKAY.
- SO OBVIOUSLY, THEN, WE HAVE TO GET THE RUG DOWN
BECAUSE THE TABLE'S 3,000 POUNDS.
YOU CAN IMAGINE. - IT'S NEVER MO--
IT'S NEVER MOVING AGAIN. - WE NEED TO BRING THAT IN ONCE.
AND THEN, SOMEHOW, I GUESS WE'LL RE-COVER IT
SO WE DON'T GET RED PAINT ON IT.
- WILL DO. WILL DO.
- THIS IS REALLY KIND OF CRAZY FOR ME.
I WOULD NEVER DO THIS.
BUT I'VE DECIDED TO ROLL OUT THE RUG,
WE GONNA COVER IT UP. WE'RE GONNA PLACE THE TABLE,
AND HOPEFULLY, BY GUERILLA WARFARE,
WE MAY GET THIS DONE.
OKAY, I'VE JUST NOTICED ONE OTHER THING.
THERE'S NO FIREPLACE.
- THE FIREPLACE IS GETTING INSTALLED
BECAUSE THE MIRRORS WERE DELAYED BY A FEW DAYS.
SO THE MIRROR GOES IN FIRST.
THE FIREPLACE IS ALREADY FINISHED,
AND IT JUST SLOTS IN ON TOP OF IT.
- MY EYE IS STARTING TO TWITCH,
I'M HAVING, LIKE, SO MUCH STRESS.
- HELLO. - HI.
- HI. - DO YOU LIKE IT?
- WHAT DO YOU THINK?
- IT'S NOT THE ONE I WANTED. IT'S KINDA GREEN.
IT'S NOT RIGHT FOR IN HERE. - KEEP GOING?
- YEAH. SHE PICKED IT.
LOOK WHO'S HERE.
I DIDN'T KNOW YOU WERE COMING.
HI. - OH, HI. HI. WHAT'S THAT?
- THAT IS THE WALLPAPER THAT YOU PICKED.
- NO, I DIDN'T. HI, KENNA.
- YOU DID. - I WOULD NOT HAVE PICKED THAT.
- MARGIE, I SHOWED YOU
EVERY SINGLE GRASSCLOTH WE HAVE.
- YEAH.
WELL, I DON'T WANT THIS AT ALL.
OKAY? SO...
- THE ONLY THING IS THAT WE'VE CUT IT ALL.
BECAUSE WE CUT THE ROOM UP, SO...
- I DON'T KNOW WHAT IT'S GONNA COST TO REPLACE IT,
BUT I CAN'T GO WITH THAT.
SO LET'S JUST REPLACE IT.
- HE CUT ALL OF IT, SO I HAVE TO PUT IT SOMEWHERE.
- AND WHO'S GONNA PAY FOR THAT?
- YOU ARE, 'CAUSE YOU SIGNED OFF ON IT.
THE GREEN WALLPAPER TURNED OUT TO BE
A $10,000 MISTAKE.
- IT CAN'T BE THAT MUCH. IT'S JUST WALLPAPER.
- IT CAN.
WHEN SOMEONE IS TRULY THAT PRIVILEGED,
I MEAN, THEY HAVE THE PRIVILEGE TO CHANGE THEIR MIND
PRETTY MUCH AS MANY TIMES AS THEY WANT.
- TAKE THE PAPER DOWN. - OKAY.
- THANKS.
- OKAY.
- CENTER TO THE ROOM IS THE FIREPLACE.
SO CENTER TO THE ROOM INSIDE THIS SPACE
IS WHERE THE RUG'S SUPPOSED TO BE.
I HAVE THIS CRANE BOOKED FOR TWO HOURS,
AND I HAVE TO GET THE TABLE UP.
BECAUSE THE TABLE IS 3,000 POUNDS,
AND HAS TO GO ON TOP OF THE RUG.
SO ONCE THE TABLE'S BEEN PLACED,
WE CAN'T MOVE THAT AGAIN.
SO I HAVE TO PLACE A RUG IN THE PERFECT SPOT.
- GREAT. GREAT, GREAT, GREAT. - GREAT.
WE'VE GOT THE PLACEMENTS.
- THIS IS OVER THERE. MOVE TO THE LEFT.
THE DISTANCE BETWEEN HERE AND THERE
IS COMPLETELY WRONG, SO...
IT'S ACTUALLY OKAY TO BE A LITTLE BIT MORE THIS WAY
BECAUSE THERE'S DRAPERY GOES THERE,
WHICH WILL--TO THE EYE, IT WILL SCREW IT UP A BIT.
I THINK WE SHOULD BRING IT TO ABOUT THERE. YEAH.
THE OTHER THING-- THE TRICK WITH THIS IS
THE TABLE IS GONNA BE--
WHEREVER THE CENTER OF THAT IS.
OKAY, SO THAT IS THE CENTER OF THE ROOM.
I THINK WE'RE GOOD.
GREAT.
THIS IS ONE HELL OF A GAMBLE
BECAUSE IF THAT PAINTER DROPS THAT RED PAINT ON MY RUG,
THE RUG'S OVER.
- WE WANT TO MAKE SURE THAT NONE OF THE RUG IS EXPOSED.
OKAY.
- THE IDEA OF MY INCREDIBLY EXPENSIVE TABLE
POSSIBLY ABOUT TO *** INTO A HISTORIC BUILDING
IN THE MIDDLE OF NEW YORK IS FREAKING ME OUT.
WHOA!
HAVE WE PAID THE GUY ALL THE MONEY?
- WE'VE PAID HIM HALF.
- THE GUY'S BEEN PAID OVER $10,000.
NO, NO THIS IS REALLY [bleep], BASICALLY.
I'VE NEVER HAD ANYTHING LIKE THIS HAPPEN BEFORE.
- EVER. WE'VE NEVER HAD ANYTHING HAPPEN LIKE THIS.
- SPLASH?
- SPLASHES. - SPLASH.
- I'M DRINKING MUCH MORE THAN YOU.
THAT'S OUR THIRD BOTTLE NOW.
- WHO'S COUNTING? - I'M COUNTING.
- WHY DID WE MIX, LIKE, THREE ENTIRELY DIFFERENT WINES?
- BECAUSE IT WAS GOOD?
- I'M GONNA TAKE THE DREGS OF MY GLASS UPSTAIRS
AND I'M GONNA SEE IF THERE--IF THERE'S ANY ICE CREAM.
- YES.
- WOW, I REALLY STRUGGLED TO SAY THAT.
IF THERE IS, I'M TAKING IT TO BED.
ARE YOU COMING?
- IF YOU HAVE ICE CREAM.
- AND HOW WILL YOU KNOW IF I HAVE ICE CREAM?
- BECAUSE YOU WON'T COME BACK.
-[chuckles] OKAY. THAT WORKS FOR ME.
IF I DON'T COME BACK , I HAVE ICE CREAM AND I'M IN BED.
- YES.
- AND IF I DO COME BACK...
THERE'S SOMETHING WRONG WITH THE LOGIC IN THIS,
BUT I DON'T COME BACK, I HAVE ICE CREAM.
- IF YOU DON'T COME BACK, YOU DO HAVE ICE CREAM
OR YOU DON'T HAVE ICE CREAM?
- I...AM NOT QUITE SURE ANYMORE.
- OKAY.
- THIS LOOKS SO DANGEROUS.
OH, MY GOD.
WE JUST NEED TO GET THIS UP IN ONE PIECE, PLEASE.
WHOA!
[indistinct chattering]
- AND TOUCHDOWN.
HELP US OUT HERE.
- WOW, WE HAVE TOUCHDOWN.
[indistinct chattering]
- OKAY, COMING UP, ONE, TWO, THREE.
- [indistinct] - IT'S OKAY.
HE'S GONNA LIFT NOW.
- THIS IS ABSOLUTELY SO SCARY
BECAUSE NOT ONLY AM I WORRIED ABOUT THE TABLE GETTING DAMAGED,
I'M WORRIED ABOUT THE WALLS GETTING DAMAGED.
[indistinct chattering]
- PICK IT UP, ONE, TWO, THREE. - OH, WE GOT IT.
- AND NOW SLOW AND TOWARDS [indistinct].
- NO. PUT 'EM DOWN, PUT 'EM DOWN, PUT 'EM DOWN.
- TOUCH...
- YEP.
OH, MY GOD.
- WELL IT LOOKS MAGNIFICENT.
- [gasps]
- OBVIOUSLY THIS TABLE
WOULD HAVE COME IN AS MY LAST MOMENT,
NOT BE IN THE MIDDLE OF ALL THIS BEDLAM.
AND I THINK THESE GUYS ARE STILL THINKING I'M A BIT CRAZY,
BUT I DON'T CARE, THEY CAN THINK I'M AS MAD AS A HATTER
AS LONG AS THEY DO WHAT I WANT.
OKAY, KEEP PAINTING, KEEP PAINTING.
- HOW YOU GUYS DOING? - GOOD, HOW ABOUT YOU?
- THANK YOU.
- SO WE HAVE BACKUP IF I DON'T LIKE SOME OF IT, RIGHT?
- YEP.
- I HAVE MY INSTALL TODAY.
I'VE GATHERED ALL THE ELEMENTS AND THE THINGS I NEED.
IT'LL BE GREAT.
- THAT IS IF MARGIE DOESN'T COME
AND CHANGE HER MIND ABOUT THE ENTIRE THING.
OH, THE RUG, OKAY, GOOD.
- YEAH, WE GOT THE RUGS IN YESTERDAY
AND SOME OF THE BIGGER ITEMS.
- OH, THAT LOOKS GREAT.
I'M LOVING THIS.
I LOVE THIS.
I LOVE THIS WEAVE.
I HAVE DESIGNED MARGIE'S GUEST HOUSE
TO BE A LITTLE BIT CALIFORNIA BEACH-Y.
THAT'S GOOD.
- JUST A LITTLE WITH A SOPHISTICATED EDGE
SO IT'S LAYERED.
THIS LOOKS MUCH BETTER.
IT'S A WARM AND FRIENDLY COLOR.
I DIDN'T EVEN LIKE THAT GREEN ONE.
SHE LIKED IT.
I'M KINDA GLAD SHE GOT ON WITH THE PROGRAM.
- YEAH.
- I'VE GOT ALL THESE DIFFERENT TONALITIES
OF IVORY AND YELLOW TOGETHER
THAT MIXES SUBTLE PATTERNS
WITH THE BONE INLAID CHEST,
THE FAUX TORTOISE COFFEE TABLE.
I LIKE THOSE AS A COFFEE TABLE. - I DO TOO.
- PERFECT.
IT'S EXACTLY WHAT SHE TOLD ME
SHE WANTED IN THE BEGINNING.
IT'S SOOTHING, IT'S SUBTLE, IT'S SPA-LIKE.
KENNA? - YEAH.
YEAH, THAT LOOKS GREAT. - SO CHAIR, CHAIR...
CHAIR, CHAIR, LUCITE TABLE, LUCITE TABLE.
THE LIVING ROOM AREA
IS BASED AROUND VARIOUS SHADES OF WHITE
AND NATURAL TEXTURES AND LIGHT ORGANIC SHAPES.
MAYBE A T--HIGHER, RAUL, A LITTLE.
NOT--
YEAH, DO IT THAT HIGH.
GREAT, THANK YOU.
MARGIE CHANGES HER MIND MID-STREAM,
SO IF I CAN GET EVERYTHING EXACTLY HOW IT'S SUPPOSED TO BE
SO THAT MARGIE CAN SEE IT IN ITS COMPLETION,
AND SHE DOESN'T REALLY HAVE A CHANCE TO CHANGE HER MIND.
[sighs]
I JUST REALLY DON'T KNOW, SINCE MARGIE CHANGES HER MIND A LOT,
IF SHE'S GONNA LIKE THIS.
- YEAH, I'M GONNA ADD LANTERNS
FOR CANDLE LIGHT AND EVERYTHING.
OKAY, HEY. - HI.
WE HAVE A BIT OF A PROBLEM.
UM, OUR FIREPLACE GUY HAS GONE TOTALLY MISSING IN ACTION.
- OKAY, HAVE WE PAID THE GUY ALL THE MONEY?
- WE'VE PAID HIM HALF.
- NO, NO, NO, THIS IS REALLY [bleep], BASICALLY.
THIS IS--I'VE NEVER HAD ANYTHING LIKE THIS HAPPEN BEFORE.
- EVER--WE'VE NEVER HAD ANYTHING HAPPEN LIKE THIS.
- GUY'S BEEN PAID OVER $10,000 AS A DEPOSIT FOR THIS THING
AND HE'S COMPLETELY GONE MISSING.
- [gasps] - OKAY, THIS A HUGE DISASTER.
THERE'S A [bleep] GREAT HOLE IN THE MIDDLE OF THE WALL.
- YEP.
- THIS--THIS [bleep] GUY HAS BASICALLY STOLEN...
- I KNOW. YEP. - $10,000.
- I'M GONNA NEED YOU TO GO THERE.
IF THAT--IF THE FIREPLACE IS READY
AND THE GUY IS JUST LYING THERE DRUNK
OR DEAD--HOPEFULLY DEAD--
I WANT SOMEBODY TO PICK UP THE FIREPLACE AND BRING IT HERE...
- OF COURSE. - WE'LL FIND SOMEBODY
TO INSTALL IT OURSELVES.
- WE CAN FIND SOMEONE TO INSTALL IT.
OKAY, I'M GONNA GO NOW.
- I CANNOT HAVE MY DINING ROOM WITH A GAPING HOLE IN IT.
CAN'T HAVE TAMARA THINKING THAT WE'RE MANIACS
AND HIRING CRAZY PEOPLE.
- WHY IS THIS TOO LONG?
- IT WAS ALWAYS A LITTLE BIT LIKE THAT.
- THIS--IT--YOU KNOW WHY? 'CAUSE--
- MARY? - YEAH?
- I'M HERE. - OH, SHOOT.
I AM SO HOPING THAT MARGIE DOESN'T SEE ALL THIS CREAM
AND THEN DECIDES SHE WANTS HOT PINK
OR FORGET THAT SHE SAID CREAM.
AND THEN I HAVE TO DEAL WITH MONTY'S OPINION
AND MONTY IS FREAK OF NATURE, OKAY?
- HI. I KNOW YOU HAD A BIG INSTALLATION TODAY.
- YOU DON'T LIKE IT? - I LOVE IT.
OH! GOD, THANK GOD.
- I LOVE YOU, KENNA. GROUP HUG.
- I THOUGHT YOU WERE GONNA BE REALLY MEAN.
I WAS LIKE, OH, MY GOD.
- I MEAN, THIS ROOM LOOKS AMAZING.
- OH, GOOD!
- I LOVE, LOVE, LOVE THE BED.
- OKAY, SO HOW DO YOU FEEL ABOUT THE WALLPAPER NOW?
DON'T YOU THINK IT'S MUCH WARMER?
- I COULDN'T BE WITHOUT IT.
- SO MARGIE'S LOVING THE WALLPAPER,
WHICH WAS REALLY MY INTENTION TO TIE THAT COLOR IN
THAT IS AT THAT CRAZY HEADBOARD.
- LET'S LOOK AT THIS NEXT ROOM. - UH-HUH.
YOU HAVE TO REMEMBER YOU WANTED IT ALL SOOTHING AND NEUTRAL.
"LIKE A SPA" YOU TOLD ME. - I LIKE IT.
- HERE, REMEMBER WE LEFT IT-- - I LIKE IT.
I THINK IT REALLY IS PRETTY. THE COLORS ARE BEAUTIFUL.
- AND EVERYTHING IN HERE IS
A LAYERING OF LAVENDERS AND WHITES
SO THAT THE WHOLE ROOM FELT LIKE IT WAS JUST FLOATING.
- HEY, MONTY, LET'S LOOK AT THE LIVING ROOM.
COME ON.
- YES, MONTY.
CAN'T WAIT TO HEAR WHAT YOU HAVE TO SAY.
- SO WHAT I DID IS USE THINGS WITH DIFFERENT TEXTURES
LIKE THIS ABACA RUG, SO EVERYTHING'S FRESH AND CRISP.
- I LIKE IT, BUT WHERE IS MY PAINTING?
MY MORE ROSES PAINTING?
- WELL, YOU TOLD ME YOU WANTED IT ALL WHITE IN HERE.
I WAS TOLD TO MAKE THIS SUBTLE, LIGHT, SOOTHING.
I WASN'T HANGING THIS BRIGHT GREEN AND PINK
ROSE PAINTING IN THERE.
- THINK THAT BRINGS A LITTLE LIFE TO IT.
- WELL, IT BRINGS A LOT OF LIFE.
- MARY, IT REALLY PICKS UP THE ROOM.
- IT'S VERY BRIGHT. OKAY.
LET'S PUT IT OVER THERE.
IT PICKS UP THE ROOM
AND IT CARRIES IT AWAY.
- I--YOU KNOW WHAT?
I MIGHT HAVE TO OVERRULE YOU.
- I LOVE ALL OF MARGIE'S PAINTINGS.
THEY'RE FULL OF LIFE, THEY'RE FULL OF COLOR.
I JUST DON'T THINK THIS PAINTING IS RIGHT
FOR THIS ROOM AT ALL.
- ALL RIGHT, MONTY, DO YOU LIKE THE PAINTING?
- YOU'RE ASKING A DOG?
I WANT TO TAKE THE PAINTING DOWN.
[dog growls] OKAY!
OH, MY GOD!
- BETTER LIKE THAT PAINTING.
- I LOVE IT! - SHE LIKES IT.
- ALL RIGHT, I'M JUST GONNA THROW THESE PLATES BACK UP...
- OH, THAT'S MARVELOUS. THANK YOU.
JUST LIKE THAT.
HEY, DARLING, WHAT'S HAPPENING? - IT'S A HOUSE...
AND I'VE BEEN BANGING ON THE DOOR.
- IT'S A--IT'S A HOUSE?
IT'S NOT A WAREHOUSE?
- I MEAN, HE MUST HAVE A WORKSHOP SOMEWHERE,
BUT I GUESS THIS IS WHERE WE MAILED HIM HIS CHECK.
- WELL THIS IS, LIKE, CRAZY.
- I DON'T KNOW--I DON'T KNOW WHAT TO DO.
- I THINK I NEED YOU BACK HERE TO HELP ORGANIZE EVERYBODY.
WE'LL CALL THE POLICE.
I'LL COME UP WITH SOME WAY
TO HIDE THE FACT THE FIREPLACE ISN'T THERE.
OKAY, DARLING. - BYE.
- [bleep].
- SO I CALLED THE COPS.
WE'RE GONNA HAVE TO, YOU KNOW,
WE'RE GONNA HAVE TO FILE A PROPER REPORT.
- IN THE MEANTIME, I FOUND SOMETHING EARLIER
AND I'VE SENT THE GUYS TO GO GET A GOLD CONSOLE
WHICH WILL KIND OF FILL UP THE SPACE FOR NOW.
- OKAY. - AND IT'S JUST OUR LOSS,
IS WHAT IT IS. - YEAH. OKAY.
- [sighs] OH, MY GOD, A NIGHTMARE.
THAT ONE, WHICH IS THE SILVER ONE,
I NEED THAT IN THE CENTER HERE.
THERE'S A COUPLE OF LITTLE SHELVES DOWN THERE.
DON'T FILL EVERYTHING UP,
BECAUSE I WANT HER TO BE ABLE TO DO HER OWN THING.
- MARTYN, DO YOU WANT US TO BRING THE CONSOLE IN NOW?
- UH, ARE YOU KIDDING ME? - GREAT.
- HOPEFULLY, IT'S GONNA SAVE MY LIFE.
- WE'LL BRING IT IN RIGHT AWAY. - PERFECT.
- IT'S--IT'S REALLY A COOL THING.
AND IT'S DEFINITELY--KIND OF CONTINUES THE VIBE.
- TAMARA AND MINTY WILL BE HERE ANY MINUTE.
I USUALLY LIKE TO TAKE MY TIME ON THIS
AND KIND OF TWEAK IT ALL UP.
BUT I DON'T HAVE A LOT OF TIME FOR TWEAKING.
THIS HAS BEEN...EXHAUSTING.
I DON'T THINK I'VE EVER HAD ANYTHING QUITE SO EXHAUSTING.
- [shrieks] - OH...
- [giggles] - [laughs]
- WELCOME TO MELON MADNESS.
- TALK ABOUT SPECTACULAR!
OH, MY GOD, WHAT A TRANSFORMATION.
IT'S UNBELIEVABLE. - ISN'T IT?
I LOVE THE REDS.
- AND THE BLACK AND WHITE ON THE FLOOR.
IT'S SUPER GLAMOROUS.
- IT'S A LITTLE BIT SCARFACE IN HERE, ISN'T IT?
- JUST A LITTLE. - WHAT IS THAT?
- TO DRAPE AGAINST.
IT'S N--IT'S-- - SERVING PIECE.
- IT'S A SERVING PIECE, OKAY. OKAY.
- EXACTLY. - I GOT IT.
- CHAMPAGNE ON THERE.
- WE'RE GONNA HAVE SO MUCH FUN.
OKAY, MARTYN, YOU'VE GOT TO COME TO THE FIRST DINNER PARTY.
- HONEY, I WILL BE HERE, I'VE AL--
- AND YOU, IF YOU'RE HERE.
-I'VE ALREADY GOT THE MENU.
TODAY HAS BEEN HELL.
BUT LOOKING AT TAMARA AND SEEING HOW HAPPY SHE LOOKS,
WE'VE ACHIEVED EXACTLY WHAT I WANTED.
WE HAVE MADE A LEGEND OF A DINING ROOM.
DRAMATICALLY OPENING THE RED DOORS.
[laughter]
HERE IS YOUR SPECIAL... - [shrieks]
- SPECIAL ROOM. - [repeated shrieking]
[shrieking] A BIG FLUFFY CHAIR!
- [laughs]
- MARTYN, IT'S MORE INCREDIBLE THAN I EVEN IMAGINED.
- WOW, THIS IS SO COMFY.
- AND THE GOLD MOROCCAN,
THAT'S JUST VERY COOL, MARTYN, VERY COOL.
- WE ALL NEED A POOF IN OUR LIVES.
- WE'VE GOT MINTY MELLON MADNESS.
[laughter]
CAN I HAVE A HUG? - YES.
- NOW THAT IS WHAT I CALL A DELICIOUS MOMENT.
MWAH.
- THIS SEASON ON MILLION DOLLAR DECORATORS...
- HI--GOD, I DON'T WANNA MAKE OUT RIGHT NOW.
- THIS IS $30,000.
- [screams] - OH, [bleep].
- WAIT, IT'S $150,000 OVER?
- ROSS, I WANT WHAT I WANT.
- WHAT THE HELL'S GOING ON HERE?
KATHRYN REALLY WANTED ME TO DO THIS PROJECT WITH HER.
I TRULY, TRULY HATE IT.
- GET HER ON THE [bleep] PHONE RIGHT THE [bleep] NOW,
'CAUSE I'VE HAD IT.
- I'M KINDA DONE. - I LIKE WHAT I'M DOING.
- I'VE AL--I'VE ALREADY-- - YOU KNOW WHAT?
YOU DO YOUR THING, I'LL DO MY THING.
[bleep] IT, WE HAVE NOTHING TO DO WITH EACH OTHER.
- BLIMEY [bleep].
ARE WE GONNA BE OPENING TOMORROW?
- [exhales]
- ROSS, WHERE THE [bleep] ARE THE RUGS?
- I HAVE NO [bleep] IDEA WHERE THE ARE.
- HE'S AN IDIOT AND HE'S FIRED.
- WHY AREN'T JEFFREY AND ROSS DOING THIS SHOW HOUSE?
- I THOUGHT THEY WERE DOING THINGS
WITH THE TOP DESIGNERS IN TOWN.
- ARE YOU SAYING THEY'RE NOT? - NOT ME, DARLING, NEVER.
- FOR MORE INFORMATION ON THE DECORATORS,
GO TO BRAVOTV.COM
- GOODBYE. [giggles