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- PREVIOUSLY ON THE REAL HOUSEWIVES...
- YOU TRULY ARE
THE WIND BENEATH MY WINGS.
AND I WANT TO ASK YOU...
WILL YOU MARRY ME AGAIN?
- [coughs]
HE'S GOT TO GET DOWN ON THAT ONE KNEE
AND GIVE UP THAT RING.
- I WOULD GET DOWN ON ONE OF MY KNEES,
BUT WE'RE GONNA NEED SOMEONE TO HELP PICK ME UP.
[laughter]
- OF COURSE I WILL MARRY YOU AGAIN.
- WELL, THANK YOU, HONEY.
- KANDI, HE'S A F[bleep] STALKER.
HE SHOWING UP TO EVERY EVENT THAT I'M AT.
GET THESE CARS OUT OF MY WAY.
I'M GONNA ROLL OVER THIS ROLLS-ROYCE.
I NEED A CAR OUT OF THE WAY. - KENYA, KENYA...
ALL THESE CARS NEED TO GET OUT OF MY WAY SO I CAN GO.
- KENYA, WHOA, WHOA, WHOA.
- NOW I'M FEELING LIKE SHE'S CRAZY.
- DON'T CALL HER CRAZY!
- YOU WANT A BABY OR YOU WANT YOUR CAREER?
- I CAN HIRE A NANNY.
- NO.
- I AM HAVING A COSTUME BALL.
SO, PORSHA, I KNOW YOU DIDN'T INVITE ME TO YOUR PARTY,
BUT I REALLY DO WANT YOU TO COME.
AND HALLE BERRY FROM B.A.P.S.
- B.A.P.S.?
YOU READ B.A.P.S. FROM THIS?
YOU'RE CRAZY.
- AND NOW THE SEASON FINALE
OF THE REAL HOUSEWIVES OF ATLANTA.
- ALL RIGHT.
- I HAVE ARRIVED.
AND THE SPOTLIGHT IS ON ME, HONEY.
- I MAY BE SMALL...
♪ OH ♪
BUT MY EMPIRE KEEPS ON GROWING.
- BEAUTY FADES.
CLASS IS FOREVER.
- PEOPLE SAY I HAVE A PICTURE-PERFECT LIFE,
AND I DO.
- I'M A SOUTHERN BELLE:
BRAINS, ***, AND ALL BUSINESS.
- I WON MISS USA,
NOT MISS CONGENIALITY.
[upbeat funky hip-hop music]
♪ ♪
- I THINK THAT THE OLD...
- HI!
- HEY.
HOW YOU DOING, GORGEOUS?
YOU GOOD? - GOOD.
- LOVE YOUR OUTFIT. - OH, THANK YOU.
- GOOD TO SEE YOU. - I'M BUSTING OUT OF IT TODAY.
OH, MY GOD! - HELLO!
HOW YOU DOING? - GOOD.
- IT'S BEEN A LONG TIME.
THAT'S RIGHT.
- OH, MY GOD. YOU LOOK WELL.
- OH, STOP IT. YOU JUST--SO SAY SOME MORE.
[laughs]
[laughter]
- HOW LONG HAVE YOU BEEN IN ATLANTA?
- I HAVE BEEN HERE
PRODUCING, DEVELOPING SOME STUFF,
WORKING WITH THE GREEN ROOM
AND ALL THOSE KINDS OF FOLK OVER THERE.
WELL, THAT'S WHY WE DECIDED TO GET MOORE
SO WE CAN GIVE YOU EXACTLY WHAT YOU NEED.
- I HAVE BIG DREAMS. - UH-OH, UH-OH.
- THIS IS MY FIRST ACTUAL GALA. IT'S HUGE.
AND BEING NEW TO ATLANTA, I'VE GOT TO BRING IT.
- SWING A BIG STICK.
[laughter]
- I DON'T KNOW HOW TO DO ANYTHING SMALL.
I FELT LIKE YOU GUYS WERE MY DREAM TEAM
AND YOU GUYS COULD PULL IT OFF,
BECAUSE WE HAVE WORKED TOGETHER BEFORE.
- YAY. - RIGHT.
- FOR THIS EVENT, I ENLISTED THE HELP OF NICOLE GARNER,
WHO IS ATLANTA'S PREMIER PARTY PLANNER,
'CAUSE THIS PARTY IS GOING TO BE BIG,
BUT I DON'T THINK THEY KNOW JUST HOW BIG YET.
AS YOU KNOW, I WANTED TO THROW AN EVENT
TO PAY TRIBUTE TO BLACK ICONIC WOMEN IN FILM.
SO THE WOMEN WILL COME DRESSED AS, YOU KNOW,
YOUR JOSEPHINE BAKERS, YOUR LENA HORNES,
ALL THE BLACK ICONIC WOMEN THAT YOU CAN THINK OF,
AND THE MEN, OBVIOUSLY, WOULD BE--
- TOMMY FORD.
- YES, YOUR TOMMY FORDS.
[laughter]
WHEN WE WERE IN ANGUILLA,
PORSHA MADE A VERY IGNORANT REMARK
THAT I WAS OLD,
AND SOMEHOW MY ACCOMPLISHMENTS WERE IRRELEVANT.
IT WAS SORT OF THE CATALYST OF WHY I WANTED TO DO THIS EVENT.
I WANTED TO CELEBRATE ICONIC BLACK WOMEN OF FILM.
- WHAT ARE SOME OF THE HIGHLIGHTS?
WHAT ARE SOME OF THE THINGS
THAT YOU REALLY WANT TO SEE TAKE PLACE DURING THIS EVENT?
- I HAVE THIS IDEA THAT SOME OF THESE FILMS
CAN BE REENACTED.
- OKAY, OKAY.
- LIKE WE'RE ACTUALLY WATCHING THE MOVIE ALL OVER AGAIN.
- HMM.
- ONE COMES TO MIND IS COMING TO AMERICA.
AND DO YOU REMEMBER WHEN THEY HAD THE BIG ROYAL WEDDING
AND ALL OF THESE DANCERS CAME OUT
WITH THE FEATHERS IN THEIR HAIR?
JUST SOMETHING--SOMETHING WHERE WHEN WE SEE IT, WE KNOW IT.
- I SEE SOMETHING DIFFERENT
NOW, WHEN I FIRST HEARD ABOUT THIS--
"OH, YEAH, WE WANT TO DO SOME SCENES,"
BUT THESE ARE NOT JUST SOME SCENES THAT YOU WANT TO SEE.
- NO, THEY'RE MINI MOVIES.
- WOW.
AND THIS IS NOT JUST A PARTY. THIS IS A PRODUCTION.
- I AM TIRED OF GOING TO EVERYONE ELSE'S EVENT
AND FEELING OUT OF PLACE.
I'M DOING MY HOLLYWOOD PARTY THE ONLY WAY I KNOW HOW,
AND IT WILL BE FABULOUS, DARLING.
AND, NO, MY EX WILL NOT BE ON THE GUEST LIST.
THIS IS MY COMING-OUT PARTY, SO IT'S GOT TO BE DONE...
- IN ATLANTA, YOU CAN'T SAY THAT.
- OH, NO, YOU DIDN'T!
[laughter]
♪ ♪
- ♪ WHOO, WHOO, OOH, OOH, OOH ♪
- HELLO, COLE! - HEY, LADIES!
HOW Y'ALL DOING?
I'M COLE PARKER. HOW YOU DOING?
- I'M KANDI. - DIVAS IN DEFENSE.
THIS IS ACTUALLY JOHN AND THIS IS K.P.
- HEY, HOW YOU DOING?
- WELL, I'M GLAD YOU CAME TODAY.
- THIS IS WHY I'M COMING,
BECAUSE HE TEACHES WOMEN HOW TO WHUP UP ON PEOPLE, AND...
- GET OFF ME! EH, EH, YEAH!
UH! UH! UH!
ANY SMART BUSINESSWOMAN IS ALWAYS EXPANDING HER EMPIRE.
GOT MY PROTOTYPE. - OKAY.
- AND NOW THAT MY DONKEY *** DVD IS BEHIND ME,
NOW I'M VENTURING INTO THE WORLD...
[electric crackling]
OF STUN GUNS.
- I'VE NEVER SEEN A STUNNER UP CLOSE.
- YEAH. - THAT'S GOOD.
- THE STUN GUN I HAD WAS A LITTLE BULKY
AND NOT VERY FEMININE,
SO IT WAS A NATURAL FIT FOR ME
TO DESIGN SOMETHING FOR THE LADIES.
AND I HAVE THE PERFECT NAME FOR MY STUN GUN:
PHAEDRA SPARKS.
- THOSE ARE VERY, VERY HIGH VOLTAGE.
- 7.8 MILLION... - VOLTS.
IT STINGS AND IT BITES REAL BAD.
YOU WANT TO AIM FOR THINGS LIKE THE NECK, OKAY?
UNDERARMS, GROIN IS GREAT.
- PHAEDRA AND I HAVE BOTH LAUNCHED PRODUCTS
THAT ARE ELECTRIC AND ARE MARKETED TO ADULTS.
- MINE IS A RECHARGEABLE.
BUT HERS IS THE GIFT OF PAIN,
AND MINE IS THE GIFT OF PLEASURE.
[laughs]
- WELL, THERE IS A THIN LINE
BETWEEN PAIN AND PLEASURE.
- OH, MAN!
- [squealing laughter]
- SO YOU'LL WALK IN HERE,
AND YOU GOT YOUR STUN GUN IN YOUR HAND.
AND YOU HEAR SOMEBODY BEHIND YOU.
- OH, LORD, YOU KNOW I'M CRAZY.
- I WANT YOU TO TURN AROUND AND SAY, "LEAVE ME ALONE,"
AND WHEN HE CONTINUES TO COME,
YOU CAN PUT ONE HAND UP, FIT RIGHT HERE.
- YOU GOT KIDS ALREADY?
[laughter]
JUST BE DOING LIKE THIS. - JUST IN CASE.
- I'M CRAZY!
I'M CRAZY! [electric crackling]
- CRAZY! BOOM!
- BUT KEEP IN MIND, YOU ACTUALLY WANT TO HOLD IT ON HIM.
YOU KNOW, YOU WANT TO... [voice crackles]
LOOK LIKE YOU READY TO SHOCK SOMEBODY.
[laughter]
- I WOULD LOVE TO SEE SOMEBODY DROP ONE TIME.
- OKAY, WELL, LET'S NOT DO IT TODAY...
[laughter]
WHAT I'M GONNA DO, I'M GONNA CREATE THE SCENARIO
WHERE I'M WALKING BEHIND YOU.
WANT YOU TO TURN AROUND, "LEAVE ME ALONE,
GET OFF ME," OR WHATEVER.
I'MA STILL COME UP ON YOU, GOT IT?
- OKAY. - ALL RIGHT.
START WALKING.
[clears throat]
- HEY! WHAT YOU DOING?
[electric crackling]
- [screams]
- DID YOU FEEL IT FOR REAL? - YES.
IT HURTS A LITTLE BIT IN YOUR THIGH.
- I ZAPPED THAT ONE GUY BY ACCIDENT.
BUT I'M NOT GONNA LIE. IT WAS FUN.
[screams]
- I AM DYING TO TEST MY STUN GUN ON ANYONE
WHO WANTS TO ACT CRAZY ON ME
LIKE MISS KENYA.
WE VIBRATIN'. WE STUNNIN'.
- HEY!
- I'M CRAZY!
[electric crackling]
[dreamy percussive music]
♪ ♪
- HELLO.
- HI, YOU MUST BE KORDELL. - YES.
- COME ON BACK. - OKAY.
- GOOD TO SEE YOU. - THANK YOU.
- I'M SO GLAD YOU COULD JOIN US.
- WHEN KORDELL AND I FIRST GOT MARRIED,
I AGREED TO BE THAT STAY-AT-HOME WIFE,
BUT NOW NOT ONLY DO I WANT A BABY,
I ALSO WANT A CAREER,
AND THE CONCERN IS THAT I DON'T THINK KORDELL IS READY FOR THAT.
- I AM SO GLAD YOU CAME IN.
- YES, NO PROBLEM.
- WE'VE HAD A CHANCE TO TALK.
YOU KNOW, IT'S A LOT OF CHANGES IN TERMS OF
BEING NEWLY MARRIED, GETTING PREGNANT,
LOSING A PREGNANCY.
TELL ME WHERE YOU ALL ARE,
AND THEN WE'LL TALK ABOUT SOME ISSUES IN PARTICULAR.
- WE MAY HAVE OUR DISAGREEMENTS OR WHATEVER,
BUT I PROMISE YOU THEY LAST
NO MORE THAN FIVE OR TEN SECONDS.
- IS THAT TRUE FOR YOU TOO?
- UM...
I LET THINGS GO.
SO OKAY, I MAY NOT WIN THIS ARGUMENTS.
I LET IT GO AND MOVE ON TO THE NEXT DAY,
BECAUSE IT'S NOT...
- BUT IT AIN'T ABOUT-- IT'S NOT ABOUT WINNING, THOUGH,
BECAUSE IF IT'S ABOUT WINNING,
YOU GONNA LOSE EVERY TIME.
- WELL, I DON'T MEAN WIN LIKE THAT.
I DON'T MEAN-- - OOH!
- [laughs]
- KORDELL IS ONE OF THOSE PEOPLE
WHO DEFINITELY HAVE TO MAINTAIN CONTROL,
AND WHEN HIS MIND GETS SET,
IT'S NO WAY TO CHANGE IT.
- I KNOW YOU WANT TO HAVE A CHILD.
YOU WERE PREGNANT ONCE.
HOW DID YOU DEAL WITH ALL OF THAT?
- THAT--THAT WASN'T EASY.
AS TOUGH AS IT WAS FOR HER, YOU KNOW,
IT WAS EXTREMELY OVERWHELMING FOR ME,
BECAUSE I JUST LOST MY DAD LAST YEAR,
AND MY DAD ALWAYS TRIED TO MAKE ME UNDERSTAND
HOW TO PICK UP AND KEEP IT MOVING, SO TO SPEAK.
THAT MANLY SIDE, YOU KNOW.
SO MAYBE THAT TIME WHEN SHE MAY HAVE WANTED ME TO BE THERE,
AND I WAS GONE.
- WERE YOU ABLE TO TALK WITH HIM ABOUT YOUR FEELINGS?
- NO.
YOU KNOW, LIKE HE SAID,
HE'S, YOU KNOW, THIS MANLY MAN.
HE DOESN'T NECESSARILY WANT ME TO HAVE A BABY
AND HAVE THE CAREER.
AND I FEEL LIKE I COULD DO THEM BOTH.
- WHEN I GREW UP--I GREW UP, MY MAMA WAS AT THE HOUSE.
- IS THAT WHAT YOU'D LIKE TO SEE WITH YOUR WIFE?
- WELL, I CAN'T BE SELFISH AND SAY YES.
- BUT IS THAT YOU WOULD LIKE TO SEE?
- YES, I WOULD'VE LIKED FOR HER TO BE HOME.
- HOW DO YOU RESPOND TO HIM?
- IT'S--'CAUSE IT'S KIND OF LIKE IF YOU SAY, "YES,
"I DO WANT HER TO BE ABLE TO DO EVERYTHING SHE NEEDS TO DO
AND BE A MOM,"
BUT YET YOU POSITION IT TO WHERE IT CAN'T HAPPEN,
THEN IT'S ALMOST STILL LIKE SAYING NO.
KORDELL AND I ARE NOT ON THE SAME PAGE,
AND FOR ME, WE NEED TO HURRY UP AND SKIP TO THE NEXT CHAPTER,
BECAUSE THIS CAN'T GO ON FOREVER LIKE THIS.
- WHY SHOULD SHE GIVE UP HER CAREER, HER GOAL
IN ORDER TO JUST HAVE A BABY?
WOMEN WORK EVERY DAY WITH CHILDREN.
- SHE KNOWS WHEN IT'S TIME TO DO THINGS,
I RARELY SAY NO.
TYPICAL HUSBAND-AND-WIFE CONVERSATION.
I MEAN, THAT'S TRADITIONAL.
IT'S NOT YOUR NEW MODERN DAY WHERE, YOU KNOW,
WOMEN PRETTY MUCH RUN OFF AND DO WHAT THEY WANT TO DO
AND BECOME EXTREMELY SUCCESSFUL,
AND THEN ALL OF A SUDDEN, BEFORE YOU KNOW IT,
NOW YOU GOT A DIVORCE.
YOU HAVE PROBLEMS.
- WELL, NOBODY WANTS TO GET--
I MEAN, AFTER BEING PREGNANT BEFORE,
I DEFINITELY DON'T WANT TO GET PREGNANT
IN A PRESSURED SITUATION
OR IF WE'VE BOTH NOT ON THE SAME PAGE.
- YOU KNOW, HAVING A CHILD,
IT SHOULD NOT BE A ONE-MAN SHOW.
IT IS A COMMITMENT FROM BOTH PEOPLE.
AND, AGAIN, SHOULD SHE GIVE UP HER CAREER?
NO.
SO IN ORDER FOR HER NOT TO DO THAT,
WHAT ARE YOU WILLING TO DO
TO HELP HER MAKE IT HAPPEN?
SO YOU GONNA CONTINUE THIS CONVERSATION,
AND AT SOME POINT,
WE'RE GONNA CHECK IT.
- NO, WE'LL COME-- WE'LL COME BACK.
- THE FACT THAT YOU ALL ARE TALKING,
IT IS A GOOD THING, OKAY?
- YES, MA'AM.
- COMING UP NEXT...
[indistinct chatter]
[funky bass music]
♪ ♪
- YEAH, IF WE COULD HAVE SOMETHING HERE,
BECAUSE WE DEFINITELY WANT TO HAVE SOMETHING HERE.
AND THEN HOW DO WE REHEARSE THE GUYS PULLING THE CHARIOT
AND HOW DO WE REHEARSE HOW DO WE GET IT BACK OUT?
- WE'LL DO THAT BEFORE WE START.
- OKAY, YOU SURE? YOU PROMISE ME?
- PROMISE YOU. - OKAY, OKAY.
[grunts]
RIGHT NOW I'M A COMPLETE BALL OF NERVES.
I'VE WORKED SO *** THIS PARTY
THAT IT HAS GOT TO BE A SUCCESS,
BECAUSE MY NAME IS RIDING ON IT.
HOW MANY DID WE GET TO RSVP?
- OH, MY GOD!
MY FIRST BIG EVENT IN ATLANTA!
I'M SO NERVOUS!
MY STOMACH IS IN KNOTS. IT'S IN KNOTS.
- IT'S GONNA BE FANTASTIC. - REALLY?
BRANDON! [laughs]
- OKAY, ALL RIGHT, WELL, YOU GET YOURSELF TOGETHER.
PLEASE GET DRESSED UPSTAIRS WITH ME.
COME WITH ME. - OKAY.
- TODAY IS LIKE MY WEDDING DAY.
I FEEL LIKE I'VE BEEN ENGAGED TO THIS EVENT FOR MONTHS.
OH, THIS IS SCARY.
- WHAT ABOUT WHAT'S-HER-FACE?
- THAT'S PORSHA. - YES!
WHAT IS SHE COMING AS?
- HALLE BERRY FROM B.A.P.S. - LOVE THAT.
- YEAH, NO, IT'S GOOD. - LOVE THAT.
- I MEAN, I THOUGHT A LITTLE ROUGH AROUND THE EDGES,
A LITTLE UNPOLISHED, ALL THAT STUFF.
I MEANT NO OFFENSE WHEN I ASSIGNED PORSHA THE ROLE
OF HALLE BERRY FROM B.A.P.S.
IT WAS GOOD ENOUGH FOR HALLE BERRY.
IT SHOULD BE GOOD ENOUGH FOR PORSHA WHO?
[upbeat funky music]
♪ ♪
- I'M READY!
[laughter]
- [squeals]
[indistinct chatter]
- EVERYONE IN PRESSED HAIR SALON ARE LIKE SISTERS AND BROTHERS,
AND I WANT TO SHOW THEM ALL THESE B.A.P.S. OUTFITS.
THEY'RE GONNA TELL ME THE TRUTH
AND TELL ME WHAT THEY REALLY THINK.
- WELL, SHE WANT ME TO BE B.A.P.S.
I MEAN, WELL, SHE GAVE ONE GIRL TINA TURNER
FROM WHAT'S LOVE GOT TO DO WITH IT.
YOU CAN BE DIANA ROSS.
AND THEN SHE WAS LIKE, "YOU SEEM FINE AND EVERYTHING LIKE THAT.
WHY DON'T YOU BE B.A.P.S?"
- HEY, WHAT WAS THE LOOK ON HER FACE WHEN SHE SAID IT?
- IT WAS A LITTLE BIT SARCASTIC. - OH, OKAY.
- "GIVE HER B.A.P.S." - "LET'S GIVE HER B.A.P.S."
- LET'S SEE THAT DONKEY BUTT MOVE!
[women squealing]
[bright percussive music]
- HOW ABOUT THIS FOR MAHOGANY, HONEY?
WHAT DID YOU SAY, TERRENCE? THE MEN LOVE ME.
THE CHILDREN LOVE ME.
EVERYBODY LOVES ME, HONEY.
I'M MISS ROSS, HONEY.
- LOOKS LIKE DANCING WITH THE STARS.
- REALLY? - YEAH, I LIKE IT.
- I DON'T KNOW IF WE'RE GONNA HAVE A CONTEST,
BUT I KNOW ALL THE OTHER GIRLS ARE GONNA BRING IT.
PHAEDRA'S COMING AS EARTHA KITT.
AND SHE'S, LIKE, PERFECT FOR THAT.
KANDI'S COMING AS TINA TURNER. - [laughs]
- AND NENE'S COMING AS GRACE JONES, CHILD.
NOW, YOU KNOW I KIND OF WANTED TO BE GRACE,
'CAUSE I FELT LIKE I COULD'VE BEEN A GOOD GRACE.
- WHAT DO YOU THINK KENYA'S GONNA BE?
- I DON'T KNOW. SHE WON'T TELL US.
IT'S A SURPRISE.
- OKAY, GOOD-BYE. [laughs]
OKAY, I'M GONNA TRY THIS ON, AND I'LL BE RIGHT OUT.
- I BROUGHT MY LOTION SO I WON'T BE ASHY.
- RIGHT. MAKE SURE YOU GET BETWEEN.
YOU KNOW I HATE FEET.
- NO, I HAVE BEAUTIFUL FEET.
- BUT--YEAH.
- LOOK AT MY NAILS. LOOK.
- GOD!
I CAN SEE YOUR HEART POUNDING OUT OF YOUR--
WHAT'S GOING ON?
- I JUST--BUT, I MEAN, IT'S LIKE MY COMING-OUT PARTY.
IT'S MY FIRST BIG PARTY IN ATLANTA.
I'VE BEEN PLANNING THIS FOR MONTHS,
AND IT'S, LIKE, YOU KNOW-- IT'S IMPORTANT.
- I GET IT.
- OKAY, WHERE'S THE SPRAY? OKAY.
OKAY, THIS IS THE STUFF WALTER USED.
OH, NO, OKAY.
- [laughs]
- WAIT. - OKAY.
- BE STILL!
- WHY DO YOU HAVE KEEP DOING PULSES LIKE THAT?
JUST-- - BECAUSE THAT'S HOW YOU SPRAY.
IT SMELLS GOOD.
- THAT'S MY NATURAL MUSK.
- OKAY, THAT'S GOOD. OKAY.
- OH, I NEED A NEEDLE AND THREAD.
DO YOU HAVE SOME?
- BRANDON! - I'M SORRY.
- BRANDON IS KILLING ME RIGHT NOW.
- DO YOU STILL LOVE ME? - NO, BRANDON.
YOU SEE I'M BUSY.
- OKAY, WELL, LOOK. I GOT IT.
YOU ONLY GOT TO SHOW ME ONCE, AND BRANDON'S GOT IT.
GO, GO, GO.
- CAN YOU BRING MY DRESS?
- YOUR DRESS?
[women squealing]
- HALLE BERRY!
[all cheer]
- THAT'S IT!
- IS THIS IT?
- THE HAIR, THOUGH.
YOU GOT TO DO SOMETHING WITH THE HAIR.
- ALL RIGHT, WHO CHEERED?
SEE, THIS IS WHAT I LIKE.
I CAN BE, YOU KNOW, CLASSY,
AND I CAN BE SWEET,
BUT I LIKE TO GET A LITTLE WRETCHED.
KEEP THAT PIECE OF HAIR IN.
- ONE THING IS MISSING. - WHAT?
- THAT TOOTH. - IT'S THE GOLD TOOTH.
- LET'S FIGURE IT OUT.
BING!
[all cheer]
- THERE IT IS! - YEAH, HONEY!
- HALLE BERRY!
HALLE BERRY!
[laughter]
- THAT'S IT.
- I THINK YOU GUYS ARE GONNA LIKE THIS ONE.
OKAY, SO, YOU GUYS-- WHAT DO YOU GUYS THINK?
- I THINK IT LOOKS GREAT. - I THINK IT LOOKS GOOD.
- YOU KNOW, DEFINITELY PICTURE IT WITH MORE LASHES
AND REALLY GET, LIKE, A BIG DIANA ROSS EYE.
- I LOVE IT. - BUT IT'S COOL, RIGHT?
- HOW DID DIANA ROSS DANCE? HOW ARE YOU GONNA DANCE TONIGHT?
'CAUSE YOU GOT TO HAVE MOVES.
- DIANA ROSS VOGUED, HONEY.
VOGUE.
VOGUE. - DIANA!
- VOGUE, YES, YES.
YES, HONEY.
NOW, OKAY, LET'S GET READY TO GO.
- [laughs]
- I THINK EVERYBODY ELSE IS, LIKE, COMING
AS, LIKE, HOLLYWOOD GLAMOUR,
YOU KNOW, LIKE DIANA ROSS,
REALLY, THE EPITOME OF FABULOUSNESS.
- THAT *** IS TRYING TO PLAY YOU.
[laughter]
- YEAH, YEAH, YEAH, YEAH.
[indistinct chatter]
- IT'S LIKE LEGALLY BLONDE
WHEN SHE TOLD THE GIRL TO COME AS THE BUNNY RABBIT
AND DIDN'T NOBODY ELSE HAVE A COSTUME.
- OH!
- SHE TRIED AND SHE DID TRY.
PLAYA, I WAS LIKE, YOU KNOW, I'M GONNA JUST PARTICIPATE
AND GO ALONG WITH IT,
BUT I'M NOT GONNA WALK IN THERE LIKE NO FOOL.
- IS SHE LIKE, EVERYBODY ELSE IS CLASSIC OLD HOLLYWOOD,
IT MAKES HER, LIKE, LOOK LIKE A CARICATURE.
- COMING UP NEXT...
- NONE OF US ARE GOING IN.
NONE OF US.
[upbeat electronic music]
♪ ♪
- ALL RIGHTY.
- THANK YOU.
OH, MY GOODNESS.
THE THINGS I DO FOR MY GIRLS.
KENYA ASKED ME TO BE TINA TURNER
FROM WHAT'S LOVE GOT TO DO WITH IT?
WHICH IS TECHNICALLY ANGELA BASSETT.
I FEEL SO STUPID.
OKAY. HERE I AM.
WHAT'S LOVE GOT TO DO WITH IT?
MINIDRESS AND ALL.
I ASKED TODD TO COME IN A COSTUME.
I EVEN BOUGHT HIM THE BOWL WIG.
[laughs]
HE WAS LIKE, "HELL, NO."
HE WAS NOT PLAYING BY THE RULES.
- HOW YOU DOING, BROTHER?
- THIS IS KENYA'S FIRST BIG EVENT HERE,
AND SHE REALLY OUTDID HERSELF.
SHE RENTED A MANSION.
SHE HAS VALET PARKING.
SHE PULLED OUT ALL THE STOPS.
- OH! LOOK AT MISS MAHOGANY.
- HI. OOH!
HONEY, WHAT'S UP, MISS TURNER?
I THOUGHT EVERYBODY WAS GONNA WEAR A SUIT, THOUGH.
- NO.
WE DIDN'T KNOW
THAT YOU WERE GONNA BE BILLY DEE WILLIAMS TONIGHT.
- I'M NOT BILLY DEE WILLIAMS. - OH, YOU'RE NOT?
- NO. - WHO ARE YOU?
- HE JUST TOOK MY SCARF. - I'M PETER.
- MY BAD.
HOW IS PETER GONNA SAY HE'S NOT TRYING TO BE BILLY DEE WILLIAMS
WHEN HE LOOKS EXACTLY LIKE BILLY DEE WILLIAMS,
'CAUSE THAT'S NOT A REAL MINK AROUND YOUR NECK, SO...
I WOULD HOPE THAT THIS WAS A COSTUME.
[cheers and applause]
[funky music playing]
♪ ♪
- I'M GLAD YOU JIVE TURKEYS HAVE COME OUT TO MY EVENT.
AND IF YOU DON'T BEHAVE YO'SELF,
I'M GONNA HAVE TO TAKE OUT MY GUN
AND USE IT ON Y'ALL SUCKERS!
[laughter]
- I ACTUALLY KIND OF LOVE THAT KENYA IS TAKING HER ROLE
AS FOXY BROWN SO SERIOUSLY.
I MEAN, SHE IS REALLY WORKING IT FOR EVERYTHING THAT IT'S WORTH.
- NOW GET YOUR JIVE TURKEY *** INTO THAT BALLROOM
SO WE CAN HAVE A REAL NICE PARTY.
[cheers and applause]
EVERYONE INTO THE BALLROOM.
OH, YES, GIRL!
YOU LOOK AMAZING!
- THANK YOU. - OH, BEAUTIFUL GIRL!
- [laughs] - TINA'S IN THE HOUSE.
- TINA! HI!
AW, THAT'S SO COOL. I LOVE THE WIG.
I LOVE IT! ALL RIGHT, GIRL.
- THERE YOU GO!
- WE GONNA PUT YOU ON THE STAGE.
YOU GIRLS LOOK SMASHING.
- WHOO!
- MY GIRLS LOOK AMAZING.
THEY NAILED THEIR COSTUMES.
WHERE'S TODD?
- HE'S HERE. - OVER HERE.
- WHAT ARE YOU WEARING?
WELL, ALMOST EVERYONE NAILED THEIR COSTUMES.
- YOU GOT EVERYTHING YOU NEED? - YES.
[cameras clicking]
[indistinct chatter]
- I WONDER IF EVERYBODY HERE YET.
- HI! - OH, MY GOD!
OH!
NO, YOU DIDN'T! I LOVE IT!
OH, MY GOD. OH, MY GOD.
DID YOU TAKE A PICTURE ON THE RED CARPET?
OH, MY GOSH!
OH, YOU GUYS LOOK AMAZING!
- I WAS TRYING TO GET, LIKE-- - JAY!
- HI! - OH, HI.
- HOW ARE YOU?
- THIS ISN'T HALLE BERRY FROM B.A.P.S.
- IT'S HALLE BERRY FROM DOROTHY DANDRIDGE.
I WAS GONNA TRY AND WEAR THE B.A.P.S. OUTFIT,
BUT THE MORE AND MORE I THOUGHT ABOUT IT, MM-MM.
I'MA SHOW UP TO THE PARTY AS DOROTHY DANDRIDGE
LOOKING LIKE WHAT THE THEME IS, A HOLLYWOOD ACTRESS, HONEY.
GORGEOUS.
- THIS IS NOT WHO I ASKED YOU TO COME AS.
- ANYWAY, I LOVE IT.
- IS THIS CHICK FOR REAL?
I GAVE HER SIMPLE INSTRUCTIONS.
SHE KNEW EXACTLY WHO I ASKED HER TO COME AS,
AND SHE CHOSE NOT TO.
EXCUSE ME ONE SECOND.
WHERE'S--
I NEED--THIS IS NOT WHO I ASKED HER TO COME AS.
- [laughs] COME ON, KORDELL.
- I NEED YOU TO CANCEL
THE B.A.P.S. PORTION OF THE PROGRAM,
BECAUSE ONE OF THE GIRLS I INVITED
THAT I DESIGNED THE PROGRAM AROUND
DID NOT COME AS THE PERSON THAT I ASKED HER TO COME AS,
SO WE'RE GONNA HAVE TO CANCEL THAT PART.
- HI! OH, MY GOD!
- THIS IS REALLY UPSETTING TO ME RIGHT NOW.
I GOT TO HANDLE THIS.
WHERE'S--WHERE'S GARNER AT?
THIS IS A PARTY THAT I PAID FOR,
AND YOU WANT TO COME AND PICK A FIGHT?
HOW DISTASTEFUL.
TO THE LEFT.
- EXCUSE ME.
I'M HAVING A PROBLEM. - YES?
- I SPECIFICALLY ASKED YOU TO COME
AS A SPECIFIC CHARACTER FOR A REASON.
- OKAY.
- I THINK IT'S REALLY DISRESPECTFUL
THAT YOU CAME AS THE PERSON THAT YOU WANTED TO COME AS,
BECAUSE I DESIGNED THIS ENTIRE NIGHT
AROUND MY FRIENDS
AND TRYING TO HONOR THEM IN FILM.
- RIGHT.
SHE'S ALMOST, LIKE, CHASTISING ME,
LIKE, "YOU WERE SUPPOSED TO WEAR THAT."
AND I'M THINKING TO MYSELF, I'M A GROWN WOMAN.
AND IF YOU THOUGHT THAT YOUR LITTLE SCHEME WAS GONNA WORK,
YOU WERE SO WRONG.
- AND I FEEL LIKE--
- BUT YOU WERE TRYING TO INSULT ME, KENYA.
- NO, I WAS NOT. - B.A.P.S., REALLY?
- YES, BECAUSE-- YES, PORSHA, I DO.
- YOU SPECIFIED FOR ME TO BE B.A.P.S. WITH THE GOLD TOOTH?
- HERE'S THE THING, PORSHA-- - SHE DOESN'T DO A GOLD TOOTH.
SWEETHEART, I AM CLASSY AND GORGEOUS.
- OKAY, WELL, YOU KNOW WHAT? THIS IS MY PARTY.
- I WILL BE DOROTHY DANDRIDGE AT THIS PARTY.
- NO, YOU WILL DOROTHY DANDRIDGE OUTSIDE ON THE CURB.
- NO, I WILL NOT. - PLEASE, ESCORT HER OUT.
- OH, OKAY. - KORDELL, I'M SORRY.
I'M GONNA HAVE TO ASK YOU GUYS TO LEAVE.
- I HAVE ARRIVED AND I HAVE SHOWED UP.
- PLEASE, JUST GO.
I'M SORRY.
- LET ME GET MY HUSBAND. - NO, NO, NO, NO, NO.
NO, THIS IS VERY DISRESPECTFUL.
I HAVE A PROGRAM DESIGNED, REMEMBER?
I SENT YOU GUYS THE EMAIL AND EVERYTHING ELSE.
SHE CHOSE TO COME AS WHO SHE WANTS TO.
PLEASE ESCORT HER OUT, THIS LADY HERE.
I'M SORRY. - WHATEVER.
- NO! KENYA...
- THIS IS TOO MUCH.
EXCUSE ME.
- LET ME GET MY WIFE. LET ME GET MY WIFE.
- THIS IS TOO MUCH.
- YOU WANT HER TO LEAVE? - YES.
SHE CAN BE WHO SHE WANTS TO BE WHERE SHE WANTS TO BE, OKAY?
PLEASE--PLEASE HELP THIS LADY OUT.
- CALLING HER TWO HUGE SECURITY GUARDS TO ASK ME OUT.
I AM SO INSULTED.
AND, FRANKLY, I'M EMBARRASSED,
NOT FOR MYSELF, BUT FOR HER.
- WHAT JUST HAPPENED?
- KENYA JUST KICKED PORSHA OUT OF THE PARTY
BECAUSE SHE DIDN'T COME AS B.A.P.S.
- ARE YOU SERIOUS? - YES.
- THIS IS MY PARTY.
I ASKED HER TO COME AS A CERTAIN CHARACTER,
AND SHE WANTS TO COME AS WHO SHE WANTS TO COME AS.
YOU'RE NOT GONNA COME HERE AND DISRESPECT MY PARTY.
- AND IT'S WRONG.
- THAT'S NOT COOL.
- ALL RIGHT, LET'S GO. - ALL RIGHT.
- COME ON, COME ON, COME ON, COME ON, COME ON.
- [groans]
- LIKE, THAT'S CRAZY.
LIKE, WHO DOES THAT?
YOU KNOW, THAT AIN'T RIGHT.
- SHE SHOULD'VE STAYED AT HOME.
- WE ALL GONNA GO, KENYA.
- IT'S JUST NOT-- IT'S NOT APPROPRIATE.
- THIS IS GETTING OUT OF HAND.
- YEAH, BUT I THINK Y'ALL MAKING TOO MUCH OUT OF IT, KENYA.
SHE'S HERE. SHE'S DOROTHY DANDRIDGE.
- THAT'S NOT WHAT THE PARTY'S ABOUT.
- THE PARTY'S ABOUT HAVING FUN, KENYA.
SO WHAT SHE'S DOROTHY DANDRIDGE? WHO CARES?
- IT'S SO DISRESPECTFUL.
- NONE OF US ARE GOING IN.
NONE OF US.
- COMING UP NEXT...
- I DON'T NEED TO BE SCHOOLED BY ANYBODY, MAN.
- I'M JUST TELLING YOU WHAT'S HAPPENING,
- NO, YOU'RE TRYING-- - NO, NO, NO, NO, NO.
- HAVE I DISRESPECTED YOU? - ARE YOU NOT LISTENING?
ARE YOU NOT LISTENING? - ARE YOU LISTENING TO ME?
- NO, ARE YOU LISTENING TO ME?
- SECURITY!
THIS IS VERY DISRESPECTFUL.
THIS IS MY PARTY.
I ASKED HER TO COME AS A CERTAIN CHARACTER.
AND SHE WANTED TO COME AS WHO SHE WANTS TO COME AS.
THAT'S NOT WHAT THE PARTY IS ABOUT.
- THE PARTY'S ABOUT HAVING FUN, KENYA.
- NONE OF US ARE GOING IN.
NONE OF US.
- SHE NEEDS TO APOLOGIZE.
- TO SEE EVERYONE WALK OUT OF THIS PARTY WITH ME--
IT'S REALLY MAKING ME FEEL GOOD.
EVERYBODY AROUND ME CAN SEE HER FOR WHO SHE REALLY IS,
AND THEY'RE SUPPORTING ME BECAUSE THEY SEE
THAT YOU'RE THE ONE WITH THE MALICE CONTENT.
WE ALL CAME TOGETHER, AND TO KICK YOU OUT IS NOT COOL.
[line ringing]
- THAT *** KNEW EXACTLY WHAT SHE WAS DOING
WHEN SHE CAME DRESSED AS SOMEBODY ELSE,
TRYING TO BE ELEGANT AND THE *** IS FAR FROM IT.
PLEAS GO INTO THE BALLROOM.
WE'RE GONNA HAVE SOME FUN.
PLEASE GO INTO THE BALLROOM.
- NENE, WE'RE HERE. WE'RE AT THE PARTY.
OKAY, PORSHA CAME TO THE PARTY AS DOROTHY DANDRIDGE,
AND NOT AS B.A.P.S.,
SO KENYA IS ASKING HER TO LEAVE.
- ARE THEY STILL OUT THERE?
- BUT DON'T NOBODY CARE.
- WELL, I HOPE YOU--I HOPE YOU GRACE JONES FROM BOOMERANG,
BECAUSE IF YOU NOT, YOU GONNA BE GOING--
- THAT'S NOT THE POINT. HERE'S THE THING.
NOW, WE'VE HAD OUR DIFFERENCES, AND EVERYBODY KNOWS THAT.
- WELL, YOU TAKING IT TOO F[bleep] FAR.
- NO, NO, NO, I'M NOT TAKING IT TOO FAR.
- YES, YOU ARE.
- SHE DIDN'T EVEN INVITE ME TO HER PARTY AT ALL.
- F[bleep] YOU. I WASN'T TALKING TO YOU.
- I WAS EXTENDING AN OLIVE BRANCH TO YOU.
I HAVE DESIGNED AN ENTIRE PROGRAM
AROUND YOUR CHARACTER.
- GIRL, WE'RE NOT AT THE ACADEMY AWARDS TONIGHT.
IT AIN'T THAT DEEP. CHANGE THE PROGRAM.
SHE'S DOROTHY INSTEAD OF B.A.P.S.
- I INVITED YOU EVEN AFTER WE HAD OUR FIGHT
WAY BACK A LONG--
- KENYA, KENYA, KENYA,
HOW LONG HAVE YOU BEEN DISRESPECTFUL PERIOD?
- NO, NO, FIRST OF ALL... - PERIOD, KENYA.
- LISTEN, KORDELL, THIS IS NOT BETWEEN ME AND YOU.
I'M TALKING TO PORSHA.
- IF YOU'RE TALKING TO HER, YOU'RE TALKING TO ME.
- I'M HAVING A CONVERSATION WITH PORSHA,
AND KORDELL WANTS TO JUMP IN.
I'M ALREADY TALKING TO ONE ***.
NOW I'M TALKING TO TWO.
I UNDERSTAND THAT YOU MAY NOT SEE THINGS MY WAY.
- IS THERE AN APOLOGY IN THIS?
- I'M TALKING AND NOW YOU'RE BEING DISRESPECTFUL
WHEN I'M TRYING TO TALK TO YOU.
- OKAY, LOOK, HONEY,
I DON'T HAVE TO SHOW YOU ANY RESPECT AT ALL.
YOU CAN ACKNOWLEDGE WHAT YOU DID IN THERE--
- I ALREADY SAID THAT YOU DIDN'T UNDERSTAND, AND THAT'S FINE.
- I SHOULDN'T EVEN BE ENTERTAINING
COMING BACK IN YOUR EVENT.
- IS THAT AN APOLOGY? - IS THAT AN APOLOGY?
- I AM APOLOGIZING TO ALL OF YOU FOR MAKING YOU UNCOMFORTABLE.
- OH, THAT'S HALF-ASSED.
- EXCUSE ME?
DID YOU EVER APOLOGIZE TO ME
FOR CALLING ME TRASH AND *** IN ANGUILLA,
NOT INVITING ME TO KORDELL'S BIRTHDAY PARTY,
OR EVEN TRYING TO PUT ME OUT OF YOUR CHARITY EVENT?
YOU ARE REALLY WORKING MY NERVES RIGHT NOW,
BARKING LIKE A LITTLE CHIHUAHUA.
[high-pitched barking]
- YOU HAD TWO BODYGUARDS FOR ME.
- PORSHA, THIS IS WHERE WE ARE.
- WILL YOU APOLOGIZE?
REMEMBER WE WERE IN VEGAS,
AND KENYA GAVE THIS SPEECH TO PHAEDRA
ABOUT HOW SHE CAN APOLOGIZE?
IF SHE HAS OFFENDED SOMEONE,
SHE WOULD DIRECT IT TO THAT PERSON
AND SAY, "I APOLOGIZE TO YOU."
- YEAH, YOU DID SAY THAT.
- THAT'S--IF YOU FEEL THAT WAY.
- EXCUSE ME. OKAY, HOLD ON.
- WHAT I'M SAYING-- - HOLD ON, OKAY?
SO I CAN'T FINISH, BUT YOU CAN.
EVERYBODY HERE KNOWS THAT YOU ARE DEAD-*** WRONG.
ALL YOU GOT TO DO IS SAY, "I'M SORRY, PORSHA."
- I APOLOGIZE IF YOU WERE MADE TO FEEL UNCOMFORTABLE
BY SOMEBODY.
- I AM OFFENDED!
YOU APOLOGIZE BECAUSE I AM OFFENDED!
- EVERYBODY, I APOLOGIZE,
AND I WOULD LIKE FOR YOU GUYS TO COME BACK IN
AND ENJOY YOURSELVES.
- SHE CAN'T BE REAL! JUST BE REAL!
- LET'S GO, PLEASE. LET'S GO.
- GOOD NIGHT.
YOU HAVE PLANNED THIS EVER SINCE YOU CAME TO MY CHARITY EVENT
AND I HAD TO KICK YOU OUT.
YOU'RE RIDICULOUS.
[sighs]
- IF THE PROGRAM CAN'T HAPPEN THE WAY I PLANNED IT,
I'LL JUST HAVE TO GO OFF SCRIPT.
THE SHOW MUST GO ON.
LET'S HAVE SOME FUN.
HI!
- WELL, I THINK AN APOLOGY IS IN ORDER.
- OH, IT'S DEFINITELY IN ORDER.
- I WOULD LOVE FOR YOU TO STAY AND COME IN,
BECAUSE IF YOU DON'T STAY, THEN WE CAN BRING HER HOME.
- EXCUSE ME.
FOUND OUT SHE WANTS TO CHANGE IT,
SHE WOULD LIKE ME TO COME BACK IN.
THERE'S AN APOLOGY THAT'S IN ORDER AT THIS POINT.
- I UNDERSTAND THAT. - OKAY.
- YOU ALL HAVING A GOOD TIME TONIGHT?
[people cheer]
WE HAVE A WONDERFUL PROGRAM IN STORE FOR YOU THIS EVENING.
TONIGHT, WE ARE GONNA HONOR SOME WONDERFUL FILMS.
- I HAVE NOTHING AGAINST ANYBODY.
I'M HERE-- - IT'S FINE.
- I'M HERE TO HAVE A GOOD TIME. - LISTEN, LISTEN.
- AND I'M--AND I'M-- - THE LESS SAID, THE BETTER.
- BUT I JUST-- - THE LESS SAID, THE BETTER.
- SO PLEASE WELCOME
CANDICE LEDBETTER AND RACHEL LEVY!
PUT YOUR HANDS TOGETHER, EVERYBODY.
[applause]
- [indistinct]
- YOU NEED TO GO TALK TO KENYA...
- AND THAT'S WHAT I'M GONNA DO. - THAT'S IT.
- THAT'S WHAT I WAS TRYING TO ADDRESS.
- BUT, YOU KNOW, DON'T--
MAN, I'M RIGHT HERE.
STAY RIGHT HERE.
GO GET KENYA AND GET IT DONE.
THE BEST WAY TO HANDLE IT.
- YOU KNOW WHAT?
I'LL TELL KENYA TO COME BACK OUT AND TALK TO YOU.
- DAMN IT, HANDLE IT THE WAY YOU NEED TO HANDLE IT.
- I DON'T NEED TO BE SCHOOLED BY ANYBODY, MAN.
- I'M JUST TELLING YOU WHAT'S HAPPENING--
- NO, YOU'RE TRYING-- - NO, NO, NO, NO.
- NO, I WAS TALKING TO YOUR WIFE VERY RESPECTFULLY.
- NO, I AM MAKING YOU UNDERSTAND.
- HAVE I BEEN DISRESPECTFUL? - ARE YOU NOT LISTENING?
- HAVE I DISRESPECTED YOU? - ARE YOU NOT LISTENING?
- ARE YOU LISTENING TO ME? - ARE YOU LISTENING TO ME?
- NOW KORDELL IS ARGUING WITH BRANDON,
AND I'M LIKE, "CHILD, WE DON'T WANT TO SEE YOU
GET YOUR BUTT KICKED OUT HERE."
IF THIS DOESN'T CALM DOWN IN A SECOND,
THEN ME, MY MAN, AND MY WIG ARE GETTING IN THE CAR
AND GOING SOMEWHERE TO EAT.
- THIS IS SOME BULL[bleep].
- ALL I ASKED YOU TO DO IS GET KENYA.
- I AM GOING INSIDE! - WELL, GO IN!
- I'M GOING INSIDE! YOU STAY OUT HERE!
- I HAVE NEVER SEEN MY HUSBAND THIS UPSET.
THIS MEANS THAT HE HAS SEEN
SOME TRIFLING, LOW-DOWN TRASH CRAZINESS, OKAY?
- THERE'S NO PROBLEM! GO HANDLE YOUR BUSINESS!
PUNK-***!
- I DON'T EVEN KNOW WHY HE'S MOUTHING OFF.
[upbeat drumming playing]
♪ ♪
- SHE KNEW GOOD AND WELL THAT I WAS NOT GOING TO BE HAPPY.
YOU COULD'VE COME AND HAD EVERYBODY TALKING
ABOUT HOW FABULOUS YOU WERE.
INSTEAD, YOU PICKED A FIGHT.
YOU SHOULDN'T HAVE COME THAT WAY,
BECAUSE IF YOU COME FOR ME, TRUST ME.
IT'S NEVER A GOOD IDEA.
[drumming continues]
[applause]
- I REALLY FEEL LIKE THIS IS JUST BLOWN OUT OF PROPORTION,
AND I JUST REALLY WANT TO HAVE A GOOD TIME.
I MEAN, I DIDN'T WANT TO DRESS LIKE THIS, EITHER...
- I KNOW. I KNOW.
- YOU KNOW, TO BE HONEST WITH YOU.
- OH, MY GOD! STRANGE IS IN THE HOUSE!
- OH, MY LORD! - OH, MY GOD.
ARE YOU READY?
- OH! I LOVE IT!
- I NEED A PICTURE.
NOW, WHICH GRACE JONES IS THIS?
- HONEY, YOU GOT TO BE FROM YOUR ERA, NOW.
- YOU GOT TO BE FROM YOUR EXACT MOVIE.
- HAVE A HEADPIECE ON, THE WIG.
I CALL UP MY GAY FRIENDS. [snaps fingers]
"HELLO, GAYS, I NEED TO BE GRACE JONES."
AND THEY'RE OVER HERE GETTING THE GIRL TOGETHER.
- WELL, YEAH, BABY! YEAH!
- NOW, WE MAY NEED THE WHIP IN A MINUTE,
BECAUSE WE GOT A LOT OF CRAZINESS GOING ON.
- CAN I BORROW YOUR WHIP? - SURE.
- THANKS.
- OH, DON'T GIVE HER THIS WHIP!
PLEASE, DON'T GIVE HER THE WHIP!
[all cheer]
- [laughs]
- YES!
- OH, PHAEDRA!
- NOT EVERYONE CAN PULL OFF
EARTHA KITT'S ORIGINAL CATWOMAN CATSUIT.
BUT WHEN YOU ARE DONK-FABULOUS AS I AM,
YOU MAKE IT LOOK OH SO DONKALICIOUS.
- SHE KICKED PORSHA OUT OF THE PARTY
BECAUSE PORSHA CAME AS DOROTHY DANDRIDGE
INSTEAD OF B.A.P.S.
SHE JUST TOOK THIS TOO FAR.
- I THINK THAT'S JUST RIDICULOUS.
- IT MADE US FEEL UNCOMFORTABLE
THAT WE FELT LIKE WE HAD TO LEAVE.
WHY INVITE SOMEBODY AND THEN TELL THEM
THAT YOU'RE GONNA PUT THEM OUT?
WHY?
WHAT SENSE DOES THAT F[bleep] MAKE?
"WELL, SHE DIDN'T WEAR WHAT I TOLD HER TO WEAR."
WHO THE F[bleep] DIED AND MADE YOU THE BOSS?
- IT WAS DELIBERATE.
- YEAH, IT SEEMS PREMEDITATED.
- YEAH, SO IT'S AN INSULT.
- STILL, THE HOST HAS THE OPTION TO SAY,
"EVERYBODY, GET OUT OF HERE."
NOW, THAT WOULD BE A PERSON WHO NEEDS MEDICATION.
- RIGHT.
- ALL RIGHT, SO WHAT WE DOING?
ARE WE GOING IN? - UH-HUH.
- YOU GOT DRESSED TO THE "T." - YEAH.
- SHE DID TOO. SHE DID TOO.
AND I DAMN SURE DON'T JUST WALK AROUND WITH THIS WIG ON.
[laughter]
Y'ALL GOT TO COME BACK IN!
- I'MA TAKE IT FOR THE TEAM.
I JUST TAKE IT FOR THE TEAM. - YO, YO, YO, YO.
- I'LL TAKE IT FOR THE TEAM. - YES.
- I'MA GIVE THIS TO YOU, CHILD.
[electric crackling]
- [squeals] - YES!
- YOU ABOUT TO GET OUT OF LINE TODAY?
DO WHAT YOU GONNA DO.
IF KENYA WANTS TO ACT CRAZY TONIGHT,
I HAVE NO CHOICE BUT TO START HER SHOCK THERAPY
A LITTLE SOONER THAN SHE PLANNED.
- KEEP THAT IN YOUR BAG AND STAY CLOSE.
- THAT'S RIGHT, CHILD.
- AT THE END OF THE DAY,
I'M LOOKING TOO FIERCE AND TOO FABULOUS
TO LET YOU WASTE MY OUTFIT.
- EVERYBODY, PLEASE JOIN ME IN WELCOMING MISS KENYA MOORE
TO THE STAGE.
[cheers and applause]
- HI, EVERYBODY.
I AM SO HAPPY TO SEE ALL YOUR BEAUTIFUL FACES HERE TONIGHT.
IT MEANS SO MUCH.
- OH, THERE'S SOMETHING GOING ON IN THERE.
I GUESS THE PROGRAM HAS STARTED.
- ...TO HONOR BLACK ICONIC WOMEN IN FILM.
[cheers and applause]
WITHOUT OUR PAST,
WE WOULDN'T HAVE A PRESENT.
- OKAY, LET'S GO.
MAYBE YOU CAN TAKE SOME SENSE INTO KENYA, SO LET'S GO.
- I WANT YOU TO BUCKLE UP YOUR SEATS,
BECAUSE IT'S GONNA BE A WILD RIDE.
- LET'S GO. LET'S GO.
- LADIES AND GENTLEMEN,
WE'LL NOW HAVE A QUICK INTERMISSION...
- YEAH?
OKAY.
- PHENOMENAL VIP PRIZE PACK LATER ON THIS EVENING,
SO BE PREPARED TO GET SWEPT AWAY.
[indistinct chatter]
- WHOO! [laughs]
YOU BETTER WORK, ***!
- WELL, I MAY HAVE TO CHOKE YOUR ***.
- [squealing laughter]
- I MAY HAVE TO PULL OUT MY GUN ON YOU.
- MM-HMM.
- I AM SO SICK OF HEARING ABOUT KENYA AND HER BAD BEHAVIOR.
THERE'S GOT TO BE SOME CHANGES MADE
OR SHE'S NOT GONNA GET FAR.
SHE'S GOT TO CHANGE.
I'M NOT GONNA BE WALKING UP IN HERE
ACTING ALL HAPPY YOU GOT THE REST OF THE GIRLS UPSET.
- THAT WAS SOMETHING SO SILLY.
- THAT DOESN'T MAKE SENSE, KENYA.
- NO, YOU PUTTING TOO MUCH ON IT.
YOU WEREN'T HERE. YOU CAN'T TAKE ME...
- LISTEN, YOU KNOW WHY IT MAKES ME--
I'M NOT TAKING THIS-- I'M GOING FOR WHAT'S RIGHT!
- WHY? - BECAUSE WE ARE ONE!
- BUT YOU-- - WE SUPPOSED TO BE ONE!
YOU INVITED ALL OF US HERE TOGETHER TO BE AT YOUR PARTY,
SO IF YOU'RE GONNA KICK PORSHA OUT,
THEN I'M LEAVING TOO.
- THANK YOU FOR COMING BACK IN,
BECAUSE, YOU KNOW, SOMETIMES YOU JUST GOT TO TAKE THE HIGH ROAD,
BE THE BIGGER PERSON.
WE ALL CAME TO SUPPORT KENYA,
SO FOR HER TO REALLY TAKE IT THAT FAR
WAS JUST DOING THE MOST...
- COME AS A GROUP, WE LEAVE AS A GROUP.
I APPRECIATE THAT.
- I WOULD'VE WANTED THE SAME HAD I BEEN KICKED OUT.
- IT JUST INFURIATED ME SEEING THAT SHE HAD THE AUDACITY
TO COME HERE AND JUST DO WHATEVER SHE WANTS TO DO.
I'M LIKE, WHAT IS THE HARM IN YOU COMING
AS HALLE BERRY FROM B.A.P.S.?
- YES, PORSHA COULD HAVE COME AS THE CHARACTER
THAT SHE WAS TOLD TO COME AS.
LET IT BE AND LET'S MOVE ON.
- WHAT IS THE PROBLEM?
- I FLEW MILES
AND CANCELLED EVENTS TO BE HERE.
AND I FEEL LIKE IF THEY MADE AN EFFORT
TO GET DRESSED AND COME,
YOU SHOULD ALLOW THEM TO COME IN.
I'M MAKING IT,
BECAUSE I NEVER BURN BRIDGES
AND I NEVER PLAY DIRTY.
I PLAY THE GAME REAL,
AND THAT'S WHY PEOPLE F[bleep] LIKE ME
AND DEAL WITH ME.
- EXACTLY.
- SO DON'T JUST F[bleep] SOMEBODY OVER
JUST BECAUSE YOU CAN.
AND YOU HAVE TO BE THE BIGGER PERSON.
- ALL I'M SAYING IS--
- YOU CANNOT BURN A BRIDGE.
I'M TELLING YOU THIS: DON'T BURN BRIDGES!
- NENE KEEPS TELLING ME NOT TO BURN BRIDGES,
AND OUT OF RESPECT FOR HER,
I'M GONNA APOLOGIZE TO THE GIRLS,
BECAUSE I WANT EVERYBODY TO HAVE A GOOD TIME,
AND I WILL BE THE BIGGER PERSON,
AND THAT'S NOT HARD TO DO WHEN IT COMES TO PORSHA.
- YOU KEEP IT REAL WITH THESE MOTHERF[bleep]...
- YEAH. - THAT'S ALL YOU NEED TO DO.
- YEAH.
- BUT YOU CAN'T KEEP IT REAL F[bleep] CRAZY.
YOU GOT TO KEEP IT REAL, AND THERE'S A DIFFERENCE.
I ONLY TRY TO REASON WITH PEOPLE THAT I LIKE.
I LIKE HER.
I'D LIKE TO SEE HER DO BETTER AND DO MORE.
SO I ALWAYS JUST WANT TO BRING HER BACK
LIKE, "HEY, HEY, SNAP OUT OF IT."
I JUST THINK THAT KENYA RESPECTS WHAT I HAVE TO SAY.
- OH, SHE WAS.
- NOW LET'S GO ENJOY THE PARTY.
- THE PURPOSE OF TONIGHT WAS TO CELEBRATE STRONG BLACK WOMEN,
AND I THINK I'VE PROVEN THAT I'M A STRONG BLACK WOMAN.
BUT EVEN A STRONG BLACK WOMAN CAN GO WITH THE FLOW
JUST TO KEEP THE PEACE.
LOOK, LISTEN.
I DO WANT TO SAY SOMETHING TO YOU.
I DID PUT A LOT OF WORK IN THIS PARTY,
BUT I MAY HAVE BEEN HARSH ON YOU.
SO FOR THAT, I WANT TO APOLOGIZE.
OBVIOUSLY, WE NEED TO WORK SOME STUFF OUT BETWEEN US,
BECAUSE IT'S A LOT OF OLD STUFF COMING UP...
- FESTERING.
- WE'VE NEVER HAD RESOLVED, SO...
- WHEN KENYA FINALLY APOLOGIZED TO ME,
I KNEW SHE WAS FULL OF "IT."
I SAID, YOU KNOW WHAT?
SHE'S PROBABLY GONNA GO INTO DEBT
AFTER TRYING TO PULL THIS PARTY OFF,
SO THERE YOU HAVE IT.
I THINK--I THINK IT'S A MATTER OF US JUST SITTING DOWN
AND TALKING THROUGH WHATEVER IT IS.
BUT I DO ACCEPT YOUR APOLOGY.
- ALL RIGHT. - THANK YOU.
- COMING UP NEXT...
[cheers and applause]
[whip cracks]
- WHOO!
- I NEED A PICTURE! OH, MY GOD.
- [laughs]
HONEY, I BUMPED
INTO A LOT OF CHARACTERS THAT NIGHT, CHILD.
- THAT'S ONE OF HER CD COVERS.
- KANDI AS TINA TURNER...
[grunts]
HONEY, IT WAS NOT A GOOD LOOK.
I THOUGHT PHAEDRA WAS A GREAT EARTHA KITT.
THAT'S THE BEST I EVER SEEN HER LOOK.
- I LOVE THE EARS AND THE TAIL.
- EVEN IN REAL LIFE, I THINK THAT SHE SHOULD BE EARTHA KITT.
[laughs]
MAHOGANY.
I THOUGHT CYNTHIA COULD'VE DONE BETTER.
IT LOOKED LIKE CYNTHIA WITH THE FUR ON.
- FOR REAL?
- PORSHA, SHE WANTED TO BE DOROTHY DANDRIDGE.
OKAY? [laughs]
BUT STRANGE, HONEY, SHUT IT DOWN.
- LOOK AT YOU, GIRL.
[snaps fingers]
[violin playing]
- THANK YOU, EVERYONE, FOR COMING.
I JUST WANT TO SAY A SPECIAL HELLO
TO YOUR CO-HOSTS THAT ARE HERE LOOKING ABSOLUTELY FABULOUS.
AND I'D LIKE TO JUST HAVE THESE GIRLS JUST SHOW YOU
WHAT THEY'RE WORKING WITH TODAY.
SO STARTING WITH MISS PORSHA STEWART
AS DOROTHY DANDRIDGE.
THANK YOU, PORSHA. WONDERFUL.
SO, MISS PHAEDRA PARKS--
CAN WE HAVE AN ESCORT FOR MISS PHAEDRA PARKS?
NOW, BLACK HISTORY-- WHO PLAYED CATWOMAN?
all: EARTHA KITT!
- EARTHA KITT, YEAH.
GIVE ME A LITTLE GROWL.
- [purrs]
[cheers and applause]
- THE SASSY, CLASSY, AND UNBELIEVABLY TALENTED
MISS KANDI BURRUSS.
[laughs]
WHOO!
GIVE IT UP FOR MISS KANDI, EVERYBODY.
CYNTHIA BAILEY AS DIANA ROSS FROM MAHOGANY!
[cheers and applause]
TWIRL, GIRL. GIVE ME A KENYA MOORE TWIRL.
WHOO!
WE ALL KNOW AND LOVE THIS NEXT YOUNG LADY.
THE SASSIEST *** ON THE PLANET,
MISS NENE LEAKES!
[cheers and applause]
[whip cracks]
WHOO!
[percussive music playing]
♪ ♪
I HAVE ARRIVED, HONEY.
I HAVE ARRIVED!
[cheers and applause]
AND THE SPOTLIGHT IS ON ME...
[snaps fingers]
AGAIN. [laughs]
- HONEY, I DON'T KNOW.
IT MIGHT HAVE TO BE A SQUARE-OFF
BETWEEN FOXY BROWN AND GRACE JONES.
[cheers and applause]
[laughter]
- AND ON THAT NOTE, EVERYBODY, THANK YOU FOR WELCOMING
MY AMAZING FRIENDS!
[cheers and applause]
- AND MR. PETER THOMAS HAS SPECIAL ANNOUNCEMENT.
- NEXT WEEK, THE REUNION BEGINS.
- YOU'RE NOT SMART. - I'M NOT STUPID!
- YOU'RE NOT SMART!
YOU NEVER CAN WIN WHEN YOU'RE DIRTY, HONEY.
- I WANT TO HAVE MY CHILDREN
AND THEY KNOW MOMMY'S GONNA BE HOME.
- YOU SAID I'M OUT OF MY MIND ABOUT WHAT?
- LISTEN.
- ♪ AMAZING GRACE ♪
- [laughs]
- I'M NOT THE ONE THAT HAD SEX WITH A CONVICTED FELON.
- I REALLY DON'T CARE MUCH FOR HER.
- MAYBE YOU SHOULD STOP TEXTING ME, THEN.
- OH.
- YOU'VE BEEN TRYING TO GET WITH ME.
"I WILL DO TO YOU WHAT YOUR WIFE DON'T DO"?
- OH, YOU ARE--
- AND THAT'S WHY I CALLED HER A ***.
- WALTER'S NOT HERE TO DEFEND HIMSELF.
- HE'S A GROUPIE.
- THIS IS THE DUDE YOU COURTED ALL SEASON!
- DON'T COME FOR ME UNLESS I SEND FOR YOU.
- YOUR OLD FRIEND HAS ARRIVED.
- COME ON, WIG.
- TO LEARN MORE ABOUT THE REAL HOUSEWIVES,
GO TO BRAVOTV.COM.