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So also going back to tuning again. Earlier when I was playing the Bach what I was playing
were snippets from movements from larger pieces. So in the, in Bach's Sonatas and Partitas
there's four different movements, four or five different movements. And when you're
playing a longer piece and let's say you have three movements you have a kind of Presto
a, movement, Adagio movement and you have you know, your Presto Con Moto, your last
movement. What you have to do would usually is tune in between and a lot of times you
know, most of the time, maybe your, your violin's actually still in tune but checking it before
moving on to that next section is usually a good idea. So regardless if you're playing
a three-movement concerto or if you're just playing Bach. Typically you'll want to tune
in between each movement so that when you move on a, you want to make sure that everything
up into, everything after that first part has been in tune. And it continues to be in
tune and you can either tune on your own or you can actually re-tune with the piano again.