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- TONIGHT, ON "L.A. HAIR"...
- I WANTED TO DESIGN SOMETHING THAT IS CUTE FOR THEM TO WEAR.
- MY CLIENTS WON'T WEAR NONE OF THESE.
MY CLIENTS HAVE SEX.
- DO YOU HAVE SOMETHING TO SAY, CHINA?
GO AND SAY IT.
- LET ME HOLLER AT YOU, AWAY FROM THE CLIENT.
- IS IT AN EMERGENCY?
- ANGELA'S, LITERALLY, ABANDONED HER JOB.
- WOW!
- YOU COME AT ME, I'M GONNA COME BACK AT YA.
- YOU WANNA GO, WE CAN GO.
- GET IT TOGETHER, ACT LIKE A PRODUCER,
OR I WILL SEND YOU HOME!
- WHAT THE HELL'S GOING ON BACK THERE?
- IF YOU DON'T KNOW HOW TO ACT,
YOU CAN GO, OKAY? - THANK YOU!
♪ H-H-H-HAIR LIKE THIS ♪
♪ I LIKE MY HAIR LIKE THIS ♪
♪ I LIKE MY HAIR LIKE THIS THIS ♪
♪ LIKE THIS THIS LIKE THIS ♪
♪ I LIKE MY HAIR LIKE THIS ♪
- LEAH, I'VE BOOKED A PHOTO SHOOT FOR THE CAPS AND BONNETS
AT THE END OF THE WEEK, WHEN I GET BACK FROM ATLANTA.
- REMEMBER THE CONVERSATION THAT WE HAD ABOUT THE BONNETS?
- MMM-HMM.
I'VE CREATED A NEW LINE OF SHOWER CAPS
AND SLEEPING BONNETS
THAT WILL HELP TO PROTECT WOMEN'S HAIR.
AND, THEY CAN BE SEXY WHEN THEY GO TO BED
OR GET IN THE SHOWER.
- AND I MADE THE RECOMMENDATION THAT WE TEST THEM OUT.
YOU KNOW, MARKET TESTING IS A GOOD THING.
- MMM-HMM-- MMM-HMM. - RIGHT?
SO, LET'S PULL THE STYLISTS TOGETHER
TO HAVE THEM HAVE A BRIEF DISCUSSION
ABOUT HOW THEY CAN RECOMMEND IT TO THEIR CLIENTS.
- THESE STYLISTS?
- YES.
THEY'LL JUST DECIDE WHAT THEY LIKE,
WHAT THEY DON'T LIKE, WHAT--
- YEAH, ESPECIALLY SINCE YOU THINK THEY'RE SO UGLY.
I WANNA HEAR SOME OTHER OPINIONS.
- AND THAT'S WHY WE'RE DOING IT,
BECAUSE I DON'T WANT YOU TO THINK IT'S ME
JUST SAYING THAT THEY'RE UGLY.
- YEAH, I THINK WE SHOULD GET MULTIPLE OPINIONS.
- OKAY, GOOD.
- HAVE YOU GUYS EVER BEEN TO A NUDE BEACH?
- I HAVE. - NO.
- DID YOU GET UNDRESSED? - NO.
- AND YOU SAW SOME-- - WE SAW-WE SAW HILLS,
AND MOUNTAIN, AND SLOPES.
PUT IT THAT WAY.
THINGS JUST DANGLIN' AND SHAKIN'.
I WAS LIKE--
- ANGELA, LET'S GO TO THE NAKED BEACH.
- I'M DOWN.
[laughing]
- THIS IS A SHOWER CAP, KIM--THIS ISN'T A BONNET.
- RIGHT.
- HOW IS ANYBODY SUPPOSED TO SLEEP IN THIS?
- NO, THAT'S FOR YOU TO-- WHEN YOU-WHEN YOU
GET IN THE SHOWER, BABY.
YOU LOOK LIKE-YOU LOOK LIKE-- - THAT'S FOR THE SHOWER.
AND THEN, LOOK.
- YOU LOOK LIKE RALPH KRAMDEN'S WIFE WITH THIS ON.
WHAT IS THIS? - IT'S CUTE.
I DON'T CARE WHAT YOU SAY.
I WANNA HEAR WHAT OTHER PEOPLE SAY,
'CAUSE YOU-YOU A NAYSAYER.
THE BOWS WE NEED TO KEEP. - NO, NOT THE FLOWER.
- REALLY? - SHUT--
- SORRY. - REALLY?
WAIT-WAIT-WAIT-WAIT.
[laughing] - SHE LOOKS LIKE HOLLY HOBBIE.
- THAT'S NOT HOW YOU SUPPOSED TO WEAR IT.
- HOLLY HOBBIE.
- YOU SUPPOSED TO FLUFF IT A LITTLE BIT, LEAH.
- WHY DOES A SHOWER CAP NEED TO BE FLUFFED?
- 'CAUSE YOU WANT IT TO LOOK CUTE.
YOU'RE NOT WEARING IT RIGHT.
- WHO ARE YOU LOOKING CUTE FOR IN THE SHOWER?
- YOU'RE NOT WEARING IT RIGHT.
YOU MIGHT HAVE YOUR MAN IN THE SHOWER 'WIT YOU.
Y'ALL MIGHT BE, UH, SOAPIN' EACH OTHER DOWN, HONEY,
IN THE SHOWER.
- WELL, IF THAT'S THE CASE, TRUST ME--
THIS ISN'T GONNA GET-GET THE PARTY STARTED IN THE SHOWER.
THIS IS MORE OF A PROPHYLACTIC.
THIS IS A-THIS DOESN'T HEAT ANYTHING UP.
COME ON, NOW-- REALLY?
- NOW, LET'S GET THIS STRAIGHT.
THERE IS SHOWER CAPS AND SLEEPING BONNETS.
ONE'S FOR THE SHOWER,
AND ONE'S FOR WHEN YOU GO TO BED.
- I DIDN'T REALIZE IT WAS SHOWER CAPS.
I THOUGHT THAT THESE WERE ALL BONNETS.
- YEAH, THESE ARE SHOWER CAPS, AND THESE ARE SILK BONNETS.
- SILK BONNETS? - YEAH.
- I CAN LIVE WITH THE SLEEPING BONNETS,
BUT THE SHOWER CAPS?
OOH.
- WHAT IS GOIN' ON UP HERE? - DO ME A FAVOR, SWEETHEART,
AND BRING THE REST OF YOUR COMPATRIOTS OUT.
- THIS IS INTERESTING. - FIVE MINUTES, TOPS.
GO GET YOUR-GO GET YOUR HOMIES FOR ME, PLEASE.
- ALL RIGHT.
- AND, YOU KNOW, THEY'RE NOT GONNA MAKE FUN.
THEY'RE GONNA-THEY'RE GONNA BE PROFESSIONAL ABOUT THIS.
- LEAH WANTS TO SHOW US SOMETHIN' UP FRONT.
- SEE WHAT THEY SAY-- EVERYBODY THINKS.
- WHAT ARE THESE?
THIS IS CUTE. - WAIT-WAIT-WAIT-WAIT-WAIT.
EVERYBODY, HANG-- JUST HANG ON ONE SECOND.
AS YOU KNOW, WE, UH, WE'RE CONSTANTLY LOOKING
AT WAYS TO EXPAND OUR PRODUCT LINE.
SO, WE HAVE A LINE OF SHOWER CAPS
AND NIGHTTIME SLEEPING BONNETS.
SO, RIGHT NOW, WE'RE JUST TRYING TO GET SOME FEEDBACK
FROM ALL OF YOU.
- DO THEY COME WITH A MATCHING THONG?
I THINK THAT'D BE CUTE, KIM.
- THONG? - I COULD DO THAT.
IF YOU ARE STANDING IN FRONT OF A MAN,
WITH SILK BRA AND SILK ***,
HE WILL NOT EVEN KNOW YOU HAVE A SILK BONNET ON.
REALLY, YOU'VE GOTTA--
HE-HE'S NOT GONNA EVEN GET PAST THE ***.
THE BONNET, HE WON'T EVEN KNOW.
- KIM, DO YOU WANNA TALK ABOUT SOME OF THESE?
- WELL-WELL, LET ME JUST SAY,
THE REASON THAT I REALLY GOT INTO DOING THIS IS BECAUSE,
YOU KNOW, AFTER WE DO OUR CLIENT'S HAIR,
THEY GO HOME-- - AND MESS IT UP.
- YEAH, THEY-THEY DON'T TIE THEIR HAIR UP AT NIGHT,
'CAUSE THEY DON'T WANT TO, 'CAUSE THEY GOT A MAN.
THEY WANNA BE CUTE.
I WANTED TO DESIGN SOMETHING THAT WAS CUTE
FOR THEM TO WEAR.
THE SHOWER CAPS ARE DESIGNED TO PROTECT YOUR HAIR
FROM MOISTURE WHILE YOU'RE IN THE SHOWER.
THE SILK SLEEPING BONNETS ARE THERE TO PROTECT YOUR HAIR
AT NIGHT WHEN YOU SLEEP.
KEEP 'EM FROM DRYING OUT AND TO ALSO MAINTAIN THE STYLE.
- I LIKE THIS, HONEY-- I'D WEAR THIS.
CAN I TRY IT ON?
- I LIKE THAT, UM, CONDITIONING [deleted].
THOSE CAPS AND BONNETS ARE UGLY.
THEY LOOK LIKE LITTLE *** TO ME.
HERE, GIRL, PUT THESE *** ON YOUR HEAD
AND GO TO SLEEP, SEE WHAT YOUR MAN THINK.
I CAN'T HEAR [deleted].
WHAT?
- YOU DON'T KEEP YOUR *** OUT.
- DON'T SUFFOCATE THE CHILD. - OH, I WAS TRYING TO BE CUTE.
- CHINA, YOU LOOK TROUBLED.
[collective chatter]
- OOH, CHILD, THESE BONNETS ARE NOT VERY ATTRACTIVE.
- I THINK THE FLOWER IS A BIT MUCH.
- SWEAT MY-SWEAT MY THING OUT.
NAJA, YOU LOOK LIKE YOU A SLAVE, HONEY.
LIKE-LIKE YOU BEEN IN "THE HELP."
[collective laughter]
- REALLY?
- MY CLIENTS WON'T WEAR NONE OF THESE.
MY CLIENTS HAVE SEX. - THE CHURCH LADIES?
- BUT YOU DON'T THINK THAT THOSE CUTE, LITTLE BONNETS--
- YES, THAT'S WHY THEY'RE STILL MARRIED.
THAT'S WHY THEY'RE STILL MARRIED.
MY CLIENTS AIN'T GONNA BUY NO BONNETS AND NO DAMN CAPS.
LOOKIN' LIKE SHE'S ALL LITTLE RED RIDING HOOD'S GRANDMOTHER
OR SOMETHIN' LIKE THAT,
TALKIN' ABOUT WHAT BIG EYES YOU HAVE.
WE'RE NOT HAVIN' ALL THAT.
I THINK MORE SOLID, MORE EDGY
WOULD REPRESENT YOU MORE THAN FLOWERS AND--
- SOLID. - IT'S A SOLID MESS.
- OKAY, NEXT!
- I THINK, IF YOU, LIKE, REWORK THE SHAPE INTO, LIKE,
A DIFFERENT, COOL SHOWER CAP SHAPE,
THAT COULD BE, LIKE, HOT.
I WOULD BUY THIS, LIKE, FLY-SHAPED SHOWER CAP.
- I THINK WE SHOULD GO BACK TO THE DRAWING BOARD,
AS FAR AS AESTHETICS GO.
- KIM, ANYTHING ELSE YOU WANTED TO SO?
THANK YOU FOR THE-- - THANK YOU FOR YOUR FEEDBACK.
IT DEFINITELY HELPS.
- THIS LOOKS LIKE A *** A LITTLE BIT.
IT'S BEEN A LONG TIME-- I JUST SAID, IT'S BEEN A LONG TIME.
- YOU ARE DISMISSED.
- THANK YOU, LADIES. - AND GENTLEMAN.
- THE STYLISTS REACTION TO MY CAPS AND BONNETS
ARE PRETTY DISAPPOINTING.
THE PROBLEM ISN'T THE CAPS AND BONNETS.
IT'S THEIR IMAGE.
I'M GONNA MAKE SURE THAT THEY'RE HOT AND SEXY
IN THE PHOTO SHOOT.
- I DON'T UNDERSTAND WHY PEOPLE FEEL LIKE
THEY CAN'T HAVE SEX WEARING THEIR BONNETS.
♪♪
- KIM IS ALWAYS HAPPY TO SAY, "NO, GIRL-- GO FOR IT."
"YOU WANNA GO GREEN-- GO GREEN.
"NOT JUST IN THE RECYCLE BIN.
"IF YOU WANT GREEN HAIR, YOU GO FOR GREEN HAIR.
- YES, FOR THE GREEN HAIR!
MONEY'S GREEN-- WHY NOT GREEN?
COME ON, NOW.
I'M IN ATLANTA, STYLING MICHELLE WILLIAMS' HAIR.
MICHELLE WILLIAMS IS A MEMBER OF DESTINY'S CHILD,
AND I'VE BEEN WORKING WITH HER FOR YEARS.
I'M GIVING MICHELLE WILLIAMS LONG AND FLOWING
LADY GODIVA HAIR.
YOU GONNA GO GREEN, YOU GOTTA WEAR IT, HONEY.
SHE HAS AN ALBUM COMING OUT,
AND SHE'S ASKED ME TO GIVE HER A NEW, FRESH LOOK
FOR HER ALBUM PHOTO SHOOT.
- THIS TIME LAST YEAR WAS CRAZY.
- YOU NEED SOME POSITIVITY. - SO, I COULDN'T HAVE EVEN
IMAGINED SITTIN' IN THIS CHAIR,
GETTIN' BEAUTIFIED AND GLAMMED UP, ONCE AGAIN.
IT'S BEEN A JOURNEY.
I DON'T MIND TALKING ABOUT IT,
'CAUSE IT DONE CAME OUT NOW, ABOUT DEPRESSION AND--
- I DIDN'T KNOW ABOUT THAT. - YEAH, I-I DID THIS INTERVIEW,
AND BEFORE YOU KNOW IT, IT WENT EVERYWHERE.
AND IT WAS AN ACCIDENT ON H-HOW WE SPOKE ABOUT IT.
I DIDN'T MEAN FOR IT TO COME OUT.
BUT, SO MANY PEOPLE SAY, "WOW, MICHELLE.
"THANK YOU FOR COMING OUT ABOUT THIS AND TALKING ABOUT IT."
AND THEN, YOU KNOW, I JUST LET PEOPLE KNOW
IT'S OKAY TO GET HELP, TALKING TO SOMEBODY.
SO, THIS ALBUM WAS REALLY, YOU KNOW--
- THERAPEUTIC. - THERAPEUTIC.
- RIGHT. - SO--
- BUT, YOU KNOW WHAT, NOTHIN' HAPPENS BY ACCIDENT.
IT-IT'S FOR SOMEBODY.
AS YOU CAN SEE, SOMEBODY GOT BLESSED.
IT'S REALLY MEANINGFUL WHEN I BOND WITH
SOMEONE LIKE MICHELLE.
IT GOES BEYOND ME JUST DOING HER HAIR.
YOU NEVER KNOW WHAT PEOPLE ARE GOING THROUGH ON THE INSIDE.
THE WAY SHE DEALT WITH IT WAS VERY INSPIRING.
WE NEVER GONNA GET-- UH-OH.
- SO, HOW WE LOOKIN'?
- I FEEL-I FEEL A-I FEEL A WHIP COMING OUT.
OH, SHOOT. - WE ALMOST DONE?
- WHAT TIME IS IT? - 1:00.
- OKAY. - OH, JESUS-- OKAY, I'M SORRY.
GONNA GET THIS GOIN' RIGHT NOW. - ALL RIGHT.
- CAN WE SAY WE'LL BE SHOOTING AT 1:30?
- THAT SOUNDS GOOD TO ME. - I FEEL THE PRESSURE, HONEY.
I FEEL THE PRESSURE-- I'M RUNNING BEHIND.
- COMING UP, ON "L.A. HAIR"...
- HELLO? - KIM, ANGELA'S NOT HERE.
SHE'S, LITERALLY, ABANDONED HER JOB.
- WOW!
- WORK YOUR FINGERS AND STOP WORKING YOUR MOUTH.
- BRING IT.
WHY DON'T YOU STOP FLAPPING YOUR JAWS
AND DO YOUR CLIENT'S HAIR? - ANTHONY, OVER THE CLIENT?
- AWAY FROM THE CLIENT! - WHY YOU GO AND DO THAT?
- EXCUSE ME-- I NEED TO TALK TO HIM FOR ONE SECOND.
- FIRST OF ALL, WHY ARE YOU MANHANDLING ME?
♪ I LIKE MY HAIR LIKE THIS ♪
- UH-OH. - SO, HOW WE LOOKIN'?
- I FEEL-I FEEL A-I FEEL A WHIP COMING OUT.
- WE GETTING CLOSE? - OH, SHOOT.
- WE ALMOST DONE? - I FEEL THE PRESSURE, HONEY.
I FEEL THE PRESSURE-- I'M RUNNING BEHIND.
I'M IN ATLANTA, STYLING MICHELLE WILLIAMS' HAIR
FOR HER ALBUM PHOTO SHOOT.
I HAVE A LOT OF CURLS TO DO,
AND WHY IS THERE NEVER ENOUGH TIME?
♪♪
SO, I'M GONNA LET TASHA GO AHEAD
AND FINISH YOUR MAKE-UP. - OKAY.
ALL RIGHT! - LOOKS GOOD, KIM.
- COME ON, LET'S DO IT.
- LET'S GO-- WE'RE GONNA GET DRESSED AND SHOOT.
- ASIA? - SIR?
[indistinct] - OH!
- ISN'T IT GORGEOUS? - LOOK AT THIS!
OH, YEAH!
- YOU'RE RIGHT THERE, MICHELLE.
- MICHELLE, THAT DRESS IS OFF THE CHAIN.
YES!
- LET ME HAVE SOME MORE.
♪♪
- SO, WE GAVE MICHELLE A DEEP SIDE PART,
WITH A NICE WAVE, ON STEROIDS.
IT WAS JUST EXTRA LONG AND, UH, YOU KNOW, DEEP WAVE.
IT WAS JUST FABULOUS.
YEAH, SHE'S GIVING ME FIERCE MODEL POSE, HONEY.
- ALL RIGHT, NEXT!
SAME HAIR AND MAKEUP, DIFFERENT OUTFIT!
- OKAY.
- SO, I KNOW WE HAVE A LOT TO DO IN A SHORT AMOUNT OF TIME.
- WE DO. - IS THERE ANYTHING THAT,
YOU KNOW, ANYTHING ELSE I SHOULD KNOW?
- NO, UM, I'M GONNA SUPERIMPOSE HER,
FOR THE MOST PART.
SO, IT'LL BE KINDA GREEN SCREEN.
UM, WE HAVE A TRAMPOLINE.
I JUST WANT A LOT OF MOVEMENT IN HER HAIR.
- I CALL MYSELF THE CONDUCTOR OF THE HAIR WIND.
- OKAY. - YOU KNOW, SO,
A WEAVE BLOWER, THAT REALLY WORKS PERFECT,
'CAUSE YOU CAN DIRECT IT. - A WEAVE BLOWER?
- YEAH, A WEAVE BLOWER. - NEVER HEARD OF THAT.
- I CAN DIRECT THE WIND EXACTLY WHERE I WANT IT TO GO.
- OKAY, SO, I'M GONNA GET HER TO JUMP UP.
- OH, THOSE ARE FUN. - YEAH, I WANT HER TO--
- 'CAUSE THE HAIR DOES ALL KINDA SHAPES.
- RIGHT-- ALL RIGHT, SO, LET'S DO IT.
- OKAY.
- I HAVE NEVER BEEN ON A TRAMPOLINE IN MY LIFE.
- HOLD ON TO YOUR WEAVE.
I GOTTA GO ON THAT SIDE. - NO PROBLEM.
ONE, TWO, THREE.
OH, THAT'S BEAUTIFUL. - WHOO!
WHOO!
♪♪
- I FELT LIKE THE HAIR TERMINATOR,
HOLDING THAT WEAVE BLOWER.
- OH, LOOK AT THAT-- BEAUTIFUL.
YEAH, WE GOT ENOUGH TO WORK WITH.
BEAUTIFUL.
♪♪
- WHAT YOU DOIN'?
- I'M SHAMPOOING HER HEAD AND GETTIN' INTO IT.
[chuckling]
IT'S NOT A *** THING. - I KNOW IT'S NOT ***.
THAT'S A WOMAN.
KIM SAYS ANTHONY'S GONNA BE ASSISTING US,
SINCE HE'S BEEN DEMOTED.
OKAY, HE CAN ASSIST.
FINE.
YOU ONLY SHAMPOOING TWO SIDES OF THE HEAD,
BUT THERE'S ANOTHER WHOLE BIG PART IN THE CENTER.
- WELL, I'M WORKIN' MY WAY INTO THE MIDDLE,
IF THAT'S ALL RIGHT. - WELL, WORK YOUR WAY AROUND.
- ALL RIGHT, SO, SINCE YOU'RE GOING TO JAPAN, I MEAN,
THAT'S THE LAND OF, LIKE, NAILS-NAILS, FOR REAL.
I REALLY WANNA DO SOMETHING, LIKE, OVER THE TOP.
- GO THERE. - OKAY, YOU'RE COOL?
- FOR SURE, 100%. - ALL RIGHT.
WE CAN PUT, LIKE, EYELASHES
ON THE ACTUAL NAILS. - OH, MY GOD!
- BUT, THEY'RE GONNA BE REALLY LONG, LIKE THIS LONG.
ON THESE TWO FINGERS, RIGHT-- IT'LL BE THIS FINGER.
I'LL HAVE-THERE'LL BE THIS LONG NAIL ON THE EYELASHES,
SO THAT-- AND WE CAN PAINT, LIKE,
A LITTLE EYE ON IT. - OH, THAT'S SO COOL.
- SO THAT, WHEN YOU TAKE A PHOTO,
YOU CAN SHUT YOUR OWN EYES AND GO LIKE THIS.
- OH, MY GOD-- THAT'S SO COOL.
- BUT THE NAIL IS ACTUALLY THE LASH AND THE EYE.
- I LOVE THAT.
- SHE HAS BEAUTIFUL HAIR. - SHE REALLY DOES.
- HOW ARE-HOW ARE YOU GOING TO STYLE HER HAIR?
- I'M GONNA BLOW DRY IT.
- YOU GOT YOUR OWN BLOW DRYER TODAY, RIGHT?
- OH, WHY?
- YOU NEED TO START BRINGING THAT EVERY DAY,
'CAUSE I DON'T WANT YOU USING MY BLOW DRYER NO MORE, ANTHONY.
I'M SO SERIOUS.
- OH, MY GOD!
- ANTHONY IS, LIKE, THE WORST ASSISTANT.
HE'S SUPPOSED TO BE HERE HELPIN' US,
AND HE DOESN'T EVEN HAVE HIS TOOLS.
LIKE SUGA FREE SAID,
"IF YOU STAY READY, YOU DON'T GOT TO GET READY."
YOU HEAR WHAT I'M SAYIN'? - WHAT?
- STOP USING MY [deleted] BLOW DRYER.
- YOU KNOW WHAT, I DON'T HAVE TIME FOR THIS.
I'M BUSY DOING HAIR.
- THINK WE SHOULD PAINT THE UNDERSIDES OF THESE, TOO?
GO FOR THE GUSTO? - YEAH, IT'S KINDA COOL.
- SOMETIMES, PEOPLE SAY, "OH, DO WHATEVER YOU WANT."
BUT, I'M LIKE, "DO YOU REALLY MEAN, WHATEVER I WANT?"
- NO, YOU CAN DO WHATEVER YOU WANT.
YOU CAN REALLY DO WHATEVER YOU WANT-- I TRUST YOU.
- 'CAUSE I DO HAVE A MOTTO.
"IT'S NOT DONE 'TIL IT'S OVERDONE."
- IT ALREADY LOOKS GOOD, YEAH. - ALL RIGHT, KINDA COOL.
ALL RIGHT, SO, THERE YOU GO.
IT EVEN HAS, LIKE, A LITTLE CUTE BEAUTY MARKS.
- OH, MY GOD-- IT'S SO CUTE.
- I'M THINKING, IN JAPAN,
THEY'RE GONNA LOVE THE LITTLE CANDY PIECES.
BUT, ALSO, ACTUALLY PUT IT UP AND MAKE THAT, LIKE,
LINE UP WITH YOUR LASHES. - THIS IS SO COOL.
- I MEAN, I THINK THEY LOOK RIDICULOUS.
OH, MY GOD-- I THINK IT LOOKS GREAT.
LOOK! - OH, MY GOD-- IT'S PERFECT.
I'M SO EXCITED.
THEY ARE GONNA FREAK OUT, IN JAPAN, WHEN THEY SEE THIS.
- WHAT?
THIS WOMAN HAS GOT SOME ISSUES.
UH...
JAZZ, COME OVER HERE.
I WANNA TELL YOU WHAT HAPPENED.
- WHAT?
WHAT'S THIS ALL ABOUT? - YOU'RE ABOUT TO FIND OUT.
GOT A MESSAGE FROM ANGELA
THAT, UM, SHE GOT A GIG IN THAILAND, FOR A WEEK.
SHE TOOK OFF. - FOR A WEEK?
- A WEEK. - OH, ANGELA.
THE CONVERSATION I HAD WITH ANGELA
WAS A TOTAL WASTE OF TIME.
SHE JUST TOTALLY DISREGARDED EVERYTHING
THAT I HAD TOLD HER.
THERE WAS A LACK OF COMMUNICATION,
LACK OF RESPECT.
SHE DOESN'T GET IT.
- SHE JUST TOOK OFF.
THAT'S CALLED JOB ABANDONMENT.
- I HAD THAT TALK WITH ANGELA ALREADY
ABOUT BEING DISRESPECTFUL, AND I'M TIRED OF TALKING.
I'M DONE WITH THAT-- I'M DONE WITH ANGELA.
YOU GOTTA COVER HER PEOPLE.
- ALL RIGHT. - OKAY?
- OKAY. - ALL RIGHT.
- OKAY, SO, YOU KNOW,
WE'VE GOT THIS THING WITH, UH, ANGELA
KIND OF, LIKE, JUST TAKIN' OFF.
HOW ARE YOU, UM, HOW ARE YOU HANDLING ALL OF HER CLIENTS?
- I CAN BOOK THEM ALL OUT FOR THE FOLLOWING WEEK.
- ALL RIGHT, THANK YOU.
THANK YOU FOR THAT. - YOU'RE WELCOME.
♪♪
- ALL RIGHT, WORK, MICHELLE.
- LET'S TAKE THE SHOES OFF.
THERE YOU GO.
CAN YOU BACK UP A LITTLE BIT?
- I KNOW THIS ALBUM IS REALLY IMPORTANT TO MICHELLE,
AND I WANNA MAKE SURE SHE LOOKS AMAZING
TO GIVE HER THAT EXTRA BOOST OF CONFIDENCE.
WEAVE BLOWER-- VVVVV!
♪♪
- THAT'S PERFECT.
ALL RIGHT, WORK, MICHELLE.
- ALL RIGHT, WE GOT IT-- THAT'S A WRAP.
- WHAT? - IT'S A WRAP?
- IT'S A WRAP. - ALL RIGHT.
- I WANNA TWIRL SOME MORE!
- I'M JUST HAPPY TO SEE MICHELLE PUSHING FORWARD
AND MOVING ONWARD, AND, YOU KNOW,
GOING FOR WHAT SHE BELIEVES IN.
- THANK YOU, AGAIN-- I'LL SEE YOU SOON.
- ALL RIGHT, OKAY-- ALL RIGHT.
LET ME GO PACK UP, CHILD. - ALL RIGHT.
- HELLO?
- KIM? - WHAT'S GOING ON?
IS IT AN EMERGENCY? - I JUST GOT AN EMAIL.
ANGELA'S NOT HERE, AND SHE WILL NOT BE HERE ALL WEEK.
- SHE IS OFF TO THAILAND. - WOW!
- SHE APPARENTLY THINKS IT'S MORE IMPORTANT
FOR HER TO TAKE OFF AND DO A MUSIC VIDEO WITH RITA ORA
AND SNOOP DOGG.
SHE'S, LITERALLY, ABANDONED HER JOB.
- HER DISRESPECT FOR THE BUSINESS AND FOR ME
IS UNACCEPTABLE.
WE'LL DEAL WITH IT LATER-- I-I-I'LL TALK TO YOU LATER.
- ALL RIGHT, WE'LL DEAL WITH IT LATER.
BYE. - BYE.
- COMING UP, ON "L.A. HAIR"...
- YOU COME AT ME.
I'M GONNA BACK AT YA 20 TIMES HARDER.
- YOU WANNA GO, WE CAN GO.
- SHE SENT AN EMAIL ON HER WAY OUT THE DOOR.
ON HER WAY TO THE AIRPORT.
- THAT'S CLASSIC ANGELA.
- SHE WILL NEVER LEARN HOW TO WORK AS A TEAM.
♪ I LIKE MY HAIR LIKE THIS ♪
- WELCOME TO THE SALON--
KIMBLE HAIR STUDIO. - THANK YOU.
- SO HAPPY THAT YOU'RE HERE TODAY.
AND I SEE THAT YOU ARE PROBABLY GONNA GET EXTENSIONS
IN YOUR HAIR, CORRECT? - YEAH.
- SO, WE'VE GOT DONTAY BRAIDING YOU UP.
- YEAH.
- ATTRACTIVE IS NOT WHAT COMES TO MIND
WHEN I LOOK AT THOSE SHOWER CAPS.
YOU LOOK LIKE RALPH KRAMDEN'S WIFE WITH THIS ON.
BUT, I CAN DEFINITELY DO THE BONNETS.
I'M GONNA DO A LITTLE MARKET RESEARCH ON MY OWN,
AND SEE WHAT THE CONSUMER THINKS.
- SHE ABOUT TO SELL YOU SOME ***, HONEY.
- QUIET YOURSELF.
- SHE'S SELLING YOU ***-- LOOK AT IT.
- HEY, ZIP, ZIP! - YOU KNOW I CAN'T BE QUIET.
- WITH THIS SIGNIFICANT AND SIZEABLE INVESTMENT,
YOU WANNA PROTECT IT, CORRECT?
- CORRECT. - OKAY.
SO, YOU KNOW, WHAT WE WANNA-WE WANNA DO,
IS WE WANNA ENCOURAGE ALL OF OUR CLIENTS
TO PROTECT THEIR INVESTMENT
WITH PURCHASING BONNETS THAT WE SLEEP IN.
WHICH COLOR DO YOU THINK DONTAY SHOULD SPRING FOR,
OR TERRY SHOULD SPRING FOR YOU, THIS-THIS-THIS AFTERNOON?
[indistinct]
- YOU LIKE THE BROWN ONE? - YEAH, I-I LIKE THAT.
- WHICH ONE WOULD YOUR MAN LIKE?
'CAUSE HE GOTTA LOOK AT YOU.
- HE WOULDN'T LIKE NONE OF THOSE.
- THIS IS MY CLIENT-- SHE AIN'T GONNA WEAR THAT.
I TOLD YOU MY-- - YOU KNOW WHAT?
YOU KNOW WHAT?
WE'RE AT ONE PHASE OF YOUR CLIENT GETTING HER HAIR DONE.
I-I'D APPRECIATE IT IF YOU-I WOULD APPRECIATE IT IF YOU--
- YOU SAID I'M CRAZY. - I TOLD YOU,
ALL MY CLIENTS HAVE SEX.
THEY'RE NOT GOING TO WEAR THAT.
- SHE JUST SAID-SHE JUST SAID THAT SHE WOULD NOT MIND
INVESTING IN PROTECTING ALL OF THE HARD WORK
THAT YOU'RE ABOUT TO DO ON HER HEAD.
- THAT WOMAN'S MAN AIN'T GONNA LET HER COME TO BED
WITH NO *** ON HER HEAD.
I TELL YOU WHAT--
SHE COME INTO BED WITH SOME *** ON HER HEAD,
SHE AIN'T GONNA GET HER *** TAKEN OFF.
- SO, I WOULD APPRECIATE IT IF YOU WOULD ENCOURAGE THE CLIENTS
TO SUPPORT HEALTHY HAIR CARE
AWAY FROM THE SALON. - OKAY.
- IT WOULD BE AWESOME IF YOU COULD GET ONBOARD WITH THAT
AND SUPPORT THIS EFFORT.
- OKAY, LET ME-- I'M SORRY, I'M SORRY.
I'M SORRY-- YOU'RE RIGHT. - OKAY.
- GIRL, WRAP YOUR HAIR, HONEY.
- I WOULD ENCOURAGE YOU TO WRAP YOUR HAIR.
IT'S MUCH EASIER TO JUST SLIDE A BONNET ON.
AND, TRUST ME--
IT'S NEVER BEEN AN IMPEDIMENT TO GETTIN' SOME.
- I MEAN, WE AIN'T TALKIN' ABOUT GETTIN' SOME.
WE JUST TALKIN' ABOUT BEING CUTE
WHILE YOU GET IT. - YOU ARE CRAZY.
♪♪
- I UNDERSTAND THAT YOU HAD AN APPOINTMENT WITH ANGELA.
- I DID. - AND, FOR WHATEVER REASON,
THE MESSAGE WASN'T COMMUNICATED TO YOU
THAT SHE HAD AN EMERGENCY,
AND SHE HAD TO LEAVE THE COUNTRY.
WE CAN EITHER RESCHEDULE YOUR APPOINTMENT
FOR SOMETIME NEXT WEEK,
OR I CAN CHECK AND SEE WHICH ONE OF OUR--
IF YOU-IF YOU'RE WILLING TO SEE ANOTHER STYLIST.
- THAT WOULD BE AWESOME.
- I'M GONNA ASK YOU TO HAVE A SEAT UP FRONT.
- OKAY.
- I'LL HAVE A CHAT WITH THE STYLISTS
AND SEE WHAT THE REST OF THEIR BOOKINGS LOOK LIKE
FOR THE REST OF THE DAY. - OKAY.
AND, IF WE'RE ABLE TO ACCOMMODATE YOU, LIKE I SAID,
I'LL MAKE SURE THAT THAT HAPPENS, OKAY?
- THANK YOU SO MUCH-- I REALLY APPRECIATE THAT.
- THIS IS WHY WHAT ANGELA DID IS SO IRRESPONSIBLE.
IF YOU WASH, AND ANTHONY COMES BACK AND BLOW DRIES,
YOU'LL STYLE?
- I WOULD MUCH RATHER ANTHONY WASH,
BECAUSE HE CAN'T BLOW DRY.
- HE NEEDS TO MAKE SURE HE REALLY WASHES HER HAIR,
BECAUSE HE HAS A TENDENCY TO MISS THE FRONT,
LEAVE SHAMPOO IN THE BACK.
HE NEEDS TO-- HER HAIR IS, LIKE, IMPERATIVE, MAJOR, THAT--
- IT LOOK LIKE IT'S NEVER BEEN--
- YES. - TEAMWORK.
- OH, MY GOD-- LOOK AT THIS. - HEY.
- ARE YOU "TOP GUN" OR WHAT? - THAT'S RIGHT.
I FEEL THE NEED-- - FOR SPEED?
- THE NEED FOR SPEED. - RIGHT ON.
- WHAT'S GOIN' ON?
- AS YOU KNOW, ANGELA'S NOT HERE.
- YES.
- EVEN THOUGH YOU'RE NOT OFFICIALLY
ALLOWED TO DO CLIENTS,
WHAT THE TEAM HAS DECIDED THEY'RE GONNA DO IS,
IF YOU WILL WASH HER, AND CONDITION HER,
AND PUT HER UNDER THE DRYER,
THEN DONTAY'S GONNA FLAT IRON AND STYLE.
- THAT'S TOTALLY FINE. - DOES THAT WORK FOR YOU?
- YEAH-- OH, YEAH. - ALL RIGHT.
SO, THE TEAM DECIDES I'M DOING THE ASSISTANT WORK.
THAT'S FUNNY-- THIS IS SO NEW FOR ME.
- CHINA MENTIONED THAT THERE WERE SOME TECHNIQUE ISSUES
WITH--
- OH. - OKAY?
THAT, UH, HE SOMEHOW DOESN'T RINSE
ALL OF THE SHAMPOO AND CONDITIONER OUT.
HE SCRATCHES THE SCALP, EH, WITH HIS NAILS.
SO, COULD YOU JUST BE IMPARTIAL AND KINDA KEEP AN EYE ON HIM?
- I'LL SEE WHAT'S GOING ON. - BUT, IT'S--
ALWAYS ROOM FOR GROWTH.
- WELL, APPARENTLY, THEY TOLD ME THAT CHINA SAID
YOU DON'T SHAMPOO OR RINSE OUT CONDITIONER OR SHAMPOO RIGHT.
- CHINA NEEDS TO SHUT THE HELL UP.
- CHINA IS ABOUT TO BE BLOW DRYING HER HAIR.
SO, CHINA ASKED YOU TO HELP HER
BY SHAMPOOING HER HAIR THREE TIMES.
SO, THAT IS WHAT CHINA WOULD LIKE YOU TO DO, OKAY?
- FIRST OF ALL, IF I DON'T DO IT RIGHT,
THEN DO IT YOURSELF.
IT'S NOT ROCKET SCIENCE TO SHAMPOO SOMEONE'S HAIR.
- WHAT'S GOING ON?
- DO YOU HAVE SOMETHING TO SAY, CHINA?
GO AND SAY IT.
- YOU BETTER BE THE BEST SHAMPOOER
YOU CAN BE RIGHT NOW. - WHAT-- WHAT?
- THAT'S WHAT YOU NEED TO DO. - WHAT?
- WORK YOUR FINGERS AND STOP WORKING YOUR MOUTH.
- BRING IT.
WHY DON'T YOU STOP FLAPPING YOUR JAWS
AND DO YOUR CLIENT'S HAIR? - ANTHONY, OVER THE CLIENT?
OVER THE CLIENT? - LET ME-LET ME HOLLER AT YOU.
LET ME HOLLER AT YOU, AWAY FROM THE CLIENT.
- ARE YOU FLAPPIN' IT OVER THE CLIENT?
WHY YOU GO AND DO THAT? - EXCUSE ME.
I NEED TO TALK TO HIM FOR ONE SECOND.
- FIRST OF ALL, WHY ARE YOU MANHANDLING ME?
- 'CAUSE I'M JUST SAYIN'. - YOU BETTER--
DON'T-DON'T TOUCH ME. - CHINA, LET-LET HIM DO IT.
I GOT HIM, I GOT HIM.
I GOT IT, I GOT IT.
GO AHEAD AND DO YOUR CLIENT-- JUST LET HIM DO IT.
- IF YOU'RE GONNA SAY SOMETHIN', SAY IT TO MY FACE.
- I GOT IT. - DON'T SAY IT BEHIND MY BACK.
- I'M TRYING TO TALK TO YOU OVER THERE.
- COME ON, WE GOT IT. - YOU DON'T WANNA GO.
- I AIN'T NO PUNK, OKAY?
IF YOU WANNA SAY IT, SAY IT TO MY FACE.
- BUT, WHY DOES HE WANNA TALK OVER THE CLIENT, THOUGH?
[collective chatter]
- SO, WHEN I SAY TO YOU, "HEY, LET'S GO TALK OVER HERE,"
YOU DON'T WANT TO. - AND I APPRECIATE YOU DOING--
TAKING HIM OVER THERE.
I APPRECIATE IT, BUT I GOT HIM.
- SHE OBVIOUSLY DIDN'T CARE. - IT'S OKAY.
- THAT WAS A BIT SCARY,
'CAUSE MY HEAD IS IN YOUR HANDS, ANTHONY.
- WHAT AM I GONNA DO WIT' Y'ALL?
- I KEEP TELLING Y'ALL,
A COCKTAIL A HOUR WILL GIVE YOU POWER.
- IT'S ONE BIG, HAPPY FAMILY.
- SO, APPARENTLY, WE DID SOME TEAMWORK ON YOU TODAY.
LITTLE MISS ANGELA COULDN'T DO IT.
WE MELTED THE 'FRO OUT OF YOUR LIFE.
YOU READY TO SEE WHAT YOU LOOK LIKE?
- I CAN'T WAIT. - BAM!
- YES! - THIS IS SO CUTE.
IT'S CUTE, RIGHT?
[collective chatter]
- I LOVE IT.
- SO, WHAT DO YOU THINK, LEAH?
- I THINK, UH, YOU LOOK FABULOUS.
- THANK YOU-- THANK YOU SO MUCH.
- I'M SO GLAD THAT WE WERE ABLE TO WORK IT OUT.
- ALL RIGHT, TAKE CARE, SWEETHEART.
GOOD LUCK TO YOU. - BYE.
- BYE-BYE.
- DON'T FORGET TO WRAP IT AT NIGHT, TOO.
- AND MAYBE EVEN GET A KIMBLE BONNET.
- SILK BONNET. - OH, NO.
- THE NEXT TIME YOU YELL AT ME IN FRONT OF A CLIENT, CHINA,
YOU'RE GONNA GET IT.
THAT'S ALL I GOTTA SAY. - NEXT TIME I YELL AT YOU?
- YES.
CAN I HAVE A TALK WITH YOU, PLEASE?
I AM SO SICK AND TIRED OF CHINA EMBARRASSING ME
IN FRONT OF CLIENTS.
I CANNOT FRICKIN' TAKE IT ANYMORE.
- WHAT-WHAT YOU WANNA TALK ABOUT?
- OKAY, HERE'S THE DEAL.
YOU KNOW HOW I ACT WHEN SOMEONE TOUCHES ME.
SO, WE CAN COME TO AN AGREEANCE
WHERE YOU WON'T TOUCH ME LIKE THAT,
AND I WON'T TOUCH YOU LIKE THAT.
WE'LL BE HAPPY AND WE CAN CO-EXIST.
- ANTHONY, LISTEN, THIS IS WHAT YOU DO.
YOU DO [deleted],
AND THEN WHEN SOMEONE DOES IT BACK TO YOU,
YOU DON'T LIKE IT.
I SAY TO YOU, "HEY, LET'S NOT TALK OVER THE CLIENT.
"LET'S COME OVER HERE."
YOU DON'T WANNA COME, BUT THEN WHEN YOU COME,
AND YOU'RE LIKE, "HEY"-- YOU WANNA TALK RIGHT NOW.
WHEN I TOLD YOUR ***, WHEN YOU WAS OVER THERE
TOUCHING MY HAIR, I WAS LIKE, "STOP TOUCHING MY HAIR."
I GAVE YOU, LIKE, 15 WARNINGS.
FIFTEEN TIMES I SAID TO YOU, "STOP TOUCHING MY HAIR."
SO, HERE WE ARE.
YOU'RE TELLING ME ABOUT TOUCHING YOU.
YOU'RE TALKING TO ME CRAZY OVER A CLIENT.
- YOU WERE TALKING TO ME CRAZY, TOO!
- TELLING YOU TO WASH HER HAIR THREE TIMES?
- YOU SWEAR-YOU SWEAR--
FIRST OF ALL, I'M GONNA SAY IT ONE MORE TIME.
GET THE WAX OUT OF YOUR EARS, SO YOU CAN LISTEN TO ME.
- MAKE IT HOT-- MAKE IT HOT. - OKAY, BOTTOM LINE IS THIS.
YOU COME AT ME,
I'M GONNA COME BACK AT YA 20 TIMES HARDER.
- YOU WANNA GO, WE CAN GO.
- COMING UP, ON "L.A. HAIR"...
- YOU'RE NOT THE ONLY PERSON IN THE WORLD.
- A WHOLE BUNCH OF PEOPLE SAID THAT THESE WERE NOT CUTE.
- THEY ARE CUTE-- THESE ARE CUTE
- I HAVE THE NOTES-- NO ONE SAID THESE WERE CUTE.
- I LIKE THEM.
- YOU'RE THE ONE THAT'S ACTING LIKE A CHILD RIGHT NOW.
YOU KNOW WHAT, THAT'S DONE-- I'M DONE.
- YOU KNOW WHAT, I CAN'T DO THIS TODAY.
LOOK WHAT SHE'S DOING-- NOW SHE'S WALKIN' OUT ON ME
IN THE MIDDLE OF MY PHOTO SHOOT.
♪ I LIKE MY HAIR LIKE THIS ♪
♪♪
- CHINA?
♪♪
CHINA?
- WHAT YOU WANT?
- WHAT ARE YOU DOIN'? - I'M JUST ENTERTAINING MYSELF.
- THAT WASN'T FLIRTING, SUGGESTIVE?
- FLIRTING WITH YOU? - YEAH.
- OH, THAT'S A NEGATIVE. - OH, YEAH?
- THAT WOULD BE A NEGATIVE. - FAIR ENOUGH.
- YOU EVER HEARD THAT SONG, "I DIDN'T MEAN TO TURN YOU ON."
- NOT FAMILIAR. - YEAH, THERE YOU GO.
- NOT FAMILIAR. - THAT'S IT, RIGHT THERE.
"DIDN'T MEANT TURN YOU ON."
- YOU COME AT ME,
I'M GONNA COME BACK AT YA 20 TIMES HARDER.
- YOU WANNA GO, WE CAN GO. - I DON'T HIT GIRLS.
- YOU CALL ME A MAN ALL THE TIME.
DISREGARD ALL-DISREGARD THESE, RIGHT THERE.
I'M A MAN-- LET'S GO.
- SO, NOW YOU HAVE A [deleted]?
- I CAN, IF THAT-IF THAT MAKES YOU FEEL--
- LET'S SEE IT-- WHIP IT OUT, WHIP IT OUT.
- ANTHONY, EVERY TIME SOMETHING-SITUATION
IS GOING ON WITH ME AND YOU,
IT'S YOU COMING OVER AND [deleted] WITH ME.
I DON'T COME [deleted] WITH YOU.
I MIND MY-MY OWN--
- YOU ARE-YOU ARE OUT OF YOUR [deleted] DAMN MIND.
- I STAY AROUND MY STATION-- I DON'T COME TO YOURS.
- NURSE, NURSE, NURSE!
[deleted].
- I'M JUST WAITIN' TO HEAR WHAT ELSE YOU'RE GONNA SAY.
- JUST DON'T TOUCH ME-- DO ME A FAVOR.
- I FEEL THE SAME WAY.
SO, NEXT TIME, WHEN I TELL YOU, "DON'T TOUCH ME,"
AND YOU KEEP DOING IT,
THAT MEANS I CAN JUST TAKE OFF ON YOU.
- WHAT DOES THAT MEAN BY "TAKE OFF?"
- YOU GOT YOUR BLACK CARD-- FIGURE IT OUT, BUDDY.
FIGURE IT-- ASK AROUND.
ASK YOUR HOMIES. - "ASK MY HOMIES?
"FIGURE IT OUT?"
WHAT IS THIS, LIKE, 21 QUESTIONS?
♪♪
- SHE SENT AN EMAIL ON HER WAY OUT THE DOOR,
ON HER WAY TO THE AIRPORT.
HECK, SHE COULD'VE BEEN AT THE AIRPORT,
AFTER IT WAS ALREADY-- - THAT'S CLASSIC ANGELA.
- I JUST FLEW BACK IN TOWN, AND MY FIRST ORDER OF BUSINESS
IS TO GET SOME FEEDBACK FROM LEAH AND JAZZ
ON WHAT TO DO ABOUT THIS ANGELA SITUATION.
'CAUSE, RIGHT NOW, I'M JUST SEEIN' RED.
- YOU KNOW WHAT I REMEMBER?
REMEMBER THE DAY THAT THEY WERE CUTTIN' UP AND DRINKIN'?
SHE SAID, "I JUST GOT SOME GREAT NEWS,
"AND WE WERE CELEBRATING." - OH, ALL THE WAY BACK THEN.
- I THINK THAT WAS WHEN SHE KNEW.
- WHAT'S GOIN' ON?
- WE WERE JUST IN A CELEBRATORY MOOD,
AND WE WERE JUST HAPPY.
SO, THAT'S ALL.
- SHE'S MAKING IT SO CLEAR THAT YOU'RE JUST A STEPPING STONE,
AND YOU'RE JUST A STEPPING STONE,
AND YOU'RE JUST A STEPPING STONE,
AND WILL BURN ALL THOSE BRIDGES ON THE WAY TO THE TOP.
- BUT I DON'T WANNA PROJECT TOO MUCH ON WHAT SHE WILL DO.
I WANNA LOOK AT WHAT SHE'S DONE,
AND WHAT STEPS WE NEED TO MOVE FORWARD NOW.
- WELL, THIS THE DEAL-- WE HAVE HISTORY.
HER AND I HAVE HISTORY OF CLASHING.
AND TODAY, YOU WERE LIKE, "EFF KIM KIMBLE.
"I DON'T CARE WHAT SHE'S DOIN'.
"I'M GONNA GO AND I'M GONNA JUST DO-I'M GONNA DO ME."
- MY LIFE IS MORE IMPORTANT THAN A JOB!
- SHE HAS A VERY, KIND OF, DISTORTED WAY OF THINKING
ABOUT WHAT HER RELATIONSHIP IS WITH THESE PEOPLE.
- I DECIDED TO LET ANGELA COME BACK
BECAUSE I LIKE ANGELA.
I-I'M ALL FOR EVERYBODY GROWING THEIR CAREER.
I DID IT.
WHY WOULDN'T I WANT SOMEONE ELSE TO DO IT?
I'M ABOUT YOU GROWING YOUR CAREER, BUT DON'T--
BUT, YOU, LIKE, STEPPING OVER MY BUSINESS,
AND STEPPING OVER RESPECTING ME TO DO IT.
- I HAVE TO QUESTION YOUR LEVEL OF COMMITMENT TO THE SALON,
IF YOU ARE ABLE TO ABANDON YOUR RESPONSIBILITIES SO EASILY.
SHE WILL NEVER LEARN HOW TO WORK AS A TEAM.
♪♪
- OKAY, SO, THE THING ABOUT PAYROLL--
- HEY! - HEY, WHAT'S UP, KIM?
WELCOME BACK. - WHAT'S GOING ON?
SO, I AM SUPER EXCITED TODAY.
- GOOD-- I'M VERY EXCITED, TOO.
- DO THE STYLISTS KNOW WHAT'S GOING ON TODAY?
- NOT A CLUE. - OKAY, SO, LET'S GO TELL 'EM.
- ALL RIGHT, YOU GOT THIS?
- YEAH. - OKAY.
- I'M GONNA PROVE LEAH WRONG.
MY SHOWER CAPS WILL BE SEXY.
HEY, EVERYBODY! - HEY, KIM.
- HEY. - HOW Y'ALL DOIN'?
- WHAT'S GOIN' ON? - FINE-- HOW ARE YOU?
- I'M SUPER EXCITED ABOUT TODAY.
- WHAT'S HAPPENING TODAY?
- WE'RE GOING TO DO A PHOTO SHOOT WITH THE BONNET.
WHY YOU LOOKIN' LIKE THAT? - A PHOTO SHOOT?
- WE WANT YOU ALL TO REALLY KINDA HELP IT SHINE.
WE NEED YOUR HELP IN DOING THIS.
- YEAH, THAT'S WHY WE DIDN'T BOOK ANY CLIENTS TODAY,
'CAUSE WE'RE GONNA CONVERT THE SALON INTO A STUDIO.
- OKAY. - IT'S GOTTA BE SEXY.
IT'S GONNA BE IN THE BONNET,
BUT THEN WE'RE GONNA SHOW HOW IT LOOKS.
YOU KNOW, I WILL TELL YOU ALL THAT,
I'M THE ART DIRECTOR. - OH, [deleted].
- LEAH IS PRODUCING THE SHOOT. - OH, DOUBLE [deleted].
- AND YOU GUYS ARE GOING TO BE STYLING IT.
- OH, TRIPLE [deleted]. - WE'LL BE STYLING THE BONNETS?
- ARE THEY GONNA WEAR CLOTHING OR NO CLOTHING?
- THEY'RE GONNA HAVE HAIR, TOO.
'CAUSE-'CAUSE, YOU KNOW, I WANNA SEE HOW GOOD
THE HAIR LOOKS WHEN THEY TAKE IT OFF.
WE HAVE SOME BEAUTIFUL MODELS.
SO, MY FIRST PLAN,
IN "OPERATION SEXY CAPS AND BONNETS,"
TO START OFF WITH SEXY WOMEN.
- YOU GUYS READY TO COME WITH ME?
UH, WE'RE GONNA GET YOUR HAIR DONE.
- I REALLY NEED Y'ALL TO HELP ME PUT THIS TOGETHER,
'CAUSE, YOU KNOW, I WOULD DO THE HAIR,
BUT I'M ART DIRECTING TODAY.
THESE ARE THE LADIES.
YOU'RE GONNA MAKE THEM BEAUTIFUL.
- HI, LADIES.
- I REALLY HEARD YOU GUYS,
WHEN YOU GUYS GAVE ME YOUR CRITICISM,
EVEN THOUGH IT HURT.
SO, I REALLY WANNA MAKE THIS SEXY.
AND, JOSE...
I WAS TELLING THEM-- I WAS THINKING I NEEDED
A COUPLE OF GUYS, UH, TO MODEL WITH THEM.
THEN, MY HIDDEN WEAPON-- JOSE, SEXY MAN.
SEE, LEAH?
THERE'S A GOOD REASON WHY JOSE SHOULD BE AT THE FRONT DESK.
WE'RE GONNA START.
WE'RE GONNA GET THE GIRLS IN THE CHAIR,
AND THEN WE'LL JUST GO OVER HOW WE WANT THEM TO LOOK.
SO, ANTHONY, CAN YOU DO NICOLE?
YOU'RE GONNA SIT IN ANTHONY'S CHAIR.
ANGELA SKIPPING TOWN TO GO TO THAILAND
PUTS ME IN A BIND RIGHT NOW.
I WAS COUNTING ON HER FOR THIS SHOOT,
BUT NOW I HAVE TO TRUST THAT ANTHONY CAN JUMP IN
AND STYLE HER MODEL IN A SHORT AMOUNT OF TIME.
- WHAT'S GOING ON UNDERNEATH THAT HAT, BABY?
OH, OKAY-- OOH.
OKAY, COOL. - RIGHT HERE.
- OKAY, WE GOTTA DECIDE WHAT WE'RE GONNA DO.
- OKAY.
- OKAY, LET'S PUT THEM ALL UP AGAIN.
WE NEED A STEAMER, THOUGH, FOR THESE.
- YES, WE'LL GET THEM ALL STEAMED.
OKAY, YOU KNOW, THIS ONE'S MY FAVORITE.
I'M GONNA JUST ABSCOND WITH THIS ONE
AFTER THE-AFTER THE PHOTO SHOOT.
- OKAY, I'LL TELL YOU THE ONES FOR SURE.
WE-WE NEED A SHOWER CAP.
WE NEED A BONNET.
- WAIT.
ARE YOU REALLY GONNA PHOTOGRAPH THESE?
THESE ARE GONNA BE PART OF THE SHOOT?
I SUPPORT KIM IN MOST THINGS.
THESE SHOWER CAPS, THOSE ARE FUGLY.
THERE'S JUST NO WAY AROUND IT.
THEY ARE U-G-L-Y, SHE AIN'T GOT NO ALIBI.
THEY'RE UGLY!
- WE'RE LOOKING AT 'EM RIGHT NOW.
WE'RE GONNA ASSESS IN A MINUTE.
- BUT, DIDN'T EVERYBODY-- - AH-AH-AH-AH-OH-AH.
WE CAN SHOOT IT-- WE CAN EDIT LATER.
WE SHOOT AS MANY AS WE CAN AND WE EDIT IT LATER, OKAY?
- WELL, WHY SHOOT IT,
IF WE ALREADY KNOW THAT THEY'RE UGLY?
- JUST BECAUSE YOU DON'T LIKE IT
DON'T MEAN NOBODY ELSE DO, OKAY?
YOU'RE NOT THE ONLY PERSON IN THE WORLD.
- A WHOLE BUNCH OF PEOPLE SAID THAT THESE WERE NOT CUTE.
- BUT, YOU KNOW WHAT, SOME PEOPLE SAID THEY WERE CUTE.
THEY ARE CUTE-- THESE ARE CUTE.
- I HAVE THE NOTES-- NO ONE SAID THESE WERE CUTE.
- I LIKE THEM.
THE ONE THING THAT FRUSTRATES ME THE MOST
IS THAT LEAH TRYING TO BE THE BOSS OF ME,
AND TELLING ME WHAT TO DO ALL THE TIME.
I'M TIRED OF IT.
THIS IS MY SALON.
YOU CAN'T BE BAD-MOUTHIN' MY PRODUCTS, OKAY?
YOU HAVE TO BE A PART OF THE TEAM HERE.
YOU CANNOT CRITICIZE MY STUFF.
I NEED YOU TO WORK WITH ME, OKAY?
- OKAY.
- IF I WANNA SHOOT THEM, I WANT THEM ALL SHOT.
I DON'T-I'M NOT CONCERNED WHETHER YOU LIKE THEM OR NOT,
OKAY?
YOU JUST DO WHAT I ASK YOU TO DO.
- DO NOT TALK TO ME LIKE A CHILD, NUMBER ONE.
- DON'T ACT LIKE ONE. - I'M NOT DONE.
- DON'T ACT LIKE ONE. - YOU KNOW WHAT?
ARE YOU NOT GONNA LISTEN?
BECAUSE YOU'RE THE ONE THAT'S ACTING LIKE A CHILD
RIGHT NOW.
CAN I-- WAIT. - TALK TO HER, JAZZ.
- YOU KNOW WHAT, THAT'S DONE-- I'M DONE.
- YOU KNOW WHAT, I CAN'T DO THIS TODAY.
I CAN'T DO-- LOOK. - WE'RE DONE-- WE'RE DONE!
- LOOK WHAT SHE'S DOING IN THE MIDDLE OF MY SHOOT.
LOOK AT THIS. - WOW!
- CAN YOU TALK TO LEAH?
LOOK WHAT SHE'S DOIN'.
NOW, SHE'S WALKIN' OUT ON ME--
SHE'S SUPPOSED TO BE MY PRODUCER--
IN THE MIDDLE OF MY PHOTO SHOOT.
YOU KNOW, SHE'S TALKING ABOUT WHAT SHE LIKE
AND WHAT SHE DON'T LIKE.
I CREATED THE PRODUCT-- I LIKE IT!
NOW, I LISTENED TO HER, I LISTENED TO WHAT PEOPLE SAY,
AND WE-AND I DID MAKE SOME CHANGES.
- WHY IS KIM AND LEAH FIGHTIN'?
- BECAUSE THEY'RE SISTERS,
AND THAT'S HOW THEY EXPRESS THEIR LOVE FOR EACH OTHER.
- I NEED YOU TO PLEASE TALK TO HER.
AND IS SHE IN THIS OR NOT, OR IS SHE QUITTING OR WHAT?
- SHE'S ALWAYS QUITTING.
LEAH?
LEAH? - NO.
- LEAH? - NO.
- YOU KNOW SHE'S SENSITIVE ABOUT HER--
- NO [deleted].
KIM IS UNDER THE FALSE IMPRESSION
THAT I HAVE TO PUT UP WITH ALL OF HER TEMPER TANTRUMS,
AND I HAVE SAID IT BEFORE AND I'LL SAY IT AGAIN.
I DON'T DO DIVA.
- SHE'S SENSITIVE ABOUT IT-- YOU KNOW SHE IS.
- MOM, DON'T EVEN TRY. - WHY DID YOU TALK--
- MOM, DON'T EVEN TRY-- DON'T EVEN TRY.
- BUT YOU CAN'T WALK OUT IN THE MIDDLE OF IT.
- MOM-MOM-MOM-MOM!.
- YOU CAN QUIT LATER IN THE NIGHT.
- MY NERVES!
- I AM DOING MY JOB.
THAT IS THE END OF THIS CONVERSATION.
LEAVE IT ALONE.
- ARE YOU DONE WITH THE BONNETS?
THAT'S ALL I NEED TO KNOW.
- MOM, CAN YOU PLEASE WALK AWAY?
PRETTY PLEASE, I'M BEGGING YOU.
- SOON AS YOU TELL ME WHETHER YOU'RE THROUGH.
- ARE YOU THROUGH WITH IT? - I'M DONE TALKING.
- SO, YOU'RE THROUGH WITH HER, RIGHT?
THAT'S NOT CUTE, LEAH.
- OH, HEY, LEAH. - HEY, CHINA.
- I'M COMING OVER HERE AND DOING MY JOB.
YOU KNOW WHAT?
I AM TOO OLD FOR YOU TO RUN AND TELL MOMMY.
- SHE HASN'T COMPLETELY QUIT.
SO, STOP WHILE YOU'RE AHEAD.
- YEAH, BUT SHE NEEDS TO HELP ME.
IF SHE'S NOT DOING NOTHIN'-- - YOU LUCKY SHE HASN'T QUIT
THE WHOLE THING. - SHE'S IMPOSSIBLE.
- I REALLY AM PROUD OF MY DAUGHTERS,
BUT THAT ARGUING AND THAT BICKERING BACK AND FORTH.
YOU KNOW, WHEN THEY WERE LITTLE,
I COULD JUST WALK IN, SAY WHAT I HAD TO SAY,
AND THAT WAS IT.
YOU KNOW, I CAN NO LONGER DO THAT,
'CAUSE THEY'RE GROWN, 'CAUSE NOW THEY RESPOND.
THEY HAVE IDEAS OF THEIR OWN.
SO, IT-IT DOESN'T END WHEN I SAY, "THAT'S IT."
- MOM, YOU STOOD UP THERE AND YOU LET HER BADMOUTH ME.
♪ WELL WELL WELL ♪
- YOU CAN QUIT LATER ON TONIGHT.
- BUT WHY WOULD YOU EVEN GIVE HER AUDIENCE?
WHY WOULD YOU EVEN ALLOW HER TO SAY THAT KIND OF--
YOU KNOW I'M NOT GONNA LEAVE,
AND THEN YOU ACTUALLY COME OVER TO ME
AND START SAYING STUFF-- - THAT'S MY MAMA.
SHE CAN DO WHATEVER SHE WANNA DO FOR ME.
- SHE'S MY MAMA, TOO!
- DON'T YOU DARE BE FUSSIN' AT MY MAMA ABOUT WHAT I'M DOIN'.
- YOU KNOW WHAT? - WHAT'S WRONG WIT' YOU?
- YOUR MAMA-YOUR MAMA IS SITTING THERE
AND LET YOU GO, NA-NA-NA-NA-NA-NA-NA.
- CAN YOU GET IT TOGE-- CAN YOU GET IT TOGETHER?
YOU KNOW WHAT, GROW UP-- GROW UP, LEAH!
GET IT TOGETHER, ACT LIKE A PRODUCER,
OR I WILL SEND YOU HOME,
AND I WILL DO THIS PHOTO SHOOT BY MYSELF!
I DON'T CARE. - PLEASE, SEND ME HOME!
- WELL, FINE-- LEAVE-LEAVE, THEN!
IF YOU DON'T KNOW HOW TO ACT, YOU CAN GO!
- THANK YOU!
- OKAY, BUT I'M NOT GONNA GO WITH THAT.
I AIN'T GOING FOR THAT. - I'M OUT!
- COMING UP, ON "L.A. HAIR"...
- SHE CAN'T GO. - I'M OUT!
- HONEY, I'M NOT THAT GIRL. - SHE CAN'T GO!
- I DON'T KNOW WHO YOU THINK I AM.
- WHAT THE HELL'S GOING ON BACK THERE?
- JESUS GOD ALMIGHTY, HELP ME.
- DONTAY, WE REALLY, REALLY NEED HER, TONIGHT!
♪ I LIKE MY HAIR LIKE THIS ♪
- GROW UP, LEAH!
GET IT TOGETHER, ACT LIKE A PRODUCER,
OR I WILL SEND YOU HOME,
AND I WILL DO THIS PHOTO SHOOT BY MYSELF!
- WHAT THE HELL IS GOING ON BACK THERE?
- I DON'T CARE. - PLEASE, SEND ME HOME!
- WELL, FINE-- LEAVE-LEAVE, THEN!
IF YOU DON'T KNOW HOW TO ACT, YOU CAN GO!
- THANK YOU!
- OKAY, BUT I'M NOT GONNA GO WITH THAT.
I AIN'T GOING FOR THAT. - I'M OUT!
- NO, SHE CAN'T GO. - I'M OUT!
- HONEY, I'M NOT THAT GIRL. - SHE CAN'T GO!
- HONEY, I DON'T KNOW WHO YOU THINK I AM.
- MY NERVES-- I CAN'T DO SLAM DOORS,
SCREAMIN' BLACK WOMEN.
KIM AND LEAH ARE GOIN' IN ON EACH OTHER RIGHT NOW.
"LEAH, YOU A ***."
"NO, KIM, YOU A ***."
"WELL, YOU CAN GET OUT MY SALON."
I DON'T NEED TO BE IN HERE RIGHT NOW.
I NEED A DRINK. - DONTAY.
- SIR?
- WHERE'S THE BOTTLE OF CIROC, BOO?
- NURSE! - NURSE!
- NURSE-NURSE-NURSEY-NURSE! - NURSE, NURSE!
- WHAT?
- I UNDERSTAND THAT THIS IS THE HAIR AND BEAUTY BUSINESS.
- MMM-HMM.
- BUT THERE COMES A TIME WHEN PEOPLE NEED TO BE--
STEP OUTSIDE OF THEIR OWN "IT'S ABOUT ME,"
AND FOCUS ON WHAT THE BIGGER PICTURE IS.
- YOU'LL WORK IT OUT. - I CAN'T KEEP DOING THIS.
KIM CAN'T ASK ME TO PRODUCE
WHEN SHE'S PART OF THE PROBLEM.
AND THEN, WHEN I TRY AND STEP IN AND DIRECT,
IT'S LIKE--
MY BLOOD PRESSURE'S UP,
AND I SHOULD JUST WALK OUT ON KIM RIGHT NOW.
BUT, YOU KNOW WHAT, I'M GONNA SUCK IT UP,
I'M GONNA BE A PROFESSIONAL AND DO MY JOB.
THIS IS MY CHALLENGE.
I GOTTA TRY SOF-- I GOTTA WALK SOFTLY.
- GO TRY ANOTHER APPROACH. - YEAH.
OH, FAB-- OH, BOUNCIN' AND BEHAVIN'!
THAT IS JUST GORGEOUS. - THANK YOU.
- JUST LOVELY-- OH, MY GOSH!
THANK YOU SO MUCH.
- SO, SHE'LL BE READY IN, LIKE, TWO MINUTES.
- OKAY, UM, FABULOUS.
STAY HERE.
I'M GOING TO ASK KIM, THE CREATIVE DIRECTOR--
JESUS GOD ALMIGHTY, HELP ME.
♪ YES ♪
♪ JESUS LOVES ME ♪
- WE NEED A CLOTHING RACK.
WE DON'T HAVE A CLOTHING RACK.
WHY DON'T I HAVE A CLOTHING RACK,
SO WE CAN LOOK AT THE CLOTHES?
- GO TALK TO YOUR PRODUCER-- I'M AN ASSISTANT.
- PRODUCER, COULD YOU PLEASE COME HERE?
OKAY, YOU WON'T COME TO ME, I'LL COME IN THERE.
OKAY, LEAH, SERIOUSLY, YOU CANNOT QUIT ON ME
IN THE MIDDLE OF THE SHOOT.
YOU HAVE TO HELP ME. - I HAVE BEEN HELPING.
WHAT DO YOU THINK I'M DOING?
IF I QUIT, I WOULD NOT BE HERE RIGHT NOW.
SO, I AM STILL OUT HERE AND I'M WORKING.
THIS IS THE END OF THIS CONVERSATION!
- CAN YOU DO THIS IN A NICE ATTITUDE?
I NEED THE STEAMER.
I NEED A STEAMER. - WE HAVE A STEAMER.
I'LL GET THE STEAMER. - OKAY.
- THE STEAMER FOR THE BONNETS.
- IT'S ALL GOOD. - COOL.
- WE GOT IT-- WE GOT IT. - WE GOT IT, JAZZ.
- WE GOT IT. - WE GOT IT, JAZZ.
♪♪
- OH, WAIT-WAIT-WAIT, CREATIVE DIRECTOR.
- MMM-HMM?
- SO, DO YOU WANNA DEMONSTRATE FOR THEM
HOW THEY SHOULD BE PUTTING THE CAPS ON?
- THIS IS WHAT'S GONNA HAPPEN. - OKAY.
- WE'RE GONNA SEE THEM LOOKING BEAUTIFUL FIRST,
AND STYLED. - OKAY.
- THEN, THEY'RE GONNA ALL JUST GO IN A REALLY LOOSE BUN,
AND THEN WE'RE GONNA PUT THE BONNETS ON.
I WANT THE SHOOT TO SHOW HOW FABULOUS YOUR HAIR WILL LOOK
USING THE CAPS AND BONNETS TO MAINTAIN YOUR HAIRSTYLE.
- OKAY, EVERYONE, WE'VE GOT, UH, ABOUT 15 MINUTES LEFT.
WE REALLY NEED TO START SHOOTING.
- MY MODEL IS DONE. - BAM!
- D'ANDRE MICHAEL IS THE FASHION PHOTOGRAPHER
I HIRED FOR THE SHOOT.
I WANT THIS SHOOT TO LOOK HIGH-END AND SEXY,
AND MAINTAIN ITS ELEGANCE, BECAUSE IT REPRESENTS MY BRAND.
- JOSE TOOK HIS SHIRT OFF, Y'ALL!
EVERYBODY BE COOL.
- OKAY, LET'S GET THIS SHOT REALLY QUICK.
THAT'S CUTE.
IT WAS REALLY HARD TO HEAR, BUT I TOOK THE STYLISTS'
CRITICISM OF MY CAPS AND BONNETS
AND ADDED A FEW NEW BONNETS TO MY LINE
THAT HAVE FLIRTY SAYINGS ON THEM,
SO THEY CAN BE SEXY IN BED.
OKAY.
- UH, MOUTH OPEN JUST A LITTLE BIT.
- UH, TERRY-- - PUSH YOUR *** INTO HIM.
PUSH IN A LITTLE CLOSER, PLEASE.
YES, AND THEN BACK-- HEAD BACK A LITTLE BIT.
YES, SEXIER. - [indistinct].
- I'M JUST TRYING TO MAKE IT LOOK SEXY.
- WELL, YEAH, I LIKE HIS IDEAS, THOUGH.
KEEP DOIN' IT, TERRY-- KEEP DOIN' IT.
- BRING IT IN JUST A LITTLE BIT.
- HE-HE'S A SCORPIO, HONEY. - AND THIS WAY, AND THIS WAY,
JUST-JUST-- - NOT TOO MUCH, TERRY.
NOT TOO MUCH. - NO-NO-NO, JUST THIS IN.
YOU'RE ONLY GONNA SEE THIS, RIGHT?
- YEAH, YOU'RE ONLY GONNA SEE THIS.
- BRING STOMACH TO STOMACH-- STOMACH TO STOMACH.
PUSH IN, TURN A LITTLE BIT THIS WAY.
LEAN BACK SOME, LIKE-- YEAH, THERE IT IS.
THAT'S IT, THAT'S IT, THAT'S IT, THAT'S IT.
THAT'S IT, YES. - I LIKE THAT-- THAT'S CUTE!
THE BONNETS ARE WORKING, OKAY?
THAT'S ALL I'M SAYIN'-- THAT'S ALL I'M SAYIN'.
OKAY.
I DARE YOU, LEAH.
TRY TO TELL ME NOW THAT MY BONNETS AND CAPS AREN'T SEXY.
- OKAY, LET'S GO, LET'S GO, LET'S GO.
DONTAY, WE REALLY, REALLY NEED HER TONIGHT!
- I'M DONE-- I GOT THREE LITTLE STRANDS LEFT.
- OH, HAVE A LITTLE MORE THAN THAT.
- UGH!
- YOU GOT A LITTLE MORE THAN THAT.
- YOU ON MY NERVOUS SYSTEM LIKE THAT CHILD OF YOURS.
IS THAT WHERE SHE GET IT FROM?
- WELL--
- THESE THREE KIMBLE WOMEN ARE WEARING ME OUT.
I MEAN, ALL THIS KITTY CAT ESTROGEN
RUNNING AROUND THE SALON.
I MEAN, CAN I JUST DO SOME HAIR AND GO HOME?
- ANYTIME TONIGHT, DONTAY. - ANYTIME TONIGHT?
- ANYTIME TONIGHT, SWEETHEART.
PLEASE. - YOU SURE?
GIRL, YOU CAN'T RUSH BEAUTY, HONEY.
- OKAY, HOLD ON. - I DID THAT.
- THIS, RIGHT THERE.
OKAY, AND WHY IS THIS-- - TERRY, TERRY.
KIM, KIM? - YES?
- CAN YOU HELP YOUR STYLIST PLEASE?
- RIGHT HERE, THIS STRAND HERE.
- OKAY.
- THE STYLISTS ARE TAKING FOREVER TO DEAL WITH THE HAIR.
I'M SORRY-- THE HAIR'S GONNA BE UNDER A CAP!
- THAT'S PRETTY-- THE HAIR LOOKS PRETTY.
- MY HAIR IS LOVELY!
- YOU LOOK BEAUTIFUL, DARLING.
- YEAH, SEE, THAT'S PERFECT,
WHEN IT-WHEN IT BLOWS A LITTLE BIT OUT OF HER EYE.
- OKAY, EXCELLENT.
THAT ONE'S FABULOUS, HONEY.
- I LIKE THAT. - HERE WE GO.
- THAT'S WHAT WE NEED-- OH, YEAH-YEAH-YEAH!
THERE WE GO. - THAT'S RIGHT.
THAT'S MY MODEL, EVERYBODY.
- YES, LET'S HAVE HER LOOK OVER THE SHOULDER A LITTLE BIT.
- YEAH, THAT'S SEXY, RIGHT THERE.
- YES! - THAT'S RIGHT!
- YOU PAY FOR IT, I PROTECT IT.
[collective chatter]
- ALL RIGHT.
AFTER SEEING THE PHOTO SHOOT WITH KIM'S NEW CAPS,
I'M A CONVERT.
THERE, I SAID IT.
- THAT WAS FABULOUS, HONEY. - WORK!
WORK!
- YOU LOOK VERY NICE-- VERY GOOD.
- HEY, LOOK HOW CUTE THAT IS!
- IT'S VERY CUTE. - LOOK AT THEIR LITTLE HATS!
- OH, THEY'RE SO CUTE.
WE GOT WHAT WE NEEDED AT THIS PHOTO SHOOT.
SO NOW, HOPEFULLY, THE CAPS AND BONNETS
WILL BE FLYING OFF THE SHELVES.
WHAT DOES THE PIPE HAVE TO DO WITH ANYTHING?
YOU DO LOOK A LITTLE PLAYERISH, THOUGH.
YOU DO LOOK A LITTLE-- DONTAY, I LOVE YOU,
BUT YOU ARE NOT THE CHOCOLATE HUGH HEFNER, OKAY?
- ON THE NEXT EPISODE OF "L.A. HAIR"...
- WE ARE GOING TO SEE CHAKA KHAN.
THERE IS A LITTLE WORK INVOLVED.
[collective arguing]
- THEY'RE NOT GOING TO THE SHOW.
OH, SOMEBODY DECIDED TO COME BACK.
- GLAD TO SEE YOU'RE HAPPY FOR ME.
- THIS HAS TO DO WITH BEING BUSINESS AND PROFESSIONAL.
- ALL IT IS, IS, "OH, YOU ABANDONED US."
- [deleted] YOU GOT THE NERVE TO SIT UP HERE AND BE CRYING!
- 'CAUSE YOU DIDN'T TREAT ME RIGHT!
- LIKE I NEVER DID NOTHIN' RIGHT!
- WHY YOU WAIT FOR SOMEONE TO WALK AWAY TO BE LIKE, "OH."
- I'LL TALK TO YOU DEAD TO YOUR FACE,
JUST LIKE HOW I'M DOIN' RIGHT NOW.
- 'CAUSE I HAVE TWO ANNOUNCEMENTS.