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[crowd chanting "Aubrey!"]
- PREVIOUSLY ON ALL ABOUT AUBREY...
I AM ONE BUSY GIRL.
I'M IN THE STUDIO WITH ADONIS,
AT DANCE LESSONS WITH GIL,
TRYING TO GET MY CAREER BACK ON TRACK.
- I DON'T WANT TO SEE
A TABLOID REALITY STAR BEING A SINGER.
I WANT TO SEE A ARTIST BE A ARTIST.
- THERE'S A LOT MORE THINGS THAT I HAVE TO LET GO OF.
IT IS A SIN TO LOOK THIS GOOD
AND HAVE NO MAN.
I'M LOOKING FOR A GUY THAT WILL THROW ME DOWN
ON THIS TABLE RIGHT NOW AND HAVE SEX WITH ME
IN FRONT OF THE ENTIRE RESTAURANT.
- OHH! - [coughs]
- [laughing]
THIS WEEK ON ALL ABOUT AUBREY...
I'M OVERWHELMED BY THE PRESSURE
OF STARTING BACK OVER.
- OVERWHELMED?
YOU'RE IN BEVERLY HILLS, YOU GOT GOLD FINGERNAILS.
- SO WHY AREN'T YOU TRYING TO DATE ME RIGHT NOW?
- AUBREY'S DATING LIFE IS REALLY BAD.
- YOU WANT TO COME LOOK AT MY VIEW?
- YEAH, BEND OVER.
- WHY ARE GUYS SUCH PIECES OF [bleep]?
♪ GOODBYE HEARTBREAK ♪
♪ GOODBYE ♪
- ♪ WHEN--WHEN--WHEN ♪
♪ WHEN I'M ON THE DANCE FLOOR ♪
♪ I CAN'T CONTROL IT ♪
♪ WHEN THE BEAT GOES BOOM ♪
♪ I HIT THE ROOM ♪
♪ MY BODY GOES ON AUTOMATIC ♪
♪ AUTOMATIC, AUTOMATIC ♪
♪ WHEN THE BEAT GOES BOOM ♪
♪ I HIT THE ROOM ♪
♪ MY BODY GOES ON AUTOMATIC ♪
♪ AUTOMATIC ♪
- SO YOU WOULD LIKE TO SHARE
A GLASS OF WINE WITH ME RIGHT NOW?
- I NEED A CAKE.
I NEED SOMETHING TO SATISFY MY SWEET TOOTH.
OR MY SWEET COOCH.
- OH, MY GOD.
- I'M SORRY. IT'S A PROBLEM
THAT I HAVE A RED VELVET CUPCAKE
THAT I'M SITTING ON,
AND I DON'T HAVE ANYBODY HUNGRY FOR IT.
LIKE, WHAT'S GOING ON?
WHAT A WASTE OF A PERFECTLY GOOD ***.
- I THINK THAT YOU HAVE A LOT OF PEOPLE
THAT WOULD LINE UP FOR IT,
BUT YOU'RE NOT THAT GIRL
WHO'S JUST GONNA GET WITH ANY GUY THAT WALKS AROUND.
- RIGHT, BUT LET'S CUT DOWN THE LIST
OF MEN WHO HAVE STDs AND ***.
- WHATEVER. IT'S OKAY TO BE SINGLE.
- HONESTLY, THEY NEED TO MAKE BETTER SEX TOYS,
BECAUSE THEY NEED TO MAKE SEX TOYS
THAT TALK BACK TO YOU.
LIKE, "YOU'RE SO BEAUTIFUL, AUBREY.
YEAH, I LIKE THAT."
- [laughing]
- "RIDE ME HARDER, AUBREY.
"OH, MY GOD, YOU'RE SO SEXY.
"I CAN'T HELP BUT WANT YOU EVERY NIGHT.
"I'M GONNA CALL YOU RIGHT AWAY IN THE MORNING
JUST TO TELL YOU I'M MISSING YOU."
DUDE, THAT IS SOME [bleep].
DUDE, WE NEED--WE NEED TO PATENT THAT IMMEDIATELY.
THE TALKING ***.
- WE NEED TO HAVE ADONIS, AND WE NEED TO GET IN THE STUDIO.
WE NEED TO INTERVIEW SOME GUYS.
- "YEAH, YEAH, BABY, TAKE THAT. TAKE THAT."
- NO, NO, NOT ADONIS' VOICE.
- "BAD BOY 98, YO, TAKE THAT, TAKE THAT."
DUDE, THEY COULD DO, LIKE, LINES WITH FAMOUS RAPPERS.
YOU COULD SLEEP WITH KANYE.
YOU COULD SLEEP WITH PUFF.
- I THINK WE'RE ONTO SOMETHING, RIGHT?
- WHAT'S COOKIN', GOOD LOOKIN'?
- [laughs] HEY.
- HOW THEY HANGIN', J-DUB?
- HOW ARE YOU? WOW.
YOU LOOK GREAT.
HOO!
- WHAT'S GOING ON? YOU LOOK GOOD.
- THANK YOU.
- YOU KEEP DROPPING WEIGHT, I KEEP GAINING IT.
WHAT'S GOING ON?
- WELL, YOU KNOW, ADONIS AND I
WERE JUST LISTENING TO SOME MUSIC.
I THINK EVERYTHING UP TO THIS POINT
THAT YOU'VE DONE IS HOT,
BUT I JUST THINK WE NEED SOME MORE TRACKS.
- WHAT I NEED TO DO IS GO ON A DATE,
BECAUSE I'VE BEEN REALLY STRESSED OUT.
I'M ***, I CAN'T EVEN HANDLE IT.
- STRESSED I CAN HANDLE.
THE OTHER ONE, CAN'T DO NOTHING FOR YOU.
YOU GOT THE ROLODEX. JUST ROLL IT OUT.
- I DON'T KNOW.
POCKET ROCKET'S ARE SO EASY AND CONVENIENT, THOUGH.
MINE'S NAME IS SEBASTIAN.
- WELL, THEN THAT'S ALL YOU NEED.
WHY YOU WORRIED ABOUT A MAN?
- BECAUSE HE DOESN'T HOLD ME AFTER SEX.
- NEITHER DOES A MAN HALF THE TIME, SO...[laughing]
- HONEY, I DON'T KNOW WHAT MEN YOU'RE TALKING ABOUT.
MY MEN LICK THE SWEAT OFF MY BODY.
SEE HOW *** I AM?
I CAN'T EVEN FOCUS.
I NEED TO DO A SONG ABOUT IT
TO GET ALL OF IT OUT OF ME.
- ALL RIGHT, ON THAT NOTE, UM...
NO, BUT I WILL SAY I LIKE WHAT I'M HEARING SO FAR.
BUT I JUST DON'T THINK WE HAVE ENOUGH OF IT.
- I WANT TO DO A BALLAD.
I MEAN, I LOVE THE DANCE CLUB BANGERS,
BUT I FEEL LIKE PEOPLE DON'T EXPECT ME
TO COME FORWARD ON A MORE...
I'D SAY I WANT TO DO A MORE R&B BALLAD THAN POP BALLAD.
- IF YOU'RE GONNA DO A BALLAD,
YOU GOTTA HAVE A STORY TO TALK ABOUT.
THE BEST LOVE SONGS IN THE WORLD
COME FROM PAIN AND SUFFERING.
I KNOW YOU HAVE THAT.
- I THINK I'VE BEEN THROUGH PLENTY OF THAT.
SO JOHNNY'S ASSIGNMENT TO ME IS MORE RECORDS,
PUSH HARDER VOCALLY ON THE RECORDS,
AND GET READY TO PERFORM FOR THE LABELS.
- IT WAS A PLEASURE.
- ALWAYS MINE, JOHNNY.
- 'COURSE IT'S ALWAYS YOURS, BABY.
- SPEAKING OF PLEASURE,
MAYBE I HAVE TIME TO HIT UP SEBASTIAN
BEFORE I HIT THE RED CARPET.
- WHY DON'T YOU JUST DO IT ON THE RED CARPET?
THAT WOULD BE SOMETHING NEW.
I CAN'T WAIT TO SEE THOSE PHOTOS.
- [laughing]
TONIGHT, I'M WALKING THE RED CARPET
FOR MY FRIEND DJ EQUE FOR HER CHARITY
HONEY WALKS FOR LIFE,
WHICH IS BENEFITTING WOMEN
WHO HAVE STRUGGLED THROUGH BREAST CANCER.
- HI, GOOD TO SEE YOU AGAIN.
- ARE YOU DOING IT TONIGHT, OR WHAT?
- YEAH, THIS IS MY EVENT,
AND YOU GUYS WILL BE PART OF IT.
[photographer shouts]
- UM, YOU KNOW, IT'S BEEN A LEARNING PROCESS.
I'D SAY A LOT OF UPS, A LOT OF DOWNS.
[cameras clicking]
[upbeat music]
I'M SINGLE, AND I'M TOTALLY OVER
ALL MY FRIENDS TRYING TO SET ME UP.
BUT I WILL SAY TIMES ARE GETTING HARD,
AND THERE HASN'T BEEN ANYTHING HARD
IN MY LIFE IN A WHILE.
- THIS IS OUR SECOND ANNUAL BREAST CANCER EVENT.
- WHOO!
- I'M VERY, VERY EXCITED TO, UH...
TO INVITE TO THE STAGE.
SHE IS FIERCE AND FABULOUS, HONEY.
IT'S MISS AUBREY O'DAY.
PLEASE COME UP.
- ALL THE WOMEN IN THIS ROOM,
I REALLY WANT TO, YOU KNOW, USE MY VOICE TO PUT OUT THERE
THAT YOU GUYS SHOULD ALL GET MAMMOGRAMS.
LORD KNOWS WE DON'T WANT TO GO SEE THE GYNECOLOGIST,
BUT LET ME TELL YOU SOMETHING
AS SOMEONE THAT HASN'T BEEN FELT UP IN A WHILE,
IT'S NOT THAT BAD.
[laughs]
[cheers and applause]
[upbeat music]
SO WE'RE HAVING DRINKS AT HONEY WALKS FOR LIFE,
I'M TOTALLY MAN HUNTING,
AND ALL OF A SUDDEN,
THIS STRAPPING YOUNG LAD COMES OVER.
HI. - I'M SEAN.
- HI.
- SEAN SEEMS SO SEXY.
AND REALLY ATTRACTIVE TO ME.
WHAT DO YOU THINK ABOUT MY MAN?
HE'S CUTE, RIGHT?
[rhythmic electronic music]
♪ ♪
WHEN I WRITE MUSIC,
MY INSPIRATION ALWAYS COMES
FROM WHATEVER I'M GOING THROUGH DIRECTLY IN THAT MOMENT.
SO I INTEND TO WRITE A SONG ABOUT MY POCKET ROCKET,
AND THEN GO HOME AND USE IT.
PAY HOMAGE, YOU KNOW?
♪ ONE TAKES ME TO PLACES ♪
♪ ONE TAKES ME TO PLACES I NEVER BEEN ♪
♪ ONE TAKES... ♪
- ONE TAKES ME TO PLACES I'VE NEVER...
- ♪ TAKES ME TO PLACES I NEVER BEEN ♪
♪ THE OTHER AIN'T [bleep] ♪
- OKAY.
♪ JUST NEED MY POCKET ROCKET ♪
- ♪ AND I DON'T NEED YOU ♪
- ♪ NO MORE ♪ - YEAH, YEAH.
- ♪ THE MOST RELIABLE THING ♪
♪ THAT I EVER SEEN ♪
♪ EVERY TIME THAT WE'RE ALONE ♪
♪ IT BRINGS ME TO MY KNEES ♪
♪ OH, DADDY, I'M GONNA KNOCK FOR IT ♪
♪ WHEN I'M IN NEED ♪
♪ BOY, YOU CAN'T COMPETE ♪
♪ I GOT A POCKET ROCKET ♪
♪ JUST NEED MY POCKET ROCKET ♪
♪ I GOT A POCKET ROCKET ♪
♪ SO JUST LEAVE ME ALONE ♪
♪ ♪
[Adonis laughing]
- THAT WAS AMAZING.
I'M GONNA GO HOME AND USE MY POCKET ROCKET.
- [laughing]
- IT'S ALWAYS GOOD.
- DUDE, LOOK AT WHO JUST BBM'D ME.
DO YOU REMEMBER THAT GUY
FROM, UM...
FROM EQUE'S EVENT?
SO I'M LAYING ON MY BED,
AND I GET A TEXT MESSAGE FROM SEAN,
THE GUY I MET AT HONEY WALKS FOR LIFE,
WHO I'M TOTALLY INTO,
SO I'M REALLY EXCITED THAT HE'S TEXTING ME.
HE WROTE ME THAT HE WANTS TO COME BY,
AND I SUBTLY TEXTED HIM BACK, "PLEASE DO NOW."
YOU THINK HE'S HOT?
- CANDYMAN?
HE LOOKS LIKE CANDYMAN.
- WAIT, WHAT IS A CANDYMAN?
- HE'S A KILLER IN A MOVIE.
- CESAR SAID HE LOOKS LIKE THE CANDYMAN,
WHICH IS SOME KILLER IN HORROR MOVIES.
[horror movie stinger]
[doorbell chimes, dog barks]
- SHE SENSES A KILLER AT THE DOOR.
- GINGER, IS THIS CANDYMAN?
IS IT THE CANDYMAN?
- CESAR, YOU GO ANSWER THE DOOR.
- OKAY, THIS IS A HORROR MOVIE,
AND USUALLY THE ONE WHO GOES FIRST
IS THE ONE WHO GOES FIRST.
- DUDE, SOMEBODY'S GOING FIRST, 'CAUSE I'M NOT.
- I'LL GO FIRST.
- GOOD, LET HER GET SHANKED.
- ♪ SOMEWHAT PSYCHOTIC, SADISTIC, AND NEUROTIC ♪
♪ TAKE A PAIR OF SCISSORS ♪
♪ AND I STAB YOU IN YOUR EYE SOCKET ♪
- HI. - HOW ARE YOU?
- HOW ARE YOU? - GOOD.
- NICE TO SEE YOU AGAIN.
- HI.
- DON'T WORRY. HE HAS NO CANDY IN HIS POCKETS, YOU GUYS.
- YOU LOOK GOOD. - WHAT'S UP, MAN?
- YOU DON'T HAPPEN TO HAVE ANY CANDY ON YOU, DO YOU?
- NO. - OKAY.
[laughter]
- I'M HUNGRY. WHAT DO WE HAVE TO EAT AROUND HERE?
- WHAT DO YOU WANT TO MAKE?
- CANDY.
- TODD, CLEARLY, YOU DON'T LIKE TO EAT.
[bleep], YOU'RE ANOREXIC.
I CAN'T EVEN HANDLE IT.
YOU'RE MAKING ME FEEL SO FAT.
- WELL, MAYBE YOU SHOULD STOP.
- OHH!
- WHAT MAKES A MAN INTERESTING TO ME
IS SOMEONE THAT DOESN'T LET ME GET AWAY WITH
MY TRICKERY.
I LIKE A MAN THAT CAN PUT ME IN MY PLACE,
ALONG WITH BEING COMPASSIONATE.
- GINGER. [whistles]
- DUDE, DON'T TALK--
YOU HAVE TO SAY, "COME HERE, BABY GIRL."
GINGE, COME HERE, BABY. COME HERE.
GINGE, WHAT'S GOING ON? AW, BABY.
SAY HI.
- HER DOGS REALLY ARE THE SWEETEST DOGS EVER.
- DUDE, YOU'RE LUCKY WE GAVE YOU THE NICE DOG FIRST.
WE'LL SEE IF MARY ANN CAN HANDLE YOU.
- SHOULD WE BRING HIM OUT?
- I HAVE A QUESTION, THOUGH.
[dog growls]
HAVE YOU EVER MET CUTER DOGS IN YOUR LIFE?
[dog growls]
DON'T [bleep] THIS QUESTION UP, BRO.
THIS IS A TEST.
- ABSOLUTELY NOT.
THEY'RE COLORFUL AND HAPPY
AND LIVELY AND COMFORTING.
- DO YOU HAVE A CRUSH ON ME?
- HUH? - DO YOU HAVE A CRUSH ON ME?
- [laughs] GET OUT OF HERE.
- A CRUSH? DO YOU HAVE A CRUSH ON ME?
- WE'RE NOT TALKING ABOUT ME.
I ASKED YOU FIRST.
- I DON'T THINK THAT'S THE RIGHT WORD.
I'M INTERESTED IN YOU.
HOW'S THAT?
- YOU HAVE A CRUSH ON ME.
- [laughs] OH, [bleep].
- SEAN IS SO SEXY.
I FEEL LIKE HE'LL GIVE ME A NICE LITTLE CHALLENGE.
- FIVE, SIX, SEVEN.
♪ WHEN THE BEAT DEE ♪
- ♪ BOOM, I HIT THE ROOM ♪
♪ MY BODY GOES ON AUTOMATIC ♪
♪ AUTOMATIC ♪
- LET'S DO THE CHORUS AGAIN.
AUBREY, EXTEND YOUR ARM.
GOING... WHEN I'M ON THE DANCE FLOOR...
STAY.
- KRYSTAL, I NEED MY SHOES.
I'M SPRAINING MY ANKLE IN THESE SHOES.
I CAN'T EVEN BELIEVE SHE DIDN'T BRING MY SHOES.
CRAZY.
[sighs]
- WALK THAT WAY.
- ♪ WHEN THE BEAT GOES BOOM ♪
♪ I HIT THE BOOM ♪
♪ MY BODY GOES ON ♪ - BODY, GAH GAH.
YEAH, THAT'S GOOD.
- I'M SORRY. I'M LIKE...
I DON'T FEEL GOOD. I'M LIKE...
I DON'T EVEN KNOW WHAT'S GOING ON RIGHT NOW IN MY HEAD.
I'VE BEEN WORKING MY WAY TO DO A SHOWCASE FOR THE LABELS,
AND I'M REALIZING THAT IT'S A LOT OF HARD WORK.
THERE'S SOMETHING ABOUT ALL OF THE RESPONSIBILITY
THAT'S INCREDIBLY SCARY.
- GUYS, CAN I WORK WITH AUBREY JUST ALONE?
YOU GUYS CAN JUST GO OUT THERE.
WHAT DO YOU MEAN?
- I DON'T KNOW.
I JUST CAN'T REMEMBER THE CHOREOGRAPHY.
I'M ANNOYED, I DON'T FEEL GOOD.
I'M JUST LIKE, I DON'T KNOW WHAT'S GOING ON RIGHT NOW.
- IS ANYTHING ELSE UNCOMFORTABLE FOR YOU?
OR IS IT JUST THE SHOES?
- I MEAN, I JUST FEEL LIKE I CAN'T DANCE
FULL OUT RIGHT NOW,
'CAUSE I DON'T FEEL STABLE IN THESE SHOES.
BUT OTHER THAN THAT, NO, IT'S JUST A MATTER OF, LIKE,
THERE'S A FEW PARTS I'M MISSING.
- SO IF I BRING IN THE DANCERS,
CAN YOU TURN ON FOR A SECOND?
PLEASE?
- YES.
- DO YOUR BEST, YOU KNOW WHAT I MEAN?
THEN WE CAN MOVE ON.
BUT IN ORDER TO SEE WHAT WE NEED TO WORK ON
YOU GOTTA TURN ON NOW.
- AT THIS POINT, ALL THE PRESSURE
OF BEING SUCCESSFUL IS ONLY ON MY SHOULDERS,
AND I DON'T WANT TO FAIL.
- YOU KNOW THAT CHEMICAL THAT PEOPLE HAVE IN THEIR BRAIN
THAT SAYS, "YOU KNOW WHAT, I'M GONNA BE NICE TODAY,
I'M GONNA BE POLITE"? - YOU JUST DON'T HAVE IT?
- I DON'T HAVE THAT ONE.
- TONIGHT, I'M HAVING MY OFFICIAL FIRST DATE WITH SEAN,
AND I'M SO EXCITED.
I'VE REALLY BEEN LOOKING FORWARD TO THIS.
YOU GUYS, I FEEL LIKE MY NIPPLES ARE SHOWING.
- UM, THEY'RE DEFINITELY SHOWING.
- CESE, CAN YOU MAKE MY NIPPLES NOT SHOW?
- YOU NEED TO TAPE DOWN THE WHOLE POCKET
SO YOUR *** ISN'T STICKING OUT.
DO YOU HAVE TAPE? - LIFT YOUR ARMS.
- WE JUST NEED DOUBLE-STICK TAPE.
- YEAH, THAT'S A PROBLEM.
- YEAH, WE NEED TO GET THAT--
- YOU GUYS, CAN YOU IMAGINE IF I WAS OUT TONIGHT PARTYING,
LIKE, "HEY, HEY!" [laughing]
WHAT'S GOING ON WITH THE BRAS?
- OH, YOU KNOW, I JUST HAVEN'T PUT THE SECOND ONE ON YET.
- YOU'RE NOT DOUBLE-STACKING TONIGHT?
- HELL, YEAH, I'M DOUBLE-STACKING.
I DOUBLE-STACK EVERY NIGHT.
- SO YOU HAVE YOUR WAIST CONTROL TONIGHT?
- I HAVE MY MAN SPANX ON.
- OH, MY GOSH, ARE THOSE YOUR BUTT PADS?
- YEP.
- THAT'S AMAZING.
IT GIVES YOU, LIKE, AN EXTRA INCH OF ***.
- AUBREY KARDASHIAN! - YEAH!
[laughter]
[doorbell chimes]
- WHAT UP? - HOW ARE YOU?
- I'M GOOD. - HOW ARE YOU?
- THIS IS MY FRIEND, REGGIE.
- WHAT'S UP, MAN? HOW YOU DOIN'?
- NICE TO MEET YOU. CESAR.
- YOU GUYS WANT SODA?
- I JUST NEED STRAIGHT ***. - OKAY.
- SO WHERE ARE WE GOING TONIGHT?
IS THIS YOUR GUYS' PICK?
- I THINK IT'S AUBREY'S PICK.
- HI. - WHAT UP?
- HI. - HI.
- LOOKIN' GOOD, BABY. - HOW ARE YOU?
- SO WHERE WE GOING TONIGHT?
- PLAYHOUSE.
- YOU WANT TO GO TO BOTH?
- ONE OF MY FRIENDS IS DJing AT PLAYHOUSE.
I WANT TO GO TO PLAYHOUSE.
- FRIEND, HUH?
- DO YOU WANT TO COME LOOK AT MY VIEW?
- YEAH, BEND OVER.
- OH, MY GOD, YOU'RE SO DISGUSTING.
I DON'T KNOW IF I LIKE YOU, BUT I LOVE YOUR STYLE.
- EITHER ONE.
- NO, IT'S NOT EITHER ONE. I HAVE TO LIKE YOU.
- OKAY.
THAT'S TOUGH.
- IT'S HARDBALL.
- I GOT SOME HARDBALL FOR YOU.
- I DEFINITELY THROW A LOT OF SEX TALK OUT THERE
IN THE VERY BEGINNING OF GETTING TO KNOW SOMEONE,
BUT, I'M SORRY, THAT "BEND OVER" [bleep]
IS JUST TACKY.
IT'S SO IMMATURE WHEN YOU GO STRAIGHT TO THE SEX JOKES.
IT SHOWS NO INTELLECT AT ALL.
- OH, RIGHT, 'CAUSE I'M THE DUMBEST GUY YOU EVER MET.
- [laughs]
IS THAT HOW YOU GET YOUR GIRLS?
- I'M JUST SAYING, MAYBE HE WENT TO--
YOU KNOW WHAT I'M SAYING, HE HAD A QUINCEANERA OR SOMETHING.
HE WENT OUT-- YOU KNOW WHAT I MEAN?
- WHAT? A QUINCEANERA? ARE YOU BEING RACIST?
- NO. - THAT'S CRAZY.
DUDE, HE JUST ASKED ME IF MY POOL MAN
WAS AT A QUINCEANERA.
WHAT KIND OF A [bleep] RACIST [bleep] IS THAT?
- MY BAD. MY BAD.
- I HAVE A QUESTION FOR YOU.
WHAT IS UP WITH HIS, LIKE...
HE'S TOO, I THINK, BLUNT, OR MAYBE HE'S INSECURE
SO HE GOES TOO FAR THE OTHER WAY.
- I WOULDN'T SAY INSECURE.
I'D SAY, UH, HE HAS VERY LITTLE REGARD
FOR, UM, TACT, FOR OTHER PEOPLE'S FEELINGS.
- WHY? - BUT WHO DEFINES IT?
- UM...ME, SOCIETY.
- IS IT THE SAME SOCIETY THAT DEFINES IF A DOG
SHOULD BE NAMED MARY ANN IF HE HAS A ***?
YOU KNOW THAT CHEMICAL THAT PEOPLE HAVE IN THEIR BRAIN
THAT SAYS, "YOU KNOW WHAT, I'M GONNA BE NICE TODAY.
I'M GONNA BE POLITE"? - SEROTONIN?
- YOU JUST DON'T HAVE IT. - I DON'T HAVE THAT ONE.
- HAVE YOU LOST YOUR MIND?
I'M JUST SO UPSET,
AND I DON'T KNOW HOW YOU FORGIVE SOMEONE FOR THAT.
- I MEAN, YOU WENT THERE, I MEAN...
- YOUR ATTITUDE TONIGHT IS JUST KIND OF DISAPPOINTING ME.
I WAS GOING INTO THIS WITH HIGH HOPES.
- I WANT TO SAY IT'S DISAPPOINTING ME, TOO,
AND YOU KNOW THE HOPES THAT I HAD FOR YOU.
MY INTEREST LEVEL HAS LITERALLY GONE FROM
EXTRA SPECTACULAR TO...
IS THIS NIGHT OVER YET?
- SHOULD WE WORK OUR WAY TO THE CLUB
WHERE IT'S DARK AND LOUD?
- I'M IN.
- YEAH, LET'S GO TO THE CLUB.
- ♪ OKAY, SAY SOMETHIN' ♪
♪ SAY SOMETHIN' ♪
♪ MOVE SOMETHIN', MOVE SOMETHIN' ♪
♪ YOU SAY SOMETHIN', I SAY SOMETHIN' ♪
♪ WHEN I SAY GO, WOULD YOU LIKE TO DO SOMETHIN' ♪
♪ PUSH 'EM IN, PUSH 'EM OUT ♪
PUSH 'EM OUT ♪ ♪ PUSH 'EM IN,
♪ PUSH 'EM IN, PUSH 'EM OUT ♪
PUSH 'EM OUT ♪ ♪ PUSH 'EM IN,
♪ WHEN I SAY SO WILL YOUR BODY SAY SOMETHIN' ♪
♪ WHEN I SAY GO, WOULD YOU LIKE TO DO SOMETHIN' ♪
♪ PUSH 'EM IN, PUSH 'EM OUT ♪
♪ PUSH 'EM IN, PUSH 'EM OUT ♪
- SO WE'RE AT THE CLUB,
I'M TRYING TO MAKE THE BEST OF THIS MOMENT,
AND ALL OF A SUDDEN, I SEE THIS PRODUCER
THAT I'VE WORKED WITH, ROB.
- ♪ FACE IT, KIDS, EVERYBODY WANT TO KNOW ♪
♪ WHY THE PARTY GOT-- ♪
- ROB IS A PRODUCER THAT I MET THROUGH JOHNNY WRIGHT,
AND I DID SOME AMAZING TRACKS WITH HIM
AND SECRETLY ALWAYS HAD A CRUSH ON HIM.
SO I GET MY LITTLE WINGMAN, KRYSTAL,
AND WE DECIDE THAT WE GOTTA GET RID OF THE OLD,
BRING IN THE NEW,
HEAD TO A DIFFERENT SPOT BEFORE ANYONE NOTICES.
WE COULD NOT SHAKE SEAN.
AS MUCH AS WE WANTED TO,
HE JUST KEPT FINDING HIS WAY BACK TO ME.
HE WAS LIKE A LITTLE MOUSE AND I WAS THE CHEESE, DUDE.
HE WASN'T LETTING IT GO.
- ALL RIGHT. I GOTCHA.
- BYE, SEAN.
C U NEXT TUESDAY.
- THAT'S WHAT [bleep] IS, "C U NEXT TUESDAY."
GINGER!
WHAT'S UP, LITTLE BABY!
GINGER! [dog barking]
COME SAY HI.
- HI, GINGEY.
OH, BABY, HI.
HI, BABY.
- DO YOU GUYS WANT ALCOHOL?
- UH, ALWAYS.
- I WANT TO SHOW YOU GUYS OUTSIDE.
- LET'S LOOK.
- IT'S RAINING. - LET'S HAVE A LOOKY.
AAH!
I MEAN...[gasps].
- WE HAVE A HOT TUB, TOO. LET'S ALL GET IN.
- LET'S GO. DO YOU HAVE MY SHORTS?
- YEAH, YOU CAN GET NAKED.
- UH...
- LISTEN, CAN YOU SHIELD ME, PLEASE?
HAVE SOME RESPECT FOR MY HAIR.
- OH, MY GOSH, WOMEN.
- I REALLY LIKE ROB.
HE'S SEXY AND MYSTERIOUS
AND JUST REALLY...
REALLY ATTRACTIVE TO ME.
- HAVE YOU EVER MADE OUT WITH ANYONE IN THE RAIN?
WANT TO DO IT RIGHT NOW?
[laughs]
I'M SERIOUS.
- [laughing]
- I HAVEN'T FELT THAT IN SO LONG
THAT I JUST LOST MY [bleep].
[piano playing]
- OKAY, READY?
OKAY...
- WHERE'S SOME MORE ALCOHOL, KRYSTAL?
I'M TRYING!
- [laughing]
- ROB, YOU WANT ***?
- COME HANG OUT WITH US.
- TAKE OFF YOUR COAT, STAY A WHILE.
- WAIT, SO WHAT DO YOU DO?
- WE'RE PIMPS.
- ROB, HE'S NOT QUICK TO GIVE ME WHAT I WANT,
WHICH IS DRIVING ME [bleep] BANANAS.
I KNOW WHAT ROB DOES.
I MET ROB IN THE STUDIO.
WE MADE SOME DOPE TRACKS.
WE WERE FLIRTING. HE WAS FLIRTING WITH ME,
AND I WAS FLIRTING WITH HIM.
AND THEN, I STARTED LIKING HIM,
AND MY DUMB *** WROTE HIM,
LIKE, A [bleep] FIVE-PAGE NOVEL, EMOTIONAL EMAIL
LIKE A [bleep] LUNATIC.
- [sighs]
- AND THEN HE PUT DOWN--
OKAY, I GOT A LITTLE TOO ATTACHED TO HIM
THE FIRST TIME THAT WE WERE TALKING.
WHO SENDS AN EMOTIONAL EMAIL ABOUT FEELINGS?
IT WAS LIKE DAY THREE, DUDE.
WHAT DO YOU HAVE TO SAY?
ARE WE PAST THAT NOW?
- YEAH. I STILL LOVE YOU. YOU'RE AWESOME.
YOU'RE BEAUTIFUL AND YOU'RE GORGEOUS
AND YOU'RE TALENTED.
- SO WHY AREN'T YOU TRYING TO DATE ME RIGHT NOW?
- OH, [bleep].
- SHE'S CRAZY.
I WOULD LOVE FOR AUBREY
TO QUIT TRYING SO HARD.
NOT GONNA WIN ANY MORE POINTS.
- I'M OLD-SCHOOL. IT TAKES TIME FOR ME.
- I KNOW, BUT YOU DON'T TRY TO SPEND ANY TIME WITH ME.
THAT LAST TIME WE SPOKE,
YOU'RE LIKE, "OH, YEAH, I'LL HIT YOU TOMORROW,"
AND THEN NEVER, YOU KNOW.
- THANK--MAN.
THIS IS WHY YOU HAVE HIM AROUND YOU.
THAT'S WHAT I'M TALKIN' ABOUT.
- I FELT LIKE I SAID TOO MUCH.
THIS IS A DILEMMA THAT I HAVE IN MY LIFE CONTINUOUSLY.
YOU NEED TO NOT LET ME GO BY,
'CAUSE I'LL END UP WITH A PRODUCER AND MAKE HIM BIG.
- ♪ I WANT TO FREAK YOU OUT ♪
♪ I GOT A CRUSH ON YA ♪
- I'M JUST SO FED UP.
GUYS. WHY ARE GUYS SUCH LYING PIECES OF [bleep]?
♪ GOODBYE HEARTBREAK ♪
♪ GOODBYE HEARTBREAK ♪
[doorbell chimes]
[dog barking]
- HELLO! - WAKE IT UP!
- HELLO!
- HI, MARY ANN.
- WHAT IS GOIN' ON? IT IS FRIGGIN' LATE.
- WHERE'S A FRIGGIN' DRUM SET I CAN *** ON?
[pots clanging]
WAKE UP! - COME ON!
- WHAT THE [bleep] IS GOING ON?
- OH, MY GOD, WHAT'S WRONG WITH YOU?
- DO YOU GUYS HAVE TO BE SO LOUD?
[pots clanging] - THERE SHE IS.
- [baby talk] OH, THERE, YOU SLEEPY HEAD.
- WHAT IS UP, YO?
- DUDE, YOU GUYS SERIOUSLY GO AWAY.
[laughter]
- WHAT HAPPENED LAST NIGHT? WAS IT CRAZY?
- I WENT ON THE DATE FROM HELL LAST NIGHT.
- WITH SEAN.
- HE LOOKED AT ME DEAD IN THE EYES, STEPH,
HE SAID...
- HE DIDN'T JUST LIKE--
- "YOU'RE NOT ALLOWED TO DO THAT.
ONLY I'M ALLOWED TO DO THAT."
- AT LEAST WHEN YOU'RE SARCASTIC AND RUDE,
YOU AT LEAST SMILE WITH IT.
- DUDE, IT WAS SO BAD.
BUT REMEMBER THAT PRODUCER
THAT I DID THE, UH, STUNT DOUBLE TRACK?
- YEAH. - WE WALK INTO THE CLUB,
AND HE'S THERE.
AND THEN HE COMES OVER TO THE HOUSE.
- SHE WAS RUNNING AROUND HERE LIKE A 12-YEAR-OLD SCHOOLGIRL.
SHE WAS LIKE, "JUST CALM DOWN."
- WERE YOU GIVING TOO MUCH EYES AND TOO MUCH FACE?
- SHE WAS JUST SO EXCITED.
- I'M NOT USED TO LIKING ANYONE.
EVERY GUY THAT I'M WITH, I CAN CONTROL.
HE'S THE ONE THAT THROWS ME OFF.
- I MEAN, SHE REALLY DID PUT HERSELF OUT THERE LAST NIGHT
TO THE WHOLE GROUP.
- WOW.
- HE WAS, LIKE, SO ADORABLE.
IT WAS JUST-- IT WAS DEAD.
I BURIED MYSELF,
AND THERE WAS NO COMING BACK OUT.
I JUST HAD TO LET THAT DREAM GO.
THE ONE GUY THAT I REALLY WANTED TO LIKE
AND I REALLY JUST BLEW IT.
EITHER WAY, PEACE OUT TO BOTH OF THEM.
CAN YOU GUYS KEEP ME DISTRACTED TODAY?
- HAND OVER THE PHONE.
- NO, I'M NOT HANDING OVER MY PHONE,
BUT I NEED TO BE DISTRACTED.
YOU KNOW I WILL WRITE A MESSAGE.
- TONIGHT, WE'RE GONNA BE SOME REBELLIOUS ***,
AND WE'RE GOING TO GET TATTED UP.
- HI. HOW ARE YOU LADIES DOING TONIGHT?
- HI.
- SO WE WANT TO GET SOME PEACOCK FEATHERS TATTOOED TODAY?
- ARE YOU DOING IT? - YES, I AM.
- THIS IS GONNA GO REALLY QUICKLY.
YOU'RE GOOD.
- OH, MY GOODNESS. OH, MY GOODNESS!
- OHH!
- THIS IS WORSE THAN LABOR.
YOU GET EPIDURAL FOR THAT.
- [bleep].
[needle buzzing]
- GO LOOK AND SEE IF YOU ACTUALLY LIKE IT.
- THAT'S CUTE.
- ALL RIGHT.
WHO'S NEXT?
- OKAY.
- HOLY [bleep].
- LOOKS GOOD. YOU LOOK GOOD.
- YAY! - WHOO-HOO!
- IT LOOKS AMAZING.
- I AM NOT GETTING A TATTOO TODAY.
A TATTOO IS SOMETHING
THAT YOU REALLY HAVE TO THINK ABOUT
AND BE SURE THAT YOU ARE GONNA HAVE IT FOREVER
AND YOU'RE GONNA LIKE IT.
- AUBREY'S NEXT.
- OH, MAN, I'M NERVOUS.
OH, MY GOODNESS, I CAN'T HANDLE THIS.
[needle buzzing]
- FUN!
- YEAH, BUZZ.
[upbeat music]
♪ ♪
- ARE THEY WISPY?
- MM-HMM.
- LET ME SEE.
- I DON'T HAVE ANY TATTOOS WITH FRIENDS,
AND THAT'S SOMETHING THAT CAN BE EVEN MORE MEANINGFUL
THAN A SOLO TATTOO.
BUT EVERY PARTY HAS A POOPER,
AND THE PARTY POOPER TODAY IS STEPHANIE.
all: BIRDS OF A FEATHER FLOCK TOGETHER.
- EXCEPT FOR STEPHANIE!
- WHOO-HOO!
- JOHNNY REALLY THINKS IT'S IMPORTANT
THAT I WRITE MORE SONGS,
SO IT'S TIME TO GET INTO A BALLAD.
SO I'VE BEEN HAVING A DAY, ADONIS.
- WHAT'S WRONG?
- I'M JUST SO FED UP WITH GUYS.
I DON'T UNDERSTAND WHAT'S GOING ON.
I ASSUME THAT ALL OF MY RELATIONSHIPS
UP TO THIS POINT HAVEN'T WORKED
BECAUSE OF ME.
IT'S JUST WEARING ME OUT. I'M SO SICK OF IT.
HONESTLY, I FEEL LIKE ALL LOVE IS JUST HEARTBREAK.
IT'S HEARTBREAK ONE AFTER ANOTHER.
IT'S JUST TOO MUCH.
I CERTAINLY KNOW WHAT I DON'T WANT,
BUT I DON'T KNOW A WHOLE LOT ABOUT WHAT I DO WANT.
THAT'S A BIG REASON WHY I FOCUS ON MY CAREER,
BECAUSE IT'S SOMETHING THAT I DO UNDERSTAND,
I CAN FEEL VERY HONESTLY IN MY GUT.
I WANT TO WRITE A SONG CALLED
SAYING GOODBYE TO HEARTBREAK.
- MM-HMM.
- I LIKE STARTING OFF THE SONG WITH THIS LINE.
- "WHEN WILL I BE OVER THIS [bleep]?"
- YEAH.
- SOME OF THESE ARE DOPE.
A "WANNA" OR "GOTTA"?
- "PLAYING TUG-OF-WAR WITH MY FEELINGS."
- THERE YOU GO.
- IF I LET GO WILL YOU...[humming]
♪ ♪
♪ TRY TO STOP MY HANDS FROM BLEEDING ♪
- THAT'S THE PERFECT BLEND.
- ALL RIGHT.
♪ IF I LET GO, I'LL LOSE EVERYTHING ♪
♪ ♪
♪ BUT WILL YOU TELL ME, WILL I EVER WIN? ♪
♪ LOVING YOU MORE THAN MYSELF ♪
♪ WEARING ME DOWN ♪
- TRY TO HOLD THE "DOWN" LONG, TOO.
♪ WEARING ME DOWN ♪
- ♪ GOODBYE, HEARTBREAK ♪
- ♪ OHH ♪ - ♪ HEARTBREAK ♪
- ♪ HEARTBREAK ♪ - ♪ OHH ♪
♪ YEAH, GOODBYE HEARTBREAK ♪
- IT'S SUPER, SUPER IN THE SKELETON STAGE,
BUT THIS [bleep] GONNA BE CRAZY, THOUGH.
- YAY! - TRUST ME.
- I'M 26 YEARS OLD.
I'VE HAD, IT FEELS LIKE A LIFETIME OF DATING,
AND ALL I HAVE TO SPEAK...
SPEAK OF FOR MYSELF AT THIS POINT IN MY LIFE
IS SIMPLY THIS,
YOU HAVE TO BE ABLE TO BE OKAY
IF MR. RIGHT DOESN'T COME ALONG.
- DON'T BE MAD AT ME.
- KRYSTAL?
- BUT I THINK I DO HAVE A GOOD GUY FOR YOU.
AND, ACTUALLY...
- WHAT?
- I'M...
I TALKED TO HIM AND HE'S ABOUT HERE.
HOLD ON.
SMILE.
[doorbell rings]
[dogs barking]
HE'S HERE, AND HIS NAME IS TYRONE!
- "TASTY TYRONE"?
- HE'S DARK CHOCOLATE JUST LIKE YOU LIKE.
- "YOUR OWN CHOCOLATE FANTASY"?
- AND HE WON'T TALK BACK.
- OH, MY GOD.
- AND YOU CAN DO WHATEVER YOU WANT.
- THIS IS HILARIOUS!
HEY, YOU GUYS, DADDY'S HERE!
DADDY'S HERE!
- "HE MAY BE YOUR FIRST,
"BUT TYRONE WILL BE THE ONE YOU WILL NEVER FORGET.
"THIS HUNKY HARD-BODY HAS IT ALL--
"WASHBOARD ABS, A SEXY SMILE,
AND AN EYE-CATCHING BULGE."
- OH, MY GOD, HE'S HARD TO BLOW.
I NEVER HAD THIS MUCH PROBLEM BLOWING A GUY BEFORE.
GINGER, IT'S DADDY.
[dogs barking]
DADDY'S GOT A MAGNUM.
IT'S COMING FOR YOU. IT'S COMING--[laughing]
WHO'S COMING FOR YOU? [laughing]
SEE, MY DOGS DON'T DO BLACK [bleep].
- SEE, HE'S NICE.
HE FEEDS YOU GRAPES.
- MMM.
OH, TYRONE.
OOPS, ONE FELL ON YOUR ***.
LET ME GET IT.
- GOOD NIGHT, TYRONE.
THANKS FOR BEING SUCH A GOOD DATE.
- MMM.
TYRONE SHOULD BE WITH ME FOREVER.
EW.
OH, MY GOD.
TYRONE'S *** SMELLS.
DID YOU HEAR THE SLOW SONG?
- YES, I DID. AMAZING.
- DO YOU LIKE IT? - I LOVE IT.
- YAY.
- HA.
- IT WAS PAINFUL DOING THAT RECORD.
- NO, BUT WAIT A MINUTE.
REMEMBER THE CONVERSATION WE HAD IN THE STUDIO THAT DAY?
WHAT WERE WE TALKING ABOUT BESIDES THE BALLAD?
- I DON'T KNOW, MY MOM?
- YOUR POCKET ROCKET.
AND THEN YOU GO AND MAKE A SONG ABOUT IT?
- ISN'T THAT SO DOPE?
IT'S GOOD, THOUGH, RIGHT?
- ONLY YOU.
YEAH, IT'S A GOOD SONG.
I HAVE TO GIVE YOU THAT.
BUT I REALLY DO LOVE THE BALLAD.
IT'S EVERYTHING THAT I SAID THAT I WANT YOU TO...
TO BRING OUT EMOTION,
TELL YOUR STORY, THE PASSION.
PEOPLE CAN REALLY FEEL YOU THROUGH IT.
SO HERE'S WHAT WE'RE GONNA DO.
- WHY DO I HATE WHEN YOU SAY THAT?
- WE ARE GOING TO PERFORM THIS LIVE.
- OKAY.
- I'M GONNA GET A SMALL, INTIMATE PLACE,
LIKE CAFE WAS,
GET A THREE- OR FOUR-PIECE BAND,
SOME HOT PLAYERS,
SMALL, INTIMATE CROWD,
AND YOU'RE GONNA WAIL THIS SONG.
YOU'RE GONNA PERFORM THIS SONG LIVE,
NO DANCERS, NO NOTHING.
- HOW QUICKLY AM I DOING THIS?
- YOU ALREADY RECORDED THE SONG.
YOU KNOW THE WORDS, YOU WROTE IT.
WE NEED TO DO THIS IN 24 HOURS.
- JOHNNY, THERE YOU GO THROWING ME UNDER THE BUS AGAIN.
- HEY, WE DON'T HAVE THAT MUCH TIME TILL THE SHOWCASE,
SO WE NEED TO GO THROUGH THIS EXERCISE,
AND WE NEED TO GET YOU RIGHT AND CONFIDENT.
THESE ARE THE THINGS YOU GOTTA BE PREPARED FOR
FOR WHAT'S ABOUT TO HAPPEN TO YOU.
'CAUSE I MIGHT CALL YOU UP ONE DAY AND SAY,
"SOMEONE SOMEONE DROPPED OUT OF THE GRAMMYS,
CAN YOU JUMP ON THAT STAGE AND DO IT?"
YOU CAN'T TELL ME YOU NEED 72 HOURS, 48 HOURS,
AND, AGAIN, THIS IS IT.
IF YOU'RE A REAL SINGER,
YOU DON'T NEED NO MORE TIME THAN THAT.
- I'M NERVOUS, THOUGH, JOHNNY.
WHAT IF I SOUND CRAZY?
- YOU'RE A SINGER. SING.
- OH, MY GOD.
- THIS IS THAT MOMENT WHERE IT'S JUST LIKE,
YOU AND A COUPLE OF PIECES AND A BAND,
A MICROPHONE AND A SPOTLIGHT.
THAT'S WHAT THIS IS ABOUT.
THAT'S WHAT AN ARTIST DOES.
- BEING PUT IN SITUATIONS WHERE I HAVE TO PERFORM LIVE,
WHERE I HAVE TO DEPEND ON MY VOCAL,
WHERE MY TALENT WILL BE TESTED.
FRANKLY, I REALLY AM NERVOUS,
SO THE PRESSURE'S ON.
- DID SOMEONE ELSE WRITE THAT SONG?
- NO, I WROTE IT. - RIGHT.
SO YOU WROTE IT FOR YOU.
SO IF YOU WROTE IT FOR YOU,
WHY CAN'T YOU PERFORM IT FOR YOU?
- ♪ GOTTA START MY HEALIN' FROM WITHIN ♪
- GOTTA GOTTA DO WHAT? GOTTA DO WHAT?
- I DON'T EVEN REMEMBER THE WORDS.
I HAVE 'EM WRITTEN DOWN.
I'M OVERWHELMED BY THE PRESSURE OF STARTING BACK OVER.
- YOU IN BEVERLY HILLS, YOU GOT GOLD FINGERNAILS.
PRESSURE'S STARTING WITH NOTHING.
- ♪ I'M A LITTLE BIT WILD ♪
♪ I'M CRAZY, SMART, AND SEXY ♪
♪ WHAT A GIRL REALLY NEEDS ♪
♪ SOMEONE TO TURN THEM ON ♪
♪ ON ME ♪
HEY, D? I CAN'T HEAR ANYTHING.
- YOU WANT ME TO FIX THE MIKE? - THIS IS TOO SHORT.
- I'LL FIX THE MIKE. HOLD ON.
- DO I HAVE TO HAVE THIS THING HERE, TOO?
'CAUSE PEOPLE SLOBBER ON IT.
- JUST DON'T PUT YOUR MOUTH ON IT.
- I KNOW, BUT I WASN'T HERE YESTERDAY.
I'M WORRIED THAT SOMEBODY PUT THEIR BREATH ON IT.
- [laughing] NO, CRAZY.
ALL RIGHT, HERE WE GO.
- ♪ I'M SICK OF PEO-- ♪ OH, MY GOD!
OH, MY GOD, I TOUCHED THE THING.
OH, GOD, I'M GONNA GET ***.
- ♪ IF I LET GO, I'LL LOSE EVERYTHING ♪
♪ GOODBYE HEARTBREAK ♪
- LET'S GO BACK, LET'S GO BACK, LET'S GO BACK.
OKAY, LOOK, AT THE BEGINNING OF THIS,
YOU KNOW, I THINK YOU'RE,
LIKE, SHOOTING YOUR *** OFF TOO SOON,
WHICH US GUYS HAVE A TENDENCY TO DO.
WHAT WE WANT TO HAPPEN IS
WE WANT YOU TO SAVOR IT,
WE WANT YOU TO MILK IT.
THIS IS A BIG BALLAD, YOU KNOW.
BIG BALLADS, YOU KNOW, YOU HAVE TO BUILD THEM,
AND, UM, YOU WANT TO BUILD IT TO A POINT
WHERE IT JUST EXPLODES, YOU KNOW.
THIS IS GONNA SHOW YOU OFF.
THIS IS GONNA SHOW THAT YOU CAN REALLY DO
WHAT YOU SAY YOU COULD.
- DUDE, I'M REALLY STRESSED.
- DON'T WORRY. DON'T WORRY. - I REALLY JUST WROTE THIS.
I DON'T EVEN REMEMBER THE WORDS.
I HAVE 'EM WRITTEN DOWN.
- WELL, WELCOME TO SHOW BUSINESS, BABY.
OKAY, LOOK, WE'RE GONNA GO THROUGH THIS.
I WANT YOU TO GIVE ME MORE EMOTION THIS TIME.
AND REALLY OVER-ARTICULATE IT, OKAY?
BRING--JUST BRING--
YOU KNOW, CREATE A PICTURE WITH YOUR VOICE,
YOU KNOW WHAT I'M SAYING? - OKAY.
♪ IF I LET GO, I'LL LOSE EVERYTHING ♪
♪ BUT WILL YOU TELL ME, WILL I EVER WIN? ♪
- YEAH, SO NOW...
♪ WILL YOU TELL ME, WILL I EVER WIN? ♪
SEE, THAT'S SEX. I NEED SEX THERE.
- OKAY. - CAN YOU DO THAT?
- ♪ BUT WILL YOU TELL ME, WILL I EVER WIN? ♪
- THERE YOU GO, YEAH.
AND, OKAY, SO THAT SETS US UP FOR THE HOOK.
- ♪ GOODBYE HEARTBREAK ♪
♪ I DON'T EVER WANT TO SEE YOUR FACE AGAIN ♪
♪ GOODBYE HEARTBREAK ♪
- OKAY, NOW, YOU NOTICE, YOU NOTICE,
YOU'RE GETTING A LOT OF CHEST UP IN THERE.
- AND I DIDN'T TAKE A BREATH, EITHER.
- YOU GOTTA BREATHE. THAT'S A PROBLEM.
- ♪ GOODBYE HEARTBREAK ♪
♪ GOTTA START MY HEALING FROM WITHIN ♪
- GOTTA GOTTA DO WHAT? GOTTA DO WHAT?
- ♪ GOTTA START MY HEALING FROM WITHIN ♪
- I WANT TO MAKE SURE EVERY WORD IS HEARD.
♪ GOTTA START MY ♪ ALL RIGHT, AND START, ONE.
- ♪ GOTTA START MY HEALING FROM WITHIN ♪
♪ GOODBYE HEARTBREAK ♪
- HEARTBREAK.
- ♪ HEARTBREAK ♪ - YEAH!
- ♪ HEARTBREAK, YEAH ♪
- YEAH-EAH!
GIVE ME MORE "YEAH."
YOU GOTTA BE WIDE OPEN AT THAT POINT.
NOW, AFTER EACH "HEARTBREAK," IT'S A DEEP BREATH.
ONE, TWO, BREATHE.
- ♪ GOODBYE HEARTBREAK ♪
- OKAY, NOW THIS--
THIS IS WHEN YOU SELL THE SONG.
- RIGHT. - OKAY?
YOU GOTTA CRY. YOU GOTTA CRY ON THIS.
YOU'RE SAD.
AND I KNOW THIS IS BIG,
BUT IF YOU GIVE ME THE EMOTION,
IF YOU EMBODY THAT EMOTION,
I THINK THE PERFORMANCE
WILL BE MUCH EASIER FOR YOU.
- ♪ GOODBYE HEARTBREAK ♪
♪ I DON'T EVER WANT TO SEE YOUR FACE AGAIN ♪
- RUSSELL SIMMONS HAS ALWAYS BEEN
A MENTOR TO ME.
HE'S ALSO SOMEONE THAT FILLS MY HEART
AND REALLY MAKES ME FEEL CONFIDENT
AND BELIEVE IN MYSELF WHEN MY--
YOU KNOW, WHEN MY SELF-CONFIDENCE IS DOWN.
♪ GOODBYE HEARTBREAK ♪
I'M NOT SINGING MY AD LIBS 'CAUSE OF MY THROAT.
THERE'S A LOT OF HIGH AD LIBS IN THERE, TOO.
DO YOU LIKE IT?
YAY. - HOW YOU FEELING?
- GOOD. I MEAN, I'M A LITTLE SICK RIGHT NOW,
SO I WISH YOU COULD HEAR IT IN ITS ENTIRETY.
UM, IT'S ALL RIGHT.
RIGHT NOW, I'M A LITTLE OVERWHELMED
BY A LOT OF DIFFERENT THINGS.
- OVERWHELMED? LIKE WHAT?
- OH, IT'S LIKE THE PRESSURE.
- PRESSURE? - YEAH.
- LIKE WHAT?
- LIKE, BEING IN DANITY KANE,
AND HAVING DANITY KANE BE SO SUCCESSFUL,
AND THEN THE PRESSURE OF STARTING BACK OVER.
- PRESSURE IS STARTING WITH NOTHING
IN A SHANTY HOUSE SOMEWHERE. - RIGHT.
- YOU'RE IN BEVERLY HILLS, YOU GOT GOLD FINGERNAILS, ***.
WHAT THE [bleep], YOU--
YOU GOT GOLD FINGERNAILS.
- YEAH, BUT YOU CAN'T COMPARE PAIN OR PROBLEMS
OR ANXIETY OR FEAR.
EVERYTHING'S RELATIVE.
- MY POINT IS, THOUGH,
I MEAN, STILL, ANXIETY AND FEAR IS ALL SELF-CREATED.
- I THINK MY BIGGEST PROBLEM
IS I PUT AN EXTREME AMOUNT OF PRESSURE ON MYSELF
AND EVERYONE AROUND ME,
SO, LIKE, TO ME, MY PROBLEMS
ARE NOT DRINKING AT NIGHT OR--OR HAVING MY, LIKE,
PRIORITIES IN AN ADOLESCENT MIND STATE.
WHAT KILLS ME IS THIS, LIKE,
INTENSE AMOUNT OF PRESSURE THAT I PUT ON MYSELF,
AND I NEVER FEEL LIKE I'VE DONE ANYTHING.
IT'S CRAZY, RIGHT?
- YOU'VE ACCOMPLISHED SO MUCH.
- I KNOW, BUT I DON'T FEEL THAT.
I'VE NEVER SAT BACK AND BEEN LIKE,
"DAMN, I'M YOUNG AND I GOT IT DONE."
- I DON'T THINK THAT THAT'S REALLY THE GIFT, EITHER.
THE WORK ITSELF IS THE PRAYER.
YOU SAID THAT. YOU LOVE DOING IT.
THAT'S WHAT MAKES YOU HAPPY-- SINGING, WRITING SONGS.
REALLY ENGAGED IN YOUR WORK, RIGHT?
THAT'S YOUR DHARMA, THAT'S YOUR THING, RIGHT?
- YEAH.
- YOU SPEND YOUR DAY WORKING.
IT'S A PRAYER.
YOU HAVE TO ACCEPT IT, AND YOU HAVE TO LIKE IT.
- I KNOW.
- REALLY, YOU KNOW.
- OH, GOD, RUSS,
YOU CAME IN AT JUST THE RIGHT TIME.
COME ON, COME GIVE ME A HUG.
GIVE ME ANOTHER HUG.
CONGRATULATIONS.
ALL RIGHT? - BYE.
- THANK YOU. - PLEASURE.
- YOU, TOO. - TAKE CARE.
- DUDE, I WISH HE WAS MY DAD.
HIS [bleep] KIDS ARE LUCKY.
- LOVE TO BE TOUCHED.
TONIGHT, I'M PERFORMING MY FIRST SOLO BALLAD,
GOODBYE HEARTBREAK.
THIS SONG REALLY EXEMPLIFIES EVERYTHING
THAT I'VE BEEN ABOUT LATELY,
WHICH IS SAYING GOOD-BYE TO AN OLD PLACE
AND COMING INTO A NEW PLACE ON MY OWN.
AND FOR ME, I'VE LEARNED
THAT I'M SO OVER LOOKING FOR A MAN TO FULFILL MY LIFE,
I'M TOTALLY OVER IT.
- JUST WALK THROUGH HERE.
- WELCOME TO IVAN KANE'S CAFE WAS.
RIGHT NOW, WE GOT A SPECIAL SURPRISE
THAT WE'RE REALLY EXCITED TO HAVE.
SO WITHOUT FURTHER ADO,
MS. AUBREY O'DAY.
[cheers and applause]
- THIS SONG IS CALLED GOODBYE HEARTBREAK.
I HOPE THAT IT TOUCHES YOUR GUYS'S HEARTS
THE WAY IT TOUCHES MINE.
[band playing intro]
- WHOO!
♪ ♪
♪ TRYING TO STOP MY HANDS FROM BLEEDING ♪
♪ YOU'RE PLAYING TUG-OF-WAR WITH MY FEELINGS ♪
♪ ♪
♪ MORE THAN MYSELF ♪
♪ PAIN I CAN LIVE WITHOUT ♪
♪ GOODBYE HEARTBREAK ♪
♪ I DON'T EVER WANT TO SEE YOUR FACE AGAIN ♪
♪ THERE'S NO GOOD IN GOODBYE ♪
- ♪ BUT IT'S OVER NOW, I GOTTA LET YOU GO ♪
- ♪ TAKES FOREVER TO SAY ♪
- ♪ AND NOW WE KNOW ♪
- ♪ THERE'S NO HAPPY ENDING ♪
♪ NO, GOODBYE ♪
♪ I DON'T EVER WANT TO SEE YOUR FACE AGAIN ♪
♪ IT KILLS ME ♪ - ♪ GOODBYE HEARTBREAK ♪
- ♪ OH ♪ - ♪ HEARTBREAK ♪
- ♪ HEARTBREAK ♪ - ♪ OH ♪
♪ YEAH, GOODBYE ♪
I FEEL LIKE I WAS ABLE TO GET
A LOT OF MY PAIN OUT THROUGH PERFORMING THIS TONIGHT.
♪ GOODBYE HEARTBREAK ♪
[cheers and applause]
I LOVE YOU GUYS.
[cheers and applause]
I LOVE YOU GUYS SO MUCH.
THANK YOU FOR KEEPING ME DOING WHAT I DO.
BYE.
[cheers and applause]
- AUBREY O'DAY, EVERYBODY.
- GIVE ME A HUG.
- J-DUB! NOW YOU REALLY BELIEVE IN ME, HUH?
- THAT'S THE MAN. THAT'S THE MAN.
[laughing]
- THAT'S THE PART THAT CAN'T NOBODY TEACH YOU.
THAT'S THE NATURAL PART.
YOU GOT IT. - DID I MAKE YOU GUYS PROUD?
- ABSOLUTELY. - GOOD.
I'M REALLY HAPPY WITH THE PERFORMANCE TONIGHT,
BUT I DO WANT TO SAY IN ALL HONESTY
THAT IT'S NOT ENOUGH.
I STILL HAVE TO GET THAT RECORD DEAL,
BECAUSE THAT'S GONNA DEFINE
WHETHER I MAKE IT AS A SOLO ARTIST.
YOU GOTTA JUST CLIMB ALL THE WAY THROUGH OZ
BEFORE YOU GET TO THE EMERALD CITY.
Captioned by CaptionMax www.captionmax.com
NEXT ON ALL ABOUT AUBREY...
- THERE SHE IS!
- OH, MY--AAH!
[laughing]
WE'RE GONNA WRITE A SONG FOR MY NEW ALBUM.
- WE'RE GOING BACK TO PALM SPRINGS.
- NO! - RADIO SHOW.
- I GOT ON IT? - YOU GOT ON IT.
- WHOO-HOO-HOO!
- ARE WE GONNA BE READY FOR THIS SHOW?
- YES, I WILL BE READY NO MATTER WHAT.
ARE YOU SAYING WE DON'T HAVE THE RIGHT CD?
- WHEN YOU GUYS ARE DONE, COME SEE ME.
- SOME MOTHER[bleep] JUST RUINED MY SOUND CHECK.
THAT'S NOT WHAT YOU WANT GOING INTO A BIG SHOW.
- AUBREY? YOUR MAMA'S HERE.
- ARE YOU SERIOUS? - MM-HMM.
- MY MOM, I'M ALWAYS NERVOUS TO BE IN A ROOM WITH HER,
BECAUSE YOU NEVER KNOW WHEN THAT SHIP
IS GONNA START SINKING.
IT'S UP TO ALMOST 7,000 PEOPLE.
- WOW. - [groans]
I'M NOT EVEN DIETING.
MY ENTIRE CAREER HANGS ON
WHETHER I DO WELL AT THIS SHOWCASE.
IT'S DO OR DIE TIME.
FOR MORE INFORMATION, VISIT OXYGEN.COM.