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>> PREVIOUSLY ON TEEN WOLF.
>> ARE YOU REAL?
>> NOT YET.
[groans]
>> I HEARD THERE WAS A PARTY.
DON'T. I INVITED MYSELF.
>> NOW. [gasps]
>> OUR SONS ARE TRAINED TO BE
SOLDIERS.
OUR DAUGHTERS TO BE LEADERS.
>> KANIMA SEEKS A MASTER.
SOMEONE'S CONTROLLING HIM.
>> WHAT IF IT'S MATT?
THIS WHOLE THING COMES BACK TO
THE VIDEO, RIGHT?
>> YOU NEED A DIGITAL CAMERA.
>> I'M STARTING TO FEEL WEIRD
ABOUT THIS.
THIS DOESN'T HAVE ANYTHING TO DO
WITH ALLISON, DOES IT?
>> YOU HAVE A LITTLE THING FOR
ALLISON, MATT?
A LITTLE--A LITTLE CRUSH?
>> NO.
>> YOU THINK I'M GONNA WASTE MY
TIME BY DOING SOMETHING AS--AS
UNBELIEVABLY ORDINARY AS MAKING
A SEX TAPE?
>> THEN WHAT ARE YOU DOING?
>> DOCUMENTING HISTORY.
YOU'LL GET IT BACK TOMORROW.
>> [sighs]
SON OF A ***.
I KNEW YOU WERE LYING.
[snorts]
WHAT THE HELL?
[panting]
[distant scream]
[approaching footsteps]
>> [growling]
>> [panting]
[dramatic music]
♪ ♪
>> SO THIS KID'S THE REAL
KILLER?
>> YEAH.
>> NO.
>> YES!
>> NO.
>> DAD, COME ON.
EVERYBODY KNOWS THAT THE POLICE
LOOK FOR WAYS TO CONNECT VICTIMS
IN A ***, OKAY?
SO ALL YOU HAVE TO DO IS, LIKE,
LOOK THROUGH THEIR TRANSCRIPTS
AND FIGURE OUT WHICH CLASS THEY
ALL HAD IN COMMON.
>> YEAH, EXCEPT FOR THE FACT
THAT THE RAVE PROMOTER KARA
WASN'T IN HARRIS'S CLASS.
>> ALL RIGHT, OKAY, YOU'RE
RIGHT, SORRY.
THEN I GUESS THEY DROPPED THE
CHARGES AGAINST HIM?
>> NO, YOU KNOW WHAT?
THEY'RE NOT DROPPING THE
CHARGES.
BUT THAT DOESN'T PROVE ANYTHING.
>> H--
>> SCOTT, DO YOU BELIEVE THIS?
>> OH.
>> THAT'S REALLY HARD TO EXPLAIN
HOW WE KNOW THIS, BUT YOU JUST
GOTTA TRUST US.
WE KNOW IT'S MATT.
>> YEAH, HE TOOK HARRIS'S CAR,
OKAY?
LOOK, HE KNEW THAT IF A COP
FOUND TIRE TRACKS AT ONE OF THE
MURDERS, AND THAT IF ENOUGH OF
THE VICTIMS WERE IN HARRIS'S
CLASS, THAT THEY'D ARREST HIM.
>> ALL RIGHT, FINE.
I'LL ALLOW THE REMOTE
POSSIBILITY, BUT GIVE ME A
MOTIVE.
I MEAN, WHY WOULD THIS KID WANT
MOST OF THE 2006 SWIM TEAM AND
ITS COACH DEAD?
>> ISN'T IT OBVIOUS?
OUR SWIM TEAM SUCKS!
THEY HAVEN'T WON IN, LIKE, SIX
YEARS.
OKAY, WE DON'T HAVE A MOTIVE
YET.
I MEAN, COME ON, DOES HARRIS?
>> WHAT DO YOU WANT ME TO DO?
>> WE NEED TO LOOK AT THE
EVIDENCE.
>> YEAH, THAT WOULD BE IN THE
STATION, WHERE I NO LONGER WORK.
>> TRUST ME, THEY'LL LET YOU
IN.
>> TRUST YOU?
>> TRUST--TRUST SCOTT?
>> SCOTT I TRUST.
>> IT'S 2:00 IN THE MORNING.
>> BELIEVE ME, I WOULDN'T BE
HERE IF IT WASN'T EXTREMELY
IMPORTANT.
>> WE LOOK AT THE HOSPITAL
STUFF FIRST, OKAY?
>> WHY?
>> BECAUSE ALL THE MURDERS WERE
COMMITTED BY JACKSON, EXCEPT
FOR ONE, YOU REMEMBER?
>> THE PREGNANT GIRL, JESSICA.
>> YEAH.
SINCE MATT HAD TO KILL HER
HIMSELF, SOMEBODY FROM THE
HOSPITAL COULD'VE SEEN HIM.
>> THANK YOU.
BOYS.
I DON'T KNOW, GUYS.
I MEAN, LOOK AT THIS.
THERE WAS A SIX-CAR PILEUP THAT
NIGHT, THE HOSPITAL WAS JAMMED.
>> ALL RIGHT, JUST KEEP GOING.
LOOK, HE HAD TO HAVE PASSED ONE
OF THE CAMERAS ON THAT FLOOR TO
GET TO JESSICA, OKAY?
HE'S GOTTA BE ON THE FOOTAGE
SOMEWHERE.
>> OH, HOLD ON, STOP!
DID YOU SEE THAT?
SCROLL BACK.
>> THAT'S HIM!
THAT'S MATT!
>> ALL I SEE IS THE BACK OF
SOMEONE'S HEAD.
>> MATT'S HEAD, YEAH.
I SIT BEHIND HIM IN HISTORY.
HE'S GOT A VERY DISTINCT
CRANIUM, IT'S WEIRD.
>> ARE YOU CRAZY?
>> ALL RIGHT, FINE, THEN LOOK
AT HIS JACKET, HUH?
HOW MANY PEOPLE DO YOU KNOW WHO
WEAR BLACK LEATHER JACKETS?
>> MILLIONS, LITERALLY.
>> OKAY, CAN WE SCROLL FORWARD?
THERE'S GOTTA BE A SHOT OF HIM
COMING AT ONE OF THE CAMERAS.
>> RIGHT THERE! STOP, STOP!
SEE, THERE HE IS AGAIN.
>> YOU MEAN THERE'S THE BACK OF
HIS HEAD AGAIN.
>> OKAY, BUT LOOK.
HE'S TALKING TO SOMEONE.
>> HE'S TALKING TO MY MOM.
>> SCOTT, YOU KNOW HOW MANY
PEOPLE I DEAL WITH IN A DAY?
>> THIS ONE'S 16.
HE'S GOT DARK HAIR, LOOKS LIKE A
NORMAL TEENAGER.
>> YEAH, HE LOOKS EVIL.
>> SCOTT, I ALREADY TALKED TO
THE POLICE ABOUT THIS.
>> OKAY, MOM, I'M GONNA TAKE A
PICTURE AND SEND IT TO YOU.
[camera shutter clicks]
[cell phone beeps]
DID YOU GET IT?
>> YEAH.
>> DO YOU RECOGNIZE HIM?
DO YOU REMEMBER HIM?
>> YEAH, I DID.
I MEAN, I REMEMBER I STOPPED HIM
BECAUSE HE WAS TRACKING MUD IN
THE HALL.
SCOTT, WHAT'S GOING ON?
>> IT'S--IT'S NOTHING, MOM.
I'LL EXPLAIN LATER.
I GOTTA GO.
>> WE'VE GOT SHOE PRINTS
ALONGSIDE THE TIRE TRACKS AT THE
TRAILER SITE.
>> AND IF THEY MATCH, THAT PUTS
MATT AT THE SCENE OF THREE
MURDERS.
THE TRAILER, THE HOSPITAL, AND
THE RAVE.
>> ACTUALLY, FOUR.
A CREDIT CARD RECEIPT FOR AN OIL
CHANGE WAS SIGNED BY MATT AT THE
GARAGE WHERE THE MECHANIC WAS
KILLED.
>> WHEN?
>> A COUPLE HOURS BEFORE YOU GOT
THERE.
>> ALL RIGHT, DAD, IF ONE'S AN
INCIDENT, TWO'S A COINCIDENCE,
AND THREE'S A PATTERN, WHAT'S
FOUR?
>> FOUR'S ENOUGH FOR A WARRANT.
>> SCOTT, CALL YOUR MOM BACK,
SEE HOW QUICK SHE CAN GET HERE.
IF I CAN GET AN OFFICIAL I.D.,
I CAN GET A SEARCH WARRANT.
STILES, GO TO THE FRONT DESK.
TELL THEM TO LET SCOTT'S MOM IN
WHEN SHE GETS HERE.
>> ON IT.
HELLO?
>> DEREK...CAN YOU HEAR ME?
DEREK...CAN YOU HEAR ME?
[feedback swelling]
I NEED YOU TO ANSWER ME, DEREK.
DEREK!
WE DON'T HAVE MUCH TIME.
[piercing feedback, static]
>> [panting]
THAT SOUND...WHAT WAS IT?
>> YOU'RE GONNA BE WEAK FOR
SEVERAL HOURS.
>> IT ACTUALLY HAPPENED.
>> DON'T WORRY.
YOU'RE STILL AN ALPHA.
BUT, AS USUAL, NOT A
PARTICULARLY COMPETENT ONE.
>> WHERE IS HE?
>> I WISH I COULD TELL YOU.
>> HOW ABOUT YOU TELL ME WHAT
YOU'RE DOING HERE, AND WHY
YOU'RE HELPING ME.
>> HELPING YOUR FAMILY ACTUALLY
USED TO BE A PRETTY IMPORTANT
PART OF MY LIFE.
HELPING YOU WAS A PROMISE I MADE
TO YOUR MOTHER.
>> YOU'RE THE ONE MY SISTER
TALKED ABOUT.
SHE SAID YOU'RE A...KIND OF
ADVISOR?
>> SHE WAS RIGHT.
AND I HAVE SOME ADVICE THAT YOU
NEED TO LISTEN TO VERY CLOSELY
RIGHT NOW.
WHAT PETER MANAGED TO DO DOESN'T
COME WITHOUT A PRICE.
HE'LL BE PHYSICALLY WEAK, SO
HE'LL RELY ON THE STRENGTH OF
HIS INTELLIGENCE, HIS CUNNING.
HE'S GONNA COME AT YOU, DEREK.
HE'LL TRY TO TWIST HIS WAY
INSIDE YOUR HEAD, PREYING ON
YOUR INSECURITIES.
HE'LL TELL YOU THAT HE'S THE
ONLY WAY YOU CAN STOP GERARD.
DO NOT TRUST HIM.
>> I DON'T TRUST ANYONE.
>> I KNOW.
IF YOU DID, YOU MIGHT BE THE
ALPHA YOU LIKE TO THINK YOU
ARE.
AND UNFORTUNATELY, THE ONE
PERSON YOU SHOULD TRUST DOESN'T
TRUST YOU AT ALL.
>> SCOTT.
>> HE'S WITH STILINSKI RIGHT
NOW.
YOU NEED TO FIND HIM, YOU NEED
TO FIND HIM AS FAST AS YOU CAN.
I'VE KNOWN GERARD FOR A LONG
TIME.
HE ALWAYS HAS A PLAN.
SOMETHING TELLS ME...
IT'S GOING EXACTLY THE WAY HE
WANTS IT TO.
>> SHE'S ON HER WAY HERE.
SHERIFF?
>> MATT?
IT'S MATT, RIGHT?
MATT, WHATEVER'S GOING ON, I
GUARANTEE YOU THERE'S A SOLUTION
THAT DOESN'T INVOLVE A GUN.
>> YOU KNOW, IT'S FUNNY YOU SAY
THAT, BECAUSE I DON'T THINK
YOU'RE AWARE OF JUST HOW RIGHT
YOU ARE.
>> I KNOW YOU DON'T WANNA HURT
PEOPLE.
>> ACTUALLY, I WANNA HURT A LOT
OF PEOPLE.
YOU THREE WEREN'T ON MY LIST,
BUT I COULD BE PERSUADED.
AND ONE WAY IS TO TRY DIALING
SOMEBODY ON YOUR CELL PHONE,
LIKE MCCALL IS DOING.
THAT--THAT COULD DEFINITELY GET
SOMEONE HURT.
EVERYONE.
NOW!
>> COME ON.
>> TIGHTER.
>> DO WHAT HE SAYS, STILES.
>> WHAT, ARE YOU GONNA KILL
EVERYONE IN HERE?
>> NO, THAT'S WHAT JACKSON'S
FOR.
I JUST THINK ABOUT KILLING
THEM, AND HE DOES IT.
>> SWEETHEART.
>> I DON'T WANNA TALK.
>> I UNDERSTAND.
I'M NOT SURE IF THERE'S ANYTHING
I CAN SAY.
I WON'T PRETEND TO KNOW WHAT
YOU'RE GOING THROUGH.
>> THEN LEAVE.
>> OF COURSE.
I JUST WANTED TO GIVE YOU
SOMETHING FROM YOUR MOTHER.
PARTLY BECAUSE I COULDN'T HELP
NOTICING THAT THINGS HAVE BEEN
KIND OF DIFFICULT BETWEEN YOU
TWO.
BUT IT CAN WAIT.
>> WHAT?
WHAT IS IT?
>> NO, REALLY, SWEETHEART, IT
CAN WAIT.
YOU GET SOME REST.
>> WHAT IS IT?
>> AS YOU KNOW, YOUR MOTHER
WROTE A SUICIDE NOTE TO EXPLAIN
AWAY OUR DIFFICULT SITUATION TO
THE POLICE.
SHE WROTE THIS NOTE TO EXPLAIN
IT TO YOU.
IF I GIVE THIS TO YOU, YOU HAVE
TO DESTROY IT IMMEDIATELY.
YOU BURN IT.
YOU PROMISE?
>> YES.
>> I WANT YOU TO KNOW SHE ASKED
ME TO READ IT.
I TOLD HER I SHOULDN'T, THAT IT
WAS PRIVATE BETWEEN THE TWO OF
YOU.
BUT SHE WANTED MY THOUGHTS.
AS I SAID BEFORE, I DON'T KNOW
WHAT YOU'RE GOING THROUGH.
I WASN'T CLOSE TO MY OWN MOTHER.
BUT READING THIS MADE ME SORRY I
HADN'T TRIED TO BE.
BECAUSE IF THIS WERE MY MOTHER,
IF THESE WORDS WERE WRITTEN FOR
ME, I DON'T KNOW HOW I COULD SIT
STILL UNTIL SOMEONE PAID FOR HER
DEATH.
ANY PITY I'D HAVE FOR DEREK AND
HIS PACK WOULD BE BURNED ON BY A
WHITE-HOT DESIRE FOR
RETRIBUTION, OR A KIND OF BLOOD
AND DESTRUCTION THAT WOULD HAVE
DEREK AND HIS WOLVES HOWLING NOT
FOR MERCY, BUT FOR THEIR OWN
SWEET DEATHS.
>> DELETED.
AND WE'RE DONE.
ALL RIGHT, SO, MATT, SINCE ALL
THE PEOPLE YOU BRUTALLY MURDERED
DESERVED IT BECAUSE THEY KILLED
YOU FIRST--WHATEVER THAT MEANS--
I THINK WE'RE GOOD HERE, RIGHT?
SO I'LL JUST GET MY DAD, AND
WE'LL GO, YOU KNOW?
YOU CONTINUE ON THE WHOLE
VENGEANCE THING.
ENJOY THE KANIMA.
[vehicle approaches]
>> SOUNDS LIKE YOUR MOM'S HERE,
MCCALL.
>> MATT, DON'T DO THIS.
WHEN SHE COMES TO THE DOOR, I'LL
JUST TELL HER TO LEAVE.
I'LL TELL HER WE DIDN'T FIND
ANYTHING.
PLEASE, MATT.
[door opens]
>> IF YOU DON'T MOVE...
NOW, I'M GONNA KILL STILES
FIRST, AND THEN YOUR MOM.
OPEN IT.
>> PLEASE.
>> OPEN THE DOOR.
>> OH, THANK GOD.
[rock ballad]
♪ ♪
>> THIS IS THE ONE CONTROLLING
HIM?
THIS KID?
>> WELL, DEREK, NOT EVERYONE'S
LUCKY ENOUGH TO BE A BIG, BAD
WEREWOLF.
OH, YEAH, THAT'S--THAT'S RIGHT.
I'VE LEARNED A FEW THINGS
LATELY.
WEREWOLVES, HUNTERS, KANIMAS.
IT'S LIKE A FRICKIN' HALLOWEEN
PARTY EVERY FULL MOON.
EXCEPT FOR YOU, STILES.
WHAT DO YOU TURN INTO?
>> ABOMINABLE SNOWMAN.
BUT, UH, IT'S MORE OF, LIKE, A
WINTERTIME THING, YOU KNOW,
SEASONAL.
>> HEY!
>> YOU ***.
>> [grunts]
GET HIM OFF OF ME.
>> OH, I DON'T KNOW, DEREK.
I THINK YOU TWO MAKE A PRETTY
GOOD PAIR.
IT MUST KINDA SUCK, THOUGH, TO
HAVE ALL THAT POWER TAKEN AWAY
FROM YOU WITH JUST A LITTLE CUT
TO THE BACK OF THE NECK.
I BET YOU'RE NOT USED TO FEELING
THIS HELPLESS.
>> STILL GOT SOME TEETH.
WHY DON'T YOU GET DOWN HERE A
LITTLE CLOSER, HUH?
WE'LL SEE HOW HELPLESS I AM.
>> YEAH, ***.
[vehicle approaches]
>> IS THAT HER?
DO WHAT I TELL YOU TO AND I
WON'T HURT HER.
I WON'T EVEN LET JACKSON NEAR
HER.
>> SCOTT, DON'T TRUST HIM!
>> THIS WORK BETTER FOR YA?
>> [gags]
>> HEY, JUST STOP!
STOP!
>> THEN DO WHAT I TELL YOU TO.
>> OKAY.
ALL RIGHT.
STOP!
>> [coughs]
[gasps]
>> YOU, TAKE HIM IN THERE.
YOU...
WITH ME.
>> MOM?
>> [sighs]
YOU SCARED ME, WHERE IS EVERY--
>> MOM, JUST DO WHAT HE SAYS.
HE PROMISED HE WOULDN'T HURT
YOU.
>> HE'S RIGHT.
[gunshot]
>> AAH!
AAH!
>> SCOTT!
STILES!
WHAT HAPPENED?
>> BUT I DIDN'T SAY I WOULDN'T
HURT YOU.
>> WAIT, BABY--
>> BACK, BACK!
>> MOM, MOM, STOP, MOM!
[grunts]
>> I SAID GET BACK!
>> SCOTT.
>> MOM, DO IT.
PLEASE, MOM.
>> GET UP, MCCALL.
>> MATT? MATT, LISTEN--
>> SHUT--SHUT--SHUT UP!
EVERYBODY SHUT THE HELL UP!
NOW, GET UP, OR I SHOOT HER
NEXT!
>> PLEASE, HE NEEDS TO SEE A
DOCTOR.
>> YOU THINK SO?
>> HEY, HEY, YOU LISTEN TO ME!
>> IT'S ALL RIGHT. I'M OKAY.
>> NO, HONEY, YOU'RE NOT OKAY.
>> IT DOESN'T HURT, MOM.
>> 'CAUSE THAT'S THE ADRENALINE,
OKAY?
PLEASE, LET ME--LET ME JUST TAKE
A LOOK AT HIM, OKAY?
I MEAN, I CAN HELP STOP THE
BLEEDING.
>> THEY HAVE NO IDEA, DO THEY?
>> PLEASE.
LET ME JUST TAKE A QUICK LOOK.
I--
>> SHUT--SHUT--SHUT--SHUT UP!
IF YOU KEEP TALKING, I'M GONNA
PUT THE NEXT BULLET THROUGH HIS
HEAD.
>> OKAY.
>> BACK TO THE FRONT, MCCALL.
AFTER YOU.
>> THE EVIDENCE IS GONE.
WHY DON'T YOU JUST GO?
>> YOU--YOU THINK THE EVIDENCE
MATTERED THAT MUCH, HUH?
NO, NO, I-I WANT THE BOOK.
>> WHAT--WHAT BOOK?
>> THE BESTIARY.
NOT JUST A FEW PAGES, I WANT THE
ENTIRE THING.
>> I DON'T HAVE IT.
IT'S GERARD'S.
WHAT DO YOU WANT IT FOR, ANYWAY?
>> I NEED ANSWERS.
>> ANSWERS TO WHAT?
>> TO THIS.
>> HE WANTS THE BESTIARY.
>> THAT'S NOT FROM SCOTT.
HE WOULDN'T HAVE TEXTED ME.
AND HE DEFINITELY WOULDN'T HAVE
MENTIONED DEREK.
>> THE SHERIFF'S STATION?
>> IF DEREK'S REALLY THERE, I
DOUBT IT'S WILLINGLY.
>> YOU THINK JACKSON'S THERE,
TOO?
>> MAYBE.
MAYBE HIM AND THE ONE
CONTROLLING HIM.
>> HOW MANY DO THEY KEEP ON IN A
NIGHT SHIFT?
>> SINCE BUDGET CUTS, MAYBE FOUR
AT THE MOST.
MY GUESS WOULD BE THEY'RE EITHER
DEAD OR PARALYZED BY NOW.
>> THIS MIGHT JUST BE THE
CONFLUENCE OF EVENTS WE'VE BEEN
HOPING FOR.
>> CONFLUENCE OR CONFLAGRATION?
>> I'M OPEN TO BOTH.
>> WHAT DO WE DO NOW?
>> MAYBE YOU SHOULD TELL US.
THAT AUTHORITY FALLS TO YOU NOW.
>> NOT AT HER AGE.
>> SHE'S ALMOST 18.
SHE KNOWS THERE'S A DIFFERENCE
BETWEEN REVENGE AND RETRIBUTION.
DON'T YOU, ALLISON?
MAKE THE DECISION FROM A VANTAGE
POINT OF STRATEGY OVER EMOTION,
AND WE'LL FOLLOW YOUR LEAD.
>> I WANT TERRY DEAD.
>> WHAT ABOUT SCOTT?
>> SCOTT'S NOT THE ONE WHO
FORCED MY MOTHER TO KILL
HERSELF.
>> HE'S NOT EXACTLY AN INNOCENT
BYSTANDER EITHER.
YOU CAN'T PICK AND CHOOSE--
>> BUT I CAN PRIORITIZE.
AND THE PRIORITY RIGHT NOW IS
DEREK.
>> WHAT ABOUT THE OTHERS?
DEREK'S PACK?
>> IF THEY TRY AND PROTECT HIM,
THEN WE KILL THEM.
ALL OF THEM.
>> HEY.
YOU KNOW WHAT'S HAPPENING TO
MATT?
>> YOU KNOW, THE BOOK'S NOT
GONNA HELP HIM.
YOU CAN'T JUST BREAK THE RULES,
NOT LIKE THIS.
>> WHAT DO YOU MEAN?
>> UNIVERSE BALANCES THINGS OUT.
ALWAYS DOES.
>> IS IT BECAUSE HE'S USING
JACKSON TO KILL PEOPLE WHO
DON'T DESERVE IT?
>> KILLING PEOPLE HIMSELF.
>> SO IF MATT BREAKS THE RULES
OF THE KANIMA, HE BECOMES THE
KANIMA?
>> BALANCE.
>> WILL HE BELIEVE US IF WE TELL
HIM THAT?
>> NOT LIKELY.
>> OKAY, HE'S GONNA KILL ALL OF
US WHEN HE GETS THAT BOOK, ISN'T
HE?
>> YEP.
>> [sighs] ALL RIGHT, SO WHAT DO
WE DO?
DO WE JUST--DO WE JUST SIT HERE
AND WAIT TO DIE?
>> UNLESS WE CAN FIGURE OUT A
WAY TO PUSH THE TOXIN OUT OF MY
BODY FASTER.
LIKE TRIGGERING THE HEALING
PROCESS.
>> WHA--OH, WHAT ARE YOU DOING?
AW, GROSS.
>> THERE.
YOU KNOW, I-I FEEL SORRY FOR
YOU, MCCALL, 'CAUSE RIGHT NOW,
YOU'RE THINKIN', "HOW AM I GONNA
EXPLAIN THIS WHEN IT HEALS?"
AND THE SAD PART IS, YOU DON'T
EVEN REALIZE HOW INCREDIBLE IT
IS THAT YOU ACTUALLY ARE
HEALING.
'CAUSE YOU KNOW WHAT HAPPENS TO
EVERYONE ELSE WHEN THEY GET
SHOT?
THEY DIE.
>> IS THAT WHAT HAPPENED TO YOU?
YOU DROWNED, DIDN'T YOU?
>> YOU SHOULDN'T HAVE LET THEM
DRINK.
>> WHAT--WHO--MATT, WHAT DO YOU
MEAN?
>> LAHEY!
HE SHOULDN'T HAVE LET THEM
DRINK.
>> WHAT, WHO WAS DRINKING?
>> THE SWIM TEAM, YOU IDIOT!
I DIDN'T KNOW WHAT WAS
HAPPENING.
I DIDN'T KNOW THEY HAD JUST WON
STATE, AND LAHEY, HE'S LETTING
HIS FAVORITES COME OVER TO HAVE
A COUPLE DRINKS TO CELEBRATE.
WHO CARES IF THEY'RE 17, RIGHT?
>> WERE YOU AT ISAAC'S?
>> HE HAD THIS FIRST EDITION
SPIDER-MAN, OR WAS IT BATMAN?
AND WE WERE GONNA MAKE A TRADE.
BUT THEN I'M OVER THERE AND I
HEAR MUSIC.
AND EVERYONE'S HAVING A GOOD
TIME, AND I SEE SEAN.
HE THROWS JESSICA IN THE POOL.
AND THEN--AND THEN BENNETT GOES
IN AND--
>> BENNETT?
WHAT--THE HUNTER?
>> AND THEN CAMDEN.
ISAAC'S JARHEAD BROTHER, HE
GRABS ME.
HE THINKS IT'S FUNNY.
>> THEY THREW YOU IN.
>> I-I YELLED THAT I CAN'T
SWIM, BUT NOBODY LISTENS.
I GO UNDER AND I SWALLOW WATER,
AND NO ONE CARES.
AND I SEE THESE BODIES
UNDERWATER.
I-I SEE JESSICA'S GOT HER HANDS
DOWN SEAN'S BOARD SHORTS.
TUCKER'S GRABBING KARA.
AND I'M DROWNING.
I'M DYING, AND THEY'RE LAUGHING.
ALL OF A SUDDEN, I WAS JUST--
I'M LYING BY THE POOL.
AND LAHEY IS RIGHT THERE,
RIGHT ABOVE ME, AND HE SAYS...
>> YOU TELL NO ONE!
>> HE SAYS, "YOU TELL NO ONE!"
>> THIS, THIS IS YOUR FAULT!
>> "THIS, THIS IS YOUR FAULT!"
>> YOU DON'T KNOW HOW TO SWIM?
>> "WHAT LITTLE *** DOESN'T
KNOW HOW TO SWIM?"
>> YOU SAY NOTHING!
YOU TELL NO ONE!
NO ONE!
>> AND I DIDN'T.
I DIDN'T TELL ANYONE.
AND I WOULD SEE THEM AT SCHOOL,
AND THEY WOULDN'T EVEN LOOK AT
ME.
I'D WAKE UP IN THE MIDDLE OF THE
NIGHT.
I'D GASP FOR BREATH.
AND MY PARENTS, THEY THOUGHT
I WAS AN ASTHMATIC.
THEY--THEY--THEY--THEY EVEN GAVE
ME AN INHALER.
THEY DIDN'T KNOW THAT EVERY TIME
I CLOSED MY EYES, I--
I WAS DROWNING.
YOU KNOW ABOUT THAT LITTLE
WHITE LIGHT THAT THEY TALK
ABOUT, YOU SEE WHEN YOU DIE?
WELL, I DIDN'T SEE ANYTHING.
JUST DARKNESS.
EVERYTHING WAS DARK.
BUT THEN--THEN CAME THE ARGENT'S
FUNERAL, AND EVERYTHING CHANGED.
[overlapping chatter]
>> PLEASE!
[camera shutter clicks]
>> I WAS TAKING SOME PHOTOS.
AND THEN, PURELY BY ACCIDENT,
LAHEY GETS IN ONE OF THE
PHOTOS.
I LOOK DOWN AT THE SCREEN ON MY
CAMERA, AND I JUST HAD THIS
UNBELIEVABLE RAGE THAT FILLS UP
INSIDE OF ME, AND I JUST--
I LOOK AT HIM, AND I-I WANNA
SEE HIM DEAD.
AND THE NEXT DAY, HE ACTUALLY
WAS.
YOU KNOW, EINSTEIN WAS RIGHT.
IMAGINATION IS MORE IMPORTANT
THAN KNOWLEDGE.
IT WAS LIKE SOMETHING OUT OF
GREEK MYTHOLOGY.
LIKE--LIKE THE FURIES COMING
DOWN TO PUNISH ORESTES.
YOU HAVE NO IDEA WHAT I'M
TALKING ABOUT, DO YOU?
>> WAS--WAS HE THE GUY WHO
STABBED OUT HIS EYES?
>> GOD, THAT'S OEDIPUS, YOU
***!
THE FURIES ARE DEITIES OF
VENGEANCE.
THEIR TEARS RAN OF BLOOD, AND
THEY HAD SNAKES FOR HAIR.
IF THERE WAS A CRIME THAT HAD
GONE UNPUNISHED, THE FURIES
WOULD DO THE PUNISHING.
JACKSON IS MY FURY.
YOU KNOW, WHEN I SAW HIM THE
NEXT NIGHT, IT WAS LIKE THIS
BOND HAD BEEN CEMENTED BETWEEN
THE TWO OF US.
I KNEW HE HAD KILLED LAHEY FOR
ME, AND I KNEW HE WOULD DO IT
AGAIN.
SO I WENT TO TUCKER'S GARAGE.
I EVEN PAID FOR AN OIL CHANGE.
AND GUESS WHAT.
HE DIDN'T EVEN RECOGNIZE ME.
SO WHEN HE WASN'T LOOKING, I
TOOK A SHOT OF HIM FROM MY
CAMERA.
AND IN A FEW HOURS, HE WAS DEAD.
>> [venomous hiss]
>> HELP, I'M--
>> SO I TOOK MORE PICTURES.
ALL I HAD TO DO WAS TAKE
THEIR PICTURE...
[slicing]
>> AAH!
>> [growling]
>> AND JACKSON WOULD TAKE THEIR
LIFE.
>> SO IS THAT HYPOTHETICAL
SITUATION WE TALKED ABOUT
GETTING ANY LESS HYPOTHETICAL?
>> I THINK SO.
I CAN MOVE MY TOES.
>> [sighs]
DUDE, I CAN MOVE MY TOES.
>> WHAT'S THIS?
[alarm sounding]
WHAT'S THAT?
WHAT'S GOING ON?
>> I DON'T KNOW.
[rapid gunfire]
[rapid gunfire]
[alarm sounding]
>> SHAKESPEARE WROTE THAT LOVE
IS A SMOKE MADE WITH THE FUME OF
SIGHS.
LET'S GIVE THEM SOME LOVE.
[coughing]
[dramatic music]
♪ ♪
[wood breaking and falling]
>> TAKE HIM!
GO!
>> [gasps]
>> OOH!
>> OH!
OH!
AAH!
UGH!
[panting]
[ominous music]
♪ ♪
[distant scream]
>> [screams]
>> [gasps]
[roars]
>> [shrieks]
>> DON'T MOVE.
YOU KNOW WHAT I MEAN.
>> OH, SH--
ALLISON.
>> WHERE'S DEREK?
>> WHAT ARE YOU DOING?
>> IF YOU'RE NOT GOING TO TELL
ME, THEN GET OUT OF MY WAY.
>> ALLISON.
>> WHERE IS HE?
>> WHAT HAPPENED?
>> SCOTT...
SCOTT, YOU NEED TO STAY AWAY
FROM ME RIGHT NOW.
YOU NEED TO GO.
JUST STAY OUT OF MY WAY.
[suspenseful music]
♪ ♪
>> [roaring]
[screaming]
[discordant music]
♪ ♪
[growling]
>> [heavy breathing]
[dramatic music]
♪ ♪
>> [growling]
[suspenseful music]
♪ ♪
[dramatic music]
♪ ♪
>> UHH!
>> [hissing]
>> [gasps]
UHH!
>> [screams]
[hissing]
>> [gasps]
[footsteps approaching]
>> [sighs]
YOU SHOULD'VE GIVEN ME A CHANCE.
'CAUSE REMEMBER HOW I SAID I'M
NOT THE KIND OF GUY WHO WOULD
SAY SOMETHING LIKE, "WELL, IF I
CAN'T EVER, NO ONE CAN."
IT'S NOT TOTALLY TRUE BECAUSE,
ALLISON, IF I CAN'T HAVE YOU,
NO ONE CAN!
>> [gasps]
[metal clangs]
>> [gasps]
>> AH, GOD--
>> COME ON, COME ON, COME ON.
>> AAH!
>> COME ON, COME ON, COME ON!
>> AAH!
[grunts]
>> [sighs]
>> [screams]
>> [coughs]
>> MATT?
MATT, PLEASE, LISTEN TO ME.
MY SON HAS BEEN SHOT, AND I'VE
HEARD OTHER GUNFIRE, AND I
DON'T KNOW WHAT'S HAPPENING, BUT
CAN YOU PLEASE JUST LET ME SEE
MY SON?
>> HOW TOTALLY CLUELESS ARE YOU
PEOPLE?
>> [heavy breathing]
[growls]
[growls]
>> [roars]
>> [growls]
[growls]
>> [hisses]
>> [growls]
>> [hisses]
>> UHH!
>> [gasps]
>> [growls]
>> [roars]
>> OH, GOD, SCOTT?
SCOTT, YOU OKAY?
SCOTT?
[gasps]
[somber music]
♪ ♪
NO!
[cries]
>> WHAT ARE YOU DOING HERE?
IT WASN'T SUPPOSED TO HAPPEN
LIKE THIS.
>> TRUST ME, I'M AWARE OF THAT.
>> I'VE DONE EVERYTHING THAT
YOU'VE ASKED OF ME.
I'M PART OF DEREK'S PACK, I'VE
GIVEN YOU ALL THE INFORMATION
THAT YOU WANTED, I TOLD YOU MATT
WAS CONTROLLING JACKSON--
>> AND LEAVE HIM TO US.
HELP YOUR FRIENDS.
LEAVE MATT AND JACKSON TO ME.
DEAL WITH YOUR MOTHER.
GO!
>> YOU DROPPED THIS.
>> GO!
[dramatic music
with hymnal chanting]
♪ ♪
>> [grunting]
[gasps]
[gasps]
[dramatic music]
♪ ♪
>> NO LONGER AFRAID OF THE
WATER?
WELL, YOU DON'T HAVE TO BE
AFRAID OF ANYTHING, MY FRIEND.
ESPECIALLY ME.
♪ ♪