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[ Radio: Western ] ♪ BE HONEST WITH ME, DEAR ♪
♪♪ WHATEVER YOU DO ♪
♪ REMEMBER YOU'RE MINE, DEAR ♪♪
♪ SO ALWAYS BE TRUE ♪
♪ WH
♪ ON LAND OR ON SEA ♪♪
WHERE'S THE ANIMAL ACT ?
[ Woman ] THE SINGING MILKMAN.
OH ! STUDIO "D."
[ Imitating Cowboy Accent ] C'MON, PARTNER. I'M A-HONIN' TO GET THIS OVER WITH...
[ Chuckles ]
AND IF WE DON'T GET BACK, JUMP ON YOUR PINTO,
RIDE OVER THE RIDGE AND HEAD 'EM OFF AT THE GULCH.
[ Imitates Gunfire ]
NOW A SPECIAL MUSICAL MESSAGE FROM GENE AUTRY.
♪ THE TALL MAN WITH THE HIGH HAT AND THE WHISKERS ON HIS CHIN ♪
♪ WILL SOON BE KNOCKIN' AT YOUR DOOR ♪
♪ AND YOU OUGHTA BE IN ♪
♪ THE TALL MAN WITH THE HIGH HAT WILL BE COMIN' DOWN YOUR WAY ♪
♪ GET YOUR SAVINGS OUT WHEN YOU HEAR HIM SHOUT ♪
♪ ANY BONDS TODAY ♪
♪ ANY BONDS TODAY ♪
♪♪ BONDS OF FREEDOM THAT'S WHAT I'M SELLIN' ♪
DID YOU EVER SEE ANYTHING LIKE IT IN YOUR LIFE ?
YEAH. ONCE AT A RIOT AT THE YANKEE STADIUM.
QUIET !
KEEP HECKLING HER. I WANNA GET A PI
PARDON ME. IS THIS THE HAPPINESS SHOW ?
NO, IT ISN'T. AND IF-- IF YOU DON'T SHUT UP, I'LL CALL AN USHER.
OKAY. I GOT IT.
GET IT ? "AUTRY FAN BAWLS OUT HECKLER."
♪ CAN'T MAKE TOMORROW'S PLAN ♪
♪ NOT UNLESS YOU BUY A SHARE OF FREEDOM ♪
♪ TODAY ♪
♪ ANY BONDS TODAY ♪
♪ BONDS OF FREEDOM THAT'S WHAT I'M SELLIN' ♪
♪ ANY BONDS TODAY ♪
♪ SCRAPE UP THE MOST YOU CAN ♪
♪ HERE COMES THE FREEDOM MAN ♪
♪ ASKIN' YOU TO BUY A SHARE OF FREEDOM TODAY ♪
♪ ANY STAMPS TODAY ♪
♪ WE'LL BE BLESSED IF WE ALL INVEST ♪
♪ IN THE U.S.A. ♪
♪ HERE COMES THE FREEDOM MAN ♪
♪ CAN'T MAKE TOMORROW'S PLAN ♪
♪ NOT UNLESS YOU BUY A SHARE OF FREEDOM ♪
♪ TODAY ♪♪
LADIES AND GENTLEMEN, TOO OFTEN SUPERLATIVES HAVE BEEN USED...
IN CONNECTION WITH THE SALE OF A PRODUCT.
OUR SPONSOR WISHES YOU TO HEAR A FEW OF THE TESTIMONIALS...
AS SUPPLIED BY A FEW OF THE MANY USERS OF OUR PRODUCT.
[ Switch Clicks ]
WHAT'S THE MATTER WITH THE ANNOUNCER'S VOICE ?
YEAH !
GET YOUR FEET OFF THERE.
I DIDN'T TOUCH THAT THING.
[ Singer Clicks On ]
[ Announcer ] THANK YOU, MR. BRICE.
WELL, THAT'S JUST ABOUT ALL FOR TODAY, FOLKS.
BUT BE WITH US AGAIN NEXT SUNDAY WHEN...
♪ I'M BACK IN THE SADDLE AGAIN ♪
♪ OUT WHERE A FRIEND IS A FRIEND ♪
♪ WHERE THE LONGHORN CATTLE FEED ♪
♪ ON THE LOWLY JIMSONWEED ♪
♪ I'M BACK IN THE SADDLE AGAIN ♪♪
THANK YOU, GENE, AND THANKS, FRIENDS, FOR LISTENING.
NOW THIS IS TOM HANLON SAYING, "SO LONG"...
FOR GENE AUTRY AND HIS WESTERN RHYTHM.
MR. AUTRY ?
YOU REMEMBER ME ?
WHY, HOW COULD I FORGET ?
WHY, OF COURSE NOT.
I ALWAYS FIGURE A KNOCK IS A BOOST.
NO KIDDING ?
WELL, SAY, WE OUGHT TO BE ABLE TO WORK OUT A SWELL LAYOUT.
SURE. SURE. DROP AROUND IN ABOUT 15 MINUTES AND WE'LL WORK SOMETHING OUT.
WELL, THAT'S SWELL.
HOW'D YOU MAKE OUT ?
I THINK I'M BEING RIBBED.
HELLO, GENE.
GOOD TO SEE YOU, POP. YOU'RE QUITE A WAYS FROM HOME, AREN'T YOU ?
WELL, SOME THINGS CAME UP. I HAD TO SEE YOU.
PRETTY SERIOUS, GENE.
I'M AFRAID WE'RE GONNA HAVE TO SAY GOOD-BYE TO OUR RODEO TROUPE.
AW, NOT THAT GANG. WHY, THAT'S THE MOST LOYAL BUNCH EVER GOTTEN TOGETHER.
THEY'RE BREAKIN' UP, GENE.
CAN'T UNDERSTAND IT.
WHEN HE'S TENDIN' TO BUSINESS, YES, BUT RIGHT NOW HE ISN'T.
WHAT HE DOESN'T DRINK UP HE GAMBLES AWAY.
SOMETIMES I'M ASHAMED HE'S MY SON.
YOU CAN'T EXPECT THE BOYS TO HANG ON.
THEY GOT FAMILIES TO TAKE CARE OF.
DOESN'T TEX REALIZE WHAT HE'S DOIN' ?
I TRIED TO MAKE HIM SEE IT. IT JUST DOESN'T WORK.
POP, WE AIN'T GONNA LET YOU DOWN. I GOT A LITTLE MONEY SAVED UP MYSELF,
AND YOU'RE WELCOME TO ALL OF IT OR ANY PART OF IT.
GOOD MONEY AFTER BAD, FROG ? NO. THAT WON'T DO THE TRICK.
IT'LL TAKE STRONGER HANDS THAN MINE...
TO HOLD THE REINS ON THAT TROUPE.
WELL, GENE AND ME'S GOIN' ON A PERSONAL APPEARANCE TOUR NOW,
BUT AFTER THAT WE'LL BE GLAD TO COME OUT AND TALK TO THE TROUPE.
IF YOU'D LIKE TO GET IN TOUCH WITH US, WE'RE GONNA--
WHAT'S THE NAME OF THAT TOWN ?
GOLD RIDGE, WYOMING.
HEY, WE'RE GOIN' ON A PERSONAL APPEARANCE TOUR, GENE ! WE GOT COMMITMENTS !
..
AND THAT GANG SCRAPED UP ENOUGH MONEY TO PUT ME INTO SHOW BUSINESS.
I'M A VERY SELFISH MAN, POP.
I ALWAYS PICK THE THINGS I LIKE MOST.
WE'RE GOIN' TO WYOMING.
WYOMING ! [ Sobs ]
NO PERSONAL APPEARANCE TOUR. IF YOU ASK ME, THIS IS CRAZY.
BUSINESS.
[ Knock At Door ]
COME IN.
HEY ! WHAT ABOUT MY PICTURES ?
DID YOU TAKE THAT OF HIM LAST YEAR AT THE RODEO ?
YEAH. THAT WAS A SWELL SHOT !
WELL, THERE'S SOME BETTER ONES.
PUBLICITY STILLS.
WON'T THE BOSS BE SURPRISED ?
HE WANTED INFORMAL PICTURES, REMEMBER ?
GENE AUTRY WITH HORSE.
GENE AUTRY WITH GUITAR.
GENE AUTRY WITH HAT.
YOU DIDN'T HAVE ANY TROUBLE GETTING THESE, DID YOU ?
THEY'RE SHARP AND CLEAR. THEY OUGHT TO REPRODUCE FINE.
SURE, I CAN SEE THEM NOW, SPREAD RIGHT ACROSS THE MIDDLE...
OF THE DOUBLE PAGE FOR THE OLD LADIES' HOME.
QUIET ! I'LL GET TO YOU.
I'VE GOT AN IMBECILE NEPHEW AT HOME CHAINED TO THE BED. I COULD HAVE SENT HIM FOR THESE.
NOW, WAIT, BOSS. DON'T GET EXCITED.
DON'T CALL ME CLEMENTINE !
ALL RIGHT. KEEP
LET'S BE PRACTICAL. THE GUY'S A "FAKEROO," A PHONY.
WELL, HE MAY BE A PHONY TO A LOT OF SO-CALLED SOPHISTICATES.
BUT HE ISN'T A PHONY TO ABOUT A MILLION KIDS...
WHO COPY HIS WALK AND HIS TALK AND TRY AND PATTERN THEIR LIFE AFTER HIM.
HE ISN'T A PHONY TO A COUPLE OF MILLION GROWNUPS WHO SEE IN HIM...
THE LIVING EXAMPLE OF THE MODERN PIONEER AMERICAN SPIRIT.
HEAR, HEAR !
NOW, YOU LISTEN TO ME. GENE AUTRY DESERVES THE BEST WE'VE GOT.
TO WYOMING ?
AND WHAT'S MORE, YOU'RE GOING WITH HER.
IF YOU DON'T COME BACK WITH THE BEST GOLDARN STORY, YOU'RE THROUGH, BOTH OF YOU.
GET GOING.
THINGS WERE A LOT DIFFERENT THE LAST TIME YOU AND I TRAVELED OVER THIS ROAD TOGETHER.
THEY'LL BE THAT WAY AGAIN, TOO, POP. JUST WAIT AND SEE.
TEX AND THE BOYS HAVE GOT WHAT IT TAKES TO GO RIGHT TO THE TOP.
MADISON SQUARE GARDEN AND BIG-TIME.
YOU REALLY BELIEVE THAT, GENE ?
WHY, SURE.
WHY, YOU'LL BE TRAVELING THE ROAD TO SUCCESS IN NO TIME.
YOU'RE JUST ON A LITTLE DETOUR NOW.
♪♪
♪ TWEEDLE-O-TWILL ♪
♪ PUFFIN' ON CORN SILK ♪
♪♪ TWEEDLE-O-TWILL ♪
♪ WHITTLIN' WOOD ♪
♪ SITTIN' THERE WISHIN' ♪
♪ HE COULD GO FISHIN' ♪♪
♪ OVER THE HILL ♪
♪
♪ TWEEDLE-O-TWILL ♪
♪ DON'T HE LOOK DROWSY ♪
♪ TWEEDLE-O-TWILL ♪
♪ NODDIN' HIS HEAD ♪
♪ BET HE FEELS LAZY ♪
♪ PLUCKIN' THAT DAISY ♪
♪ A-GETTIN' A THRILL ♪
♪ OH, TWEEDLE-O-TWILL ♪
♪ TWEEDLE-O-TWILL ♪
♪ BOBBIN' AND WEAVIN' ♪♪
♪ TWEEDLE-O-TWILL ♪
♪ WADIN' IN CORN ♪
♪ TAKIN' IT EASY ♪
♪ OUT WHERE IT'S BREEZY ♪
♪ BETTER BE STILL ♪
♪ TWEEDLE-O-TWILL ♪
♪ TWEEDLE-O-TWILL ♪
♪ SWATTIN' A HORSEFLY ♪
♪ TWEEDLE-O-TWILL ♪
♪ IT'S A-TICKLIN' HIS NOSE ♪
♪ BET THERE'S A DOZEN ♪
[ Imitating Buzzing ]
♪ BETTER SIT STILL ♪
♪ TWEEDLE-O-TWILL ♪♪♪
[ Insect Buzzing ]
THERE'S A BEE AFTER ME !
WELL, DON'T KILL IT ! BEES ARE MAN'S BEST FRIEND.
DON'T DO THAT. THEY BRING HONEY AND STUFF.
DON'T !
LET ME SHOW YOU. SHOO HIM OUT, REAL NICE. SEE ?
SEE ? YOU DON'T HAVE TO KILL HIM.
OHHH, TADPOLE ! THERE'S ANOTHER BEE !
GET HIM ! GET HIM ! GET HIM !
GET HIM ! GET HIM !
TAKE IT EASY, TEX. YOU AIN'T IN NO SHAPE FOR A WORKOUT.
WELL, YOU'VE HAD A FEW DRINKS.
ALL RIGHT.
[ Laughs ] YOUR CLUTCH IS SLIPPIN'.
YOU BETTER GET THE BANANA PEEL OFF YOUR SADDLE !
YEAH, I SUPPOSE THEY DO IT BETTER WHERE YOU COME FROM.
[ Laughs ] WHY, THE COPS IN CENTRAL PARK DO IT BETTER BLINDFOLDED.
YEAH ?
WELL, YOU'RE NOT HELPING THE SCENERY OUT ANY.
BEAT IT, BEFORE I TIE A HALF HITCH IN YOUR NECK.
[ Car Horn Honks ]
WHY DON'T YOU CUT IT OUT, TEX ?
WHY DON'T YOU GET SMART ?
LET ME ALONE. I'LL KNOCK HIS BLOCK OFF.
WHY DON'T YOU PUT A SADDLE ON HIM ?
I'LL BE SEEIN' YOU AGAIN, MR. WISE GUY.
TAKE IT EASY. THERE COMES BARTLETT NOW.
I TOLD YOU ABOUT THIS STUFF, TEX.
IF YOU MAKE TROUBLE FOR ANY MORE OF MY GUESTS, OUT YOU GO, THE WHOLE BUNCH OF YOU.
ESTS ANNERS.
I'LL TAKE THAT CONTRACT AND TEAR IT RIGHT UP NOW, IF THAT'S WHAT YOU WANT.
THERE BETTER NOT BE.
PRETTY GOOD WITH HIS DUKES, YOUR FRIEND.
HE OUGHTA BE. HE WAS GOLDEN GLOVES CHAMPION.
CHICAGO.
SURE. HE WAS A SETUP. SAY, WHO'S THAT GUY ?
I DON'T WORK THAT FAST.
I'M NOT VERY GOOD AT NAMES, BUT I CAN REMEMBER FACES, AND ESPECIALLY THAT ONE.
DON'T YOU GET ENOUGH EXERCISE OUT THERE BULLDOGGING STEERS ?
YEAH ?
SURE. HE AND THAT GIRL BUSTED RIGHT INTO THE MIDDLE OF THE CORRAL WHILE I WAS WORKIN' OUT.
ARE YOU GETTIN' SO TEMPERAMENTAL YOU CAN'T EVEN STAND A SMALL AUDIENCE ?
WELL, WHAT WOULD YOU DO IF SOME GUY SAT AROUND MAKIN' SARCASTIC CRACKS...
WHILE YOU WERE RISKING YOUR NECK ?
I'D REMEMBER THAT A LOT OF PEOPLE WERE DEPENDING ON ME.
THAT THEY'D LOSE THEIR JOBS IF I FLEW OFF THE HANDLE.
YOU BEEN TALKIN' TO POP, HAVEN'T YA ?
WHEN ARE YOU TWO GONNA STOP TREATING ME LIKE I WAS A KID ?
WHEN YOU START ACTING LIKE YOU'RE OLD ENOUGH TO BE LEFT ALONE.
I GUESS YOU'RE RIGHT, GENE. I KINDA LOST MY HEAD.
IT WON'T HAPPEN AGAIN.
ALL RIGHT, KID. NOW, LISTEN.
I HAD A TALK WITH THE GANG, AND THEY'RE WILLING TO STRING ALONG IF YOU BEHAVE YOURSELF.
ALL RIGHT.
WE'LL THROW A LITTLE BARBECUE TONIGHT AND YOU CAN TELL THEM YOURSELF.
YOU KNOW THAT MAGAZINE GUY REALLY KNOWS HOW TO DELIVER.
AND RIGHT ON YOUR OWN FRONT PORCH, TOO.
TRY TO THROW ME OFF, WILL YA ? I'LL RIDE YOU, YOU ORNERY MAVERICK.
NOT QUITE SO HARD THERE, TADPOLE. TAKE IT EASY.
I COULD DO IT BETTER IF YOU'D PAY ME THE MONEY YOU OWE ME.
AW, WHAT'S MONEY GOT TO DO WITH THIS ?
QUIT THINKIN' ABOUT IT, THEN.
THIS IS A CORRESPONDENCE SCHOOL COURSE, LESSON NUMBER FOUR.
I'M LEARNIN' TO RIDE A BUCKIN' BRONCO.
WELL, I JUST PICKED MYSELF OUT A BAD ONE. I'M GOIN' OVER AND GIVIN' HIM A WORKOUT.
MM-HMM.
THAT AIN'T NO HORSE. THAT'S A DIVE BOMBER.
I'D LIKE TO SEE YOU RIDE THAT.
HERE, TADPOLE, TAKE THESE HOBBLES OFF. I WANNA GO SEE HIM.
NO SOAP, SIMON LEGREE. GIMME MY DOUGH.
- NOW LOOK, TADPOLE. LET'S TALK THIS OVER. - I'M A MAN OF ACTION.
NOW, WATCH OUT THERE ! WHAT DO YOU THINK I AM, A YO-YO ?
YOU KNOW WHAT HAPPENS WHEN YOU DO THIS ! NOW, DON'T DO IT ! OHH !
YOU'LL LIVE TO REGRET THIS !
TWO BITS, YOUR PART FOR THE LAUNDRY.
SIXTEEN CENTS FOR CHOPPIN' THE WOOD.
OH, I'LL TEAR YOU LIMB FROM LIMB !
THAT LEAVES YOU EIGHT CENTS. NOW, DON'T SPEND IT ALL IN ONE PLACE.
OH, I BEEN ROBBED ! I BEEN ROBBED !
NOW YOU'RE REALLY GONNA SEE SOMETHING.
LET'S HAVE HIM.
HA-HA. "COWBOY DOES POWER DIVE."
GENE GAVE THAT HORSE A GOOD RIDE.
E GROUND.
CTURE ?
THAT PAYS US BACK FOR THE TRICK YOU PLAYED ON ME IN NEW YORK.
WELL, I WAS IN A HURRY, BUT I WANTED TO GIVE YOU SOMETHIN'.
YOUR BRIGHT IDEA GOT ME ASSIGNED TO THIS BLISTERED WASTE.
WHY, THIS IS NOT SO BAD. PRETTY INTERESTING COUNTRY, IF YOU LOOK IT OVER.
WELL, RIGHT OVER THERE'S A GHOST TOWN.
AND YOU'RE STANDING RIGHT ON TOP OF ONE OF THE BIGGEST ABANDONED GOLD MINES IN THE COUNTRY.
ALL KINDS OF TUNNELS AND SECRET PASSAGES, RIGHT UNDER THIS RANCH.
WE GOT A PRETTY BIG TUNNEL BACK HOME. WE CALL IT THE EIGHTH AVENUE SUBWAY.
SAY, TEX IS THROWIN' A BARBECUE TONIGHT. WHY DON'T YOU DROP AROUND ?
NO, THANKS.
THE LAST TIME I ATE OUTDOORS THE ANTS GOT IN THE PEANUT BUTTER SANDWICHES,
AND I WAS SICK FOR A WEEK.
SO LONG. SEE YOU AROUND SOMETIME.
CAN'T TRUST ANY OF 'EM.
IT'S A GOOD THING YOU FELLAS KNOW HORSES.
YOU SURE DON'T KNOW NOTHIN' ABOUT WOMEN.
♪♪ [ Western Band ]
CRICKETS, CACTUS AND COYOTES.
THAT AIN'T ENOUGH, NOW WE GOTTA LISTEN TO THAT COW TOWN SYMPHONY.
YOU'LL PROBABLY THINK I'M GOING SOFT ON YOU, BUT I KINDA LIKE IT.
ARE YOU SICK ? LET ME SEE YOUR TONGUE. LET ME FEEL YOUR PULSE.
OH, WILL YOU STOP, YOU CHARACTER ? YOU'RE NOT FOOLING ANYBODY.
YEAH, A HEART OF STONE.
[ Chuckles ] YOU KNOW, IF YOU PLAY YOUR CARDS RIGHT,
AND YOU ASK ME NICELY, YOU CAN TAKE ME TO THE BARBECUE.
WHAT, TO THE CLAMBAKE ? NO, THANKS.
BESIDES, I'M SITTIN' ON A HUNCH.
SO DO I.
[ Car Starts, Pulls Away ]
HAVE YOU SEEN TEX AROUND ANYWHERE, GENE ?
AW, DON'T WORRY ABOUT HIM. HE'LL SHOW UP.
HELLO.
I WAS HOPIN' YOU'D DROP BY. I DIDN'T KNOW WHETHER YOU WOULD, AFTER WHAT YOU SAID.
A LADY CAN CHANGE HER MIND, CAN'T SHE ?
I'M GLAD YOU DID. SAY, I'D LIKE YOU TO MEET SOME OF THE FOLKS.
WHY NOT ?
BOURBON AND SODA, NO ICE.
YOU IN ? IN FOR TWO ?
WELL, IT LOOKS LIKE YOU HIT IT THIS TIME, SUNRISE.
YEAH, HOPE AND ENDEAVOR ARE THE MOTHER AND FATHER OF FORTUNE.
I'VE BEEN FAITHFUL TO BOTH.
HOW ABOUT LETTIN' AN OLD FRIEND IN ? MIGHT WORK OUT SOMETHING TOGETHER.
EIGHT LONG YEARS I PERSISTED IN MY BELIEF.
I'VE BEEN CALLED A CRACKPOT...
AND RIDICULED AS A VISIONARY BY SOME BEST CIT
WELL, I CAN'T BLAME YOU.
DON'T MINE IF I DO.
SAY, IS THAT A PRIVATE GAME, OR CAN ANYBODY GET IN IT ?
NO. EVERYBODY'S WELCOME. EVERYBODY.
ALMOST AS WELCOME AS THE MONEY YOU LEAVE BEHIND ! [ Laughs ]
AREN'T YOU GONNA SIT IN ?
WHY, NO. I-- I ALWAYS FIND IT BETTER TO REMAIN A SPECTATOR IN THESE GAMES.
LADY FORTUNE'S NOT INCLINED TOO CORDIALLY TOWARD ME.
WHAT'S DIFFERENT ?
NOW, NOW, BOYS. LET'S BE FRIENDLY.
I JUST DROPPED IN TO SEE IF I COULD RENEW AN OLD ACQUAINTANCE.
SOME CHI I WEAKEN
♪♪
LADIES AND GENTLEMEN, YOU'VE ALL COME HERE TO GET FED,
BUT YOU AIN'T GETTIN' A BITE TILL YOU HEAR ME SING MY SONG.
I'M TAKIN' NO CHANCES. TADPOLE, BRING IN THE "JASS-ACK-A-PHONE."
♪ THE WHEELS OF PROGRESS ARE ROLLIN' FAST ♪
♪ GETTIN' MORE MODERN ALL THE TIME ♪
[ Machine Blows Train Whistle ]
♪ THE PEOPLE ALL SAY GIVE US MODERN DESIGN ♪
♪ FORGET OLD FRIENDS WELL, INDEED THEY DO ♪
♪ THE OLD "JASS-ACK" IS IN THE WAY ♪
♪ TIME IS HERE WE NEED HIM TOO ♪
♪ HE SAVES ON GAS HE JUST BURNS HAY ♪
OU KNOW ♪
[ Roars, Trumpets ]
[ Whistles, Brays ]
♪ WE THAT YOU NEED THEN GIVE ORTH ♪
[ Roars, Trumpets ]
[ Whistles, Brays ]
♪ WELL, YOUR GREAT GRANDPA WOULD SAY SHAME ON YOU ♪
♪ YOU THINK YOU'RE SO MODERN YET WHAT DO YOU DO ♪
♪ YOU'RE IN TEARS WORKED FOR YEARS FOR THAT MODERN DESIGN ♪
[ Roars, Trumpets ]
[ Whistles ]
[ Machine Brays ]
WELL, ANYBODY THAT CAN STAND MY SINGIN' CAN EAT MY COOKIN'.
COME AND GET IT !
YES, SIR, WE'LL GET NICE RARE ONES OUT HERE.
♪ HAVE A STEAK HAVE A STEAK HAVE A NICE JUICY STEAK ♪♪
PUT SOME SAUCE ON THERE, TADPOLE.
THERE YOU ARE. THERE'S ONE UP. NOW LET'S HAVE ANOTHER ONE HERE.
THERE'S ANOTHER ONE, TADPOLE.
[ Screams ]
TADPOLE, YOU CLUNK HEAD ! LOOK WHAT YOU'RE DOIN', HUH ?
OH, SWELL.
NO ANTS.
HOW ABOUT GETTIN' YOU A PLATTER OF THAT FOOD ? IT REALLY ISN'T AS BAD AS FROG SAYS.
ALL RIGHT.
YEAH. HE'S IN A POKER GAME OVER AT THE ACE HIGH SALOON.
I SEE. DON'T SAY ANYTHING ABOUT IT TO ANYONE.
O.
ALITY ?
OH, I'M LEAVIN' YOU IN GOOD HANDS. POP'LL TAKE CARE OF YOU.
BETTER SAVE YOUR MONEY. I GOT 'EM.
FULL HOUSE.
[ Laughs ] ARE YOU A SUCKER FOR A RIB !
BETTER CASH IN, TEX.
WHAT'S THE IDEA ? YOU'RE SUPPOSED TO BE AT THE BARBECUE.
WELL, I THOUGHT I'D WIN ENOUGH IN THE GAME TO PAY THE BOYS SOME OF THEIR BACK SALARY.
YOU DON'T HAVE TO GET MONEY THAT WAY.
WELL, I DON'T WANT ANY MORE. NOT FROM YOU.
I WANT SOMETHIN' FROM YOU. A BARBECUED STEAK.
YOU TAPPED OUT ?
GOLD ? HOW DO I KNOW IT ?
IF SUNRISE SAYS THERE'S $300 IN GOLD IN THAT SACK, THAT'S WHAT'S IN THERE.
MATTER OF FACT, THERE'S $35 OVER 300.
I'LL CALL YA.
KING HIGH STRAIGHT.
FOUR SIXES.
I'D LIKE TO PLAY ANOTHER GAME SOME OF THESE NIGHTS, FOR HIGHER STAKES.
OKAY. ANYTIME YOU FEEL LUCKY.
GOOD NIGHT.
HIS NAME'S SUNRISE.
CAME HERE MANY YEARS AGO WITH ONLY A PICK AND A PACK MULE TO WORK AN OLD GOLD MINE.
OKAY.
CHARLEY, YOU KNOW, I SEEM TO HAVE BEEN SITTING RIGHT HERE BEFORE.
NO.
IT WAS IN CHICAGO, A LITTLE JOINT,
UPSTAIRS ON WABASH AVENUE.
GUY BY THE NAME OF SCALESE.
SCALESE ? NEVER HEARD OF HIM.
I RAN A STORY ON HIM.
SEEMS HE GYPPED A COUPLE OF PALS OUT OF $150,000.
FROM WHAT I UNDERSTAND,
THOSE PALS WOULD GIVE ANOTHER $150,000 TO GET THEIR HANDS ON HIM.
THAT'S A LOT OF DOUGH.
YEAH. I BEEN THINKIN' ABOUT IT.
GOOD NIGHT.
LET'S GET OUTTA HERE. THAT GUY KNOWS TOO MUCH.
YOU TOLD US NOBODY COULD FIND US OUT HERE.
NOW THIS GUY SPOTS US, AND WE AIN'T BEEN HERE TWO WEEKS !
FORGET IT ?
MAYBE YOU FORGET THERE'S A MOB IN CHICAGO WAITIN' TO RUB US OUT.
IF THIS NEWSPAPER GUY BREAKS A STORY ON US, BLOOEY !
WHEN PEOPLE KNOW TOO MUCH, PRETTY SOON THEY DON'T KNOW ANYTHING.
[ Whistles ] SCALESE DIDN'T WASTE ANY TIME.
WELL, WHAT ARE WE WAITING FOR ?
HELLO, SUNRISE.
MR. HACKETT, MY DEAR SIR, IT'S A PLEASURE TO SEE YOU HERE.
CLEM, I WANT YOU TO MEET SUNRISE.
A GOOD MAN, AND A GOOD LOSER.
PSHAW. HOPE I HAVE THE PLEASURE OF SEEIN' YOU LATER.
NOW, THERE'S A CHARACTER.
THERE'S OUR STORY.
LADIES AND GENTLEMEN, YOU ARE ALL HERE...
TO BE ENTERTAINED BY THRILLS AND SURPRISES.
THE RODEO WILL FURNISH THE THRILLS, WHILE I PERSONALLY...
WILL FURNISH THE SURPRISE BY INTRODUCING GENE AUTRY.
♪♪
♪ WOULD BE BETTER FOR US HAD WE NEVER ♪
♪ IN THIS WIDE WICKED WORLD EVER MET ♪
♪ FOR THE PLEASURES WE'VE BOTH SEEN TOGETHER ♪
♪ I AM SURE, LOVE I'LL NEVER FORGET ♪
♪ OH, I'M THINKIN' TONIGHT OF MY BLUE EYES ♪
♪ WHO IS WAITING FAR OVER THE SEA ♪
♪ OH, I'M THINKIN' TONIGHT OF HER ONLY ♪
♪ AND I WONDER IF SHE EVER THINKS OF ME ♪
ME ONE TIME
♪ AND YOU PROMISED THAT WE'D NEVER PART ♪
♪ BUT A LINK IN THE CHAIN THAT'S BEEN BROKEN ♪
♪ LEAVES ME NOW WITH A SAD AND ACHIN' HEART ♪
♪ OH, I'M THINKIN' TONIGHT OF MY BLUE EYES ♪
SEA ♪
♪♪ OH, I'M THINKIN' TONIGHT OF MY BLUE EYES ♪
♪ AND I WONDER IF SHE EVER THINKS OF ME ♪♪
NOW PRESENTING THE SPECIALTY OF THE SHOW,
A DEMONSTRATION OF A LONE WESTERNER...
WHO OUTWITTED AND OUTTHOUGHT A BAND OF OUTLAWS IN THE EARLY DAYS.
LADIES AND GENTLEMEN, TEX HARRISON.
[ Gunfire ]
THIS MAN'S BEEN MURDERED.
LET'S GET A COUPLE OF THINGS STRAIGHT.
A MAN WAS MURDERED WHILE THE SHOW WAS GOING ON.
MURDERED BY A KILLER SMART ENOUGH TO PICK A TIME WHEN THERE WAS PLENTY OF SHOOTING.
FOR ALL WE KNOW, THE KILLER MIGHT BE RIGHT IN THIS ROOM.
[ All Murmuring ]
THIS YOURS, TEX ?
- YEAH, SURE. - DID YOU EVER HAVE ANY TROUBLE WITH HACKETT ?
WELL, YEAH, I KINDA GOT HOT UNDER THE COLLAR, AND--
FROM WHAT I HEARD, WASN'T EVEN A GOOD FIGHT. JUST A FRIENDLY ARGUMENT.
YOU SAY YOU WERE ALL USING BLANKS DURING THE SHOW.
YES, OF COURSE. WE ALWAYS DO.
W DO YOU EXPLAIN LEAD BULLET ?
WELL, I DON'T KNOW. OH, NOW LOOK, SHERIFF. YOU DON'T THINK THAT I--
YOU STICK TO YOUR BUSINESS, AND I'LL TAKE CARE OF MINE.
YOU GOT TEX FIGURED ALL WRONG.
NOW, WAIT A MINUTE. WAIT A MINUTE !
I'M IN CHARGE OF THIS CASE, AND YOU'LL ALL KEEP OUT OF IT IF YOU KNOW WHAT'S GOOD FOR YA.
[ Men Murmuring ]
WHAT'S THE MATTER WITH THAT SHERIFF ? TEX DIDN'T DO THAT.
I KNOW HE DIDN'T.
THEN WHO DID ?
I'M TURNING OVER HACKETT'S PERSONAL BELONGINGS TO YOU, MISS BENSON.
YES.
NOW, I WANT EVERYBODY TO STAY ON THE RANCH UNTIL AFTER THE HEARING'S OVER.
OH, YES, SHERIFF.
THAT'S OFFICIAL.
AND JUST TO MAKE SURE, I'M GOING TO APPOINT A DEPUTY.
I KNOW EVERY INCH OF THIS COUNTRY, SHERIFF. I'D BE GLAD TO OBLIGE.
THAT'LL BE ALL RIGHT.
OH, MISS BENSON.
I KNOW THIS HIT YOU PRETTY HARD, BUT IF THERE'S ANYTHING I CAN DO PRESENTLY,
I HOPE YOU WON'T HESITATE TO LET ME KNOW.
THANK YOU, SUNRISE.
YOU DON'T REALLY THINK TEX HAD ANYTHING TO DO WITH THIS, DO YOU, SHERIFF ?
WELL, IT LOOKS THAT WAY.
I THINK THERE'S A LOT MORE BEHIND THIS THAN ANYONE KNOWS.
I'D WATCH MY STEP IF I WERE YOU, AUTRY.
I WILL.
[ Knock At Door ]
COME IN.
COULD I TALK TO YOU, MISS BENSON ?
WHY, YES.
THIS ISN'T EASY FOR ME TO SAY, BUT TEX IS A FRIEND OF MINE, JUST LIKE HACKETT WAS YOURS.
ARE YOU TRYING TO TELL ME THAT TEX DIDN'T DO IT ?
ALL I KNOW IS HACKETT'S DEAD.
HE AND TEX FOUGHT THE FIRST TIME THEY EVER LAID EYES ON EACH OTHER.
HE DIDN'T HAVE ANY OTHER ENEMIES.
BUT TEX ISN'T THE KIND OF A FELLA TO HOLD A GRUDGE.
I KNOW MY SON, MA'AM.
HE'S PRETTY WILD AND KIND OF HARD TO HANDLE,
BUT HE AIN'T A KILLER.
IT ISN'T ANYTHING YOU CAN PROVE, MA'AM.
NG THAT U...
ABOUT YOUR OWN FLESH AND BLOOD.
WAS THERE ANYTHING IN HACKETT'S PRIVATE LIFE...
THAT'D THROW SOME LIGHT ON THIS ?
A MINUTE.
I SEEM TO REMEMBER HACKETT TELLING ME SOMETHING ABOUT CROWLEY,
SOMETHING ABOUT A FRONT-PAGE STORY.
[ Car Engine Starts ]
YOU'D BETTER HURRY.
LOOK.
WHAT'S THE MATTER ? BRIDGE OUT ?
YOU SEEM TO HAVE FORGOT THERE WAS A *** BACK AT THE RANCH.
WE'RE NOT SO SURE.
UNTIL WE GET THE REAL MURDERER, NO ONE LEAVES.
OH, I'VE GOT A LOT OF IMPORTANT BUSINESS TO TAKE CARE OF.
YOU'LL HAVE LESS TROUBLE IF YOU FOLLOW ORDERS.
WHERE I COME FROM, I DON'T TAKE ORDERS.
YOU'RE TAKING 'EM THIS TIME. TURN THI AND HEAD
OKAY.
[ Horse Whinnies ]
[ Galloping Sound ]
ALL RIGHT, YOU'D BETTER COME ALONG, BOYS, BEFORE YOU GET INTO ANY MORE TROUBLE.
WE WERE OUT FOR A LITTLE RIDE...
WHEN THIS FELLA CHARGED IN ON US AND STARTED SHOOTIN'.
THERE'S ALWAYS AN ELEMENT THAT WANTS TO TAKE THE LAW INTO THEIR OWN HANDS.
AUTRY DIDN'T HAVE ANY AUTHORITY TO INTERFERE IN YOUR BUSINESS.
'COURSE, IF YOU WANT US TO STICK AROUND FOR A WHILE, SHERIFF--
I'D APPRECIATE IT. UNTIL AFTER THE INQUEST.
SURE THI SHERIFF.
YOU'RE NOT GONNA LET THOSE FELLAS RUN AROUND LOOSE, ARE YA ?
[ Sheriff ] LOOK HERE.
UNTIL I GET SOMETHING MORE CONCRETE, I'M SATISFIED THAT TEX HARRISON MURDERED HACKETT.
SHERIFF, YOU'RE ACTIN' LIKE A FOOL.
FOR THE LAST TIME, AUTRY, YOU STICK TO YOUR GUITAR...
AND I'LL TAKE CARE OF MY DUTIES.
MISS BENSON, THEM PICTURES IS DEFLAMMATORY TO GENE AUTRY'S REPUTATION.
AND I DON'T SEE NO REASON WHY YOU SHOULD PLAY FAST AND LOOSE...
WITH A MAN'S WAY OF MAKIN' A LIVIN'.
AND DON'T YOU SHILLY-SHALLY WITH ME, MISS BENSON.
I WANT THEM PICTURES !
AH, THAT PALAVER WOULDN'T SCARE A FEMALE.
WHAT ARE WE GONNA DO, THEN ? WE GOTTA GET THEM PICTURES !
PSST ! JIGGERS.
WHAT ARE YOU TWO SCALAWAGS UP TO ?
OH, WE AIN'T UP TO NOTHIN'.
OH, I HAD SOMETHIN' FOR YA, AND I DON'T REMEMBER WHAT I DONE WITH IT.
OH, YEAH. SOMEBODY BRUNG IT FOR YOU.
IT WAS HERE WHEN WE CAME IN.
LOOKS KIND OF MYSTERIOUS.
WHAT DOES IT SAY ?
WHY, A VERY CHARMING YOUNG LADY...
WANTS ME TO MEET HER TONIGHT OUT BY THE OLD OAK TREE.
- A MISS BENSON ? - SHE AIN'T CHARMING.
WELL, THAT DEPENDS ON THE WAY YOU LOOK AT IT.
WHY, SURE.
WHEN A YOUNG LADY WANTS ME TO MEET HER, WHY, I MEET HER.
BESIDES, SHE SAYS IT'S IMPORTANT.
WELL, YOU BETTER BE CAREFUL NOW, 'CAUSE THERE'S KILLERS ABOUT.
WELL, I THINK I CAN TRUST MISS BENSON, FROG.
I AIN'T TOO SURE ABOUT THAT.
[ Galloping Sound ]
CHANCE TO WHAT ?
SHE'LL BE OUT WITH GENE, AND THERE WON'T BE NO ONE IN HER ROOM.
I CAN *** THOSE PICTURES.
*** THOSE--
WHY, TADPOLE, STEAL ?
IN THAT BLACK CASE.
I BETTER THINK THIS OVER.
YEAH.
YOU THINK IT OVER.
[ Doorknob Rattles ]
THAT'S THE KIND OF STUFF SHE WAS SHOOTIN' OF HIM LAST YEAR.
WELL, SHE AIN'T GONNA GET AWAY WITH IT THIS TIME.
GENE'LL THANK US FOR THIS.
GONNA TELL HIM OTHIN' ABOUT IT.
SHE CAN HAVE THESE BACK.
NOW, LOOK.
YOU GOT TO TAKE THIS BACK TO MISS BENSON, SEE ?
YOU GOT TO TAKE IT BACK.
I'LL GET CAUGHT. THERE WAS SOMEBODY ELSE IN HER ROOM.
OH, YOU JUST IMAGINED ALL THAT STUFF.
LOOK, IF YOU DIDN'T TAKE THAT BACK, DO YOU KNOW WHAT'D HAPPEN ?
YOU'D GET THROWED IN THE PENITENTIARY FOR 20 YEARS, OR MAYBE LIFE.
YEAH ?
WELL, MAYBE YOU CAN TAKE IT BACK IN THE MORNING. WE'D BETTER GO TO BED.
YES ?
YOU WEREN'T EXPECTING ANYONE ELSE, WERE YOU ?
I WASN'T EVEN SURE YOU'D BE HERE.
IT'S QUIET, ISN'T IT ?
WHY, THERE'S A LOT OF VOICES,
IF YOU ONLY UNDERSTAND THEIR LANGUAGE.
ALL THIS IS REAL TO YOU, ISN'T IT ?
MM-HMM.
YES, SIR, THE OLD EARTH AND I HAVE BEEN FRIENDS FOR A LONG TIME.
I KNOW EVERY LINE IN HER FACE, AND EVERY SOUND IN HER VOICE.
I'VE SEEN HER DRESSED FOR SPRING,
I'VE SEEN HER ALL WRAPPED UP FOR WINTER.
YOU KNOW, THE EARTH ISN'T EASY TO KNOW.
BUT ONCE YOU GET ACQUAINTED, YOU'RE FRIENDS FOREVER.
THE WAY YOU PUT IT, IT-- IT ALMOST SOUNDS LIKE POETRY.
MAYBE IT IS AND MAYBE IT ISN'T. I DON'T KNOW.
BUT THERE'S ONE THING I'M ALWAYS SURE OF.
WHEREVER I GO OR WHATEVER I DO, I ALWAYS HAVE TO COME BACK TO IT.
YOU REALLY BELIEVE IN ALL THIS, DON'T YOU ?
I CAN'T ALWAYS SAY IT THAT WAY.
IT JUST HAPPENS THAT'S THE WORDS TO A SONG.
WHAT'S THE REST OF IT ?
♪ WHEN IT'S TWILIGHT ♪
♪ IN OLD WYOMIN' ♪
♪ AND SHADOWS MEET THE BLUE ♪
♪ I'M WAITING IN OLD WYOMIN' ♪
♪ THINKIN' JUST OF YOU ♪
♪ I'M HERE WITH MY DREAMS AT GLOAMIN' ♪
♪ HOPIN' SOMEDAY THEY'LL COME TRUE ♪
♪ WHEN IT'S TWILIGHT IN OLD WYOMIN' ♪
♪ I'LL LIVE IN MY MEMORIES OF YOU ♪♪
I MAY BE GETTING SOFT, BUT I THOUGHT THAT WAS BEAUTIFUL.
THE SONG DOESN'T DO JUSTICE TO THE COUNTRY.
SAY, HOW'D YOU EVER FIND THIS PLACE, ANYWAY ?
I JUST FOLLOWED THE INSTRUCTIONS IN YOUR NOTE.
MM-HMM.
LET'S SEE IT.
WHAT ARE YOU TALKING ABOUT ?
IT'S GETTIN' LATE. WE'D BETTER BE GETTIN' BACK.
COME ON.
HMM ?
- YOU-- YOU HEAR SOMETHING ? - NO.
IT'S YOUR GUILTY CONSCIENCE BOTHERIN' YOU. GO BACK TO SLEEP.
WHAT'S THE MATTER ? AHH! OH!
[ Owl Hoots ]
LISTEN.
YEAH. I'LL CALL AND SEE IF THEY ANSWER.
HELLO ? HELLO ?
[ Echo ] HELLO ? HELLO ?
YEAH.
I'LL SEE WHERE THEY ARE.
WHERE ARE YOU ?
DON'T TELL 'EM, FROG.
E RIGHT OVER THERE. LET'S GO
HUH ? WHAT'D YOU HIT ME FOR ?
YOU DIDN'T ?
SOMEBODY DID.
TAKE THIS CLUB, SEE ? TURN AROUND.
NOW LOOK. WAIT RIGHT AROUND THAT CORNER, SEE ?
I'M GOIN' AROUND HERE AND SNEAK UP ON HIM,
AND IF HE COMES AROUND THERE, LET HIM HAVE IT.
I GOT HIM, FROG !
[ Groaning, Crying ]
HOW COULD YOU DO THIS TO ME, TADPOLE ?
HOW WAS I SUPPOSED TO KNOW ?
YOU DON'T KNOW NOTHIN'.
AAH !
OOH, THAT WAS A CLOSE CALL.
HERE COMES ANOTHER ONE ! HELP !
[ Crowley ] ALL RIGHT, AUTRY.
DON'T MOVE AROUND SO MUCH. I'M A NERVOUS MAN.
RACKET ?
YOU MISJUDGE ME, AUTRY.
I'LL BE SEEIN' YOU, AUTRY.
I'LL BE SEEIN' YOU, CROWLEY.
CROWLEY DESTROYED THOSE PICTURES BECAUSE HE DIDN'T WANT TO BE RECOGNIZED,
BUT HE WAS KIND ENOUGH TO LEAVE HIS FINGERPRINTS ON THESE.
RUSH THESE OFF TO THE CITY RIGHT AWAY, POP.
WHY NOT TURN 'EM OVER TO THE SHERIFF ?
WELL, THE SHERIFF AND I ARE NOT GETTIN' ALONG SO WELL THESE DAYS.
CROWLEY DON'T KNOW IT, BUT HE'S PRACTICALLY COMMITTED SUICIDE.
WELL, I GOTTA GET THIS OVER TO MISS BENSON.
SHE WAS HEADED FOR HER ROOM, AND SHE TURNED THIS GOLD OVER TO ME FOR SAFEKEEPING.
[ Knock At Door ]
COME IN.
LOOKIN' FOR THIS ?
OH, YES !
OH, I'VE LOOKED EVERYWHERE FOR IT !
IS IT THAT IMPORTANT ?
WHAT ARE YOU TALKIN' ABOUT ?
MR. AUTRY, THOSE PICTURES MEAN MY JOB.
THEY WERE THERE, AND THEY'RE GONE.
WILL YOU PLEASE HOLD YOUR HORSES A MINUTE ?
OH, WHAT A PRIZE CHUMP I WAS !
FALLING FOR THAT ROUTINE ABOUT THE WIND AND THE RAIN IN MY HAIR.
WHILE WE WERE OUT THERE, YOUR FRIENDS CAME AND STOLE MY PICTURES.
NOW WILL YOU LISTEN TO ME ?
WELL, IF YOU THINK THAT THOSE PICTURES WERE BAD,
JUST WATCH ME GO TO WORK NOW !
NOW, GET OUT.
HELLO.
HI, FROG, TADPOLE.
SAY, I UNDERSTAND YOU AND THAT FEMALE WILDCAT...
DIDN'T GET ALONG SO GOOD LAST NIGHT.
OH, SHE WAS JUST A LITTLE UPSET.
I THOUGHT YOU SAID YOU COULD HANDLE WOMEN.
YEAH, ESPECIALLY THAT ONE.
I'M GONNA SHOW YOU FELLAS I'M NEVER WRONG.
GOOD MORNING, MISS BENSON.
HE'S A LADY-KILLER, ALL RIGHT.
WHY, SHE'S PRACTICALLY THROWIN' HERSELF AT HIM THIS MINUTE.
ONLY HER HORSE DON'T KNOW IT.
ALL RIGHT, YOU FELLAS. I HAVEN'T STARTED YET.
GENE WAS ONE OF THE FINEST GUYS THAT EVER LIVED.
WELL, SHE AIN'T MURDERED HIM YET.
WELL, IF I K SHE WILL.
[ Galloping Sound ]
IT WAS.
WELL, IT'S NICE RUNNIN' INTO YOU THIS MORNIN', MISS CLEMENTINE.
I'M GOIN' THE SAME WAY YOU ARE.
YOU MIND IF I RIDE ALONG ?
YOU KNOW, I USED TO HAVE A LITTLE PINTO O I HAD A LOT OF T
HAD HER OWN IDEAS ABOUT WHICH WAY SHE WANTED TO GO.
FINALLY CURED HER, THOUGH.
WHEN I WANTED HER TO GO NORTH, I JUST HEADED HER SOUTH.
WHATEVER HAPPENED TO HER ?
WHY, CLEMENTINE TURNED OUT TO BE THE BEST PONY ON THE RANCH.
MM-HMM.
YOU KNOW, I'VE ALWAYS HAD A WEAKNESS FOR THAT NAME.
♪ OH, MY DARLIN' OH, MY DARLIN' ♪
♪ OH, MY DARLIN' CLEMENTINE ♪
♪ YOU ARE LOST AND GONE FOREVER ♪
RY
♪ LITHE SHE WAS AND LIKE A FAIRY ♪
♪ AND HER SHOES WERE NUMBER NINE ♪♪
♪ HERRING BOXES WITHOUT TOPSES ♪
♪ SANDALS WERE FOR CLEMENTINE ♪
♪ DROVE THE DUCKLIN'S TO THE WATER ♪
♪ EVERY MORNIN' JUST AT NINE ♪♪
♪♪ HIT HER FOOT AGAINST A SPLINTER ♪
♪ FELL INTO THE FOAMIN' BRINE ♪
♪ RUBY LIPS ABOVE THE WATER ♪
♪ BLOWIN' BUBBLES SOFT AND FINE ♪
♪♪ AS FOR ME I WAS NO SWIMMER ♪
♪ SO I LOST MY CLEMENTINE ♪♪
♪ OH, MY DARLIN' OH, MY DARLIN' ♪
♪ OH, MY DARLIN' CLEMENTINE ♪
♪ DO I SOUND LIKE B-B-BING CROSBY ♪
♪ CAN HE SUE ME CLEMENTINE ♪♪
HAVE YOU SEEN GENE ?
WENT OUT RIDIN' WITH MISS BENSON. ANYTHING WRONG ?
TAKE A LOOK AT THIS.
[ Whistles ]
GENE WAS RIGHT. WHAT ARE YOU GONNA DO ?
NOTIFY THE SHERIFF AS SOON AS GENE GETS BACK.
BYE, SAM.
GET AWAY FROM THAT GUN.
I WANT THAT TELEGRAM.
I-- I DON'T KNOW WHAT YOU'RE TALKING ABOUT.
[ Gunshot ]
GIVE ME A HAND.
WHO SHOT YOU ?
[ Man ] HI-YAH !
[ Trying To Speak ]
WHAT IS IT ?
[ Tries Again ]
I CAN'T UNDERSTAND YOU, POP.
OVER...
THERE.
HERE COMES AUTRY !
nshot ] ET A MOVE ON !
JUMP !
ALL RIGHT, CROWLEY, THIS IS THE END OF THE ROAD.
NOW YOU CAN EXPLAIN TO THE SHERIFF ABOUT HACKETT AND POP.
WE DIDN'T HAVE ANYTHING TO DO WITH THOSE KILLINGS.
THERE'S A MOB IN CHICAGO AFTER US, AND WE DIDN'T WANT ANYBODY TO KNOW WHO WE WERE.
SOMEBODY ELSE SHOT POP WHEN WE WERE TRYIN' TO GET THAT TELEGRAM FROM HIM.
HOW'D YOU KNOW ABOUT THIS TELEGRAM ?
SUNRISE ?
IF YOU HADN'T COME WITH ME, SUNRISE, I'D BE LOST NOW.
AFRAID YOU WOULD, MY DEAR.
YOU'VE NO IDEA HOW MANY PITFALLS THERE ARE TO CONFRONT YA.
WHAT DO YOU SUPPOSE POP KNEW THAT MADE HIM WANT ME TO COME DOWN HERE ?
A DESERTED MINE.
WELL, THERE'S NO TELLIN' WHAT MIGHT CROP UP.
YOU KNOW, A GOLD MINE IS ANOTHER WORLD, MISS BENSON.
A WORLD OF DREAMS AND RICHES,
TORTURE AND DESPAIR.
ITS POWER OVER THE MINDS OF MEN IS SOMETIMES VERY STRANGE.
WATCH YOUR STEP HERE.
.
OH, SUNRISE, YOU DROPPED--
OH, I REGRET YOU'VE OBSERVED THIS, MY DEAR.
YOU-- YOU TOOK THAT FROM POP.
IT WAS YOU.
I HAD TO.
BUT FOR A MEASLY SACK OF GOLD ?
OH, NO. I KILLED HIM BECAUSE HE'S THE ONLY ONE WHO KNEW WHERE THE GOLD CAME FROM.
I HAD TO TELL HIM WHEN I OFFERED HIM PART OF THE MINE IN RETURN FOR MY SAMPLES,
BUT HE REFUSED.
AFRAID HE'D TALK, TELL EVERYONE MY SECRET.
I SAW ALL THE YEARS OF WORK TAKEN FROM ME. I HAD TO.
A LOT OF PEOPLE KNOW I CAME DOWN HERE WITH YOU.
INDEED THEY DO.
THEY KNOW, TOO, OF A LOT OF TRAGIC ACCIDENTS...
THAT HAVE TAKEN PLACE IN THIS MINE.
THE DOOR IS NOT LOCKED. GO IN, MY DEAR.
GO AHEAD.
SUNRISE, I WON'T TELL ! I WON'T TELL !
DON'T YOU SEE, MY DEAR, I GOT TO KILL YA ?
YOU KNOW EVERYTHING ABOUT ME.
NOTHIN' MATTERS BUT MY GOLD.
I'VE GRAPPLED AND FOUGHT THE UNSEEN ENEMIES.
DESPAIR, HEARTACHES,
AND THE PRECIOUS VEIN OF METAL PINCHED OUT.
ONE MINUTE, WEALTH, AND THE NEXT, NOTHIN'.
BUT NOW I'VE WON !
THIS MEASLY BAG OF GOLD IS TRIUMPH !
MY FORTUNE'S HERE !
BUT NO ONE MUST EVER KNOW. NO ONE EVER WILL.
AAH !
THE PIT'S VERY DEEP.
IT MARKS THE LAST FUTILE ATTEMPT TO REDISCOVER GOLD...
NO !
CLEM ? CLEM ?
[ Gunshots ]
YOU'RE ALL THROUGH, SUNRISE. YOU'D BETTER COME OUT PEACEFULLY.
AAH !
LISTEN TO THIS, EVERYBODY.
"GENE AUTRY, BAR-O RANCH," SO FORTH AND SO FORTH.
[ Clears Throat ]
"CONVINCED YOU'RE RIGHT. AM BOOKIN' HARRISON'S SHOW SOLID FOR COMIN' SEASON. STOP.
PRICE AND STARTIN' DATE OKAY. SIGNED, WALTER TREVOR."
[ Everyone Cheers ]
THIS MEANS A NEW START, SON, THANKS TO GENE.
VE ME.
I'LL NEVER GET OUTTA LINE AGAIN. I'VE LEARNED MY LESSON.
WELL, WHAT WE WAITIN' AROUND FOR ? LET'S GET GOIN' !
START PACKIN', 'CAUSE THE SOONER WE PACK, THE SOONER WE GET OUTTA HERE.
WHAT ARE WE WAITIN' FOR, TADPOLE ?
LET'S GET PACKED UP. COME ON !
♪ TWEEDLE-O-TWILL RIDIN' TOGETHER TWEEDLE-O-TWILL ♪
GENE WON'T WANNA WAIT AROUND HERE ANOTHER MINUTE NOW.
BOY, WE CAN REALLY TAKE CARE OF THEM COMMITMENTS.
YOU'D BETTER UNPACK EVERYTHING, FROG.
HAVE YOU GONE LOCO ?
CHERCHEZ LA FEMME.
♪ TWEEDLE-O-TWILL ♪
[ Bawling ]
♪ MOONBEAMS ARE PEEPIN' ♪
♪ TWEEDLE-O-TWILL ♪
N' IS NIGH ♪
♪ EVERYTHING'S COZY ♪
♪ FUTURE LOOKS ROSY ♪
♪ OVER THE HILL ♪
♪♪ TWEEDLE-O-TWILL ♪
♪ TWEEDLE-O-TWILL ♪
♪ EVERYTHING'S DANDY ♪
♪ EVERYTHING'S FINE ♪♪
♪ BIRDS OF A FEATHER ♪
♪ FLOCKIN' TOGETHER ♪
♪ OVER THE HILL ♪
♪ TWEEDLE-O-TWILL ♪♪
♪ TWEEDLE-O-TWILL ♪
♪ EVERYONE'S FRIENDLY ♪
♪ TWEEDLE-O-TWILL ♪
♪ HOME ON THE RANGE ♪♪
♪ THINK IT'S A PITY ♪
♪ TO RETURN TO THE CITY ♪
♪♪ BETTER BE STILL ♪
♪ TWEEDLE-O-TWILL ♪♪