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ANYPLACE. THE SUSPECT CAN LEAVE THE BODY ANYPLACE,
AND THEY DUMP IT ON THE ONLY STATE LAND
WHY IS THAT A BAD THING?
(Cho) IT'S A COINCIDENCE.
HI. WHAT DO WE GOT?
THE, UH, VICTIM'S NAME IS EMMA PLASKETT, 19, LOCAL GIRL.
FIRST RESPONDER KNEW HER FROM HIGH SCHOOL.
LIVES AT HOME WITH HER PARENTS,
HAS AN OLDER BROTHER AND A TWIN SISTER, MAYA,
THEIR CAR WAS FOUND ABANDONED LAST NIGHT ON THE ROADSIDE,
WHO'S COORDINATING THE LOCAL SEARCH?
ED HARDY. GOOD TO MEET YOU.
WELL, WE CALLED IN ALL OUR PEOPLE,
AND WE GOT VOLUNTEERS RENDEZVOUSING AT THE STATION.
ALL OUR RESOURCES ARE DIRECTED TO FINDING THE TWIN SISTER.
LISBON.
LOOK.
YEAH.
THAT'S WHAT I SAID.
WHAT ARE YOU ALL TALKING ABOUT? WHO'S "HIM"?
RED JOHN. HE'S A SERIAL KILLER. THIS IS HIS STYLE OF CUTTING.
YEAH, I SEE THEM.
PAINTED IN HER OWN BLOOD, JUST LIKE MY WIFE.
IT'S STRANGE, I'LL GIVE YOU THAT,
BUT YOU'RE JUMPING TO CONCLUSIONS. OKAY?
(airplane engine whirring)
♪♪
Captioned by Closed Captioning Services, Inc.
MAN, THIS NICOTINE GUM IS LIKE CHEWING ON A TIRE.
WHAT DO WE KNOW ABOUT THE FAMILY?
OLD MONEY. MR. PLASKETT'S AN ARCHITECT, MOM'S A SCULPTOR.
THERE'S BEEN PLASKETTS IN THIS COUNTY
SINCE BEFORE THERE WAS A COUNTY,
WHICH MEANS SOMETHING TO PEOPLE AROUND HERE.
BEEN HERE TEN YEARS. I'M STILL THE NEW GUY.
(woman) HAVE YOU FOUND MAYA? IS SHE ALL RIGHT?
WHERE IS SHE?
WE DON'T KNOW AS OF YET, BUT EVERY EFFORT IS BEING--
(man) THEY DON'T KNOW WHERE SHE IS.
WE HAVE TO LET THEM DO THEIR JOB.
UH, CAN WE TAKE A LOOK AT YOUR GIRLS' BEDROOMS?
YES, OF COURSE.
COME ON, MRS. PLASKETT.
HERE IT IS.
WE, UH...
WE TRIED HAVING THEM SLEEP IN SEPARATE BEDROOMS,
BUT IT NEVER TOOK.
THEY PREFERRED BEING TOGETHER.
IN YOUR PROFESSIONAL JUDGMENT,
YES.
WE KEEP AN OPEN MIND. WE'RE ASSUMING THAT SHE'S ALIVE.
THERE'S ALWAYS HOPE.
NOT MUCH.
I SEE.
WELL, THANK YOU FOR YOUR CANDOR.
MR. PLASKETT?
PERHAPS YOUR WIFE NEEDS YOU TO BE WITH HER RIGHT NOW.
YES, OF COURSE.
WHY SO CRUEL?
STATISTICALLY, IT'S DAD THAT DID IT.
WELL, SINCE WHEN DO YOU CARE ABOUT STATISTICS?
I JUST WANTED TO RAISE HIS PULSE A LITTLE.
HOLD ON. THIS IS A RED JOHN CASE.
THE CUTTING STYLE, THE PAINTED TOENAILS, THE SKYWRITING--
YOU PUT IT ALL TOGETHER, IT'S HARD TO DISMISS.
YEAH, IT'S RED JOHN, ALL RIGHT, BUT SOMEONE ELSE IS INVOLVED.
ELSE, WHY WOULD HE CHANGE HIS M.O. SO RADICALLY?
SKYWRITING?
HE WANTED TO MAKE SURE THAT THE CBI,
THAT YOU, WOULD BE PUT ON THIS CASE.
HE'S OBVIOUSLY TRYING TO LURE YOU INTO SOME KINDA TRAP.
WELL, THAT'S PART OF IT, BUT WHY TAKE THEM FROM A CAR
INSTEAD OF CATCHING THEM AT HOME ALONE,
LIKE HE'S ALWAYS DONE BEFORE? AND WHY TWO VICTIMS AT ONCE?
WELL, HE'S BROKEN PATTERN ONCE BEFORE.
YES, BECAUSE IT WAS PERSONAL.
HE WANTED TO PUNISH ME.
I DON'T THINK THESE GIRLS ARE RANDOM TARGETS.
I THINK THERE'S SOMETHING PERSONAL BEHIND THIS.
RED JOHN EITHER KNOWS THEM OR KNOWS SOMEONE CLOSE TO THEM.
(engine whirring)
HEY.
YOU THE PILOT WHO DREW THAT FACE OVER SAN ANGELO TWO HOURS AGO?
THAT WAS ME. HOW'D IT LOOK? CLEAN?
WHY'D YOU DO THAT, DRAW THE FACE?
I-I GOT AN INTERNET ORDER
FROM SOME COMPANY UP IN SAN FRANCISCO--
R-JAY?
YEAH. THEY PAID THE FULL $1,250 UP-FRONT BY CASH TRANSFER.
DO YOU HAVE AN ADDRESS FOR R-JAY?
GREAT.
THERE'S A BROTHER?
YES. HE'S ON HIS WAY DOWN. HE LIVES UP IN PARKERSVILLE.
BOYFRIENDS?
THEY HAD BOYFRIENDS, BUT NOBODY SERIOUS.
ANYONE AT THE MOMENT?
NO, NOBODY RIGHT NOW.
NO, IT CAN OFTEN BE HARD FOR BOYS TO HAVE A CHANCE.
THEY'RE SUCH A STRONG COUPLE.
BUT STILL, VERY DIFFERENT CHARACTERS.
YES... IF YOU KNOW THEM WELL.
EMMA...
DARKER, MOODIER, THE RISK-TAKER.
MAYA--SHE'S A HAPPIER SOUL, MORE CAUTIOUS,
UH... MORE CONSERVATIVE.
YES.
HOW DO YOU KNOW THAT ABOUT THEM?
WELL, I TELL YOU THAT, UH, ONLY SO YOU'LL KNOW
THAT THERE ISN'T ANY POINT IN LYING TO US.
LYING? WHY WOULD WE LIE TO YOU?
ARDEN, DO YOU ALWAYS FOLLOW YOUR HUSBAND'S LEAD?
DO YOU NEVER STRUGGLE AGAINST HIS DESIRE TO CONTROL?
JUST 'CAUSE YOU DRINK TOO MUCH
DOESN'T MEAN YOU DON'T HAVE A SAY. I MEAN, I SHOULD THINK
HE'S AT LEAST HALF THE REASON YOU DRINK IN THE FIRST PLACE.
YEAH? A GOOD MAN, BUT COLD, PIOUS.
YOU KNOW, POSSESSION OF THAT BADGE
QUIET, NOAH.
JUST BE QUIET.
(Arden sighs)
(voice breaks) WE'VE BEEN ASHAMED TO TALK ABOUT THIS,
BUT FOR A FEW MONTHS, OUR GIRLS HAVE BEEN MIXED UP...
WITH DRUGS...
AND THE LOW SORT OF PEOPLE THAT COME ALONG WITH THAT.
DRAKE, OUR SON, HEARD THAT EMMA
WAS ROMANTICALLY INVOLVED WITH A DUBIOUS CHARACTER.
SHE DENIED IT, TOTALLY.
SO WE DON'T REALLY KNOW FOR SURE--
DO YOU KNOW HIS NAME?
MACE... GUTHRIE.
I KNOW A GUTHRIE. SMALL-TIME THIEF.
HERE IT IS. IT'S GUTHRIE'S PLACE.
NICE, ISN'T IT?
YOU CARRY A GUN?
NO, NEVER.
OH, YEAH, SURE.
DUKE.
(Lisbon) OKAY.
(resumes knocking)
COME ON, GUTHRIE. OPEN UP.
(barking)
(continues barking)
FREEZE!
AAH!
(dog continues barking)
WHOA. YOU OKAY, DUKE?
I'M OKAY.
SHAKE IT OFF, BIG GUY.
(door rattles)
THAT'S A VERY LOYAL DOG.
(Cho) YOUR STORE IS LISTED
AS THE MAILING ADDRESS FOR R-JAY SOLUTIONS, INC.
YES. OKAY.
SUITE 121?
SURE.
UH, NO, MA'AM, UH, A SUITE IS LIKE A ROOM OR AN OFFICE.
A SUITE IS A BOX.
YOU'RE A SMALL COMPANY, YOU LOOK BIG.
OKAY, WE NEED TO OPEN BOX 121,
AND WE NEED ALL THE INFORMATION YOU HAVE ON WHO RENTED IT.
NO PROBLEM. YOU HAVE A WARRANT?
WE CAN GET A WARRANT, BUT THAT TAKES TIME,
NO PROBLEM. GO GET A WARRANT. I'LL BE HERE.
FOLLOWING THE LAW.
YOU HAVE A WIFE?
I HAVE A NIECE.
THANKS. THAT'S OKAY.
WHEN YOU COME BACK, I SHOW YOU A PICTURE.
VERY PRETTY.
THANK YOU.
OKAY, OPEN IT UP.
YOU GOT IT.
(Ed) Be careful now, Duke.
(barking)
(dog continues barking, snarls)
(continues barking)
SHH.
(Ed) HEY, BUDDY.
EASY, BOY. EASY, BOY. YOU GOT SOMETHING?
(continues barking)
(barking continues)
(whimpers)
OKAY. OKAY. OKAY. OKAY.
OHH, WHO'S A GOOD BOY? THAT'S A GOOD DOG.
(panting)
WHAT?
EMMA AND MAYA PLASKETT.
YOU DIDN'T HEAR?
WHAT?
EMMA WAS FOUND HORRIBLY MURDERED THIS MORNING,
AND MAYA IS MISSING.
OH, MY GOD.
WERE YOU HAVING A *** RELATIONSHIP
WITH EITHER OF THEM?
NO.
REALLY?
NO. NEVER.
MAYBE HUNG OUT WITH THEM A COUPLE TIMES. THAT'S IT.
MACE...
I SEE YOU CARE FOR BOTH OF THEM,
AND I CAN SEE THAT YOU'RE LYING TO ME.
THAT'S A BAD IDEA.
I GOT NOTHING TO DO WITH THIS.
PLEASE UNDERSTAND SOMETHING.
I HAVE A VERY DEEP PERSONAL INTEREST IN THIS CASE.
I'LL DO WHATEVER IT TAKES.
I WILL HAVE YOU FRAMED FOR ***.
I WILL TORTURE YOU. I WILL KILL YOU MYSELF IF I HAVE TO--
WHATEVER IT TAKES.
(sighs) OH, JEEZ, LISBON.
COME ON. THIS IS ON TAPE. CONTROL YOUR MAN THERE.
CUT HIM SOME SLACK. LOOK, HE'S JUST PLAYING THE GUY.
DOESN'T HE?
YOU KNOW WHAT RED JOHN DOES TO HIM. HE CAN'T THINK STRAIGHT.
HE WOULD DO ALL THAT HE SAID AND MORE, IF YOU LET HIM.
I WON'T LET HIM.
EMMA AND ME HAD A THING.
MM-HMM.
SHE, UM, I DON'T KNOW WHAT SHE SAW IN ME,
BUT SHE LIKED ME, YOU KNOW?
(crying) BOTH OF THOSE GIRLS HAD A WAY ABOUT 'EM.
THEY LOOK AT YOU LIKE THEY REALLY SEE YOU.
(whispers) YEAH.
SO ME AND EMMA HAD BEEN HOOKIN' UP FOR ABOUT A MONTH,
AND I GET A PHONE CALL,
FROM SOME GUY THAT I DON'T KNOW,
SAYING, "STAY AWAY FROM HER OR ELSE,"
CAN YOU DESCRIBE HIS VOICE?
UH, SOFT...
QUIET.
DID YOU DO WHAT HE SAID?
NO, OF COURSE NOT.
I KEPT SEEING HER.
AND THEN I WAKE UP ONE MORNING A COUPLE WEEKS LATER,
AND THERE'S A PIG'S HEAD LYING NEXT TO ME.
I LOCK AND BOLT MY DOORS EVERY NIGHT.
THERE'S NO WAY SOMEBODY GETS IN THERE,
BUT THEY DID.
IT'S MENTAL. RIGHT?
THE THING IS, ME AND EMMA WERE ON THE DOWN LOW.
NOBODY KNEW.
SHE INSISTED ON THAT.
SO HOW DID HE KNOW?
HE MUST HAVE BEEN SPYING ON HER REAL CLOSE.
HOW DID YOU PEOPLE KNOW?
(knock on door)
MORNING.
I'M DRAKE PLASKETT. I'M MAYA AND EMMA'S BROTHER.
PATRICK JANE.
HAVE YOU FOUND MAYA?
NO, MA'AM. BUT I CAN ASSURE YOU,
WE'RE CONTINUING THE SEARCH WITH EVERY AVAILABLE RESOURCE.
PLEASE COME IN.
WHERE HAVE YOU BEEN LOOKING FOR HER?
I WOULDN'T KNOW THAT, MA'AM.
TO CLARIFY, THE CBI CONDUCTS THE INVESTIGATIVE ASPECTS.
SHERIFF HARDY IS
VERY ABLY INVESTIGATING THE PHYSICAL SEARCH.
AND SHERIFF HARDY WILL CALL US IF HE HAS NEWS, MOM.
HOW CAN WE HELP YOU, AGENT LISBON?
YOU TOLD US IT WAS DRAKE WHO TOLD YOU ABOUT GUTHRIE.
(Lisbon) HOW'D YOU KNOW ABOUT HIM?
UH, ABOUT A MONTH AGO, I'D SAY,
I WAS STAYING THE WEEKEND, OVERHEARD THE GIRLS TALKING,
EMMA TELLING MAYA THAT THIS GUTHRIE CHARACTER WAS DANGEROUS,
AND SHE SHOULD BE CAREFUL.
NATURALLY, I WAS VERY CONCERNED. I TOLD MY PARENTS.
AND THEN WE DECIDED TO CONFRONT EMMA ABOUT IT.
I SEE. IF YOU COULD SIT DOWN WITH US, DRAKE,
AND GIVE US A STATEMENT, IT'D BE REALLY HELPFUL.
OF COURSE. ANYTHING YOU NEED.
I'M JUST GONNA GO TAKE ANOTHER LOOK AT THE GIRLS' ROOM,
OF COURSE.
SURE.
LISBON!
LISBON!
WHAT?
A CAMERA, MICROPHONE TRANSMITTER.
YEAH.
WHO HAD ACCESS TO THIS ROOM?
NOBODY. JUST US AND JANINE, THE HOUSEKEEPER.
NOBODY ELSE?
NO. NOBODY.
DRAKE, HOW'S YOUR ELECTRONIC SKILLS?
LET'S BE FAIR HERE. YOU'RE THE LIKELIEST SUSPECT.
YOU DID SAY YOU OVERHEARD AN INTIMATE PRIVATE CONVERSATION
NO, THEY'RE MY LITTLE SISTERS. I LOVE THEM.
WHERE WERE YOU NIGHT BEFORE LAST?
NO, WAIT.
WAIT. THERE WAS A BREAK-IN EIGHT MONTHS AGO.
THEY BROKE THE KITCHEN DOOR TO GET IN.
THEY TOOK SOME CASH, SOME LIQUOR, BROKE A FEW VASES.
WE JUST ASSUMED IT WAS TEENAGERS ON A SPREE.
THAT'D BE A GOOD COVER. DID YOU REPORT IT TO THE POLICE?
YES, WE DID, AND THE SHERIFF WILL CONFIRM IT.
EXCUSE ME.
(Lisbon) HEY.
WE GOT THE WARRANT. WE'RE ABOUT TO OPEN THE MAILBOX.
YEAH, JANE SAID HE WANTED TO BE ON THE LINE WHEN WE OPENED IT.
OKAY. ONE MINUTE.
MY NIECE.
BEAUTIFUL, LIKE A MOVIE STAR,
BUT WELL-BEHAVED.
YEAH, SHE'S ATTRACTIVE.
I'M NOT LOOKING TO GET MARRIED RIGHT NOW, MA'AM.
YEAH, I'M STILL HERE. MM-HMM. YOU READY, MA'AM?
(mouths words)
UH, YEAH, OPEN UP. (clears throat)
OKAY. UH, IT'S AN ENVELOPE.
IT'S TYPEWRITTEN, POSTMARKED HATTIESBURG,
20th OF DECEMBER,
ADDRESSED TO ROY TAGLIAFERRO.
"DEAR ROY, I FOUND THIS ADDRESS ON A BUSINESS CARD OF YOURS
"THAT I DISCOVERED DOWN THE BACK OF THE SOFA.
"AND SO I WRITE TO YOU TODAY IN THE FAINT HOPE
"AND YOU ARE READING THIS,
I JUST WANT TO SAY THAT I STILL LOVE YOU VERY MUCH,
"DESPITE THE VERY CRUEL WAY YOU TREATED ME,
"AND I HOPE YOU WILL COME BACK TO ME ONE DAY.
WITH ALL MY HEART, ROSALIND."
IT'S HIM.
I KNOW IT.
I KNOW IT.
THIS ROY TAGLIAFERRO IS RED JOHN.
WE DON'T KNOW THAT.
WELL, WE KNOW RED JOHN KILLED EMMA,
SO WE CAN ASSUME THAT RED JOHN HIRED THE SKYWRITER.
THE SKYWRITER WAS GIVEN THE ORDER BY R-JAY SOLUTIONS.
R-JAY SOLUTIONS IS RAY TAGLIAFERRO.
HENCE, ROY TAGLIAFERRO IS RED JOHN.
MAYBE.
THIS WOMAN, ROSALIND, HAS SEEN RED JOHN.
LISBON, SHE-- SHE KNOWS RED JOHN.
THIS IS HIM.
(piano playing classical music)
THERE'S ONLY TWO ROSALINDS IN THE HATTIESBURG PHONE BOOK.
THE OTHER ONE'S 73 AND MARRIED.
(knocks on door)
YES?
WE'RE WITH THE CALIFORNIA BUREAU OF INVESTIGATION.
MAY WE COME IN?
WOULD YOU SHOW ME SOME I.D. PLEASE?
(Rosalind) ROY TAGLIAFERRO?
WHAT ARE YOU INVESTIGATING?
WE'RE WITH THE HOMICIDE AND SERIOUS CRIMES UNIT.
WHAT CAN YOU TELL US ABOUT ROY?
NOT A THING UNTIL YOU TELL ME WHY YOU WANT TO KNOW.
WE BELIEVE HE COULD BE A SERIAL MURDERER NAMED RED JOHN.
NO.
THAT'S ABSURD.
NO.
(Rosalind) YOU DON'T KNOW HIM.
MA'AM? MS. HARKER?
I'M NOT LISTENING. I DON'T HEAR YOU.
(Lisbon) MA'AM?
MS. HARKER?
GO AWAY.
I CAN'T DO THAT.
THERE IS A GIRL MISSING.
HER NAME IS MAYA. SHE'S 19.
HER SISTER HAS ALREADY BEEN KILLED BY RED JOHN.
WE DON'T KNOW, BUT HE MIGHT HAVE HER CAPTIVE SOMEWHERE.
THIS... MAN, RED JOHN...
KILLED MY WIFE AND CHILD.
THAT'S WHY I'M HERE, ROSALIND.
THAT'S WHY I CAN'T LEAVE.
(sighs)
I'M SORRY.
THAT'S TERRIBLE.
I'M BLIND,
BUT I'M NOT BLIND.
I'M A GOOD JUDGE OF HUMAN NATURE.
I HAVE TO BE.
I KNOW ROY VERY WELL.
I KNOW HIM INTIMATELY.
AND I'M SURE, AS SURE AS...
THIS GROUND BENEATH MY FEET...
I KNOW THAT ROY IS A GOOD MAN.
I BELIEVE YOU.
UH, I'M SORRY.
THAT'S OKAY.
WE ALL MAKE MISTAKES. GOD KNOWS.
MAYBE THIS RED JOHN IS JUST USING ROY'S IDENTITY SOMEHOW.
IF WE COULD FIND ROY, MAYBE HE COULD HELP US FIND RED JOHN.
ROY CAME TO MY DOOR ONE DAY
WHEN HIS CAR HAD BROKEN DOWN OFF THE ROAD.
HE NEEDED TO USE THE TELEPHONE.
SO I MADE HIM SOME LEMONADE,
AND WE GOT TALKING ABOUT CLASSICAL MUSIC,
AND...
(chuckles) HE DIDN'T LEAVE FOR TWO DAYS.
YOU TWO WERE LOVERS?
YES.
THAT'S VERY BRAVE OF YOU.
HOW LONG WERE YOU TOGETHER?
ROY WAS IN MY LIFE FOR...
ABOUT FIVE MONTHS.
HE WOULD COME AND GO AS HE PLEASED,
WHAT KIND OF BUSINESS?
HE DIDN'T SAY.
YOU DIDN'T ASK? YOU WEREN'T CURIOUS?
NO.
I DIDN'T CARE. I DON'T LIVE IN YOUR WORLD. I LIVE HERE.
I WAS GLAD WHEN HE CAME,
SAD WHEN HE LEFT.
YOU SAID IN YOUR LETTER THAT HE WAS CRUEL TO YOU.
VERY CRUEL.
HE LEFT
AND JUST NEVER CAME BACK.
NEVER SAID GOOD-BYE,
WHY HE WAS LEAVING OR WHERE HE WAS GOING.
JUST VANISHED.
IT'S BEEN NEARLY SIX MONTHS NOW.
CAN YOU DESCRIBE HIM?
JUST UNDER 6 FEET TALL...
NOT MUSCULAR, BUT NOT SOFT EITHER...
SHORT, STRAIGHT HAIR...
A GENTLE VOICE...
ROUGH, STRONG HANDS.
HE SMELLED OF...
PINE AND...
NAILS AND EARTH.
(chuckles) AND HE LIKED TO LISTEN TO ME PLAY THE PIANO.
WHAT WAS HIS FAVORITE MUSIC?
BACH. HE ADMIRED HIS RIGOR.
DID ANYBODY SEE HIM? A MAILMAN, A CLEANING LADY?
NO.
I LEAD A FAIRLY SOLITARY LIFE.
DID HE EVER MENTION ANY FRIENDS, PEOPLE FROM WORK?
NO.
HE DID BRING A FRIEND OF HIS OVER ONCE, THOUGH,
FOR THANKSGIVING.
DUMAR.
DUMAR. ANY OTHER NAME?
JUST DUMAR.
COULDN'T BELIEVE A BLIND WOMAN COULD COOK.
CAME OVER ESPECIALLY TO SEE.
CAN YOU RECALL ANYTHING ELSE ABOUT HIM?
HE SMOKED A LOT.
HE SAID HE WAS TRYING TO QUIT, BUT HE SMOKED SO MUCH,
HE HAD TO RUN OUT TO THE STORE TO BUY MORE CIGARETTES.
(laughs) WHEN HE CAME BACK,
HE HAD BOUGHT A STUFFED TOY ELEPHANT
AS A GIFT FOR ME.
THAT WAS A GOOD DAY.
ROY CAME A COUPLE MORE TIMES AFTER THAT,
AND THEN THAT WAS IT.
GONE.
DO YOU STILL HAVE IT? THE STUFFED ELEPHANT.
YES, I DO.
FIRST THING IN THE MORNING,
CHECK ON ALL THE CONVENIENCE STORES IN THAT AREA.
IT WAS A FEW MONTHS AGO,
BUT IT'S POSSIBLE SOMEONE WILL REMEMBER SELLING THE ELEPHANT
AND CIGARETTES TOGETHER. IT WAS THANKSGIVING.
YOU GOT IT, CHIEF.
ALL RIGHT.
YOU KNOW, IT'S IRONIC THAT SHE WAS BLIND.
HOW IS THAT IRONIC?
WHATEVER. IT'S MESSED UP.
YOU KNOW, IT'D BE FUNNY IF IT WASN'T... NOT... FUNNY.
I MEAN...
(Minelli) ANY LUCK ON THIS END?
NOPE. THERE'S NOBODY NAMED ROY TAGLIAFERRO
ANYWHERE ON THE DATABASE. IT MUST BE AN ALIAS.
TRY THE NAME IN ENGLISH. TAGLIAFERRO MEANS "CUT IRON."
THANK YOU, SIR. IT'S A GOOD IDEA.
YES, IT IS.
(playing Bach's "Prelude in 'C' major
from "The Well-Tempered Clavier")
♪♪
(song ends)
(beep)
BOSS, I THINK I FOUND SOMETHING.
OVERNIGHT I SET UP AND RAN A CODE SCRIPT
TO SEARCH THE PROBATE COURT'S REALTY TRANSACTION RECORDS.
I GOT A HIT ON THE NAME "CUT IRON."
WELL?
WE HAVE A GOOD LEAD.
EIGHT MONTHS AGO, AROUND THE TIME TAGLIAFERRO SHOWED UP,
AND OLD FARM PROPERTY WAS BOUGHT, CALLED SPARROW'S PEAK,
AND IT WAS BOUGHT BY CUT IRON PROPERTIES.
LET'S GO.
WAIT. THERE'S MORE.
A COMPANY CREDIT CARD IN THE SAME NAME WAS USED
TO PURPOSE A LARGE TRUCKLOAD OF CONSTRUCTION SUPPLIES.
SLOW DOWN.
SURE THING.
WE DON'T HAVE TIME FOR THAT.
NO CHOICE. LOOK, NO WARRANT, NO CASE.
WE COULD CATCH RED JOHN, AND HE COULD WALK.
IF WE CATCH RED JOHN, HE'S NOT WALKING ANYWHERE. HE'S MINE.
DON'T TALK LIKE THAT. I CAN'T LET YOU ANYWHERE NEAR THIS CASE
CRAZY? YOU'RE CRAZY IF YOU THINK YOU'RE GONNA STOP ME.
RED JOHN IS MINE.
YOU TRY TO STAND IN MY WAY, AND YOU--YOU WILL REGRET IT.
NO, I AM JUST SAYING THAT IF YOU STAND IN MY WAY,
I'VE HAD IT WITH YOU AND YOUR EGOTISTICAL CRAP!
THIS ISN'T ABOUT JUSTICE OR THE LAW OR FIGHTING EVIL.
THIS IS ABOUT YOU AND YOUR WOUNDED PRIDE. I'M DONE WITH IT.
ECKERVILLE, JUDGE FELTON. RIGHT?
YES, MA'AM.
IF HE DOES ANYTHING WRONG, IF HE JAYWALKS--SHOOT HIM.
WOW.
STEAMED UP.
YEAH.
OH, HOLD ON. I DON'T KNOW ABOUT THAT.
WHAT IF MAYA'S WAITING OUT THERE FOR SOMEONE TO HELP HER?
WHAT IF SHE DIES WHILE WE'RE STANDING HERE DOING NOTHING?
ALL RIGHT, LET'S DO IT.
RIGHT.
WHAT'S THIS-- STORE NUMBER TEN?
11.
(sighs)
WHAT A WASTE OF TIME.
IT'S WORTH TRYING.
EXCUSE ME, SIR. DO YOU HAVE, UH--
SORRY. NO RETURNS.
YOU BUY THE ELEPHANT, YOU KEEP THE ELEPHANT.
YOU SOLD THIS ELEPHANT?
YEAH. LAST YEAR. IT WAS A GOOD ITEM.
WELL, LAST THANKSGIVING, DO YOU RECALL A CUSTOMER
BUYING THIS ELEPHANT AND SOME CIGARETTES?
NO. HOW WOULD I DO THAT? AM I AN ELEPHANT?
YOU CAN LOOK AT THE SURVEILLANCE TAPE,
YOU HAVE THE TAPE FROM FIVE MONTHS AGO?
YEAH, WE'D LOVE TO SEE THE TAPE, YEAH.
MY SON'S A BIG TECHNO-NERD.
WE GOT STATE-OF-THE-ART CAMERAS ON A 9-MONTH LOOP.
(parking brake engages, engine turns off)
7654 SPARROW PEAK.
THIS IS THE PLACE.
LET'S GO.
(cycles shotgun)
(keyboard tapping)
(taps key)
THERE WE GO. THANKSGIVING AFTERNOON.
(taps key)
(taps key)
THERE.
(taps key)
I SEE IT.
(tapping keys)
THAT--
THAT'S SHERIFF HARDY.
(taps key)
DUMAR IS SHERIFF HARDY?
(door squeaks)
(rattling)
HUH.
(metal clinks)
(sweeps floor)
(clank)
(creaks)
(Van Pelt) CBI.
Hey.
FOLLOWING UP A LEAD I GAVE 'EM. WHY? WHAT'S WRONG?
OH.
(breathing heavily)
(click)
(breathing heavily)
MAYA! IT'S OKAY, MAYA.
WE'RE GONNA GET YOU OUTTA HERE.
SHE'S ALIVE.
WHAT ARE YOU DOING?
YOU ACT SMART, BUT REALLY, YOU'RE KINDA DUMB, HUH?
DON'T MOVE AN INCH.
I-I-I DON'T UNDERSTAND.
NO. (laughs)
YOU NEVER REALLY HAVE.
YOU RECALL A MAN BY THE NAME OF ORVAL TANNER?
YEAH.
RED JOHN'S ACCOMPLICE IN HIS FIRST KILLING.
HE WAS CAUGHT. DIED TEN YEARS AGO IN JAIL.
THAT'S THE MAN.
I'M HIS SON DUMAR.
THIS IS THE FAMILY FARM.
HE WAS A GOOD MAN, GOOD FATHER.
HE WROTE ME EVERY WEEK UNTIL THE DAY HE DIED, YOU KNOW?
AND RED JOHN?
FRIEND OF MY FATHER'S.
AND A CLOSE FRIEND OF MINE, I'M PROUD TO SAY.
HE DOESN'T HAVE FRIENDS. HE HAS TOOLS.
HE'S USING YOU.
RED JOHN... IS NOT USING ME!
HE GAVE ME MAYA.
HE GAVE ME THE WOMAN I LOVE--
LOVE? SHE'S IN A CAGE.
LOVE'S CRUEL.
AT LEAST SHE'S SAFE.
NOT LIKE OUT THERE... WITH THOSE DEGENERATES.
SHE'LL GROW TO APPRECIATE THE SECURITY I'M GIVING HER.
(pounds door)
SHE'LL LEARN TO LOVE ME THE WAY THAT I LOVE HER.
I WOULDN'T BET ON THAT.
I'M HAPPY FOR THE FIRST TIME IN MY LIFE.
AND RED JOHN MADE THAT HAPPEN, SO DON'T YOU GO TELLING ME
AND WHAT DID YOU HAVE TO GIVE HIM IN EXCHANGE?
HE GOT EMMA... AND YOU--
HE WANTED YOU BADLY.
HE LURED YOU IN SO SWEETLY.
YOU JUST COULDN'T HELP YOURSELF, COULD YOU?
HA. IF ONLY THAT ROSALIND WOMAN HADN'T POPPED UP
AND SPOILED THINGS. WE WERE GONNA GET YOU HERE
NICE AND QUIET, SO WE COULD TAKE OUR TIME.
NOW WE'LL HAVE TO FIND SOMEPLACE ELSE TO KEEP YOU BOTH.
KEEP US FROM WHAT?
OH...
WELL, YOU'LL JUST HAVE TO WAIT AND SEE.
HMM?
IT'S GOING TO BE SO... MUCH... FUN.
OH... (laughs)
(Lisbon) HARDY, PUT THE GUN DOWN.
PUT IT DOWN SLOWLY.
CRAP.
NOW!
HE... (groans)
(exhales sharply)
(clatters)
WELL, YOU FOOLED US, HUH?
DAMN IT, LISBON.
I COULDN'T TAKE THE CHANCE.
AND YOU FAKED THE WARRANT ARGUMENT...
TO LURE ME INTO THE OPEN. SLICK.
DON'T MOVE.
ROSALIND MENTIONED THAT DUMAR WAS A HEAVY SMOKER
WHO WAS TRYING TO QUIT. AND YOU--YOU CHEW
ON THOSE NICOTINE GUMS ALL DAY LONG.
AND IT WAS YOU THAT STAGED THE BREAK-IN
AT THE PLASKETT HOUSE SO YOU COULD PLANT THE CAMERA.
(spits)
BET YOU THINK YOU'RE PRETTY COOL RIGHT NOW, HUH?
OH, YEAH.
BINGO.
DON'T TURN AROUND.
YOU SURRENDER NOW, AND I'LL TRY TO PERSUADE RED JOHN
TO KILL YOU QUICK AND CLEAN INSTEAD OF SLOW AND NASTY.
(chuckles)
(floor creaks above, hatch slams shut)
(Lisbon groans)
(siren wailing)
(siren wailing)
(both grunting)
BOSS?
THIS ROOM'S CLEAR.
CLEAR!
(Lisbon) WE'RE DOWN HERE!
THERE'S A HATCH IN THE FLOOR.
(metal latch rattles, wood creaks)
(panting)
YOU GUYS OKAY?
(panting) WE'RE FINE.
WE'VE GOT MAYA. CALL THE PARAMEDICS.
IT'S OKAY.
COME HERE.
YOU'RE SAFE NOW, MAYA.
SHH...
IT'S OKAY.
SHH.
(crying softly)
HE WAS HERE.
HE WAS RIGHT HERE.
WE SAVED A GIRL'S LIFE, JANE.
WE SAVED HER LIFE. WE HAVE HARDY, OKAY?
HE'S GONNA TELL US WHAT WE NEED TO KNOW.
OH, YOU THINK SO?
YOU SHOULD'VE WAITED. WE AGREED ON THAT.
WHAT IF HARDY HAD KILLED YOU RIGHT HERE?
YOU'D BE DEAD.
BUT YOU WOULD HAVE RED JOHN.
I DON'T THINK YOU MEAN WHAT YOU SAY.
I THINK YOU'D CHOOSE LIFE.
WELL, YOU THINK WRONG.
NO. NO, YOU THINK WRONG.
CAN'T YOU SEE THERE'S PEOPLE WHO CARE ABOUT YOU,
WHO NEED YOU?
YOU'RE BEING SELFISH AND CHILDISH,
I WISH THAT I COULD,
BUT, YOU KNOW, SOME THINGS YOU JUST CAN'T FIX.
YOU NEEDN'T BE ANGRY. IT'S JUST THE WAY OF THE WORLD.
WE STILL HAVE HARDY.
HE'S GONNA TALK. HE'S GONNA GIVE US RED JOHN.
RIGHT. WE HAVE HARDY.
YES.
AND WE SAVED A LIFE.
YES, WE DID. WE...
WE DID. HURRAY FOR US.
(footsteps approaching)
(indistinct police radio chatter)
(starts engine)
(shifts gear)
(indistinct police radio chatter)
MAYA, I'M GONNA FILL OUT SOME PAPERWORK
WITH THE FORENSICS PEOPLE, THEN WE'LL TAKE YOU HOME.
OKAY.
(indistinct police radio chatter)
DO YOU NEED ANYTHING?
I'M GOOD. THANK YOU.
(groans, spits)
(groans)
(Hardy groans)
(grunts)
(groaning)
(exhales sharply)
(Hardy groaning and gurgling)
(laughing)
(snorts)
(J.S. Bach's "Prelude No. 1 in C Major
from 'The Well-Tempered Clavier, Book 1'" playing)
♪♪
MAYA! MAYA!
MY BABY GIRL! (sobs)
OH, MY BABY!
♪♪
♪♪
(sniffs)