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Lea Salonga is a Broadway icon thanks to her Tony-winning work in Miss Saigon, and a
Disney star for voicing princesses like Jasmine and Mulan. This season she's
back on the boards in Michael Arden's acclaimed new staging of Once on This
Island. Find out about her nurse ratchet alter-ego, her new role as a stage mom,
and the proper way to ask her for a selfie, on this week's Show People.
Hi, beautiful! How are you? --I'm good!
--So good to see you. --Good to see you too. Like all prettied up
-- Very pretty
very pretty. Not dressed as a nurse today. You're very...
--No not the nurse. --There's
some sequins. It's good. --Yep not Nurse
Ratchet -- Are you Nurse Ratchet? Is that?
--No, not
exactly. I mean there are people on the island, like some of the other actors, who
say doctor. I'm like I'll just answer with a yes? But every Filipino that has come to
the show, correctly identifies me as a nurse. E
Every single Filipino. --Let's talk about Once this Island.
You're back on Broadway in like one of my favorite
shows. Actually, I want to tell you, Broadway.com has named this the number
one show of 2017. --Seriously?!
Whoo! --It it is it is our staff's, it's it's our favorite show, so
congratulations. --Thank you.
--We love it so much. So I'm glad I got to
tell you, and see that? --It's 90 minutes of happy. That's what you're gonna get
Yes! -- I mean it really is. I mean and a little sad
--A little sad. -- I cried. Let's let's be clear.
--Yes, but --The show
kind of digs of right into my soul and it kind of like takes my heart out, throws
it around a little bit, throws against the wall and then it takes care of it,
puts it back in and I leave and I'm in good shape, but
--Yeah I remember what your
I remember your expression when I saw you after you saw the show, cuz I ran out
and I saw your face. And you were just oh my god it's so good! Oh my god
it's so good! -- Well I was nervous. This is like one
of my favorite shows --Right?
--This has been,
when, when this show first came out it was when I was in college, and they had
free tickets all the time at college to see it, and I went all the time and took
so many people to see it, so this is a very special show to me. This is like
when I see you know when I see the younger theater fans now get obsessed
with new shows, I think back and that's how I was about Once on this Island.
--I was
like that with Les Mis.
--Well I mean yes Les Mis, too. Yeah --Every generation has that show..
and Once on this Island is yours. -- This has always been a really special
show to me and I was
nervous about a new production, especially so many people I liked involved with it.
Michael Arden, the director, who I've been sort of watching his directorial career
and it's so fascinating. --Yeah, I mean Spring Awakening?
--I was like I wouldn't it be awful if
they screwed this up? And you didn't! You made it better than I ever thought it
could be. --Oh, good!
--Honestly there are moments in that
production where I thought as a super fan of the show, new moments, I thought oh
my god what is that?
--I think every single theater trick that has ever been
invented or thought of is used to its fullest potential on this show.
--Yeah, but
in surprising ways. --Yeah, Oh, yeah.
--Yeah, so
let's talk about the nurse thing though, because one of the things about this
show is that you walk into the theater early.
--Yeah, and you should. --And there's a pre-show.
Get there early and and watch Lea Salonga as a nurse like we can say that
right? --Yeah.
--Part of a part of Michael's concept, you play the god Erzuli in the
show who the goddess of love of course, who what else would you be? And it's like
--I feel typcast!
--A beacon of light, so the idea is that you're telling a story. So it's a it's a
--Everybody starts off as a storyteller, and at the very beginning when it's like Asaka,
grow me a garden, please, Agwe, where it's like,
exactly, where each of us, kind of carries or possesses a characteristic of the God.
So you have Asaka who is cooking plantains, and who is very nurturing
-- Alex Newell --Alex Newell, and then Quentin Earl
Darrington plays Agwe, handsome and
he's a fisherman and he's always by the water. And then Merle Dandridge playing
Papa Ge, collecting coke cans and it makes sense when you see the show.
And you know like assuring around a goat. --A real goat.
--A real goat --Not an actor
--There's actually a couple of them and they're both, they're very different with their
personalities. But, yeah, --You're dealing with multiple
--And you then you see Merle with a knife on her leg, so
what else is she gonna be? --She's tough
--She's very tough, and sometimes if she sees a friend
of hers in the audience, and I saw this happen, one of our mutual friends Manuel
Philsiano came to see the show, and so I pointed him out to her. So
and then she immediately went to him and like don't eat my goat. Don't cook my
goat! And I'm like haha
--You guys as actors you love this stuff. You love to
--It is amazing because if we see friends, it's like, the actor friends totally
understand what's going on. So they don't give away yeah the fact
that this is the pre-show and that we're character and in
dialect. They totally ride along with it.
--You were so committed to your nurse card
--Hey, we have to be.
-- I thought you were gonna come up and take my blood pressure.
I was waiting I was like.
--I have a stethoscope that actually works and I've actually checked heartbeat and reading
of members of the cast when they've asked for it. I have fake syringes in my
kit. I have rubber gloves. I have come out wearing a mask. -- I love it
--It's not anything secret, necessarily, but the interactions with everybody
on the island that kind of changes on a daily basis. So even if I said right now
sitting here what happened a night ago or two nights ago it's not gonna happen
again on another day, but there are certain things that kind of remain consistent.
--Uh-huh -- One
thing Michael had revealed to to us when he had the four gods in the room. He's like
he was reading out of this book, out of this voodoo book, and he's like Erzuli
and Agwe are married to each other and to which Q and I went oh! So, that
relationship kind of, so we kind of plant seeds during the pre-show of that.
--The gods are all based on like Haitian voodoo. Really it's a special Haitian
voodoo. And if you look up the Wikipedia page, she has a Wikipedia page,
that sort of compiles all these different things, but one thing I loved
about it that made me think, well you're perfect for the role, is that your
character is associated with the following things, which they all seem
perfect: love, health, Beauty, passion, prosperity, perfumes, jewelry, flowers, and
homosexuals. --Seriously?
--That seems right. [laughs]
--That seems right. You're a Broadway star,
you're a Broadway diva, I mean. --I'm totally type cast!
--Type cast again!
--Again! And it's it's it's funny that whenever, I would, before the
news came out, that Once on this Island was had us cast as the gods. I slowly would
tell one by one my friends in Mila, and these are people
that knew the show, as there were numerous productions in the past
--And you were
involved with a production... -- I was involved kind of sort of, you know
just to help out with Ti Mounes
and a few other things, also. So, whenever I would tell anybody
Oh guess what I'm back to Broadway, and I'm going back and
I'm going into Once on this Island. No one asked what role you're gonna play?
No one. I mean, obviously it would not be Ti Moune, but it, it was it never
occurred to it it was that I would play something else other than.
I would kill to see your Papa Ge. --No you do not want to see me
in a bra and Looney Tunes
shorts. It's like you know what? That's Merle Dandridge. She's been working out like
crazy. And she is...there was one review that said something that I really really
liked, that dubbed her a feral Victoria's Secret model. That's perfect!
--[Laughs] Merle's got a body.
--You're now a feral Victoria's Secret model.
--And you're kind of Ti Moune, the
girl that the story Once on this Island is about, you're kind of like a fairy
godmother sort of to her a little bit. --Sort of. She's always present.
She's always there. -- Taking
care of her.
--Yeah. --The other Gods wanna mess with her
and you're like no no no. --
--Yeah. So I'm I kind of am the one that's sort of.... I don't know. I think it's
just, there was so much that happened in the rehearsal room. There were some
bits that another person would sing, or another person would play on an
instrument, and then it would be like this is not making a lot of sense. So I'd
get the Lea could you do this vocal ease before Human Heart? Can you do
this vocal ease before Ti Moune's dance? I'm like, I'm not doing anything. Sure! So,
and and and these vocal eases for Erzuli didn't exist before, so it's like
oh I'll I'll try it. If it works, we'll keep going with it. So when my when
I opened my mouth to do one of those oohhhhs, something happens. And there
it's not accompanied by a special effect, there might be a little lighting, so I
think that's all that accompanies any of those vocal leases. So I have three. And
they never used to exist. It started off with one and then here came another one
and then here came another one. So it's like sure, I'll take them. No
problem.
--That's why I can't wait for the cast album.
Alright we're gonna we let's take a break.
We're going to talk more about the number one show of the year, according to
Broadway.com. We'll be right back with Lea Salonga.
--And we are back with Lea Salonga. So happy you're here, and so happy you're
back on Broadway.
--Me too. I like being back on Broadway.
--The original production
of Once on this Island was an all-black cast. --Yes, right.
--But the casting of you was
interesting from the from the very beginning.
It was kind of... --Yeah, I think you had written about it.
--It's really it was an
interesting take on it. It was like oh what is Michael Arden up to? And of course he
also sort of played with the gender of, not not your role, but Papa Ge
--And Asaka. --Yeah and Alex Newell coming into it. So
it's really it's it was an interesting part of his vision. It hasn't turned into
a talking point because I think it just works so beautifully.
--Right? -- It works beautifully, anyway.
Is it something you thought about when
you were approached about it? And people sort of look to you as a great example
of diversity on Broadway. You know when you're when you're you're Tony for Miss
Saigon. It's like I have been the only color person in an all in a basically
all-white company. I've right I have been that with Les Mis when I first joined it
the first time. --As Eponine.
--And now I'm like I mean the only Asian, full Asian, because
we have halfsies in the company. --Halfsies
--We have halfsies, but I'm like the
full-on, can't get more Asian than me, in this company. And in what is pretty much
an all African-American company. But my only concern was this: Number one, what
will the African-American community think about this Asian girl? And is there
going to be cultural appropriation? How is this Asian woman getting on this
island? So I think those were my three concerns.... and then Michael Arden
immediately blew them out of the water. When I first saw Clint Ramos' costume
design. I went and saw the costume sketches and I'm like oh I pointed to it
one she's all in white. There's like,
there's no not knowing who she is, and I looked at it, and went oh my god you
found a way for me to get on this Island. And one, she is a Filipino nurse, which
makes me incredibly happy because then all of a sudden, I'm able to represent
every... the I don't know how many thousands or tens of
there are all over the world caring for people away from their home country, and
adopted by their adoptive communities. It's like this is magnificent! This is
fantastic!
--And the costume design is brilliant. --It's brilliant!
--Especially what
happens with the gods. It's it's stunning. It'll be remembered at Tony time.
--Oh I hope so.
Yeah, I think I think Clint should, I mean he already has a Tony, so it's not
like he needs another one, but I think that, at least I'm hoping that his
designs will be noticed come awards season --What about you?
You already have a Tony. -- I have a Tony
--You need another one. [laughs]
--I saw an interview where you talked --Does she need another one?
you talked about the decision to do the show. I'm sure, because you you do
primarily live in the Philippines. --Yeah.
--You have family, you have a daughter.
We're gonna talk about her so I'm sure decisions to come to Broadway our big
family decisions. -- They are and they have to...
--Everything is not you know just
like jumping on a plane and running off to do anything anything offers
itself to you. And and I saw an interview where you said that part of the, part of
the decision-making was kind of like this is gonna be a show that's kind of
like a Tony eligible show. --Yes, Tony eligible and the husband was the one who
actually brought that up. He asked, would would the show be eligible? Would you be
eligible?
I'm like yeah because it's a Broadway revival and I would be in the original
company. He's like okay. Then you can go! --Thumbs up from the hubbie.
--Yes, and if the hubby gives me a thumbs up, then it's good because he's
thoughtful. He's not impulsive. It's it's it's a decision that all of us as a
family needs to make. And my daughter is involved
in the decision as well. And she was already... I think was she already cast in? No,
she hadn't yet been cast in Matilda when I knew that I was already coming ..
--Right, let's talk about that. -- That's a whole other story.
--Because so as you were
preparing to open in Once on this Island, your daughter was on the other side
of the world, rehearsing to be in Matilda. Is the production where was
the production? -- In Manila.
--In Manila --Yeah, Atlantis productions. It's the same
production company that did *** Boots and Fun Home.
--Which you were in. -- Which I was in
and God of Carnage, which I had also done. So it's it's a theatre company that I
had been working with.
--Well last time you, I mean years ago when you were here, we
talked about her, and we talked about the possibility of her becoming an actress,
and now look at it! She's a professional actress.
--Now she's an actual, for real. -- and
she did Matilda in Manila. Matilda Manila. I like that.
--Yeah she played Alice,
and she had a major breakdown on the very last day.
--I saw your Instagram.
That's why I wanted to talk about because she's sobbing. She had a hard
time. --That face!
No, no. The, the breakdown was was massive. It was a massive meltdown.
I was waiting outside the stage door with all the other parents of all
the other kids. And then the company manager calls me, and she's like Lea you
need to go in. I'm like why? Nicole's having a meltdown. Okay, so I get called
in. I'm escorted to her dressing room where she's like Mommy! I take her, I calm
her down, and then she asked the question: Is it always like this? Meaning is it
always like this when you close the show? And like yeah kinda. Yeah, I think
I'm I just know when it's coming, so I think I'm able to manage my own
meltdowns a little better, but this was her first one. And it's huge. She made so
many good friends. It was such a supportive company. I mean all of the
parents really treated the children like the other children as if they were their
own, which is something that the director encouraged. He encouraged an environment
where everybody supported everybody, where it was not really super
competitive, you know? Where everyone really needed to bolster everybody
else's performances. And it was a fantastic environment because I've heard
nightmare stories for of other theatre companies, where they would pit one kid
against another kid. I'm like, my child is not going to be in that company.
I'm not putting my kid there. There's enough pressure
already in performance to have to go through any other backstage BS. So that
she was in a very nurturing environment, one that developed her not only as a
performer, but as a human being, I'm all for that. And so it turned out to be a
perfect experience for her, and now she kind of understands what it is I do.
--I mean and it's great that you're able to actually understand what she was
going through because, you know, a parent who had not been through
themselves but not necessarily have the tools to do that.
--Exactly. -- But is it scary at all for you
to think of her, I mean is your experience of the performer, you started
very young as well, and you obviously --Much younger than her, actually.
--Much younger,
and you actually had a great run. I mean, you know it seems like you've been very
successful in your career. But I'm sure you've seen all sorts of people go down
the showbiz path, so how does it feel to see her have her first take our
first little step in that world?
--Being here I think might have been a little
more helpful for me because if I'm constantly there, there might be that
constant need to always seek my approval. I think there's that because I'm like
the theatre professional in the family. I mean there was another kid I think
who's mom, like that two other kids whose moms are also very active in music or in
theater. One of them actually played Mrs. Phelps, so she got to be on stage or in
the theatre with her daughter. But I think it was, it may have been helpful
for her because it meant less pressure. She could just, she could just do what
she needed to do, to prepare for the performances, and I can just come in at
closing, and watch everything. And she did really really well. I was so
proud of her. Like my husband like would sit beside me,
and he'd be like, Honey, she's really
good. You'd be really proud. She's really good. Like okay, if you say so! And she, I
was very proud of her. She sounded really good, and her her face is what I will
always remember. She's a gazillion feet away from me, but
I can still see the expression and the detail on her face, which is a good thing.
--Awesome. All right, we're gonna take a quick break. We'll be back with more
Lea Salonga.
[music]
--And we're back with Lea Salonga. Tony winner, Miss Saigon, which was which has
been back on Broadway all year. --Right!
--Is it weird for you to walk around a
theater district and see like Aladdin and Miss Saigon, you feel like you're just
like walking through your resume? I mean. --[laughs]
--Now all we need is for Les mis and Flower Drum Song and Alleigiance to be
revived. I mean, Allegiance just had --Movie theater.
--It was in the movie theaters.
--It's it's
--It's cool, though. --It's kind of cool. Two of the
--Iconic. --biggest things of my career are
actually running on Broadway while I'm in a show. So
it's kind of nice. -- Yeah yeah it's nice.
--It's great. I can't complain. -- When you
watch Miss Saigon, when you watch somebody else do Miss Saigon, like Eva
Noblezada or whoever else, is it emotional for you to watch it as an audience member or
you're just too close to it?
--It's it's it's strange. I mean, there there will be
some moments when I'll be like... uh, okay and then there will be some moments where
I'm like oh my god, you know? And, I recently, actually, one of the last times
I got to see it. I was with my manager, we were in the UK
so we we were heading from London to go to Lithum
for the Lithum Festival. We took a train, had a little adventure, and we went to
Birmingham to see Miss Saigon there because The Engineer was a friend of
mine. I knew that the Kim who would be playing was a Filipino girl named Joreen
Motista. 17 years old, I think, by sheer luck she would be playing, and the guy
playing Tui is also from the Philippines. His name is Gerald Santos. So for me it's
like this whole big swelling massive Filipino artist on stage pride thing, and
it was like a whole bunch of other people in the ensemble that came from
home, so I watched and I'm like these guys are just in-credible, and I found
myself like both Josh, my manager and I, we both found ourselves crying
and totally lost in the story, and they, I think they were also coming from there
opening night high. --Did they know you were in the audience?
--Yeah. -- That helped.
[laughs] --They were like Lea Salonga is here, let's do it!
--I don't know. I didn't tell people, but I think some people found out.
--Well, I think when you
enter a theater, especially like Miss Saigon. Yeah, let's talk about the
recognition thing. I want to know about, do you get recognized. I'll talk about
New York, and I'll talk about the Philippines --Okay.
--Do people in New York recognize you and you have those moments in the Theater
District --Not really. No.
--Because you can kind of look like... I've seen you with like a hat and glasses
you could just... --I disappear.
--Yeah you do, you can disappear. Yeah I know
you're talking about.
--In Manila, it's very difficult to. You don't have all of these devices to hide behind.
--And you've done so much in just since the last time we did one these
interviews. Like you've done the voice in the Philippines and you do a lot and
then there's like the kids version, what's the kid show?
--Yeah. I think our next season might be the
kids version again. So we do we've done adults, we've done children, we've done
teenager. Teenagers have done well because vocally
I think they're, it's one, our song selection is much wider. We can actually
give them love songs, and it doesn't sound creepy. And their vocal
quality, it's close enough to them being adults they're a little more hearty
vocally, could push them a little further. But sometimes these kids,
the kids are just, oh my, oh my gosh, they blow my mind. Just the raw talent.
--But my
point is that you're you're super famous. --I'm very recognizable.
--You have over five
million Twitter followers. --Yeah
--I was looking at old interviews, and we were bragging about the fact you had like
1.5 million. Now it's like over five. I mean, I can't think of a
Broadway star --Yeah, it's 5.1 now.
that has like more Twitter followers, maybe Hugh Jackman, but he's
not on Broadway right now. --Maybe Lin-Manuel Miranda.
--Oh and Lin, okay. I'm saying
like you you're up there! That's amazing though. You can't make a move
without millions of people paying attention to it.
--Yeah which is why I never
tweet about where I happen to be at that moment.
--Yeah you have to wait until after. --I
wait until after. I wait until I'm home. Then I tweet that I was
there. --Walking around the Philippines, what is
that like?
--Okay uh it depends. It depends on where. I'm able to walk around
shopping malls, and of course there will be people that whose heads will turn, but
for the most part I'm left alone, especially if I'm with my daughter and
my husband. It's she's with her family.
But but sometimes people get a little excited, and you know, I was, ?my
brother and I were in Dubai and we had just landed. We were waiting for our car
and the car was taking a while, so we had our luggage on carts, and I'm on
my phone just checking out whatever
--Seeing what your five million followers are saying to you.
--Whatever, and then and then there were you know copatriots that
were coming, and who looked like they wanted to take a picture, and my brother
is very protective, but he knew how to lay the ground rules really really
nicely. And they would ask him, sir can we take our picture with her? Like
I'm not there. And and Gerrard's like, you ask her nicely, she will say yes, and
he said it in Filipino, so if there are Filipino people that are watching this
and know the language. -- They are.
--And so he said, "Kailangan mo lang magaling
meaning "You just have to be nice about asking." Be nice about it.
Don't be rude, don't grab her, don't be all like in her face.
--Yes, exactly. -- Please don't do that. Don't act uncivilized
--Don't take a picture without asking.
--Exactly, and you know people that the stage-door have all been really gracious,
and you know, and everybody's been effusive in their praise of the show,
without losing their manners, so their parents would be very very proud. Like
everyone that's been to the stage door, without exception, have all just been
incredibly gracious and incredibly nice, no grabbies, and we also have security, so.
--No grabbie's.
--Don't don't grab, don't be rude, and I'm speaking for everybody that
comes out of that stage door, too and because we love it when you let us know
how you feel about the show, and we love it if you love it.
--Number one! That's
how I feel. That's how we feel. -- Yeah thank you Broadway.com.
--But, I actually said on Twitter to my much much smaller following that I think
you singing the Human Heart could like heal the world.
That song, first of all, that is such a beautiful Ahrens and Flaherty's song.
--I love it.
--Stunning song. --I get to sing it every day.
--Your performance of it is beautiful. What's
happening on stage with the stage magic that Michael Arden has created is
beautiful. What does it like to be in that moment?
I mean that song.
--I love it. I love it, and then everybody else and the company is also
singing. I mean Q Darrington is in his water feature.
--Water feature. His pond.
--So he's singing and so I kind of am able to lock eyes with him, even though he's
in the dark. I have either Emerson Davis or Mia Williamson, one of our
little girls, just beaming up at me and so it's always fun to sing to a child
with a child. It's just such a fun song to to sing. It's it's
it really is. I love being, it's not a long song, and it's it's a really
gentle gentle moment in the show. One of my friends, who saw, who came on opening
night, said that you've got Mama Will Provide, which gets everybody riled up.
--Showstopper. -- It is! And, Alex Newell just knocks it out
of the park every
single performance. And then Some Say follows, which kinds of keeps the energy
up, and then here comes Human Heart and it's like, it's like that, it's like a
balm, you know? It's like something that heals. It's like a salve for a wound. And so
you you hear it and then you can almost and he said you can almost see people
kind of just settle, and --Heal the world. That's what I said.
--You know exhale and --Yeah.
It's beautiful. --So I like it's
--It's a beautiful moment. --that moment was given to me.
--You're in command of it. It's wonderful . --It's fun to do.
--Is it fun to be
part of like an ensemble company like that because it really is amazing. You're
on stage basically the whole time --Most of the time, yeah, and it really is,
you all have your moments. And even every member of the ensemble every storyteller
has moments, and --Oh my gosh. They are just ridiculous that company
--And is that is that nice
versus Lea Salonga above the title this is Lea Salonga, all the pressure. Are you
loving that part of the experience? --I really am loving this part of the
experience and it's nice to not be the onus of anything, for once. It's nice
to not have that pressure of being the titular character of a show. It's
it's nice. I mean Les Mis, the experience was very similar. Right yeah you know you
you do your thing, you die, and then you're in the ensemble for an hour.
It's cool. With with this, it's like I'm not really I'm part of an ensemble, but
I'm not in the ensemble. It's like I have the headdress on for most of the show.
By the way, that dress is worth the price of admission, to see you navigating a headdress.
--Yes just
to see this mess of Ethernet cables piled up on my head.
--Basically what it is. It's amazing.
--It's not as heavy as you might think. --So what's happening for the holidays
before we go? Well my family is coming. And we have our Christmas Eve
and our other Christmas dinner things planned. I'm in the show. I have
a performance on Christmas Eve at 3 o'clock in the afternoon, so I know where I'm gonna be.
--Your daughter hasn't seen yet. --No.
--She's too busy being a star.
--Too busy being Alice in Matilda! And
being in school and trying to catch up on her schoolwork,
poor kid. I'm gonna have to help her when she gets here. It's it's it's it's it's
gonna be a busy holiday season for everybody, but I think we're planning to
definitely see The Last Jedi. -- Oh, naturally!
--Yeah, I think my husband told
me, this is apparently like the best Star Wars movie since Empire. Like oh
that is a lot to live up to! We we gotta go! So, I have a whole bunch of friends
that are huge Star Wars cosplay freaks
and fanfiction, name it. They are deep into it. They have like the custom-made
lightsabers and....
--And you're a deep geek. I mean you are.
--Yeah I'm not I'm
not the hugest Star Wars geek, by any means,
--You are kind of -- But I do have the gaming
consoles. I know my way around an iPad and an
iPhone. I'm not afraid to take something apart
and put it back together. I think it's, yeah, I've put together radio
remote-control cars for my brother. It's...
-- I haven't done that, so see, you have one up
on me there.
--It's it's what I do, and it's it's yeah it's another part of my brain.
--We love all the parts of you, and I'm so happy you're back on Broadway honestly, in this
beautiful show. Everyone please go see Once on This Island and when am I gonna
get that album? I need to get my hands on it.
--We're gonna be recording it pretty
soon, I think --ASAP.
--I think pre-orders, I think you can start pre-ordering now.
--Good, so the world will be healed by the time that recording comes out
-- Yes. --Hopefully I just
made a prediction...
--Well, we could all use a little healing in this world.
--Exactly. Thank you so much
for being here. --You're welcome.
--I always love talking to you. Thank you for watching. We'll see you
next time.