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Okay now that we've got some light tones and we've got some really light mid tones and
then in here we've got some mid tones. In certain areas where there's no light getting
to it at all it starts to get to become a mid tone. So all you've got to do is pick
out certain areas that you see where the light is being blocked. Because this is the strongest
one, there's a light over top and that's giving shadow as well. But for what I'm talking about
right now I'm just trying to focus on these mid tones. And even under here is kind of
a darker mid tone. So I'm just going to come in. And when you start to do these mid tones
it starts to give whatever you're working on a lot more dimension. You start to feel
it a little bit more. That it has shape and it's not just a flat drawing. And that's the
thing about this coquille board is that you can really start to get your drawing to pop
off the paper. Just with a few simple techniques.
So all of a sudden this bottle?s starts to get a little bit better shape. And even under
where the foot of the seal is, just by doing some darker mid tones. So these are the darker
mid tones.