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[SPEAKING IN GERMAN]
[GUNSHOTS AND EXPLOSIONS]
♪ INSTRUMENTAL MUSIC ♪
[PHONE RINGING]
>>YES?
>HOW WAS THE ***?
GOOD?
YEAH?
>>YEAH, PRETTY GOOD.
>GOOD.
LISTEN, I'VE GOT A JOB FOR YOU.
>>WHEN?
>TODAY, 15:00 HOURS.
>>HOW MUCH?
>SEVEN GRAND.
YOU'LL GET IT WHEN YOU'RE DONE.
YEAH?
>YOU GOT IT.
>>OK.
>I'M GONNA LEAVE NOW.
OH NO, YEGOR ALREADY PAID ME.
>>IT'S ALRIGHT.
TAKE IT ANYWAY, ALRIGHT?
>I HAD A GOOD TIME WITH YOU.
>>DO YOU NEED A RIDE OR
ANYTHING?
>NO, I'M ALRIGHT.
I'M FINE, THANK YOU.
SEE YA.
[WATER RUNNING]
♪ INSTRUMENTAL MUSIC ♪
>>HEIL HITLER.
>GOOD.
[KNOCKING]
♪ MUSIC ♪
>>WELCOME.
COME ON IN, COME ON IN.
>HERR HEYAZI.
SO GOOD OF YOU TO COME ALL
THIS WAY TO MEET WITH US.
>>PLEASURE TO FINALLY MEET
YOU MR. KOENIG.
ABU NASSER SENDS HIS
GREETINGS.
>VERY WELL.
DIETER, COULD YOU BRING US
SOME TEA?
>>OF COURSE SIR.
>I, UH, HEAR THE PACKAGE HAS
REACHED THE DESTINATION.
>>INDEED.
>SO TELL ME, MR. KOENIG, WHY
EXACTLY ARE YOU HELPING US?
>>DANKE SCHOEN.
♪ MUSIC ♪
>DANKE.
>>YOU PERHAPS HAVE HEARD OF
THE CITY OF DRESDEN?
>DRESDEN, OF COURSE.
I JUST CHANGED PLANES IN
DRESDEN ON MY WAY HERE.
>>THE DRESDEN YOU SAW IS NOT
THE DRESDEN OF MY YOUTH.
I GREW UP THERE.
IT WAS A BEAUTIFUL CITY,
MORE BEAUTIFUL THAN YOU
COULD POSSIBLY IMAGINE.
BUT THE AMERICANS AND THE
BRITISH BOMBED IT IN 1945.
BURNED IT TO THE GROUND
WHILE I WAS FIGHTING THE
RUSSIANS IN THE EAST.
♪ MUSIC ♪
[INDISTINCT SCREAMING]
♪ MUSIC ♪
MY PARENTS, MY HOME,
MY LITTLE SISTERS ALL...
ALL PERISHED IN THE FIRES.
>>I'M SO SORRY
TO HEAR THAT MR. KOENIG.
>I PROMISED MYSELF I WOULD
AVENGE THIS ACT OF TERROR
BEFORE MY TIME WAS UP.
THEY CALL YOU PEOPLE
TERRORISTS, THE AMERICANS...
THEY ARE THE TERRORISTS.
I WANT TO SEE THE AMERICANS
ERUPT IN FLAMES.
I WANT TO - I WANT TO SEE
THEM SUFFER THE WAY MY...
THE WAY MY FAMILY DID.
YOU, YOU HAVE MY FULL
SUPPORT.
USE MY MONEY WISELY.
>>I PROMISE YOU MR. KOENIG
THAT I WILL DO EVERYTHING
IN MY POWER TO COMPLETE
THIS MISSION.
>I KNOW.
DIETER, WOULD YOU PLEASE
BRING ME THE BRIEFCASE?
♪ MUSIC ♪
>VERY GOOD.
♪ MUSIC ♪
I WANT TO THANK YOU FOR
EVERYTHING MR. KOENIG.
>>SIEG HEIL!
>SIEG HEIL!
COGNAC?
♪ MUSIC ♪
♪ [RADIO] ♪
>SO, HOW'S THE FORCE
TREATING YOU?
>>THEY STUCK ME ON A PATROL
WITH THIS GOD DAMN ***.
DIDN'T YOU HAVE TO PARTNER
UP WITH A PORCH MONKEY
FOR THE PAST TWO YEARS?
>LIFE IS TOUGH ISN'T IT?
IT'S SHORT, AND THEN WE DIE.
>>JUST GOTTA PUT UP WITH IT
I GUESS.
NOT FOR LONG THOUGH.
[CHUCKLES]
>YEAH, THAT'S FOR SURE.
>>YOU WANT A BEER?
>A BEER?
THAT SOUNDS LIKE A GOOD
IDEA, I GOT TEQUILA.
DANG!
I'LL NEED A CHASER!
[LAUGHING]
>>TO THE GOOD TIMES!
>TO THE GOOD TIMES!
>>OH MAN!
>THEY ARE COMING.
>>OH NO NO NO!
>HEY, HURRY UP!
QUICKLY, QUICKLY!
>>YOU PAID LAST TIME RIGHT?
I GOT IT MAN, IT'S ON ME.
HEY MAN, 35 BUCKS.
HERE YOU GO.
>35 BUCKS?
>>GET THE *** BACK ACROSS
THAT BORDER BEFORE I SHOOT
YOUR ***, SHOO!
*** SHOO!
>THAT'S ALL THERE IS MAN,
VAMONOS!
>>GO!
>HEY BEANER, SAME TIME
NEXT WEEK.
YOU GOT THAT?
♪ MUSIC ♪
DOESN'T GET MUCH BETTER THAN
THAT DOES IT?
>NO MAN, I GUESS NOT.
>>IS THAT A LITTLE SQUIRREL?
>>I GUESS THAT MEANS SHOW
TIME!
[GUNSHOT]
>WHAT ARE YOU DOING
FOR LUNCH?
[GUNSHOT]
>>I HAVEN'T THOUGHT
ABOUT IT YET.
[GUNSHOT]
>I KNOW A PLACE IN TOWN THAT
MAKES A GREAT STEAK BURRITO.
[GUNSHOT]
>>*** MAN, I'M A VEGAN,
YOU KNOW THAT.
[GUNSHOT]
>HOW LONG HAVE YOU BEEN
A VEGAN?
>>FOR A WHILE.
[GUNSHOT]
>HEY MAN, I WAS TRYING TO
GET THAT ONE!
>>ALRIGHT, SORRY GO AHEAD.
[GUNSHOT]
[LAUGHING]
[GUNSHOTS]
>***, THEY'RE GETTING AWAY!
COME ON!
♪ MUSIC ♪
[GUNSHOT]
[LAUGHING]
[GUNSHOT]
[SCREAMING]
>>[SPEAKING SPANISH]
[GUNSHOT]
[BABY CRYING]
>WELL, WHAT DO YOU KNOW?
IT'S A BOY!
[GUNSHOT]
AHH, I KNEW IT!
[BABY CRYING]
♪ MUSIC ♪
[GUNSHOT]
♪ MUSIC ♪
>>IT'S DONE.
>HEY RONNIE.
>>IT'S A DONE DEAL.
>IT'S ALL DONE?
NOW GET THAT THING OUT OF
THERE BEFORE ANYBODY FINDS
OUT WHAT'S GOING ON, OK?
>>WHAT ABOUT MY MONEY?
>IT'S BEEN WIRED.
>>ALRIGHT THEN.
>YOU GOTTA QUIT WITH THE
CIGARETTES, OK?
YOU'RE GONNA KILL YOURSELF.
>>ALRIGHT MAN, ALRIGHT,
ALRIGHT.
>NOT GOOD FOR YOU.
>>THANKS A LOT.
>I'LL SEE YOU DOWN THE ROAD
MAN.
>>ALRIGHT, TAKE IT EASY.
>DON'T TAKE ANY WOODEN
NICKELS.
>>YEAH.
GET YOUR CAR WASHED MAN,
IT'S BEGINNING TO STINK.
>I KNOW.
♪ MUSIC ♪
>>HEY GUYS, LISTEN TO THIS.
JESUS IS HAVING HIS 18TH
BIRTHDAY, YEAH?
18 YEARS OLD AND HIS
FRIENDS, SINCE HE NEVER HAD
A GIRL BEFORE THEY DECIDED
TO GIVE HIM A PRESENT.
A ***, YOU KNOW?
IT'S A NICE BIRTHDAY PRESENT.
>HEY MAN, DON'T BE TALKING
ABOUT JESUS LIKE THAT HOLMES.
>>OH SHUT UP.
ANYWAY SO...SO ANYWAY.
SO THEY GOT HIM A ***,
YEAH, AND THEY WASHED HER
ALL CLEAN, NICE,
EVERYTHING'S GOOD.
PUT HER IN A SEPARATE ROOM
FOR HIM.
SO HE COMES BACK FROM WORK,
YOU KNOW, AND THEY SAY
"HEY JESUS, GO TO THE ROOM.
SEE, YOU CHECK OUT YOUR
PRESENT."
OK, HE GOES INTO THE ROOM.
A MINUTE LATER WE HEAR
THIS "AHHH!"
ALL CRAZY SCREAMING YELLING
AHAH PEWWW!
>WHAT HAPPENED?
>>THIS IS WHAT HAPPENED.
SO, THEY SAID YEAH EXACTLY
THAT'S WHAT THEY ASKED,
"WHAT HAPPENED JESUS,
WHAT HAPPENED?"
HE SAYS, "YOU KNOW GUYS
WHAT HAPPENED?
I CAME TO THE ROOM, I SEE
THIS GIRL, SHE'S ALL NAKED,
AND I SEE THIS BIG GAPING
WOUND, OLD WOUND BETWEEN
HER LEGS."
AND THE GUYS LIKE, "YEAH?
NO ***.
THEN WHAT DID YOU DO JESUS?"
HE SAID, "WHAT DO YOU MEAN
I *** DO?
I HEALED IT!"
>THAT'S *** UP MAN.
>>THAT WAS SOME *** UP
***.
YEAH!
>I WANT TO SUCK YOUR ***.
>>THAT'S ***'S *** UP!
>YOU WANNA WHAT?
♪ MUSIC ♪
DOES YOUR BOYFRIEND KNOWS
WHAT A *** YOU ARE?
♪ MUSIC ♪
>>CAN WE HELP YOU?
>CAN I COME IN?
>>WHO IS THIS?
>IT'S CHAD, HOLMES.
>>CHAD!
HEY, HOW YOU DOING?
>WHAT'S UP YEGOR?
>>GOOD, GOOD, GOOD.
>I'M KIND OF IN A RUSH MAN.
>>IN A RUSH?
WHAT, YOU'VE GOT ONE OF
THOSE DATES, HUH?
>YEAH, SOMETHING LIKE THAT.
>>HEY, WE HAVE PLENTY OF
*** TO GO AROUND HERE.
>JUST CAME TO GET MY MONEY.
>>HOW MUCH MONEY DO I OWE
YOU?
>SEVEN GRAND, RIGHT?
>>I DON'T HAVE A SEVEN GRAND
ON ME.
YOU HAVE SEVEN GRAND?
>NO.
>>WHAT DO YOU MEAN YOU DON'T
HAVE IT?
>MAN LISTEN, I'LL GIVE IT TO
YOU TOMORROW.
>>TOMORROW?
>TOMORROW, I SWEAR,
TOMORROW.
I'M MEETING WITH THESE VERY
IMPORTANT PEOPLE, AND
LISTEN, CHAD, I'M PAYING YOU
TWO GRAND MORE IF YOU COME
ALONG AND HELP THESE
*** WATCH MY BACK, HUH?
>ALRIGHT.
>>YEAH?
>YEAH.
>>CHAD, SEE YOU TOMORROW,
HUH?
>HAVE A GOOD NIGHT GENTLEMAN.
>>LATER.
>CHAD IS MY MAN.
♪ MUSIC ♪
♪ INSTRUMENTAL MUSIC ♪
>>GET THE *** OFF ME!
AHH!
♪ MUSIC ♪
HELP ME!
♪ MUSIC ♪
>>WAIT, I KNOW HIM.
>OK, BUT...
>>I KNOW HIM.
>OH COME ON.
NO, NO, NO, NO, YOU NEED TO
TAKE YOUR *** HOME.
LOOK AT YOU.
>>MAMA I NEED THIS, ALRIGHT?
>YOU DON'T!
>>YOU'LL GET THE NEXT ONE,
I SWEAR.
>THAT'S NOT THE POINT!
>>YOU GET THE NEXT ONE,
ALRIGHT?
>WHATEVER.
♪ MUSIC ♪
>>YOU HAVING A GOOD NIGHT
THERE SWEETIE?
>NO, NOT REALLY.
JESUS CHRIST, WHAT HAPPENED
TO YOU?
>>OCCUPATIONAL HAZARD,
NO BIG DEAL.
>OCCUPATIONAL HAZARD?
IT LOOKS LIKE SOMEBODY BEAT
THE *** OUT OF YOU.
>>YEAH, WELL WHAT ARE YOU
GOING TO DO, RIGHT?
>GET IN.
>>YEAH?
SO HOW YOU DOING?
>BEEN BETTER.
>>YEAH, SO...
YOU GONNA TAKE ME HOME AND
*** THE *** OUT OF ME
AGAIN OR WHAT?
>I GUESS.
HOW LONG YOU GOT ANYWAY?
>>BABY, I GOT ALL NIGHT IF
THE MONEY'S RIGHT.
BESIDES, I KIND OF LIKED YOU.
>YEAH?
I KIND OF LIKED YOU TOO.
>>YEAH?
>WHAT'S YOUR NAME?
>>JAMIE.
WAIT, THIS ***'S NOT GOING
TO GET WEIRD IS IT?
>WHAT DO YOU MEAN?
>>LOOK COWBOY, I'M HERE TO
MAKE A BUCK, I'M NOT HERE
LOOKING FOR A BOYFRIEND, OR
A HUSBAND OR A GOD DAMN
***, OK?
YOU GET ME?
YEAH?
>IS THAT ENOUGH?
>>YOU COULD *** ME
IN THE *** ALL NIGHT
FOR HALF OF THIS.
>SO WE'RE GOOD THEN?
>>OH YEAH, WE'RE GOOD!
♪ INSTRUMENTAL MUSIC ♪
>SO YOU WANT SOMETHING
TO DRINK?
>>YEAH SURE.
>WHAT DO YOU WANT?
>>UMM, A GIN AND TONIC?
>ALL I HAVE IS WHISKEY.
>>SO WHY DID YOU ASK?
>TRYING TO BE A GOOD HOST
I SUPPOSE.
>>SO WHAT DO YOU DO?
>WAIT.
>>WHAT'S UP?
>I JUST WANTED SOME COMPANY,
YOU KNOW?
>>OK.
>YOU WANNA DANCE?
>>DANCE?
>DANCE.
>>SURE.
♪ INSTRUMENTAL MUSIC ♪
>YOU'RE PRETTY GOOD DANCER
FOR A WEIRDO.
>>THANKS.
>SO YOU'RE NOT GOING TO KILL
ME AND CHOP ME UP INTO
LITTLE PIECES ARE YOU?
>>ONLY IF YOU DON'T SHUT
THE HELL UP, I AM.
>WHACKO.
>>***.
>***.
>>***.
>*** *** ***!
>>***--
>WHAT?
WHAT?
>>WHAT?
>YOU GOT NOTHING TO SAY!
♪ MUSIC ♪
♪ MUSIC ♪
>>GOOD TO SEE YOU.
>WHAT'S UP RONNIE!
WHERE'S MY MERCH?
>>RIGHT HERE.
>THE PAPERWORK IS IN ORDER?
>>YOU KNOW IT.
>RONNIE, THE NUMBERS
DON'T MATCH.
>>WHAT DO YOU MEAN?
>CUSTOMS JUST CALLED,
THEY SAID THERE'S A BOX
UNACCOUNTED FOR.
WHAT IS THAT?
>>WHAT?
>HEY, HEY?
I THOUGHT YOU SAID THAT THE
PAPER WORK IS IN ORDER?
>>HEY, WHO THE HELL ARE YOU?
>AH, DON'T WORRY ABOUT HIM.
I'LL TAKE CARE OF HIM.
>>I DO WORRY ABOUT IT.
>HEY, WHAT THE HELL IS GOING
ON HERE?
>>COME ON MAN,
YOU DON'T HAVE TO KILL HIM.
IT'S ALRIGHT, I'LL TALK TO HIM.
IT WILL BE OK.
>I DO, I WORRY ABOUT IT
A LITTLE BIT NOW.
[GUNSHOTS]
♪ MUSIC ♪
[GUNSHOTS]
♪ MUSIC ♪
>>MUERTO, GET IN THE TRUCK.
♪ MUSIC ♪
[PHONE RINGING]
>YES?
>>RISE AND SHINE
***!
YOU READY TO ROCK AND ROLL,
HUH?
>SURE.
>>ALRIGHT.
>YOU'VE GOT EXACTLY ONE HOUR
TO GET YOUR *** OVER
TO MI CASA, OK?
>>SURE.
>ALRIGHT.
RISE AND SHINE ***.
♪ MUSIC ♪
SO HOW YOU DOING BABY, HUH?
GOOD?
>NOT TOO BAD.
YOU GOT ANY ASPIRIN?
>>NO, I THINK MUERTO DOES.
HEY MAN, WE HAD A LITTLE
NICE PARTY LAST NIGHT.
TOO BAD YOU DIDN'T
STICK AROUND.
>MAYBE NEXT TIME
LIKE I SAID MAN.
>>ALRIGHT, ALRIGHT.
HEY J.
>YEAH?
>>CALL MUERTO AND TELL HIM
TO MAKE A LEFT AT THE NEXT
LIGHT, OK?
>YEAH BOSS, BUT I'M SURE
HE KNOWS.
>>WELL, THAT GUY, YOU KNOW,
I LOVE HIM TO DEATH
BUT I THINK HE'S ***
PRETTY STUPID SOMETIMES.
>MUERTO, LOOK, BOSS WANTS
YOU TO MAKE A LEFT AT THE
NEXT LIGHT, OK?
>>YEAH, I KNOW MOTHERF--
>SO, HEY, YOU GOT LAID
LAST NIGHT HUH?
>>NO, NOT REALLY.
>OH COME ON, COME ON,
YOU STUD YOU!
I KNOW YOU.
I WISH I DIDN'T HAVE TO PAY
*** TO *** ME.
>>YOU DO?
>SOMETIMES.
[PRAYING IN ARABIC]
[KNOCKING]
>>WHO IS IT?
>HOMELAND SECURITY, OPEN UP!
>>WHAT DO YOU NEED?
>COME ON, LET ME IN YOU
*** ARABS.
>>*** YOU ***!
>I LOVE YOU TOO.
>>THAT'S NOT EVEN ***
FUNNY MAN.
>WHAT ARE YOU SCARED?
>>YOU SHOULD BE ***
SCARED.
I ALMOST *** POPPED ONE
UP YOUR BRAIN!
>HEY, HEY, HEY, HEY.
>>PIECE OF ***, LET HIM IN.
>HEY, YOU SHOULD HAVE GOTTEN
SOME *** FURNITURE
IN HERE.
♪ MUSIC ♪
>>CAREFUL!
[LAUGHING]
MALIK!
♪ MUSIC ♪
[SPEAKING OTHER LANGUAGE]
♪ MUSIC ♪
TIME TO MAKE HISTORY
MY FRIEND.
♪ MUSIC ♪
[CLAPPING]
[SPEAKING OTHER LANGUAGE]
♪ MUSIC ♪
>>WHAT THE *** IS THIS?
>HEY, HEY, EASY TIGER!
WHEN ARE YOU PLANNING
ON DOING THIS, HUH?
>>HEY, WE'LL CALL YOU.
>NOW LEAVE!
>>NICE DOING BUSINESS WITH
YOU BOYS!
LET'S GET THE HELL OUT
OF HERE.
>*** OFF...***!
>>*** DIAPER HEADS!
>>WHAT'S UP ***?
>HEY GIRL!
>>SO, HOW WAS YOUR NIGHT?
>IT WAS ALRIGHT.
HOW DID YOU DO?
>>BLEW SOME NASTY ***
TRUCKER FOR $80, THAT'S IT.
HO, HOW MUCH DID YOU MAKE?
>I DIDN'T MAKE ANYTHING.
>>WHAT?
OH, ***.
ALRIGHT, YOU WANT ME TO TELL
TYRONE TO *** HIS *** UP IF
HE EVER SHOWS UP AGAIN?
>WHO'S TYRONE?
>>MY *** ***, DAMN!
>OH YOU GOT A *** NOW?
>>OH YEAH!
>MAMA IS MOVING UP!
>>YEP, UNLIKE SOME PEOPLE.
WELL, HO, ANSWER THE QUESTION.
>I KNOW.
IT'S USUAL.
I'M PRETTY SURE I WANT
TO SEE HIM AGAIN.
>>OH, YOU'RE DUMB.
DUMB, DUMB, DUMB.
WELL, IS HE RICH?
>I DON'T KNOW, HE SEEMS TO
BE DOING PRETTY ALRIGHT
FOR HIMSELF.
HE'S A REALLY NICE GUY.
>>RIGHT, RIGHT, EXCEPT FOR
THE PART WHERE HE DIDN'T
PAY YOUR ***.
>I DIDN'T SAY THAT.
>>THIS BETTER BE SOMEBODY
*** IMPORTANT.
HI BABY.
ALRIGHT, ALRIGHT, I WILL
SEE YOU IN A FEW.
BYE!
WHATEVER THEN.
YOU HAVE A GOOD ONE...
WITH YOUR MAN.
I GOTTA TAKE A ***
ON THIS WEIRDO.
BYE ***.
>ALRIGHT, ENJOY YOUR PEE PEE.
SHAKE IT MAMA, SHAKE IT!
>>SO WE'RE STRAIGHT, YEAH?
>YEAH, WE'RE STRAIGHT.
THANKS.
>>I'LL CALL YOU.
>SOUNDS GOOD.
>>HOMEBOY'S ACTING FUNNY,
HUH?
>YEAH, I KNOW.
♪ MUSIC ♪
[PHONE RINGING]
>>YES?
>HEY, IT'S ME CHAD.
>>HI.
>YOU LEFT EARLY.
>>I DIDN'T KNOW IF YOU
WANTED ME TO BE HANGING
AROUND SO...I JUST--
>RIGHT.
LISTEN, YOU GOT ANYWHERE YOU
CAN GO FOR A COUPLE OF DAYS
OUTSIDE OF TOWN?
>>UMM NO, NOT THAT I CAN
THINK OF.
>***.
HOLD ON A MOMENT.
HEY, LET ME CALL YOU RIGHT
BACK.
>>OK.
♪ MUSIC ♪
[SPEAKING OTHER LANGUAGE]
♪ MUSIC ♪
[TIRES SQUEELING]
♪ MUSIC ♪
[SMASHING]
♪ MUSIC ♪
[GLASS SHATTERING]
♪ MUSIC ♪
[GUNSHOTS]
♪ MUSIC ♪
[TIRES SQUEELING]
♪ MUSIC ♪
>HI!
IT'S ME, JAMIE.
>>FORGET WHAT I SAID ABOUT
LEAVING TOWN, JUST GO
SOMEWHERE AND WAIT
FOR ME TO CALL YOU.
>WHAT IS GOING ON?
>>LOOK, IT'S A LONG STORY.
I'LL TELL YOU WHEN I GET BACK.
JUST GO GET A HOTEL ROOM.
>I'M, I'M KIND OF BROKE
RIGHT NOW.
>>YOU SHOULDN'T HAVE LEFT
THE MONEY THEN, HUH?
>WELL SORRY, I DIDN'T FEEL
IT WAS...
>>YEAH, YEAH I GOTTA GO, OK?
>OK.
♪ MUSIC ♪
>>COME ON LADY!
*** TRAIN, *** TRAIN
IN THE MIDDLE OF THE ***
DAY.
COME ON.
FIVE MILE *** TRAIN.
>MORGAN.
>>DADDY?
>HEY.
>>WHAT ARE YOU DOING HERE?
>I DON'T WANT YOU TO GO TO
SCHOOL TODAY.
>>WHY?
>WELL, I'LL EXPLAIN IT TO
YOU LATER.
I'M GOING TO RUN YOU OUT TO
YOUR AUNT JENNY'S HOUSE
IN SANTA CRUZ.
>>AUNT JENNY'S DUMB.
DOES MOM KNOW ABOUT THIS?
>SURE.
HOW IS YOUR MOM?
>>SHE'S OK.
>LISTEN, I GOT SOME THINGS
TO DO SO JUMP IN, OK?
>>OK.
>PUT YOUR SEATBELT ON.
♪ MUSIC ♪
[SIREN WAILING]
♪ MUSIC ♪
[SIREN WAILING]
>>PULL YOUR VEHICLE TO THE
SIDE OF THE ROAD NOW.
[SIREN WAILING]
>PULL OVER.
[SIREN WAILING]
♪ MUSIC ♪
[SIREN WAILING]
[GUNSHOT]
[TIRES SQUEELING]
[CRASHING]
[EXPLOSION]
[CRASHING]
♪ MUSIC ♪
[GUNSHOTS]
>>FINE WOMEN OUT HERE
TOO BOY.
I TELL YOU.
***!
IF I WASN'T A COP--
[LAUGHING]
HEY MAN, SO WHAT'S UP?
YOU HUNGRY OR WHAT THOUGH?
>NO, NOT REALLY.
>>I SWEAR, SOMETHING'S WRONG
WITH YOU BOY, YOU HAVEN'T
EATEN ALL DAY.
WHAT'S WRONG WITH YOU MAN?
YOU STILL ON A WHITE BOY
DIET?
>IT'S NOT A DIET.
IT'S CALLED BEING A VEGAN
YOU DUMB ***.
>>A VEGAN, HUH?
I'M THE DUMB *** BUT YOU'RE
THE ONE HUNGRY.
BOY, YOU WHITE PEOPLE
KILL ME MAN.
♪ MUSIC ♪
[ENGINE STALLING]
[HISSING]
[BEEPING]
[GUNSHOTS]
[BEEPING FASTER]
>OH ***!
♪ MUSIC ♪
>>COME ON MAN, WHY DON'T WE
GO GET SOME DEEP FRIED
CHICKEN, HUH?
OR STOP BY MY MAMA'S HOUSE
AND GET SOME RIBS.
AND SHE MAKES THE BEST
POTATO SALAD.
DAMN!
IT MAKE YOU WANT TO SLAP
YOUR MAMA AND YOUR DADDY
AT THE SAME DAMN TIME.
I'M TELLING YOU, WHAT DO YOU
SAY WHITE BOY, HUH?
>I SAY *** YOU AND ***
YOUR DEEP FRIED CHICKEN, BOY!
>>WHOO, ***!
THIS YOUNG KID GOT ***!
♪ MUSIC ♪
WHAT THE ***
IS WRONG WITH YOU MAN?
WHAT YOU WANT?
BECOME A SCIENTOLOGIST
OR START DOING YOGA?
>I DO YOGA, WHAT'S WRONG
WITH THAT?
>>YOU DO YOGA?
YOU KNOW WHAT?
WHEN WE GET BACK TO THE
STATION I'M REQUESTING A NEW
PARTNER, BECAUSE THIS
IS SOME ***.
> ANY UNITS IN THE VICINITY
OF 5TH IN LOS ANGELES AT
THIS TIME PLEASE RESPOND.
>>UNIT 76, WE'RE ON 6TH
AND GRAND.
> WE HAVE A REPORT OF A
POSSIBLE 1180.
REQUESTING A CHECKUP.
>>ROGER THAT.
>I GUESS YOUR MONKEY ***
AIN'T GOING TO GET NO
FRIED CHICKEN.
♪ MUSIC ♪
[SPEAKING OTHER LANGUAGE]
♪ MUSIC ♪
[RUMBLING]
[SHOCK WAVE BLOWING]
♪ [SINGING INDISTINCTLY] ♪
[PHONE RINGING]
> WE'RE SORRY TO INTERRUPT
THIS BROADCAST, BUT WE JUST
GOT WORD THAT APPARENTLY
THERE HAS BEEN A NUCLEAR
EXPLOSION IN THE MOJAVE
DESERT SOME 60 MILES NORTH
OF CALIFORNIA CITY.
WE DON'T HAVE ANY DETAILS
AS OF YET.
>>[ON PHONE] YEGOR?
>WHAT?
YEAH WHO IS THIS?
>>IT'S ABDUL AZIZ ***!
LISTEN TO ME, DO YOU HAVE
ANY IDEA HOW MUCH A NUCLEAR
BOMB COSTS?
>WHAT?
>>SHUT YOUR *** MOUTH,
YOU DON'T KNOW HOW DIFFICULT
TO FIND A FUNCTIONING
NUCLEAR BOMB!
EVEN IF YOU HAVE A ***
MONEY TO BUY IT.
>I, YOU TELL ME WHAT THE
*** HAPPENED TO YOU TELLING
ME WHEN YOU WERE GOING TO
BLOW YOUR DAMN NUKE UP, HUH?
>>I DIDN'T BLOW IT.
>YOU *** ***!
>>WHY WOULD I BLOW IT IN THE
*** MIDDLE OF DESERT.
TELL ME WHY?
YOU THINK I'M *** STUPID?
>OK, HOLD ON A SECOND.
[GUNSHOT]
OK, OK, SO WHAT HAPPENED?
>>I DIDN'T DO IT, THAT'S WHY
I'M CALLING YOU.
>WHY THE *** AM I SUPPOSED
TO KNOW THAT?
>>THE EXTRA GUY YOU BRING
ALONG WITH YOU,
WHO IS THIS GUY?
>YEAH, YEAH, YOU DON'T WORRY
ABOUT HIM, HE'S COOL.
>>I WORRY ABOUT IT, I DON'T
HAVE A *** BOMB ANYMORE!
YOU NEED TO GO FIND HIM AND
ASK HIM SOME QUESTION
***!
>OK.
I'M GOING TO ASK HIM
QUESTIONS, OK?
JUST CALM THE *** DOWN!
>>SHUT THE *** UP!
DON'T CALL ME AGAIN!
>GOD DAMN IT, ***!
>>*** PIECE OF ***!
>FELLAS?
GENTLEMEN?
HOW'S IT GOING?
A DEAD ARAB.
>>A DEAD ARAB.
HE GOT HIT, HUH?
YEAH, HE DEAD.
>THIS GLOVE IS NOT WANTING
TO GO ON ME.
>>WE JUST GOT WORD THAT THE
LOS ANGELES POLICE
DEPARTMENT HAS FOUND THE
BODY OF AN ARAB MAN NEAR
DOWNTOWN LOS ANGELES NEXT TO
AN ABANDONED CAR THAT HAD,
WHAT APPEAR TO BE BULLET
HOLES IN IT.
THE LAPD HAS YET TO RELEASE
A STATEMENT AND THERE ARE NO
SUSPECTS IN CUSTODY
AT THIS TIME.
>FBI, DAN MOLLER,
SARAH GATEWOOD.
WE'RE GOING TO TAKE OVER
FROM HERE.
>>WHOA, WHOA, HOLD UP.
WHAT DO YOU MEAN YOU GUYS
ARE GOING TO TAKE OVER FROM
HERE?
>WE'VE HAD A NUCLEAR
EXPLOSION AND WE GOT A DEAD
ARAB HERE.
WHICH MEANS THE FBI WILL BE
TAKING OVER THE INVESTIGATION.
YOU HAVE A PROBLEM
WITH THAT OFFICER?
>>A NUCLEAR EXPLOSION?
♪ MUSIC ♪
>THE AUTHORITIES HAVE YET TO
DETERMINE ANY CONNECTION
BETWEEN THE NUCLEAR
EXPLOSION AND THE ARAB MAN--
♪ MUSIC ♪
[PHONE RINGING]
MEANWHILE, THE NATIONAL
GUARD HAVE BEEN CALLED IN TO
HELP EVACUATE.
[PHONE RINGING]
>>YES?
>HI, IS THIS JAMIE?
>>YES, THIS IS JAMIE.
>HI, THIS IS OFFICER RYAN
DECKER CALLING FROM THE LOS
ANGELES POLICE DEPARTMENT.
WE FOUND YOUR NUMBER
AT A CRIME SCENE.
WOULD IT BE OK IF WE ASK YOU
A FEW QUESTIONS?
>>UMM, WHERE DID YOU SAY YOU
FOUND MY PHONE NUMBER?
>AT A CRIME SCENE MA'AM IN
DOWNTOWN LOS ANGELES.
THERE'S BEEN A FATAL
SHOOTING AND IT WOULD BE
REALLY HELPFUL IF I COULD
ASK YOU A FEW QUESTIONS.
>>WHERE DO I NEED TO GO?
>OH THAT'S OK.
YOU JUST TELL ME WHERE YOU
ARE AND WE'LL COME TO YOU.
I'D HATE TO INCONVENIENCE
YOU ANYMORE THAN WE HAVE TO.
>>UM, I'M AT THE
SUN...UM...AT THE HYATT ON
SUNSET, ROOM 307.
>GREAT, YOU JUST STAY PUT,
WE'LL BE RIGHT THERE.
>>WIDESPREAD PANIC AS
THOUSANDS FLEE LOS ANGELES.
>ALRIGHT, I SAY WE GO IN AND
BUST IN ON THE WHOLE GROUP
OF THEM.
>>DON'T YOU THINK THEY'VE
PROBABLY MOVED OUT OF THERE
BY NOW?
>I GUESS WE'LL FIND OUT.
>>WELL, I GUESS I'LL
CALL IT IN.
>PARTNER!
>>WHAT'S UP?
>DIDN'T YOU SAY YOU WANTED
SOME FRIED CHICKEN?
>>YES, MY MAN!
>I KNOW A GREAT PLACE IN
HOLLYWOOD.
LET THESE FBI *** BAGS
DEAL WITH THIS ***.
>>YEAH, I HATE THE FBI!
>EXCUSE ME?
>>YOU HEARD WHAT I SAID.
I HATE THE FBI!
>YEAH, YEAH, WHY DON'T YOU
TAKE YOUR LITTLE COP BUDDY
AND GET OFF OF MY CRIME
SCENE BEFORE I CALL YOUR
SUPERVISOR.
>>I AM THE SUPERVISOR!
>WELL, LET'S GO HAVE SOME
COFFEE THEN.
>>MAYBE LATER, PUNK!
>KISS MY ***!
[COUGHING]
>RIGHT OVER THERE, 2:00.
>>ARE YOU OK SIR?
>FINE, THANKS.
>>DO YOU NEED ANY MEDICAL
ATTENTION?
>NO.
>>HAVE YOU BEEN EXPOSED TO
ANY RADIATION SIR?
>I MIGHT HAVE BEEN, YEAH.
>>ARE THE LEVELS GOOD?
>ACCEPTABLE!
>>TAKE THESE.
IT'S KI, POTASSIUM IODIDE.
IT'S GOING TO GET RID OF ANY
RADIOACTIVE POISON
THAT'S IN YOUR BODY.
GO AHEAD!
SIR, MAY I ALSO ASK YOU WHAT
YOU'RE DOING OUT HERE ALL
THE WAY ANYWAY?
>JUST CATCHING MY BREATH
SOLDIER.
>>ALRIGHT, IT'S A VERY HIGH
DANGER ZONE SIR.
I SUGGEST YOU GET AWAY FROM
HERE AS FAST AND AS FAR AS
YOU CAN.
IT'S AN ORDER, ALRIGHT?
LET'S GO!
♪ MUSIC ♪
[BARKING]
♪ MUSIC ♪
[BARKING]
♪ MUSIC ♪
>*** YEGOR!
♪ [SINGING IN RUSSIAN] ♪
>>OH ***.
YEGOR, WE GOT COPS
BEHIND US.
>***!
JUST STAY COOL.
[WHISTLING]
♪ MUSIC ♪
>>HOW ARE YOU DOING TODAY
SIR?
>DOING GOOD OFFICER.
AND YOURSELF?
>>CAN YOU PLEASE TURN YOUR
ENGINE OFF?
>NICE CAR, IS THIS YOURS?
>>YEAH HOLMES,
IT'S BULLET PROOF TOO!
>SHUT UP MUERTO!
>>THE REASON WE PULLED YOU
OVER YOU HAVE EXPIRED TAGS
SIR.
>WHAT?
MY TAGS DON'T EXPIRE
UNTIL AUGUST.
>>SIR, IT'S DECEMBER.
CAN I SEE YOUR LICENSE AND
REGISTRATION PLEASE SIR?
>YEAH, SURE OFFICER.
MUERTO, SHOW IT TO HIM.
>>GUN!
GUN!
PARTNER GUN!
HANDS UP!
EVERYONE HANDS UP!
STEP OUT OF THE VEHICLE WITH
YOUR RIGHT HAND!
DO IT!
♪ MUSIC ♪
DO NOT MOVE!
HANDS AGAINST THE VEHICLE.
DO YOU HAVE ANY WEAPONS
ON YOU SIR?
SPREAD YOUR LEGS PLEASE.
THANK YOU.
SIR, YOU HAVE THE RIGHT TO
REMAIN SILENT.
ANYTHING YOU SAY CAN AND
WILL BE USED AGAINST YOU
IN A COURT OF LAW.
DO YOU UNDERSTAND THE RIGHTS
I HAVE READ TO YOU?
STAY BACK PLEASE.
>HEY, IT'S ME!
>>MOELLER?
>YEAH.
>>HEY, LOOKING GOOD!
>HEY, THANKS MAN.
I'VE BEEN ON A DIET.
>>IT'S WORKING!
>FBI!
THIS IS A FEDERAL
INVESTIGATION.
I'LL TAKE OVER RIGHT NOW
GUYS, YOU CAN GO.
>>YOU GOT THIS ONE?
>YEAH, I'M GOOD, YOU CAN GO.
THANK YOU.
>>HAVE A GOOD NIGHT.
>HEY GUYS, THANKS.
HEY SHUT UP!
STAY RIGHT *** THERE!
>>HEY, COME OUT THERE WHERE
I CAN SEE YA!
YOU GO OVER THERE WITH HIM.
YOU BOTH STAY RIGHT WHERE
I CAN SEE YOU, OK?
HEY!
WHO SET OFF THE *** BOMB
IN THE DESERT.
CAN YOU TELL ME THAT?
CAN'T YOU GUYS DO ANYTHING
RIGHT?
>THEY'RE GOING TO PUT ME TO
JAIL FOR POSSESSION!
>>I DON'T GIVE A *** WHAT
THEY DO TO YOU!
DON'T YOU MOVE, SIT DOWN!
SIT DOWN!
SIT *** DOWN!
>IT'S NOT MY FAULT SIR.
I MEAN, IT'S NOT MY FAULT.
>>THEN WHOSE FAULT IS IT?
THE RUSSIANS?
THE GERMANS?
WHO IS IT THIS TIME?
WHO'S THE BAD GUY?
>I'D TELL YOU, THIS GUY IS
CHAD.
>>CHAD, CHAD.
WHO THE *** IS CHAD?
>CHAD IS EX MILITARY.
I HIRED HIM FOR A COUPLE
OF HITS.
>>YOU DID, HUH?
>YEAH.
>>WHERE IS HE?
WHERE'S CHAD?
>THAT'S A ***
ONE MILLION DOLLAR QUESTION
TODAY.
>>BOY ISN'T IT, YEAH.
IT SURE IS ISN'T IT?
NEXT TIME I SEE YOU, IF
YOU'RE LYING TO ME I'M GONNA
TAKE YOUR *** HEAD OFF.
DO YOU UNDERSTAND?
>I'M NOT LYING.
MY GUYS ARE LOOKING
FOR CHAD RIGHT NOW.
>>ALRIGHT, MAKE SURE YOU
LET ME KNOW.
YOU GET YOUR PALS HERE TO
GIVE YOU A RIDE.
I GOTTA GO.
♪ MUSIC ♪
>HEY DAN!
>>WHAT?
>CAN YOU UNDO ME PLEASE?
>>WHAT AM I, A MAGICIAN?
>COME ON MAN, ***!
I DON'T HAVE A KEY EITHER!
HEY DAN, DON'T LEAVE US!
***!
DAN!
WHAT THE *** ARE YOU
LOOKING AT, HUH?
DO SOMETHING ABOUT IT!
>>HEY MISTER, YOU LOST?
>I'M FINE.
>>ON YOUR KNEES BOY!
>WHAT?
>>YOU *** HEARD ME!
WHERE'S THE PIECE?
>I DON'T KNOW WHAT YOU'RE
TALKING ABOUT.
>>RIGHT.
TURN AROUND CHAD.
[THUMP]
YOUR BUDDY YEGOR SAID THAT
YOU'VE BEEN A NAUGHTY
LITTLE GIRL.
AND IF I BET YOUR *** TO
DEATH, HE'LL PAY ME DOUBLE.
>DON'T HOLD YOUR
*** BREATH.
>>WE'LL SEE.
ON YOUR KNEES BOY!
WHAT THE *** ARE YOU DOING?
YOU ***!
[GRUNTING]
YOU KNOW THESE COP SCANNER
THINGYMAJIGGIES ARE PRETTY
*** NIFTY.
IN CASE YOU'RE WONDERING HOW
THE *** I FOUND YOU.
>GOOD *** NIGHT!
[GUNSHOT]
♪ MUSIC ♪
[SPEAKING IN GERMAN]
♪ MUSIC ♪
[GUNSHOT]
♪ MUSIC ♪
MR. KOENIG?
♪ MUSIC ♪
>CLEAR!
>>HEY, CHECK THIS OUT.
THAT'S YOUR BOY ISN'T IT?
>THAT'S MY BOY.
>>MA'AM.
♪ [ELEVATOR MUSIC] ♪
>ARE YOU HERE ON BUSINESS?
>>THAT'S CORRECT.
♪ [ELEVATOR MUSIC] ♪
>WOULD YOU LIKE TO
HOLD MY DOG OFFICER?
>>THAT'S OK MA'AM,
THANK YOU.
>HE DOESN'T WANT TO
HOLD YOU, RAMBO.
I LOVE YOU.
>>YOU HAVE A GOOD DAY MA'AM.
♪ MUSIC ♪
HI JAMIE?
>HI.
>>OFFICER RYAN DECKER.
WE SPOKE ON THE PHONE
EARLIER.
>YEAH, IT'S JUST YOU?
I THOUGHT YOU SAID WE'LL BE
THERE IN A MINUTE?
WAIT!
WAIT!
NO, NO!
>>SHUT THE *** UP!
>HOW YOU DOING BABY?
HUH?
>>WHAT DO YOU WANT?
>WHAT I WANT?
WHERE IS CHAD?
>>WHO?
>YOU DON'T PLAY STUPID WITH
ME YOU ***!
>>I DON'T KNOW ANY CHAD!
>YOU DON'T KNOW ANY CHAD?
DO YOU KNOW THIS?
DO YOU KNOW WHAT THIS IS,
HUH?
THIS IS *** RUSSIAN
TORTURE MAN!
DO YOU WANNA BE FOR THE REST
OF YOUR LIFE LIKE THIS, HUH?
YOU DON'T KNOW
WHERE CHAD IS?
I'M GONNA *** KEEP YOU
LIKE THIS FOR THE REST OF
YOUR LIFE YOU ***!
ARE YOU SURE YOU DON'T KNOW
WHERE CHAD IS, HUH?
ARE YOU *** SURE?
>>I THINK I KNOW A CHAD.
I THINK I KNEW A CHAD IN
PRESCHOOL YOU ***!
[CRACKING KNUCKLES]
[BLOWING NOSE]
>YOU ***,
YOU WANNA SPIT HERE?
SPIT HERE!
*** SPIT HERE MAN!
>>LISTEN, EVEN IF WE'RE
TALKING ABOUT THE SAME
*** CHAD I STILL DON'T
KNOW WHERE HE IS!
OK?
>YEAH, OK ***.
WE'RE GOING TO *** FIND
THAT OUT RIGHT NOW.
*** ***!
WE'RE GOING TO FIND OUT
RIGHT NOW, HUH?
JASON...CHAD...CHAD.
♪ MUSIC ♪
>>WHAT THE HELL ARE YOU
DOING BLOCKING THE ROAD
YOU PIECE OF ***!
GO BACK TO MUSCLE BEACH,
DON'T BOTHER ME ***!
>COULD YOU GIVE ME A RIDE
TO L.A.?
>>I'M GOING THAT WAY BUT
I AIN'T GOING ALL THE WAY
INTO L.A.
BECAUSE THERE'S WEIRDOES
LIKE YOU JUST STROLLING
AROUND HERE ON THE COUNTRY
ROAD.
>I'M TRYING TO BE A NICE GUY
HERE.
>>YOU CAN CRY TO YOUR MAMA
ALL DAY LONG LOU FARIGNO!
>GET THE
*** OUT OF THE CAR.
>>ALRIGHT, ALRIGHT, CALM THE
*** DOWN YOU MEAT HEAD
***!
HEY!
WHAT THE *** ARE YOU DOING
MAN?
DON'T HURT MY CAR
YOU ***!
>DON'T ***
WORRY ABOUT IT.
YOU'LL GET YOUR CAR BACK.
>>THIS DAY *** BLOWS
GOATS *** MAN,
JESUS *** CHRIST!
IF I COULD GET A LINE OF
CRANK I COULD WALK
THAT 300 MILES, ***!
>THIS IS THE *** WITH ALL
THE ANSWERS.
>>DOES SHE?
WHAT KIND OF *** ANSWERS
YOU HAVE ***?
>WELL, SHE DOESN'T HAVE TOO
MANY ANSWERS RIGHT NOW.
BUT SHE PROBABLY WILL IF WE
LET HER SLEEP ON IT, HUH?
THEN YOU'LL TELL US WHERE
THIS *** IS, HUH.
IF HE'S STILL ALIVE!
SHE WILL.
SHE WILL.
WON'T YOU SWEETIE?
>>*** YOU!
>OH, OH, SHE SAID THE F WORD.
TIE HER UP!
♪ [SINGING IN GERMAN] ♪
>>SHE BETTER NOT DIE.
YOU HEAR THAT?
SHE BETTER NOT DIE.
>SHE'S NOT GOING TO DIE.
I'VE DONE IT MANY TIMES.
IT IS VERY EFFECTIVE.
THANK YOU.
SON OF A ***.
SEE YOU LATER PUMPKIN, HUH?
♪ MUSIC ♪
[ARGUING IN ARABIC]
>WHAT THE *** ARE YOU DOING
HERE?
***!
>HE'S DEAD SIR.
WE HAVEN'T SEEN HIM IN A
COUPLE OF DAYS.
[SPEAKING IN ARABIC]
[GUNSHOT]
>HEY THERE COWBOY.
>>HOW YOU DOING?
>FEEL LIKE BLOWING OFF
SOME STEAM?
>>NO, NOT REALLY.
>UM, YOU SURE?
I'LL GIVE YOU A DEAL,
YOU KINDA CUTE.
>>YOU SEEN JAMIE TONIGHT?
>JAMIE?
NO, I HAVEN'T.
BUT I'M SURE I COULD FIND
HER FOR YOU FOR A SMALL
FINDER'S FEE OF COURSE.
>>GET IN.
>FBI.
KEEP YOUR HANDS ON THE WHEEL
***!
>>WHAT ARE YOU DOING?
>YOU JUST KEEP DRIVING CHAD.
>>HOW DO YOU KNOW MY NAME?
>BECAUSE I AM THAT GOOD.
>>SO YOU DON'T REALLY KNOW
WHERE JAMIE IS THEN DO YOU?
>DON'T KNOW, DON'T CARE.
OOPS!
>>OK.
SO NOW WHAT?
>SO NOW YOU KEEP DRIVING.
>>NOPE.
>NO?
THIS IS GATEWOOD COME IN.
>>WAIT A MINUTE.
> GATEWOOD GO AHEAD.
>>HOLD ON ONE SECOND.
WHAT?
>YOU KNOW WHY THAT NUCLEAR
BOMB WENT OFF OUT IN THE
MIDDLE OF THE DESERT INSTEAD
OF DOWNTOWN LOS ANGELES LIKE
IT WAS SUPPOSED TO?
>>PLEASE ENLIGHTEN ME.
>IF I TELL YOU WILL YOU LET
ME OFF THE HOOK?
>>I DON'T THINK YOU ARE IN A
POSITION TO NEGOTIATE HERE
COWBOY.
>OH I AM, BELIEVE ME.
♪ MUSIC ♪
>>WHAT THE ***?
EXCUSE ME SIR, DO YOU HAVE
A PROBLEM?
>I GOT THIS.
HEIL HITLER!
>>HEIL HITLER!
>HEIL HITLER?
RYAN?
RYAN, YOU KNOW THIS GUY?
>>SO I SEE YOU'VE MADE
FRIENDS WITH CHOCOLATE BOY.
>OH YOU KNOW THE OLD SAYING
GOES, DESPERATE TIMES CALL
FOR DESPERATE MEASURES.
>>WHAT THE ***?
>YOU DON'T NEED HIM ANYMORE
DO YOU?
>>NO, NOT REALLY.
IT'S ABOUT TIME.
>RYAN, WHAT YOU DOING?
YOU'RE KIDDING, RIGHT?
RYAN!
[GUNSHOTS]
>>LET'S GO!
♪ MUSIC ♪
♪ MUSIC ♪
>TOP OF THE MORNING TO YOU.
[LAUGHING]
YOU HAD A GOOD NIGHT'S SLEEP
BABY, HUH?
GOOD NIGHT'S SLEEP.
WHAT?
YOU READY TO TALK OR NOT?
YOU GONNA TALK?
WHAT?
[COUGHING]
>>I DON'T KNOW WHERE HE IS.
I DON'T KNOW WHERE HE IS!
>DON'T *** YELL AT ME!
DO YOU KNOW, ***, DO YOU
KNOW THAT HE *** BLEW UP
MY HOUSE?
[EXPLOSION]
♪ MUSIC ♪
HE *** BLEW UP MY HOUSE!
SHE'S *** LAUGHING, HUH?
YOUR *** BLEW UP MY
HOUSE AND SHE'S LAUGHING!
YOU WANNA *** LAUGH,
WE'LL LAUGH TOGETHER.
RIGHT NOW, COME ON!
[MOCK LAUGHING]
THAT'S *** FUNNY.
I'M GONNA *** KILL YOU
***!
MUERTO, LET'S GO.
>>***!
>WAIT, WAIT, WAIT, WAIT!
BEFORE YOU CUT HER UP CAN
WE, YOU KNOW, MAYBE
*** HER?
I NEVER *** A WHITE WOMAN
BEFORE HONEY.
>>GO, GO, GO, GO *** HER.
YEAH, HAVE FUN!
>YOU WANT ME TO PUT MY GUN
INSIDE YOUR ***
OR MY ***?
WHICH ONE YOU LIKE BABY?
YEAH, HELLO?
HEY, I'M TALKING!
I'M ON THE *** PHONE!
CAN YOU KEEP QUIET FOR A
SECOND?
CAN YOU *** QUIETLY?
>>I'LL LEAVE YOU ALONE BABY.
>THANK YOU.
HELLO?
>>HEY YEGOR.
>HEY CHAD, HOW ARE YOU MAN?
>>NOT TOO BAD.
>YEAH, YEAH, LISTEN, LISTEN.
THANK YOU VERY MUCH FOR
BLOWING MY *** HOUSE UP.
>>HEY, NO PROBLEM BOSS,
ANYTIME.
>YEAH, THANK YOU VERY MUCH.
YOU'RE REALLY *** PIECE
OF WORK MAN, HUH?
>>LISTEN YOU SON OF A ***.
I'M GONNA COME AND RIP
YOUR--
>YEAH, OK, HOLD ON,
HOLD ON ONE SECOND.
CAN YOU HOLD ON ONE SECOND?
SOMEBODY WANTS TO TALK TO
YOU.
SAY HELLO, TO YOUR FRIEND.
>>YOU HAVE NO IDEA HOW MUCH
I WANNA *** PUNCH YOU IN
YOUR FACE RIGHT NOW.
>JAMIE?
I MEAN, ARE YOU...ARE YOU OK?
>>OH YEAH, I'M JUST FINE.
WHAT THE *** DID YOU GET ME
INTO?
>HEY MAN, I THINK WE SHOULD
CUT THE *** AND MEET
FOR COFFEE.
>>THAT'S FINE, BUT BRING HER
WITH YOU.
>OK, LET'S MEET IN TWO HOURS.
UNDER THE BRIDGE
BY THE TRACKS.
YOU KNOW THE PLACE, RIGHT?
YEAH, EXACTLY.
OK, I'LL MEET YOU THERE.
OK MAN.
>>SO?
>LET'S ROLL.
>>OK.
>SHE'S COMING WITH US.
>>WHY ARE YOU BRINGING HER?
JUST KILL HER RIGHT HERE.
>NO, NO, NO.
I WANT HIM TO SEE HER DIE
BEFORE I SHOOT HIM.
I MEAN IF IT'S OK WITH YOU?
>>CAN I *** HER FIRST?
[SPEAKING OTHER LANGUAGE]
♪ MUSIC ♪
>HEY!
HEY, GLAD YOU COULD MAKE IT.
>>YOU CAN LET HER GO NOW.
>SHUT UP ***, SHARMUDA!
>>I DON'T THINK SO.
SO, YOU HAD YOUR FUN, HUH?
WELL, NOW IT'S TIME FOR ME
TO HAVE EVEN MORE FUN.
>YOU MIGHT WANNA RECONSIDER.
>>NO, I DON'T THINK SO.
>ARE YOU *** RESPONSIBLE
FOR MY BOMB EXPLODING
IN *** DESERT?
>>YEAH.
YOU KNOW I MADE A DEAL WITH
CERTAIN PEOPLE WHO DON'T GO
FOR THAT KIND OF ***.
>CERTAIN PEOPLE?
WHAT KIND OF PEOPLE, HUH?
>>LET HER GO AND
I'LL TELL YOU.
>I THINK YOU ARE BLOWING
SOME SMOKE UP MY ***
SKIRT!
[LAUGHING HYSTERICALLY]
SHUT THE *** UP!
SHUT THE *** UP!
>>DROP YOUR WEAPONS!
>DANISHA?
>>AGENT SARAH GATEWOOD, FBI.
>*** ME.
♪ MUSIC ♪
>>OH MAN, YOU ***.
I CAN'T BELIEVE YOU ***
RATTED ME OUT!
PIECE OF ***!
[GUNSHOT]
>HOLD YOUR FIRE!
[GUNSHOTS]
>WHAT THE HELL
ARE YOU DOING?
>>WHAT'S IT LOOK LIKE
I'M DOING?
GET THIS *** OFF ME!
>WE DON'T HAVE TIME FOR
THIS, JUST GO!
♪ MUSIC ♪
>>OH MAN, WHAT'S UP BABY?
HOW YOU DOING?
OH MAN, I'D LIKE TO GET SOME
OF THAT GUM!
OH ***, HEY WATCH IT FREAK!
WHAT THE *** IS YOUR MUSCLE
*** LOOKING AT?
OH HELL NO!
HELL NO!
AHH!
♪ MUSIC ♪
[SPEAKING OTHER LANGUAGE]
♪ MUSIC ♪
>WE HAVE A VISUAL ON THE
SUSPECT HEADING WEST
ON 121ST STREET.
>>LAPD THIS IS A FEDERAL
INVESTIGATION.
I ORDER YOU TO STAND DOWN!
DO YOU COPY?
>WE HAVE SEVERAL BLACK AND
WHITES IN THE AREA STANDING
BY.
OVER.
>>THIS IS AGENT SARAH
GATEWOOD, FBI BADGE NUMBER
995.
WE ARE HANDLING THE
SITUATION, PLEASE STAND DOWN!
>WHERE'S YOUR MAN?
♪ MUSIC ♪
>>DIETER!
♪ MUSIC ♪
[GUNSHOT]
[PUNCHING]
>IT'S ALRIGHT, IT'S ALRIGHT,
DON'T SHOOT!
IT'S OK, I'M A POLICE
OFFICER!
IT'S OK.
OH MAN, WE GOT THESE
***, HUH?
LOOK AT THAT, THE LAPD AND
THE FBI WORKING HAND IN HAND.
THAT'S JUST BEAUTIFUL!
>>DON'T LISTEN TO HIM.
>PUT THE GUN DOWN OR I WILL
SHOOT YOU.
>>IT'S OK, IT'S OK.
SEE?
PUTTING IT DOWN.
>DID YOU CALL FOR BACKUP?
>>WHAT?
THEY WERE RIGHT BEHIND ME?
>GOOD GIRL.
[GUNSHOT]
[SCREAMING]
[GUNSHOTS]
>>WHAT THE *** ARE YOU
DOING?
>>NO! NO, NO!
>PUT THE *** GUN DOWN
***!
>>DROP IT!
>HELP ME!
>>GOOD GIRL, NOW KICK IT
AWAY!
>SOMEBODY!
[CRYING]
>>YOU ***!
>GET OUT OF HERE!
GET OUT OF HERE!
>>GOOD JOB YEGOR!
REALLY NICELY DONE.
HEY, YOU EVER WONDER WHAT
YOU WOULD LOOK LIKE
AS A HINDU?
>WHAT?
[GUNSHOT]
[LAUGHING]
>>ARE YOU OUT OF YOUR
*** MIND?
>MAYBE.
>>DAN, I WOULD LOVE TO
EXPLAIN THINGS TO THIS
*** AND THAT *** OVER
THERE BUT WE GOTTA GET
GOING.
>WHAT HAPPENED TO DIETER?
>>HE'S *** DEAD MAN.
>I GUESS WE GOTTA HIT THE
ROAD.
YOU'VE BEEN A GREAT PARTNER,
IT'S BEEN NICE KNOWING YOU.
[GUNSHOTS]
♪ INSTRUMENTAL MUSIC ♪
[CRYING]
♪ INSTRUMENTAL MUSIC ♪
♪ INSTRUMENTAL MUSIC ♪
CAPTIONED BY GIGECAST
WWW.GIGECAST.COM
♪ MUSIC ♪