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Keep that rhythm going after he brings you, after he brings you, he finishes up that uh,
what we will now call, the bridge.
One. Two.
One. Two. Three. Four.
No no no we are delayed now. This stuff was way- nobody was with anybody then.
Uh somethings wrong.
One! Two!
Five! Six! Seven! Eight!
No that was my bass player. That was my bass player.
That was my bass player.
Stop. Stop.
Stop.
We were- we were excited before man, there was an attack, that went with all of this.
Da. Da. Da.
So, lets hit it..
and lets keep it going the way we did, we felt it.
You know it, just play it!
Five! Six! Seven! Eight!
Take seven, take seven.
Five! Six! Seven! Eight!
Ok.
Five! Six! Seven!
What?
"Alright so maybe we'll do five, six-"
Hey man I'm in charge.
I like that. How much is that?
Stop. Stop.
What chicken was that you killed Space?
But that was perfect man! You wanna come in and hear it?
Come on in. Come on in and hear it.
No no no, keep them dancing, right-right with the "khack."
Hey Space!
Uh- so, so, when you come in..
in that high key,
"bebu, bedu, bedu, dudup, wedu-wedu,
dewudu. Dedu, dedu, dede
dooooeeee
dedle-dedle, dedi-duuurrrr. Loor ledulada borlidi, lidi.
That kind of thing.
Exactly! And just wait a minute! Wait wait wait wait wait wait. Wait.
Just go into that when you come out, hold that note!
I don't care whether you put fuzz or you shave.
But just hold that note, and let the bass player just, keep playing that-
putting that bass on there. Alright?
Hit it!
Ok, now bring them in so that they can hear, and send the drummer out, so he can get warmed up.
Ahh, ohhh, ahhh.
Tell them that, in english,
but, keep it in the pocket!
One armed bass player, and a one armed drummer.
And I put them on the David Letterman Show.
Ba do dee, da do dee, da do dee, alright?
So, you don't have to play all those notes, you just leave the long notes, with the chord,
but with Carlos Santan- but don't forget.. Let the people be dancing!
Here we go.
And don't play on the bridge.
Ok, ok, stop, stop, its perfect except..
play it beautiful. I don't know what that sad-
you put some Lemon Drop *** in there.
Play, play so you can- like you're trying to beg for some.
Try to get some with the guitar.
Stop right there.
Now change, and give me somebody nasty with the blues.
A blues funk butt. And have him come in on this solo.
Just funk butt-
pffffffft.
There ya go! That was the boy! That was the man!
Wait a minute! Wait a minute! We're gonna back it up.
Open with that!
"But- bwidudiddle dwip du. Bwidudiddle duip-dup dudli."
And don't lose that rhythm. And look here man..
don't, let, Carlos Santana out do you boy. Jump in!
"Budula. Dwidledu." This is a competition!
Carlos Santana vs. Albert.
Listen-
"ha."
"hah."
Now you only need a couple from me and then you lay the "hah," the "hah" in.
"Hah!"
"Hah!"
"Hah!"
"Pickup!"
"Pickup!"
Ok.
"Pickup!"
The first ones always the best one, run out of gas.
But its just, "hah!"
Because we're gonna build, so that first one, you get like "hah."
Yeah, like a whisper.
But its got that "ah" at the end. "Hah."
At church! Take it to church.
AND JESUS WAS THERE!
"Hah."
No no, not "haaa." Not "yaaaah."
"Hah!"
Here we go.
Stop. Whisper, whisper for the first, first whisper for the first, uh,
the first four that you do... whisper.
And then the second four that you do, you raise it a little bit
but we're still doing it.
When you get to the third four...
you're dancing...
And you mean business. You mean business.
Alright?
Business.
Ben. B-E-N.
Niss. N-I-S-S.
Benniss!
Yeah we go!
"Hah!"
"Hah!!!"
No no! No no! I need more whispering in that first "hah."
Have no identification, theres no identification.
"Hah."
Come in, come in, please.
So I'm out of here. I gotta go to the Mrs.
"Oh, are you in trouble?"
Always... always...