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[ Dennis ] SHE'S A QUITTER.
[ Dee ] YOU KNOW WHAT? I DON'T EVEN CARE!
AND THAT PROVES MY POINT. BECAUSE YOU DON'T CARE, YOU NEVER SUCCEED.
- RIGHT. FAILED. - FAILURE IMPLIES THAT SHE ACTUALLY TRIED TO BE AN ACTOR.
OKAY, I DID TRY. IT JUST DIDN'T HAPPEN TO WORK OUT.
IT'S NOT YOUR FAULT, SWEETIE. YOU'RE JUST NOT PRETTY ENOUGH.
[ Door Opens ]
OKAY, I JUST KILLED THREE VERY LARGE RATS...
THAT WERE STUCK IN GLUE TRAPS.
NO, NO, THAT'S NOT GOOD.
I AM DONE WITH RAT DETAIL. THAT'S BY FAR THE WORST JOB IN THE BAR!
NO, DUDE. NOT CHARLIE WORK.
THERE'S AN EMOTIONAL TOLL THAT COMES OUT OF THIS. I MEAN, YOU KILL ONE OF THOSE--
WHAT? WHAT?
YOU'RE BLOWING SMOKE DIRECTLY IN MY FACE WHEN I'M TRYING TO TALK TO YOU.
IF YOU WANT TO SMOKE, YOU SHOULD HAVE TO TAKE IT OUTSIDE.
- THAT'S IT. I'M DONE WITH THIS. - IT'S A BAR.
CHARLIE, I THINK YOU'RE RIGHT.
WHAT ARE YOU TALKING ABOUT?
HOW IS THAT RIDICULOUS?
THERE ARE SMOKING BANS IN A LOT OF STATES NOW.
UH, YES. AND IT'S COMPLETELY UN-AMERICAN.
IF YOU DON'T LIKE SMOKE, THEN DON'T COME INTO THE BAR.
I WORK IN THIS BAR. I WORK HERE.
BUT THAT'S BECAUSE YOU HAVE THE FREEDOM TO CHOOSE TO WORK HERE.
SMOKING BANS, THEY DON'T PROTECT FREEDOM. THEY STRIP 'EM AWAY FROM SMOKERS.
LOOK, I DIDN'T GO TO VIETNAM...
JUST TO HAVE PANSIES LIKE YOU TAKE MY FREEDOM AWAY FROM ME.
YOU WENT TO VIETNAM IN 1993 TO OPEN UP A SWEATSHOP!
AND A LOT OF GOOD MEN DIED IN THAT SWEATSHOP!
LOOK, LOOK.
THE POINT IS THAT IF CHARLIE TOOK ANY TIME TO STUDY IN SCHOOL,
HE WOULD RECOGNIZE THAT THE CONSTITUTION PROTECTS MY FREEDOM TO BLOW SMOKE ALL OVER HIS FACE.
YOU GOTTA BE-- YOU DON'T KNOW *** ABOUT THE CONSTITUTION, MAN.
- HE KNOWS MORE THAN YOU TWO UN-AMERICAN FREEDOM HATERS. - THANK YOU.
HATE IT.
- I'M UN-AMERICAN? - YOU'RE PRACTICALLY A VIETCONG.
OH, IS THAT RIGHT? OKAY, YOU WANNA TALK AMERICA?
YOU WANNA LEARN A LITTLE SOMETHING ABOUT AMERICA? DEE, LET'S ROLL OUT OF HERE.
- WHERE ARE WE GOING? - WE'RE GONNA GO AMERICA ALL OVER THEIR ***!
[ Man ] IT IS TIME FOR THE TRUTH!
FIVE MILLION PEOPLE WILL DIE THIS YEAR OF SMOKING-RELATED ILLNESSES!
THESE BODY BAGS, THESE REPRESENT THE NUMBER OF PEOPLE...
THAT WILL DIE IN THIS CITY ALONE TODAY!
IT DOESN'T HAVE TO BE THIS WAY! LET'S MAKE SMOKING HISTORY!
YEAH!
YEAH!
YEAH.
U.S.A., BABY! WHOO!
YEAH.
OH, MY GOD!
THAT GUY REALLY KNEW HOW TO PULL AN AUDIENCE.
I TELL YOU WHAT. LET'S GET IN ON THIS.
OH, THANKS.
YOU REALLY-- YOU HAD ME LIKE HOOK, LINE AND SINKER WITH THAT--
IT WAS AWESOME, DUDE. IT WAS AWESOME. SO, LOOK, I WANT IN ON THE CAUSE.
OH, OKAY. JUST GO TO THE WEB SITE AND YOU CAN CHECK OUT--
NO, I DON'T WANT TO DO THAT. I WANNA BE ON THE FRONT LINES LIKE YOU, BRO.
- I WANNA BE, LIKE, YOU KNOW, JOIN THE TEAM OR SOMETHING. - NAW, IT'S REALLY COMPLICATED.
- THERE'S A LOT OF RED TAPE. YOU REALLY CAN'T-- - UH, EXCUSE ME, SIR.
BUT JUST WHAT IN THE HELL DO YOU THINK YOU'RE DOING?
OH, DUDE. THIS IS JUST AN ACTING GIG.
LIKE, I'M NOT REALLY PART OF ANY CAUSE.
- OH, YOU'RE AN ACTOR? - MM-HMM.
- OH. BUT NOT A REAL ONE? - WHAT THE HELL IS THAT SUPPOSED TO MEAN?
NO, JUST-- I MEAN, YOU'RE ON THE SIDEWALK.
OH, RIGHT. LIKE YOU KNOW WHAT YOU'RE TALKING ABOUT. HOW OLD ARE YOU? LIKE, 40?
I LIVE IN NEW YORK, OKAY?
STREET THEATER IS THE ONLY ORGANIZED ARTISTIC EXPRESSION THAT WE HAVE--
WHAT A CROCK OF ***, MAN! YOU'RE LIVING A LIE, BRO!
- DUDE, RELAX. - OH, RELAX? OH, I'M GONNA--
YOU'RE GONNA THROW WITH ME? LITTLE ACTOR BOY, YOU WANNA THROW WITH A PATRIOT?
- BACK OFF! BACK OFF! - I'M NOT 40.
- I DON'T NEED THIS. - GET IN YOUR VAN. GET IN YOUR VAN AND GO, OKAY?
'CAUSE I'LL THROW DOWN! I'LL THROW DOWN ANY DAY OF THE WEEK!
GET IN YOUR LITTLE VAN AND DRIVE OUT OF MY FACE! OKAY?
BEFORE I GO AMERICA ALL OVER YOUR ***!
YOU KNOW WHAT? SCREW DEE AND CHARLIE.
I'M SICK OF PEOPLE TELLING US WHAT WE CAN AND CAN'T DO WITH OUR OWN BAR, YOU KNOW?
WHAT HAPPENED TO THIS COUNTRY?
WHY CAN'T WE STAY OPEN PAST 2:00 A.M.?
YES! AND WHY CAN'T WE SELL *** BEFORE NOON ON SUNDAY?
THESE ARE THE KIND OF PURITANICAL RESTRICTIONS THAT ARE KILLING THIS COUNTRY.
THIS IS WHY PEOPLE FLOCK TO PLACES LIKE LAS VEGAS...
AND NEW ORLEANS AND SPRING BREAK.
BECAUSE THEY'RE FREE TO GO WILD. THE GIRLS GO WILD.
THE GIRLS IN PHILLY NEED A PLACE TO GO WILD.
- RIGHT. NEW ORLEANS WAS WASHED AWAY IN THAT TERRIBLE STORM. - TRAGIC.
YES.
- A REPLACEMENT FOR THE TRAGIC LOSS OF NEW ORLEANS. - WE SHOULD HAVE GAMBLING TOO.
SURE.
- I'M GONNA GET THE BALL ROLLING. - OKAY, GREAT.
WE WILL OPEN UP PADDY'S AS THE MOST AMERICAN BAR IN ALL OF AMERICA!
- A PLACE WITH ABSOLUTE FREEDOM! - WITH NO GAMBLING RESTRICTIONS.
YEAH, SURE, WHATEVER. LISTEN, DUDE. WE SHOULD HEAD DOWN TO SORORITY HOUSES, RIGHT?
SPREAD THE WORD, YOU KNOW? HAND OUT SOME LEAFLETS OR SOMETHING.
THE LIBRARY? WHY?
YEAH, BECAUSE AT SORORITY HOUSES YOU'RE GONNA FIND NOTHING BUT TRAMPS AND ***.
PERFECT!
NO, NO. MAC, YOU'RE NOT LISTENING TO ME.
WE DON'T WANT WILD GIRLS.
WE WANT REAL GIRLS GOING WILD.
IT'S IMPORTANT TO SEE THE TRANSITION. YOU WANT TO WATCH THE PROCESS.
DEE, WHAT THE HELL IS THE POINT OF THIS STRETCHING?
CHARLIE, IF WE'RE GONNA PUT ON OUR OWN DEMONSTRATION,
THEN YOUR BODY NEEDS TO BE IN TIP-TOP SHAPE OUT THERE.
WELL, MAYBE FOR A SMALL, FAT PERSON. NOT FOR AN ACTOR.
A CHUNKY-- CHUNKY--
A HUSKY PERSON.
SINCE WHEN? OH!
YOU KNOW WHAT? ALL RIGHT, FORGET IT.
I KNOW.
YEAH. WELL, THEN I'M A PROTESTOR, RIGHT? I'M A PATRIOT. GIVE ME THAT.
THAT'S MY BAG.
WHAT I NEED FROM YOU IS FOR YOU TO FEED ME SOME LINES.
AND THEN I'LL GO FROM THERE.
I CAN TAKE OVER.
LET'S FOCUS ON FINDING YOUR BREATH.
WHERE IS YOUR BREATH?
NO, IT STARTS IN YOUR CHEST.
WHAT THE HELL'S A DIAPHRAGM?
NO. THE DIAPHRAGM IS A--
IT BLOCKS THE BABIES OUT.
OKAY, YEAH. THAT'S WHAT-- HOW'D YOU MAKE IT THIS FAR IN LIFE?
LOOK, DEE, THIS IS RIDICULOUS. LET'S JUST GET OUT THERE. LET'S SPEAK THE TRUTH.
LET'S KICK A LITTLE *** AMERICA STYLE. WE'LL GET ALL UP IN IT!
I'M TRYING TO PROTECT YOU. I DON'T WANT YOU FREEZING UP OUT THERE.
YEAH.
ALL THOSE PEOPLE STARING AT YOU AND JUDGING YOU...
AND-AND-AND-AND NOT LIKING THE STUFF AND TALKING ABOUT YOU.
YEAH, I AM. YOUR BODY COULD BETRAY YOU...
LIKE HOW?
YOU KNOW, ONE OF-- LOCKING UP AND MAYBE THROWING UP AND STUFF.
- REALLY? - YEAH. YOU WANT TO FIND YOUR BREATH?
YEAH.
IT'S IN MY MOUTH.
[ Together ] ONE, TWO, THREE!
OH, MY GOD!
YOU WENT WILD!
YOU GIRLS WENT WILD!
NICE. THIS IS WHAT IT WAS LIKE TO HAVE A BAR IN NEW ORLEANS, BRO.
OH, MAN! NEW ORLEANS REALLY HAD THEIR *** FIGURED OUT!
YEAH!
RIGHT, YEAH. EXCEPT FOR THE LEVEES.
YEAH, YEAH, YEAH. OH, AND THE EVACUATION PLAN.
OH! YOU'VE GONE WILD!
YOU'VE GONE WILD! YOU WENT WILD!
THIS IS AMERICA!
YEAH!
THAT COULD BE A BIT OF A PROBLEM BACK THERE THOUGH.
[ Chattering In Vietnamese ]
YEAH, IT'S REALLY SMOKY.
I DIDN'T WANT TO SAY IT BECAUSE OF THE SPIRIT OF THIS WHOLE THING. BUT I THINK YOU'RE RIGHT.
THESE FELLOWS DON'T MESS AROUND.
THIS IS HIGH-STAKES ***. YOU THINK YOU CAN GET ONE...
OF THESE WHITE BROADS TO COME OVER AND DO A TABLE DANCE FOR ALAN AND THE BOYS?
NO TABLE DANCES, OKAY? THAT'S WHAT WE WERE WORRIED ABOUT.
LISTEN, FRANK. IF YOU CAN KEEP THOSE GUYS AS FAR JAMMED INTO THAT CORNER AS POSSIBLE--
- PUSH 'EM INTO THE CORNER. - WHOA, WHOA, WHOA. SEGREGATION!
THAT'S SEGREGATION! THAT'S NOT WHAT THIS IS ALL ABOUT. AMERICA IS A MELTING POT.
- BUT IT MIGHT BE GOOD TO SET UP SOME BOUNDARIES. - BOUNDARIES?
SOUNDS LIKE IT'S COMING RIGHT OUT OF STALIN'S MOUTH.
STALIN'S MOUTH? THAT IS NOT WHAT WE'RE TALKING ABOUT. WE'RE JUST SAYING--
HOW DO YOU NOT KNOW?
LISTEN, MAN. JUST KEEP THEM UNDER CONTROL.
YOU BETCHA. OH, HERE.
THEY WANT YOU TO PLAY THIS VIETNAMESE MUSIC. THEY DON'T LIKE WHAT'S PLAYING HERE.
OKAY, LISTEN. COMPROMISE. TONIGHT WE KEEP THINGS THE WAY THEY ARE.
TOMORROW NIGHT, WE'LL PLAY THIS ***.
GOOD. I GOTTA GET BACK THERE NOW BECAUSE ALAN...
IS JUST ABOUT TO BET HIS WIFE'S GLASS EYE IN THE NEXT HAND.
LADIES AND GENTLEMEN, WE ARE ABOUT TO SPEAK THE TRUTH.
WE'RE NOT GONNA SPOUT A BUNCH OF WORDS THAT ARE FACTS,
LIKE SOME BIG JERK FROM NEW YORK WHO THINKS HE'S GREAT.
WE'RE GONNA SHOW YOU A DRAMATIC INTERPRETATION. [ Clears Throat ]
HELLO, YOUNG MAN. I'M A BIGWIG FROM BIG TOBACCO.
I WORK OVER HERE AT T.J. BORIS. CAN I OFFER YOU A CIGARETTE?
[ Groans ]
[ Chattering ]
LET'S TRY AND LOOK AT THE BRIGHT SIDE HERE.
THIS MUSIC SOUNDS LIKE WHALES RAPING EACH OTHER.
IT DOES. IT DOES INDEED. BUT THE T-SHIRTS ARE WORKING.
ISN'T THAT AMAZING? YOU ASK TO SEE A WOMAN'S *** ON THE STREET, YOU GET SLAPPED.
YOU GIVE HER A FREE T-SHIRT AND VIDEOTAPE IT, AND THE CLOTHES COME RIGHT OFF.
YEAH.
OKAY.
[ Both ] ALL RIGHT.
WHAT'S WRONG?
- WHAT'S WRONG? - WHAT HAPPENED?
DUDE.
YOU'RE BLOWING UP OUR SPOT!
TAKE A WALK!
[ Sighs ] MAYBE IT'S TIME WE SET UP SOME RULES.
YOUR FATHER IS KILLING OUR FREEDOM!
HEY. HEY, YOU STILL WANT THAT T-SHIRT?
YEAH? ALL RIGHT.
- OKAY, ANY TIME YOU'RE READY. - OKAY.
RUINED AGAIN!
- WHOA! JESUS! - HEY, MAN.
PAROLE.
WE HEARD YOU GUYS HAVE A, UH, "ANYTHING GOES" TYPE SITUATION HERE.
WHAT? NO.
YOU CAN'T HAVE MILK. NO.
OH, FOR-- YOU KNOW WHAT? GET OUT OF HERE.
COULD YOU GUYS GO OVER THERE FOR A SECOND? WE GOTTA TALK FOR A SECOND. IF YOU COULD JUST--
I DID NOT SEE THIS COMING.
WE CANNOT HAVE THE McPOYLE BROTHERS IN HERE CREEPING EVERYBODY OUT.
WHAT IF CHARLIE COMES IN HERE? HE SENT THEM TO JAIL. THEY MAY BE PLANNING TO STAB HIM.
THEY *** EACH OTHER, DENNIS.
AND THEY *** EACH OTHER. THEY *** EACH OTHER'S--
ALL RIGHT, LET'S SET UP A COUPLE RULES. WE'LL SET UP A COUPLE RULES.
OKAY, GUYS, YOU CAN STAY. BUT NONE OF YOUR WEIRD ***.
I DON'T FOLLOW.
ALL RIGHT, LISTEN. WE'VE HEARD SOME THINGS ABOUT YOU TWO.
I'M NOT GONNA GET INTO THE SPECIFICS. WE JUST DON'T WANT IT IN THE BAR, OKAY?
IT'S A FREE COUNTRY, ***.
WE MAY HAVE A PROBLEM ON OUR HANDS, DUDE.
DO WE HAVE ANY SHARP KNIVES?
THESE GUYS ARE MANIACS. THEY WANNA START BETTIN' FINGERS.
WHAT ARE YOU TALKING ABOUT?
IF ALAN LOSES THIS HAND, HE'S GONNA START CHOPPING OFF HIS FINGERS.
THIS HAS GONE WAY TOO FAR!
- THIS IS GETTING RIDICULOUS. YOUR FRIENDS, THEY GOTTA GO! - ***!
YOU ARE KILLING OUR FREEDOM, MAN!
THIS IS WHAT FREEDOM'S ALL ABOUT. I'M LIVING ON THE EDGE.
OKAY, WE'RE GONNA FIND A COMPROMISE HERE, ALL RIGHT?
YES!
YOU WANT TO PUT ME IN THE BASEMENT?
ANYTHING GOES IN THE BASEMENT!
- IF I GO IN THE BASEMENT, I CAN DO ANYTHING I WANT? - ANYTHING YOU WANT!
- NO HOLDS BARRED? THERE'S NO LIMITS? - NO LIMITS!
ALL RIGHT. I'LL TAKE THE BASEMENT.
- GREAT. - AND NOW, IF YOU DON'T MIND, I'LL TAKE THOSE KNIVES.
YEAH. AND USE 'EM. [ Sighs ]
WHAT THE HELL HAPPENED IN HERE?
♪♪ [ Vietnamese ]
COME TO JOIN THE PARTY, HUH?
- NO. WE CAME BACK TO WORK. - OH, HAVE YOU?
THE WORKERS HAVE RETURNED.
UH, I WASN'T ON STRIKE, OKAY? I STILL NEED TO MAKE A LIVING.
WHAT IN THE HELL HAS BEEN GOING ON IN HERE? AND WHERE IS THAT MUSIC COMING FROM?
FROM THE BASEMENT. FRANK AND THE BOYS HAVE BEEN ROCKING ALL NIGHT LONG.
- DOING WHAT? - I HAVE NO IDEA. BUT I BET IT'S FUN.
WE'VE HAD A LINE OF 50 PEOPLE OUTSIDE EVERY NIGHT.
YEP. SEE, OUR BAR IS ABOUT FUN AND FREEDOM.
I DON'T KNOW IF YOU GUYS HAVE EVER HEARD OF THAT. FREEDOM?
YEAH. STICK AROUND, ***. YOU MIGHT LEARN SOMETHING ABOUT THE GOOD OLD U.S. OF "A."
HEY, CHARLES.
- HOLY ***! - HOW'S IT HANGING?
WHAT? NO! WHAT? NO! WHAT ARE THESE GUYS DOING HERE?
CHARLIE, SETTLE.
YEAH, MAN. CHILLAX. WE'RE COOL.
BUMP IT.
NO.
PLEASE WALK AWAY. PLEASE WALK AWAY FROM ME. PLEASE WALK AWAY FROM ME.
WALK AWAY.
HOW COULD YOU DO THIS TO ME?
OKAY, CHARLIE. WE DON'T WANT THEM IN THE BAR EITHER, OKAY? BUT FREEDOM HAS A PRICE.
THE McPOYLES ARE PROBABLY GONNA STAB ME.
IF FREEDOM HAS ITS PRICE-- I CAN'T BELIEVE YOU GUYS! YOU KNOW WHAT?
LET ME KICK DOWN A LITTLE THING TO YOU THAT OUR FOUNDING FATHERS KICKED DOWN TO ME.
IT GOES, "DON'T TREAD ON ME." AND RIGHT NOW YOU GUYS ARE TREADING ALL OVER ME!
I DON'T WANT TO GO WITH YOU.
MM-MMM.
BUT YOU'RE SO BAD AT PROTESTING.
I DON'T WANT TO GO.
I'M NOT TREADING ON YOU.
YEAH, YOU ARE. YOU'RE TREADING ON ME. AND YOU'RE NOT SUPPOSED TO!
ARE YOU KIDDING ME? IS EVERYONE GONNA TREAD ON ME?
OH, MY GOD. OKAY. OKAY.
♪ I'M GONNA RISE UP I'M GONNA KICK A LITTLE *** ♪
♪ GONNA KICK SOME *** IN THE U.S.A. ♪
♪ GONNA CLIMB A MOUNTAIN GONNA SEW A FLAG GONNA FLY ON AN EAGLE ♪
♪ I'M GONNA KICK SOME BUTT I'M GONNA DRIVE A BIG TRUCK ♪
♪ I'M GONNA RULE THIS WORLD I'M GONNA KICK SOME *** ♪
♪ I'M GONNA RISE UP I'M GONNA KICK A LITTLE *** ♪
♪ ROCK, FLAG AND EAGLE ♪♪
SO YOU'RE STILL TRYING TO BE AN ACTOR THEN?
- SHUT YOUR MOUTH, DENNIS. - SO NOW I CAN CALL HER A FAILURE.
DENNIS, WHAT IS IT THAT YOU CALL IT...
OH, YEAH.
DEE'S A FAILURE.
OKAY. YOU WANT TO SEE SOME ACTING? YOU WANT TO SEE SOME ACTING?
GUESS WHAT. I AM GONNA ACT THE *** OUT OF SOMEBODY'S ***.
SO HERE'S THE THING, ARTEMIS. I KNOW LAST TIME WE SAW EACH OTHER,
THINGS GOT KIND OF AWKWARD WHEN YOU LICKED MY BROTHER'S FACE.
BUT I NEED SOME HELP FROM AN ACTOR...
'CAUSE I'VE BEEN DOING THIS GIG WITH MY FRIEND CHARLIE, AND HE IS REALLY BRINGING ME DOWN.
HMM.
WANT TO SMOKE SOME HASH?
NO. THANK YOU. SO CAN YOU HELP ME HERE?
THE SIDEWALK.
OKAY. SEE, THAT'S WHAT I THOUGHT.
BUT THEN I REALIZED IF YOU THINK ABOUT IT,
STREET PERFORMING, IT'S THE LAST TRUE FORM OF ORGANIC ARTISTIC EXPRESSION.
YES. I THINK YOU AND I NEED TO GET OUT THERE.
WE NEED TO PROVE TO THE WORLD THAT WE STILL GOT IT.
[ Chuckles ] SWEET, SWEET DEE,
IT'S NOT SOMETHING YOU CAN LOSE, OKAY?
RIGHT. SO LET'S GO SHOW THE WORLD.
IS THERE ANY NUDITY INVOLVED?
CAN THERE BE?
NO.
I'LL DO IT ANYWAY.
[ Chattering ]
I DON'T UNDERSTAND THIS.
McPOYLES. McPOYLES EVERYWHERE, DUDE.
GIRLS DON'T WANT TO GO WILD IN THIS ENVIRONMENT, NOT EVEN FOR T-SHIRTS!
- HEY, MAN. MY SISTER WANTS TO ASK YOU SOMETHING. - WHAT?
- SHE'S MUTE, DUDE. - MUTE?
OKAY, WHAT?
WHAT?
NO. NO.
TRUST ME. THEY'RE TOP-NOTCH.
THAT IS DISGUSTING!
THAT'S YOUR SISTER!
HEY, MAN. THERE'S NOTHING WRONG WITH US. WE'RE JUST EXPRESSING OURSELVES.
SOCIETY HAS THE PROBLEM.
WHERE DO YOU KEEP YOUR PLEDGE?
GET THE HELL OUT OF HERE.
TAKE A WALK.
DEE, THANK YOU SO MUCH FOR THIS ACTING OPPORTUNITY.
I CAN TELL IT IS GOING TO BE A GLORIOUS PERFORMANCE.
THOSE GUYS ARE FULL OF ***, ARTEMIS. THERE'S NOT 50 PEOPLE HERE.
BUT THAT'S THE REASON WHY WE'RE HERE.
WE'LL DRAW THEM IN.
ALL RIGHT. LADIES AND GENTLEMEN, BOYS AND GIRLS, PLEASE GATHER AROUND.
YOU'RE ABOUT TO SEE AN ORIGINAL STREET PERFORMANCE.
TAKE YOURSELVES TO THE FOGGY STREETS OF LONDON.
THE YEAR IS 1888.
THERE'S A KILLER ON THE LOOSE. HIS NAME, JACK THE RIPPER.
TWO WOMEN WALKING ALONE HOME FROM A HOLIDAY COTILLION.
[ Clears Throat ] I SAY--
[ Crowd Gasps ]
WHAT ARE YOU DOING?
WE'RE PROTESTING THE BAR! ATTICA! ATTICA!
ATTICA, MAN! ATTICA, MAN!
WHAT ARE YOU DOING?
TYING OFF.
NO! NO! NO! GO TIE OFF SOMEWHERE ELSE!
GIVE ME THE HOSE.
GIVE ME THE LITTLE RUBBER HOSE. WHOA, HE'S GOT A KNIFE!
OKAY, GREAT. HE'S GOT A KNIFE. OF COURSE HE DOES! WHY NOT?
YOU KNOW WHAT? KEEP THE LITTLE RUBBER HOSE! GOOD LUCK WITH THAT.
GOOD LIFE DECISION, MAN.
MAC, I THINK WE GAVE PEOPLE TOO MUCH FREEDOM.
YEAH, YOU'RE RIGHT, MAN. I'LL CALL THE COPS.
NO, NO, NO, NO, NO. WE CAN'T CALL THE COPS. THAT'S ADMITTING FAILURE.
DENNIS, WE GAVE PEOPLE TOO MUCH FREEDOM. THAT'S THE PROBLEM!
IT'S BECOMES ANARCHY. THAT IS NOT WHAT AMERICA IS ALL ABOUT.
I MEAN, AMERICA IS-- OH, MY GOD!
YEAH.
[ Gasping ]
COME ON, DEE! DON'T QUIT! COME ON. WE JUST ROCKED OUT THERE, DEE!
DON'T BE A QUITTER. OKAY?
I DON'T CARE. I DON'T WANT TO ACT ANYMORE. I QUIT. I WANT TO DRINK.
DON'T GIVE UP.
CAN YOU IMAGINE AN AMERICA WHERE EVERYONE JUST GIVES UP?
OKAY, GREAT. LET'S JUST GIVE UP!
HAVE YOU COME TO GLOAT AND SHOVE IT IN MY FACE?
NO, IT'S OKAY. YOU CAN. YOU KNOW WHY?
WHAT ARE YOU TALKING ABOUT?
- WILL YOU SHUT UP? - LOOK AT THIS! I'M GONNA BE A SMOKER TOO.
NO, WE CAN. YOU KNOW WHY?
'CAUSE WE GIVE UP. WE LIVE IN GIVE-UP AMERICA. I LIVE IN GIVE-UP AMERICA.
WE'RE LIVING IN AMERICA-- HEY, RYAN. HOW ARE YOU DOING?
LOOK, MAN, I'M SORRY TO INTERRUPT YOU, BUT IF YOU'RE NOT TOO BUSY...
SHOWERING IN YOUR BROTHER'S URINE OR PLOTTING YOUR REVENGE AGAINST ME,
YOU MIND LIGHTING MY CIGARETTE?
THANKS, BRO. HEY, LIAM. I'M SORRY I SENT YOU TO JAIL, MAN.
BUT ANY TIME YOU WANNA STAB ME, IT'D BE REALLY GREAT FOR ME. [ Screaming ]
- THAT'S WHAT YOU GET, CHARLIE! - WHOA, HEY! GET THE HELL OUT OF HERE!
- YOU GET FORK STABBED! - GET OUT!
- FORK STABBED! - [ Both ] GET OUT!
GET OUT OF HERE!
NOBODY MESSES WITH THE McPOYLES!
OH, YOU HAD TO MAKE A SCENE, CHARLIE!
YOU HAD TO RUN YOUR MOUTH IN FRONT OF PSYCHOPATHS, DIDN'T YOU?
-I JUST GOT STABBED WITH A FORK! -WHOSE FAULT IS THAT, CAPTAIN AMERICA?
- WAY TO GO! - IT'S DEE'S FAULT FOR QUITTING ON ME.
HOW IS IT--
MAYBE IT'S YOUR FAULT FOR BEING HORRIBLE AT EVERYTHING!
EVERYBODY PASS THE BUCK! PASS THE BLAME!
DENNIS, WE HAVE TO ADMIT, IT'S OVER. IT'S DONE.
WE GOTTA GET ALL OF THESE *** OUT OF HERE RIGHT NOW.
DEE, YOU GET EVERYBODY OUT OF THE BAR. CHARLIE, YOU'RE A DISAPPOINTMENT.
COME ON. LET'S GO GET EVERYBODY OUT OF THE BASEMENT.
[ Sighs ]
[ Men Arguing, Shouting ]
[ Shouting In Vietnamese ]
[ Gun Chamber Spinning ]
[ Vietnamese ]
[ *** Gun ]
[ Body Thuds ]
[ Sighs ]
I'LL CALL THE COPS.
FRANK!
[ Voice Speaking Backwards ]