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- PREVIOUSLY ON UGLY BETTY... - I'M IN LOVE WITH SOMEONE ELSE.
- WHAT? GINA GAMBARRO?
- BETTY, LOOK WHAT I BOUGHT YOU.
THIS GAME'S BEEN ON BACKORDER FOR TWO MONTHS.
FULL PRICE.
- SO I'M SUPPOSED TO FORGIVE YOU
BECAUSE YOU COULDN'T USE YOUR EMPLOYEE DISCOUNT?
HAVE YOU TAKEN YOUR PILL? - I ONLY HAVE A FEW LEFT.
I'M TRYING TO MAKE 'EM LAST.
- DAD, TAKE IT.
- SORRY I LET YOU DOWN.
- I'M SORRY I KEEP HOPING YOU'LL BE SOMETHING
YOU'RE CLEARLY NOT.
- AS LONG AS THERE'S THIS WEDGE BETWEEN
THE TWO OF THEM, THEIR RELATIONSHIP IS DOOMED.
- PERHAPS IT'S TIME I DRIVE THAT WEDGE A LITTLE DEEPER.
[laughter]
[horses whinny and stampede]
[excited giggling]
- [laughs] NO, I GOT TO GO.
DID I MISS IT?
CRAP!
CRAP! CRAP! CRAP!
- DIGNITY, AMANDA.
I GUESS IT'S TOO LATE FOR THAT NOW.
PRADA TRUMPS PASSION, DANIEL.
CHRISTINA JUST POSTED THE SIGN-UP SHEET.
- SIGN-UP SHEET?
- SHE'S CLEANING THE CLOSET TOMORROW.
THE WINTER FASHIONS FROM THE LAST THREE ISSUES,
CHRISTINA NEEDS TO GET RID OF THEM
TO MAKE ROOM FOR THE SPRING COLLECTIONS COMING IN.
FREEBIE COUTURE IS THE STAFF PERK.
YOU KNOW, YOU REALLY SHOULD TAKE A TRIP DOWN THERE, BETTY.
THEY MIGHT HAVE SOME SOCKS IN YOUR SIZE.
- OKAY.
- THAT THE STUFF ON OSHI?
- YES.
BACK ISSUES WITH HIS FALL AND WINTER COLLECTIONS,
A PROFILE FROM LAST FEBRUARY'S INTERVIEW,
AND HIS AUTOBIOGRAPHY.
- HE HAS AN AUTOBIOGRAPHY?
- OSHI ON OSHI BY OSHI.
I THINK THOSE ARE SUPPOSED TO BE HIS GLASSES.
- SUPER-SIZED ICON OF MINIMAL FASHION, OSHI,
WILL BE STEAMROLLING INTO GOTHAM TOMORROW
TO UNVEIL HIS SPRING COLLECTION
TO THE EDITORS OF MODE,
WHERE HE DEBUTED HIS COLLECTIONS FOR YEARS,
DUE TO HIS EXTREMELY CLOSE FRIENDSHIP
WITH FORMER EDITOR-IN-CHIEF FEY SOMMERS.
FEY'S TRAGIC DEATH IN A FIERY CAR CRASH LAST MONTH
LEFT HIM DEVASTATED.
- FEY WAS SO...MINIMAL.
- [sniffs]
- AND NOW THE QUESTION ON EVERYBODY'S MIND:
WILL THE FASHION HEAVYWEIGHT HIT IT OFF
WITH FEY'S REPLACEMENT, HIMBO PLAYBOY DANIEL MEADE?
I'M THINKING "NO-***."
- WELL, I'M THINKING "YES-***." - THANKS.
I APPRECIATE THAT, BETTY, BUT WE NEED OSHI'S BUSINESS
AND I HAVE NOTHING IN COMMON WITH THE MAN.
I DON'T SPEAK JAPANESE. I DON'T WEAR WHITE.
I HAVE NEVER EATEN AN ENTIRE SHARK AT ONE MEAL.
- HE'LL LOVE YOU, DANIEL.
- IT'S ALL ABOUT RELATIONSHIPS WITH THE JAPANESE.
MY FIRST MEAL WITH HIM HAS TO BE PERFECT.
- WELL, YOU HAVE THE CHEF'S TABLE AT MASA
ON WEDNESDAY NIGHT AT 8:00 P.M.
- OH, I LOVE THEIR UNI.
- AND I GOT YOU THIS JAPANESE CUSTOMS AND PHRASE BOOK.
YOU SHOULD ALSO KNOW THAT YOUR CREDIT CARD WAS REJECTED.
- THAT'S MY PERSONAL CARD.
- IT'S THE ONE YOU GAVE ME.
- BETTY, YOU ALWAYS USE THE COMPANY CARD FOR BUSINESS.
AND THAT REMINDS ME.
YOU'RE GONNA TAKE CARE OF MY EXPENSE REPORT, RIGHT?
- EXPENSE REPORT?
- YEAH, HENRY SOMETHING-OR-OTHER
FROM ACCOUNTING SENT US A MEMO,
SAYS IT WAS DUE TODAY.
- TODAY? NO, I DIDN'T GET THIS.
- WELL, IT SAYS YOU WERE COPIED.
- NO! NO, I DIDN'T GET THIS.
- WELL, GET ON IT.
MY FATHER'S A HARD-*** ON EXPENSES
AND THE COMPANY'S NOT GONNA REIMBURSE ME
IF WE TURN THAT IN LATE.
ACCOUNTING IS GIVING US TILL 10:30 TOMORROW MORNING
TO GET IT IN, PERIOD. NO EXCEPTIONS.
- BUT DO YOU HAVE ANY RECEIPTS?
- YOU KNOW WHAT TO DO WITH 'EM, RIGHT?
- PAYROLL!
MR. MEADE. - THANK YOU.
- AND YOU ARE?
- BETTY SUAREZ.
- THERE YOU GO.
- THIS IS MY FIRST PAYCHECK.
- MINE TOO.
WHAT THE-- - F.I.C.A.?
- NOW MANNY EPSTEIN WAS A GOOD PUBLISHER
WHEN FEY WAS RUNNING THE SHOW.
SHE WAS, HOWEVER, FISCALLY IRRESPONSIBLE.
DANIEL--
WELL, DANIEL NEEDS STRONGER SUPERVISION.
- HE'S A LITTLE INDULGED, BUT HE'S GROWING UP.
- HE RAN THROUGH HIS TRUST FUND IN THREE YEARS.
FOR HIS 28TH BIRTHDAY, HE TRIED
TO BUY AN ISLAND AND J-LO.
- SHAKIRA.
THEY WERE WILD OATS. HE'S TURNED THE CORNER.
- WE'RE TALKING ABOUT A MAGAZINE, BRADFORD.
- WHY WOULD YOU WANT THE PUBLISHER'S JOB?
IT'S FINANCIAL. BUDGETS, AD SALES.
YOU'RE CREATIVE.
- I NEVER SAID I'D GIVE UP MY CREATIVE TITLE.
JUST ADD "PUBLISHER" TO IT.
BETTER TO KEEP DANIEL REINED IN.
- I'D RATHER YOU CONCENTRATED ON THE JOB AT HAND.
HELPING DANIEL ESTABLISH A RELATIONSHIP WITH OSHI.
HIS EXCLUSIVES ARE WORTH MILLIONS TO US.
- OH, HE'LL MAKE AN IMPRESSION.
I GUARANTEE IT.
- THE GUCCI SHOULDER BAG IS MINE!
- NICE, BUT OVER IT.
THOSE LOUBOUTIN BOOTS, ON THE OTHER HAND--
- AS IF YOU STAND A CHANCE OF GETTING THEM.
- I CAN TRADE. - WITH WHAT?
YOU'RE LAST ON THE LIST.
ALL THAT'LL BE LEFT ARE THOSE GAG-AWFUL PUCCI SCARVES.
I, ON THE OTHER HAND, HAVE THE PICK OF THE CLOSET
AND NUMERO UNO PICKS THE GLORIOUS "IT" BAG
FROM THE HOUSE OF GUCCI.
- WHY WOULD YOU NEED A POCKETBOOK?
- I NEED IT TO TRADE.
AT MODE, FASHION IS CURRENCY.
I KNOW THAT'S HARD FOR YOU TO UNDERSTAND,
BECAUSE YOU'RE SO VERY MUCH IN DEBT,
BUT, FOR INSTANCE, IF I NEEDED A FAVOR FROM YOU,
LIKE AN INVITATION TO A MARC JACOBS DINNER PARTY,
THEN I MIGHT BE PERSUADED TO TRADE THAT FAVOR
FOR MY FABULOUS GUCCI BAG, WHICH YOU SO DESPERATELY NEED.
- OH.
- LOITER MUCH?
- OH, UM, I NEED SOME HELP, IF YOU WOULDN'T MIND.
- AH!
YOU NEED A FAVOR.
- YES, I GUESS A FAVOR.
UM, I SEEM TO BE LATE IN GETTING IN DANIEL'S EXPENSE REPORT,
AND I DON'T KNOW WHY I DIDN'T GET THE MEMO FROM ACCOUNTING.
- HMM, MUST HAVE BEEN LOST IN THE MAILROOM.
- OOPS.
- AND I'M KIND OF LOST ON HOW TO DO IT.
- MARC'LL BE HAPPY TO HELP YOU. WON'T YOU, MARC?
PLEASE GIVE BETTY THE CORRECT FORM
AND THEN GIVE HER A COPY OF OUR REPORT.
IF SHE DOES WHAT WE DID, SHE'LL BE FINE.
- YOU REALIZE THIS MEANS AN UNNAMED FAVOR AT A LATER DATE.
- I UNDERSTAND.
THANK YOU.
- TA. - TA.
- OH, OH, OH, OH, OH, OH, OH, OH, OH, OH.
[gasps] IT'S BETTY'S MEMO.
THOSE BOYS IN THE MAILROOM-- CUTE, BUT SO CARELESS.
[elevator bell dings]
- NICE BAG.
- OH, THANK YOU.
- SO... JUAN VALDEZ.
- DID IT COME WITH A MULE?
[laughter]
- CHRISTINA! - YOU LOOK FABULOUS.
[overlapping dialogue]
- SOD OFF!
FOUR TIMES A YEAR, I'M EVERYBODY'S BEST FRIEND.
WELL, NOBODY IS MOVING UP THE LIST, OKAY?
NOBODY, AND THAT INCLUDES YOU, AMANDA.
- I WAS LATE SIGNING UP BECAUSE OF MY JOB.
- OH, AND WE ALL KNOW WHAT KIND OF JOB YOU WERE GIVING--DOING.
WELL, WHERE WERE YOU?
I WOULD HAVE LET YOU CUT THE QUEUE.
- CHRISTINA, YOU DON'T HAVE ANYTHING LARGER THAN A SIZE 6.
- I HAVE ACCESSORIES.
- I KNOW IT SOUNDS STUPID, BUT I'M JUST NOT THAT INTO FASHION.
- FORGET THE FASHION. DID YOU GET YOUR PAYCHECK?
- YES, AND I SPENT, LIKE, HALF OF IT ON A SLICE OF PIZZA.
THEY TAKE SO MUCH OUT.
- THAT'S WHY YOU NEED THE SWAG FROM THE CLOSET.
- SWAG? - THE GOODIES.
GOTTA START THINKING OF IT AS PART OF YOUR WAGES.
LOOK. [gasps]
DON'T YOU JUST LOVE IT?
NOW THAT IS THE "IT" BAG OF THE SEASON.
IT'S TRUE ART.
LOOK AT THE WAY THE BUCKLES OFFSET THE PATTERN.
IT JUST SLAYS ME.
- YOU KNOW, MY MOM USED TO HAVE A BAG JUST LIKE THIS.
SHE GAVE IT TO ME WHEN I WAS, LIKE, THREE.
I USED TO CARRY MY CRAYONS IN IT.
MADE MY SISTER FURIOUS.
- HEY, LOVELY LADIES.
200 BUCKS AND YOU CAN'T TELL IT FROM THE REAL THING.
- YEAH, HE CAN'T TELL IT FROM A GUCCI.
BELIEVE ME, YOU WALK INTO MODE WITH A KNOCKOFF,
YOU MIGHT AS WELL WALK IN WITH A COW BLADDER.
EVERYBODY KNOWS.
- HE DID ALL THIS DAMAGE IN A MONTH?
- WELL, DAD, HE'S AN EDITOR-IN-CHIEF.
HE'S GOTTA ENTERTAIN PEOPLE.
- WHAT'S BOW-OO-LAY?
- BOULEY--ONLY THE HOTTEST RESTAURANT IN TRIBECA.
- HE SPENT $821 ON DINNER.
- OOH!
NEXT TIME WE GO TO THE CHICKEN PLACE,
I'M ORDERING ALL WHITE MEAT AND I DON'T WANT
TO HEAR ABOUT IT.
- YOU GUYS DON'T UNDERSTAND. THIS IS BUSINESS.
HE'S ENTERTAINING MODELS AND ADVERTISERS AND DESIGNERS--
AND WHAT'S THAT SAY ON THE BACK?
- IT'S A BLANK.
- ANOTHER MISCELLANEOUS EXPENSE.
- THERE'S A LOT OF MISCELLANEOUS EXPENSES.
- WELL, I GUESS THAT'S FINE.
MOST OF WILHELMINA'S EXPENSES ARE MISCELLANEOUS, TOO.
- SAYS SHE WENT TO RIO.
- YEAH, SHE'S THE CREATIVE DIRECTOR.
IT WAS A FASHION SHOOT.
- IT WAS IN THE LAST ISSUE.
- OH, $25,000 TO CASA BRAZIL FOR PROPS AND EXTRAS?
AY, DIOS, AND THEY HAVEN'T GIVEN YOU A PAYCHECK YET?
- WELL, ACTUALLY, THEY GAVE IT TO ME TODAY.
- AND?
SOMEONE IS BLOWING 25 GRAND IN RIO
AND THIS IS WHAT THEY'RE PAYING YOU?
- SHE'S NOT DOING IT FOR THE MONEY, HILDA.
IT'S AN OPPORTUNITY.
- WELL, MAYBE YOU SHOULD GET ANOTHER JOB
TO SUPPORT YOUR OPPORTUNITY.
- AY, DIOS MIO.
THEY TAKE SO MUCH OUT.
WELL, IT'S STILL A PAYCHECK, BETTY.
IT'S MORE THAN I MADE ON MY FIRST JOB.
VAMOS.
COME ON.
NOVELA'S WAITING.
- [sighs] BETTY...
WE HAVE TO MAKE SOME SERIOUS CUTBACKS.
THE PHARMACY WOULDN'T FILL HIS PRESCRIPTION TODAY.
- WHAT?
MARIA ORTIZ? SHE CAN'T DO THAT.
SHE KNOWS HE NEEDS HIS PILLS TO WORK.
- IT WASN'T MARIA.
IT'S HIS H.M.O.
THEY'RE NOT GONNA COVER HIM ANYMORE.
[upbeat music]
♪ ♪
- STOP FOLLOWING ME, WALTER!
- I HAVE SOMETHING FOR YOU.
- I DON'T NEED ANY MORE BATTERIES, THANK YOU.
- IT'S A UNIVERSAL REMOTE.
- WE ONLY HAVE ONE TV.
NOW LEAVE ME ALONE.
WALTER.
- I'M GOING TO GET YOU BACK, BETTY.
- NOT BY STALKING ME.
YOU CHEATED ON ME, WALTER.
YOU CHEATED ON ME WITH GINA GAMBARRO.
DO YOU EVEN UNDERSTAND WHAT THAT MEANS?
I DON'T CARE HOW MANY UNIVERSAL REMOTES YOU GIVE ME.
THERE'S NO WINNING ME BACK.
- YOUR FATHER'S H.M.O. FILE IS UNDER INVESTIGATION.
- WHAT KIND OF INVESTIGATION? - I DON'T KNOW.
THEY DON'T TELL ME THOSE THINGS.
ALL I KNOW IS THAT THEY REFUSE TO COVER
HIS PRESCRIPTION UNTIL THE MATTER'S RESOLVED.
- MARIA, MY FATHER NEEDS HIS MEDICATION.
- DID I SAY HE COULDN'T HAVE HIS MEDICATION?
YOU PAY ME $197 AND THEN-- - WALTER.
- WHA--WHAT? I'M SHOPPING.
- NO, YOU DO NOT HAVE A FEMININE ITCH.
I DON'T HAVE $197.
- WELL, DON'T THEY PAY YOU AT MODE?
- NOT ENOUGH.
- SO I'M SUPPOSED TO GIVE YOU
YOUR FATHER'S PRESCRIPTION GRATIS, HUH?
THAT'S HOW MY FATHER AND I ARE SUPPOSED TO STAY IN BUSINESS?
- GET OUT!
- CAN YOU REALLY BLAME HIM FOR TRYING ON GINA GAMBARRO?
- BETTY!
MS. SUAREZ.
- MR. MEADE?
- I NEED TO SEE YOU THIS MORNING.
- ME?
- MY OFFICE, 10:30 SHARP.
- YES, SIR, 10:30 SHARP.
- BETTY, I DON'T WANT ANYONE TO KNOW, ESPECIALLY DANIEL.
- [muttering broken Japanese]
- YOU KNOW, YOU COULD JUST BOW A LOT.
YOUR EXPENSE REPORT. YOU NEED TO SIGN IT.
- RIGHT, SO OSHI LANDS AT 8:00.
HE'S STAYING AT THE--
- THE ASIA ON PARK, IN THE PENTHOUSE.
I'VE ORDERED THE FLOWERS.
- WHITE DENDROBIUM ORCHIDS?
- RED ROSES. - HE HATES COLOR.
VEUVE LAURENT BRUT?
IT'S CHAMPAGNE.
FIVE BOTTLES AT LEAST.
HE BRUSHES HIS TEETH WITH IT.
- I APPRECIATE YOUR HELP, WILHELMINA,
BUT THIS IS MY DINNER, MY MEETING,
MY CHANCE TO GET TO KNOW OSHI.
YOU'RE NOT INVITED.
- DID MARC HELP YOU WITH THE EXPENSE REPORT?
- YES, THANK YOU.
- NO THANKS NEEDED.
JUST MAKE SURE OSHI'S LIMO IS A WHITE STRETCH.
- OH, AND, BETTY...
MAKE SURE TO GET THAT DOWN TO ACCOUNTING BY--
- 10:30.
- OH, AND CAN YOU PICK ME UP A COFFEE AND A BAGEL, WHITE--
- YEAH, TWO SUGARS, WATER BAGEL WITH CREAM CHEESE.
GOT IT.
- AND I NEED YOU TO FRONT ME THE CASH.
I'M OUT. - OH, UM...
YEAH, OKAY.
[phone rings]
DANIEL MEADE'S OFFICE.
DANIEL, IT'S THAT WOMAN AGAIN.
- THIS IS DANIEL MEADE.
- YOUR FATHER IS DESTROYING EVIDENCE, DANIEL.
[clicks mouth]
HE'S COVERING HIS TRACKS.
- WHO IS THIS? WHO ARE YOU?
- A FRIEND INTERESTED IN JUSTICE.
OOH, DO YOU HEAR THAT, DANIEL?
[metal crushing]
THAT WAS HER CAR.
- WHOSE CAR?
- OOH, NOT TELLING.
- WHO IS THIS?
- YOU FIGURE IT OUT.
- DON'T EVER CALL HERE AGAIN.
- [laughs]
[music box plays melody]
♪ ♪
[music box stops]
[screaming]
- BACK OFF, SHAQUILLE, THESE ARE WOMEN'S BOOTS.
- I'M NUMBER SEVEN ON THE SIGN-UP SHEET, HONEY.
BETTER LUCK NEXT TIME.
- CHRISTINA!
THERE WAS A GUCCI BAG IN THE AUGUST ISSUE.
I KNOW YOU HAVE IT.
- WELL, IT MUST BE SOMEWHERE IN THE ACCESSORY CLOSET, LOVE.
- I LOOKED IN THE ACCESSORY CLOSET, "LOVE."
- WELL, IT MUST BE STILL ON THE FLOOR, LOVE.
- IT'S NOT ON THE FLOOR, "LOVE."
- THEN PICK SOMETHING ELSE, LOVE!
AH! [phone rings]
THIS IS MY HELL.
- IT'S BETTY. IS AMANDA THERE?
- OH, YEAH, YEAH.
SHE'S GOT THE BLONDE FROM STYLES IN A HEADLOCK.
WHY AREN'T YOU HERE?
- BECAUSE I HAVE THINGS TO DO
AND I NEED AMANDA TO COVER DANIEL'S PHONE.
- IF I SEE ANYONE LEAVING HERE WITH THAT GUCCI BAG,
I WILL CLUB THEM WITH THIS BOOT.
- I'M SERIOUS, BETTY. IT'S A FEEDING FRENZY.
AND IF YOU WANT ANYTHING AT ALL FROM THE CLOSET,
YOU'VE GOT TO GET DOWN HERE NOW.
- OKAY, MAYBE LATER.
JUST PLEASE GET AMANDA UP HERE, CHRISTINA.
I HAVE TO GO. BYE.
HENRY?
- YES?
- BETTY SUAREZ, UM, FROM DANIEL MEADE'S OFFICE.
- YOU'RE KIDDING. YOU WORK ON THE 28TH FLOOR?
THAT CAME OUT WRONG.
YOU JUST-- YOU LOOK NORMAL,
LIKE FROM DOWN HERE.
- THANK YOU. HERE.
- OH, WELL, YOU CERTAINLY LIKE TO CUT IT CLOSE.
- YEAH, I DIDN'T GET THE MEMO.
- WELL, YOU WERE ON THE LIST. - I DIDN'T GET IT.
MY BOSS DID, LAST NIGHT, SO HERE IT IS.
UM...
DO YOU TAKE YOUR COFFEE WITH CREAM AND SUGAR?
- YEAH. - ANY CREAM CHEESE?
- EXCUSE ME?
- I'M SORRY. I'LL MAKE IT UP TO YOU LATER.
HI, MR. MEADE.
UM, I'M SORRY I'M LATE.
UH, THE FIRST ELEVATOR WAS FULL,
SO I HAD TO WAIT FOR THE SECOND ONE--
- I HOPE THOSE ARE FOR ME. I SKIPPED BREAKFAST.
- YEAH. UH...
SURE.
HERE YOU GO.
- [sighs] - I'M SO SORRY.
I'M SORRY. - PLEASE.
- OKAY. - NO CREAM CHEESE?
- NO, THEY WERE OUT.
- SO DO YOU HAVE ANY IDEA WHY YOU'RE HERE?
- [sighs]
SIR, IT WAS JUST ONE PACK OF POST-ITS.
I SWEAR I WILL BRING IT BACK.
I LOVE MY JOB.
- THERE'S A STRANGE WOMAN WHO'S BEEN CALLING DANIEL.
I ASSUME YOU MONITOR HIS CALLS?
- YES, SIR.
- WE FIRED HER A COUPLE OF YEARS AGO.
SHE THREATENS TO SUE FROM TIME TO TIME.
OBVIOUSLY OUT OF HER MIND.
HAS SHE CALLED AGAIN?
- UM, TODAY.
UH, SAID SOMETHING ABOUT YOU DESTROYING EVIDENCE.
- REALLY?
- DANIEL JUST HUNG UP ON HER.
- GOOD.
THAT'S GOOD.
STILL, THAT'S A NUISANCE.
I NEED TO KNOW WHEN SHE CALLS, BETTY,
WHAT SHE SAYS TO DANIEL.
DO YOU THINK YOU CAN DO THAT FOR ME?
IT'S FOR LEGAL REASONS,
TO PROTECT DANIEL AND THE COMPANY.
- YES, SIR.
- AND, UH, HE DOESN'T NEED TO KNOW WE'RE DOING THIS.
OUR SECRET, HMM?
REMEMBER WHO SIGNS YOUR PAYCHECK.
- HMM. YES, SIR.
BUT MIGHT I JUST SAY YOU SURE DO TAKE OUT A LOT.
- YOU CAN GO NOW.
- HEY, BETTY, DANIEL'S BEEN CALLING AROUND FOR YOU.
HE ISN'T HAPPY.
- YOU WANT TO TELL ME WHERE YOU'VE BEEN?
- I WAS TRYING TO GET YOUR BAGEL--
- DID YOU FIND SOME CREAM CHEESE?
- OH, GEE. LOOK, I'M SORRY, UM--
I WAS IN SUCH A RUSH AND MY BOSS WANTED A BAGEL
AND SOME COFFEE AND I WAS GONNA MAKE IT UP TO YOU, REALLY--
- THIS IS NOT ABOUT COFFEE AND A BAGEL, BETTY!
- REALLY?
- I WISH, BUT IT'S ABOUT THE EXPENSE REPORT YOU TURNED IN.
- HENRY HERE HAS REJECTED $20,000
OF MISCELLANEOUS EXPENSES,
EVERY DIME OF WHICH I AM PERSONALLY RESPONSIBLE.
YOU WANNA--WHAT WERE YOU THINKING?
- MISCELLANEOUS EXPENSE? MISCELLANEOUS EXPENSE.
YOU NEED TO PUT NAMES, DATES, REASONS FOR THE MEAL.
- YEAH, BUT I JUST--I COPIED WILHELMINA'S REPORT.
- BETTY, MISCELLANEOUS EXPENSE REPORTS
ARE ALWAYS METICULOUSLY DETAILED.
- OF COURSE THEY ARE.
I MEAN, WILHELMINA KNOWS EXACTLY HOW THIS
MAKES ME LOOK TO MY FATHER.
- DOES HE GET COPIES?
- INSTANTLY, WHENEVER THERE'S A LARGE VIOLATION.
THE SERVER SENDS IT, THEN AUTOMATICALLY SUSPENDS
THE COMPANY CREDIT CARD OF THE VIOLATOR.
- SERIOUSLY?
MY CARD'S SUSPENDED?
- IT ONLY TAKES A WEEK TO REACTIVATE.
- A WEEK? NO.
I HAVE A HUGE DINNER TOMORROW NIGHT.
[phone rings]
BETTY, PHONE?
- DANIEL MEADE'S OFFICE.
YES, SIR.
YEAH, I'LL TELL HIM.
THAT'S YOUR FATHER.
- $20,000 OF MISCELLANEOUS EXPENSES?
YESTERDAY I DEFENDED YOUR FISCAL RESPONSIBILITY
TO WILHELMINA SLATER.
SHE'S GUNNING FOR PUBLISHER.
YOU KNOW THAT?
SHE THINKS YOU NEED FINANCIAL SUPERVISION.
IS SHE RIGHT? - NO, SIR.
NOT FROM HER.
- I'M NOT SO SURE.
I THINK YOU'VE GONE SOFT ON MY MONEY.
I THINK YOU'VE GOT SOMETHING TO PROVE TO ME.
SO HERE'S WHAT I'M GONNA DO.
I'M GONNA EAT THE 20 GRAND, CALL IT AN ACCOUNTING ERROR.
- THANK YOU.
- BUT THIS MONTH, YOU'RE GONNA USE YOUR OWN MONEY.
SEE HOW RESPONSIBLE YOU ARE WHEN IT'S COMING
OUT OF YOUR OWN POCKET.
- YOU ONLY HAVE $327 LEFT IN YOUR ACCOUNT?
BUT YOU'RE A MEADE.
- A POOR MEADE.
I BLEW THROUGH MY TRUST FUND LIKE--LIKE--
I WAS MICHAEL JACKSON.
I NEED THIS JOB, BETTY. - WELL, YOU JUST GOT PAID.
- IT BARELY COVERED THE RENT ON MY LOFT.
I'VE BEEN LIVING OFF THE COMPANY CREDIT CARD, OKAY?
I'M BROKE.
- YOU HAVE TO ENTERTAIN OSHI TOMORROW NIGHT.
MAYBE YOU SHOULD JUST TELL YOUR FATHER.
- WHAT, AND LOOK FISCALLY IRRESPONSIBLE?
IF I TELL DAD THAT'S ALL I HAVE LEFT,
HE'LL MAKE WILHELMINA PUBLISHER SO FAST,
IT'LL MAKE YOUR HEAD SPIN AND IT'D BE LIKE HANDING
THE MAGAZINE OVER TO HER.
NO.
THIS IS OUR SECRET.
- OKAY, YEAH.
YEAH, WE CAN WORK OUR WAY OUT OF THIS.
IT'S LIKE MY DAD ALWAYS SAYS, "IT'S NOT HOW MUCH YOU HAVE.
IT'S HOW YOU SPEND IT."
WE'LL THINK OF SOMETHING.
- I DON'T KNOW HOW THAT PHONY EXPENSE REPORT
GOT INTO MY FILES.
- I'M FURIOUS AT YOU, MARC.
SEE THAT IT NEVER HAPPENS AGAIN.
- OH, THE WITCH AND HER FLYING MONKEY SET YOU UP.
- YEAH, I GET THAT NOW.
- PUBLISHER?
THAT WOULD MAKE HER MORE POWERFUL THAN DANIEL.
OH, GOD FORBID.
RIGHT.
WELL, THERE'S NOT MUCH LEFT, BUT I DID MANAGE
TO SAVE ONE OR TWO GOODIES.
AND YOU DON'T NEED TO BE A SIZE 6 TO CARRY A NICE BAG.
- IT'S THE GUCCI BAG.
WOW, THAT'S BEAUTIFUL.
IT MATCHES YOUR DRESS.
- IT'S NOT FOR ME, BETTY.
IT'S FOR YOU.
- NO, NO, NO, NO. - NO, NO, NO.
IT'S YOUR FIRST SWAG, SO YOU GET THE FIRST PICK,
AND BELIEVE ME, YOU REALLY DO NEED A NEW PURSE.
GO ON.
DO YOU KNOW?
I BELIEVE THAT FASHION IS GOOD FOR THE SOUL,
FOR JUST HOW IT MAKES YOU FEEL.
AND YOU'LL BE AMAZED AT THE RESPECT
A DESIGNER LABEL BRINGS YOU AROUND HERE.
- WELL, IT'S THE NICEST THING I'VE EVER OWNED.
THANK YOU.
- JUST DON'T PUT YOUR CRAYONS IN IT, OKAY?
- A WATCH?
- CHRISTINA SAID IT'S NOT REALLY THAT EXPENSIVE,
BUT THEY DID USE IT IN A JAMES BOND PHOTO SHOOT.
- SUAREZ...
IGNACIO SUAREZ.
- [chuckles]
- HILDA.
- OOH, WHAT IS IT?
[gasps] IT'S A SCARF!
OH, IT'S BEAUTIFUL!
- IT'S HERMES!
- YEAH, I KNOW THAT.
- AND, JUSTIN.
- OH, MY GOD.
IT'S A BURBERRY BELT.
THANK YOU, THANK YOU, THANK YOU!
I'VE GOTTA CALL ALL MY FRIENDS.
- NO, NO, YOU DON'T!
JUSTIN!
- THAT REMINDS ME OF YOUR MOTHER'S HANDBAG,
THE ONE SHE GAVE TO YOU, REMEMBER?
YOU USED TO CARRY IT EVERYWHERE.
IT WAS ALMOST AS BIG AS YOU WERE.
- I REMEMBER.
- MAN, HOW SHE LOVED THAT BAG.
SAID IT MADE HER FEEL BEAUTIFUL.
HMM?
- OH, DAD, I WENT TO THE PHARMACY THIS MORNING
AND MARIA WOULDN'T DO IT.
- HOW MUCH WAS THE PRESCRIPTION?
- ALMOST $200.
- WELL, THAT IS A BEAUTIFUL BAG...
AND THIS--
THIS IS A WONDERFUL WATCH.
- NICE BAG.
- THANK YOU. - CAN I TOUCH IT?
- YEAH.
- OH.
MY BAG.
SHE'S GOT MY BAG.
- YEAH, I FOUND IT.
- YOU WERE HIDING IT FOR HER.
- OH, DON'T BE A SPOILSPORT.
- SHE DOESN'T DESERVE A GUCCI BAG.
- OH, AND YOU DO, MARC?
- SHE WON'T KNOW WHAT TO DO WITH IT.
LOOK, IT'S TOUCHING POLYESTER.
- I THINK SHE'S WEARING IT RATHER NICELY, ACTUALLY.
- OOPS.
- YES, I'M TRYING TO APPLY FOR A NEW PLATINUM CARD.
THERE SEEMS TO BE A PROBLEM.
DANIEL MEADE.
YES, THAT'S RIGHT. MODE MAGAZINE.
MM-HMM.
I SEE.
UH, WELL, HOW ABOUT A GOLD CARD, THEN?
SILVER?
COME ON.
I'M RUNNING OUT OF COLORS HERE.
CAN YOU HELP ME OUT?
YOU KNOW, THAT'S ENTIRELY UNCALLED--
APPARENTLY, MY CREDIT RATING'S LOWER THAN THAT
OF MOST CONVICTED FELONS.
NICE BAG. VUITTON?
- GUCCI, FROM THE CLOSET...
AND INSIDE, MY LIST OF 300 VERY FUN THINGS
TO DO IN NEW YORK CITY FOR UNDER $300,
AND I THINK IT'S VERY GOOD.
- HE'S HERE!
HE'S HERE, HE'S HERE!
OSHI'S ON HIS WAY UP!
- HE'S HERE.
[Asian pop music plays over boom box]
- THE MASTER OF MINIMAL, THE KING OF CLEAN.
- MARC...
THE CHAMPAGNE.
- OHAYO GOZAIMASU, OSHI-SAN.
- [speaking Japanese]
- GOOD MORNING.
I'M VERY THIRSTY. ARE YOU?
- WE HAVE FRESH COFFEE.
[boom box clicks off]
- I AM VERY THIRSTY FOR SOME CHAMPAGNE, OSHI, ARE YOU?
- WILHELMINA. - AH!
MWAH, MWAH.
- CHAMPAGNE.
- KAMPAI, DARLING. - KAMPAI.
- KAMPAI.
- DANIEL MEADE... [speaking Japanese]
- I WILL BE FITTING MY SPRING COLLECTION
ON MY MODELS TODAY AND TOMORROW.
TOMORROW EVENING I WILL RETURN
TO DO A SHOWING FOR YOU AND YOUR EDITORS.
WE WILL USE YOUR TUBE ENTRY FOR OUR RUNWAY WALK.
I LIKE IT...
ROUND, WHITE, MINIMAL.
THEN WE WILL DRINK CHAMPAGNE
AND YOU WILL TAKE US OUT FOR A WONDERFUL MEAL.
AFTER THAT, WE WILL TALK BUSINESS...
OR NOT.
[boom box resumes playing]
- HE SAID "A WONDERFUL MEAL."
HE'S EXPECTING A WONDERFUL MEAL.
- WELL, I'D BE HAPPY TO PICK UP THE TAB, DANIEL.
I CAN TREAT.
OF COURSE, THEN YOU'D HAVE TO INVITE ME TO THE DINNER.
- SHE KNOWS I'M BROKE.
SHE KNEW BEFORE SHE MET WITH MY FATHER.
- DANIEL, I DON'T THINK IT'S REALLY A GOOD IDEA
TO LET WILHELMINA PAY FOR DINNER.
I MEAN, THE JAPANESE ARE VERY ATTUNED TO NUANCE
AND IT WOULD APPEAR THAT YOU'RE NOT IN CHARGE.
- OH, RIGHT, I-I GET IT, OKAY?
BUT I DON'T HAVE A CHOICE, RIGHT?
I MEAN, IF I USE WILHELMINA'S EXPENSE ACCOUNT,
SHE GETS CREDIT FOR KEEPING OSHI,
MY FATHER KNOWS I'M BROKE, BUT IF I DON'T USE HER,
WE RISK LOSING OSHI AND HE REALLY KNOWS I'M BROKE.
I MEAN, EITHER WAY, I END UP LOOKING
LIKE A FINANCIAL INCOMPETENT AND SHE GETS THE PUBLISHER'S JOB.
- WELL, NOT IF YOU CAN IMPRESS OSHI UNDER $300,
AND THERE ARE SOME REALLY GREAT THINGS ON THIS LIST.
- $300 WON'T BUY OSHI A NEW SCRUNCHIE.
- WE COULD TAKE HIM TO THE MOVIES...
OR, UM, OKAY, UH, THE STATUE OF LIBERTY...
OR YOU KNOW WHAT?
WALTER AND I HAD SO MUCH FUN EATING AT PAPAYA QUEEN
AND RIDING THE STATEN ISLAND FERRY, REALLY.
- THE FERRY, BETTY?
REALLY?
- YEAH.
- YEAH.
OH, LET'S FORGET IT.
WILHELMINA'S GOT US. THIS IS OVER.
WE'RE DONE.
- WELL, IT'S HIS OWN FAULT FOR SPENDING SO MUCH.
- YEAH, BUT I FILLED OUT HIS EXPENSE REPORT.
- NO, NO, NO, NO, NO, YOU JUST DIDN'T LIE FOR HIM.
LISTEN, THEY'RE ALL AT IT. THEY ALL CHEAT.
WILHELMINA, ESPECIALLY.
THEY ABUSE THEIR EXPENSE ACCOUNTS
LIKE IT'S THEIR GOD-GIVEN RIGHT AND THEY PAY US SLAVE WAGES.
- NICE GUCCI.
- THANK YOU.
OH, IT'S THE LAST SALAD.
- THAT'S OKAY.
WE CARB-LOADING FOR A MARATHON?
- WE CAN'T ALL LIVE ON LAXATIVES.
- HEY, BETTY.
SEAMSTRESS.
SEE, THE GIRL FROM STYLES WHO GOT MY LOUBOUTIN BOOTS,
SHE WOULD DIE TO HAVE YOUR GUCCI BAG.
SO HERE'S THE DEAL.
I WILL TRADE YOU MY SEASON TICKETS
TO THE OPERA FOR YOUR BAG.
THEN I CAN TRADE YOUR BAG FOR MY BOOTS
AND EVERYONE WINDS UP A WINNER.
- THE OPERA? SHE LIVES IN QUEENS.
IF SHE WANTS TO HEAR FAT ITALIANS SCREAMING,
SHE CAN OPEN A WINDOW.
BETTY LOVES HER NEW BAG. DON'T YOU?
- YES, I DO.
- THERE YOU GO, THEN.
GO AWAY AND THROW UP YOUR CELERY STICKS.
SHOO!
- OPERA TICKETS?
CHRISTINA, HOW MUCH EXACTLY IS THIS BAG WORTH?
- RETAIL? ABOUT $4,500.
WITH THE PICKLE, HOWEVER, $4,200.
- PLEASE JUST GO HOME, WALTER.
LEAVE ME ALONE.
[door closes] I'M HOME.
- WE DIDN'T WANT TO START WITHOUT YOU,
BUT IT WAS GETTING COLD.
- I WENT TO SEE MARIA.
SHE GAVE YOU 15 REFILLS.
- 15?
YOU WANNA TELL ME HOW YOU GOT HER TO GIVE YOU 15 REFILLS?
- WHERE'S YOUR GUCCI?
- [sighs]
BETTY... - IT'S OKAY.
IT WAS SWAG, PART OF MY WAGES.
- THAT WITCH BLOWS 25 GRAND IN RIO
AND YOU'VE GOTTA GIVE UP YOUR PURSE?
- HILDA, IT'S OKAY.
- NO, IT'S NOT OKAY, BETTY.
- WELL, THAT'S THE WAY IT IS.
- I GOT IT.
[knock on door]
HEY.
- DO YOU REMEMBER HOW ANGRY YOU WERE
WHEN MOM GAVE ME HER GOOD PURSE?
- YEAH, WELL...
YOU WERE THREE AND YOU USED IT
TO CARRY AROUND YOUR CRAYONS.
- I FINALLY FIGURED OUT WHY SHE GAVE IT TO ME AND NOT TO YOU.
- DIGAME.
- SHE KNEW HOW IT WOULD MAKE ME FEEL.
CHRISTINA SAYS THAT FASHION IS GOOD FOR THE SOUL...
AND WHEN I WAS WALKING AROUND WITH MY GUCCI TODAY,
IT WAS LIKE I WAS THREE YEARS OLD AGAIN
AND HOLDING MOM'S PURSE.
I ACTUALLY FELT PRETTY.
- I KNOW, MAMA.
- HELLO. WHERE'S THE GUCCI?
- I DIDN'T WANT TO GET ANOTHER PICKLE ON IT.
- OKAY, SO I REALIZE THE OPERA TICKETS
WERE TOTALLY INAPPROPRIATE.
HERE IS A MENUDO BOX SET AND A COUPON FOR 100 TAQUITOS.
WHAT?
- I DON'T HAVE MUCH TIME. - THAT MAKES TWO OF US.
- I NEED TO SEE WILHELMINA'S EXPENSE REPORT
FROM THE LAST ISSUE-- THE REAL ONE.
- THAT'S AGAINST COMPANY POLICY.
- COFFEE AND A BAGEL?
- MM... NEED A REAL REASON.
- THERE WAS A $25,000 CHARGE MADE
TO THE CASA BRAZIL UNDER "PROPS AND EXTRAS."
- AND?
- SHOW ME THE PROPS AND EXTRAS.
MODELS ON A BEACH WEARING BIKINIS--SAND, WATER, ***.
THIS COULD'VE BEEN SHOT FOR NEXT TO NOTHING.
- OKAY, SO MAYBE SHE WAS PADDING.
EVERYBODY PADS A LITTLE.
- A LITTLE? DANIEL, $25,000?
THAT'S MY FAMILY'S RENT FOR A YEAR.
- BETTY, I CAN'T QUESTION THE CREATIVE DIRECTOR
OF A MAJOR FASHION MAGAZINE.
- WHO'S HIDING A HUGE EXPENSE UNDER "PROPS AND EXTRAS."
IT'S NOT RIGHT AND IT'S NOT RIGHT WHEN YOU DO IT, EITHER.
- POINT TAKEN, BUT OSHI'S DUE IN TWO HOURS.
IF WE TAKE WILHELMINA DOWN--
- THEN THEY CANCEL HER COMPANY CREDIT CARD.
SHE CAN'T PAY FOR OSHI AND YOUR FATHER
WILL NEVER MAKE HER PUBLISHER.
- AND I'M LEFT WITH $327 TO ENTERTAIN OSHI
AND HIS ENTIRE ENTOURAGE.
- SO DITCH THE ENTOURAGE.
ONLY TAKE HIM TO DINNER AND DON'T TELL ME
THAT $327 ISN'T ENOUGH.
- OKAY.
ALL RIGHT, AND HOW DO WE PROVE WILHELMINA CHEATED, HMM?
[phone rings]
[speaking Portuguese]
[rap music plays]
♪ ♪
- AM I INVITED TO THE DINNER, DANIEL?
I DON'T THINK MASA ALLOWS DISHWASHING
AS A FORM OF PAYMENT.
- ACTUALLY, WILHELMINA, I WAS THINKING
OF SOMETHING A BIT MORE PRIVATE.
- WERE YOU?
- OSHI-SAN...
IN THE SPIRIT OF MINIMALISM, AND TO HONOR YOUR COLLECTION,
UH, I WAS THINKING WE MIGHT HAVE OUR DINNER ONE-ON-ONE.
YOU AND ME, ALONE, SO WE CAN GET TO KNOW EACH OTHER.
[speaking Japanese]
- ALONE?
NO. NO, NO.
OSHI IS...
OSHI.
- WHEN DID "CATWALK" BECOME "FATWALK"?
[laughter]
- I'M SORRY. THERE WASN'T ANOTHER WAY IN.
- WHERE'S HENRY? - MEETING WITH YOUR FATHER.
- IS THERE ANY WAY TO HOLD THEM OFF?
- WHY?
- BECAUSE OSHI IS OSHI
AND WE HAVE $300 TO FEED 15 PEOPLE.
I MEAN, IF WE WANT HIM TO STAY AT MODE,
WE HAVE TO INVITE WILHELMINA ALONG.
- NO. NO, NO, THEN YOU LOSE, DANIEL.
YOU CAN'T JUST GIVE UP WITHOUT A FIGHT.
- YEAH, BUT WE DON'T HAVE A PLAN "B," BETTY.
I DON'T HAVE A CHOICE.
- IT'S SO MINIMAL, IT'S NOTHING.
- YES, YES.
SIMPLE IS BETTER.
ROUND...
WHITE...
MINIMAL.
- ROUND, WHITE...
- MINIMAL.
KAMPAI, OSHI.
- KAMPAI.
- BRILLIANT COLLECTION. BRILLIANT IN ITS SIMPLICITY.
- IT'S MINIMAL, IT'S WHITE-- - IT'S CRAZY.
YOU CAN'T BE SERIOUS.
- IT MIGHT WORK, DANIEL, AND WE HAVE TO TRY SOMETHING.
- NO, WE DON'T, BETTY. IT'S OVER.
- PARTY TIME, DANIEL.
OSHI'S READY FOR MORE CHAMPAGNE.
- UH, WELL, WE COULD DRINK MORE CHAMPAGNE AT MASA, OSHI.
ISN'T THAT RIGHT, WILHELMINA?
- I WOULD LOVE TO COME.
I'M FAMISHED, OSHI, AREN'T YOU?
- OSHI'S HUNGRY, OKAY?
VERY HUNGRY.
- BUT HE AND YOUR FATHER WILL KNOW WHO PAID THE BILL.
- AHEM.
- SHALL WE MOVE ON TO DINNER?
- ACTUALLY, WILHELMINA, I THINK YOU HAVE MORE PRESSING BUSINESS.
MAY WE SEE YOU FOR A MOMENT?
- BRADFORD?
- IT'S ABOUT THE LAST ISSUE'S SHOOT IN RIO.
- UH... WAS THERE A PROBLEM?
- I DON'T MIND PAYING FOR PROPS AND EXTRAS,
BUT I TAKE GREAT EXCEPTION TO FINANCING
YOUR BRAZILIAN BUTT LIFT.
[crowd gasps]
- HMM?
- I'M SURE YOU'LL ALL HAVE A WONDERFUL DINNER WITHOUT ME.
STOP LOOKING AT IT.
- IT MAY AS WELL BE OSHI WALKING OUT THE DOOR.
- WE HAVE A PLAN "B," DANIEL.
- YOU THINK SO, BETTY?
I THINK WE'RE SCREWED.
- [sighs]
THIS BETTER WORK, BETTY.
- HE LIKES ROUND, HE LIKES WHITE, HE LIKES MINIMAL.
IT'S PERFECT. - DANIEL?
TAKING HIM SOMEWHERE SPECIAL?
- [clears throat] SOMEPLACE UNIQUE.
- JUST REMEMBER YOU'RE ON YOUR OWN DIME.
- IT'S KINDA HARD TO FORGET, DAD.
- MAKE SURE YOU DON'T LOSE HIM.
- HE WON'T.
- [speaking Japanese]
- GOOD LUCK RETURNING MY ***!
- OSHI WANT TO KNOW WHERE WE ARE GOING.
- NEW JERSEY.
- NEW JERSEY?
- HOLY CRAP.
THIS IS A DISASTER.
I CAN FEEL IT.
- DANIEL!
- YES, OSHI?
- WHAT PLACE IS THIS?
WHERE HAVE YOU BROUGHT ME?
- IT'S CALLED...
THE WHITE TASSEL.
- IT'S CLEAN, WHITE, MINIMAL.
ROUND FOOD INSIDE.
- MINIMAL.
- HE LIKES IT.
OSHI LIKES IT.
[applause]
- ARE YOU SURE THERE'S NOTHING ON THE MENU OVER $5?
WE'VE GOT EXCLUSIVES FOR HIS NEXT FOUR COLLECTIONS.
"MINIMAL, DANIEL."
YEAH. YEAH.
THANKS, DAD.
NO, YOU HAVE NO IDEA HOW MUCH I APPRECIATE THAT.
OKAY, YEAH.
HE'S REACTIVATING MY COMPANY CREDIT CARD.
- YES!
- HE'S TOUGH, BUT HE'S FAIR.
YOU KNOW, I WAS THINKING ABOUT THAT WOMAN
WHO KEEPS CALLING ABOUT HIM, SHE'S CRAZY.
I THINK WE SHOULD JUST KEEP IT TO OURSELVES.
- WHATEVER YOU WANT.
- AND THANKS FOR THE LESSON.
- IT'S NOT HOW MUCH YOU HAVE.
IT'S HOW YOU SPEND IT.
- YEAH, I WAS THINKING MORE LIKE THE ONE ABOUT NOT GIVING UP.
- FORGET ABOUT IT.
- [chuckles]
GOOD NIGHT, BETTY.
- GOOD NIGHT.
- BETTY.
I KNOW.
"WALTER, GO AWAY."
IT'S JUST A KNOCKOFF.
- IT'S WONDERFUL.
- A HAMBURGER STAND? [chuckles]
IMAGINE.
SHE REALLY IS VERY INVENTIVE, ISN'T SHE?
- RUINED MY CHANCE FOR PUBLISHER.
- MM, AND QUITE THE LITTLE GATEKEEPER.
DANIEL'S STUBBORN.
WE NEED TO TRY SOMETHING.
SOMETHING MORE DIRECT.
SOMETHING EMOTIONAL.
- I THINK I HAVE ONE.
ONE THAT'LL HURT.
[music box plays melody]
[music box stops]
[elevator bell dings]
- NICE BAG.
- IT TRULY IS.
- OKAY, FORGET THE OPERA TICKETS.
FORGET THE TAQUITOS.
FINAL OFFER--BODY WAX AT NATRIQUE
AND A WEEKEND AT MY PARENTS' HOUSE IN THE HAMPTONS.
- NO SALE.
- FULL BODY WAX.
THAT INCLUDES THE BACK!
- OKAY, IT'S YOURS...
FOR ONE OF THE FAKE GUCCIS THE GUY'S SELLING AROUND THE CORNER
AND A HUGE FAVOR TO BE NAMED A LATER DATE.
- YOU WON'T FOOL ANYONE WITH A PHONY.
- I'LL TAKE MY CHANCES. - SERIOUSLY?
- I THINK I'M BEGINNING TO LEARN THE WAY IT WORKS AROUND HERE.
- [scoffs] THEN...DEAL.