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- PREVIOUSLY ON THE NEW ATLANTA...
YEAH, WE HAVE A PROBLEM NOW.
- YEAH, ALEX. SEE YOU ON THE FLIPSIDE.
- WATCH YOUR BACK.
- SO A COUPLE OF YEARS AGO,
I STARTED WRITING A BOOK.
- ONCE WE DO THE FULL SPREAD,
NOW YOU'RE SEEING YOUR WHOLE FACE.
- IT'S ALL ABOUT RELATIONSHIPS BETWEEN MEN AND WOMEN.
FOR ME TO [bleep] ONE GIRL FOR THE REST OF MY LIFE,
ABSOLUTELY NOT.
- SO THESE WALLS THAT I HAD WORKED VERY HARD TO PUT UP
ARE JUST CRUMBLING.
- VAWN WAS TALKING ABOUT HOW IT'S OKAY
TO SLEEP WITH AS MANY WOMEN AS YOU WANT TO...
- WHAT?
- AS LONG AS YOU ARE HONEST WITH THEM.
- HEY. - HEY.
- WHAT'S UP, BABY?
- HI. - SHE'S A CLOWN.
I DON'T WORRY ABOUT STUFF LIKE THAT.
- LET ME KNOW WHEN YOU'RE TIRED OF BEHAVING.
- OH, WHAT?
- ♪ WE GO, WE GO, WE GO BIG ♪
♪ WE GON' GET THIS IF WE GO BIGGER, BABE ♪
♪ WE GO, WE GO, WE GO BIG ♪
♪ WE GON' GET THIS IF WE GO BIGGER, BABE ♪
- ♪ HEY ♪
♪ TURN UP, TURN UP, HEY ♪
♪ LET'S GO, HEY ♪
♪ TURN UP, TURN UP, HEY ♪
♪ ♪
♪ HEY ♪
[doorbell rings]
- MM-HMM.
HEY. - HEY.
- WHAT'S UP, GIRL?
- HOW YOU DOING?
- GOOD. I'M WONDERFUL.
HOW YOU DOING? WELCOME.
- OH, MY GOODNESS.
I LOVE YOUR PLACE.
- HOW YOU BEEN?
- WONDERFUL.
- WANT SOME WINE?
- COME ON, NOW.
I DON'T KNOW WHAT AFRICA THINKS IS GOING ON
BETWEEN HER AND VAWN.
- WHAT YOU BEEN DOING?
YOU BEEN ATTENDING YOUR RAVE PARTIES?
- ACTUALLY, I'M TRYING TO GO RAVING TONIGHT.
BUT I THINK VAWN MADE IT PRETTY CLEAR AT TRIBBLE'S PARTY
THAT HE'S FAIR GAME.
- HOW'S SCHOOL GOING?
- GOOD. READY TO BE OUT OF THERE.
- SO WHAT'S YOUR PLANS?
- YOU KNOW, NOW THAT I'M ABOUT TO GRADUATE,
WHO KNOWS-- MAYBE MEET ME SOMEONE.
- I'M NOT REALLY SURPRISED ALEX HIT ME UP
AFTER SEEING ME.
WE FLIRTED AT THE VALENTINE PARTY.
I'M GLAD YOU CAME BY.
YOU'RE COOL.
NOW I JUST WANT TO SEE WHAT OUR CONVERSATION GONNA BE LIKE.
ARE YOU REALLY PLAYING A GAME?
OR ARE YOU REALLY, REALLY INTERESTED?
I'M HUNGRY. I COOKED. YOU WANT SOMETHING TO EAT?
- YOU COOKED? - ABSOLUTELY.
I COOK ALL THE TIME.
MY MOM TAUGHT ME HOW TO COOK A LONG TIME AGO.
THAT DON'T MEAN I LIKE IT, BUT...
- OKAY.
- WHEN YOU'RE NOT COMMITTED,
OF COURSE YOU KEEP YOUR OPTIONS OPEN,
'CAUSE YOU DON'T REALLY KNOW WHAT CAN HAPPEN.
- WOW.
I AM VERY IMPRESSED.
THIS IS SUPPOSED TO BE MY JOB.
I'M SUPPOSED TO COOK.
YOU'RE SHOWING ME UP RIGHT NOW.
- WELL... - I LOVE THAT.
'CAUSE, YOU KNOW, THERE'S GONNA BE DAYS AS A WIFE,
LIKE, I MIGHT BE GOING OUT AND DO SOMETHING,
AND, LIKE, "YO, SWEETIE, CAN YOU GET THE FOOD STARTED
FOR THE KID?"
- YOU ALREADY PUT IT IN THERE THAT YOU MIGHT BE MY WIFE?
- UH, NO, I SAID WHO'S EVER, OKAY?
I MEAN, HEY,
IF YOU'RE SO LUCKY.
- IF I'M LUCKY?
- I ALWAYS THOUGHT VAWN WAS CUTE,
BUT I DIDN'T KNOW HE HAD THIS TENDER, SWEET SIDE LIKE THAT.
AMAZING.
- GREAT. - VERY IMPRESSED.
RIGHT NOW HE'S BEING A PERFECT, PERFECT GENTLEMAN.
- WHEN YOU SEE ME...
WHAT YOU LIKE ABOUT ME?
- YOUR PRESENCE.
WHEN YOU WALK IN A ROOM, EVERYONE TURNS.
EVERYONE SEES YOU.
YOU MAKE IT BE KNOWN
THAT YOU SHOULD BE KNOWN.
YOUR CONFIDENCE?
THAT'S WHAT GOT ME LOOKING YOUR WAY.
- WHY DO YOU LOOK AT ME LIKE THAT
EVERY TIME YOU SAY SOMETHING TO ME?
YOU'RE BLUSHING, THOUGH.
- STOP DOING THAT, WHEN YOU CALL ME OUT,
'CAUSE I'M GONNA BLUSH MORE.
- SHE GOT THAT LITTLE PLAYFUL ATTITUDE.
- [laughs] - SHE'S CHARISMATIC.
BUT I'M WAITING TO SEE WHAT SHE REALLY MADE OF.
- I REALLY THINK THAT WE'RE VERY SIMILAR IN A LOT OF WAYS.
- AND HOW IS THAT?
- YOU HAVE NO PROBLEM WITH ALSO SPEAKING YOUR MIND.
YOU'RE JUST A LITTLE BIT NICER AT IT THAN I AM.
[laughs]
POWERFUL PEOPLE SHOULD STICK TOGETHER.
THAT'S ALL I'M SAYING.
- REALLY?
- MAYBE TOGETHER, WE COULD BE VERY POWERFUL.
YOU GONNA LET ME BE YOUR QUEEN?
- LET ME SAY SOMETHING TO YOU.
I GET EVERYTHING I WANT.
FIRST, THOUGH, I GOT TO FIGURE OUT IF I WANT IT.
- I'M TAKEN BACK A LITTLE BIT,
BUT AT THE SAME TIME, I'M INTRIGUED.
I HOPE YOU INVITE ME OVER AGAIN.
YOU'VE REALLY IMPRESSED ME TONIGHT.
THANK YOU.
- HOPEFULLY WE'LL SEE IF WE HAVE ANOTHER ONE.
- A DINNER AT A TIME?
[laughs]
THIS IS GONNA BE SO MUCH FUN.
- BE CAREFUL.
MM.
- ALL RIGHT, BYE, LOVE.
[doorbell rings]
- HEY, GIRL. WHAT'S UP?
HOW ARE YOU?
- HOW ARE YOU? - GOOD TO SEE YOU.
- GOOD TO SEE YOU.
- COME IN. IT'S BEEN WAY TOO LONG.
GOD, I FEEL LIKE I'VE BEEN GONE FOREVER.
- YOU HAVE. - I CANNOT WAIT TO CATCH UP.
WE HAVE SO MUCH TO TALK ABOUT.
- I KNOW. I DON'T REALLY WANT TO TALK ABOUT IT.
- I KNOW. UGH.
CATCH UP FIRST AND THEN WORK NEXT?
- YES, YES.
SOUNDS GOOD TO ME.
HOW WAS ASIA?
- AH-MAZING.
YOU WOULD HAVE DIED THERE.
- SO JEALOUS.
- UM, TOKYO, THE BEST SHOPPING YOU COULD EVER IMAGINE.
- I WAS GONNA SAY, SHOPPING MUST HAVE BEEN--
- TALK ABOUT A DENT IN MY CREDIT CARD--NOT GOOD.
BUT IT'D BE AN AMAZING GIRLS' TRIP.
- LET'S DO IT. - LET'S DO IT, OKAY.
- AFTER THIS FASHION SHOW.
- YES.
- FOR THE PAST THREE YEARS,
I'VE BEEN THROWING AN ANNUAL CHARITY FASHION SHOW
FOR CYSTIC FIBROSIS RESEARCH.
THIS IS THE FLIER THAT WE CREATED.
- YAY, YOU GOT SO MUCH DONE WHILE I WAS GONE.
I'M SO PROUD OF YOU.
- CYSTIC FIBROSIS, WHICH IS A LUNG DISEASE,
IS A CAUSE THAT'S REALLY CLOSE TO MY FAMILY.
MY SISTER WENDY PASSED BEFORE I WAS BORN FROM C.F.,
AND MY OLDER BROTHER ANDY HAS C.F.
- LEHAYIM.
- MY BROTHER DESCRIBES THE DISEASE
AS BREATHING THROUGH A COFFEE STRAW.
MY PARENTS DECIDED TO ADOPT ME
TO HAVE A CHILD THAT WASN'T AT RISK.
I THINK BECAUSE OF WHAT MY FAMILY WENT THROUGH,
GIVING BACK HAS ALWAYS BEEN EXTREMELY IMPORTANT TO ME.
SO WE NEED TO PUSH THIS,
THE $5 IN-ADVANCE TICKETS, NOW.
- YEAH, WE NEED TO GET THAT OUT
THROUGH ALL THE SOCIAL MEDIA OUTLETS,
THROUGH OUR EMAIL LIST,
AND DEFINITELY THROUGH THE MODELS.
THE MODELS NEED TO BE PUSHING THAT HARD-CORE.
- 100% OF THE ADVANCE TICKET SALES
WILL GO TO BENEFIT CYSTIC FIBROSIS RESEARCH.
- LET'S LOOK AT OUR LIST,
BECAUSE I KNOW SINCE I LEFT,
WE STILL HAVE A FEW THINGS THAT ARE NOT WRAPPED UP
THAT WE NEED TO FIGURE OUT.
- THERE ARE A FEW THINGS.
THIS IS STRESSING ME OUT.
- SO LET'S GET ON IT.
- UM, MODELS-- SINCERELY,
WHO'S A GOOD FRIEND OF MINE,
SHE'S BEAUTIFUL, TALL,
AND SHE'S TRYING TO GET ME SOME PEOPLE TOO.
- OKAY, LET'S FOLLOW UP WITH HER TOMORROW
AND FIGURE OUT IF SHE'S GOT SOME MORE MODELS ON.
I WILL MAKE SOME CALLS.
- OKAY.
- SO WE'LL MAKE IT HAPPEN.
WE'LL MAKE IT HAPPEN.
- WE'RE GONNA BE DOING THIS YEAR'S EVENT
IN THE MIDDLE OF OPERA,
WHICH IS A HUGE NIGHTCLUB IN ATLANTA.
IT'S GONNA BE MORE PEOPLE THAN WE'VE EVER HAD BEFORE,
WHICH IS AWESOME
BECAUSE WE'LL RAISE MORE MONEY.
BUT THAT ALSO MEANS WE'RE GONNA HAVE
TO PUT ON A KILLER SHOW.
- SO YOU NEED SOME HELP TO GET SOME OF THIS STUFF DONE.
- HA-HA.
- WHO'S GONNA HELP?
I CAN'T BE FOUR PEOPLE.
- SO--I KNOW.
I WISH YOU COULD, THOUGH.
I'M THINKING, OBVIOUSLY,
'CAUSE EMILY'S AT THE STORE NOW.
- I'M JUST NERVOUS 'CAUSE SHE HAS NO EXPERIENCE
FROM EVENT PLANNING, AND SHE'S NEVER DONE
ONE OF THESE SHOWS WITH US.
- I KNOW.
I LOVE EMILY.
BUT SHE'S NOT EXACTLY EMPLOYEE OF THE MONTH.
I FEE LIKE WE HAVEN'T REALLY BEEN IN SYNC LATELY.
- AND I THINK THAT ONE'S REALLY CUTE.
- I DON'T LIKE THE PLEATING ON IT.
- MAYBE IT'S TIME FOR US TO MAYBE GO TOWARDS
MORE OF A CLASSIC LOOK.
- IF YOU WANT OPEN YOUR OWN STORE, YOU CAN DO THAT.
I THINK THAT SHE NEEDS TO GET THE MODELS
FROM HAIR AND MAKEUP
TO THE VENUE.
THAT'S ONE THING THAT JUST CANNOT BE ON OUR PLATE.
IT NEEDS TO BE OFF OUR SHOULDERS.
- ABSOLUTELY NOT. WE HAVE WAY TOO MANY THINGS TO DO.
- WE'RE ALWAYS STRESSED OUT ABOUT IT.
- DO YOU REALIZE THAT IF THOSE MODELS
ARE NOT THERE ON TIME, WE DON'T HAVE A SHOW, EMILY?
- AND I'M GOING TO KILL HER, BECAUSE GUESS WHAT--
THAT'S HER JOB NOW.
- I'M A LITTLE NERVOUS.
- YOU SHOULD BE.
[laughter]
- OH, I LOVE THIS.
YEAH.
- THIS IS GOOD.
- OH, NOW, THAT'S-- THAT MIGHT WORK.
- THIS IS--OKAY, I'M LIKE, HOLD ON.
- I LIKE THIS, NOW.
- CAN YOU MOVE YOUR ARM, THOUGH? - NO, GIRL.
- WELL, I DON'T HAVE ENOUGH SPACE.
- WHAT DID I TELL YOU WHEN YOU WAS IN MY BED?
- TO, "MOVE OVER, 'CAUSE I NEED TO GO TO SLEEP."
- THERE YOU GO. GET ON OVER THERE.
- DO YOU SEE, THERE'S NOT ENOUGH SPACE.
I'VE LEARNED WITH VAWN NOT TO PUT TOO MUCH STOCK
AND TAKE THINGS FOR WHAT THEY ARE.
IF HE'S LOOKING FOR A COUCH FOR THE STUDIO,
HE'S LOOKING FOR A COUCH FOR THE STUDIO.
THAT DOES NOT TRANSLATE INTO A WIFE AND A LIFE.
IT MEANS A COUCH FOR THE STUDIO.
SO I DO GET THAT.
- I LOVE PURPLE.
- YES, SAYS THE KING-- AND YOUR ROYAL COLORS.
- YEAH. OH. MM-MM.
- IS THERE ENOUGH SPACE FOR ME TO SIT DOWN?
- OVER THERE. - YEAH, ALL THE WAY OVER HERE?
HOLD ON. LET ME DO THIS.
- [chuckling] YEAH. NAW.
- THIS IS PERFECT.
- [chuckles]
- NO, THIS IS GOOD. I LIKE.
- NO, THIS IS GREAT, RIGHT?
- I CAN SIT ALL THE WAY OVER HERE AND STRETCH OUT,
AND YOU'RE STILL ALL THE WAY OVER THERE.
- BY THE TIME FIVE MINUTES IS OVER, YOU'LL BE OVER.
- REALLY? SO IT'S ALL ABOUT COMING TO YOU?
- YEAH.
- OH, OKAY. NOTE TO SELF.
- [laughs]
- WITH VAWN AND MYSELF,
YOU HAVE TWO VERY STRONG PERSONALITIES.
YOU KNOW, DO I NEED TO BEND SOME? YEAH.
BUT DOES HE NEED TO BEND SOME? YEAH.
LET'S MOVE THIS ONE. I'LL MEET YOU--
WHERE'S THE POINT?
I'LL MEET YOU RIGHT THERE AT THAT BEAD.
- ALL RIGHT, COOL. COME ON.
[laughs]
- [laughing] I KNEW IT.
OKAY, I'M NOT FALLING FOR THAT.
I WILL BEAT YOUR-- [laughing]
- WHAT DID I SAY? WHAT DID I SAY? HUH?
WHAT DID I SAY? HUH?
- SO WHAT? WHAT YOU GONNA TELL ME?
- NOTHING.
- YOU NEVER HAVE NOTHING TO TELL ME.
YOU JUST WANT ME OVER HERE.
- YEAH.
- OH, MAN, YOU ARE FUN.
- I KNOW. YOU ARE TOO.
- IF I ASK YOU SOMETHING,
YOU WILL ABSOLUTELY TELL ME THE TRUTH NO MATTER WHAT.
- ABSOLUTELY.
- SO WHERE ARE YOU-- LIKE, WHERE ARE YOU RIGHT NOW?
WE'RE SITTING ON THIS LOVELY PURPLE COUCH.
LIKE, WHERE ARE YOU TODAY?
IT'S EVERY MAN'S FEAR, LIKE, WHEN A WOMAN SAYS,
"WE NEED TO TALK."
BUT I JUST WANT TO MAKE SURE
I'M KIND OF, LIKE, NOT THE ONLY PERSON
STANDING OUT HERE IN THE MIDDLE OF THE OCEAN BY MYSELF.
YOU KNOW, I HAVE TO FIND OUT.
- WHERE I AM AS A MAN IS THAT,
I FEEL LIKE, IN THE PAST,
I DIDN'T WANT TO DO IT.
I DON'T WANT TO BE IN LOVE.
I DON'T WANT TO HAVE A RELATIONSHIP,
BECAUSE AT THE END OF THE DAY,
I HAVE TO BE VULNERABLE TO A WOMAN
TO BE ABLE TO HURT ME OR TO MAKE ME HAPPY.
SO THAT'S NOT COOL WITH MY EQUILIBRIUM.
- I JUST FEEL LIKE, IN TERMS OF US,
IF I AM BEING HONEST,
I KNOW THAT I'M DEVELOPING FEELINGS FOR YOU.
I GUESS IT'S JUST,
FOR ME TO MANAGE, LIKE, HOW I FEEL
WHEN I THINK ABOUT YOU,
THAT IS MAYBE SOMETHING
THAT I FEEL LIKE I'VE BEEN AVOIDING,
LIKE, TALKING ABOUT WITH YOU,
BECAUSE I DON'T WANT TO HEAR
MAYBE WHAT I DON'T WANT TO HEAR.
- I LIKE YOU.
I THINK YOU'RE BEAUTIFUL.
I *** YOU AT TIMES.
YOU KNOW WHAT I MEAN?
THAT SMILE. ALL OF THAT.
AND I FIND MYSELF SAYING,
"COULD SHE BE MORE?
"DOES SHE HAVE THE THINGS THAT I LOOK FOR
IN A WOMAN OR IN A PERSON TO BE MORE?"
THAT ANSWER IS ABSOLUTELY YES.
- BUT?
- HERE COME THE BUT.
- HERE COMES THE BUT.
- COMING UP...
- SO YOU'RE STALKING ME NOW?
- I FIND MYSELF SAYING,
"COULD SHE BE MORE?"
THAT ANSWER IS ABSOLUTELY YES.
- BUT?
- HERE COME THE BUT.
- HERE COMES THE BUT.
- BUT RIGHT NOW,
I DON'T HAVE THE TOOLS IN THE SHED
TO BE MONOGAMOUS
OR BE COMMITTED TO ONE WOMAN.
I DATE.
I GO OUT. I KICK IT.
I DO IT ALL. YOU KNOW WHAT I MEAN?
I DO.
I THINK, IN MY HEART
AND IN MY MIND,
I'LL BE A ONE-WOMAN TYPE OF GUY VERY SOON.
BUT THE PHYSICAL PART IS GONNA TAKE A LONG TIME.
I HAVE TO MAKE SURE I GET MY MIND AND SPIRIT RIGHT
BEFORE I CAN SAY I CAN JUST BE COMMITTED TO ONE WOMAN
AND ONLY HAVE SEX WITH ONE WOMAN.
I CAN'T LIE TO YOU.
I CAN'T LIE TO THEM BIG, BEAUTIFUL EYES
AND NICE LIPS.
AND THEN THAT BIG OLD HEART--
YOU THINK I'M GONNA LIE TO THAT?
- I KNOW THAT I'M AT A POINT IN MY LIFE
WHERE I DO WANT A RELATIONSHIP,
BUT I ALSO WANT SOMEBODY THAT'S BEING HONEST,
AND I'LL TAKE A PERSON THAT'S HONEST ABOUT WHERE THEY ARE
AND WHERE THEY AREN'T OVER SOMEONE
THAT IS JUST SAYING ANYTHING TO ME
BECAUSE THEY KNOW THAT'S WHAT I WANT TO HEAR.
SO IN THE SPIRIT OF BEING HONEST...
- MM-HMM.
- AND WE'RE ASKING QUESTIONS--
WHAT IS THIS DEAL WITH YOU AND ALEX?
- WELL, ALEX,
YOU KNOW, SHE SAYS SHE LIKES ME.
SHE BEEN LIKING ME A LONG TIME.
SHE SAID SHE WANTED TO TALK TO ME ABOUT SOMETHING.
SO SHE CAME OVER TO MY HOUSE.
SHE LOOKED NICE THAT NIGHT TOO.
CONVERSATION WAS VERY, YOU KNOW, FLIRTATIOUS.
- I GET IT.
VAWN IS NOT READY TO SETTLE DOWN.
HE IS NOT READY TO BE COMMITTED.
BUT ALEX? REALLY?
- I WAS COOKING.
I WASN'T COOKING DINNER FOR HER.
I WAS COOKING DINNER ALREADY,
AND THE GENTLEMAN IN ME OFFERED HER DINNER.
- YOU ARE SUCH A GENTLEMAN.
- JUST BECAUSE IT'S OFFERED TO YOU
DON'T MEAN I HAVE TO TAKE IT.
EVEN THOUGH I HAVE A LOT OF OPTIONS,
I'M VERY PICKY IN MY OPTIONS.
- INTERESTING.
- I'M VERY PICKY.
SO AT THAT POINT, SHE DIDN'T MOTIVATE ME.
SHE DIDN'T INSPIRE ME TO DO NOTHING
BUT HAVE A CONVERSATION.
- I'M NOT SOMEBODY, TO BE HONEST,
THAT REALLY WORRIES ABOUT OTHER WOMEN.
I'M THE WOMAN THAT'S THERE IN THAT MOMENT,
SO RIGHT NOW, YOUR FOCUS IS ON ME.
WHAT HAPPENS BEFORE I GOT THERE DOES NOT CONCERN ME.
WHAT HAPPENS AFTER I LEAVE DOES NOT CONCERN ME.
- I WILL TRY MY BEST TO PUT YOUR FEELINGS FIRST.
- HE'S NOT SITTING THERE WITH ME, SAYING,
"AFRICA, I WANT US TO BE TOGETHER, AND I LOVE YOU."
LIKE, HE'S NOT SAYING THAT.
HE'S SAYING HE WANTS TO GET TO KNOW ME.
IF IT'S A POINT WHERE I CAN'T HANDLE IT,
I'LL SAY THAT,
AND IF IT'S A POINT WHERE HE'S LIKE,
"YOU KNOW WHAT, THIS IS AS FAR AS I CAN GO,"
I KNOW HE'LL TELL ME THAT.
SO I'M-- I'M OKAY WITH THAT.
- MM.
COME ON, GIRL.
- [chuckles] LET'S GET OFF THIS COUCH.
- YEAH... - [laughing]
- BEFORE I BE USING IT. [laughs]
- EMILY, DO YOU SEE MY OTHER BOOT?
EMILY...
I NEED A BOOT.
I'M BOOTLESS ON ONE FOOT.
- IS IT POSSIBLE FOR ME TO GET ANY MORE CAFFEINE
AT THIS POINT IN TIME?
- BOOT.
GOD.
- I DON'T--IT'S LIKE WE'RE SO CRUNCHED FOR TIME.
- I KNOW. THAT'S WHY I'M FREAKING OUT.
I'M LIKE, WHAT AM I SUPPOSED TO DO?
AND THE FRICKIN' FASHION SHOW IS THIS WEEKEND.
HEY, HOW ARE YOU?
- I'M GOOD. HOW ARE YOU?
- GOOD.
I'M EMILY.
- HI. KANE.
- KANE, NICE TO MEET YOU.
- NICE TO MEET YOU TOO.
- COOL. ALL RIGHTY.
DO YOU KNOW WHAT SIZE PANT YOU WEAR?
- 32", 36".
- IT TAKES A HUGE AMOUNT OF TIME AND EFFORT
TO PUT TOGETHER A FASHION SHOW LIKE THIS.
HOW DO YOU FEEL ABOUT SHORTS?
I TAKE STYLING THE MODELS VERY SERIOUSLY.
THE DRESSING ROOMS ARE JUST RIGHT THERE,
IF YOU COULD TRY THAT ON.
THEY'RE WALKING DOWN THAT RUNWAY,
AND IT'S A PROJECTION OF ME.
HEY, KEITH, HOW ARE YOU DOING?
- I'M GOOD. - OKAY.
I LOVE IT.
EVEN WITH THE SHOES, I THINK THAT'S FRICKIN' AWESOME.
I THINK THAT LOOKS REALLY GOOD TOGETHER.
I THINK IT'S AWESOME.
- I'M GONNA THROW JEWELRY ON YOU.
YOU'RE COMFORTABLE IN THAT?
- ARE YOU POSTING IT ON FACEBOOK?
- I NEED TO, LIKE, PUSH THAT $5 TICKET.
- I'LL MAKE SURE PEOPLE BUY TICKETS.
- LET'S PUSH IT.
- TRIBB. - HEY, HEY, HEY, HEY.
- YO, YO, YO.
OH, YES.
- OH, LORD HAVE MERCY.
- IT'S THE LEGEND.
- BE 45 MINUTES LATE.
- WHAT'S UP, BRO?
- "FAKE LEATHER ON." - NO, THIS IS REAL, BROTHER.
- I'VE DEFINITELY GOT SOME HOT FRIENDS,
SO I MIGHT AS WELL PUT THEM TO WORK.
LET ME SEE.
- SO I THINK IT MIGHT BE A LITTLE SKIMPY.
I FEEL LIKE I SEE TOO MUCH ***.
- [laughs]
- WHAT ABOUT THIS ONE?
- I'D RATHER HAVE THIS IN THE SHOW THAN THAT.
- YOU DON'T LIKE THIS COLOR?
- OF COURSE, DRAMA QUEEN,
YOU WOULD HAVE A PROBLEM WITH WHAT I PUT YOU IN.
- ARE THESE KIND OF SKINNY?
SEEM SKINNY, OR HAVE MY LEGS JUST GOTTEN BIGGER?
- THEY'RE NOT A SKINNY JEAN.
I FIGURED YOU COULD PULL IT OFF.
- I CAN PULL ANYTHING OFF, YO.
- DUDE, SHUT THE [bleep] UP
AND LET ME PUT SOME CLOTHES ON YOU.
THIS IS MY JOB, NOT YOURS.
- I FEEL LIKE THIS IS A REALLY DEEP "V."
- A LITTLE HIGH MAINTENANCE, IS HE?
- TRIBBS, YOU'RE HIGH MAINTENANCE.
- THIS ISN'T TOO BAD.
- "THIS ISN'T TOO BAD."
- I LIKE IT. I LIKE IT.
ALL RIGHT, HOW ARE WE GONNA ACCESSORIZE?
- DUDE, WAKE UP.
- DUDE, I'M TIRED AS [bleep].
- "DUDE..."
- YOU PUT ON A DAMN FASHION SHOW.
GOD. LORD HAVE MERCY.
- DON'T GET COUNTRY ON ME.
- UGH.
[doorbell rings]
[dog barking]
- HEY, GIRL. - HEY, BOO.
HEY, JAZZY.
HEY.
[both chortle]
- WHAT'S GOING ON, GIRL?
- GOT A LOT OF THINGS ACCOMPLISHED.
FINALLY DID MY HOMEWORK ON TIME.
YOU KNOW, I'M A PROCRASTINATOR.
ANYWAY, WHAT'S BEEN GOING ON?
- LOOKIN' AT SOME RAVE GEAR.
- WHAT DID YOU FIND? SOMETHING DIFFERENT?
- LOOKING AROUND, SEEING WHAT'S OUT THERE.
- YOU LOOK A LITTLE HAPPIER OR SOMETHING.
LIKE, WHAT'S GOING ON?
[laughs]
- I'M JUST-- OKAY.
SO YOU KNOW I'VE BEEN KIND OF, LIKE, TALKING TO VAWN.
I DON'T KNOW. I GUESS YOU COULD SAY...
- YOU LIKE HIM? - I KIND OF LIKE HIM.
I THINK I REALLY, LIKE-- YOU KNOW, LIKE--
- AH!
- [laughs]
- I THOUGHT IT WAS GONNA GO LIKE,
"OH, I DON'T LIKE THIS ***," YOU KNOW WHAT I'M SAYING,
"AND HER MAN TRYING TO GET WITH ME,"
OR WHATEVER, "AND I'M GONNA TAKE HIM AWAY."
LIKE, IT WAS KIND OF A GAME.
- RIGHT.
- I DIDN'T THINK YOU WAS GONNA LIKE HIM.
[laughs]
- [laughs]
I FEEL LIKE A LITTLE KID RIGHT NOW--
A LITTLE THIRD GRADER WITH A CRUSH.
[laughs]
- I'M JUST SPEECHLESS A LITTLE BIT.
- NOW THAT WE'VE KIND OF STARTED TALKING,
HE COOL.
- AY-YI-YI, ALEX.
- WHAT'S BEEN UP WITH YOU, THOUGH?
- I'VE HAD A LONG WEEK.
I'M READY TO PARTY.
- I HAVE THE GREATEST SUGGESTION.
YOU WILL NOT BELIEVE WHO IS THROWING A FASHION SHOW
THIS WEEKEND.
- WHO?
- THAT GIRL WHO HAD NO STYLE,
AFRICA'S PARTY.
EMILY.
- SHE THREW A DRINK AT ME.
- [laughs]
- HER NAME IS ***.
- LOOK AT THIS.
AT OPERA, AT THE CLUB,
SHE IS ACTUALLY THROWING A FASHION SHOW.
THE GIRL WHO WORE HOT PINK PUMPS IN THE WINTER
WITH A BLUE TIE-DYE TANK TOP...
YES.
- WITH THOSE PINK...
- YES.
- PLEATHER SHOES.
- I NEED TO SEE THIS WITH MY OWN EYES.
- AS LONG AS THERE'S DRINKS...
- [chuckles]
- AND I'M GONNA TELL HER THAT HER STUFF IS CUTE.
[laughter]
- "GIRL, YOU KNOW HOW CUTE"--
- "I NEED TO VISIT YOUR STORE."
- [laughs] - OOH.
- "THAT SHIRT YOU HAD ON AT AFRICA'S PARTY,
WHERE'D YOU GET IT?"
- "I KNOW YOU MADE IT.
GOT A LITTLE TIE-DYE KIT AT HOME?"
[both chuckling]
THIS IS GONNA BE SO MUCH FUN.
- WE'RE GONNA BE LIKE MEAN GIRLS.
- YEAH, WE'RE GONNA BE LIKE MEAN GIRLS.
[laughter]
- COMING UP...
THERE ARE NO MODELS THERE
AT 8:20?
I SAID 7-[bleep]-30.
DO YOUR [bleep] JOB!
- YOU KNOW WHAT?
YOU MIGHT WANT TO GET OUT-- - [bleep].
- HEY, YOU KNOW WHAT? - [bleep] ***.
- LET ME TELL YOU...
- [sighs]
- BE CAREFUL WITH THIS RACK, PLEASE.
- I AM. IT'S JUST FALLING APART.
- IF YOU'RE THROWING IT LIKE THAT,
IT'S PROBABLY GONNA FALL APART.
I FEEL LIKE I CAN RELY ON EMILY,
BUT WHEN I DO,
I HAVE TO BE VERY CLEAR AS TO WHAT I WANT.
SO LISTEN.
SATURDAY NIGHT, I NEED YOUR HELP BIG-TIME.
I NEED YOU AT DRYBAR
TO MAKE SURE THAT THE MODELS GET DONE AND GET OUT.
- OKAY.
- SO IF YOU CAN GET THERE AROUND 7:30...
- OKAY.
- THEY'RE BANGING OUT HAIR AND MAKEUP TOGETHER
WITH ALL THESE GIRLS.
- OKAY.
- BECAUSE WE NEED THEM AT OPERA AT 10:30.
- I GOT YOU, GIRL.
- I'M COUNTING ON YOU FOR ALL THIS.
- I GOT YOU.
- OKAY.
- HELLO. - HI, GIRLFRIEND.
- IT'S MY FAVORITE GIRLS. - WHAT'S GOING ON?
- HOW ARE YOU DOING? - YOU LOOK SO CUTE.
- THANK YOU.
OKAY, ARE WE IN TWO DIFFERENT, LIKE, CITIES, CLIMATES, SEASONS?
- SPRING/SUMMER FASHION SHOW,
I GOT TO KIND OF, LIKE, GET INTO THE MOOD FOR IT, YOU KNOW?
- BUT RIGHT NOW, IT'S FREEZING.
- IT'S NOT FREEZING IN HERE.
WHAT'S GOING ON? - EVERYTHING.
AND, LIKE, YOU KNOW, THAT'S MY PROBLEM.
I, LIKE, HAD THE HOOD ON, BUT I WAS LIKE--
I DIDN'T PLAN FOR WHAT HAPPENS WHEN I TAKE OFF THE HOOD.
LIKE, WAIT A MINUTE.
SO REAL HUG.
- IT'S CUTE. - THANK YOU.
SO I NEED SOMETHING TO WEAR TO THE FASHION SHOW.
LIKE, I CAN'T HAVE MY FASHIONS NOT BE UP TO PAR.
- WELL, YOU KEEP LOOKING.
- AS I'VE WANDERED OVER TO THE MEN'S DEPARTMENT--
THAT'S NOT MY AREA.
LET ME STAY FOCUSED.
- SPEAKING OF MEN'S DEPARTMENT...
- I'M LIKE, YES, ALWAYS SPEAKING OF THE MEN'S DEPARTMENT.
- WHAT'S GOING ON WITH YOU AND, UH, VAWN?
- I LIKE HIM.
I WOULDN'T SIT HERE AND SAY, LIKE, HE'S MY BOYFRIEND.
LIKE, I THINK IT'S A STEP AWAY FROM THAT.
WE'RE STILL TRYING TO GET TO KNOW EACH OTHER FIRST.
'CAUSE I FEEL LIKE YOU CAN'T EVEN SAY,
YOU KNOW, WHAT SOMEBODY'S GONNA DO IF YOU DON'T EVEN KNOW THEM.
- JUST BE CAREFUL.
- THAT SOUNDS LIKE A LOADED STATEMENT.
WHAT'S GOING ON?
- IT IS A LITTLE BIT OF A LOADED STATEMENT
BECAUSE YOU'RE MY GIRL,
AND, LIKE, I LOOK OUT FOR YOU.
- YES, I'M LIKE, "SPEAK, EMILY, SPEAK."
I DON'T NEED THE PRE--
- OH, LORD. - JUST SAY IT. SPIT IT OUT.
OKAY? I'M LIKE, "DO TELL."
WHAT'S THE "T"?
- SO THE NIGHT THAT WE HAD TRIBBLE'S PARTY
UP AT CZAR BAR...
- YEAH.
- THERE WERE, LIKE, TWO THINGS
THAT KIND OF STOOD OUT THAT NIGHT FOR ME
THAT MAKE ME A LITTLE BIT WORRIED.
YOU KNOW, I SAW VAWN AND ALEX AT THE BAR, KIND OF,
AND I KNOW YOU WEREN'T TOO UPSET ABOUT IT,
BUT I WAS LIKE, YOU'RE HERE FLIRTING WITH THIS GUY--
- BUT THAT'S HER. THAT'S HER.
- AND I KNOW, BUT ONCE AGAIN,
I DON'T UNDERSTAND HER.
SO I HAVE TO ASK.
- "I HAVE TO FIND OUT."
- I GOT TO FIGURE THIS OUT.
I THINK VAWN MIGHT LIKE AFRICA,
BUT I DO THINK THAT HE'S PLAYING HER
LIKE HE'S PLAYING EVERY OTHER GIRL HE'S TALKING TO.
I MEAN, I KNOW HE'S WRITING A BOOK
AND DOES THESE SEMINARS.
- YEAH, WE'VE TALKED IT ABOUT.
- YOU KNOW ALL ABOUT HIS SEMINARS?
- YEAH, ABSOLUTELY.
- HE'S, LIKE, PREACHING THAT AS LONG AS YOU'RE HONEST
WITH SOMEBODY,
YOU CAN [bleep] ANYBODY ELSE
AS LONG AS YOU'RE HONEST WITH ALL OF THEM.
- I WILL SAY THIS.
I THINK THINGS TAKEN OUT OF CONTEXT
COULD SEEM THAT WAY.
I'VE READ THE MAJORITY OF VAWN'S BOOK.
I PROBABLY HAVE A LITTLE DIFFERENT PERSPECTIVE
THAN MOST WOMEN, AND WITH VAWN AND I,
LIKE, RULE NUMBER ONE IS THAT YOU ALWAYS HAVE TO BE HONEST.
RULE NUMBER TWO IS, IF YOU'RE ASKING A QUESTION,
AND YOU GET AN HONEST ANSWER, YOU CAN'T GET MAD.
- HOW CAN SHE POSSIBLY BE OKAY
WITH SOMEONE THINKING THESE THINGS?
IT'S JUST CRAZY.
ABSOLUTELY CRAZY.
- I DEFINITELY FEEL LIKE I HAVE MY EYES OPEN.
LIKE, WE TALK ABOUT A LOT OF THINGS,
AND I FEEL LIKE THAT'S WHAT'S DIFFERENT TOO.
I DON'T THINK HE'S HIDING THINGS FROM ME.
I'M NOT TRYING TO MAKE THINGS SEEM A DIFFERENT WAY,
YOU KNOW, WITH HIM, SO WE'RE REALLY OPEN.
I'M GONNA FINISH FINDING ME AN OUTFIT.
YOU FINISH DOING YOUR WORK. THANK YOU.
NOBODY'S WORRIED ABOUT ALEX. HOW ABOUT THAT?
- I'M JUST LOOKING OUT FOR YOU.
I KNOW YOU'RE NOT WORRIED ABOUT HER.
I'M JUST LOOKING OUT FOR YOU.
- AND CONTINUE TO DO SO.
- YOU KNOW I DO.
[keyboard clacking]
[upbeat hip-hop music]
- ♪ TONIGHT IS A SPECIAL NIGHT ♪
♪ SO TELL THE DJ TO TURN IT UP ♪
- OH, LORD.
MY ARMS ARE BURNING.
[laughs] GOOD GOD ALMIGHTY.
MERCY.
WHAT, ARE YOU WEIGHTLIFTING OR SOME [bleep]?
- OH, GOD.
- AM I DRAGGING AT ALL?
YOU DROP 'EM, I'M GONNA CRY.
[bleep] FASHION--
- ♪ ARE YOU READY TO MOVE? ♪
- OKAY.
- ♪ LET'S GET ALL INTO THE GROOVE ♪
- HEY, DAVID, COULD YOU PUT THE RAW DENIM LOGO UP REAL QUICK
SO I CAN SEE WHAT IT LOOKS LIKE?
THE "R" KIND OF COMES TOO FAR DOWN INTO THIS.
- IF IT DOESN'T WORK, CAN WE ALWAYS SWITCH IT BACK
TO WHAT IT IS NOW?
OH, MY GOD, THAT LOOKS SO MUCH BETTER.
HELLO.
- I'M IN SCRUBS RIGHT NOW
BECAUSE MY DRESS IS STILL AT RAW DENIM
WITH EMILY AND RAHA, AND IT'S NOT GONNA BE HERE TILL 10:30.
I DON'T REALLY KNOW IF THIS IS THE CALM BEFORE THE STORM,
BUT IF IT'S LIKE ANY OTHER YEAR,
IT'S GONNA BE A [bleep]STORM.
- ALL RIGHT, SO ARE YOU READY TO PRACTICE YOUR SPEECH?
GOT TO DO IT NOW.
- WHOO!
- OH, SHH. DON'T DO THAT.
- WE LOVE RAW DENIM!
- OKAY, MY BROTHER ANDY STARTED A WISH FOR WENDY 13 YEARS AGO
IN MEMORY-- I ALWAYS DO THIS.
I CAN'T, LIKE, STOP DOING THIS.
I DON'T KNOW WHY IT'S SO DIFFICULT
FOR ME TO TALK IN FRONT OF PUBLIC PEOP--PEOP--
SEE, LOOK! [chuckles]
I OPENED RAW DENIM TWO YEARS AGO,
AND WE WANTED TO SHOW YOU-- UH...
- IF YOU DON'T REMEMBER IT, JUST KEEP GOING.
- JUST--RAW DENIM TWO YEARS AGO
IN BUCKHEAD.
YOU CAN'T PUT A MICROPHONE IN FRONT OF ME.
I FREAK OUT.
DOES IT SOUND STUPID IF I SAY,
"I OPENED RAW DENIM TWO YEARS AGO.
I HOPE YOU ENJOY THE SHOW"?
- I THINK IT'S TOO SHORT.
YOU NEED TO BE LIKE--
- YEAH, YOU NEED TO SAY SOMETHING ELSE AFTER THAT.
HAVE YOU HEARD FROM EMILY?
WHAT TIME IS IT?
OH, GOD.
[sighs]
AS IF I DON'T HAVE ENOUGH TO STRESS ABOUT RIGHT NOW,
I SEE A MISSED TEXT FROM THE SALON
SAYING NOBODY IS THERE.
[cell phone chiming]
- WHAT'S UP?
- I GOT A TEXT MESSAGE AT 8:20
SAYING THAT THERE ARE NO MODELS THERE
AND EMILY'S NOT THERE AT 8:20.
- WHAT TIME DID YOU GUYS GET THERE?
- YOU SON OF A ***.
SHE WAS SUPPOSED TO BE THERE AT 7:30.
ARE THE MODELS THERE?
IS SHE TAKING CARE OF [bleep]?
- EVERYBODY NEEDS TO BE HERE AT OPERA
AT 10:30.
LIKE, IF ALL THE GIRLS AREN'T THERE BY 9:30...
- UH-HUH. - CALL ME.
- OKAY.
- DID WE NOT SAY 7:30?
- I SAID 7-[bleep]-30.
MY HEART IS POUNDING. I'M SO PISSED RIGHT NOW.
- YOU NEED TO TALK TO HER.
- ARE YOU GETTING JEALOUS OF THE MODELS?
IS THAT WHY YOU'RE GETTING YOUR HAIR DONE?
- WHAT?
- PLUGGING YOURSELF INTO THE MIX TOO?
YOU MIGHT NEED TO HYDRATE.
YOU'VE BEEN CHUGGING THAT GLASS LIKE A WINO.
[cell phone chirps]
- I'M JUST GONNA TEXT HER RIGHT NOW.
EVERYONE'S HERE EXCEPT FOR WHO?
- EVERYONE'S HERE EXCEPT FOR, LIKE, A COUPLE PEOPLE.
[cell phone chirping]
- HAS SHE RESPONDED AT ALL?
- YEAH, SHE SAID, "EVERYONE HERE EXCEPT FOR THREE CHICKS."
- SO THEY'RE STILL MISSING THREE MODELS THERE?
THEY ALL NEED TO BE THERE BY NOW.
- I'M LITERALLY ABOUT TO LOSE MY [bleep] ON HER.
[cell phone chirps]
- SHE WANTS TO KNOW THE NAMES OF THE THREE GIRLS
WHO ARE NOT HERE YET.
- EMILY, EMILY, EMILY, EMILY, EMILY, EMILY, EMILY...
[line ringing]
- OKAY, TALK TO HER, 'CAUSE I DON'T WANT TO.
[laughter]
- CAN YOU COUNT HOW MANY GIRLS ARE THERE?
- LIKE, HEAD-COUNT THIS [bleep]
BEFORE I START BLOWING PEOPLE UP AND GETTING ALL PISSED OFF.
- OKAY, THERE ARE, LIKE, CUSTOMERS HERE, TOO,
NOT JUST THE MODELS.
- YOU NEED TO FIGURE OUT WHO THE MODELS ARE
AND WHO THE CUSTOMERS ARE.
- OKAY.
- COUNT THE [bleep] MODELS.
COUNT 'EM.
IT'S NOT DIFFICULT.
DO YOUR [bleep] JOB!
- WHAT I DON'T UNDERSTAND IS,
SO WHAT THERE'S CUSTOMERS THERE?
- I DON'T GIVE A [bleep]!
- AND IT'S PROBABLY OBVIOUS WHO THE MODELS ARE.
- ALL RIGHT, Y'ALL, WE'RE GONNA DO A LITTLE QUICK ROLL CALL,
OKAY, SO WHEN YOU HEAR YOUR NAME,
JUST SAY, "YES, I'M HERE," OR YOU CAN SAY "PRESENT"
OR YOU CAN SAY "PRESIDENT" OR WHATEVER YOU WANT TO SAY,
LIKE WE'RE IN SCHOOL.
AND THEN WE'RE GONNA DO THE PLEDGE OF ALLEGIANCE, OKAY?
- OKAY, ERIN? - HERE.
- JAMIE. - HERE.
- WHITLEY. - HERE.
- MACKENZIE. - HERE.
- SINCERELY.
NOT HERE.
- I'M GONNA CALL HER.
[line ringing]
- HELLO? - HEY, GIRL.
IT'S EMILY ROCCI.
WHERE YOU AT, BOO?
- SO YOU'RE GONNA BE HERE, LIKE...
- OKAY, PERFECT. THAT SOUNDS GREAT.
- OKAY, BYE. - OKAY, BYE.
ALL RIGHT, SO LET ME JUST TEXT EMILY AND TELL HER THAT
SO SHE WON'T FREAK.
- LIKE, WHY CAN'T YOU JUST BE LIKE,
"ARE YOU HERE FOR THE RAW LOVE SHOW?
"ARE YOU HERE FOR THE RAW LOVE SHOW?
ARE YOU HERE FOR THE RAW LOVE SHOW?"
[murmuring indistinctly]
- HI.
- SINCERELY'S IN THE HOUSE.
- YES! - WHAT'S UP, GIRL?
- TURN UP.
WHERE'S THE WOMAN OF THE HOUR?
- SHE IS AT THE VENUE.
- REALLY?
- SO I'M IN CHARGE OF, LIKE, KIND OF ROUNDING EVERYTHING UP.
- OKAY, WELL, I CAME-- I ALREADY HAD SOME STUFF DONE
'CAUSE I HAVE A RED-CARPET EVENT TO GO TO AT THE FOX.
- OKAY, YOU'RE GONNA GO FROM HERE TO THE RED-CARPET EVENT,
AND THEN...
- IT'S RIGHT THERE AT THE FOX,
AND OPERA'S RIGHT THERE ON CRESCENT.
- HOW LONG DO YOU THINK THAT'LL TAKE, THE THING AT FOX?
- NOT LONG. JUST GONNA GO WALK THE CARPET.
- OKAY, OKAY.
'CAUSE EVERYBODY'S GOING STRAIGHT FROM HERE THERE,
'CAUSE WE ONLY HAVE ABOUT 30 MINUTES
TO GO FROM HERE TO THERE.
- OKAY.
- SO I'M GONNA GO LET EMILY KNOW THAT,
KIND OF, LIKE, WHAT YOUR SCHEDULE IS, AND, UM...
CAN WE GET A GLASS OF CHAMPAGNE FOR SINCERELY?
- SO THEN WE JUST NEED TO FIRST ATTACH IT,
AND THEN WE CAN LIFT IT.
- HOLD THAT RIGHT THERE.
YOU HAVE YOUR SIDE?
- YEP.
[cell phone chiming]
- I GOT TO GET THAT.
- YEAH, GO AHEAD.
[line ringing]
- YEAH, BARELY, WHAT'S UP?
- OKAY, SO WE'RE DOING REALLY GREAT HERE ON TIME.
THE ONLY PERSON THAT MIGHT BE A SLIGHT ISSUE
IS SINCERELY.
- WHY? WHAT'S UP?
- SHE HAS A RED-CARPET EVENT, APPARENTLY.
- WHAT?
- I'M NOT REALLY UNDERSTANDING HOW THAT'S GONNA WORK,
BECAUSE SHE'S STILL HERE.
- IS SHE GETTING HER HAIR AND MAKEUP DONE?
- YEAH, IT'S--IT'S DONE.
- IF SHE'S NOT GONNA BE IN THE SHOW, TELL HER TO LEAVE.
- SHE SAID SHE'S GOING TO BE IN THE SHOW.
SHE'S JUST GONNA GO DO THIS RED-CARPET DEAL
OR WHATEVER REAL QUICK.
I DON'T KNOW HOW LONG THAT TAKES.
AND SHE SAID, "I MEAN, IT'S NOT GONNA TAKE LONG,"
AND I SAID, "WELL, ARE YOU GONNA BE AT OPERA BY 10:30?"
AND SHE SAID, "YEAH."
- WELL, IT'S 10:00.
[phone beeps]
- OH, SHE HUNG UP.
OKAY, I'M GONNA SIT BACK DOWN ON THAT ONE.
- I'M NOT GONNA ANSWER, LIKE, A TON OF BULL[bleep] QUESTIONS.
YOU WOULD THINK THAT THE TASKS THAT I'VE GIVEN EMILY
ARE FAIRLY SIMPLE:
GETTING TO DRYBAR ON TIME,
MAKING SURE THE MODELS GET THERE,
MAKING SURE THE MODELS LEAVE ON TIME
SO THEY GET TO OPERA ON TIME
SO THE FASHION SHOW STARTS ON TIME.
- ALL THESE OTHER *** ARE GONNA BE THERE ON TIME.
THAT ONE, SHE'S GONE ROGUE.
LIKE, IT'S NOT MY FAULT IF SHE'S NOT THERE ON TIME.
I DON'T KNOW. I'M JUST SAYIN'.
YOU AND I GOT TO BE ON THE SAME PAGE
ABOUT, LIKE, I'M NOT GONNA GET BLAMED...
- NO, NO. - OKAY, SWEET.
- BYE, EVERYONE. DO A FABULOUS JOB TONIGHT.
- OH, SINCERELY'S STILL HERE.
THERE SHE GOES.
OH, WHOOP! BYE, PEACE.
GO DO YOUR THING, GIRL.
WE'RE GONNA SEE YOU IN 30 MINUTES.
PROBABLY NOT, BUT OKAY.
ALL RIGHT, SO, EVERYBODY, ARE WE READY?
LET'S ALL GET IT GOING.
LET'S GO!
COME ON. LET'S GO.
- COMING UP...
- YOU'RE A JOKE.
- AW, YOU JUST HATE
BECAUSE I'M YOUNGER, PRETTIER, SMARTER.
BUT THAT'S EXACTLY WHY YOUR GUY GOES OUT WITH ME.
[indistinct arguing]
- GET THE [bleep] OUT OF MY FACE!
- HEY!
- YAY! EVERYBODY GET HYPED UP.
I'M TRYING TO MAKE EVERYBODY HYPE.
WHAT'S UP? LET'S GO.
- ARE YOU GONNA LEAVE WITHOUT YOUR [bleep]?
- NO, I'M GONNA GET MY [bleep]. LET'S GO. PEACE OUT.
COME ON, ***. COME ON, Y'ALL.
WE ALL GOT TO BE THERE AT 10:30,
OR EMILY'S PROBABLY GONNA KILL ME.
- THERE SHE IS.
- WORK THAT, ***.
- OKAY, SO EMILY'S DRESS IS IN YOUR CAR,
SO THAT MEANS IT'S NOT AT OPERA.
THAT'S...
WOW. FABULOUS.
OKAY, WE GOT TO GET THERE, LIKE, ASAP.
- THIS IS WHY I NEED TO BE, LIKE, CLONED.
- [laughs]
- SO I CAN BE AT TWO [bleep] PLACES AT ONCE.
- SOMETIMES COMMON SENSE DOESN'T COME TO PEOPLE
LIKE IT'S SUPPOSED TO.
- [scoffs] - HEY.
- OKAY.
[bumping techno music]
♪ ♪
- ALL RIGHT, GUYS, CAN WE GET YOUR ATTENTION
FOR, LIKE, TWO SECONDS?
EVERYONE COME IN CLOSE 'CAUSE IT'S LOUD.
- HI! SHUT UP!
- ALL RIGHT, GUYS, SO THIS IS WHAT'S GONNA HAPPEN.
EMILY AND I ARE GONNA BE THE ONES
THAT TELL YOU WHEN TO WALK.
WALK OUT TO THE CENTER OF THE STAGE.
- HOW DO I LOOK?
- STOP HALFWAY IF YOU WANT TO POSE,
BUT YOU DEFINITELY NEED TO POSE AT THE END
'CAUSE THERE'LL BE CAMERAS--
- TRIBBLE, FOR ONE MINUTE-- CAN YOU LISTEN FOR ONE SECOND?
TRIBBLE IS JUST A BIG PAIN IN THE ***.
- HUH?
- HE JUST WANTS TO *** ME OFF,
AND HE'S DOING A DAMN GOOD JOB OF IT.
- IT'S GONNA BE EASY AS THAT.
- WHOO! - YEAH?
- WHOO! - WHOO!
[cheering]
[thumping techno music]
♪ ♪
♪ ♪
[cheering]
THE JEWELRY THAT TRIBBLE IS WEARING
IS OVER $1,500.
AND SHE JUST GIVES IT TO HIM?
THAT'S NOT HOW IT WORKS.
I WANT TO GIVE THE JEWELRY OUT TO EVERYBODY,
SO I'M LIKE, "HEY, HERE YOU GO.
"IF IT'S NOT BACK,
YOU'RE PAYING FOR IT."
DON'T WEAR THE JEWELRY TO GO TO THE BAR
TO HIT ON ***.
- WATCH OUT, PEOPLE.
HURRICANE EMILY IS COMING THROUGH.
♪ ♪
♪ ♪
- WE NEED THE GUYS NOW.
WHOO!
- LET'S GO!
- ***, GET YOUR CLOTHES ON AND GET IN LINE.
[mellow dance music]
♪ ♪
[cheers and applause]
THIS SHOW HAS STRESSED ME OUT.
BUT I KNOW WE'RE GONNA *** IT OUT.
- WE ARE SO EXCITED
TO HOST THE THIRD ANNUAL RAW LOVE FASHION SHOW.
THANK YOU FOR SUPPORTING WISH FOR WENDY,
WHICH BENEFITS THE CYSTIC FIBROSIS FOUNDATION.
- MY BROTHER ANDY STARTED A WISH FOR WENDY
13 YEARS AGO
IN MEMORY OF OUR SISTER WENDY WHO PASSED AWAY.
WE HAVE RAISED OVER $1.6 MILLION IN ONLY 13 YEARS.
I OPENED RAW DENIM ABOUT TWO YEARS AGO,
AND WE'RE SUPER EXCITED TO SHOW ALL YOU GUYS
OUR SPRING AND SUMMER FASHION LINES OF MEN AND WOMEN.
THANK YOU, AND ENJOY THE SHOW.
- THANKS, GUYS. ENJOY IT.
[thumping dance music]
♪ ♪
- COME ON, DUDE.
♪ ♪
CIRCUS PERFORMERS,
TONS OF HOT MODELS...
I'M SUPER PUMPED.
[cheers and whistling]
[cheers and applause]
- YEAH, SINCERELY!
WHOO!
SINCERELY MAY HAVE PISSED ME OFF BEFORE THE SHOW,
BUT GIRL KNOWS HOW TO WORK A RUNWAY.
- WHOO!
[mid-tempo groovy music]
♪ ♪
- WHOO!
- THE MODELS ARE STRUTTING THEIR STUFF.
THE CLOTHES LOOK GREAT ON THEM.
THERE'S A [bleep]-TON OF PEOPLE OUT THERE,
AND EVERYBODY'S LOVING IT.
I COULD NOT BE ANY HAPPIER RIGHT NOW.
[cheers and applause]
[tense music]
♪ ♪
- SO ARE YOU STALKING ME NOW?
WHAT ARE YOU DOING HERE?
YOU'RE NOT FRIENDS WITH EMILY.
WHY ARE YOU HERE?
ARE YOU GUYS FRIENDS NOW?
IS THAT WHAT IT IS, ALEX?
- I JUST CAME HERE BECAUSE IT IS A SATURDAY NIGHT.
THAT'S GREAT. THAT'S SO NICE THAT YOU'RE DOING THAT.
GOOD TO SEE THAT GROWTH FROM YOU, ALEX.
GOOD TO SEE THAT GROWTH.
[upbeat dance music]
- ARE YOU MAD, AFRICA?
ARE YOU INSECURE ABOUT SOMETHING?
- NO, ACTUALLY, DOGS GET MAD,
AND PEOPLE LIKE YOU ARE INSECURE.
- I'M NOT MAD, AND I'M-- NOR INSECURE.
- I DON'T HAVE ISSUES WITH BARGAIN-BASEMENT BEYONCES.
- I WALKED INTO THE RESTROOM TO GO TO THE BATHROOM.
- THEN GO TO THE BATHROOM, BOO.
ARE YOU GONNA DO IT RIGHT HERE, OR YOU GOING IN?
♪ ♪
- YEAH, YOU WALKED IN HERE.
'CAUSE LAST TIME I CHECKED,
ALEX LOVES TO BE EVERYWHERE WHERE I AM.
- GIRL, PLEASE.
- THAT WAS GOOD.
WHOO!
WHOO! OW!
- AW, YOU JUST HATE BECAUSE I'M YOUNGER,
PRETTIER, SMARTER.
BUT THAT'S EXACTLY WHY YOUR GUY GOES OUT WITH ME.
MAYBE YOU'RE JUST NOT ENOUGH.
- LAST TIME I CHECKED,
ANYTHING THAT'S HERE-- VAWN'S GOOD.
FOR WHATEVER REASON, I HAVE SPARKED SOMETHING
INSIDE OF THIS CRAZY GIRL THAT IS JUST MAKING HER CRAZIER.
- WHAT I HAVE WITH HIM IS A FRIENDSHIP.
REALLY? WHAT DO YOU HAVE?
- YES, I CANNOT TAKE ANYTHING THAT YOU NEVER HAD.
- I NEVER SAID THAT IT WAS MINE TO TAKE, SWEETHEART.
VAWN IS NOT MINE.
- YOU'RE RIGHT. YOU GOT THAT MUCH RIGHT.
IT SOUNDS LIKE YOU'RE JUST MAD AT ME.
- WHY WOULD I BE MAD AT YOU, ALEX?
YOU'RE A JOKE.
YOU ARE A JOKE.
- COMING UP...
- YOU BETTER NOT [bleep] TALK TO ME!
GET THAT [bleep] OUT OF MY FACE!
- HEY!
[cheers and applause]
- OW! WHOO!
- IT SOUNDS LIKE YOU'RE JUST MAD AT ME.
- WHY WOULD I BE MAD AT YOU, ALEX?
YOU'RE A JOKE.
YOU ARE A JOKE.
[cheers and applause]
- I CAME IN HERE TO, LIKE, LOOK AT MYSELF,
AND I CAME TO USE THE BATHROOM.
- WELL, THAT'S GREAT, BUT I'M SURE
THERE ARE SOME SHOTS THAT NEED TO BE GUZZLED UPSTAIRS.
WHY DON'T YOU GO DO WHAT YOU DO? LIKE, FIVE, SIX, SEVEN, EIGHT.
CHOP-CHOP, ALEX. GO DO WHAT YOU DO BEST.
- WHO DO YOU THINK YOU ARE? - I KNOW EXACTLY WHO I AM.
- AND I GET SUCH GOOD CHECKS BEHIND THIS WOOL.
SO, YES, LET IT BE LIKE JESUS. LET IT BE LIKE THE LORD.
PRAISE GOD. HALLELUJAH.
[thumping techno music]
- FOR EVERY PERSON THAT WALKED IN HERE TONIGHT
TO SEE THE SHOW,
THAT'S ONE MORE PERSON THAT KNOWS ABOUT CYSTIC FIBROSIS.
IT FEELS AMAZING.
- CHECK THAT WIDOW'S PEAK AND THAT WIG LINE, BOO.
CHECK IT.
- SWEETIE, I NEVER TRY TO DENY MY ROOTS.
I NEVER SAID--
- YOU SURE DON'T DENY YOUR ROOTS.
YOU COULDN'T DENY THEM,
BECAUSE THEY ARE FRONT AND CENTER EVERY DAY--
YOUR ROOTS, YOUR EDGES, YOUR BACK, YOUR EVERYTHING.
- YAY! IT'S OVER!
- AMAZING!
- IT WAS AMAZING!
GIRL, STOP IT!
SMILE. YOU DID IT!
IT WAS AMAZING.
IT WAS SO GOOD.
- I CAN CRUSH YOU WITH MY TRUST FUND.
- YOU CAN CRUSH ME "WITH MY TRUST FUND"?
- REALLY? AND WHERE ARE YOUR RECEIPTS, ALEX?
- REALLY? THAT'S SO GREAT.
I HAD SUCH A GOOD TIME WITH YOUR MOTHER.
AND IT'S SO FUNNY BECAUSE YOUR MOTHER IS SO GREAT,
AND THEY SAY THE APPLE DOESN'T FALL FAR FROM THE TREE,
BUT I FEEL LIKE THE WORM GOT UP IN THERE AND ROTTED IT OUT.
- YOU'RE A LEASING ***, AND I'M A OWNING ***.
- REALLY? WHAT DO YOU OWN? WHAT DO YOU OWN?
- EVERYTHING ABOUT YOU, YOU OLD [bleep] MOTHER[bleep] ***.
- LET ME TELL YOU SOMETHING. - I DON'T HAVE TO--
- ***!
- [laughing]
- GET THE [bleep]--
- GET THIS *** OFF ME,
RIGHT [bleep] NOW.
- ALL RIGHT.
- GET THE...
[bleep].
I'M TELLING YOU--
THIS *** THE [bleep] OFF OF ME.
GET THE...
[bleep] ALL OF YOU ALL.
[bleep] YOU. [bleep] YOU!
DUDE, I DON'T CARE!
I DON'T WANT ANYBODY TO [bleep] TALK TO ME.
- YOU ALL RIGHT? - NO.
- WHAT'S WRONG? - GET THE [bleep] OUT OF HERE.
GET THAT [bleep] OUT OF MY FACE.
- HEY!
- NEXT TIME ON THE NEW ATLANTA...
- I'M YOUNGER THAN HER. I'M PRETTIER THAN HER.
- I REALLY FEEL LIKE THIS GIRL IS SEVERELY OBSESSED.
- JUST DEAL WITH THE FACT THAT I'M GONNA TAKE YOUR MAN
AND SO MANY OTHER THINGS FROM YOU.
- MY BIGGEST STRESS POINT ABOUT THE FASHION SHOW
WAS EMILY.
SHE COMPLETELY BLEW IT.
I'M YOUR BOSS,
SO [bleep] YOU.
[cheers and applause]
HE'S TALKING TO ALL THESE OTHER GIRLS
IN FRONT OF YOUR FACE.
I'M KIND OF LIKE, "DUDE,
HAVE A LITTLE RESPECT FOR HER."
- FOR MORE OF THE NEW ATLANTA, GO TO: