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BOX OFFICE, INC.
( turning radio on )
( music )
( Johnny Cash ) ♪ I KEEP A CLOSE WATCH ON THIS HEART OF MINE ♪
♪ I KEEP MY EYES WIDE OPEN ALL THE TIME ♪
♪ I KEEP THE ENDS OUT FOR THE TIES THAT BIND ♪
♪ BECAUSE YOU'RE MINE, I WALK THE LINE ♪
♪ I FIND IT VERY, VERY EASY TO BE TRUE ♪
♪ I FIND MYSELF ALONE WHEN EACH DAY IS THROUGH ♪
♪ YES, I'LL ADMIT THAT I'M A FOOL FOR YOU ♪
♪ BECAUSE YOU'RE MINE, I WALK THE LINE ♪
♪ AS SURE AS NIGHT IS DARK AND DAY IS LIGHT ♪
♪ I KEEP YOU ON MY MIND BOTH DAY AND NIGHT ♪
♪ AND HAPPINESS I'VE KNOWN PROVES THAT IT'S RIGHT ♪
♪ BECAUSE YOU'RE MINE I WALK THE LINE ♪
♪ YOU'VE GOT A WAY TO KEEP ME ON YOUR SIDE ♪
♪ YOU GIVE ME CAUSE FOR LOVE THAT I CAN'T HIDE ♪
♪ FOR YOU I KNOW I'D EVEN TRY TO TURN THE TIDE ♪
♪ BECAUSE YOU'RE MINE I WALK THE LINE ♪
♪ I KEEP A CLOSE WATCH ON THIS HEART OF MINE ♪
♪ I KEEP MY EYES WIDE OPEN ALL THE TIME ♪
♪ I KEEP THE ENDS OUT FOR THE TIE THAT BINDS ♪
♪ BECAUSE YOU'RE MINE ♪
( turning radio off )
***' A.
♪ WHEN YOU WALK THROUGH THE GARDEN ♪
♪ YOU GOTTA WATCH YOUR BACK ♪
♪ WELL, I BEG YOUR PARDON ♪
♪ WALK THE STRAIGHT AND NARROW TRACK ♪
♪ IF YOU WALK WITH JESUS ♪
♪ HE'S GONNA SAVE YOUR SOUL ♪
♪ YOU GOTTA KEEP THE DEVIL ♪
♪ WAY DOWN IN THE HOLE ♪
♪ HE'S GOT THE FIRE AND THE FURY ♪
♪ AT HIS COMMAND ♪
♪ WELL, YOU DON'T HAVE TO WORRY ♪
♪ IF YOU HOLD ONTO JESUS' HAND ♪
♪ WE'LL ALL BE SAFE FROM SATAN ♪
♪ WHEN THE THUNDER ROLLS ♪
♪ WE JUST GOTTA KEEP THE DEVIL ♪
♪ WAY DOWN IN THE HOLE ♪
♪ DOWN IN THE HOLE ♪
♪ DOWN IN THE HOLE ♪
♪ YOU GOTTA HELP ME KEEP THE DEVIL ♪
♪ DOWN IN THE HOLE ♪
YEAH, *** IS GOOD.
HERE.
NEXT TIME WE RE-UP THOUGH,
TELL MOE MAN WE NEED ABOUT SEVEN, 800 MORE OF THEM DIMES, ALRIGHT.
I AIN'T SEEN *** LIKE THIS SINCE I DON'T KNOW WHEN.
SAME WITH THE JUMBOS ?
YEAH, YEAH, BETTER GET MORE OF THOSE, TOO.
UH-OH.
WHAT THE *** IS UP NOW ?
STRING, WHAT'S UP, MAN ?
WHAT UP, WHAT UP, CAN'T CALL IT.
HOW'S OUR PACKAGE ?
HOW'S IT LOOK ? *** IS GOOD.
YOU SEE THESE EASTSIDE *** OVER HERE ?
I WANT YOU TO EXTEND TO THESE ***
ALL THE HOSPITALITY WEST BALTIMORE IS FAMOUS FOR.
YA HEARD ?
YEAH, YOU WANT US TO *** 'EM UP ?
NAW, DAWG.
WE'RE GIVIN' THEM 2-2-1, 734, AND SARATOGA.
WE KEEP THE REST.
NOW IF ANYBODY START ANY ***,
THEY'LL HAVE TO ANSWER TO ME, ALRIGHT, DIRECTLY.
YA HEARD ME, RIGHT ?
A-IGHT.
WHAT THESE OFF-BRAND *** GONNA DO WITH A PROJECT TOWER ?
FALL BACK, YOUNGIN'.
WE'RE GONNA SHOW Y'ALL ***
HOW TO GRIND OUT HERE, A-IGHT.
HEY, STRING.
YO.
I HEARD YOU, MAN, I DID.
BUT, THIS *** RIGHT HERE, IT DON'T MAKE NO SENSE.
YOU LIKE THE NEW PRODUCT WE SELLIN' ?
IT MAKE SENSE NOW ?
MM-HMM.
SO WHERE ARE WE AT WITH OUR BOSS MAN ?
WE SHOULD BE UP ON HIS PHONE SOON.
THE P.C. IS THERE, NO QUESTION.
WE GET UP ON HIS CELL PHONE, HE'S DONE.
WE'LL I.D. HIM, NO PROBLEM.
I DON'T KNOW, THEY CAME DOWN OFF THAT WAREHOUSE PHONE
WHEN WE SPOOKED 'EM.
AND SOBOTKA'S CELL PHONE, TOO.
WE MIGHT BE GOIN' UP ON A DEAD LINE.
THIS IS THE OTHER WAY TO GO.
COMPARED TO THE WIRETAP, IT'S THE LONGER WAY AROUND.
BUT STILL, IF HE'S CHANGING UP ON HIS CELL PHONE...
OVER THE LAST WEEK OR SO,
WE'VE NOT ONLY CONFIRMED THE IDENTITIES OF SOME OF THE KEY PLAYERS,
WE ALSO GOT G.P.S. TRACKERS ON ALL THEIR CARS.
FIRST OF ALL, "A-TON BEN-ELEAZER",
HE'S THE DRUG LIEUTENANT IN THE WAREHOUSE.
E-TON.
YEAH, WHATEVER.
OUR MADAM, MISS ILONA PETROVNA.
GEORGE GLEKAS, WHO RUNS THE APPLIANCE STORE
OVER IN HIGHLANDTOWN AND THE PROBABLE FENCE FOR THE ORGANIZATION.
WE FOLLOWED SOME OF THEM IN REAL TIME.
NOW WITH THIS LITTLE TOY HERE,
THERE'S SOMETHING ELSE WE CAN DO.
WHOA.
( Freamon ) THAT'S SEVEN DAYS OF WHERE OUR TARGETS HAVE BEEN, SPED UP.
AND LOOKIT.
TWO LOCATIONS ONLY WHERE THREE OR FOUR CARS HAVE STOPPED
AT THE SAME TIME FOR LONGER THAN FIVE MINUTES.
ONE "X" IS A DIVE OF A DINER DOWN ON SOUTH CLINTON...
THE OTHER IS ON THE WESTERN SHORE OF FORT HOWARD,
DOWN PAST EDGEMERE.
WE GET UP ON THESE LOCATIONS,
MAYBE WE GET A PHOTO OF THE BOSS MAN.
OR A TAG NUMBER.
TOTALLY COOL.
WHERE DO YOU EVEN GET THIS STUFF ?
D.E.A. FOR THE TRACKERS.
McNULTY PULLED THE SOFTWARE FROM HIS PALS AT THE FBI FIELD OFFICE.
WE CAN PULL HERC AND CARVER OFF THE WAREHOUSE
AND GIVE THEM THE DINER.
McNULTY, BUNK, YOU GUYS TAKE FORT HOWARD.
( chuckling )
WHAT THE ***, FRANK ?
YOU MIGHT AS WELL START POSTIN' THEM THINGS, RIGHT ?
I MEAN, ***, IF YOU GONNA RUN,
YOU MIGHT AS WELL COME OUT AND SAY SO.
IT AIN'T PERSONAL, OTT.
IT'S JUST THAT I WANT TO FINISH WHAT I STARTED
WITH THE DREDGING ISSUE.
AND YOU DON'T THINK I'M GOOD ENOUGH TO HANDLE IT.
IT AIN'T ABOUT THAT, KIDDO...
OTT, LISTEN TO ME !
WHAT, WHAT THE *** YOU WANT ME TO DO ?
TELL HIM WHERE THE MONEY COMES FROM ?
I.B.S., HUH ?
MM-HMM.
NOT TO BRAG, BUT UNION RACKETEERING
IS ONE THING THE BUREAU DOES WELL.
THAT IS EXACTLY WHAT I WANTED TO HEAR.
THIS CASE NEEDS CLOSURE, BOYS.
AND IN MY HEART OF HEARTS,
I KNOW YOU'RE THE KIND OF ***
TO PUT SOBOTKA WHERE HE NEEDS TO BE.
ONE OTHER THING YOU FEDERALS CAN HELP ME WITH,
AND IF YOU DON'T MIND, A LITTLE DISCRETION IS CALLED FOR.
THAT RIGHT THERE IS THE DISTRICT SURVEILLANCE VAN,
WHICH WAS FULLY EQUIPPED WHEN IT DISAPPEARED !
A SURVEILLANCE VAN ?
SOBOTKA STOLE IT AND NOW IT'S I-DON'T-KNOW-WHERE.
THE LAST PICTURE WAS FROM SEATTLE,
BUT I GOT PRINTS FROM TWO OTHER PLACES, SEE, UH-HUH ?
YOU REPORTED THE VAN STOLEN, RIGHT ?
IT WAS MY FEELING THAT THE THEFT OF A VEHICLE
FROM A DEPARTMENTAL LOT
WOULD REFLECT POORLY ON THE DEPARTMENT.
THING IS, I KNOW YOU BOYS HAVE GOT ENOUGH REACH
TO MAYBE GET THE VAN BACK WITHOUT NO BIG DUST-UP.
AS A FAVOR FOR ME HAVING BROUGHT YOU THE WHOLE CASE.
***' EASTSIDE NEED TO GET THEIR ***
BACK CROSS TOWN WHERE THEY BELONG.
YO, MAN, WE RUN THEM OFF, WE RUN OFF THE GOOD DOPE, SO...
I'M JUST SAYIN' THEY ALL THE TIME HUSTLIN' AROUND,
CUTTIN' PRICES AND DOIN' ***.
AIN'T RIGHT.
WALK, ***.
YO, YO, WHAT'S UP, WHAT'S UP, SOLDIER ?
LOOKIN' MAYBE DO SOMETHIN' HERE.
WITH HIM, THIS *** ?
I SAW HIM OVER ON ASHLAND LAST WEEK SELLIN' BURNS, MAN.
*** Y'ALL ***...
NAW, LOOK WHAT I'M SAYIN', WHAT'D HE SAY ?
25, TWO DIMES AND A COKE KICKER.
NO, I GIVE YOU TWO DIMES FOR 15 PLUS THE ICE ON TOP FOR FREE.
WHAT ?
THAT'LL WORK.
HA.
NAW, TAKE IT IN THE LOBBY, MAN, I'LL BE RIGHT BEHIND YOU.
THAT'S WHAT'S UP, SEE ?
THE GAME NOW IS THAT WE GOTTA SELL MORE OF THIS GOOD ***
THAN THEY DO.
WHAT ?
GET THE *** OUTTA HERE.
WHAT, YOU MEAN TO TELL ME THERE'S A WESTSIDE ***
THAT KNOW HOW TO SELL ***
WITHOUT STICKIN' A PISTOL IN A FIEND'S FACE ?!
YEAH, DAWG.
AND YOU BETTER GET USED TO IT,
'CAUSE YOU ALL AIN'T SELLIN' *** UNTIL WE BONE *** DRY.
BELIEVE THAT !
ALRIGHT, ***, WHATEVER, MAN.
A-IGHT, COTTAGE CHEESE CHEST *** ***.
YEAH.
WHERE YOU WANT IT ?
THERE'S GOOD.
EASY.
WE COULD HELP YOU SET IT UP.
YOU HAVE A SURVEILLANCE TO COVER ?
I GOT THAT FEELIN' AGAIN.
IT'S LIKE THEY DON'T THINK WE'RE POTTY TRAINED.
CAN I HELP YOU ?
FBI.
LIEUTENANT DANIELS ?
HE'S IN HIS OFFICE.
WITHOUT THAT BILLBOARD IN MY FACE, I WOULDN'T HAVE KNOWN.
HOW COULD YOU KNOW ?
THERE WAS THE WINGTIPS.
AND THE BEADY EYES, DEFINITE GIVE AWAY.
TIGHT ***.
OH, DEFINITELY.
LIEUTENANT DANIELS ? AGENTS SETTLES AND MASON.
MAJOR VALCHEK SAID YOU'D BE EXPECTING US.
YOU LISTENIN' TO THIS FOOL ?
SAYIN' THAT THE EASTSIDE IS WILDER THAN WESTSIDE,
'CAUSE-A SOME *** ABOUT EASTSIDE FOLK DRINKS PORT WINE
WHILE THE WESTSIDE DO SHERRY.
PORT MAKE A MAN DO CRAZY ***, I'M TELLIN' YOU.
BUTCHIE, TALK TO THIS FOOL.
FOR ME, LEAST WAYS,
THE DIFFERENCE BETWEEN EAST AND WEST GOES BACK TO ONE MAN,
FRANK MATTHEWS.
PEE WEE MATTHEWS ?
YEAH, THE BROTHER WENT UP NEW YORK
AND GOT IN BED WITH THEM ITALIANS.
THE ONLY ONE FROM THIS TOWN
GOT A PIECE OF THAT FRENCH CONNECTION.
WHAT THE HELL PEE WEE GOT TO DO WITH ANYTHIN' ?
'CAUSE FRANK WAS WESTSIDE,
HOW YOU LIKE THAT, THE DOPE FLOWED WEST.
AND WHEN YOU GOT A STEADY SUPPLY,
YOU RUN *** LIKE A BUSINESS.
SOMEBODY GETS HURT, THERE'S A REASON.
NOT LIKE THIS FOOLISHNESS WE GOT TODAY.
( barking )
EXCUSE ME.
WHAT SAY, OMAR ?
AIN'T NO THING.
YOU KNOW I GOT SOMETHIN' FOR YOU, RIGHT.
WOULDN'T COME 'ROUND 'LESSIN' I DID.
SO, WHAT UP, BUTCH.
HOW YOU HOLDIN' UP, BABY ?
'CEPT FOR FRETTIN' ON YOU, I'M GOOD.
IT'S FOR MY PEOPLE...
A LITTLE SOMETHIN' FOR A RAINY DAY.
YOU BUILT UP A RIGHT NICE SIZE NEST THESE PAST COUPLE OF YEARS.
MIGHT BE TIME YOU MAYBE THINK ABOUT BACKIN' OFF SOME.
BACK OFF TO WHAT ?
LATER, BUTCH.
STAY, BOY.
( loud music on car radio )
DAMN, ZIG, I AIN'T GOT IT CUT YET.
AND TURN THAT *** DOWN FOR CHRISSAKES !
NICELY DONE, NICELY DONE.
LIKE I ALWAYS SAY, IT PAYS TO GO WITH A UNION CARD EVERY TIME.
TURN THE ***' RADIO DOWN, ZIG.
WILL YOU GET IN THE *** CAR ALREADY ?
I MEAN, FOR CHRISSAKES, WE AIN'T GOT ALL NIGHT.
JESUS.
DRIVE A TANK THROUGH THERE, IT WOULDN'T TAKE A SCRATCH.
THE *** YOU GOIN' WITH THIS ?
GREECE.
ATHENS, GREECE.
SO THE HOLE IS SO THEY DON'T THINK IT'S AN INSIDE JOB.
SO THEY DON'T LOOK AT THE UNION.
WELCOME ABOARD, CHIEF.
THAT YOU ?
HMM.
I THOUGHT YOU WAS GONNA GO SHOPPING.
ME ?
YEAH.
WE ROUND-THE-CLOCK WITH SURVEILLANCE.
WHEN DO WE GET TO THE PART WHERE YOU DO ALL KINDA *** FOR ME ?
WHEN DO WE GET TO THAT PART ?
OH, SO YOU PAST THE POINT OF LIFTIN' A GROCERY BAG OR TWO ?
UH, YOU TRY BEIN' ME LIKE THIS.
( tv chatter )
SOMETHING WRONG ?
MM-MM.
BABY'S KICKIN', WANNA FEEL ?
ALMOST $4,000.
I KNOW IT IS.
THE GREEK GUY, THE ONE WITH THE WAREHOUSE,
HE PAYS ME IN CASH.
KEEPS IT OFF THE BOOKS SO HE DON'T HAVE TO PAY
THE TAXES AND BENEFITS, RIGHT ?
AND YOU SAVED ALL THAT ?
HE GAVE ME A BUMP, TOO.
I'M PULLIN' DOWN LIKE SEVEN A WEEK.
YOU DON'T BELIEVE ME ?
CHRIST, I WAS SAVIN' THAT UP TO GIVE TO YOU
FOR THE NEW APARTMENT.
YOU KNOW WHAT I'M SAYIN', DAWG.
BUT I'M LIKE, I DON'T BE UNDERSTANDIN'
HOW THESE HOES BE ACTIN' SOMETIMES AND ***.
YOU KNOW, IF I TELL A ***,
I'M LIKE "***, EITHER YOU SUCK *** OR YOU DON'T SUCK ***."
KNOW WHAT I'M SAYIN'.
GENTLEMEN.
WHAT'S UP, MY BROTHER ?
OH, WHAT, YOU SLINGIN' BEAN PIES UP IN HERE OR SOMETHING ?
YOU KNOW WHAT I MEAN ?
YOU WITH THE NATION, HOMEY ?
'CAUSE EITHER YOU A MUSLIM, OR YOUR MOMMA NEED TO STOP
LAYIN' YOUR CLOTHES OUT IN THE MORNIN'.
I'M HERE TO REPRESENT THE INTERESTS OF A MR. BARKSDALE.
ARE YOU FAMILIAR WITH MR. BARKSDALE ?
YEAH, THAT NAME RING OUT, BUT SO DO MINE.
AND YOU ARE ?
CHEESE, MAN.
MR. CHEESE, I SEE.
AND WHO DO YOU WORK FOR, MR. CHEESE ?
WHO DO I WORK FOR ?
AM I CORRECT IN ASSUMING THAT YOU ARE NOT EMPLOYED
BY MR. BARKSDALE ?
HELL YEAH.
BECAUSE IF THAT IS THE CASE THEN I HAVE TO INSIST THAT YOU LEAVE.
THIS *** SERIOUS ?
LET ME BE EMPHATIC,
YOU NEED TO TAKE YOUR BLACK ***
ACROSS CHARLES STREET WHERE IT BELONG.
WHAT ?
HOLD ON NOW, HOLD ON NOW.
YOU KNOW WHAT I'M SAYIN', HE DON'T KNOW WHAT THIS IS.
HE DON'T KNOW WHAT TO THINK, KNOW WHAT I'M SAYIN' ?
FIRST OF ALL, WE GOT PERMISSION TO GRIND IN THESE HERE TOWERS.
SECOND OF ALL, I DON'T GIVE A ***...
AAH !
AHH, GET OFF ME, GET OFF !
PELLETS IN PLASTIC.
RATSHOT.
WHAT YOU NEED BE CONCERNED ABOUT IS
WHAT'S SEATED IN THE CHAMBER NOW.
A COPPER-JACKETED, HOLLOWPOINT,
120-GRAIN HOT STREET LOAD, OF MY OWN CREATION.
SO YOU NEED TO THINK FOR JUST A MOMENT,
AND ASK YOURSELF,
WHAT DO I HAVE TO DO BEFORE THIS MAN RAISE UP HIS GUN AGAIN ?
LET'S GO.
GOOD DAY TO YOU, SIR.
I'M IN AGREEMENT WITH THE AGENTS' ASSESSMENT.
AS FAR AS I CAN SEE,
THIS CASE IS AN IDEAL CANDIDATE FOR RICO PROSECUTION.
MY AGENCY AGREES, RICO IS THE WAY TO GO,
SO WE'LL BE IN YOUR COURTHOUSE, NOT MINE.
BUT I WANT ONE THING ON RECORD.
AS OF 9/11, THE BUREAU HAS ONE PRIORITY IN THIS CASE,
IT'S WATERFRONT CORRUPTION.
IT'S A NEW WORLD, AND THE PORTS ARE VULNERABLE.
THIS CASE IS BIGGER THAN THE UNION.
AND WE'RE AGREEING TO TAKE ON THE WHOLE CASE, LIEUTENANT.
BUT THE UNION IS WHY WE'RE IN THE ROOM WITH YOU.
IF YOU'RE OKAY WITH THAT,
THEN WE CAN WORK THE CASE TOGETHER.
SO WE'LL COPY ALL THE BUREAU'S 302'S
TO THE LIEUTENANT AND MS. PEARLMAN.
YOUR PAPERWORK SHOULD C.C. SQUAD SIX AND MY OFFICE AS WELL.
OKAY, I'LL START PUMPING YOUR CASEWORK INTO OUR SYSTEM.
SEE WHAT LEADS THAT MIGHT GENERATE.
OUGHT'EN YOU BE LAID UP, RESTIN' ?
GUNSHOT AIN'T NOTHIN' TO TRIFLE WITH.
SHOULDER DO HURT.
BUT THIS HERE WORK JUST FINE.
TELL STACK POLISH IT UP GOOD
AND PUT SEVEN DOLLAR, 50 CENT ON IT.
SHAME TO LET A GOOD TOASTER GET AWAY OVER A FRAYED CORD.
FIRST OFF, AIN'T NOBODY RUNNIN' UP IN THEM PROJECTS.
THEM WESTSIDE BOYS HURTIN' OVER THIS MORE THAN EVEN YOU.
TRUST ME.
SOON AS OUR GOOD *** RUN OUT, THEY ***.
SECOND, A WHOLE PASSEL OF HARD-*** HITTERS
TOOK A GO AT BROTHER MOUZONE
AND AIN'T LIVED TO SAY *** 'BOUT IT.
WE GO AT THE BOY, NO TELLIN' WHAT MIGHT GET STIRRED UP.
AND IF STRINGER TAKE A SHOT, HE CROSSES AVON ON IT.
PUT A BOUNTY ON HIM.
LET SOME BUSH-WHACKING FIEND BACK-SHOOT HIS ***.
OH, I PIN MONEY ON HIM AND FIRST THING, HE COME AT ME ?
***.
MIGHT AS WELL JUST SHOOT MYSELF NOW AND GET IT OVER.
THERE IS ONE BOY WHO MIGHT COULD JUST PULL THIS OFF.
ONLY HE WON'T TAKE CONTRACT MONEY.
AIM FOR CENTER MASS, MAKE SURE THE MAN GOES DOWN.
NO PROBLEM, I GOT THE THREE ON THE LEFT.
*** YOU ***.
( laughing )
HOW YOU DOIN' ?
HOW YOU DOIN', BUDDY ?
THE SAMSUNG S-221, YOU GOT THAT ?
I DON'T SEE IT.
HUH, DOING THE OLD INVENTORY, ARE WE ?
I HOPE THERE AIN'T BEEN NO THIEVIN' GOIN' ON,
NOT LIKE THE PROBLEM WE GOT DOWN AT THE DOCKS.
YOU GET THE CARS OFF ?
SAILED TWO HOURS AGO ON THE CASPIA.
LISTED AS SCRAP ALUMINUM.
I GOT THE BILL OF LADING RIGHT HERE.
NOT HERE.
MY OFFICE.
FORGIVE ME, BUT HOW AM I TO KNOW
YOU DID NOT SHIP THEM EMPTY ?
WELL, I JUST DON'T KNOW, YOU KNOW, LET ME SEE.
MAYBE IF I HAD A FOUR MEGAPIX, THREE TIME OPTICAL,
FULLY DIGITALIZED CAMERA I COULD'VE TAKEN
SOME QUALITY PHOTOS OF THEM BENZES IN THOSE CANS.
BUT OOPS, I FORGOT, MY CAMERA GOT BUSTED.
OR YOU KNOW WHAT I COULD DO.
I COULD GET OLD BORIS TO SKULK AROUND THEM DOCKS, YOU KNOW,
KEEP THE OLD *** RED EYE ON THEM CONTAINERS,
MAKE SURE THE DOCK BOYS ARE PLAYIN' ME STRAIGHT.
THEY ARE WHAT I ORDER ?
YES, I GOT YOU THE S-SERIES IN THE COLORS THAT YOU WANTED.
I EVEN GOT ONE PARKED OUTSIDE, YOU WANNA SEE ?
OUTSIDE.
NOW ?
I'M JUST TAKIN' HER OUT FOR A SPIN, CHIEF.
I'M-A PUT HER BACK TONIGHT.
WAIT ONE.
YOU KNOW, THEM CARS LIST OUT AT BETTER THAN 60 THOU EACH.
20% WAS LAST WEEK.
TODAY THE QUOTE IS 10.
BUT STILL, IT'S GOOD MONEY FOR A FEW HOURS WORK, EH ?
NO !
OH, NO !
NO ***' WAY !
WE HAD A DEAL, ***.
A DEAL !
YOU LISTEN TO ME.
IT WAS MY ***' *** OUT THERE ON THE LINE.
MINE !
AND THIS, THIS PIDDLIN' *** IS THE BEST THAT YOU COME UP WITH ?
YOU DON'T PLAY ME LIKE THAT, YOU DON'T !
*** YOU, YOU THIEVIN' GREEK *** !
MALAKA !
( speaking Greek )
YOU DON'T KNOW THAT ONE, EH CHIEF ?
BUT YOU KNOW MALAKA, YES ?
NOW YOU KNOW MALAKA WITH DRESS.
PLEASE...
MALAKA !
( female on cell phone ) Can you hear me ?
If you can, talk, please stay on the line.
( ignition starting )
( music on car radio )
( sirens )
YOU GET IN THE BOAT FIRST, THEN PUT THE PRESERVER ON.
IT'S EASIER THAT WAY.
YEAH ?
Y'ALL TRYIN' TO DROWN MY *** FOR SURE.
COME ON.
DON'T PUSH ME MAN.
ROD.
GOT IT.
HERE.
HOLD ON TO THAT.
YEAH.
I KNOW THIS, I KNOW THIS ONE.
( dog barking )
STRINGER BELL COME AT ME WITH THIS.
SAY HE GOT SOMETHIN' WITH OMAR HE NEED TO MAKE STRAIGHT.
DIDN'T SAY WHAT THAT MIGHT BE ?
WOULDN'T TELL ME.
AND TO BE TRUTHFUL, DIDN'T WANT TO KNOW.
NAW, UN-HUH, IT DON'T FEEL RIGHT.
YOU KNOW YOURSELF THEM BARKSDALE PEOPLE AIN'T TO BE TRUSTED.
NO DENYIN' ALL YOU SAY IS TRUE.
BUT STRINGER TALKIN' PARLAY,
SO YOUR BOY NEEDS TO THINK LONG AND *** THIS.
'CAUSE IF OMAR IS LIVIN' HIS DAY-TO-DAY IN THE STREET,
THERE AIN'T NO TELLIN' WHAT THEIR NEXT STEP MIGHT BE
IF THERE AIN'T NO SIT-DOWN.
PARLAY ?
THAT'S ALL HE SAY HE LOOKIN' FOR.
I'LL TALK TO HIM.
BUT IF IT FEEL FUNNY TO HIM THE WAY IT DO TO ME,
I GOT A BETTER CHANCE-A PUTTIN' A LEASH TO THE WIND, YOU KNOW ?
IF YOU THINK IT MIGHT HELP, I COULD GO PROTECTION.
NARY A ONE GOT HURT THE LAST TIME.
THEN THERE WAS A REASON TO MEET.
THIS TIME FEEL DIFFERENT.
I HEAR YOU.
MAYBE STRINGER STILL TRYIN' TO SETTLE THAT BEEF BEHIND
THE FACT THAT HE GOT TO LIVE IN THIS CITY, TOO.
OMAR BEIN' OMAR...
IF IT AIN'T PUTTIN' YOU OUT NONE,
I FEEL A POWERFUL LOT BETTER IF MY NEPHEW TOOK OVER PROTECTION.
HAYWARD.
TYPED...
AND READY FOR YOUR JOHN HANCOCK.
THANKS.
SURE.
YOU JUST HAVE TO INITIAL EACH PAGE
AND THEN SIGN AT THE END.
I'M JUST CHECKIN', THIS IS THE OFFICIAL RECORD,
RIGHT, CHIEF ?
IT'S WHAT'S GONNA PLAY IN COURT.
CAN I CHANGE SOMETHIN' ?
YEAH.
JUST PUT YOUR INITIALS NEXT TO YOUR CHANGES.
IT'S NO PROBLEM.
YEAH, IT'S ONLY ONE.
YOU KNOW, YOU TYPED, "SAID" HERE, SEE ?
"SAID" ?
YEAH, HE WASN'T--
HE WASN'T SAYIN' "PLEASE, DON'T SHOOT ME",
IT WAS MORE BEGGIN'.
YOU KNOW ?
DOUBLE-G, HE'S BEGGIN' ME.
I MEAN, BUT THAT'S NOT GONNA MESS YOU UP, RIGHT ?
NO, THAT'S UM, MORE DESCRIPTIVE LIKE THAT.
IT'S GOOD, THANKS.
QUIET.
NO ONE IN OR OUTTA THERE.
IT'S KINDA NICE OUT HERE.
MOONLIGHT ON THE WATER.
WAVES LAPPING GENTLY AGAINST THE BOAT.
( chuckling )
I'M WORKIN' MY REGULAR EIGHT, I CAN HANDLE IT, YOU KNOW ?
BUT A DETAIL LIKE THIS ?
THAT'S WHAT I'M ASKIN'.
IF SOMETHIN' COMES UP ON THE JOB,
HOW WOULD YOU HANDLE IT ?
I MEAN, AT HOME WITH THE KIDS.
UNTIL NOW, NOT MUCH CAME UP.
BUT NOW, SAY SOMETHIN' COMES UP,
I MEAN, SAY WE DO A RAID OR SOMETHIN'.
WHAT WOULD YOU DO ?
I GUESS I'D TRY TO GET THE SITTER TO STAY,
MAYBE CALL MY FOLKS LIKE I DID TONIGHT.
YOU KNOW HOW IT IS WITH KIDS, YOU GOTTA BE THERE.
BUT YOU WOULDN'T MISS IT,
I MEAN, WITH EVERYBODY ROLLIN' OUT
AND YOU HAVING TO HEAD HOME ?
KEEPS GOIN' LIKE THIS, I DON'T KNOW WHAT I'M GONNA DO.
THANKS.
IT'S NO PROBLEM.
YOU WANNA MAKE A PHONE CALL TO SOMEONE ?
YOU GET OVER TO MADISON IT MIGHT BE SOME TIME BEFORE YOU CAN.
AIN'T A CHANCE I GET A BAIL, RIGHT ?
HOW 'BOUT FAMILY ?
ALRIGHT, TO BRING YOU UP TO SPEED,
WE'VE GOT AGENTS IN LE HAVRE
*** LEADS FROM THE MANIFEST OF THE TALCO SHIP
THAT'S DUE HERE IN A FEW DAYS.
SEE IF WE CAN PINPOINT THE ORIGIN
FOR THE ILLEGAL CONTAINERS.
THAT'S A LOT OF CANS.
110, ACTUALLY.
HOW MANY AGENTS YOU NEED TO TRACK BACK TO WHERE
ALL THOSE CANS CAME FROM ?
AS MANY AS IT TAKES.
WE MAY BE ***, BUT ON THE UPSIDE,
THERE'S AN AWFUL LOT OF US.
LET ME GET THIS INTO THE COMPUTER.
FOR THE BOYS OVERSEAS.
ANYTHING FROM THAT *** OF A DINER ?
HERC AND CARVER HAD NOTHING OVERNIGHT.
THE FEDS TOOK OVER THIS MORNING AND IT'S STILL QUIET.
WELL, I'M GOING BACK ON THE WATER.
ONE MEET AND WE'RE ON THIS GUY.
( computer beeping )
TALCO LINE'S IN WEDNESDAY.
I'M-A SEND NICK FOR A NUMBER.
THE GREEKS AGAIN ?
WHO ELSE ?
THEY SURE DO STIR UP THE ***, THEM GREEKS DO.
UNCLE FRANK.
HEY, NICKY BOY, JUST IN TIME.
UNCLE FRANK.
WHAT, WHAT HAPPENED ?
ZIGGY.
THE *** IS IT THIS TIME ?
HE SHOT...
TH'RE SAYIN' HE SHOT TWO OF THE GREEKS.
LAST NIGHT, THEY'RE SAYIN'.
SHOT ?
HE SHOT...
***' CHRIST.
HE'S LOCKED UP.
HE'S ***' CHARGED WITH ***.
THE GREEKS ?
DOUBLE-G.
AND ONE OF THE KIDS THAT WORKS DOWN THE STORE
ON THE AVENUE WITH HIM.
THEY'RE SAYIN' HE WALKED IN THERE.
HE WENT IN...
WHY WAS HE THERE ?
WHERE WERE YOU...
WHERE THE *** WERE YOU ?
UNCLE FRANK, I DIDN'T KNOW.
DIDN'T KNOW WHAT, WHAT DIDN'T YOU KNOW ?
WHAT THE *** IS ZIGGY DOIN' ANYWHERE NEAR THE ***' GREEKS ?!
I DON'T KNOW, I DON'T.
YOU DON'T KNOW, YOU'RE SUPPOSED TO...
YOU'RE HIS ***' COUSIN !
YOU'RE HIS FATHER.
1,125 KILOGRAMS.
NOT THAT DRUG ENFORCEMENT'S MY CUP OF TEA,
BUT I'M TOLD IT WAS THE LARGEST CRACK SEIZURE ON RECORD.
I JUST WISH I HAD GOOD NEWS FOR YOU.
YOU TOLD ME THIS WAS A LOCAL EFFORT.
IT'S SPRAWLED, NOW THE BUREAU'S INVOLVED
AND WE'RE LOOKING HARD AT THE PORT UNIONS.
MY HANDS ARE TIED.
THEY'RE ON YOU WITH WIRETAPS.
SEVERAL PHONES, SEVERAL ADDRESSES.
( palm pilot beeping )
STEFANOS.
HAVE THE BOY GO TO ETON.
TELL HIM TO COME RIGHT AWAY TO THE OTHER PLACE.
YOU NO CALL ?
NO PHONES.
NO MORE PHONES.
( speaking Greek )
... MY FRIEND.
HEY, THEY FORGOT YOUR FRIES.
NO, THEY FORGOT YOUR FRIES.
MY FRIES ARE RIGHT IN HERE.
THOSE ARE MY FRIES.
***, EVERYTHING I SAY, YOU HEAR BACKWARDS.
FRIES ARE MINE, BOY.
GO AHEAD.
EAT THE FRIES, YOU FAT ***, SEE IF I ***' CARE.
WHAT, YOU THINK I'M FAT ?
THERE'S OUR BOY.
( Kima into radio ) LESTER, ETON'S ON THE MOVE.
WE GOT IT.
( Kima on radio ) No need for an eyeball follow, right ?
NO NEED.
A FINE ***' KETTLE OF FISH.
I HEARD IT BUT I HAD TO COME SEE IT FOR MYSELF,
AND SURE ENOUGH.
MAJOR...
YOU KNOW, I PUT MY FAITH IN YOU ***' FEDS.
YOU LET ME DOWN.
MAJOR, WE CAN TALK IN MY OFFICE.
LIEUTENANT.
IT'S LIEUTENANT, RIGHT ?
I GAVE YOU A SIMPLE ASSIGNMENT.
THAT FELLOW...
THE ONE IN THE CORNER.
AND TO MAKE IT HAPPEN, I GAVE YOU ALL THIS.
GOOD DIGS, PEOPLE...
EVERYTHING YOU NEEDED.
AND WHAT DID YOU GIVE ME ?
RIGHT UP THE ***' ***, LIEUTENANT.
MAJOR, YOU'RE GOING TO GET SO--
ROLAND, GET YOUR ***.
YOU WANT TO DO IT YOUR WAY, FINE.
BUT YOU AIN'T GONNA USE MY PEOPLE TO *** ME.
GET YOUR GEAR, I'M PULLIN' YOU.
I GOT, THERE'S WORK, YOU SAID...
GET YOUR NARROW *** BACK TO THE DISTRICT
BEFORE I SLAP YOU WITH INSUBORDINATION.
MOVE, SHITBIRD.
JESUS !
DETECTIVE...
MY OFFICE.
AHH.
( chuckling )
YEAH.
WOOO.
BASE TO 11-34.
Target number two is coming at your 20.
COPY THAT.
WE'RE ON IT GOOD.
( camera shutter clicking )
WE'RE ON THE BOSS.
MY GOD.
HE SHOOTS BOTH ?
HE KILLS GEORGE RIGHT THERE IN THE STORE.
LEAVES THE BOY TO BLEED.
FOR WHAT ?
AN ARGUMENT OVER A FEW CARS ?
WITH THAT LITTLE *** ?
HE IS CRAZY, THAT ONE.
BUT THE POLICE HAVE HIM NOW, SO...
THE POLICE STILL THERE ?
GO TO THE STORE.
WHATEVER THE POLICE DID NOT TAKE,
PAPERS, PICTURES, EVERYTHING, YOU CLEAN IT UP.
THE WAREHOUSE, TOO, EVERYTHING GETS CLEAN NOW.
EVERYTHING.
AND THE PHONES ARE DEAD.
DID YOU SEE THAT ?
THEY JUST THREW THE PHONES.
11-34 TO SURVEILLANCE.
( male ) Standing by.
WE GOT OUR MAN.
TARGET NUMBER ONE IS A MALE, WHITE, 40'S, SHORT,
WEARIN' A TAN SHIRT AND A GREY TAM.
Copy your description.
11-34 TO SURVEILLANCE, BOTH TARGETS ARE ON THE MOVE.
WE CAN'T MAKE THE VEHICLE FROM HERE,
BUT YOU SURE AS HELL CAN.
Copy.
WHAT WAS HE DOING WITH THAT THING IN HIS HAND ?
SAME THING YOU ALWAYS DO.
PROBABLY SENDIN' A TEXT MESSAGE.
MY KIDS ARE CRAZY OVER THAT.
THAT'S OUR GUY, RIGHT ?
WHAT'S-HIS-FACE SOBOTKA, FROM THE DRUG CORNER.
I NEED TO GET WITH VONDAS.
WHO'S THAT ?
SPIROS.
WHERE IS HE ?
I DON'T KNOW NO SPIROS.
NO ***.
HE JUST UP AND CLOCKED HIM ?
DANIELS HAD EVERYBODY WRITE WHAT THEY SAW.
EVEN US SUITS.
HEY THAT WAS SMART, DANIELS IS SHARP.
SO WHERE'S PREZ NOW ?
DANIELS TOOK HIM HOME.
I DON'T THINK HE'LL BE COMIN' BACK TO THIS DETAIL.
YOU NEVER KNOW, HE MIGHT HAVE ONE OF THOSE
PSYCHOLOGICAL *** THINGS IN HIS JACKET
GIVES HIM IMMUNITY OR SOMETHIN'.
VALCHEK GAVE HIM IMMUNITY.
AND HE JUST PUT VALCHEK ON HIS ***.
NOTHING AT ALL SINCE THE FORT HOWARD MEET.
THEY'RE DEFINITELY DUMPING PHONES.
LESTER...
HMM.
WHEN YOU USE A CELL PHONE, PRESS SEND,
WHERE DOES THE CALL GO TO ?
WHY YOU ASKIN' ?
THE BOSS MAN AT FORT HOWARD.
HE TOSSES THE CELL PHONE WE'RE UP ON, RIGHT ?
THEN HE PULLS OUT ANOTHER THINGAMAJIG
AND HE TYPES A MESSAGE.
TEXT MESSAGING.
WELL, IT STARTS AT ONE OF THOSE TOWERS
THEY GOT UP ALL OVER THE PLACE, RIGHT.
AND ENDS UP IN A COMPUTER AT A WIRELESS PROVIDER.
SO, IF YOU KNEW WHEN THE CALL WAS MADE.
COULD YOU TRACE THE CALL BACK TO THAT TOWER ?
'CAUSE IF YOU COULD, MIGHT YOU GET A PHONE NUMBER ?
YOU GET THAT, THEN YOU GOT THE BILLING DETAILS, RIGHT ?
FOOL DO YOU HAVE ANY IDEA HOW MANY PEOPLE USE CELL PHONES ?
IT MUST BE THOUSAND, HUNDREDS OF THOUSANDS, AT ANY TIME.
WHAT YOU NEED IS ANOTHER VARIABLE.
ANOTHER BIT OF DATA THAT'S GONNA HELP YOU ISOLATE
YOUR CALL FROM ALL THE OTHERS.
WHAT IF YOU KNEW WHERE THE CALL WAS MADE,
I MEAN EXACTLY WHERE THE CALL WAS MADE.
WELL, WE WERE OUT IN THE MIDDLE OF NOWHERE.
DOES THAT HELP NARROW IT DOWN.
YEAH, THE FORT HOWARD SEAWALL,
AIN'T EXACTLY CHARLES AND BALTIMORE STREETS.
YOU'VE GOT ANOTHER PROBLEM.
WHICH WIRELESS COMPANY ?
MUST BE WHAT, VERIZON, MCI, AT&T, SPRINT.
***, TIN CANS AND A STRING, YOU GOT DOZENS OF 'EM.
LAMAR ?
WHERE'S MY "HARPER'S" ?
SAY WHAT ?
"HARPER'S", THE NEW ISSUE.
YOU DIDN'T SAY THAT ONE.
YOU SAID "NEW REPUBLIC" AND "ATLANTIC"
AND NEW SOMETHING ELSE...
I DID NOT FORGET TO TELL YOU "HARPER'S."
EVERY WEEK, I TELL YOU THE SAME *** AND EVERY WEEK,
YOU FORGET HALF OF WHAT I SAY.
TOMORROW, FIRST THING,
YOU GO DOWN TO THE NEWSSTAND AND YOU GET "HARPER'S."
AND "THE NATION," TOO.
WHICH YOU ALSO MANAGED TO FORGET.
YOU KNOW WHAT THE MOST DANGEROUS THING IN AMERICA IS, RIGHT ?
*** WITH A LIBRARY CARD.
( chuckling )
ALL DAMN DAY HE JUST SIT THERE READIN'
AND DAMNED IF THEM EASTSIDE *** DON'T STAY AWAY.
THAT'S REAL MUSCLE RIGHT THERE.
TRUE THAT.
WHAT WE GONNA DO WHEN WE START RUNNIN' OUTTA GOOD PRODUCT ?
THAT'S WHAT WE NEED TO ASK OURSELVES.
YO BODIE, IF STRINGER WANT THE EASTSIDE UP IN HERE,
THEN WHY BARKSDALE GOT A MAN RUNNIN' 'EM OFF.
( phones ringing )
THIS IS GETTING US NOWHERE.
WE GOT NOTHING UNDER PYRAMID, INC.
OR ANY OF THE TARGETS AT ANY OTHER CELLULAR COMPANY.
IT'S ON McNULTY THEN.
( Freamon ) 11-35, you got the 20 ?
I'M ON THE SPOT RIGHT NOW.
Go.
10-4, LATITUDE FIRST,
NORTH 39 DEGREES 11.727,
LONGITUDE, WEST 76 DEGREES
26.628.
NOW THIS WAS A NEAT TRICK.
NO ONE EVER DID IT BEFORE.
IDENTIFIED A CELL PHONE USING TIME AND G.P.S.
WE GOT EVERYTHING ON THE PHONE THAT WAS TEXT MESSAGING
FROM THOSE COORDINATES AT 16:45 HOURS TODAY.
JUST A SUBPOENA ?
WITH THIS, YOU CAN GET ACCOUNT INFORMATION AND A PHONE NUMBER.
WITH A SEARCH WARRANT,
YOU CAN GET TWO MONTHS OF TEXT MESSAGES.
YOU GOT TWO MONTHS OF TEXT MESSAGES IN THIS FILE ?
I DO, IF YOU GOT A WARRANT.
TELL YOU WHAT, FRIEND.
WE'RE GONNA GO BACK HOME AND WE'RE GONNA START TYPING
THAT WARRANT TOMORROW MORNING.
BUT RIGHT NOW, WE WOULDN'T MIND JUST TAKIN' A PEAK AT
WHAT THE MAN'S BEEN UP TO THE LAST 24 HOURS.
EXIGENT CIRCUMSTANCES.
THANKS, BROTHER.
OH, *** ME.
NOTHIN'S EASY.
WHAT'S UP ?
THEY'VE DUMPED THEIR PHONES.
WE'RE TRYING TO GET ONTO THE BOSS MAN'S TEXT MESSAGING.
YEAH ?
THEY SENT THAT GREEK MESS OVER AS E-MAIL.
AFTER HE INPUTS, THE COMPUTER WILL TRANSLATE IT.
GOT IT.
***.
HEY PRISSY.
THOUGH YOU'D BE HERE.
***' ZIGGY.
WHEN DIDN'T HE DO DUMB *** ?
REMEMBER WHEN HE FORGED THAT AGE OF MAJORITY CARD ?
WE ALL POOLED OUR MONEY.
YOU DROVE US OVER BROOKLYN PARK TO THE CUT-RATE.
MY MOM'S PUKE-YELLOW CHEVY.
WE TOLD HIM, SPECIFICALLY.
TWO BOTTLES OF PIKESVILLE RYE AND...
SOUTHERN COMFORT FOR ME.
WHAT DID FUCKNUTS GET ?
***' BOONES FARM.
HE SAID THAT'S WHAT THE COLLEGE KIDS DRANK.
BUT WE DID IT UP.
RIGHT HERE.
YEAH.
HE STOOD UP THERE...
BOTTLE IN EACH HAND.
SCREAMIN' LOUD ENOUGH TO WAKE THE NUNS.
WHAT THE *** DID HE SAY ?
"COLLEGE KIDS AIN'T *** !"
***, ZIG.
( phone ringing )
YEAH ?
Beadie, hey, it's Kima.
KIMA ?
We're gonna take the boss out.
RAIDS, TONIGHT ?
You got some place to drop the kids off.
NO, NO PROBLEM.
I CAN TAKE THEM OVER TO MY PARENTS.
We'll see you soon.
KIMA, THANKS FOR THE CALL.
BYE.
JUDGE WANTS TO KNOW HOW MUCH LONGER ?
WE'RE CLOSE.
DUMP THIS ROW.
DUMP THIS, DUMP THIS.
( speaking Greek )
Captions Copyright 2003 HOME BOX OFFICE, INC.
Captioned by HBO COMMUNICATIONS CENTER