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You know what, Ray, you're probably right.
l mean, l'm sure you're right.
l've never heard a sound like this before.
But how the hell are we gonna market this?
We could cut the second verse, pop back into the chorus.
Man, you cut that, l'll cut you in half.
All right, all right, Ray. Ahem.
We could, uh, split it up.
Do a Side AISide B type of thing.
lt's been done before. What the hell, right?
Yeah.
lt's s-***.
lt's just too damn *** for kids.
Let's do it.
Yeah, baby! That's why l love y'all, man.
(Jerry) All right. What the hell? lt's Atlantic, right?
Atlantic!
We'll release it in the summer.
There's less censorship, school's out.
The kids are ready to kick loose.
(Ray) Ha, okay!
Tom, let's see if we can cut this pumpkin in two.
Show me what your genius is all about.
You got it, boss.
Yeah, that is it. You put one on Side A, put another on Side B.
Man, that sounds out of sight.
How you feeling, Ray?
l feel groovy, baby.
l'm talking about the junk. What?
lt's starting to show.
You're scratching all the time.
You can't sit still.
Hey, man, have l ever missed a date?
No, you never have.
Who's the one who delivers a record in one take, hmm?
Ray, you deliver better than anybody l know
but l'm not talking to you as a businessman.
Now come on, listen to me.
l'm worried about you.
As a friend, l'm telling you, man, your slip is hanging.
"Your slip is hanging."
You been hanging out with us country boys too much, man.
Uh, don't worry about this, man. lf this monkey gets too heavy on my back,
l'll get an organ grinder, man, and put him to work.