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>> PREVIOUSLY ON
PROJECT RUNWAY...
>> THIS IS YOUR THIRD
UNCONVENTIONAL MATERIALS
CHALLENGE.
YOU'RE WORKING IN TEAMS OF
THREE.
OUR FIRST TEAM IS KEN,
ALEXANDRIA, AND SUE.
>> KEN, ARE YOU GONNA BE OUR
CHAUFFEUR?
>> I'M LIVING A NIGHTMARE.
>> SILVER AND BLACK.
>> IT'S A NICE TEXTURE.
>> SOME KIND OF DRIED FRUIT.
>> WELL, I'M WORKING WITH
THE GENIUS WHO CAN'T CREATE ANY
OF THEIR IDEAS.
>> SUE IS STILL WITHOUT A
GARMENT.
>> THIS MAKES ME SICK.
HAVE YOU EVER SEEN
PROJECT RUNWAY?
>> IT'S GONNA BE WORLD WAR III.
[upbeat techno music]
♪ ♪
>> JEREMY, YOU ARE THE WINNER
OF THIS CHALLENGE.
>> [laughs] THANK YOU.
>> ALEXANDRIA, KEN, SUE,
YOU ARE THE LOSING TEAM.
>> SUE, IT LOOKS LIKE A COFFEE
FILTER.
>> BUT IT'S NOT JUST SUE'S.
IT'S YOU AND IT'S YOU.
>> WE JUST DIDN'T HAVE THE
CHEMISTRY.
>> I TRIED COMMUNICATING.
I WOULD BE IGNORED.
>> DID YOU HAVE A PROBLEM
DEALING WITH KEN?
>> CORRECT.
YOU JUST WANT TO PET THE CAT
AND JUST MAKE IT CALM.
>> SUE, YOU'RE OUT.
YOU HAVE A FRONT ROW SEAT...
>> FOR FASHION'S GREATEST SHOW.
>> THIS IS PROJECT RUNWAY.
[upbeat techno music]
♪ ♪
[horns honking]
♪ ♪
>> CONGRATULATIONS.
>> THANK YOU VERY MUCH.
I'M THRILLED.
I'M WAKING UP IN FIRST PLACE
THIS MORNING AND IT FEELS
AMAZING.
I JUST CAN'T WAIT TO GET MY
HANDS ONTO THE NEXT CHALLENGE.
>> HEY, I'M GLAD YOU'RE STILL
HERE.
>> I'M GLAD I'M STILL HERE TOO.
>> JUST WALKING ON GLASS WITH
ONE PERSON HERE.
>> WALKING ON GLASS?
THAT REALLY PISSED ME OFF.
I FEEL LIKE SHE HAD HER CHANCE
WITH ME.
SHE REMINDS ME OF JUDAS IN THE
BIBLE.
IF I HAVE TO PUT A FACE WITH
JUDAS, I SEE ALEXANDRIA.
>> HOW ARE YOU FEELING TODAY?
>> A LITTLE NUMB.
>> IT GOT ROUGH OUT THERE.
>> I DON'T WANT ANYBODY TO FEEL
UNCOMFORTABLE, AND I DON'T WANT
ANYBODY TO FEEL LIKE THEY'RE
WALKING ON GLASS AND THEY HAVE
TO PET THE KITTY.
>> KEN IS DRAMA, BUT I DON'T
WANT TO BE SUCKED INTO THAT
TOILET OF, LIKE, CRAZINESS.
>> I'M FURIOUS WITH YOU RIGHT
NOW.
I WOULD EVEN SUGGEST YOU'RE NOT
EVEN TO LOOK AT ME.
>> I WALK AWAY, GROWING A LITTLE
BIT FROM THIS EXPERIENCE.
BEING ON THE CHOPPING BLOCK
ISN'T FUN, AND FROM HERE ON OUT,
I HAVE TO STEP UP MY GAME.
>> I WONDER WHAT TODAY IS GONNA
DO FOR US.
>> LET'S GO FIND OUT.
[horns honking]
[upbeat techno music]
♪ ♪
>> HI.
>> TIM'S IN CAMOUFLAGE, OF ALL
THINGS.
A CAMOUFLAGE SUIT.
WHAT THE HELL?
>> DO YOU LIKE OUR OUTFITS?
>> all: YEAH.
>> I IMMEDIATELY THINK, "OOH,
MAYBE THERE'S AN ARMY
CHALLENGE."
>> WELL, AS YOU CAN SEE, WE'RE
DRESSED FOR THE OUTDOORS.
>> AND THIS IS ABOUT AS
OUTDOORSY AS I GET.
[laughter]
>> WE THINK THAT YOU'VE BEEN
TRAPPED IN THE CONCRETE JUNGLE
LONG ENOUGH.
WE NEED TO GET YOU OUT OF HERE.
>> SO, WITH THAT IN MIND,
OUR FRIENDS AT RESOURCE WATER
ARE SENDING YOU ON A CAMPING
TRIP.
[cheering]
>> I LOVE, LOVE CAMPING.
>> I'M SUPER EXCITED.
>> PEOPLE THINK SINCE I'M FROM
THE SOUTH, THAT I AM A NATURE
BOY.
I DON'T WANT TO WALK IN THE
DIRT, I DON'T WANT TO BE BITTEN
BY BUGS, AND I'M NOT SLEEPING
IN A TENT.
>> LET ME CORRECT MYSELF.
IT'S A "GLAMPING" TRIP.
IT'S HOW FASHION DESIGNERS CAMP.
[cheering]
IT'S AN UPSCALE AND
SOPHISTICATED FORM OF CAMPING.
>> YOU'LL ONLY HAVE 30 MINUTES
TO PACK YOUR BAGS FOR OUR
OVERNIGHT TRIP.
>> AND I'M ALREADY PACKED, AND
I'M GOING TO GO AHEAD OF YOU AND
MAKE CERTAIN THAT EVERYTHING'S
ALL SET UP THERE, AND I'LL MEET
YOU THERE.
>> 30 MINUTES.
HURRY. GO, GO, GO.
>> YEAH, GO, GO, GO, GO, GO, GO,
GO.
[horn honks]
>> I DON'T KNOW WHAT GLAMPING
IS, BUT I'M SCARED ABOUT BEING
IN THE OUTDOORS.
>> HAVE YOU BEEN GLAMPING
BEFORE?
>> NO, I HAVEN'T BEEN CAMPING
SINCE I WAS A LITTLE GIRL.
>> WHAT DO YOU WEAR GLAMPING?
>> I HAVE SOME COMBAT BOOTS.
>> I DON'T HAVE GLAMPING
SOCKS, SO THE POLKA DOT ONES
WILL HAVE TO DO.
>> I CAN DYE A LOT OF THINGS
WITH NATURAL--
>> WORST-CASE SCENARIO, WE CAN
USE OUR OWN BLOOD TO DYE THINGS.
>> CAMO BOW TIE.
>> OH, PERFECT.
>> TOO MUCH?
>> IT'S GLAMPING.
[horn honks]
>> OUT IN THE THE WOODS,
GLAMOROUS OR NOT.
>> I DOUBT ANYTHING WE'RE GONNA
DO IS GONNA BE THAT INTENSE.
I HOPE THAT WE GET TO PLAY
PAINTBALL BECAUSE I REALLY WANT
TO SHOOT SOME PEOPLE.
>> HOW DO YOU KNOW THE
DIFFERENCE BETWEEN A REGULAR
LEAF AND POISON IVY?
>> WELL, TEST IT ALL OVER TO
SEE, AND THEN YOU'LL KNOW.
>> YOU WILL NOT ELIMINATE ME
THIS WAY.
[laughter]
>> I HAVE NO IDEA WHERE WE ARE.
[laid-back music]
♪ ♪
[birds chirping]
>> OH, MY GOD.
>> OH, MY GOSH, YOU GUYS.
>> THIS IS AWESOME.
>> COMPARED TO BEING SUFFOCATED
IN THE WORKROOM WITH NO WINDOWS,
AND NOW WE'RE IN NATURE, THIS IS
EXACTLY WHAT THE DOCTOR ORDERED.
>> HELLO, DESIGNERS, AND WELCOME
TO YOUR GLAMPING SITE.
>> all: HI.
>> I'M EXHAUSTED FROM PUTTING
THE TENTS UP, LET ME TELL YOU.
[laughter]
I'M THRILLED TO INTRODUCE YOU TO
SEONA SKWARA, HEAD OF ACTIVATION
FOR RESOURCE NATURAL SPRING
WATER.
SEONA, WE'RE DELIGHTED TO HAVE
YOU HERE.
THANK YOU SO MUCH.
>> THANK YOU, TIM.
HI, EVERYONE.
>> all: HI.
>> RESOURCE IS 100% NATURAL
SPRING WATER WITH NATURALLY
OCCURRING ELECTROLYTES FOR A
CLEAN, REFRESHING TASTE.
RESOURCE VALUES HAVING A SENSE
OF DISCOVERY AND BELIEVES THAT
NATURE HELPS US DISCOVER OUR
BEST.
>> AND IN THE WHOLE SPIRIT OF
DISCOVERY AND NATURE, FOR THIS
CHALLENGE, YOU ARE CREATING A
LOOK THAT IS INSPIRED BY THE
ENVIRONMENT AND YOUR ACTIVITIES.
IT IS ABOUT FASHION WITH A
CAPITAL "F."
WE DO NOT WANT YOU TO CREATE A
LOOK THAT YOU MIGHT WEAR IN THIS
ENVIRONMENT.
IT IS ABOUT SOMETHING THAT IS
HIGH-END AND EDITORIAL.
WHAT IT IS IS COMPLETELY UP TO
YOU.
THINK ABOUT THE ENVIRONMENT.
THINK ABOUT THE ACTIVITIES THAT
LIE AHEAD FOR YOU.
>> TIM TELLS US THAT WE'LL BE
DOING ALL THESE REALLY COOL
ACTIVITIES, LIKE ZIP-LINING AND
RAFTING.
IT'S JUST THE MOST PERFECT PLACE
FOR US TO BE RIGHT NOW.
>> TOMORROW MORNING, YOU'LL
LEAVE.
WE'LL ALL GO TO MOOD.
AND YOU'LL HAVE THE REST OF
TOMORROW TO CREATE YOUR LOOK.
IT'S A ONE-DAY CHALLENGE.
>> OF COURSE, OF COURSE.
[laughter]
>> HAVE FUN, AND I WILL SEE YOU
TOMORROW AT MOOD.
COME, SEONA.
[upbeat techno music]
♪ ♪
>> THIS IS WHAT I WAS TALKING
ABOUT.
>> I FEEL LIKE
KATHARINE HEPBURN.
>> I KNOW, RIGHT?
>> TALK ABOUT GLAMOUR.
BEYONCE DOESN'T EVEN GET THIS,
HONEY.
>> [laughs]
>> THAT'D BE PERFECT FOR ME SO
I CAN READ YOUR LIPS AT
NIGHTTIME.
>> I'M USED TO THE WHOLE
BACKPACK, WALKING IN THE FLORIDA
EVERGLADES, WORRYING THAT I'M
GONNA SEE AN ALLIGATOR.
SO THIS IS FANTASTIC.
AH, THIS IS LOVELY.
>> SO WE DON'T HAVE TO BE
INSPIRED BY NOTHING OUT HERE
REALLY, DO WE?
>> I MEAN, JUST TAKE FROM THE
EXPERIENCE.
>> I ABSOLUTELY HATE BEING
OUTDOORS.
I NEED TO SPRAY MYSELF.
AND THESE MOSQUITOES ARE
STARTING TO GET ON MY NERVES.
[indistinct chatter]
>> THE TREES ARE SO PRETTY.
>> YEAH.
[overlapping chatter]
>> WHOA, THAT WAS A GOOD HIT.
>> WHEN I AM IN THE WORKROOM,
I HAVE THE OPTION OF LISTENING
TO EVERYONE OR WORK ON MY
DESIGN.
I CANNOT DO BOTH AT THE SAME
TIME.
SO THIS TRIP ALLOWS ME TO GET TO
KNOW THE DESIGNER.
[laughter]
>> WHERE IS ALEXANDRIA?
>> I DON'T KNOW.
>> SOME PEOPLE ARE RELAXING.
BUT MY CONFIDENCE IS LOW,
AND NOW, I'VE BEEN FLAGGED AS
THE BOTTOM LOT.
SO I'M TRYING TO LOOK AT THINGS
CRITICALLY AND HOPEFULLY COME
OUT WITH SOME COOL CONCEPTS.
>> I JUST, LIKE, NEVER THOUGHT
WE WOULD GET A BREAK.
>> I KNOW!
>> I'M JUST SO HAPPY WE HAVE A
BREAK.
>> SO WHAT FIRST?
YOGA? ZIP LINE?
I'M VERY EXCITED.
I WANT TO WALK AROUND.
I WANT TO PADDLE IN THE STREAM.
LET THE ENVIRONMENT TAKE ME.
>> WHOO!
>> I WANT TO DO EVERYTHING.
[overlapping chatter]
>> PADDLE.
PADDLE.
[shouting]
[screaming]
[laughter]
>> ONE OF THE THINGS I'M
REALIZING IS THAT, ACTUALLY, OUT
OF THE STUDIO, WE ARE ALL NICE
PEOPLE THAT GET ON QUITE WELL
TOGETHER.
[cheering]
>> WHA!
WHOO!
>> OH, LORD.
I DON'T FEEL MY LEGS.
MY HEART IS RACIN'.
I THINK I'M GONNA DIE.
>> OH!
>> OH, [bleep]!
[screaming]
>> AH, HOO, HOO, HOO, HOO!
>> [screaming hysterically]
[laughs]
>> THAT'S CRAZY.
>> THAT WAS FUN, HUH?
WHAT'D YOU THINK?
>> I WANNA KISS THE GROUND.
HOWEVER, TOO MANY SHOES BEEN ON
IT FOR MY LIPS TO BE ON IT.
WATCH THIS.
>> YOU'RE SO MESSED UP.
>> IS THAT REAL?
>> "FRIENDS."
>> OH, OH.
>> THIS IS THE "S" WORD.
AND THIS IS THE "B" WORD.
SIGN LANGUAGE IS SOMETHING THAT
IS VERY PERSONAL FOR ME.
WHEN I DO GET THE OPPORTUNITY TO
TEACH OTHER PEOPLE SIGN
LANGUAGE, I SEE THAT AS A WAY OF
CONNECTING WITH PEOPLE, BECAUSE
IT SHOWS ME THAT THEY ARE
WILLING TO LEARN MY LANGUAGE.
>> I HAVE A QUESTION.
>> GOOD MORNING.
[birds chirping]
[tense rock music]
♪ ♪
TWO HOURS AGO, I WASN'T EXCITED
AT ALL ABOUT THIS GLAMPING
TRIP.
BUT I FEEL AS IF IT'S CLEANSING
TO THE BODY, THE MIND, AND THE
SOUL, AND THIS IS A SPIRITUAL
CONNECTION FOR MYSELF.
>> I START DESIGNING.
MY MIND STARTS TO DRIFT.
AND I THINK OF MY HUSBAND.
I THINK ABOUT 15 YEARS SO FAR
TOGETHER.
AND SO, I START TO WRITE A LOVE
LETTER TO HIM.
AND IT'S AT THAT MOMENT THAT I
DECIDE I WANT TO USE THE LETTER
I'M WRITING IN MY DESIGN.
>> TODAY HAS GIVEN ME FUEL TO
MOVE ON AND BE MORE FOCUSED
WHEN YOU GO OUT INTO NATURE A
LITTLE BIT, IT OPENS YOUR MIND
TO SEEING THE WORLD AND MAYBE
FASHION DIFFERENTLY.
>> [laughs]
>> SNOT EVERYWHERE.
>> OH, MY GOD.
[overlapping chatter]
>> PROJECT RUNWAY AND RESOURCE
WATER.
>> LOOK AT THESE MEALS.
>> OH, DELICIOUS.
>> OH.
>> OH, FANCY LIVIN'.
>> SO HOW'S GLAMPING BEEN?
>> IT'S FABULOUS.
[laughter]
>> I HAVE A QUESTION FOR
EVERYONE.
I'M THINKING ABOUT THE RIVER
RIGHT NOW.
DO EACH OF YOU HAVE A SPECIFIC
FAVORITE SOUND THAT YOU LIKE TO
LISTEN TO?
>> I LIKE THE RAIN.
>> I LIKE OCEAN WAVES.
>> I LIKE CHILDREN SLEEPING.
[laughter]
>> THAT'S A GOOD ONE.
>> I LIKE GLAMPING.
IT'S MY FAVORITE THING TO DO
NOW.
>> SO YOU JUST ROAST IT, OKAY--
>> OKAY, MELT THIS.
[overlapping chatter]
>> [laughs]
>> I THINK IT'S ABOUT TIME FOR
BED.
>> IT IS TIME FOR BED.
>> GOOD NIGHT, GUYS.
SEE YOU TOMORROW.
>> THIS WAS VERY LONG OVERDUE.
BUT I KNOW THIS IS A COMPETITION
AND WE'RE ALL HERE TO WIN.
>> HAVE A GOOD SLEEP.
>> WHEN WE COME BACK FROM
GLAMPING, THAT'S IT.
GAME ON.
[upbeat techno music]
♪ ♪
>> GOOD MORNING, EVERYONE.
>> MORNING, KEN.
♪ ♪
>> ALTHOUGH WE ALL LOVE IT AND
WE NEVER WANT TO LEAVE, IT'S
UNFORTUNATELY TIME TO LEAVE OUR
"GLAMPSITE."
>> both: AWW.
>> ALL RIGHT, GRAB YOUR BAGS.
TIME TO GO.
>> WE HAVE TO LEAVE OUR
GLAMPSITE, AND I AM SO
RELUCTANT.
I AM SOAKING UP THE LAST BIT
OF SUN.
BUT WITH THIS INSPIRATION, I
AM REALLY EXCITED TO MAKE THIS
GARMENT THAT'S INSPIRED BY THIS
BEAUTIFUL PLACE AND JUST THIS
WONDERFUL EXPERIENCE.
[horns honk]
>> HOW IS EVERYONE?
>> SORE.
>> I MISSED YOU.
>> WE MISSED YOU.
>> DID YOU HAVE A GOOD TIME?
>> YEAH, WE DID.
>> YES.
>> ALL RIGHT, WELL, I'M THRILLED
TO HAVE YOU BACK.
YOU WILL HAVE 30 MINUTES TO
SHOP AT MOOD.
AND YOU KNOW THAT YOU HAVE A
SUGGESTED SPENDING AMOUNT OF
$300 IN YOUR GOBANK DEBIT CARD.
YOUR 30 MINUTES AT MOOD BEGINS
NOW.
[upbeat techno music]
♪ ♪
>> [groans]
I JUST NEED TO FIND A FREAKIN'
PRINT I LIKE.
>> WHOOPS. SORRY.
>> PHEW.
I HAVE NO IDEA WHAT I'M GONNA
CREATE.
WALKING DOWN THE AISLES IN MOOD,
I SEE THIS WOOL FABRIC, AND IT
AUTOMATICALLY MADE ME THINK OF
NATURE.
IT'S PERFECT.
>> I'M INSPIRED BY THE WHITE
TENTS, AND WHAT I WANNA MAKE IS
A BEAUTIFUL DRESS THAT FLOWS,
IS FLOOR-LENGTH, AND IS GONNA
BE MADE OF SILK, AND JUST WILL
FLOW WHEN THE GIRL WALKS.
>> DESIGNERS, YOU HAVE 15
MINUTES.
15 MINUTES, EVERYONE.
>> OH, I HAVE TO GET SO MUCH
STUFF.
[upbeat music]
♪ ♪
>> I'M THINKING ABOUT DOING
LACEWORK...
>> OH.
>> BY MAKING MY OWN--
>> MAKING YOUR OWN?
>> YES, USING THE GLUE GUN
MATERIAL.
>> THAT'S FINE.
>> COOL.
>> BASKETS, BASKETS.
I'M RUNNING AROUND AT MOOD
LIKE A CHICKEN WITH ITS HEAD CUT
OFF.
DOO, DOO, DOO, DOO.
I'M TRYING TO FIND THE FABRICS
THAT I WANTED.
SO I'M JUST BUYING A WHOLE BUNCH
OF COLORED CHIFFON AND SEE IF I
CAN MAKE SOMETHING.
>> DESIGNERS, TIME IS UP.
EVERYONE NEEDS TO BE AT THE
REGISTER, PLEASE.
THAT IS TIME.
>> AH.
>> GLUE GUNS.
>> SMALL OR LARGE?
>> LARGE.
>> LARGE?
>> MM-HMM.
[register beeps]
>> THAT'LL BE $300.31.
>> THANK YOU, MOOD.
BYE, SWATCH.
WE'LL BE BACK.
>> WE'RE HOME.
[chuckles]
>> ARE YOU, LIKE, GOING FOR A
WATER THEME?
'CAUSE THAT TOTALLY REMINDS ME
OF, LIKE--
>> THAT'S EXACTLY WHAT I'M
DOING.
>> IT'S BEAUTIFUL.
>> FOR THIS CHALLENGE, WE'RE
EXPECTED TO USE THIS GLAMPING
TRIP AS INSPIRATION TO CREATE
SOMETHING THAT LOOKS HIGH-END.
>> DESIGNERS, THIS WORKROOM
FEELS LIKE A MORE TRANQUIL
PLACE.
>> IT IS.
>> YOU HAVE UNTIL MIDNIGHT
TONIGHT.
YOU WILL HAVE A MODEL FITTING
LATER TODAY.
SO WORK HARD.
I WILL SEE YOU LATER.
THANK YOU, EVERYONE.
>> THANKS, TIM.
>> THANK YOU, TIM.
[funk rock]
♪ ♪
>> [laughs]
>> I'M GLAD WE DIDN'T WAKE UP
TO, LIKE, A BEAR AT THE
CAMPFIRE, THOUGH.
>> OR A TIGER.
>> WELL, ALEXANDRIA'S STILL
HERE.
>> GOD, YOU'RE PULLIN' OUT THE
KNIVES.
[laughter]
>> WHATEVER.
LIKE, HE'S EXHAUSTING.
>> I DECIDE TO DO AN EMBROIDERY
TECHNIQUE THAT I'VE NEVER DONE
FOR CLOTHING BEFORE.
I'VE ONLY DONE IT ON BAGS.
AND I CALL IT "THREAD PAINTING."
>> OH, THAT SEWING ROOM WAS
GIVING ME SUCH A HEADACHE.
BRADON'S, LIKE, EMBROIDERING
HIS FABRIC OR SOMETHING.
>> HE'S WHAT?
>> THE FIRST THING I NEED TO DO
IS GET THAT LOVE LETTER WRITTEN
ONTO MY FABRIC.
I'M MAKING AN EVENING GOWN--
WHITE, FULL-LENGTH.
>> I LOVE IT.
THAT'S SUCH A BEAUTIFUL IDEA.
>> YEAH, IT REALLY IS.
>> IT'S REALLY PRETTY.
>> RIGHT NOW, JEREMY'S MY
BIGGEST COMPETITION.
>> [gasps]
I LOVE IT.
>> EVERYONE LOVES EMOTION
AND A LOVE STORY, ESPECIALLY A
LOVE POEM WRITTEN ON A GOWN.
I WISH MY HANDWRITING WAS
THAT GOOD.
>> YEAH, IT LOOKS AWESOME,
RIGHT?
>> CURSIVE TOO, RIGHT?
>> GET AWAY FROM MY [bleep].
>> I'M GONNA STEP ON IT.
>> [laughs]
>> GOOD RIDDANCE.
[sewing machine buzzing]
>> I KNOW I WANT TO PULL
INSPIRATION FROM THE WAVES
THAT'S IN THE WATER DURING A
RAPID.
SO I'M JUST GONNA DRAPE THE
MATERIALS AND THE FABRIC AND
ALLOW IT TO SPEAK TO ME.
>> THAT'S BEAUTIFUL.
>> IS THIS JUST GLUE GUN?
>> both: YES.
>> WOW.
>> I WANT TO BE ABLE TO MIMIC
THE WATER AND JUST REALLY CREATE
THIS BEAUTIFUL TEXTURE THAT CAN
BE TRANSLATED INTO LACE.
>> CARRY ON.
[laughter]
>> OH, MY GOD.
[laughs]
THE TIME.
>> GETTIN' NOWHERE.
>> [sighs and groans]
>> I'VE SPENT AN HOUR JUST
SHARPENING THIS STUPID PENCIL.
THERE GOES THAT EXTRA HOUR.
>> [laughs]
"YOU'RE OUT."
>> [sighs]
[bleep] IT.
[pencil clatters]
SO I'M DOING A GOWN--
FULL-LENGTH, TO THE FLOOR, WITH
A LONG TRAIN.
VERY FITTED, VERY TAILORED.
IT'S PRETTY SIMPLE.
BUT I THINK THE FIT IS REALLY
GONNA KNOCK IT OUT.
>> I'M THINKING THAT I WOULD
WANT TO MAKE A DENIM JACKET AND
A FUNKY PAIR OF LONG JOHNS, SORT
OF CAMPING WEAR BUT MODERNIZED.
I HAD A MOMENT OF
SECOND-GUESSING WHAT I WANTED TO
DO, BUT THERE'S NO TIME TO
SECOND-GUESS WHAT YOU'RE DOING,
AND IT'S TOO LATE NOW.
>> BRADON.
>> WHAT?
>> HOW ARE YOU?
>> NOT GREAT.
>> WHY?
>> 'CAUSE I'M TRYING SOMETHING
I'VE NEVER DONE BEFORE.
I DON'T KNOW IF IT'S GONNA WORK.
GOD.
>> IT'S VERY QUIET IN HERE.
ALL RIGHT, I'M GONNA WALK AROUND
AND CHECK IN WITH EACH OF YOU,
OKAY?
HOW ARE YOU, KAREN?
>> GOOD, HOW ARE YOU, TIM?
>> I'M EXCELLENT.
>> I WAS JUST INSPIRED BY THE
TENT AND THE WAY IT WAS DRAPED.
IT WAS, LIKE, SOME VINTAGE
SAFARI CAMP.
>> HERE'S MY FEAR: UNLESS YOU DO
SOMETHING TO THIS TEXTILE...
>> THEY'RE GONNA SAY IT'S, LIKE,
BRIDAL OR BORING?
>> WELL, COMPARED TO YOUR PEERS,
YOU DIDN'T TAKE IT FAR ENOUGH.
WHEN YOU LOOK AROUND THE ROOM,
YOU HAVE TO.
>> KAREN'S LOOK IS VERY SIMPLE,
I FEEL, FOR WHAT THE CHALLENGE
ASKED FOR.
JUDGES WANT YOU TO GET A LITTLE
BIT ADVENTUROUS.
SHOW SOME RANGE.
MAKE SOMETHING REALLY EDITORIAL.
>> IF I ALSO HAVE TIME, I WANT
TO POSSIBLY DO AN OMBRE.
>> CONCEPTUALLY, I LOVE THE
IDEA, WHICH IS WHY I WANNA
SUPPORT THE DYEING.
>> AWESOME.
>> ALL RIGHT, BACK TO WORK.
>> THANKS.
>> HEY, JUSTIN.
>> HI.
>> SO WHEN YOU WERE TALKING TO
ME ABOUT CREATING LACE, IT'S
WITH THE GLUE?
>> YEAH, IT'S ALL GLUE GUN.
>> THIS IS AMAZING.
I THINK IT'S SMASHING.
>> IT'S MAKING PEOPLE WONDER.
MY CRITIQUE WITH TIM GOES
SURPRISINGLY WELL.
HE IS IN LOVE WITH THE GLUE
TECHNIQUE.
THE THING ABOUT MY WORK SO FAR,
I THINK I'VE BEEN PLAYING IT
SAFE.
>> I'D ALREADY PLANNED ON
SPEAKING TO YOU TODAY ABOUT
PUSHING THINGS.
SO YOU'RE DOING IT.
>> JUSTIN STEPPED OUT OF THE BOX
ON THIS CHALLENGE AESTHETICALLY,
AND I HOPE IT WORKS FOR HIM.
>> ALEXANDER.
>> HEY, TIM.
>> TALK TO ME.
>> I'M CALLING THIS "TREES AT
MIDNIGHT."
SO IT'S BASICALLY THE SILHOUETTE
OF TREES AGAINST THE DARK SKY,
DARK BLUE INTO BLACK.
BUT THEN, I'M GONNA ACTUALLY
ATTACH ALL THESE BLUES AND BLACK
LEATHERS, CUT 'EM INTO LITTLE
PIECES, AND BASICALLY CREATE
KIND OF A BARK.
>> SO IT'S AN OMBRE BARK?
>> YES.
>> I THINK IT'S GONNA BECOME
BOTTOM-HEAVY...
>> OKAY.
>> AND TOO--JUST TOO SEPARATED
IN TERMS OF THE COLORS.
>> THAT MAKES SENSE.
>> HOW'S BRADON?
>> HI.
FOR MY CRITIQUE WITH TIM, I
BARELY HAVE ANYTHING ON THE
DRESS FORM.
I JUST PIN SOME FABRIC ON THERE
BECAUSE I'VE BEEN SPENDING ALL
OF MY TIME DOING THIS
EMBROIDERY.
>> WHAT WAS THE SOURCE OF THE
INSPIRATION FOR THIS?
>> I'VE ALWAYS LOVED THE GLOW OF
MOSS, LIKE, THE COLOR, AND EVEN
IF THE SUN'S NOT SHINING ON IT,
IT STARTS GLOWING.
>> I LOVE MOSS TOO, YEAH.
>> I WANTED IT TO BE THREAD,
BUT IT JUST TAKES TOO LONG.
>> THIS IS THREAD?
>> YEAH.
>> I ACTUALLY THOUGHT YOU HAD
TAKEN COLORED PENCILS AND DONE
THIS.
>> OH, NO, IT'S--
>> OH, MY GOD IN HEAVEN.
I-I'M NOT GONNA ASK PERMISSION.
I'M GONNA BE BLUNT.
>> SURE.
>> I'M VERY DISTRACTED BY THIS
TREATMENT.
>> HM.
>> IT LOOKS LIKE A KID'S
DRAWING.
>> IT LOOKS LIKE A 5-YEAR-OLD
PRINCESS DISNEY DRESS.
>> LOOKS LIKE BRADON'S IN A LOT
OF TROUBLE.
[tense music]
♪ ♪
>> IT LOOKS LIKE A KID'S
DRAWING.
IT LOOKS CLUNKY TO ME.
>> I DON'T KNOW WHETHER TO SPEND
ANOTHER TWO HOURS...
>> I WOULDN'T.
>> ON THIS BEFORE I GO TO THE
DRESS.
>> I WOULDN'T.
I THINK YOU HAVE TO RESOLVE THE
DRESS NOW.
>> I'M TAKING A RISK WITH THIS,
AND I BELIEVE IN THIS TECHNIQUE.
>> ALL RIGHT, THANK YOU, BRADON.
>> CAN'T WAIT TO SEE WHAT IT'S
GONNA BE TOMORROW.
>> I KNOW, I CAN'T EITHER.
SO ALEXANDRIA, HOW DID YOU
LIKE THE TRIP?
>> IT WAS AWESOME.
>> HOW DID IT INSPIRE YOU?
>> WITH GLAMPING, IT'S, LIKE,
THE MODERN WAY OF CAMPING.
SO I BOUGHT THE DENIM TO SORT OF
RE-INVENT THE DENIM JACKET.
>> OH, ALL RIGHT, SO THAT'S--
THAT'S HOW YOU SEE THIS PIECE,
AS A JACKET?
>> A JACKET, CORRECT, YEAH.
>> BUT IT'S A FANTASTIC SHAPE.
>> YEAH, IT'S FUN.
>> I'M MARVELING AT IT, FRANKLY.
>> OH, THANK YOU.
>> IS THIS A DROP-CROTCH PANT?
>> DO YOU HATE THOSE?
I THINK THEY'RE SO COOL.
>> WELL, THIS IS WHERE IT GETS
VERY SUBJECTIVE.
YES, I DO HATE THEM.
IT DROPS ALL THE WAY TO JUST
ABOVE HER ANKLE.
>> I THOUGHT, MAYBE, LIKE, BELOW
THE KNEE--THE KNEE LENGTH.
>> OKAY, THANK YOU, ALEXANDRIA.
>> THANK YOU.
>> WELL, I SEE WHY THIS FABRIC
SPOKE TO YOU, KEN.
SO TALK TO ME.
HOW DID YOU LIKE THE TRIP?
>> I WASN'T EXCITED ABOUT IT.
BUT THE LONGER I WAS THERE, THE
MORE I--
>> YOU GOT INTO IT.
>> YEAH, I DID.
>> SO HOW DID IT INSPIRE YOU?
>> I WAS THINKIN' ABOUT THE
WATER.
IT'S ACTUALLY WHAT INSPIRED THE
STRUCTURES.
>> HOW FAR ARE YOU TAKING THESE
UNDULATING--
>> I'M GONNA TAKE IT HERE.
POSSIBLY ABOUT HERE.
>> WHAT'S DETERMINING THAT
DECISION, THE ACTUAL WEAR?
>> THE FIT, 'CAUSE IT'S GONNA
FIT LIKE A GLOVE.
>> IT NEEDS TO.
>> IT'S REALLY JUST AWFUL.
THE COLORS ARE TERRIBLE.
I MEAN, I JUST THOUGHT KEN WAS
MORE CREATIVE THAN THAT.
>> HOW'S JEREMY?
>> GOOD, THANK YOU, TIM.
I SAT AND WROTE A
SEMI-PHILOSOPHICAL LOVE LETTER.
>> AND WHAT HAS IT BECOME?
>> A BIAS-CUT SHEATH DRESS.
>> OKAY.
>> AND THEN, THE OTHER THING
THAT I'M DOING IS JUST OVERLAY
KIND OF ABSTRACT SHAPES IN THE
PRIMARY COLORS--RED, YELLOW, AND
BLUE.
>> WELL, HERE'S MY CONCERN.
>> YEAH.
>> WHENEVER MY STUDENTS WOULD
CHOOSE PRIMARY COLORS, I WOULD
ALWAYS SAY IT'S A CHEAP SHOT.
THE CHALLENGE IS GOING TO BE IN
THE EXECUTION.
>> HI, TIM.
>> HELEN, SO HOW DID IT INSPIRE
YOU?
>> WHAT INSPIRED ME WAS THIS
MOTH THAT WAS DYING IN THIS--
IN THE BATHROOM SINK.
>> ALL RIGHT, WELL, THIS IS,
LIKE, GOING TO BE A WORK OF ART.
GO FOR IT.
>> THANK YOU SO MUCH.
>> THANK YOU.
DESIGNERS, I DON'T KNOW WHEN
I'VE BEEN THIS EXCITED ABOUT A
WORKROOM VISIT.
I'M ECSTATIC.
YOU HAVE UNTIL MIDNIGHT.
I'LL SEE YOU IN THE MORNING,
EVERYONE.
GOOD NIGHT.
>> GOOD NIGHT.
[upbeat techno music]
♪ ♪
>> HEY.
>> COME ON DOWN.
[overlapping chatter]
>> THAT'S COOL.
IT'S A LITTLE...
[laughs]
>> OOH, FANCY.
>> I HAVE THIS.
THAT'S GONNA GO ON IT.
>> THAT LOOKS LIKE LIQUID,
>> I'M WORKING NEXT TO KATE.
AND I HAVE NO IDEA WHAT SHE'S
TRYING TO CREATE.
>> TOO LONG?
BETTER.
I AM SO EXCITED.
MY FITTING IS PERFECT.
I'M JUST TAKING IN, LIKE, 1/8TH
OF AN INCH HERE AND THERE.
>> AND I'LL TELL YOU SOMETHING
TOO.
IN MY CULTURE, WE WEAR THESE
KINDS OF PANTS AS UNDERWEAR.
>> [sighs]
COOL.
>> THE DROP-CROTCH.
IT'S CLEVER, IT'S FUTURISTIC,
BUT, I DON'T KNOW, REALLY
UNFLATTERING.
>> I LOVE IT.
>> LET ME TRY IT ON THE BACK.
SO TURN AROUND.
IT LOOKS REALLY GREAT ON YOUR
SKIN.
IT ACTUALLY LOOK LIKE WATER.
>> I LOVE IT.
>> I WANT TO WIN THIS, SO...
>> I HEAR YOU.
>> I'M JUST GONNA MAKE IT WORK.
>> I DON'T EVEN HAVE ANYTHING TO
PUT ON MY MODEL.
ALL I HAVE TO FIT IS A LITTLE
COLLAR OVER HER HEAD.
I DON'T KNOW WHAT THIS IS
YET, HONESTLY...
>> OKAY.
>> BUT IT'S GONNA BE FLOW-Y,
LIKE, FROM HERE.
>> SO KIND OF, LIKE, THAT TYPE
THING?
OR NO?
[laughs]
>> HUH.
IT'S, LIKE, A NIGHTGOWN.
>> I HAD A NIGHTGOWN LIKE THAT,
ACTUALLY.
[laughs]
>> THAT REALLY LOOK COOL.
IT LOOK LIKE A MOTH.
>> I HOPE IT DOES WHEN SHE
WALKS.
>> IT IS TOTALLY A MOTH.
>> IT'S A DEAD MOTH FROM THE
SINK.
[laughs]
>> HER INSPIRATION WAS A DEAD
MOTH.
I THINK THAT'S HYSTERICAL.
AND SHE ACTUALLY MADE SOMETHING
REALLY BEAUTIFUL FROM THAT
IMAGE.
>> I'M RUNNING OUT OF COLORS.
>> IS THAT MIRANDA OR
CHRISTIAN DIOR OVER THERE?
THAT'S COOL.
>> THANK YOU.
I'M MAKING A BUNCH OF LITTLE
ORIGAMI PETALS THAT REMIND ME OF
A TREE TRUNK WITH LEAVES COMING
OUT THE BOTTOM.
>> THIS IS GREAT.
>> OH, THANK YOU.
YOU COULD WEAR IT AFTER MY
MODEL.
I THINK IT WOULD LOOK FABULOUS--
>> ESPECIALLY WITH A BLAZER AND
A BOW TIE?
FAB.
I KNOW THIS IS A COMPETITION.
HOWEVER, JUSTIN HAS A REALLY
SOFT SPOT IN MY HEART.
HE'S A MAGNIFICENT GUY.
HE'S A GREAT ARTIST.
AND WE ALWAYS TRY TO LOOK OUT
FOR ONE ANOTHER.
>> TA-DA.
>> IT LOOKS PRETTY.
>> IT'S GETTIN' THERE.
>> IT LOOKS REALLY GOOD.
>> THIS KINDA LOOKS LIKE A
*** IN THE FRONT.
[laughter]
RAD IDEAS.
[laughter]
>> OH, MY GOSH.
>> OH, MY GOODNESS.
>> KEEP--KEEP THAT--
>> KAREN, HELEN, AND DOM.
WHEN THEY'RE TOGETHER, IT'S LIKE
THE WITCHES OF EASTWICK.
>> [laughs]
>> THEY CACKLE, AND THEY'RE
LOUD, AND IT'S KIND OF ANNOYING.
>> [laughs]
>> WHAT IS GOIN' ON?
>> [laughs]
>> HOW DID YOUR CRITIQUE GO,
ALEXANDRIA?
>> GOOD, THANK YOU FOR ASKING.
UM, GOOD.
I JUST HAVE A LOT OF WORK TO DO.
>> IS HER WHOLE OUTFIT DENIM?
>> NUH-UH.
>> YEAH-HUH.
>> OH, [bleep].
>> YEAH.
>> YOU KNOW, I HAVE NOTHING TO
SAY TILL I SEE IT ON THE RUNWAY.
>> I KNOW.
>> I PROBABLY HAVE NO FRIENDS
HERE, AND THAT'S OKAY.
I-I'M--I'M OKAY WITH THAT.
THIS IS NOT FOR FUN.
THIS IS FOR A HUGE WIN.
>> OH, MY GOD.
TURBO TIME.
>> [groans]
[upbeat music]
♪ ♪
>> THE GOWN IS TOGETHER, AND
I'M HAND-PAINTING BRANCHES.
AND THEN, I WANT TO CUT PIECES
OF LEATHER AND CREATE THIS
PANELING UP THE TRAIN OF THE
DRESS.
>> MY HAND'S GONNA FALL OFF.
>> I WANT SOME MORE TIME.
>> OH, MY GOD, WHERE DID THE
FIVE MINUTES JUST GO?
>> I'M A LITTLE SCARED BECAUSE,
OBVIOUSLY, EVERY TIME YOU DYE A
GARMENT, THERE'S ALWAYS
POTENTIAL PROBLEMS.
BUT I'M EXCITED TO SEE WHAT MY
GARMENT LOOKS LIKE DRY.
>> OH, MY GOD, THIS IS NOT
FITTING.
OH, MY GOD.
I DON'T KNOW IF I'LL FINISH
THIS.
DAMN IT.
>> I'VE BEEN DRAPING, AND
RE-DRAPING, AND RE-DRAPING
FOR SO MANY HOURS.
I DON'T KNOW WHAT'S WRONG WITH
ME.
I'M CONFUSING MYSELF.
OH, DEAR LORD.
HOW AM I GONNA GET ANYTHING
TOGETHER SO THAT SHE'S NOT NAKED
ON THE RUNWAY?
>> ALL RIGHT, EVERYONE.
IT'S TIME TO GO HOME.
[whistle blowing]
>> SO YOU HAVE IMMUNITY TODAY.
>> I DO.
>> CAN I PURCHASE THAT WITH MY
GOBANK CARD?
[both laugh]
>> YOU GONNA BE OKAY?
>> YEAH, JUST HAVE A LOT OF
HEMMING TO DO.
>> I THINK YOU SHOULD WIN TODAY.
>> ME TOO.
>> THANK YOU.
>> IF I CAN'T, I THINK YOU
SHOULD.
[both laugh]
[upbeat techno music]
♪ ♪
>> GOOD MORNING, DESIGNERS.
>> GOOD MORNING, TIM.
>> IT'S A BIG RUNWAY DAY.
YOU WILL HAVE TWO HOURS TO SEND
YOUR MODELS TO THE L'OREAL PARIS
HAIR AND MAKEUP ROOMS.
USE THE BELK ACCESSORY WALL
THOUGHTFULLY AND STRATEGICALLY.
AND I WILL BE BACK TO TAKE YOU
DOWN TO THE RUNWAY.
THANK YOU, EVERYONE.
WORK HARD.
>> ARE YOU DOING YOUR LITTLE
THINGS AT THE BOTTOM?
>> NO, I CLEANED IT UP.
THIS MORNING, I HAVE A NEW IDEA
FOR WHAT I'M GONNA DO WITH THE
LEATHER ON THE TRAIN.
I'M JUST GONNA HAVE SOLID BLOCKS
OF LEATHER ON THERE SO THE DRESS
IS GROUNDED HOW A TREE WOULD BE
GROUNDED.
>> OOH, THAT LOOKS GORGEOUS.
>> YES.
>> I BETTER [bleep]IN' WIN THIS.
>> ALEXANDER'S LOOK IS GREAT,
BUT I DON'T UNDERSTAND THE BIG
OIL SLICK ATTACHED TO THE BACK.
>> [sighs]
>> BRADON IS STRUGGLING IN THE
WORKROOM.
>> HE DOESN'T HAVE A LOT ON THE
DRESS FOR HIM.
HE LOOKS VERY FRANTIC.
[overlapping chatter]
>> LOOKS GOOD.
>> COOL, YAY.
>> SHE LIKES IT SO FAR.
>> YEAH, THAT LOOKS REALLY COOL.
>> KATE'S GARMENT, IT'S REALLY
CUTE AND IT LOOKS VERY MUCH LIKE
A "KATE" GARMENT.
>> ALL I SEE IS PREGNANT FAIRY
STRAPPED INTO A SHINY HARNESS.
>> DOES IT FEEL TIGHT HERE?
YEAH, IT KEEPS POPPING OUT.
I'M HAVING A HARD TIME BECAUSE
THERE'S WEIRD TENSION GOING ON
ON THE GARMENT CAUSING IT TO
STRETCH OUT AND SNAP.
>> I'M REALLY CONCERNED ABOUT
JUSTIN.
HE TOOK A REALLY BIG RISK AND
HE DID A REALLY FUN TECHNIQUE.
BUT I DON'T THINK THE JUDGES ARE
GONNA LOVE IT AT ALL.
>> DID THIS SLEEVE FEEL OKAY,
OR IS IT TIGHT?
>> IT FEELS OKAY.
>> I'VE COME QUITE FAR WITH MY
LOOK.
I REALLY WANT TO PROVE THAT I
CAN CREATE A WELL-MADE GARMENT.
IT'S ALMOST DONE.
>> LOOKIN' AT ALEXANDRIA
STRUGGLE IN HER DESIGN, IT'S
AWFUL.
SHE NEEDS TO GO HOME.
>> SO MY THEME IS "TREES AT
MIDNIGHT."
>> OKAY.
>> SO KIND OF BIG,
SHORTER-LOOKING HAIRCUT?
>> OKAY.
>> AND I WANTED HER HAIR BACK
AND JUST, LIKE, SUPER
WET-LOOKING.
>> WE'LL USE EVERSTYLE SHINE
SERUM.
WE'LL GIVE IT ALMOST LIKE A WET
LOOK WITH LOTS OF SHINE.
>> COOL.
>> MAYBE DO A BRAID CROWN?
>> OKAY, I LIKE THAT.
I THINK IT'D BE BEAUTIFUL.
IT'S MORE MOTHER NATURE JUST TO
SEE THE HAIR FLOW.
>> [gasps]
>> I THINK I HAVE 'EM IN A
COUPLE OF DIFFERENT COLORS.
>> IN THE FRONT TOO.
LOOK AT THAT.
>> YEAH.
>> I LOVE IT.
>> I WOULD LOVE TO, LIKE, PICK
UP THIS COLOR.
>> WE'RE GONNA DO A BEAUTIFUL
PASTEL LINE ON THE EYE.
SHE'LL LOOK GORGEOUS.
JUST A LOVELY SMOKE RIGHT AROUND
THE EYE.
>> YEAH, LET THE EYES BE THE
SHOWSTOPPER.
>> OKAY.
>> OKAY, COOL.
>> KEEP IT LIKE SUNSHINE.
>> EXACTLY.
>> SO THIS IS MOSS GLOW.
>> I LOVE THESE CREAM CHEEKS.
IT STILL KEEPS THE DEWINESS
AND FRESHNESS.
>> FANTASTIC.
>> BEAUTIFUL.
>> THANK YOU SO MUCH.
>> THANK YOU.
[both laugh]
>> GOTTA SEW.
[laughs]
>> COOL.
>> OKAY, HOW DO YOU THINK I
SHOULD FINISH THIS BOTTOM?
>> I WOULD DO A TOPSTITCH HALF
AN INCH AND THEN--
>> TRIM IT.
>> CLEAN IT UP, YEAH.
>> YEAH, I THINK THAT'S A GOOD
IDEA.
I'M NOT ABLE TO FINISH IT IN THE
WAY THAT I WANT TO, BUT IT JUST
FLOWS SO WONDERFULLY, AND SHE
JUST LOOKS GREAT.
AWESOME.
>> IS THIS TOO MUCH?
THAT?
>> MM-HMM.
>> YES.
>> THE AMOUNT OF GLUE APPLIQUE
THAT IS GOING ONTO THE GARMENT
IS MORE THAN I ORIGINALLY
PLANNED TO DO.
>> UNLESS YOU KIND OF BUILD IT
BIGGER.
>> MAKE IT BIG?
I DIDN'T WANNA DO TOO LITTLE
BECAUSE IT MAY COME ACROSS AS ME
TRYING TO PLAY IT SAFE.
>> DESIGNERS, IN TEN MINUTES,
YOU AND YOUR MODELS AND I ARE
GOING DOWN TO THE RUNWAY, ALL
RIGHT?
TEN MINUTES, EVERYONE.
THANK YOU.
[upbeat techno music]
♪ ♪
>> KEN'S LOOK, I'M JUST NOT SURE
THE TOP PIECE SHOULD BE PLACED
WHERE IT IS BECAUSE IT'S NOT
VERY FIGURE-FLATTERING FOR A
WOMAN.
>> OH, MY GOSH.
YOU'RE TOO CUTE.
>> SO BEAUTIFUL.
YOU LOOK SO GOOD.
>> AW.
>> I'M--I'M DONE.
DO YOU NEED HELP?
>> YES.
>> OH, THAT WAS FAST.
>> [laughs]
>> OH, MY GOD, THIS IS SO
STATIC-Y.
HERE, SWAB IT WITH THIS.
>> GOD, IT REALLY IS STATIC-Y.
>> I DON'T KNOW WHAT THE
[bleep]'S GOIN' ON...
BUT THAT IS A HOT STATIC MESS.
>> OH, OH, NOPE.
IT IS TIME.
DESIGNERS AND MODELS, THIS IS
IT.
WE'RE GOING DOWN TO THE RUNWAY.
HERE WE GO.
>> THE WINNER OF PROJECT RUNWAY
WILL RECEIVE $150,000 PROVIDED
BY GOBANK, THE AWARD-WINNING NEW
BANK ACCOUNT MADE TO BE USED ON
A MOBILE PHONE, $50,000 OF NEXT
GENERATION TECHNOLOGY FROM HP
AND INTEL TO HELP ENABLE THEIR
CREATIVITY AND LAUNCH THEIR NEW
BUSINESS, A YEAR'S SUPPLY OF
RESOURCE NATURAL SPRING WATER,
AND AN ALL-EXPENSE-PAID
LUXURIOUS SPA RETREAT FOR TWO
TO THE EXOTIC MALDIVES COURTESY
OF RESOURCE WATER, A CHANCE TO
DESIGN AND SELL AN EXCLUSIVE
COLLECTION AT BELK, A COMPLETE
SEWING AND CRAFTING STUDIO FROM
BROTHER SEWING AND EMBROIDERY, A
FASHION SPREAD IN MARIE CLAIRE
MAGAZINE, A 2014 LEXUS IS 350, A
$100,000 FABRIC ALLOWANCE FROM
TIDE PODS TO INSPIRE FASHIONS
THAT TRULY POP, AND A $50,000
STYLING CONTRACT WITH L'OREAL
PARIS.
IT IS A PRIZE PACKAGE WORTH OVER
$1/2 MILLION.
THE MODEL PAIRED WITH THE WINNER
OF PROJECT RUNWAY WILL RECEIVE A
FASHION SPREAD IN MARIE CLAIRE
MAGAZINE AND $25,000 FROM
L'OREAL PARIS.
HELLO, DESIGNERS.
WELCOME TO THE RUNWAY.
AS YOU KNOW, IN FASHION, ONE DAY
YOU'RE IN, AND THE NEXT DAY
YOU'RE OUT.
THERE ARE 11 OF YOU HERE, AND
AFTER TONIGHT, THERE WILL BE
TEN.
FOR THIS CHALLENGE, WE SENT YOU
ON A GLAMPING TRIP.
HOW WAS THAT?
>> IT WAS AMAZING.
>> DID YOU ROAST MARSHMALLOWS?
>> all: YES.
>> [slurps]
LOVE THOSE.
WE ASKED YOU TO CREATE A
HIGH-END, FASHIONABLE LOOK
INSPIRED BY YOUR GLAMPING
TRIP.
YOU HAD ONE DAY AND A SUGGESTED
BUDGET OF $300.
JEREMY, YOU WON THE LAST
CHALLENGE, WHICH MEANS YOU HAVE
IMMUNITY AND YOU CANNOT BE
ELIMINATED TONIGHT.
>> GREAT.
[laughs]
>> ARE YOU EXCITED ABOUT THAT?
>> VERY.
[laughs]
>> ALL RIGHT, LET'S SAY HELLO TO
THE JUDGES.
>> FIRST, WE HAVE ACCLAIMED
FASHION DESIGNER ZAC POSEN.
>> HELLO, DESIGNERS.
>> all: HI, ZAC.
>> CREATIVE DIRECTOR FOR
MARIE CLAIRE MAGAZINE,
NINA GARCIA.
>> HI, EVERYONE.
>> HEY.
>> ACTRESS AND STAR OF THE HIT
SHOW GIRLS, ALLISON WILLIAMS.
WELCOME.
>> HI, GUYS.
[laughs]
>> AND THIS SEASON, WE'RE VERY
EXCITED TO WELCOME TIM GUNN TO
THE RUNWAY SHOW.
AS YOU KNOW, HE IS YOUR MENTOR
AND HE WILL NOT BE JUDGING YOUR
LOOKS.
THAT SAID, HE WILL GET ONE
TIM GUNN RESCUE DURING THE
SEASON, WHICH ALLOWS HIM TO SAVE
ONE OF THE DESIGNERS IF HE GETS
ELIMINATED.
ALL RIGHT?
LET'S START THE SHOW.
[upbeat techno music]
♪ ♪
>> I'VE FINALLY DONE SOMETHING
THAT SPEAKS FOR ME ON A LEVEL
THAT'S COMPLETELY IMMEASURABLE.
I'M SO PROUD AND SO HAPPY OF MY
CONSTRUCTION.
♪ ♪
LIKE, IT'S IN THE BAG.
I'M GONNA WIN THIS CHALLENGE.
>> I CANNOT BELIEVE THAT THERE'S
ANYTHING EVEN ON MY MODEL
BECAUSE I MADE THAT GOWN THIS
MORNING.
IT'S ACTUALLY FLOWING.
IT LOOKS OKAY.
I'M KIND OF SURPRISED THAT I
PULLED IT TOGETHER.
>> MY LOOK IS BEAUTIFUL.
IT'S FIT REALLY WELL.
AND IT'S REALLY DIFFERENT
COMPARED TO EVERYONE ELSE'S.
>> IT'S TOTALLY BEAUTIFUL.
>> MY DRESS TURNED OUT EXACTLY
THE WAY THAT I ENVISIONED.
>> I'M SLIGHTLY WORRIED THAT MY
DRESS IS TOO SIMPLE COMPARED TO
THE REST OF THE DESIGNERS.
HOWEVER, I LIKE WHAT I'VE
CREATED, AND I FEEL STRONGLY
ABOUT IT.
I ALWAYS WANTED THOSE PANTS.
>> I AM ECSTATIC.
SHE LOOKS EDGY, SHARP,
SOPHISTICATED, FASHION-FORWARD.
SHE LOOKS COOL.
AND THE CLOSER YOU LOOK, YOU SEE
MORE DETAILS.
I THINK IT WAS THE COOLEST THING
ON THE RUNWAY.
>> JI IS A PRO.
SHE WALKS IT EXACTLY THE WAY I
ASK HER TO, AND SHE LOOKS
STUNNING.
>> WHAT WERE YOU INSPIRED BY?
>> TREES AT MIDNIGHT.
>> COOL.
>> I THINK I'M GONNA WIN THIS
ONE, FINALLY.
>> I TEND TO THINK MINIMALISTIC,
AND THIS GARMENT IS SOMETHING
THAT JUST MULTIPLIED MY VISION
TO EVEN A LARGER, GRANDER
STATEMENT.
MY LOOK STANDS OUT FROM ALL
THE OTHER DESIGNERS BECAUSE I
TOOK THE RISK.
>> I LOVE IT.
SHE LOOKS LIKE WATER.
I'M DEFINITELY HAPPY WITH HOW
ELEGANT IT LOOKS AND HOW THE
DRESS IS MOVING BUT NOT MOVING
TOO MUCH.
IT DOESN'T FEEL CRAFTY, AND YOU
CAN SEE MY INSPIRATION
IMMEDIATELY.
AND I'M JUST SO HAPPY.
I FEEL LIKE I MAY BE IN THE TOP.
>> MY MODEL LOOKS BEAUTIFUL.
IT JUST FLOWS SO WONDERFULLY,
AND IT REALLY LOOKS LIKE SHE'S
GLAMPING ON AN EDITORIAL PHOTO
SHOOT.
>> KAREN, REALLY BEAUTIFUL.
>> THANKS.
I FEEL LIKE I COULD TOTALLY BE
IN THE TOP OR WIN THIS THING.
>> I THINK SHE LOOKS ADORABLE.
YOU CAN SEE HER FACE LIGHT UP,
AND AS A DESIGNER, THAT'S HOW I
KNOW THAT I DID MY JOB.
>> IT LOOKS REALLY CUTE.
>> THANK YOU.
I REALLY FEEL LIKE IT'S A JOB
WELL DONE.
>> WHEN ROBERTA COMES OUT IN THE
GOWN, I'M REALLY HAPPY.
>> I LIKE THAT YOU LEFT A WHITE
PANEL EMPTY, IT'S COOL.
>> THE DRESS TURNED OUT EXACTLY
AS I IMAGINED, AND I REALLY
HOPE I WIN.
>> IF I CALL YOUR NAME, PLEASE
STEP FORWARD.
DOM, PLEASE STEP FORWARD.
BRADON, PLEASE STEP FORWARD.
KATE, PLEASE STEP FORWARD.
HELEN, PLEASE STEP FORWARD.
MIRANDA, PLEASE STEP FORWARD.
IF I'VE CALLED YOUR NAME,
CONGRATULATIONS.
YOUR SCORES HAVE QUALIFIED YOU
TO MOVE ON TO THE NEXT ROUND.
YOU CAN LEAVE THE RUNWAY.
>> THANK YOU.
>> I'M HAPPY TO BE SAFE THIS
TIME.
>> YEAH, I'M HAPPY TO BE SAFE
BECAUSE I DIDN'T REALLY WANT
THEM TO GET UP CLOSE AND
PERSONAL WITH THAT GARMENT.
>> AND WE'RE HALFWAY THROUGH THE
COMPETITION.
>> ISN'T IT CRAZY?
>> OH, MY GOSH.
WAIT, DOES THIS MAKE US IN
TOP TEN, RIGHT?
>> YEAH.
>> WE'RE OFFICIALLY IN THE TOP
TEN.
>> THAT'S CRAZY.
>> THAT'S A BIG DEAL, YOU GUYS.
>> WHOA.
>> THE SIX OF YOU HAVE THE
HIGHEST AND THE LOWEST SCORES.
ONE OF YOU WILL BE NAMED THE
WINNER AND ONE OF YOU WILL BE
OUT.
KAREN, TELL US ABOUT YOUR
INSPIRATION AND YOUR LOOK.
>> GOING GLAMPING, IMMEDIATELY,
I SEE LANTERNS AND EXPOSED BULB
LIGHTS HANGING IN THE TREES.
AND THEN, YOU HAVE THESE
BEAUTIFUL WHITE TENTS THAT ARE
THERE WITH DRAPED FRONT
OPENINGS.
TO ME, IT WAS JUST, LIKE,
DEPICTIVE OF A VINTAGE AFRICAN
SAFARI.
AND SO I CREATED THIS DRAPE-Y
DRESS, LEATHER DETAIL, THAT WHAT
FELT TO ME LIKE THAT "VINTAGE
SAFARI" LOOK, AND THEN DID AN
OMBRE DYE INTO A BRIGHT YELLOW
TO GIVE THAT EFFECT OF THE
SUNLIGHT.
>> SHE LOOKS *** TO ME.
>> OH.
>> LIKE, THIS LONG HAIR WITH
SO MUCH MAKEUP.
THIS KIND OF HARNESS STRAP
TECHNIQUE, WE'VE SEEN MANY
TIMES.
THEN, IT LOOKS LIKE THIS DUVET
KIND OF ATTACHED TO THIS--
IT'S JUST A BIG OLD MUUMUU.
>> I THINK THAT YOU COULDN'T
MAKE UP YOUR MIND WHETHER YOU
WANTED HER TO GO TO THE BEACH OR
TO THE RODEO.
SHE'S WEARING, YOU KNOW--
IT LOOKS LIKE A BEACH DRESS,
BUT THEN SHE HAS THE LEATHER
HARNESS AND THE COWBOY BOOTS.
>> SHOW THOSE BOOTS AGAIN,
PLEASE, I MEAN--
>> OOH.
>> SO WHERE IS THIS GIRL GOING?
>> YEE-HAW.
>> IS SHE GOING TO THE RODEO?
OR IS SHE GOING TO THE BEACH?
YOU'VE GOT TWO CONFLICTING
STORIES THERE.
AND THERE'S A LITTLE BIT OF AN
EASTER EGG COLOR TO THIS OMBRE.
>> I DO GET THE YELLOW SUNSET OF
OPENING YOUR CURTAINS, AND THAT
EXPERIENCE.
BUT IT'S A LITTLE BIT OF RUNNY
EGGS, THE OMBRE.
>> I THINK A LITTLE BIT OF HER
FEMININITY WAS LOST IN THE
PIECE.
AND I WOULD'VE LIKED TO SEE IF
MAYBE THE TAILORING OF THE
FABRIC COULD'VE BEEN TAKEN IN A
LITTLE BIT ON THE SIDES TO JUST
SHOW OFF HER BODY A LITTLE BIT.
>> THANK YOU, KAREN.
JEREMY, TELL US ABOUT YOUR
INSPIRATION AND YOUR LOOK.
>> WHAT I WAS THINKING PRIMARILY
WAS ABOUT MY SPACE AND POSITION
ON THIS PLANET AND ABOUT THE
PLANET AS A WHOLE.
KIND OF THE SMALLEST ESSENCE OF
THAT, TO ME, WAS MY FAMILY.
SO I WROTE A LOVE LETTER TO
MY HUSBAND AND MY CHILDREN.
I SPENT FOUR HOURS YESTERDAY
TRANSCRIBING THE LOVE LETTER--
>> PLEASE, READ IT TO US.
READ US THE LETTER.
I WANT TO KNOW.
>> ONE OF THE THINGS HE TALKS
ABOUT IS THAT I CAN NEVER TELL
HIM ENOUGH, DURING THE DAYS, HOW
MUCH I LOVE HIM, AND I FORGET
TO TELL HIM.
I WAS VERY LOVED UP YESTERDAY.
[laughs]
>> SONNET CHIC.
I'M A SUCKER FOR BIAS.
>> I HAVEN'T DONE A BIAS-CUT
GOWN FOR MANY, MANY YEARS.
IT WAS A REAL CHALLENGE.
>> YOU HAVEN'T DONE BIAS IN A
WHILE.
YOU DID IT VERY WELL IN THE
TIMEFRAME.
IT'S NOT EASY TO SEW.
IT'S BEAUTIFUL.
>> IT FEELS VERY PERSONAL.
>> YES.
>> IT FEELS VERY AUTHENTIC.
WHEN YOU SEE THIS DRESS, IT--
IT GIVES YOU AN EMOTION.
>> YEAH.
>> I AM CRAZY ABOUT THE LITTLE
ROW OF BUTTONS ON THE SIDE.
>> IT WAS BREATHTAKING, I MEAN,
WHEN IT TURNED THE CORNER.
AND I AGREE WITH NINA.
I'M OBSESSED WITH THE BUTTON.
>> IT IS SUPER CHIC, SUPER
FEMININE, VERY FLUID, AND SO
PRETTY AND ELEGANT.
IT IS STUNNING.
GOOD JOB, JEREMY, THANK YOU.
>> OKAY, THANK YOU.
THANK YOU, GUYS.
>> KEN, TELL US ABOUT YOUR
INSPIRATION AND YOUR LOOK.
>> OKAY.
I GOT MY SKETCHBOOK AND I SAT
BY THE RIVER STREAM, AND I
GLANCED UP AND I SAW THE
DIFFERENT CLIFFS AND THE
DIFFERENT LAYERS AND EVERYTHING.
AND THAT'S WHAT ACTUALLY
INSPIRED THE STRUCTURE DETAIL
THAT GOES ON HERE.
>> B-O-R-I-N-G.
>> UM...
>> I AM SORRY.
I AM NOT THRILLED WITH THIS
LOOK.
THIS PART HERE IS VERY HEAVY.
CAN I SEE HER IN PROFILE?
IT'S JUST SO HEAVY, IT'S
OVERPOWERING THIS DRESS.
I ALSO DON'T LOVE THE STYLING.
I THINK HER HAIR AND HER MAKEUP
IS VERY KIND OF 80s
I DON'T KNOW.
>> I WAS THINKING ABOUT MOTHER
NATURE, AND HOW SHE WOULD
POSSIBLY LOOK IF SHE EXISTED IN
REAL LIFE.
>> I HAD WRITTEN ON MY CARD, I
SAID "FROG QUEEN."
YOU KNOW, IT LOOKS SORT OF LIKE
A SQUISHED FROG TO ME, WITH THE
RED SQUIRTING OUT.
>> THIS IS A PART OF A WOMAN'S
BODY THAT SOMETIMES LIKES TO BE
UNCROWDED.
I DON'T KNOW, IT WOULD'VE BEEN
NICE TO SEE THAT CONSTRUCTION
USED IN ANOTHER WAY.
>> DO YOU SEE HOW THIS IS VERY
HEAVY UP HERE?
>> THAT'S THE REASON I BOUGHT
THE RED AND THE BLACKISH.
I KIND OF--
>> BUT IT'S NOT JUST THE COLOR.
YOU KNOW, IT'S A LOT OF FABRIC
TO HAVE IT RIGHT ON HER CHEST.
>> AND THE FABRIC, WHICH SORT OF
LOOKS LIKE A CAMO, IS
CAMOUFLAGING YOUR WORK.
>> THANK YOU, KEN.
ALEXANDER, TELL US ABOUT YOUR
INSPIRATION AND YOUR LOOK.
>> WELL, I WAS SITTING THERE IN
THE CAMPSITE AT NIGHT LOOKING UP
AT THE STARS.
AND I REALIZED I WAS LOOKING
THROUGH THE SILHOUETTE OF TREES.
I HAND-PAINTED A SILHOUETTE OF
BRANCHES ALL ALONG HER THAT
WOULD SYMBOLIZE TREES,
BASICALLY.
SO IT'S ESSENTIALLY TREES AT
MIDNIGHT.
>> I HAVE TO SAY, THE FIT ON
THIS DRESS IS RIDICULOUS.
>> IS THAT A GOOD THING?
>> IT IS SO GOOD.
IN A GOOD WAY.
>> OKAY.
>> I WASN'T 100% SURE OF THE
LEATHER PIECE THAT IS ATTACHED
ON THE BACK.
IT'S NOT THAT I HATE IT.
>> MM-HMM.
>> I JUST--I COULD GO EITHER WAY
WITH IT.
>> I ACTUALLY REALLY LIKE THE
LEATHER ON THE BOTTOM.
I THINK IT'S REALLY COOL.
IT GROUNDS IT.
IT MAKES--IT'S KIND OF EARTHY TO
ME.
I-I LOVE THE COLLAR AND THE
SLEEVES.
>> YEAH, THE LITTLE DETAILS ON
THE SLEEVE AND AROUND THE NECK?
>> OH, I LOVE THAT.
>> THEY'RE PERFECT.
>> I'M CRAZY ABOUT THIS DRESS.
>> I THINK THE DRESS FITS VERY
WELL.
I THINK IT MOVED VERY WELL.
THAT BEING SAID, I SORT OF
DISAGREE WITH THE TWO LADIES.
I'M NOT THAT WOWED BY IT.
I FIND THE SEAM ACROSS HER BODY
IS IN A REALLY HARD PLACE.
I'M NOT THAT WOWED BY THE
HAND PAINTING.
I THINK IT LOOKS LIKE A COOL,
LONG, BLACK DRESS.
>> I DON'T KNOW.
I LIKE IT.
THE BLACK PAINTING ON IT, IT
ELEVATES IT.
IT MAKES IT A LITTLE MORE
SPECIAL.
>> I AGREE.
>> [laughs]
OF COURSE YOU DO.
>> YES!
>> GOOD, AS YOU SHOULD.
>> I THINK THERE'S SOMETHING
VERY DRAMATIC ABOUT THIS DRESS.
>> DARK AND SEXY.
>> I THINK IT'S IMPECCABLY MADE.
I HAVE NO IDEA HOW SHE GOT
INSIDE THE DRESS.
DID YOU SEW HER INSIDE?
>> IT'S A SIDE ZIP.
>> FABULOUS.
>> MM, VERY NICELY PUT IN.
>> VERY NICE.
BEAUTIFUL.
>> ALL RIGHT, THANK YOU.
>> JUSTIN, TELL US ABOUT YOUR
INSPIRATION AND YOUR LOOK.
>> THE RIVER THAT WE WERE NEXT
TO, I WAS VERY FASCINATED WITH
HOW THE WATER WAS INTERACTING
WITH THE ROCK, AND I WANTED TO
TRANSLATE THAT INTO THIS
GARMENT.
>> I HAVE TO ADMIT: I'M NOT A
HUGE FAN OF YOUR DRESS.
WHAT IS THE LACE MADE OUT OF?
THE WHITE STUFF?
>> IT'S ACTUALLY, UM, GLUE GUN.
IN THE PAST, I'VE BEEN SAFE TOO
MANY TIMES.
SO THIS TIME, I REALIZED I JUST
WANTED TO PUSH MYSELF AND JUST
CREATE THAT ILLUSION OF THE
WATER.
>> IT'S BORDERLINE HALLOWEEN
COSTUME FROM A INEXPENSIVE
PLACE, YOU KNOW, WHERE YOU GET
THE HALLOWEEN COSTUME, LIKE IN A
PLASTIC SEE-THROUGH BAG.
>> I ADMIRE EXPERIMENTATION AND
CREATIVITY, BUT IT LOOKS LIKE
SHE'S FROTHING FROM THE HIP.
>> THIS FROTHINESS LOOKS--AND
RIGHT THERE...
IT ALMOST LOOKS LIKE SHE HAS A
FOAMING ***.
>> [gasps]
>> IT'S JUST THE LOCATION.
IT LOOKS LIKE IT'S FOAMING.
>> OMG.
>> I JUST WISHED YOU WOULD'VE
NOT USED THE GLUE GUN.
>> LOOKING AT HER HAIR AND
MAKEUP, I KNOW--I GET A BETTER
FEEL OF WHAT YOU WERE GOING FOR.
I JUST THINK THE EXECUTION OF
THIS INSPIRATION WAS A LITTLE
BIT OFF THE MARK.
>> I FEEL LIKE ALSO THE PANELING
IS KIND OF OFF ON THE SKIRT.
IT IS SO SHEER.
>> THAT DOESN'T BOTHER ME.
>> REALLY?
>> I THINK THE TR--THE PLAY OF
TRANSPARENCY IS FINE WITH THIS
FABRIC.
>> JUSTIN, IF I CAN SAY
ANYTHING, I DO LIKE THE COLOR OF
THE CHIFFON ON THE BOTTOM.
I THINK IT'S A NICE, MODERN
COLOR.
>> THANK YOU, JUSTIN.
ALEXANDRIA, TELL US ABOUT YOUR
INSPIRATION AND YOUR LOOK.
>> WELL, I WAS INSPIRED BY THE
CONCEPT OF GLAMPING, TAKING
CAMPING AND MAKING IT COOL,
MODERNIZING BASICS.
SO WITH THIS JACKET, I TOOK
DENIM AND MADE IT A MODERN DENIM
JACKET.
THE PANT-SKIRT CONCEPT WAS--
I-I LIKE THIS SILHOUETTE, AND
I THINK IT'S MODERN.
IT'S FUN.
IT'S FRESH.
>> YOU TOOK A HUGE RISK.
>> YEAH.
>> I THINK IT WORKED.
I LIKED THAT YOU DID SEPARATES.
I LOVE THE WAY YA LOOKS TODAY.
YOU HAVEN'T LOOKED LIKE THIS
BEFORE.
I LOVE WHAT YOU DID WITH HER
HAIR.
IT'S SO PERFECT AND--CHYOO!
I EVEN LIKE THE WHITE EYELINER.
I CAN SEE THAT ON THE RUNWAY.
>> I LOVE THE FACT THAT YOU
CHOSE DENIM AS A FABRIC FOR A
HIGH-FASHION CHOICE.
THE PANTS I THOUGHT LOOKED A
LITTLE BIT LIKE LONG JOHNS, SO
I EVEN SAW THE CONNECTION THERE.
THE BACK LOOKS FANTASTIC.
MODERN, COOL, DRAPED, IN A
MATERIAL THAT'S NOT VERY
LUXURIOUS, IS DENIM, BUT YOU
MADE IT INTO A VERY LUXURIOUS
JACKET.
I LOVED IT.
>> AND VERY EDITORIAL TOO--
>> EXTREMELY EDITORIAL.
I WOULD BE ALL OVER THIS.
>> YEAH.
>> I COULDN'T TELL, FROM WHERE I
WAS SITTING, THAT IT WAS DENIM,
AND I THINK THAT'S A TESTAMENT
TO YOUR WORKITH THE MATERIAL.
JUST OUT THERE.
I REALLY APPRECIATED IT.
>> HEIDI, YOU KNOW THAT I HAVE
AN ISSUE WITH POOPY PANTS.
>> OH, YOU DON'T LIKE POOPY P--
>> YES, I DON'T.
THEY TOTALLY WERE SOLD TO ME ON
THE RUNWAY.
I LOVE THEM.
AND THEN, USING THE CHAMBRAY
DENIM, THIS FELT SOPHISTICATED.
IT FELT COOL.
IT FELT LIKE SPORTSWEAR.
I'M SO IMPRESSED.
>> THANK YOU.
>> OKAY, WE'VE HEARD WHAT YOU
HAD TO SAY.
WE'RE GONNA TAKE A CLOSER LOOK
AT THE CLOTHES, THEN HAVE A
LITTLE CHAT.
AND THEN WE'RE GONNA CALL YOU
BACK IN A LITTLE BIT.
YOU CAN LEAVE THE RUNWAY.
THANK YOU.
>> HEY, GUYS.
>> OKAY, SO TELL US.
>> THEY LIKED MINE.
THEY LOVED THE FIT, GUSHED ON
HIS POETRY.
SHE CONVERTED ZAC INTO LIKING
POOPY PANTS.
>> WHY WERE Y'ALL AT THE BOTTOM?
>> ZAC SAID THE COLOR OF THE
FABRIC REMINDED HIM OF "FROG
QUEEN."
>> AND WHAT'D THEY SAY?
>> ***.
>> HOW IS, LIKE, A *** DRESS
***?
OH, KAREN.
>> I'M SO MAD BECAUSE IT'S LIKE
THEY'RE YELLING AT ME.
BUT I PUT A LOT OF TIME AND WORK
TO MAKE THAT WELL-SEWN.
>> I KNEW I WAS TAKING A RISK
WITH THIS GARMENT
EITHER--EITHER I WOULD BE IN
THE TOP...
[sniffling]
I'M HAPPY THAT I TOOK THE RISK.
I MEAN, IT JUST DIDN'T PAY OFF
THIS TIME AROUND.
>> ALL RIGHT, LET'S START WITH
THE BEAUTIFUL LOOKS, PLEASE.
>> ROBERTA, WHY DON'T YOU COME
FORWARD FIRST?
>> MM!
>> YES.
WE HAVE TO LOOK AT THIS CLOSE
UP NOW.
>> YOU HAVE TO LOOK AT IT
CLOSELY.
>> I MEAN, WOWZA.
>> I LOVE THE TOOL TRIM.
>> WHEN JEREMY SPOKE TO ME ABOUT
PAINTING ON THE FABRIC, I HAD NO
IDEA THAT IT WAS GOING TO BE
USING CALLIGRAPHY.
>> AND IT'S SO IMPRESSIVE THAT
HE WAS ABLE TO MAKE THIS IN ONE
DAY.
>> IF IT DIDN'T HAVE THE WRITING
ON IT, IT WOULD'VE BEEN A BIT
BORING.
>> I MEAN, THE RISK OF PUTTING
YOUR ACTUAL EMOTIONAL FEELINGS
ONTO A PIECE OF CLOTHING IS
ABOUT THE MOST LITERAL
TRANSLATION OF WHAT IT MEANS TO
BE AN ARTIST.
>> AGREED.
>> IS THIS A WIG?
>> YES.
>> I COULDN'T TELL.
>> ROBERTA HAS, LIKE, HAIR THIS
BIG.
>> BUT THE WHOLE STORY WORKS
WITH THE HAIR.
>> LOOK AT THE FIT OF THIS
DRESS.
>> IT'S TRUE.
AND COULD YOU SEE ALL THIS
DETAIL WHEN JI YOUNG WAS ON
THE RUNWAY?
>> I ACTUALLY DID SEE THAT.
>> OKAY, GOOD.
>> I LOVED ALEXANDER'S DRESS.
I MEAN, LOOK AT THE LENGTH.
IT'S PERFECT.
HOW MANY TIMES, "IT'S TOO SHORT,
IT'S TOO LONG, IT'S--"
I MEAN, IT'S PERFECT.
>> EERIE, BUT DRAMATIC.
I LOVE IT.
>> AND IT DOESN'T EVEN BOTHER ME
THAT IT'S DARK--AND OFTEN, DARK
DRESSES GET LOST ON CARPETS--
BECAUSI THK
>> SO WE HAVE THE NON-GOWN.
>> VERY GOOD.
>> AND ZAC, I HAVE TO SAY, LIKE
YOU, I DO NOT LIKE A DROP-CROTCH
PANT.
HOW FABULOUS IS THIS?
>> IT WORKED SO WELL.
>> THIS IS NOT A SAFE LOOK.
>> I LOVE THE RAW CUT AND THE
CHAMBRAY.
>> THE USE OF DENIM IN A
HIGH-FASHION DESIGN, I DON'T
KNOW, I LOVED IT.
>> CAN I JUST SAY SOMETHING TO
BEGIN?
BEFORE YOU SAY ANYTHING, CAN I
JUST MAKE A LITTLE STATEMENT?
IN THE CASE OF JUSTIN, I JUST--
I WISH I HAD ENCOURAGED HIM TO--
TO REEL IT IN.
I HAD NO IDEA THIS WAS GOING TO
END UP BEING VERY CANCAN.
>> I MEAN, TO ME, IN THE REGION,
IT LOOKS LIKE SHE WENT CAMPING
AND GOT BIT BY A RACCOON THAT
HAD RABIES.
>> HE--HE LOST HIS WAY IN THIS,
I HAVE TO SAY.
>> I REALLY THINK THAT HE WAS
TRYING TO BE ORIGINAL.
>> BUT AT WHAT POINT ARE YOU
GONNA SAY, "OKAY, I WANTED TO
TRY SOMETHING DIFFERENT, BUT IT
ACTUALLY LOOKS REALLY UGLY SO
I'M GONNA STOP MYSELF
RIGHT NOW?"
THIS IS AWFUL.
>> IT WAS PROBABLY ONE OF THOSE
CASES OF "I'VE GONE TOO FAR DOWN
THIS ROAD, I HAVE TO COMMIT."
>> WE HAVE KEN.
>> IT SHOULD'VE BEEN A STRAPLESS
DRESS.
>> I MEAN, WHAT IS THIS?
>> IT'S WOOL.
>> THERE'S A LOT OF WORK PUT
INTO THIS FRONT, THOUGH.
>> OH, MY GOSH.
SO WHAT WENT WRONG?
>> I THINK IT'S A POOR CHOICE OF
A TEXTILE.
IT JUST FEELS HEAVY.
IT FEELS ITCHY.
AND I DON'T THINK IT'S SEWN ON
SO NICELY.
IT JUST LOOKS LIKE IT'S
WHIP-STITCHED ONTO THE TOP OF
IT.
>> THE STYLING PLUS THE
HEAVINESS HERE, IT'S JUST--
SHE'S JUST TOP-HEAVY.
>> KAREN.
>> WHEW, WHERE TO BEGIN HERE?
IT'S A BED SHEET PUT ON WITH A
BELT, IS WHAT IT IS.
>> WHAT CONCERNED ME ABOUT THIS
WAS THE--HOW BASIC IT IS.
AND I HAVE TO SAY, IF--IF THERE
WEREN'T SOME SHOULDER
TREATMENT--I'M NOT SAYING THAT
THIS SHOULDER TREATMENT--BUT
SOME SHOULDER TREATMENT, IT
BECOMES EVEN MORE BASIC.
>> IT'S A LITTLE BIT FLATTENING.
IT PROBABLY SHOULD'VE CINCHED
AT THE WAIST RATHER THAN--
>> OR IF YOU'RE GONNA HAVE A
BELT--
>> RIGHT, THAT'S WHAT I MEAN.
>> both: YEAH.
>> SNOOZE FEST.
>> ALL RIGHT.
SO WE'VE MADE OUR DECISION?
GOOD, LET'S BRING THEM BACK OUT.
THE SIX OF YOU HAVE THE HIGHEST
AND THE LOWEST SCORES.
ONE OF YOU WILL BE NAMED THE
WINNER AND ONE OF YOU WILL BE
OUT.
ALEXANDRIA...
YOU ARE THE WINNER OF THIS
CHALLENGE.
WE LOVED THAT YOU GAVE US HIGH-
FASHION SEPARATES IN DENIM.
INSTEAD OF TAKING THE NATURE
INSPIRATION TOO LITERALLY, YOU
TOOK A RISK.
AND IT TOTALLY PAID OFF.
YOU HAVE IMMUNITY FOR THE NEXT
CHALLENGE AND CANNOT BE
ELIMINATED.
YOU'RE IN.
YOU CAN LEAVE THE RUNWAY.
>> THIS IS EXACTLY WHAT I NEEDED
FROM BEING ON THE BOTTOM LAST
WEEK.
THIS IS UPLIFTING.
I FEEL REJUVENATED.
I WON.
>> WOW.
>> OH, GOOD JOB.
>> THANK YOU, THANK YOU.
I FEEL I REMEMBERED WHY I'M
HERE.
I WORKED *** THAT.
THAT WASN'T EASY.
>> JEREMY, GREAT JOB.
YOU'RE IN.
YOU CAN LEAVE THE RUNWAY.
>> THANK YOU, GUYS.
>> ALEXANDER, GOOD JOB.
YOU'RE IN.
YOU CAN LEAVE THE RUNWAY.
>> THANK YOU VERY MUCH.
>> KEN...
YOU'RE IN.
YOU CAN LEAVE THE RUNWAY.
KAREN, JUSTIN, ONE OF YOU WILL
BE OUT.
JUSTIN...
I'M SORRY, YOU'RE OUT.
KAREN, THAT MEANS YOU'RE IN.
YOU CAN LEAVE THE RUNWAY.
>> OH, NO.
>> JUSTIN'S OUT?
>> JUSTIN'S OUT.
>> YEAH.
>> OH, [bleep].
>> both: OH, MY GOD.
>> MORE POWER TO HIM, BECAUSE
HE--HE WENT SO FAR OUT OF HIS
COMFORT ZONE.
>> [sighs]
[cries]
IT WAS SO BITTERSWEET, THOUGH.
I'M SO SORRY FOR HIM.
>> I'M REALLY SORRY, JUSTIN,
THAT IT DIDN'T WORK OUT.
WE LOVED HAVING YOU HERE.
I WISH YOU ALL THE BEST.
>> THANK YOU.
>> AUF WIEDERSEHEN.
GOOD LUCK TO YOU.
>> THANK YOU VERY MUCH FOR THE
OPPORTUNITY.
AND I JUST WANT TO SAY THAT
IT'S AN HONOR FOR ME TO BE HERE
AS A DEAF PERSON AND BEING ABLE
TO SHOW THAT THEY ARE CAPABLE TO
DO ANYTHING THEY WANT.
[sniffles]
SO...
>> GOOD LUCK.
>> YOU HAVE INSPIRED US ALL.
THANK YOU FOR BEING HERE.
GOOD LUCK TO YOU.
>> THANK YOU.
[cries]
I AM SO NOT READY TO GO HOME
AT ALL NOW BECAUSE I KNOW I HAVE
SO MUCH MORE TO SHOW.
>> OH, JUSTIN.
>> [sobbing]
I JUST WANTED TO THANK ALL OF
YOU, AND YOU WILL FOREVER BE MY
INSPIRATION.
AND...
[sighs]
TOO BAD THEY CHOOSE IT SO SOON.
I MEAN, I-I TOOK A RISK.
IT DIDN'T PAY OFF.
>> IT PAID OFF, JUST IN WAYS YOU
DIDN'T--YOU DON'T SEE YET.
NOT RIGHT NOW, BUT IT PAID OFF.
>> I HAVE ONE MORE SIGN THAT I
LEARNED.
WE LOVE JUSTIN.
>> [laughs]
IT'S TRUE.
>> I HAVE SOMETHING VERY
IMPORTANT TO SAY...
THAT HAS NOTHING TO DO WITH THE
FACT THAT YOU'RE ONE OF THE
SWEETEST PEOPLE TO EVER BE ON
PROJECT RUNWAY.
IT HAS TO DO WITH YOUR TALENT,
AND WITH THE FACT THAT I BELIEVE
IN YOUR TALENT, AND THAT I
BELIEVE...
YOU NEED A LITTLE MORE TIME
HERE.
I'M USING MY TIM GUNN SAVE.
[applause]
>> THANK YOU.
>> SO IT'S A HAPPY DAY, AND
DESPITE THE FACT THAT WE'RE ALL
CRYING.
[laughter]
>> THANK YOU, TIM.
>> THANK YOU.
>> I'M SPEECHLESS.
THE FACT THAT TIM...
>> YOU'VE EARNED IT.
>> SEES THAT IN ME REALLY
EMPOWERS ME EVEN MORE.
>> I BELIEVE THE JUDGES MADE AN
ERROR, AND THAT'S WHAT THE TIM
GUNN SAVE IS ALL ABOUT.
ALL RIGHT?
SO WE'RE GOING TO MOVE FORWARD
TO THE NEXT CHALLENGE, EVERYONE.
>> MOVING FORWARD, I JUST HAVE
TO WORK MY BOTTOM OFF...
>> LET'S GET SOME AIR.
COME.
>> AND JUST REALLY SHOW THE
JUDGES WHAT I SHOWED TO TIM IN
THE WORKROOM.
>> IT'S THE RIGHT THING TO DO.
>> GOOD CALL.
>> GOOD CALL, TIM.
THAT WAS AWESOME, TIM.
THANKS.
>> THAT WAS THE RIGHT THING TO
DO.
>> WELCOME BACK.
[laughter]
>> NEXT TIME ON
PROJECT RUNWAY...
>> WELCOME TO THE MARIE CLAIRE
FASHION CLOSET.
>> IT IS EVERY GIRL'S DREAM.
>> IT'S THE MOST IMPORTANT
FASHION ACCESSORY OF ALL...
>> both: SHOES.
>> I REALLY HOPE THE JUDGES
DON'T LUMP US TOGETHER BECAUSE
THEY'RE BOTH PLAID PANTS.
DON'T TELL ME WHAT TO DO.
>> AT THIS STATE, EVERYBODY IS
COMPETITION.
A LITTLE SLIPUP, YOU'LL BE OUT.
>> TIME TO BRING OUT THE KNIVES
AND PLAY THE GAME LIKE IT NEEDS
TO BE PLAYED.
>> IT'S LOOKING DATED.
>> BRADON'S IN A LOT OF TROUBLE.
>> OH, MY GOD.
>> FEELS FRUMPY-DUMPY.
>> SO TORTURED UP HERE.
>> IT LOOKS LIKE A BAD
BRIDESMAID'S DRESS.
>> VISIT MYLIFETIME.COM TO LEARN
MORE ABOUT THE FASHION YOU'VE
SEEN ON TONIGHT'S SHOW.