(jazzy music) Male: We're in the l'Orangerie in Paris and we're looking at a late Paul Cezanne, The Red Rock. This is actually one of my favorite landscapes by Cezanne. Female:...
(jazzy music) Male: I am there. I'm sitting on the cool marble. I'm listening. I'm rapt. Female: I want to be there! Male: (chuckles) So do I! Female: Alma-Tadema has captured...
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(lighthearted music) Voiceover: So much 19th century French painting is about the locations of modern life, but there's another strain, there are artists who are looking to express the modern...
(piano playing) Voiceover: Since the Renaissance I think of Michelangelo's David, the body had been sacrosanct, the human body had been accorded the most attention, the most respect in the...
(piano music) Steven: There is this marvelous way that Jan van Eyck can create a sense of the real even when he's representing the impossible. Beth: Mary is impossibly large within this...
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[Dedo von Kerssenbrock-Krosigk]: Around 1800, there was a big development in the Western world, primarily in the production of crystal glass - that is colorless, impeccable crystal. In the same time...
(piano music) Voiceover: I think to us in the early 21st century, this painting looks like quaint old Paris. Voiceover: It does. We see a horse and carriage. We see a woman wearing a long Victorian...
(jazzy music) Female: A lot of people know about Impressionism but very few people know about the crisis of Impressionism and this painting is a great example of that crisis. Male: We're in...