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PrintIM 0250 0220 0100 2011:01:01 01:28:34 2011:01:01 01:28:34 FUJIFILM 0130 S100 S100 edba_^\[YXVWY[]_`bdfhntz ~{xurosw{...
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- WE WANT TO SOLVE THE GIVEN EQUATIONS BY FACTORING. REMEMBER, THE FIRST STEP IN FACTORING IS TO FACTOR OUT THE GREATEST COMMON FACTOR. SO FOR 12X SQUARED + 18X = 0, WE WANT TO FACTOR OUT THE GREATEST...
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So now we're going to walk G major Bebop scale. How we do that is we add in another note so it becomes a eight note scale. You can add in any of these dots on the sheet that you printed out...
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So now we're going to go over, which chords to play as we're going along here. So as, after we numbered the scale one, two, three, four, five, six, seven, eight. We're in the...
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Now let's consider the F Minor triad in the three inversions. The notes in this chord are F, A Flat, C. F is the root, A Flat is the third, C is the fifth. So since we can't begin with...
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OK, so here's an interesting point about the seventh chords and how they come from the scale. You may have noticed, when we played the C sharp scale, that every note is sharp. Just as in the C...
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So now that we got some different voicings down, and we're utilizing the scale in different ways, what we can do is take these chord voicings and break them up and try to use them melodically....
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Now we can look at the D minor triad voicing and position. The notes in D minor are D, the root, F the minor third and A the fifth so we will play the chord starting with D on the seventh fret of the...
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