The more I compose, the more I know that I don't know it all. I think it's a good way to start. If you think you know it all, the work becomes a repetition of what you've already done. I try to make...
The more dollars the studio producers put in, the less freedom we have. If the budget hits $100m, they get scared - they'll take the existing score of a successful movie and expect composers to copy...
My music is mostly for the music. And it gives the liberty to do anything which I want. And nobody limits me to one genre of music. But I learn from life and I try to give back to life, in a way,...
Some things are very low profile, but if they excite me creatively, I accept them. Sometimes there are high-profile projects, and you have to do it. We all have human limitations. It is a painful...
For me, there is no day or night for music. I often work through the night - without phone calls disturbing me.
I follow a simple formula when I compose. I ask myself, 'What would the audience want to hear?' and 'Why would they buy my CDs?' And the process of answering these questions through music follows....
I joined the Madras Christian College but dropped out after three months. Telugu music director Ramesh Naidu asked me to assist him, and I did so for over a year. I did think of rejoining college, but...
I'm continuing to learn more about music - it's an ocean, and you can never really say that you know everything. I'm grateful that I'm still living and making music among the greats.
I was famous from the age of 13, and after a while you become immune to it - in a good way. You look at positives and what you can do with it.
I don't want to expose my personal life. It's best that people know me for my work. My family doesn't want to be surrounded by cameras. We want to live like any other family.