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I'm pleased that there's a dialog about my work
but there's some misrepresentation, some people
may think that my work is just about money.
Certain aspects of my work are about money because
my work also talks about desire
about just making something to sell.
I've learned earlier on, when Ι always worked
to care and protect that ready made and
to preserve each integrity and every perfection
and one day when I made a sculpture ahh...
the sculpture unless I really did something radical to it.
about objects - I cared about people, and
that's where the imperfections were, that's where the perfections were
that I really cared about.
I make something, to give something a hundred
per cent because that's what I care about; I care about the view.
You know, especially today it's not unusual for
if you're interested in making more than one painting
one sculpture, you have to be able to have support.
I like to work with people because I don't wanna be in
a room by myself. I mean, I love the sense of family
that I have with my studio.
It's part of business aspect of work and making
things you don't have to look at the bottom line on
each issue. If you want to create something, even
though it's impractical and usually they're really.
The best things are impractical. Great art usually
is very impractical, you know you can just go about
and you can make it. You really don't have any
you have to do it.