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[ INSECTS CHIRPING ]
[ SIGHS ] OKAY.
WHATEVER WE DO, WE HAVE TO BE QUIET.
ARE YOU SURE WE CAN GET INSIDE?
I'M TELLING YOU, THE OLD LADY COMES BY HERE EVERY OTHER NIGHT.
WHAT DOES SHE DO HERE?
HOW SHOULD I KNOW?
OH, BUT I SEEN HER WHEN I WAS COMING HOME LAST WEEK,
AND I WATCHED HER THE WHOLE WEEK -- KIND OF WEIRD.
YOU KNOW WHAT? THIS IS CRAZY.
LET'S JUST GO IN MY BASEMENT.
OH, WE CAN'T DO NOTHIN' THERE, CHRISTIE.
YOUR OLD MAN'S ALWAYS HANGING AROUND.
UH, MAYBE BECAUSE HE LIVES THERE.
YEAH, YEAH. WHATEVER.
WAIT, WAIT. LOOK.
HERE SHE COMES.
WHAT'S SHE GOT IN THE BAG?
I DON'T KNOW. SHUT UP.
CHRISTIE, SHH.
I'LL GO HOME RIGHT NOW.
QUIET.
Shh. STAY HERE.
[ DOOR CLOSES ]
ALL RIGHT, COME ON.
COME ON, CHRISTIE. HERE, COME.
COME ON.
[ DOOR OPENS ]
[ SIGHS ] ALL RIGHT, GIVE ME THE CANDLES.
Christie: IT'S DIRTY.
COME ON. WHAT THE HELL DO YOU WANT?
NOT THIS. THIS IS -- THIS IS -- FOR OUR FIRST TIME?
CHRISTIE, COME ON, BABY. IT'S YOU AND ME.
WE'RE FINALLY ALONE.
THERE'S NOBODY AROUND.
***.
[ SCREAMING ]
AAH! NO!
[ SCREAMING ]
[ THUNDER CRASHES ]
[ THUNDER RUMBLING ]
[ KNOCK ON DOOR ]
[ THUNDER CRASHING ]
Dr. Newman: COME ON IN, JACK.
[ DOOR CLOSES ]
[ THUNDER CRASHES ]
YOU'RE GETTING EVERYTHING WET.
Jack: IT'LL DRY.
AHH.
THOSE THINGS WILL KILL YOU.
I'M BETTING THAT CRAP YOU DRINK
WILL KILL YOU BEFORE THESE KILL ME.
SHOULDN'T KNOCK A MAN'S PLEASURES, DOC.
A LITTLE WHISKEY'S GOOD FOR THE SOUL.
GOOD WHISKEY, SCOTCH MAYBE.
WELL, MAYBE IF YOU PAID ME A LITTLE BETTER,
MIGHT UPGRADE MY TASTE.
[ THUNDER RUMBLING ]
DID YOU GET WHAT I ASKED FOR?
DON'T I ALWAYS?
AND IT WASN'T EASY.
I DIDN'T ASK IF IT WAS EASY.
YOUR FRIEND DOWN AT THE MORGUE
PUT SOMETHING IN THE TRUNK OF MY CAR.
COME ON. LET'S GET IT INSIDE.
MAYBE YOU HAVEN'T NOTICED, BUT IT'S POURING DOWN OUTSIDE.
WHATEVER THAT IS, IT'S NOT GOING ANYWHERE.
[ THUNDER CRASHING ]
WHAT THE HELL?
ARE YOU INSANE?
WHY ARE YOU MESSIN' WITH SOMETHING LIKE THIS?
THEY CAN'T HURT YOU, JACK. THEY'RE DEAD.
I'M WELL AWARE THEY'RE DEAD.
COME ON, HELP ME GET IT INSIDE.
NO, NO. THAT'S YOUR PROBLEM.
JUST GIVE ME MY MONEY AND LET ME GET OUT OF HERE.
AND, UH, WE REALLY NEED TO RENEGOTIATE THIS.
THIS IS NOT NEARLY ENOUGH MONEY, NOT FOR SOMETHING LIKE THIS.
WE HAD A DEAL, JACK.
OUR DEAL IS CHANGED.
FINE. WELL, COME BACK IN THE MORNING,
AND I'LL GIVE YOU ANOTHER GRAND.
AND REMEMBER OUR AGREEMENT.
[ CHUCKLES ] DON'T WORRY.
I HAVE NO INTENTION OF TELLING ANYBODY ANYTHING ABOUT THIS.
THIS PLACE HAS MADE YOU JUST AS CRAZY AS THE PEOPLE YOU TREAT.
YOU HAVE NO RIGHT TO ASK A MAN TO DO SOMETHING LIKE THIS.
YOU DID NOTHING.
YOU MADE A DELIVERY.
YOU'RE MESSING WITH SOMETHING YOU KNOW NOTHING ABOUT.
I WANT NOTHING TO DO WITH THIS.
DON'T CALL ME ANYMORE, DOC. UNDERSTAND?
GOOD NIGHT, JACK.
[ THUNDER CRASHING ]
SO, WHAT DO YOU THINK, WALTER?
WILL IT WORK THIS TIME?
I DON'T KNOW.
OH, YOU'LL GET IT.
I KNOW YOU WILL.
I WISH I HAD YOUR CONFIDENCE.
Man: RASPBERRY,
RASPBERRY, RASPBERRY.
HI, ROGER. HOW ARE YOU DOING?
GOOD.
PBHT!
[ KNOCK ON DOOR ]
YES?
Olivia: IT'S ME.
I'LL GET IT.
[ DOOR OPENS ]
YOU MAY WANT TO CHECK ON MR. DELMAN.
I'LL GO, DOCTOR.
THANK YOU, MS. TINSLEY.
JACQUELINE.
[ FOOTSTEPS DEPART ]
[ GIGGLES ]
WHY, DR. NEWMAN, ARE YOU TRYING TO SEDUCE ME?
I THINK I ALREADY DID THAT...
MRS. NEWMAN.
MMM.
MM.
MM-HMM.
RIGHT HERE.
OH, MY GOD.
OH, COME HERE. COME ON.
JUST HEADS.
WELL, WHERE DID YOU GET THEM?
I WENT ON THE PROWL LAST NIGHT. I...COULDN'T HELP MYSELF.
I-I HAD TO KILL, KILL.
STOP. YOU'RE SCARING ME.
BOUGHT 'EM FROM THE MORGUE, OLIVIA.
[ CLEARS THROAT ]
WELL, WHO WERE THEY?
DON'T KNOW. DON'T REALLY CARE.
THIS IS WHAT I WANT TO SHOW YOU.
YOU SEE?
IT DOESN'T CONGEAL.
IT'S USEABLE.
THIS IS THE GENETICS AGAIN.
YEAH.
SO, YOU TOLD ME
YOU WERE GOING TO STOP DOING THOSE EXPERIMENTS.
I'M TOO CLOSE.
IF I CAN USE THIS FLUID TO STABILIZE THE FORMULA,
IT'LL OPEN UP A WHOLE NEW WORLD OF HUMAN GENETIC MANIPULATION.
HONEY, YOU'VE BEEN WORKING ON THIS, WHAT,
SEVEN, EIGHT YEARS NOW?
THE SANITORIUM NEEDS YOU. THE PLACE IS FALLING APART.
YOU NEED TO START CONCENTRATING ON THE PATIENTS AGAIN, OKAY,
NOT THESE EXPERIMENTS.
YOU'RE ASKING ME TO SACRIFICE A MAJOR MEDICAL BREAKTHROUGH
THAT COULD SAVE THOUSANDS, MILLIONS,
FOR THE SAKE OF A FEW DERANGED PATIENTS?
[ SCOFFS ]
I WON'T DO IT. I'M NOT GONNA DO IT.
I HAVE THIS TO LIVE WITH.
OH, THAT AGAIN.
YEAH.
THAT AGAIN.
IF I CAN SAVE SOMEBODY ELSE
FROM HAVING TO LIVE WITH THIS MONSTROSITY,
I'LL DO WHATEVER IT TAKES.
I NEVER GOT A CHANCE TO DO WHAT THE OTHER KIDS DID.
I NEVER GOT TO PLAY BASEBALL.
I NEVER GOT TO RUN AROUND WITH MY FRIENDS.
[ SCOFFS ]
NEVER EVEN GOT TO DANCE AT THE SENIOR PROM.
BUT...I CAN CURE PEOPLE
BEFORE THEY EVEN COME OUT OF THE WOMB.
I CAN'T STOP NOW.
WELL, YOU'RE NOT GONNA HAVE A CHOICE.
WHAT?
BECAUSE WE'RE REALLY GONNA NEED THE MONEY.
I'M PREGNANT.
[ CHUCKLES ]
WOW, UH...
YEAH!
WHEN DID YOU FIND OUT?
THE WAY I FIGURE, I'M ALMOST FOUR WEEKS.
THERE'S SO MUCH WE'RE GONNA HAVE TO DO.
I KNOW.
WE'RE GONNA HAVE TO MAKE --
THE FIRST THING WE NEED TO DO
IS STOP SPENDING MONEY ON THIS GENETICS IDEA, PLEASE.
UM...YEAH. UH, JUST NEED A FEW MORE MONTHS.
NO! DAMN IT, WALTER!
THIS HAS TO STOP!
THE PATIENTS RELY ON YOU.
PATIENTS.
HALF OF THEM DON'T KNOW WHO I AM.
THE OTHER HALF DON'T CARE.
I'M NOT A DOCTOR HERE.
OF COURSE YOU ARE.
NO.
I'M A LANDLORD TAKING CARE OF A BUNCH OF TENANTS.
WELL, IT'S TOO BAD YOU FEEL THAT WAY.
[ SAW WHIRRING ]
[ KNOCK ON DOOR ]
[ DOOR OPENS ]
THAT'S JUST GOING TO GIVE YOU A HEADACHE.
[ DOOR CLOSES ]
THEY MAKE ASPIRIN, DON'T THEY?
WHATEVER'S EATING AT YOU, DON'T TAKE IT OUT ON ME.
I'M JUST TIRED.
[ SIGHS ]
WHAT YOU NEED IS A SHAVE AND A SHOWER.
WHY DON'T YOU COME UP TO BED?
HMM?
YEAH, JUST A LITTLE BIT.
I-I'M ALMOST THERE. I KNOW I'M RIGHT THERE.
YOU PROMISED ME THAT YOU'D STOP THIS!
AND LOOK AT YOU.
I DON'T EVEN RECOGNIZE YOU ANYMORE.
YOU SPEND ALL YOUR TIME IN HERE.
IF I'M LUCKY, I'LL SEE YOU AT DINNER,
UNLESS, OF COURSE, YOU'RE EATING IN HERE AGAIN TONIGHT.
WHAT IS IT YOU WANT, OLIVIA?
I WANT YOU TO STOP WASTING YOUR TIME AND OUR MONEY
ON THESE USELESS EXPERIMENTS!
THEY'RE NOT USELESS!
WE'RE GOING BROKE!
WELL, THEN SELL SOMETHING, OLIVIA.
WE OWN LAND. SELL THAT.
WHAT IS IT?
WHEW.
IT'S JUST THE BABY MOVING AROUND.
I'M FINE.
WALTER, IF YOU DON'T GET YOUR PRIORITIES STRAIGHT...
YOU'RE NOT GONNA LEAVE ME ANY CHOICE.
WHAT ARE YOU TALKING ABOUT?
I'M TALKING ABOUT THIS OBSESSION THAT YOU HAVE WITH THIS.
THIS IS ALL YOU EVER TALK ABOUT.
I MEAN, THE PATIENTS HERE DON'T EVEN SEE YOU ANYMORE.
THE STATE'S READY TO PULL OUR LICENSE.
AND I'M CERTAINLY NOT GOING TO RAISE MY CHILDREN
IN THIS TYPE OF SITUATION.
YOU STOP, OR I'M LEAVING.
YOU'D END OUR MARRIAGE OVER THIS.
WELL, YOU'RE NOT LEAVING ME ANY CHOICE, ARE YOU?
MAKE UP YOUR MIND, WALTER. I'M NOT GOING TO WAIT FOREVER.
WAIT. WAIT.
YOU SAID CHILDREN?
WE'RE HAVING TWINS.
TWINS.
TWINS.
YOU CAN'T LET HER STOP YOU, WALTER!
WHAT ARE YOU DOING HERE SO LATE?
YOU CAN'T LET ANYONE STOP YOU. YOU HAVE TO CONTINUE.
I ALSO DON'T WANT TO THROW MY MARRIAGE AWAY.
WELL, IF SHE WANTS TO LEAVE, LET HER LEAVE.
THAT WAY, YOU CAN FINISH YOUR EXPERIMENTS
WITHOUT HER INTERFERENCE.
I THINK YOU'RE OVERSTEPPING YOUR POSITION.
WELL, I'M ONLY SAYING WHAT YOU'VE BEEN THINKING.
HOW DO YOU KNOW WHAT I'VE BEEN THINKING?
BUT I COULD HELP YOU.
WE COULD DO IT TOGETHER -- FIND A CURE.
YOU KNOW I WOULD NEVER STAND IN YOUR WAY.
I BELIEVE THIS CONVERSATION'S OVER.
WELL, I WAS JUST TRYING TO HELP.
GO HOME, MS. TINSLEY.
[ PIANO PLAYING ]
[ OFF-KEY NOTES PLAYING ]
DELMAN. [ CHUCKLES ]
OKAY.
[ DOOR OPENS ]
WHAT DO YOU WANT?
ARTHUR...
STAY CALM.
EVERYTHING'S FINE.
FINE?!
THIS IS WHAT YOU CALL FINE?!
CHAINED LIKE AN ANIMAL?!
FOR YOUR OWN PROTECTION.
WHY CAN'T I GET OUT? WHY?
WHY AM I CHAINED?!
BECAUSE YOU ATTACK EVERYONE THAT COMES IN HERE.
I CAN'T LET THAT HAPPEN.
WE'VE GONE OVER THIS A HUNDRED TIMES.
I DON'T... ATTACK...EVERYONE!
THEY...HURT ME.
I KNOW.
YOU DON'T KNOW.
[ NECK CRACKS ]
THEY COME IN AND THEY POKE ME WITH...THINGS.
THEY SAY, "LOOK AT THE FREAK!"
I KNOW.
YOU SAID YOU COULD HELP ME...
FIX ME.
NO.
NOT YOU.
OTHERS.
[ SIGHS ] I CAN HELP OTHERS.
STOP IT... KEEP IT FROM HAPPENING.
ARTHUR, I...
I NEED TO TAKE SOME FLUID FROM YOU.
NO.
IT'S NOT GONNA HURT. IT'LL ONLY TAKE A SECOND.
WHAT DO I GET? WHAT DOES ARTHUR GET?
WHAT DO YOU WANT?
FLESH.
IT'S WRONG TO EAT HUMAN FLESH.
NO FLUID.
WE CAN DO THIS MY WAY OR YOUR WAY.
MY WAY'S EASIER.
OKAY, ARTHUR, WE'LL DO IT YOUR WAY.
I'LL GET MR. TAYLOR.
NO! NO TAYLOR.
HE'S ONE OF THEM. HE HURTS ME.
GOOD. THEN LET ME DO THIS.
IT'LL ONLY TAKE A SECOND.
NO TAYLOR?
NO TAYLOR.
GO LIE ON YOUR STOMACH.
YOU'RE GONNA FEEL A LITTLE PINCH.
[ WHIMPERS ]
AAH!
Shh! IT'LL ONLY TAKE A SECOND.
AAH! AAH! OW! OW! OW! OW! IT HURTS!
OW!
I SAID OW!
AAAAAAH!
AAAAAAAH!
OW!
NOW WE'RE EVEN.
OW.
[ SIGHS ]
THE CELLS EXTRACTED FROM ARTHUR DELMAN
HAVE THE SAME CHARACTERISTICS AS ANY OTHER NORMAL SPINAL FLUID,
YET...THEY ACT ERRATICALLY.
THEY SEEM DETACHED FROM EACH OTHER.
I HESITATE TO USE THIS.
I HAVE NO ONE TO TEST IT ON.
IT'S USELESS.
[ TAPE RECORDER CLICKS ]
[ THUNDER CRASHING ]
[ TAPE REWINDING ]
Dr. Newman: IT TOOK LONGER TO SANITIZE DELMAN'S FLUID
THAN I EXPECTED.
I'LL NEVER BE ABLE TO TEST IT IN TIME.
I HAVE NO ONE TO TEST IT ON.
IT'S USELESS.
HOW'S EVERYTHING LOOK?
EVERYTHING'S FINE.
BOY'S AT A LITTLE BIT OF AN ANGLE.
BUT YOU'RE SURE EVERYTHING'S OKAY.
HONEY, STOP WORRYING.
I'VE BEEN PLAYING DOCTOR FOR A LONG TIME.
[ CHUCKLES ]
THANK YOU FOR SHUTTING DOWN THE EXPERIMENTS.
I DIDN'T REALLY HAVE AN OPTION.
I'LL GET BACK TO IT SOMEDAY.
OH.
I JUST FELT THE BABY KICK.
WHOA.
[ CHUCKLES ]
THAT'S WEIRD.
THERE IT GOES AGAIN.
I JUST NEVER FELT SOMETHING LIKE THAT.
WHEW.
IT'S OKAY.
NOTHING TO WORRY ABOUT.
MR. TAYLOR!
YES, YES, MRS. ROGERS, YES.
[ GRUNTING ]
YEAH, I'M GONNA GET, I'M GONNA GET, I'M GONNA GET.
NO! [ SCREAMING ]
[ LAUGHING ]
NO! LEAVE ME ALONE!
STOP IT! STOP IT!
THAT'S MY PEN!
I TOLD YOU TO SHUT THE *** UP!
Woman: YES, YOU WILL.
[ MAN SCREAMS ]
[ HUMMING ]
DOCTOR, I HATE TO BOTHER YOU, BUT --
WHAT IS IT?
IT'S MARY. SHE'S ACTING VERY STRANGE --
I MEAN STRANGER THAN NORMAL.
SHE SAYS YOU HAVE TO COME SEE HER.
I THINK YOU BETTER COME NOW.
OKAY, FINE.
MARY, ARE YOU ALL RIGHT?
[ HUMMING ]
MARY?
DR. NEWMAN.
I WANT TO GO HOME.
MARY, YOU KNOW ABOUT YOUR CHILDREN.
YOU KNOW ABOUT YOUR CHILDREN, DON'T YOU?
MY CHILDREN?
MY DAUGHTERS -- THEY CALLED ME YESTERDAY.
MARY, YOU KNOW THAT'S NOT TRUE.
YOU'RE MAKING THAT UP.
YOU -- Shh, shh, shh, shh. LISTEN.
YOU'RE MAKING THAT UP.
LET ME GO HOME -- HOME TO MY CHILDREN.
THEY MISS ME. I-I HAVE TO MAKE THEM DINNER.
THEY MUST BE HUNGRY. I --
WHY DO YOU KEEP ME HERE?!
THIS IS YOUR HOME NOW.
MY...HOME?
MM-HMM. YES, MARY.
UH-HUH.
JUST LET ME UP.
Shh, shh, shh, shh, shh. Shh.
[ SOBBING ]
IT'S ALL RIGHT, MARY.
WHERE DID SHE GET THAT WIRE?
BOX SPRING. GET RID OF THE DAMN THING.
WHAT IS IT?
YOU SHOULDN'T MAKE HIM STOP HIS EXPERIMENTS.
[ SPITS ]
I DON'T THINK THAT'S ANY OF YOUR BUSINESS.
HE'S A GREAT MAN, OLIVIA, A MAN OF VISION.
I WANT TO KNOW WHY YOU ARE SO DETERMINED
ON DESTROYING HIS DREAMS.
I DON'T KNOW WHAT YOU THINK YOU'RE DOING,
BUT MY PERSONAL LIFE
HAS ABSOLUTELY NOTHING TO DO WITH YOU.
DON'T COME IN HERE TELLING ME HOW TO DEAL WITH MY HUSBAND.
WELL, YOU DON'T DESERVE HIM.
GET OUT.
I'M RIGHT, AND YOU KNOW IT.
I SAID GET THE HELL OUT.
THIS ISN'T OVER, OLIVIA.
OH, YES, IT IS.
OH.
[ GASPS ]
[ CRYING ]
OLIVIA?
OLIVIA?
Olivia: OH, MY GOD!
OLIVIA?
OH! OH!
OH, MY GOD. HONEY.
OH, OH.
OH, MY GOD. OH.
WHAT IS IT, WALTER? IS IT THE BABIES?
OH!
OH, JESUS, MARY, AND JOSEPH. OH, JESUS.
I DON'T WANT TO LOSE THE BABIES, WALTER.
WHAT'S WRONG?
OHH.
[ ULTRASOUND PULSING ]
ALL RIGHT, I'M SURE EVERYTHING IS FINE.
I HOPE SO.
WHAT'S WRONG? WHAT'S THAT FACE?
OH, UH, IT'S FINE.
EVERYTHING'S FINE.
MM-HMM.
I DON'T WANT HER IN HERE.
WHY?
BECAUSE I SAID SO, OKAY?
WOULD YOU JUST PLEASE LEAVE?
WHATEVER YOU SAY, DOCTOR.
ANYTHING THAT MAKES MRS. NEWMAN HAPPY.
[ FOOTSTEPS DEPART ]
OKAY, I, UH -- I KNOW WHAT MADE THE BLEEDING HAPPEN.
IT WAS THE BOY PUSHED THE GIRL INTO THE BIRTH CANAL,
AND, UM, THERE WERE BROKEN CAPILLARIES, THAT'S ALL.
BUT THE BABIES -- ARE THEY OKAY?
THEY'RE FINE. EVERYTHING'S FINE.
OKAY.
[ KNOCK ON DOOR ]
COME IN.
WELL, YOU WANTED TO SEE ME.
SIT DOWN.
WHAT IN GOD'S NAME DID YOU DO?
I DIDN'T HAVE A CHOICE.
ARE YOU INSANE?
I KNOW SHE WANTED YOU TO STOP THE EXPERIMENTS.
EIGHT YEARS I HAVE BEEN WITH YOU.
I KNOW HOW HARD YOU'VE WORKED.
DID YOU SEE WHAT'S HAPPENING INSIDE HER, WHAT YOU DID?
I HAVE TO FIX THIS.
I HAVE TO ABORT THAT THING.
IT'S TOO LATE. YOU KNOW THAT.
ITS HEAD WAS MALFORMED. IT --
IT WON'T BREATHE. IT'LL...DIE.
YOU KILL ONE, YOU'LL KILL THEM BOTH.
YOU'LL SEE I HAD TO DO IT.
WE COULDN'T LET IT END.
YOU STUPID ***. YOU DESTROYED MY WIFE!
YOU SAID YOURSELF, "SACRIFICES HAVE TO BE MADE."
NOT MY WIFE!
BUT YOU DON'T NEED HER.
WHAT ARE YOU TALKING ABOUT?
DO YOU EVEN KNOW MY FIRST NAME?
WELL, OF COURSE I DO. IT'S...
WELL, I'VE ALWAYS BEEN HERE FOR YOU.
I'M SOMEONE WHO WILL FOLLOW YOU WITHOUT QUESTION.
THIS...
ISN'T WHAT I WANT TO HEAR.
I HAVE TO FIX THIS.
FACE IT, WALTER.
IT'S TOO LATE TO DO ANYTHING
EXCEPT JUST LET THE BIRTH HAPPEN.
[ PIANO PLAYING ]
[ OFF-KEY NOTES PLAYING ]
DAMN THIS THING.
OHH!
[ RAPID HEARTBEAT ]
[ EXHALES SHARPLY ]
[ INHALES, EXHALES SHARPLY ]
WHAT ARE YOU -- Shh, shh.
OH.
YOU FEEL LIKE YOU CAN PUSH, SWEETIE?
NO, NOT YET. I --
OHH.
I JUST DON'T KNOW WHY IT HURTS SO MUCH.
[ EXHALES SHARPLY ] OHH.
THIS ISN'T RIGHT.
OLIVIA, HOW DO YOU FEEL?
I WANT HER OUT!
HONEY, I NEED HER.
WHY? YOU CAN DO IT.
Shh, shh, shh. LISTEN, LISTEN, LISTEN.
I'M GONNA GIVE YOU SOMETHING TO TAKE THE -- TAKE THE EDGE OFF.
OKAY.
WAIT. WILL IT HURT THE BABIES?
NO, NO, NO. Shh, shh, shh, shh.
IT'LL BE FINE, SWEETIE. IT'LL BE FINE.
OKAY?
ALL RIGHT. Shh, shh.
THIS IS GONNA MAKE YOU FEEL BETTER.
ALL RIGHT, SWEETIE? Shh, shh, shh.
YOU JUST HOLD ON, HOLD ON.
HOLD ON.
ALL RIGHT.
ALL RIGHT, YOU SHOULD BE FEELING THAT NOW, OKAY?
LITTLE -- Shh.
OH. [ EXHALES SHARPLY ]
OKAY.
OHH.
OKAY, HONEY, HONEY?
HONEY, I NEED TO TELL YOU SOMETHING.
[ MOANS ]
IT'S ABOUT -- IT'S ABOUT THE PAIN.
SOMETHING'S WRONG, ISN'T IT?
SOMETHING'S WRONG.
NO, NO, NO. LET ME -- LET ME JUST SAY THIS WHILE I --
WHILE -- WHILE I CAN. IT'S...
WHAT?
IT'S MY -- MY EXPERIMENTS.
WAIT, WAIT. YOU TOLD ME YOU STOPPED.
UH...I-I DIDN'T MEAN -- I DIDN'T MEAN IT.
IT W-WASN'T MY FAULT.
I-I DIDN'T HAVE ANY -- ANY CONTROL OVER IT, YOU KNOW.
AND -- AND -- AND I'M -- I'M --
WHAT'S GOING ON?
OH, MY GOD.
OH, MY GOD.
WALTER.
I'M SORRY.
WHAT'S GROWING INSIDE OF ME?
UH...
[ STAMMERS ]
I'M SORRY.
WHAT'D YOU DO?
GO AWAY!
GET OUT!
I'M SORRY.
GET OUT!
I'M SORRY. I'M SORRY.
[ Crying ] OH, MY GOD.
GET OUT, WALTER!
[ SOBBING ]
[ GROANING ]
PUSH! OKAY.
I CAN SEE THE HEAD.
PUSH!
[ GROANING ]
OKAY.
ONE MORE, ONE MORE.
PUSH!
[ GROANING ]
I GOT IT.
I CAN SEE THE HEAD. PUSH.
OKAY.
[ SOBBING ]
Shh, shh, shh, shh, shh.
[ MOANS ]
OKAY, ALL RIGHT.
SHE'S OUT.
THE BABY'S FINE.
IS SHE OKAY? I WANT TO SEE MY BABY.
SHE'S OUT. SHE'S FINE.
SHE'S BRINGING THE BABY. SHE HAS TO WRAP IT.
I WANT TO SEE THE BABY.
YOU CAN SEE THE BABY, SWEETIE. SHE'S BEAUTIFUL.
SHE'S OKAY. SHE'S -- SHE'S NORMAL.
[ BABY CRYING ]
SHE'S FINE.
SHE'S FINE.
OH, SHE'S PERFECT, HONEY. SHE'S JUST PERFECT.
SHE'S FINE. SHE'S FINE.
SHE'S PERFECT, HONEY.
LOOK. LOOK.
OH, OH, LOOK. LOOK, IT'S A PRET--
[ SCREAMING ]
PUSH. OLIVIA.
SOMETHING'S WRONG!
WHAT'S HAPPENING?
[ SCREAMING ]
IT'S NOT OUT YET! PUSH!
I AM PUSHING!
[ BABY CRYING ]
[ SCREAMS ]
IT'S OUT, IT'S OUT!
CUT THE CORD, WALTER.
CUT THE CORD, WALTER!
NO! GOD!
[ CRYING CONTINUES ]
HONEY?
WHY, WALTER?
WHY?
OH, NO.
OH, HONEY.
OH -- OH, NO. NO.
[ Sobbing ] OH. OH, GOD. THIS CAN'T HAPPEN.
OH, NO, BABY.
OH, BABY.
WHAT DO I DO WITH THE OTHER BABY, WALTER?
WALTER, WHAT DO I DO WITH THE OTHER BABY?
WHAT DO I DO WITH THE BOY, WALTER?
I DON'T CARE. THROW IT AWAY.
I CAN'T!
I CAN'T.
WHY?
IT'S ALIVE.
[ BABY WHIMPERS ]
[ BABY FUSSING ]
[ BABY CRYING ]
[ GUNSHOTS ]
[ LAUGHING ]
[ LAUGHING CONTINUES ]
♪ GIRLS, BOYS, AND NOISE, NOISE ♪
♪ GIRLS, BOYS, AND NOISE, NOISE ♪
♪ READY? HERE WE GO ♪
♪ LA LA LA-LA-LA ♪
♪ LA LA LA-LA-LA ♪
♪ LA-LA LA-LA-LA LO ♪
♪ LA LA LA-LA-LA ♪
♪ LA LA LA-LA-LA ♪
♪ LA-LA LA-LA-LA ♪
Jeff: COME ON! TURN THAT OFF!
[ TIRE POPS ]
OH!
WHOA, WHOA, WHOA, WHOA, WHOA!
JEFF!
GOD.
SON OF A ***!
JEFF, I TOLD YOU ABOUT THAT!
YOU'LL HAVE TO EXCUSE ME IF I'M JUST A LITTLE PISSED OFF,
BUT I JUST DROVE OFF THE DAMN ROAD.
I THINK WE ALL KNOW THAT.
GET OUT AND SEE WHAT HAPPENED.
YEAH, SURE, I MIGHT AS WELL JUST GET SOAKED ON TOP OF IT.
DAMN IT!
PLEASE WATCH YOUR MOUTH.
WHY? THEY'RE JUST A BUNCH OF DUMMIES.
STOP CALLING THEM DUMMIES.
WELL, THAT'S WHAT THEY ARE. BESIDES, THEY CAN'T HEAR ME.
HEY, PAL, I CAN HEAR YOU, ALL RIGHT.
I DON'T APPRECIATE YOU CALLING THEM DUMMIES.
JEFF, CAN WE GET GOING?
YEAH, SURE, YEAH.
NO SENSE ARGUING WITH ME. I'M JUST THE EX-CON.
I'M CERTAINLY NOT WORTH THE TIME.
WE'RE NOT GOING ANYPLACE ON THIS TIRE ANYHOW.
'CAUSE IT'S ALL BUSTED UP, THAT'S WHY.
WELL, CHANGE IT.
TO WHAT? THIS THING DOESN'T HAVE A SPARE.
THIS PIECE OF CRAP.
NO, NO, YOU'RE GONNA HAVE TO CALL SOMEBODY.
FINE. I'LL CALL THE CENTER, AND I'LL HAVE THEM PICK US UP.
IT'S GONNA BE HOURS BEFORE THEY GET UP HERE.
WHAT, YOU HAVE A BETTER IDEA?
YEAH. JUST CALL A TOW TRUCK OR SOMETHING.
I'M GONNA FREEZE MY *** OFF OUT THERE.
NOW WHAT?
WHAT'S WRONG?
I HAVE NO SIGNAL -- NOTHING.
DOES ANYBODY HAVE A CELL?
YEAH, YEAH. I'VE GOT MINE.
[ CELLPHONE BEEPS ]
I DON'T HAVE A SIGNAL, EITHER.
NOW WHAT ARE WE GONNA DO?
JESUS. IT MUST BE THE STORM.
WELL, WE'RE GONNA HAVE TO WAIT IT OUT IN THE VAN.
JUST, YOU KNOW, KEEP THE MOTOR RUNNING.
Jeff: WELL, I DON'T THINK THAT'S GONNA HAPPEN.
WE'RE ALMOST OUT OF GAS.
NOW WE DON'T HAVE GAS.
CAN'T YOU DO ANYTHING RIGHT?
LOOK, LADY, I WAS ASSIGNED
TO DRIVE YOU AND THESE DUMMIES AROUND,
NOT TO TAKE ANY CRAP FROM YOU.
YOU KNOW WHAT?
THESE KIDS CANNOT STAY IN THIS VAN.
THEY'RE GONNA CATCH PNEUMONIA.
WHAT ABOUT IT?
WELL, IT'S GOT TO BE A LOT WARMER THAN THIS VAN.
MAYBE YOU GUYS CAN GET A SIGNAL WHEN WE GET OUT OF HERE.
I HATE TO SAY IT, BUT HE'S PROBABLY RIGHT.
YOU KNOW WHAT? I DON'T NEED YOUR HELP, BIG BROTHER.
ALL RIGHT, GRANDPA.
YOU GO AND CHECK IT OUT, AND WE'LL WAIT IN THE VAN.
WHAT?
YOU WANT ME TO WALK UP THERE THROUGH THIS CRAP,
LOOK AT THE BUILDING, THEN WALK BACK THROUGH THIS CRAP
JUST SO I CAN TELL YOU ABOUT IT?
I DON'T THINK SO.
WHY DON'T WE ALL JUST GET OUT OF THE VAN AND GO?
OH, FOR GOD'S SAKES.
CAN THE VAN GET US THERE?
I DON'T KNOW, BUT IF THAT RIM GETS MESSED UP,
YOU'RE RESPONSIBLE.
OH, YOU KNOW WHAT? FINE, FINE.
LET'S JUST GO.
FINE.
WHAT DID THAT SIGN SAY BACK THERE?
IT SAID "EDGEWOOD ASYLUM."
MAYBE WE SHOULD RECONSIDER THIS.
WHAT? WHY?
I KNOW THIS PLACE. I GREW UP NOT TOO FAR FROM HERE.
SO WHAT?
THERE WERE STORIES, OKAY? A LOT OF STORIES.
LOOK, LADY, IF YOU GOT A BETTER IDEA, NOW'S THE TIME.
NO.
WELL, THEN NUTHOUSE IT IS.
[ DOORKNOB RATTLES ]
[ DOOR HINGES CREAK ]
MAN, WHAT A DUMP.
[ SNIFFS, BREATHING HEAVILY ]
WELL, I GUESS IT'S BETTER THAN THE VAN.
[ DOOR HINGES CREAK ]
WHAT THE HELL IS THAT?
[ SNIFFS ] OH.
WELL, IT IS WHAT IT IS.
[ ENGINE IDLING ]
SO?
COME ON, LET'S GET THEM OUT, AND LET'S GO.
NO, IT'S ALL LOCKED UP.
WELL, HOW DID YOU GET IN?
DON'T YOU REMEMBER? I'M THE EX-CON.
COME ON, GUYS. WE'RE GONNA GO IN NOW. LET'S GO.
GO, GO, GO, GO.
COME ON, COME ON. COME ON. GO.
[ COUGHING ]
[ COUGHING ]
[ DOOR CLOSES ]
***.
TOUGH GUY, GET OVER HERE AND HELP ME WITH THIS.
[ KNOCKING ]
I'LL FIND ANOTHER WAY.
IF YOU HADN'T SLAMMED THE DOOR, WE WOULDN'T BE STUCK IN HERE.
HOW WAS I SUPPOSED TO KNOW ABOUT THE STEEL SLIDING DOOR?
HOW COULD YOU NOT SEE IT?
'CAUSE IT WAS IN THE DAMN WALL.
TRY CALLING THE CENTER AGAIN.
[ CELLPHONE BEEPS ]
Liz: MY BATTERY'S ALMOST DEAD.
ROB, TRY YOURS.
WHAT?
I DON'T -- I DON'T HAVE IT.
Loni: YOU DON'T HAVE YOUR PHONE?
Jeff: IT'S IN YOUR DAMN POCKET, BOY.
IT'S NOT THERE ANYMORE, GRANDPA. LIZ, TRY MY PHONE.
[ CELLPHONE RINGING ]
MY BATTERY'S DEAD.
COMPLETELY?
COMPLETELY.
OH, THAT'S GREAT.
SO, YOU USED YOUR LAST FEW SECONDS OF POWER
TO CALL THIS IDIOT'S PHONE.
YOU KNOW WHAT? FOR THE LAST TIME, ***, I'M NOT DEAF.
I CAN HEAR YOU!
PRETTY BOY, YOU BETTER GET OUT OF MY FACE
BEFORE I TEACH YOU TO OBEY YOUR ELDERS.
YEAH, GO AHEAD, OLD MAN, TEACH ME!
WHAT IS WRONG WITH YOU TWO?
WE HAVE ENOUGH GOING ON WITHOUT YOU ACTING LIKE THIS.
DOES ANYBODY ELSE HAVE A PHONE?
LYDIA DOES.
HOW COME SHE HAS A PHONE? SHE CAN'T HEAR.
YOU EVER HEARD OF TEXT MESSAGING, ***?
WELL, AT LEAST SHE DIDN'T LOSE HERS.
GEEZ.
NOTHING AT ALL?
WE JUST GOT TO KEEP TRYING.
OKAY, WELL, AS LONG AS WE'RE STUCK HERE,
I THINK WE SHOULD TRY TO FIND A PLACE TO KEEP WARM.
OH, THAT'S THE MOST SENSIBLE THING YOU'VE SAID ALL DAY.
YEAH, WELL, I'M NOT THE DUMMY HERE.
JEFF, ONE MORE TIME.
STAY, AND I WILL BE RIGHT BACK, OKAY?
OKAY.
[ DOOR OPENS, HINGES CREAK ]
WHOA.
WHAT THE HELL HAPPENED IN HERE?
I DON'T KNOW, BUT WHATEVER HAPPENED, IT WASN'T FUN.
IT'S BLOOD.
HOW CAN YOU TELL IT'S BLOOD?
IF THERE'S ONE THING I LEARNED IN JAIL,
IT'S HOW TO RECOGNIZE DRIED BLOOD.
BUT WE GOT ONE THING GOING FOR US.
IT AIN'T FRESH.
YOU GUYS FIND ANYTHING YET?
[ GROWLS ]
[ GASPS ] WHAT WAS THAT?
I JUST OPENED THE DOOR.
NO, NO, NO, IT WASN'T COMING FROM THE DOOR.
IT WAS COMING FROM THE END OF THE HALL.
YEAH, I HEARD IT, TOO.
[ DOOR CLOSES ]
GO CHECK IT OUT.
[ SCOFFS ] WHY?
JUST DO IT!
HUH.
[ CREAKING ]
NEVER MIND. IT'S JUST A STUPID ABANDONED HOUSE.
GIVE ME THE LIGHT.
YOU DON'T NEED A LIGHT TO GO CHECK OUT AN EMPTY HALL.
GO AHEAD, TOUGH GUY.
[ SIGHS ] WHAT A LOSER.
THIS LOOKS OKAY.
[ DOOR HINGES CREAK ]
ROB.
WHAT?
DON'T WORRY ABOUT IT. COME ON.
[ RATTLING, CREAKING ]
REALLY? THIS IS WHAT YOU FOUND?
YOU KNOW WHAT? I'M GONNA GET THE KIDS.
SO, I'LL BE BACK.
YEAH, WHY DON'T YOU GET THE KIDS?
DID YOU, UH -- DID YOU PAINT SOME OF THESE YOURSELF?
OKAY, COME ON.
IT'S THE SECOND DOOR ON THE LEFT.
OKAY?
ALL RIGHT, STAY TOGETHER.
SAVED A SEAT FOR YOU.
[ CHUCKLES ] NO.
I DON'T WANT TO SIT THERE.
FALL ON MY ***.
YOU SIT THERE.
Jeff: WHERE DID SHE GET A LANTERN?
Liz: SHE HAD IT IN HER BACKPACK FROM CAMPING.
I'VE BEEN WALKING AROUND HERE WITH THIS STUPID TOY FLASHLIGHT
THIS WHOLE TIME WHILE SHE'S HAD A LANTERN?
GIVE ME THE LANTERN, PLEASE.
CAN I HAVE THE LANTERN, PLEASE?
JEFF.
GIVE ME -- GIVE ME THE LANTERN.
OKAY, ALL RIGHT.
STOP! STOP IT. YOU'RE GONNA ARGUE WITH A CHILD?
REALLY? GROW UP.
YOU OKAY?
OKAY, GUYS, JUST SIT DOWN, ALL RIGHT?
OKAY, IT'LL BE WARMER HERE, OKAY?
EVERYTHING'S ALL RIGHT. OKAY?
WHAT IS WRONG WITH YOU?
ALL RIGHT, THIS PLACE OUGHT TO KEEP US WARM TILL TOMORROW.
THEN WE'LL GET THAT DOOR OPEN,
AND WE'LL GET THE HELL OUT OF HERE.
WHAT IS IT, HONEY?
OKAY, OKAY.
WE NEED TO FIND A PLACE
WHERE THESE KIDS CAN RELIEVE THEMSELVES.
GO OUT IN THE HALL AND FIND A SPOT.
YOU'RE SUCH A PIG. THAT'S NOT FUNNY.
IT WASN'T MEANT TO BE FUNNY.
EVEN IF WE DID FIND RESTROOMS, THEY WOULDN'T BE WORKING.
IT DOESN'T MATTER. WE JUST NEED A PLACE.
FINE, FINE.
OKAY, TOUGH GUY, LET'S GO FIND SOME BATHROOMS.
NO, YOU'RE NOT GOING ANYWHERE RIGHT NOW.
COME ON, LET'S JUST GET GOING, HUH?
NO. NO!
ALL RIGHT. GO!
HURRY UP.
I NEED TO TALK TO YOU.
Rob: COME ON.
Loni: UGH!
OKAY.
LISTEN, I'M ONLY GOING TO HELP OUT LIZ, ALL RIGHT?
I DON'T TRUST THIS GUY.
THAT'S WHAT I'M SAYING. I DON'T TRUST HIM, EITHER.
YOU HAVE YOUR SISTER IN THERE.
I DON'T WANT TO BE IN HERE WITHOUT YOU RIGHT NOW,
Shh!
Jeff: OH, COME ON!
I LOVE YOU.
I LOVE YOU, TOO.
OKAY, JUST BE CAREFUL, ALL RIGHT?
CAN WE GO?
SO, WHAT WERE YOU IN JAIL FOR?
WHAT, ARE WE BONDING NOW?
IT WAS JUST A QUESTION, MAN.
I WAS INNOCENT. DON'T YOU KNOW EX-CONS ARE INNOCENT?
SO YOU WERE FRAMED OR SOMETHING?
YEAH, I WAS FRAMED. NOW LET'S DROP IT, OKAY?
LET'S CHECK IT OUT DOWN HERE.
WHAT A JERK-OFF.
HEY.
HEY, I THINK THIS IS IT.
REALLY? AND WHAT GAVE THAT AWAY?
IT SAYS, UH... YEAH.
GO BACK AND GET WHOEVER NEEDS TO GO AND BRING THEM BACK.
I'M GONNA GO CHECK OUT THIS OTHER ROOM.
ALL RIGHT.
Rob: HEY, LIZ.
WE FOUND A BATHROOM.
IT'S A COMPLETE MESS, BUT IT'LL GIVE THEM SOME PRIVACY.
[ DOORKNOB RATTLING ]
[ DOOR HINGES CREAK ]
OH. WHOA.
IT MUST HAVE BEEN ONE BIG-*** DOG.
TAKE HER WITH YOU, AND MAKE SURE YOU WAIT FOR HER OUTSIDE THE BATHROOM.
NO PROBLEM.
CANDLES.
OHH, GOOD. AT LEAST WE'LL HAVE SOME LIGHT.
HERE, ROB, TAKE THAT WITH YOU.
NICE.
COME ON, GUYS.
YOU HAVE TO GO, TOO?
OKAY, TAKE A CANDLE.
GO WITH ROB, AND STAY TOGETHER.
ALL RIGHT, HERE YOU GO.
ALL RIGHT, GUYS. COME ON.
ROB, BE CAREFUL.
Rob: OKAY.
I FOUND THIS ROOM OUT THERE. KIND OF LOOKED LIKE A LAB.
HAD, LIKE, ROTTEN FOOD AND DOG CRAP ALL OVER THE PLACE.
I MEAN, WHAT WAS THIS DUMP, ANYHOW?
IT USED TO BE A SANITARIUM.
OH, THAT'S RIGHT, A NUTHOUSE.
YEAH, IF YOU WANT TO CALL IT THAT, I GUESS.
WHATEVER THIS PLACE WAS, SOMETHING WEIRD WENT ON HERE.
WELL, IT USED TO BE FILLED WITH MENTAL PATIENTS.
NO, NO, I-I DON'T MEAN THAT.
I FOUND THIS OTHER ROOM.
IT HAD BLOOD ALL OVER THE WALLS AND THE FLOOR,
AND -- AND IT HAD THESE CRAZY SCRATCHES ALL OVER THE PLACE
LIKE -- LIKE AN ANIMAL OR SOMETHING WAS, LIKE --
WAIT. WHAT DO YOU MEAN BLOOD ALL OVER THE FLOOR?
NO, NO, NO, YOU KNOW WHAT? IT DOESN'T MATTER.
WHATEVER HAPPENED HAPPENED A LONG TIME AGO.
ALL RIGHT?
COME ON, GUYS.
THERE YOU GO.
IT'S HERE OR NOWHERE. GO.
ARE YOU SCARED?
OKAY, HOLD ON.
THIS PLACE IS DISGUSTING.
OKAY. IT'S OKAY, OKAY?
GO.
GO.
[ GROWLING ]
[ MICE SQUEAKING ]
[ WHIMPERING ]
[ ROARING ]
[ SHOUTS ]
I DON'T KNOW!
ALL OF A SUDDEN, I HEARD A BIG, LOUD CRASHING NOISE!
Jeff: DON'T. MAYBE THE FLOOR FELL OUT.
WHO CARES? JUST HELP ME GET IN!
WHERE ARE THEY?
OH.
***, JUSTIN!
Loni: HI.
OHH, ARE YOU OKAY?
YEAH.
WHAT'S UP?
LISTEN, I CAN'T FIND CAROL --
I CAN'T FIND CAROL AND EMMA.
WE HAVE TO FIND CAROL AND EMMA.
Loni: DID THEY GET LOST?
Rob: I HEARD A CRASHING NOISE.
YEAH, YOU'RE RIGHT.
I DON'T THINK THEY'RE LOST.
YEAH.
STAY HERE.
NO, NO, I'M GONNA GO WITH THEM.
I NEED YOU TO STAY HERE!
[ GRUNTING ]
[ BONES CRACKING ]
I LOOKED. I CAN'T FIND THEM.
WELL, WHAT DO YOU MEAN? WHERE COULD THEY BE?
HOW THE HELL SHOULD I KNOW?
SOMETHING -- SOMETHING TOOK THEM,
AND -- AND BASED ON THAT BLOOD,
I DON'T THINK WE'RE GONNA FIND THEM ALIVE.
OKAY, WE HAVE TO FIND A WAY OUT NOW!
WE CANNOT WAIT TILL TOMORROW.
THIS PLACE -- ALL THE WINDOWS HAVE --
HAVE BARS ALL OVER THEM.
YOU SAW THAT DOOR WHEN WE WALKED IN.
WELL, YOU HAVE TO FIND A WAY OUT.
THIS PLACE IS LIKE A PRISON!
I TOLD YOU, WE'RE STUCK!
I DON'T KNOW.
HE FOUND A BASEMENT DOOR THAT HE'S GONNA CHECK OUT.
YOU LET HIM GO BY HIMSELF?
WAIT A MINUTE! ROB'S OUT THERE ALONE?
I'M GOING TO FIND HIM!
STOP IT! JEFF WILL GO.
YEAH, YEAH. I'LL GO.
YOU KNOW WHAT? AND WHERE'S CAROL AND EMMA ANYWAY?
I DON'T KNOW.
SON OF A ***.
WHY COULDN'T SHE JUST STAY PUT?
WHAT IS GOING ON HERE?
THEY MAY HAVE FALLEN AND GOTTEN HURT.
YOU DON'T KNOW WHAT HAPPENED TO THEM!
WE NEED TO GET OUT OF HERE!
WHY ISN'T ANYBODY TRYING TO FIND A WAY OUT RIGHT NOW?
I WILL GET US OUT OF HERE!
YOU KNOW, IF THE GIRLS ARE DEAD, THEY DON'T MATTER ANYMORE!
LONI, STOP IT!
YOU ARE NOT LEAVING!
LONI!
DAMN IT!
[ SNIFFS ] IT SMELLS LIKE *** DOWN HERE.
[ THUD, CLATTER ]
RELAX.
[ DOORKNOB RATTLES ]
[ SIGHS ]
WHAT THE HELL IS THAT?
[ GROWLING ]
OH, ***!
OHH. OH!
OH! AAH!
[ SCREAMING ]
HEY, TOUGH GUY, IS THAT YOU?
AAH!
HEY, HEY, HEY, HEY, HEY. STOP IT, STOP IT!
WHAT ARE YOU DOING ON THIS SIDE OF THE BUILDING?
I GOT TO FIND ROB!
NO, NO, YOU GOT TO CALM DOWN.
CALM DOWN.
COME BACK TO THE ROOM WITH ME BEFORE YOU GET HURT OUT HERE.
CALM DOWN.
OKAY.
OKAY.
YEAH. YEAH.
YEAH.
I GOT TO FIND ROB!
SON OF A ***. WHAT ARE YOU --
[ DOOR HINGES CREAK ]
YOU GOT THIS, YOU GOT THIS, YOU GOT THIS.
COME ON.
DON'T YOU GO OUT ON ME. DON'T YOU GO OUT ON ME.
PLEASE DON'T GO OUT ON ME.
COME ON, COME ON. YOU GOT THIS. YOU GOT THIS.
OH, GEEZ.
OH, GOSH. ROB?
I DON'T NEED THIS.
[ DOOR HINGES CREAK ]
WHAT IS THIS PLACE?
[ DOOR HINGES CREAK ]
ROB?
WHERE ARE YOU?
[ GROWLING ]
THIS ONE IS LOCKED.
[ GROWLING ]
Jeff: HEY! YOU UP THERE?
WHAT?!
GOD.
WHAT, JEFF?
[ GROWLING ]
[ SNIFFLES ]
[ SOBBING ]
GET DOWN HERE. WHAT ARE YOU DOING UP THERE?
YOU DON'T KNOW WHAT'S GOING ON UP THERE.
Loni: I'M TRYING TO FIND A WAY OUT OF HERE.
JUST GET DOWN HERE, DAMN IT.
I HAVE TO KEEP AN EYE ON ALL OF YOU. MY GOD.
I DON'T KNOW WHAT THAT IS.
AT LEAST I'M LOOKING FOR SOMETHING.
YOU DON'T HAVE TO GRAB ME!
[ GASPS ]
[ NOTES PLAY ]
[ NOTES PLAYING ]
[ ROARING ]
[ PIANO PLAYING ]
[ MOANING ]
[ MUSIC CONTINUES ]
[ MOANING ]
[ OFF-KEY NOTE PLAYS ]
[ OFF-KEY NOTES PLAYING ]
[ ROARING ]
[ GASPS ]
[ ROARING ]
AAH!
[ SCREAMING ]
HEY!
[ SCREAMING ]
[ SCREAMING ]
[ ROARING ]
[ SCREAMING ]
WHAT HAPPENED?
HOW?
IT JUST GRABBED HER AND DRAGGED HER IN THERE!
WHAT DO YOU THINK I'M TRYING TO DO?
HURRY UP! BREAK IT DOWN!
[ CHOKING ]
I DON'T KNOW.
[ ROARS ]
[ SCREAMS ]
LONI, ARE YOU OKAY? ARE YOU OKAY?
YOU SON OF A ***! WHERE THE HELL DID YOU GO?
[ COUGHS ]
IT'LL BE OKAY, SWEETHEART.
ROB.
OKAY, I'LL GET HIM.
FIND ROB.
OKAY, I KNOW...
OKAY.
SHE'S GONE.
OHH.
WE CAN'T JUST LEAVE HER HERE.
COME ON, COME ON, COME ON.
HEY, HEY. HEY, HEY, HEY.
DON'T GO LOSING IT ON ME. COME ON, COME ON.
I CAN'T DO THIS *** ALONE, SO SNAP OUT OF IT!
HEY! HEY!
SORRY.
IT'S GONNA BE OKAY.
YOU PROMISE?
I CAN'T MAKE THAT PROMISE.
[ BREATHING HEAVILY ]
WE HAVE TO FIND ROB.
I DON'T THINK HE'S COMING BACK.
WHY?
I DON'T KNOW.
DON'T YOU THINK HE WOULD'VE COME BACK BY NOW IF HE WAS GONNA?
I DON'T KNOW HOW MANY OF US
ARE GONNA MAKE IT OUT OF THIS FREAKIN' PLACE.
I-I DON'T -- I DON'T KNOW WHAT THAT THING IS.
I DON'T KNOW WHERE IT CAME FROM.
I DON'T KNOW ANYTHING ANYMORE.
BUT I'LL DO THE BEST TO KEEP US ALIVE.
OKAY.
YEAH? OKAY.
OKAY.
OKAY, COME ON, COME ON, COME ON.
[ SOBS ]
IT'S ALL RIGHT, IT'S ALL RIGHT.
LET'S GO. IT'S OKAY. IT'S ALL RIGHT.
[ INSECTS CHIRPING ]
[ GROWLS ]
[ SCREAMING ]
NO!
NO!
Liz: JEFF! JEFF! JUST LEAVE US ALONE!
WHY ARE YOU DOING THIS?!
LEAVE US ALONE! WHY?!
[ GRUNTS ]
[ GROWLING ]
JEFF, ARE YOU OKAY? ARE YOU OKAY?
ARE YOU OKAY?
[ ROARS ]
WHAT'S HE --
NO! LET HER GO! LET HER GO!
LET HER GO!
NO! NO!
JEFF! NO!
NO!
[ GROANING ]
YOU GUYS OKAY?
YEAH, YOU?
YEAH, I'M ALL RIGHT. I'M ALL RIGHT.
OKAY.
ALL RIGHT, WE'RE GONNA HAVE TO FIND ANOTHER ROOM.
YEAH.
SOMEPLACE WHERE WE CAN BARRICADE OURSELVES IN.
OKAY.
THE LAB.
THE LAB? NO, NO.
WHAT DO YOU MEAN, NO, NO?
IT'S GONNA HAVE TO DO.
WE GOT TO GET IN THERE BEFORE THAT THING
DECIDES TO COME BACK AND FINISH OFF WHAT IT STARTED.
THEY'RE NEVER GONNA RECOVER FROM THIS.
YEAH, NEITHER ARE WE.
GET UP, GET UP. WE GOT TO GO.
OKAY. OKAY.
COME ON, COME ON, COME ON, COME ON.
GET IN HERE! COME ON!
I-I DON'T KNOW.
WE DON'T HAVE TIME TO WORRY ABOUT THAT RIGHT NOW.
OKAY, WHAT ARE YOU DOING? AAH!
NO!
OH, MY GOD!
JEFF!
[ ROARING ]
GO, GO!
WAIT! NO.
NO! JEFF!
[ GROWLING ]
[ ROARING ]
GO!
[ DOOR SLAMS ]
[ CREATURE ROARING ]
GO, GO, GO, GO, GO, GO!
[ GROANING ]
AAH! [ GROANS ]
[ DOOR CLOSES ]
OH, WHAT IS THAT SMELL?
[ COUGHING ]
[ ROARING ]
[ COUGHING ]
AAH!
JEFF?
[ DOORKNOB RATTLES ]
[ GROANING ]
LYDIA, ARE YOU OKAY?
OHH.
[ BIRD SCREECHES ]
WE'D ALL BE DEAD IF IT WASN'T FOR YOU, YOU KNOW?
YEAH.
WE'VE LOST FOUR KIDS.
I KNOW.
YOU KNOW, I'VE BEEN TRYING TO FIGURE OUT
WHAT THAT THING IS AND WHERE IT CAME FROM.
THINK ABOUT IT.
IF THIS IS AN INSANE ASYLUM,
THEN WHAT'S A LAB DOING HERE?
YEAH.
AND THE BOOKS I FOUND?
ANIMAL BEHAVIOR SCIENCE, GENETICS, THE SECRET GENE.
WHY IS THAT HERE?
WHAT, YOU THINK THEY KNEW ABOUT GENETICS BACK THEN?
SOMEBODY DID.
[ RATTLING ]
WHAT IS THAT?
I GOT SOMETHING IN HERE I WANT TO SHOW YOU.
I'M NOT FOLLOWING YOU, MS. TINSLEY.
AND I'M TRYING TO TELL YOU THAT THOSE PEOPLE UP THERE,
WHOEVER THEY ARE THAT BROKE INTO THE ASYLUM,
THEY'RE IN GRAVE DANGER.
YEAH, YEAH, BUT YOU HAVEN'T TOLD ME FROM WHAT.
I CAN'T.
I PROMISED I WOULD NEVER TELL, AND I CAN'T TELL YOU THAT.
OKAY.
THE ONLY THING I CAN DO IS SEND A CRUISER OUT THERE
TO HAVE A LITTLE LOOK AROUND, THAT'S IT.
WELL, IT HAS TO BE IMMEDIATELY.
YOU HAVE TO GO RIGHT AWAY.
NO, NO, YOU HAVE TO TELL ME WHAT'S GOING ON,
AND YOU HAVE TO DO THAT RIGHT NOW!
[ CREATURE GROWLING ]
Liz: JANET!
OH! JANET!
[ GROWLING ]
[ ROARING ]
YES.
IT GOT OUT AND IT RIPPED DR. NEWMAN'S THROAT TO PIECES.
AND YOU HID THE BODY?
WELL, WHAT WAS I GOING TO DO?
I MEAN, IT WAS MY RESPONSIBILITY NOW.
I SOLD EVERYTHING I HAD AND JUST KEPT THE ASYLUM.
YEAH, WELL, WE'LL GET TO THAT.
[ CELLPHONE BEEPS ]
[ CELLPHONE BEEPS ]
[ CELLPHONE BEEPING ]
Jeff: WHAT?
HE'S MY BROTHER.
[ SCOFFS ] ARE YOU INSANE?
I DON'T KNOW IF I EVEN BELIEVE IT.
HOW IN THE HELL CAN THAT THING BE YOUR BROTHER?
PART OF IT IS.
YEAH, A VERY SMALL PART OF IT.
ABOUT SIX YEARS AGO, I FOUND OUT I WAS ADOPTED.
WHEN I WAS A CHILD,
THERE WAS A WOMAN THAT USED TO COME TO THE DOOR.
EVERY DAY SHE WOULD TELL MY MOTHER THESE STORIES --
STORIES ABOUT THIS PLACE AND WHAT WENT ON HERE.
AND THEY JUST LET YOU LISTEN? COME ON.
NO, I MEAN, I-I STOOD BEHIND THE DOOR TO LISTEN,
BUT I NEVER THOUGHT THEY WERE TRUE.
ALL RIGHT, WELL, LET'S JUST SAY FOR A SECOND
THAT IT'S TRUE, OKAY?
HOW IN THE HELL DOES THAT MAKE YOU ITS SISTER?
WELL, FROM WHAT I UNDERSTOOD, I WAS BORN HERE.
I WAS ONE OF TWINS.
AND MY FATHER WAS THE DOCTOR HERE.
ARE YOU SERIOUS?
AND THEN I FOUND THE LAB.
AND I FOUND THE BOOKS AND THE LETTERS.
AND I FOUND THIS.
IT'S MY PARENTS.
COME -- COME ON.
HOW -- HOW CAN YOU BE SO SURE?
HERE, I'LL SHOW YOU.
I-I HAVE BEEN CARRYING THIS AROUND WITH ME FOR YEARS.
I'LL BE DAMNED.
I THOUGHT HE WAS DEAD A LONG TIME AGO.
YEAH, WELL, LET'S NOT HAVE A FAMILY REUNION.
[ SIGHS ]
YOU SAID THE GIRL WAS PUT UP FOR ADOPTION, IS THAT CORRECT?
I GAVE HER TO MY BEST FRIEND.
I MEAN...
WHAT WAS I GONNA DO WITH A BABY?
I WAS IN NO POSITION TO TAKE CARE OF HER.
YOU REALIZE THAT YOU'VE, UH,
CONFESSED TO TWO FELONIES ALREADY.
[ CELLPHONE BEEPING ]
Liz: I HAVE TO FIND IT.
ARE YOU NUTS?
THAT THING'S GONNA RIP YOU TO PIECES.
I NEED TO TRY TO TALK TO HIM.
I-I DON'T BELIEVE THIS. WHY?
BECAUSE I TOLD YOU -- HE'S MY BROTHER.
NO, NO, HE'S NOT.
HE'S JUST SOME GIANT FREAK
THAT'S TRYING TO KILL EVERYBODY IN HERE.
I GOT TO GO.
YOU DON'T UNDERSTAND. I DON'T HAVE A CHOICE.
I CAN'T LET YOU DO THIS.
THIS IS CRAZY. YOU CAN'T GO WANDERING AROUND.
I HAVE TO. I NEED YOU TO STAY WITH THE GIRLS.
ALL RIGHT, ALL RIGHT.
I DON'T -- I DON'T THINK IT'S SAFE IN HERE ANYMORE, OKAY?
SO I THINK WE NEED TO MOVE OUT INTO THE HALL, OKAY?
SO -- SO, LET'S MOVE OUT INTO THE HALL, OKAY?
COME ON. ALL RIGHT.
COME ON, COME ON, COME ON.
HEY, CHIEF, MS. TAGER SAID THAT HER DAUGHTER
RECEIVED A TEXT MESSAGE FROM SOME KID.
HER AND HER FRIENDS ARE STUCK IN THE OLD ASYLUM.
NOW DO YOU BELIEVE ME?
[ GASPING ]
[ CREAKING ]
I KNOW YOU DON'T UNDERSTAND ME, BUT JUST LISTEN TO MY VOICE.
I'M NOT HERE TO HURT YOU.
I'M YOUR SISTER.
AND I'M SO SORRY IT ENDED LIKE THIS.
I DIDN'T KNOW.
LISTEN TO MY VOICE. I DON'T WANT TO HURT YOU, OKAY?
I'M JUST GONNA OPEN THE DOOR.
OKAY?
AAH! JESUS, JUSTIN!
STOP! [ GRUNTS ]
JUSTIN!
CALM DOWN.
ARE YOU OKAY?
ARE YOU OKAY?
OKAY, JUSTIN.
GO TO JEFF.
[ SIGHS ]
JUSTIN.
GO TO JEFF. GO!
GO!
[ GASPS ]
[ CLATTER ]
[ DOOR CREAKING ]
[ GROWLING ]
I'M NOT GONNA HURT YOU.
OKAY?
IT'S OKAY.
I'M JUST GONNA KNEEL DOWN, OKAY?
I'M NOT GONNA HURT YOU.
I WANT TO SHOW YOU SOMETHING, OKAY?
I'M JUST GONNA TAKE THIS OUT, OKAY?
SEE THIS?
IT'S YOUR MOTHER AND YOUR FATHER.
[ GROANS ]
AND I HAVE ANOTHER ONE.
[ GROANS ]
OKAY.
[ ROARING ]
DO YOU REMEMBER?
FORGIVE ME.
[ MOANING ]
[ MOANS ]
[ GROWLING ]
OH!
HE REMEMBERED!
YEAH.
YOU DON'T UNDERSTAND. HE HAS THE MIND OF A CHILD.
[ ROARING ]
I BET HE'S TERRIFIED OF US.
YEAH, WELL, YOU COULD'VE FOOLED ME.
[ POUNDING, ROARING ]
WHAT'S HE DOING?
HE'S REMEMBERING.
[ GASPS ]
OH, MY GOD. GO, GO, GO, GO, GO, GO!
GO, GO, GO.
[ GROWLING ]
[ MOANS ]
HE'S MOVING.
GET BACK IN THE ROOM WITH THE KIDS.
Jeff: COME ON.
COME ON, YOU ***!
COME ON.
COME ON, YOU SON OF A ***.
HEY!
[ ROARING ]
JEFF! NO!
STOP! STOP!
[ SOBBING ]
[ MOANING ]
[ ROARS ]
[ GRUNTS ]
[ SOBBING ]
[ ROARING ]
[ MOANING ]
I'M SORRY.
[ Crying ] YOU HAVE TO JUST END IT.
[ SOBBING ]
ARE YOU SURE?
DO IT!
[ SOBBING CONTINUES ]
[ WOMEN VOCALIZING ]
MS. TINSLEY!
COME HERE. GET BACK, GET BACK, GET BACK.
[ VOCALIZING CONTINUES ]
I WANT TO THANK YOU...
FOR EVERYTHING.
SO, WE'LL SEE YOU AT THE HOSPITAL, OKAY?
HEY, LIZ.
YEAH?
YOU DIDN'T HAVE TO COME ALL THE WAY BACK HERE TO TELL ME THAT.
YEAH. YEAH, I DID.
YOU'RE WORTH THE TIME.
WHAT ARE YOU DOING?
I'M JUST SAYING GOODBYE.
DON'T TOUCH ANYTHING!
I TOLD YOU, I'M JUST SAYING GOODBYE.
YOU REALIZE WE HAVE A LOT MORE QUESTIONS FOR YOU.
YOU KNOW WHERE TO FIND ME.
WE'LL GIVE YOU A RIDE HOME.
[ BIRDS CHIRPING ]
I HAVE YOUR TEA.
ADAM IS GONE.
YES.
HE IS.
[ SOBS ]
WALTER...
THEY DON'T KNOW ABOUT YOU.
SO YOU'RE GONNA BE OKAY.
I'VE ALWAYS BEEN HERE FOR YOU, WALTER.
ALWAYS HAVE.
ALWAYS WILL.
THEY KILLED THE BOY.
BUT EVERYTHING THAT HE WAS...
IS IN HERE.
WE CAN MAKE ANOTHER.
[ EERIE MUSIC PLAYS ]
[ WOMEN VOCALIZING ]
[ SLOW MUSIC PLAYS ]