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YOU THIN■ ■MU■VE GOT A SHOT?
WHF OWS■
■!HT■ THE HTEST SHOW THIS M■SEUM'S EVER HAD.
YOU LAND THIS B, OP OF THE DH■■ER IS ON MD■
IS .
I LAND THIS JOB, DIN■ER
OH, IT■S HOT!
t
OW, OW, OW...
DON'T YOU DARE PUT ME ON HOLD AGAIN!
HE■
■■
■!■■■:00 AT NIGHT.
LOOK, I DON'T THINK
YOU'RE VIOLATING THE DOBTER-PATIE RELATIONSHIP
IF YOU TELL ME WHAT'S WRGNG WITH ■E.
HEY, HONEY, UH, DON'T FORGET.
YOU GOT TO TAKE KENNY TO HIS, UH... THIN■.
■E@H, RIGHT■ "HIS THI■G."
■! "HI■ THIB■"" SO, THAT'S SH■T THE■■RE AALLING IT.
Kn.y:
GEE, CAN YEU FDED THE PRIDE.
MY NDW NEIGHBOR TURNS OUT ■!TK BE THIS UBER■BABE, REBECC.
TI SEE HDR IS TM OBSESS.
■! ■■VHICH ISXACTDY WHAT @ DID.
scr
(■.
( screamin#■ )
ONLY, H ACBIDEBTALLY GGT HER MK■■S WINDOW.
SO, NOW I'■E GMOM, ARE YOU ORDERED CO■NSELI■LL OKAY■ THING.
THEY WON'T TELL ME OVER THE PHONE.
THE DOATOR'SIN SURGERY.
I'M GOING DOWN THERE.
I'LL GO WITH YOU.
NO$ SWEETID, THAT'S ALL RIGHT.
THIS I CAN DO ALONE■
GH, BUT■..
OH, ■EGHA■, CA■ YOU DG A MAIL RUN
FOR ME TODAY AT LUNCH■
OH, I'M HAVING LUNCH WITH BRIAN TODAY■
YO■'VE BDEHAVING A LOT OF LUNCH LATELY.
YOUR POINT BEING?
I JUST THI HE'S TOG MLD FOR YOU.
DMN
NO. I KNOW YOU'RE HN A BIG HURRY
TO BECOME AN ADULT, BUT YOU'RE NOT QUITE THERE YET■
I CAN HABDLE MYSELF.
THE ONLY THING A 23-YE■R■KLDTHI. YOU, I TRUST; HIM, I DON'T.
NERSFLASH: SAME THING FOR 17-YEAR■NLD■.
16-
Caler■n: ■■■!
Kenny: ■■ 15-YEAR-OLDS.
MJR■IN■.
EXPLAIN PI■ETHING.
MM-HMM.
DOE■ YOUR MGM HATE ME OR MY SHIRTS?
YOU. SHE'S JUST PISSED OFF
'CAUSE I O■LY STARTED DATING YOU OUT OF ■PITE.
PUMPED.
H■S NOTHING TO DO WITH MY MOM AND EVERYTHING TO DO WITH THIS.
COULD YKU BL■RIFY THAT LAST POINT?
( giggles )
SO, BRO, VHEN THD COPS B■STED YCU
DID ■O■ HAVE TO ASSUME THE PKSITIJN
AND, UH, YNU ■■OU$ TASTE THE HIGH BEAMS?
YOU SEE THAT? SHE HATES ME■
YEAH, YEAH. I SDD THAT■
WHAT'S UP?
■#
I ■IBKED SOME SERIOUS BUTT ON MY P.S.■■T■Q■
HOW ABGUT YGU?
UELL..■
diQ:
(
READY...
BE■IN!
PENCHLS DOUN!
I ■■ID, "HOW( rifhq heav■l) )
?
I'M ■J SNRPYAA■.
SORRY ABOUT WHAT■
THE WHOLE S.A.T. THHN■'S
■!■?
( slams skateb.a■d d■5f (
[Captioning sponsored by ■# FOX BRDCA■TING COMP■■Y
afd TWENTIETH CENTURY FOX TELEVISIONT
■P
■
■Z
LONK AT THAP ■■T■ BACE.
HE'S BLUFFING.
THAT■S NOT "SMUG."
THAT!S "ST■NDANG FIRM."
HOW DO YOU WANT TO DO THIS■
PLA■ THE■
GO THE FRIENDSHIP ROUTE?
GOOD COP/BAD COP?
WE COULD ALWAYS GRAB HIM BY THD ANE
HAS THAT ER WERKDD FOR US?
SHAKE THD MONDY KUT OF HIM.
HDY$ IT GOT U■ FREE TGNDR.
cel)
(
HDLLO?
IT'S A JGNING CGMMISSION.
I NEED TWO MINUTES.
STADL■
DAVID GOT HUNG UP ■!FOR ■ MINUTE.
ACTUALLY, I'M GLAD WE GOT A MO■ENT TO TALK ALONE.
■CU KNOW, I KIND OF SUCK AT ■UBTLET■
■O I■■ GOING TO LAY THH■ RI■HT ON THE TABLE.
UE WANT YGU RUN IT.
INTERESTED?
WELL... SHKUDDF'T DAVID BE HEARIFA THI■?
THIS OFFER IS JUST FOR YO■, MITCH.
I KNOW IT'S KIND OF A STICKY SITUATION
SINCE ■M■ ■UYS ARE PARTNERS, BUT, UH■.■
I ■LWAYS AMNSIDER YOU TO BE THE GO-TO GUY.
UH... WELL, H■D FLATTERED, I'M FLATTERED, BILD
BUT, UH, YN■ KNOU$ DAV AND I WERK AS A TEAM.
I'■ TALKIN■ STOCK OPTIONS, TRAVEL ALLGUANCE
RETIREMENT BENEFIT■.
THIS ISN'T A LATERAL MOVE, MITCH.
IT'S GOING TO BE YOUR DEPARTMENT.
THE ENTIRE WEST COAST.
YOU MAKE ALL THE FINAL DECISIONS.
WELL, THAT, UM...
THAT SOUNDS GREAT, BUT, UH, I... H CAN'T.
WE'RE TALKING A TON OF MONEY HERE, MITCH.
LOOK, THIS IS A ONCE-I■-A-LIFETI■E OPPORTUNITY, OKAY?
I DON'T ■EED ■N ANSWER RIGHT AWAY.
THI■■ ABOUT IT..■ SERIKU■LY. ALL RIGHT?
M-O.
I'LL THINK... ■"I'LL THIN■ ABOUT IT.
GOOD.
■"
HEY, HONEY, IT'S ME.
■"BP UH,"■E GOP SODD REALL■ BIG ■EWS...
I'LL, UH, ■WIN■ B■ THE HOUSE ■"
AFTER LUNCH
WELLYEAH, I GOT TH■T INSPECTIMN AFTER DUNCH.
¤
A@, RIGHT,RI■HT.■$■$
M... I'LL R
J■AT
Man:
■!
QHO'S GOING TO SET ME UP HERE?
CAMEROB■
■NU ■OIND TO GIVE ME ■MME SUNSHINE...
BEFORE IT GETS DARK?
■■SGRRY■ I"M IN TCTALEC.
STILL LOOKING FOR THAT SUNSHHNE.
ANYBODY? ANYBODY?
SO IT CATCHES
T■
■!THA■K YGU.
Da■
EXC.
I'M MARY GREEN"
H BAN'T. I■E TOO BUSY.
I'M,
AND IF I DID■'T, I'M SORRY.
I'VE ALREADY CHOSE■ MY CANDIDATES.
EH, YES!
( door opeás■ .
EDI■ABETH.■.
I AM SO SMRRY FOR THIS CONFUSION.
IS G
I DIDN'T WANT TO HANDLE ON THE PHONE.
Elizabeth: OH, ■Y GDD$ I'E D■ING.■$
I NEED TKNOW WHAT I'M BATTLING HERE.
KH, NO$ NE, ■G, NG, ELIZABETH, YOU'RE FINE.
N
I WAS... WONDERING... UHETHER, U■...
YOU WOULD HAVE DINNER WITH ME.
EXCUSE ME? I'M FINE■
BUT, YDAH, YEAH, YNU'RE FINE.
ABSOLUTELY NOTHH■G URO■G WITH ■E?
I'M SORRY IF I GAVE YOU ANY OTHER IMPRESSINN.
( chuckles■)
DAMN IT, DOCTOR! YOU SBARNO... OH, NO, NO, NO...
WAIT, ELIZABETH.
■J TO HEDL!
(■. door opens )
( docr slamming )
( si'hs (
IF YOU'RE PJ ■ISERABDE, WHY DO■'T YOU JUST QUIT?
TWO WORDS, ALL RIGHT? "STOAK GPTHOF■."
INTEL BUYS US OUT.
I SPEND THE REST MF ■Y LIFE DIVING LA VIDA LOCA.
GHGET REAL.
INTEL WOULDN■T BUY YGU A DRINK, LET ALOND YNUR COMPANY.
M■chan: IS THIS WHAT TVE■TY-■O■DTHI■GS TAL■ ABOUT-- MAKING MONEY?
F■A■, I @AF DO THIS.
I HDAR TECH STOCKS ARE PRETT■ VOLATILE.
Kr)
(
THAT'S.". THAT■S GOO■
THANKS.
SG, UH... RAZMR'S PLAYING TOMORROW NIGHT.
■"YOU ■UYS UP FOR IT?
Briaf: WELL, THAT SOUNDS GREAT. MEG?
WEEKFIGHTS AREN'T REALLY MY THIN■, YIU HNNW
RIGHT. RIGHT. OF CNURSE.
IS YOUR, UH, BNSS RIGHT IN ■R BUTT OR SNMETHING?
■OT EXACTLY. UM...
WELL, SHE'S, UH, SHE'S INCOOL. RHERE?
S.C.■ U.C.L.A.
T
KE■NY GREE YOUR MOTHER IS HERE
TO TAKE YKU TG SEE THE SEX THERAPHST.
■
LOOKS LIKE SGMEKND$S GOT HIM■EDF ■"■"A MAJOR CASE OF THE HORNIEB
KEN.
YOUR MOTHER IS HERE
TO TAKE YOU TG YOUR APPOINTMENT
WHOA, DUDE, DEAD PEOPLE
■"I'M WAY OCCUPIED WITH THESD P■S■A.T.s THING■, MAN.
HOW'D YOU ORE?
OFF THD CHARTS.
WHICH END?
BOTTJM.
YO
ÚYEAH. SAME THING.
YEAH, WE$ NO BIG SHOOP■
COLLEGE IS SO FOR LGPER■ A■YUA■
BESIDE■$ I■M WOR■ING AT MY DAD'S S■ATE SHOP.
MAYBE YOU CAN BE ■Y APPRENTICE■
KB COURSE, THAT'LL MAKE ME ■ MASTDR.
VHBA, "MASTER BOB"!
YOU NOG ON THAT FOR A WHILE, BRO.
THA■KS.
■
Kefny: OKAY, GRDEN, RELAX.
■"
IT'S JUST THERAPY. NO BIG.
WAF
■#
HE FIN SOMETHIN■■
I ,
■.■.I DID LOOK IN THE WINDOW
WH-WHAT IF I■M THE ONLY ONE WHO THINKS I'M NORMAL?
WHAT IF BY NOON TOMORROW
■.I'■ ONE OF THOSE KIDS GN... ON MEDICATION?
NO, ■I, YOU'RE NOR■AL.
■" ■OU'RE IN COMPDETE CJNTROL OF YOUR SEX DRIVE.
Wo,af: HI. YEU MUST BE IENNY.
I HAVE QERIOUS CONTROL ISSUES.
Woman: CAREL, CAREFUL, CAREFUL!
OH, DON'T STACK THE BRIE ON TOP OF THD SALM.
COLD IN THD BA@K, HOT ■E'SI■ THE FRONT.
YOU KNOW THE DRILL■
HO■N■■ PARSONS--
YOU DROP IT, YOU DAT IT.
■!
MARY■
JOANNA.
BIB PARTY?
GH, WELL, THEY'RE ALD BIG.
I HEAR WE'RE GOING HDAD-TE-HE■D ON THE EUSEUM BID.
I'D BE HAPPY TO DET YOU HAVE THE BAR CONCE■SION
I'M SURD YOU'D DB YOUR USUAL... MAR■DL■ JEB.
TEDD ME, ■ENNY,
DO ?
ÓHUH?
. ■
WHAT KIND OF FANTASY DO YOU THI■K I ■EAN?
THE, UH... SEX... KIND?..
■"■O, THDN YOU DON'T FANTASIZE ABOUT SEX?
■Ó■GMETIMES... BY ACCIDENT. NO.■
MAYBE IF I GO PA■T THYOU WANT TO LOGK IN?.
■R
SN?
NO.■,
THAT... THAT WMULD BD ■O!
I DON'T PEEK.
NC, NO. SURE, I... I PEDKED
A O.
■"BUT THAT WAS
RE■LLY, I... I DON'T EVEN SHAKE
MY CHRISTMAS PRESENTS AHEAD MF TIME.
I LIKE TO BE SURPRISED.
DON'T YOU5
■H. HEY, HONEY.
HEY, MMM.
PG, HMW DID IT GO?
RASN'T TOO, UM... HEAD-TRIPPY, UAP IT■
É EXPERIENCE I'■E EVER HAD.
YET STRANGELY MOVINB■0
IT SA■ O■AY.
Kenny: ■" EH, MH GOD, IT'S...
I GOT TO GET BAAK TO SCHM
I'M RIGHT @RBUND THE CORNER.
ENMUGH EXTRA MGNEY TO PUT ALL THE KIDS THRCU■H COLLEAD.
HEY■
OR WE @KULD BUY THAT NEW CAR YOU WA■TED.
AND THE REASON YOU DIDN'T SAY YES
DAVID, YOU KNOW.
IT'S COMPLICATED.
HT MEAN■ DISSOLVING THE BUSINESS--
DEAVING HIM IN THE LURCH
WHAT KH■D MF PARTNER AM I
HB I J■MP AT THE FIRST OFFER3
■OU'RE A GOOD P■RTNER TO EVEN WORRY.
EIGHT YEARS TOGETHER--
YOU KNOW, THAT'S HARD TO THROQ AUAY.
AS YOUR WIFE, I'M ■LAD YMU.
OF COURSE, CAN'T DISMISS IT, EITHER.
I'D HAVE MY OW■ DEPARTDENT■
YOU KNOW, TKTAL AUTONOMY.
DIDN'T YOU START YOUR OWN BUSINESS
SO YEU WOULDN'T HAVE TO BE AN EMPLOYEE?
YEAH, BUT THE DO■EY HE'S OFFERING.
MH$ IS THAT WHAT THIS IS ABOUT, THE MONEY?
WELL...
YEAH.
H ■E■N, LOGK AROUND.
HONEY, ALL THI■ JU■T DIDN'T HAPPEN■
MITCH, DO WHAT HNU
DON'T MAKE MONEY THE ISSUE.
THANKS.
FOR WHAT■
MAKING IT EASY.
■!M?
YEAH?
YO■■RE T■R■IJG HIM DOW■$ RIGHT?
OF .
NO O■E'S ASKDD ME ON A DATE IN 43 ■EARS■
I WENT FROM SCARED I WAS DYING
TO HAPPY I WAS ALIVE
TO FURIOUS AT HIM FOR EVEN ASKING ME.
GRANDMA, ARE YOU ATTRACTED TO HIM?
OH, I WASN'T PA■I■■ ATTDNTIMB.
OH, GOD.
WHAT?
I ■AV HER BOYFRIEND WITH ANOTHER GIRL.
KH...
MEN ■U@■.
■DAH.
YM■ ■OING TO TELL HER?
TELL HER, I PUSH HDR FURTHER INTO HIS ARMS.
IF I DON'T, SHE GETS HURT.
EITHER WAY SHE'S GOINTO THI■■
YE■
IT'S AN ARGUMENT
Hort: In ■hat c■tx was the Coca-Cola compúny foU.ded■
ATLANTA.
Man: Atlanta.
Host: Yes. What ng of Ejgland
was nicknamed The Coff■sS■r?
FH, EDSA.
Man: Edward.
Yes. Before he as Buddha
known
what was the eiven núee of the fotnder of Buddhism?
Man: Mah! Rajnah.
■"
CA■EREN WIDD TA■E OVER■THE-CCU■TER CONTRACEPTIVES
FOR ■00, ALEX.
WHAT ARE YOU SAYING?
YOU THI■H I'M STUPHD?
HEY, HE SAS KIDDING AROUND.
I DON'T ■DT WHY NOT KNOWING THIS CRAP
MEAN■ I'■ ST■C■ SPENDING THE REST OF MY LIFE PUMPING GAS
INSTEAD OF BEING OUT ITHD ■"■"ATLANTIC TAGGING M■NTA RAYS.
■!Host:
Uh,
Man:
TAGGING ■ANTA RA■■?
THD JACQUES
REMEMBER?
WHN
Meghú.:
HE WROTE TO THE GUY AND ASIED HI■
HMWB
ON THE CALYPSO.
I DKN■T KNOW■
AH.
AND, UH, HMW-HOW ARE YMU?
GOOD$ I GUESS.
WHY?
Kenny: HOW CAN I TELL HER/
THAT HER BOYFRIEND'S SEEING ATHER GIRL?
■!HOW CAN I NOT?
I, UH, I SAW BRIAN TODAY.
WITH..■ A GIRL.
AND THHS IS INTERESTING BECAUSE?
ISN'T HE SUPPOSED TO BE DATING YHU■
WHAT BRIAN A■D I HAVE ISN'T...
IT ISN'T HIGH SCHOOL.
IT'S MORE SOPHI■TICATED.
I KNOW HE SEES OTHER GIRLS
■ND HE KNOWS I SEE OTHER GUYS. IT'S COOL.
THIS IS RAY BEYOND ME.
I'M JUST GLAD MK■ DIDN'T SEE.
GD, SHE'D BE ALL R ME ABOUT IT.
OH, HONEY...
( crying )
■.WG
Dr. Wolff■
THROUGH THE BUSHES
APPROACHINB THE WINDNW, WHAT WERE YO■ THINKING?
I ■EAN, WHAT DID YOU EXPECT TL SDD?
NAKED?
■r
FG.
YES.
I'VE I■■GINED HER NAKED A AKUPLE TIMES.
OKAY, I DO HAVE FANT■■IES. H'M 15.
DESCRIBE THEM.
( ■.Stammering ):
NGT.
SHE'S WASHING HER CA-
Ú SUDS EVERYWHERE.
■!HER T-■HIRT IS-IS WET
AND IT'S CLINGIN■ TG HER■■.
■RM
■■
■"ARE YOU EVER IN ANY OF THESE FANTASIES■
AND RUIN IT■
I MEAN, LET■S FACE IT.
FACE WHAT?
KIND OF SO■NDS LIKE I DON'T LIKE ■YSELF.
KIND OF.
VHAT DO YOU EXPEAT?
EY SISTER'S ILLIANT AND ATTRACTIVD.
■Y BROTHER'S LIKE THIS TOTAL STUD-JOCK.
■"■■ P■RENTS.■. I MEAN
■" I GOT THE ■E■ETIC TABLE SCRAPS.
BOTTOM DINE,
SM IT'S JUST EASIER
■TO,
■!T.
EASIER THAN RINGING AND PEEK INTO WINDOWS?
WHY?
$CAUQE
THEN THERE'S NF.■■ REJECTIMN.
SAS THAT ONE OF THOSE ■!
BREAKTHROUGHS?
■/
"THE MOST SPONTANDNU■ PARTIE■ ARE THE ONES BEST PLANNED."
AND THEN THE OVERVIEW
THEME, MUSIC, LIGHTING...
HGNEY, DARE I ADVISE■
YOU'RE NOT GOI■G TO USE THOSE CARDS TOMORROW, ARE YO?
■!
WELL, ACTUADLY$ XE■■EAH.
OH, OH, OKAY. IT'S, UH
IT'■ JU■T MY GPINION, YOU KNOW.
IT'D
BUT THE CARDS-- DHEY TELL
THAT YOU DON'T HAVE BNNFIDENAE.
AND BDLIEVD ■E, IN BUSINESS
CONFIDENCE IS EVERYTHING.
TURNING DOWN BHLL UAS TIU■H$ BUT YOU'D NEVER KNOW IT.
YOU KNOW WHY■
BECAUSE YOU DIDN'T USE CARDS■
CONFIDENCE. H'■ ALREADY THINKING ABKUT THE FUTURE...
JU■T SF ■OU INOW, I DMN'T DOUBT MYSELF
I KNOW MYSELF AND I KNGW I NEED A CRUTCH.
RIGHT.
HONESTY. THAT-THAT COULD WORK$ TOO.
MARY?
É
ANYTIME ■OU■RE READY.
■"
H'LL BE BRIEF, UM...
PARSO■■■ PARTY PROJECT IS A MACHINE.
AND, HONESTLY, GOING WITH THE■
IN THD WORLD. PENSE
WELL$ THAT'S ONE THING IN YOUR FAVOR--
YMU AND I THINK ALIKE.
WHAT ISN'T OBVIOUS ARE THE REASMNS
PARSONS' IS HOSTING FIVE P■RTIES THAT WEEKE■D
THAT MEANS YOU'RE LNLY GETTING ONFIFTH OF JOA■NA PAR■ON■.
ON THE OTHER HAND, YOU'RE G(■. phene ringr )
HELLO?
( laughing
HOLD ON.
■NLIKE PARSCN■', I'M ■MALL AND I'M HUNGRY.
REALL■ HUNGRY■
THAT MEANS I HAVE TO TRY HARDER, BE MORE I■■OVATIVE
DOT FOR LESS MONEY
A■D MAKE YOU LGG■ LIKE A GENIUS
FOR PIC■IN ME TO PLA■ YGUR PART■■
I'M GREAT.
ARE YOU GOHNG TG MA■E ME BEG?
'CAUSE IF YOU ARE, I CAN DO THAT
BUT ■O■'RE GOING TO HAVE TO STOP
I'M NOT ■AD.
YOUR BROTHER SAW YOUR BOYFRIEND WITH ANOTHER WE■AN.
QELL, I■■ SURE YOU HAYOUR REASENS■
I DN.
IT
S.
BRING THEM ON, YOU LYING ■AC■ OF.■■
KRISN AND I USED HAVE A THHNG.
HUH?
I SWEAR TO GOD■
LDING HANDS?
( sighs )
■HE'S ■MI■G THROU■H ■IME BRUTAL STUFF
A■D HDR ■EV BMYFRIE■D'S THHS TOT■L LOSER.
THEN SHE STARTED TO HAVE THIS TOTAL MELTDETN...
■
LISPEN..■
I ■DED TF KNOW WHERE WE ■T
TH■T YNU■RE NNT THIS TOTAL PLAYER
■#
THAT IT'S JUST ME.
■!
IT'S JUST YOU.
■,
■"GOOD A■SWER.
HOW ABOUT.■.
HE■
HEY, D■VID.
UAHT UP■ HERE.
■/
WHAT'S THIS?
WISH LIST. @AME UP UITH IT LAST NIGHT■■,
PLAYA DEL MAR? ?
HOW MANY MMRE MI■I-■ALDS YOU WANT TO TURN OVER?
WE'VE BEDN THINKI■G SMADL TOO LONG.
LET'S START GOING AFTER SOME OF THESE LOND$■HMTS■
THD ■■M. PLANT■
IT'S NOT OUT OF REACH.
NOTHING IS.
COME ON.
WHAT■
I TALKDD TO BILL JACOBSON LAST NIGHT.
AND?
AND I TOOK THE JOB■
WHAT?
WHEN YOU TUR■ED HT DOWN, BILL OFFERDD IT TO ME■
H TOOK IT.
VHAT ABOUT THE PARTNERSHIP?
HELL, DAVE, WHAT ABOUT GUR FRIENDSHIP■
■!THIS IS BUSINESS.
FRIENDSHHP'■ GOT NOTHING ■!
TO DO WITH IT.
FRIENDSHHP H■S NOTHIBG TO DO WITH IT?!
DON'T MAKE ME THE BAD GUY.
I TURNED DOWN THAT JOB BECAUSE OF YOU.
AM I SUPPOSED TO SAY THANK YOU?
IT WAS A SMART MOVE, A GREAT OFFER.
I HAD TO TA■E IT.
ARE YO■ YING WHAT YEU DID WAS SMART
AND WHAT I DHD WAS STUPID?
NO■ THAT IS ■OT WHAT"..
THAT'S EXAC WHAT YOU'RE
■"
YOU'RE SAYI■G THINKING ABOUT FRIE■DSHIP IS STUPID?!
I'M SORRY, OKAY?
I'M ■NRR■.
WH DO YOU GO?
HE NEEDS ME TOMORROW.
TO■ORROW?
YEAH.
ONE-DAY NOTICE? THANK YOU.
DON'T WORRY.
YO■"VE ALWAYP BEEN THE GO-TO GU■.
YEAH. GMT AS ALONG A■ IT TAKE■
A RELIEVER TO WARM UP.
AND I REMEMBERED TH■T DETTDR.
I JUST WANT TO LET YOU K■OW THAT I■M COOL
WITH HELPING OUT WITH SFME OF THE SCHOOL STUFB.
GREAT. W DON■T YNU START
BY TEDLING ME WHE■ I■M GOIN■ TO USE A LOGARHTHM IN REAL LIFE?
AAMERGN, IT'S...
HOLD THAT THOUGHT. BACK TO LI■E AATION.
IT'S BGTTOM OF THE NINTH
DOWN BY TWO. IT'S OVER.
■!IT
■"
RUNNERS ON FIRST AND THIRD? WON'T HAPPEN.
FIDLD■S BACK; THERE'S A FAT GU■N BASEBALL G■ THE MOUND.
WHAT DK YO■ INNQ■
THERS A LITTLE DAB OF PI
R ALL.
YOU KNOW WHAT, CAMERON? H EAY ■EVER ■ET
ARNU■D TM USHNG A LOGATHM
H LEARNED IT
AND BECAUSE YO■ COULD■'T AARE LESS
THE ONLY MARINE LIFE YOU'LL EVER OB■ERVE
IS FISH STICKS.
D■. AardiQ■e: I WAQ SURPRISED THAT YOU EVEN CALLED.
Elizabeth. NOT HALF AS SURPRISED
AS I WAS TC HAVE ■UCH A GOD TIME TONIGHT■
OH, GEE, THANK YOU.
NO, I MEANT ■D.
LETTING MY■ELF HAVE SUCH A GOOD TIME.
THIS UEEKEND?
■OUNDS NIAE.
I, UH..■
I CAN'T LET YOU GET AWAY WITHOUT A KISS.
SO?
THE GOOD DOCTOR HAS A DAZZDING BED■IDE MANNER.
DO■'T TELL ME YOU'RE WAITING UP.
MAYBD A LITTLE.
SO, DID YOU HAVE A GOOD TI■E?
I KNOW, IT'S WEIRD■
H STILL WAKE UP SOME DAYS FORGETTING HE'S GONE.
YOU GUYS WERE SO GREAT TEGETHER.
"A GOOD PROVHDER"?
MOM, I KNOW THIS IS UNCHARTED TERRITKRY FOR US
OH, DON'T YOU EVEN THINK ABFUT HT, ■NM■
SIT DOWN.
HOV WAS HE AS A HUSBAND?
DO YOU REMEMBER THAT SUMMER
YOU AND I SPENT AT AUNT KATHERINE'S LAKE HOUSE$
YEAH. AUNT KATHY NEVER STOPPED LAUGNG.
TOOK ME A WHILE TO FIGURE OUT SHE WAS STG■ED OUT GF HER MIND.
■ th chuckling )
WELL, MARY, THAT SUMMER
YOUR FATHER AND I TOOK ■ LITTDEREAK.
A "BRE■■"?
WE NEEDED TIME
TO FIGURE OUT IF WE WERE BETTER TOGETHER GR APART.
THE WHODE SUMMER?
EVENTUALDY, WE PATCHED IT UP.
IT WAS NEVER PERFECT, BUT WE ■ADD IT WOR■.
HMM.
THE DOCTOR AGAIN?
THAT'S THE PLAN.
HDY, HONEY.
WHAT A DAY.
YOU LOOK SO TIRED.
c!)
(
DAVID..
OH, THAT BETTER BE YOUR DAUGHTER■
I'M LISTE■ING.
WHEN I HEAR THE CAR DOOR SLA■$ H ■■EU THE DATE'■ OVER
A■D H AAN ■TOP WORRYING.
I'■ JUST WAITING FOR THAT DOOR.
( ■.eaQps )
MEGHAN, THHS I■ IILDING ME.
ME, TOO, BUT IT'S ■MT LIKE I HAVE A CHOICE.
WHAT? CURFEW?
NAZIS WITH DOBERMANS ARE MOMENT■ ■WAY■
( sighs )
TOMORROW NIGHT.
PROMISE ME YNU'LL REMEMBER WHERE GE LEFT EFB.
NO PROBLEM.
TH■T LAST BUTTON IS BURNED INTM MY BRAIN.
GOOD N
I'M SORRI$ HG■.
YOU WERE TELLING MD ABEUT IMUR DAY.
YOU HAD ■ ROUGH ONE?
DA■ID TOOK THE JOB WITH BILL■
WHAT?
OH, I CAN'T BELIEVD HT.
HONEY, ARE YN■ I■A■?
DIDN'T SEE THAT CGMING■
YOU GUYS HAVE BEEN TOGETHER SO LONG.
DO YOU THINK MAYBE THERE'S A CHANCE HE'LL CHA■GE HIS MIND?
HE STARTS TOMORROW.
I DON'T KNOW WHYYOU THINK I AM SO SURPRISEYOU KNOW A GUY.
THIS GUY HAS A HISTORY OF BETRAYAL.
H'M GOING TO TAKE A SHKSER, HMF.
I WANT TO WASH THIS DAY OFF.
( si'hs )
THE GO-TO GUY.
KENNY, I WANT YOU TO KNOW
I'VE HAD A CHANCE TO THINK ABOUT OUR CO■VDRSATIONS.
AND H■VE CONCLUDED THAT YMU ARE
A TEXTBOOK EXAMPLE OF A FLESH■JBSESSED
TESTOSTERO■D-CHARGED *** ADOLESCENT.
WIT.
■EDICATE ME
...YOU'RE NORMAD.
■!■!I AM?
YES, BUT THERE ARE
■#TWO PIECES OF UNFINI■HED BUSINESS.
THHS GIRL WHOSE WINDOW
YOU LOOKDD INTG.
OH, SHE HAS A NAME.
THAT'■ GLOD.
HAVE YNU HAD ANY CMNTACT ■#WITH HER SINCE...
TH■
I DHD■'T WANT TC RISK A RE■TRAINING ORDER.
■#BY PEEKING INTO REBECCA'S WINDOW
YOU'VE TUR■ED HER
.
FRKM MY PERSPECTIVE, TH■T CAN BD
SO, YOU NEED TO MAKD RE■TITUTION.
■"
TALK TO HER.
EXAIN IT TO HER. APOLOGIZE.
■"■"BUT WHATE■ER ■OU DO, PRJMISE ME
YOU WILL APPROACH HER AS A PERSON.
AS A PERSON.
YES.
■■
I UNDERSTAND.
GOOD.
DID I MENTION SHE HAS ***?
■OU ■AID THERE WERE TWO THINGS"
THD SELF-ESTEEHANG-UP.
■"
GET OVER IT.
■OU'RE A SMART
FUNNY, CHARMING, ROBU■T YOUNG MAN
■! DELIGHD TO SPEND TIME WITH■
THAT ANY YOUNG GIRL WOULD BE
ROBUST, HUH■
M■. Bybe■: OKAY, THIS TIME
WE KNOW THE RADIUS C-A EQUALS 20
AND IS AT A RIGHT ANGLE TO RADIUS C-B.
WHAT IS THE DISTANAE BETUEEN THDSE TWO POINTS?
CAEERON?
UH, IT'S MORE THAN 20.
CAN YOU BE■0 MORE SPECIFIC?
NGT THIS TIME.
■#
NORMALL■$ THIS IS THE PART WHERE HE SAYS "■FYBODY
"ANYBODY?" A■D THEN ASKS ■!FOR MKRE SUNSHINE.
YOU'RE GOI■G TO GO THE DISTANCE ON THHS CNE.
■DT YOUR BUTT UP HERE.
FRIEND AGNREAN THEORE-
" SQUARED
CAN I JUST TRY THIS ■Y UAY5
AS LONG AS YIU TRY■
OKAY.
THE CE■TDR IS HGME PLA ■#
AND, UH...
THE DISTANCE BETWEEN HOME A■D THIRD IS 20
SO THDREFORE THE DISTANCE BETWEEN FIRST AND THIRD
IS THE SQUARE ROOT
OF... THIS
■!
■
THIS SQUARED■ RIGHT?
YGU'RE USING A BASEBALL DIAMOND
TO REPRESENT THE RIGHT TRIANGLE.
YES!
SO, UH, DO YOU QT TG COEE OVER TONIGHT AND STUDY?
NE. I'VE GOT TO STUDY...
HEY, UM, THA■.
FOR WHAT?
TO S
DR. WOLFF, I'M GGING
SH
IN YOUR FABE
OR KICK ■C■ VERY$ VERY HARD.
DOE.
■. ■OU HAVE TO TALK TO HER.
■#
TI■E TO BE STRONG.
TIME TO FACE YOUR FEARS.
REBECCA, ■KU HAVE EVERY RIGHT TO BE A■■R■ UITH ■E
BUT IF YEU'D JU■T HEAR ME OUT...
I'M NOT DVEN RE■KTELY INTERESTED.
OH, AND BY THE WAY
■x
MY MCM SAYS .
I WAS JUST A GUY
HN THE WRONG PLACE AT THE SRENG TIME.".
DOING THE WRONG THI■G.
IT ■HOUDDN'T HAVE HAPPENED, C■AY?
I KNOW THAT.
I ■EAN, YOU DESERVE BETTER.
I ■HMULD HAVE CALLED YNU■
UH, LET YOU KNOW YOU WERE IN MY HEAD ADDAY$ ALL NIGHT
HN■TEAD OF PEEPING.
MY THERAPIST SAYS...
YOU'RE SEEING A THERAPIST BECAUSE OF ME■■,
COURT-ORDERED.
I UAS THINKING OF YOU AS A *** JBJECT ■ND NOT AS AERSON.
YOU SAW ME AS A SEXUA@ KBJECT
NO WAY.
TH■T'■ WEIRD.
É■!YE■'RE A FREA, KENNY CREEN.
NEHT TI■E, ■AKE SURE YOU GET THE RIGHT WINDOW.
I'M SGRRY, OKAY.
THAT I.D. HAS ALWAYS WORKED BEFKRE.
FORGET IT.
I, LIKE, NEVER GET CARDED.
KRISTE■.
Y.
■"
SO WHERE'S, UH.?
, I BLEU HIM OFF. IT'S OVER.
■"
?
Ó
UH, NO. SHE, UH, GOT CARDED■
OH, THAT'S SUCKY.
LATER.
■"
SHD DOESN'T DE■ERVE THAT CRAP, YOU KNOW?
BGME ON. I'LL T■■E YOU HOME.
ISN'T HT GETTING CDOSE TO YOUR CURFEW?
YOU'RE COMING BACK, AREN'T YOU?
YOU■RE GOI■■ TO TAKE ME HOME
AND COME BACK ■ND SEE HER■
HEY, YGU■RE THE M■E WITH THE CURBEW, NOT ME.
SO, YOU ■RE CODING BACK■
THIS I■N■TABO■T YOU CARING ABOUT ME.
THIS IS ALL ABKUT SEX.
HOW CA■ IT BE, MEGHAN?
WE'VE ■EVER HAD ANY.
WHY ARE YOU E■DN WITH ME
IF YOU ARE SO DDSPERATE TO COME BACK AND SEE HER?
H'M WITH ■OU TO HAVE A ■OOD TIME.
@ND YOU KNOW WHAT?
I'M NOT HAVING THAT, EITHER.
BRIAN.
BRIAN, SA■ SE■ETHI■■.
MY
É■. SOMETHING THAT WILL PRJV
LET'S FOT DO THIS HERE.
WHAT? WHAT? FI■HT?
RIED THAT PEOPLE ■"WILL ■ETICE
YOT'RE BEING A JERK?
NN.
I WAS TRYI■■ ■KT TO DUMP YFU IN PUBLIC
BUT HEY, HAVE IT YOUR WAY.
EH, YEAH■
THERAPY WORKS.
SURE I STILL HAVE FANTASIES ■!
A
BUT AT LEAST NOW$
I'.
■GU?
Elizabeth:
YOU SEEM A LITTLE RESTLESS.
IT■■ THE MUSEUM THING.
■■■E S■ID SHE'D CALL TK■IGHT
AND IT'S ALMOST 10:00, AND THING YET.
YGU KNOW THOSE ARTISTIA TYPES.
THEY'RE NERER VERY GEOD WITH TIME.
OH, LOGKS LI■E MEGHAN'S HOME.
AN HOUR BEFORE HER CURFEW■
OKAY?
■M$I'M NOT OKAY, ALL RI■HT?
YNU HAD A FIGHT, DIDN'T YOU?
IT'S OVER.
■"OH, HON.
DON'T.
I FE
E SUCH AN IDIOT.
YO■ I■EG AND YKU DIDN"T SAY ANYTHING.
H ■EAN, ■MU CMULD HAVE USED IT AGAST ME
THAT WAS NEVDR WHAT THIS WAS ABOUT.
I REALLY DIKED HIM, MOM.
H WASN'T JUST SEEING HIM TO GET YOU ■AD■
I'M QF SORRY.
PLEASE.
NO NEED T
GIZE.
NOT WITH A BRGKEN HEART■
HEY.
■PMitch: HEY.
HOR'S SHE DOING■
IN THE GOOD NEWS DEPARTMENT, ANNE COLLINS CALLED.
I ■OT THE MUSEUM JO.
THAT'S GREAT.
STILD THI■■ING ABOUT DAVID
YOU DON'T WA■T TO HEAR ■E COMPLAIN ABOUT THIS
ANY MORE THA■ I WANT TO HEAR MYSELF.
NO■ I'M WORRIED ENOUGH FOR BOTH OF US.
COME ON, MITCH.
I WAS ALL READY TO COMPETE WITH BILL, YOU KNOW.
H DIDN■T THI■K I'D END UP BOMPETING WITH DAVID.
■!IF YOU'RE WORRID ABOUT MONEY
TH■T'S NOT IT, MARY.
VE AA■ AUT BACK...
MARY...
■"UE CA■ P
INTO OUR RETIREMENT ■CCOU■T.
STOP TRYING TO FIX IT!
IT'■ THIS WHOLE BLURRY MALE-FEMALE THH■G.
ÓUSED TO BE MEN FIXED
WOMEN DISTENED. NOW, WOMEN FIX
AND MEN GET IN TOUCH UITH THDIR FEMININE SIDE.
WHAT DO YOU WANT MD■..■
HEAR ME. BE MY WIFE■
CAN YE■ DO THAT?
■#YEAH, H THINK SO.
I'■E H
NCE.
I'M S...
I'QORRY. I...
I MEAN, LOSING
A BUSINESS PARTNER'S■.■
■#
LOSING A FRIEND...
I MEAN, OTHER THAN YOU AND THD KIDS
DAVID WAS ALWA■S THERE■
IT JUST... IT KICKS YO■ IN THE TEETH.
I JUST WA
Cameron: HOW ■■CH YOU ■IS■ ME.
TENNISHA, WHNA■
YOUR PHONE SKILLS ARE MOST EXCELLENT.
■#I SWR...
■
Kenn9: GGD, SHE'S INTO ME.
SHE CALLED ME A FREAK.
NO, NO, NO. NO, ■"SHE ■EANT IT IN A GOOD WAY.
■#
I'M TELLING YOU-- THE CURSE IS LIFTED.
IF THINGS GO WELL, REBECCA WILL BE ■Y...
Elizabe■h: GIRLFRND.
I DON'T KNOW, CHRIS.
AT MY ■GE, THAT SOUNDS SILDY.
■!
I MEAN
CAN'T YKU JUST SAY I'M YOUR FRIEND?
GOOD, 'CAUSE I'M...
Br■an: ...so sorry.
I sa some things I didn't mean.
Let me make it up to you.
How about dinner next ■e■k■
I ■ould...
■#
CLUELESS.
SO YOU GKT THE JOB, HUH?
YEAH.
I'M PRMUD OF YCU.
THANKS.
WE SHOULD CELEBRATE
I THOUGHT WE WERE.