Tip:
Highlight text to annotate it
X
Announcer: PREVIOUSLY ON THE "BAD GIRLS CLUB..."
Amy: OH, BABY!
A FUN FLING IN THE SHOWER TOOK A TURN FOR THE WORSE...
LET ME PUT CLOTHES ON! LET ME PUT CLOTHES ON!
WHEN YOU SAY, "LET ME PUT ON MY CLOTHES FIRST,"
THAT'S FIGHTING WORDS.
AS AMY AND CAMILLA TRADED KISSES FOR PUNCHES.
I'M NOT THE [BLEEP] ONE!
I'M NOT THE [BLEEP] ONE! ***!
I'M NOT THE [BLEEP] ONE! I'M NOT YOUR GIRLFRIEND!
Announcer: AND ERICA TOOK HER DREAMS OF RAPPING TO THE NEXT LEVEL
WHEN SHE RECORDED HER FIRST STUDIO SONG.
♪ TURN IT UP, YEAH ♪
♪ TURN IT UP, YEAH ♪
♪ ALL THE BAD *** IN HERE, TURN IT UP, YEAH ♪
JAZZY'S REALLY PUSHING ME TO REALLY BE GREAT ON THIS TRACK.
Announcer: FEELING ALONE AND IGNORED,
CAMILLA DECIDED TO MOVE ELEASE OUT OF HER ROOM.
I WOULD APPRECIATE IF YOU MOVED THE MATTRESS BACK.
IF ANYBODY GOT A PROBLEM, IT'S SPACE
AND OPPORTUNITY, BECAUSE I DON'T CARE.
Announcer: WHICH LED TO A FULL HOUSE BRAWL...
GET THE [BLEEP]--
[INDISTINCT SHOUTING]
THIS *** JUST PULLED OUT MY HAIR.
Announcer: AND SENT CAMILLA ON A RAMPAGE.
THIS NASTY-*** *** JUST TOOK IT TO A WHOLE NEW LEVEL.
[LAUGHS]
Announcer: THIS WEEK ON THE "BAD GIRLS CLUB..."
ERICA, YOU HAVE A BIG OPPORTUNITY IN FRONT OF YOU.
DON'T MESS IT UP.
HOW ARE YOU, LADIES?
I DON'T WANT TO GO TO THE BAR.
THEY'RE GOING TO BOO ME.
I'M IN THE MIDDLE OF ALL THIS STAGE FRIGHT,
AND I'M JUST SO NERVOUS.
***, I RUN THIS HOUSE.
CAMILLA CAN'T GET AWAY
WITH BEING THAT DISRESPECTFUL.
[INDISTINCT]
Woman: CAMILLA, WHUP THAT ***, CAMILLA.
CAMILLA...
[GASPS]
***!
♪ BAD GIRLS ♪
Tokyo Diiva: ♪ WHAT I WANT, YEAH, I GET IT ♪
♪ YEAH, THAT'S RIGHT, I SAID IT ♪
♪ LIVE THE LIFE YOU WISH YOU HAD ♪
♪ SUGAR, SPICE AND EVERYTHING B-B-B- ♪
♪ BAD GIRLS WHO LIKE TO TALK TOUGH ♪
[HORN HONKS]
♪ TOUGH TO HATE US, CAN'T GET ENOUGH ♪
♪ WELCOME TO THE BAD GIRLS CLUB ♪
♪ BAD GIRLS ♪
CAPTIONING MADE POSSIBLE BY BUNIM/MURRAY PRODUCTIONS
[CHOIR VOCALIZING]
MMM. MY MOM IS GOING TO MAKE ME A BIG DINNER.
WHAT'S SHE GOING TO MAKE YOU?
MY FAVORITE THING OF HERS
MMM!
LIKE, PEELS THEM AND COOKS THEM AND MASHES THEM.
MMM. I LOVE IT.
OUR TIME IS OVER HERE
IN THE "BAD GIRLS CLUB."
WE DON'T HAVE A LOT OF TIME LEFT.
IT'S GOING TO BE SO WEIRD NOT HAVING A ROOMMATE ANYMORE.
WONDERING WHEN IT'S TIME.
AND WE ALL AGREED--
CAMILLA HAS STILL GOT TO GO--
CAMEL, CAMILLE, CHLAMYDIA,
WHATEVER THE [BLEEP] THAT ***'S NAME IS.
ARE ALL THE MIRRORS BROKEN?
YES, ALL OF OUR MIRRORS ARE BROKEN.
I'M IN HERE DOING MY MAKEUP WITH GIGI'S MIRROR.
THAT'S THE ONLY MIRROR WE HAVE.
THE WHOLE THING'S BROKEN. NO MIRROR IN IT.
JUST THE FRAME.
I FEEL LIKE CAMILLA WAS JUST TRYING TO MAKE A POINT WITH THE HOUSE.
SHE'*** EVERYBODY AND THEIR MOTHER.
YOU'RE COMING INTO OUR HOME,
MOVING PEOPLE'S BEDS, SNATCHING PEOPLE'S WEAVES OUT.
I'VE BEEN THERE, DONE THAT. IT'S CHILDISH.
HOW ABOUT YOU DO [BLEEP] THAT HASN'T BEEN DONE BEFORE?
WENT TO SLEEP CUTE, WOKE UP CUTE.
***, I RUN THIS HOUSE.
Y'ALL SOME [BLEEP] [INDISTINCT].
MORE THAN EVER, CAMILLA IS HERE TO STAY.
Y'ALL JUST WISH THAT I WAS A GIRL
THAT Y'ALL CAN RUN OUT THE HOUSE
LIKE WHOEVER ELSE Y'ALL RAN OUT.
BUT GUESS WHAT? THE MORE YOU GUYS HATE ME,
THE MORE I'M GOING TO DO [BLEEP] THAT PISSES YOU OFF.
I WILL BE HERE UNTIL THE CRICKETS ARE OUT.
[TELEPHONE RINGS]
[INDISTINCT TALKING]
HELLO?
HEY.
I LOVE CHRIS,
AND CHRIS IS LIKE ONE OF MY BEST FRIENDS.
WE'RE NOT TOGETHER,
BUT HE SAYS THAT HE STILL LOVES ME,
AND WHEN I GET BACK TO ATLANTA, I HOPE
WE CAN STILL BE FRIENDS.
WE'LL SEE WHAT HAPPENS.
WHAT?
I WENT TO THE STUDIO, AND I WORKED WITH REAL PRODUCERS.
THERE'S THIS GUY NAMED JAZZY.
HE JUST TOOK ME IN THE STUDIO, AND HE WROTE ME A RAP SONG,
AND WE'RE ON A HOOK TOGETHER,
AND WE'RE GOING TO PERFORM IT TOGETHER
AT THIS CLUB THAT HE ALWAYS GOES TO.
AND GIGI SAYS SHE'LL BE ONE OF MY DANCERS.
SO SHE'LL WEAR A RED BIKINI,
AND AMY SAYS SHE'LL WEAR A RED BIKINI,
AND THEY'LL DANCE SIDE BY SIDE SO I'M NOT THERE BY MYSELF.
OH, MY GOD, I'M SO NERVOUS.
AS IF LAYING DOWN THIS TRACK WASN'T NERVE-WRACKING ENOUGH,
JAZZY HAD THIS BIG IDEA
FOR ME TO PERFORM MY TRACK, AND I'M LIKE, OH, NO.
I'M GOING TO HAVE AMY AND GIA SHAKING THEIR BLUE ROOM ***,
BEING MY DANCERS,
SO I GOT LESS THAN A WEEK TO SHAKE THESE NERVES,
TO GROW SOME CAJONES,
AND TO PERFORM IN FRONT OF SO MANY PEOPLE.
WHAT DID I GET MYSELF INTO?
Chris: IT'LL BE ALL RIGHT.
I DON'T KNOW. I'M SO NERVOUS.
I THOUGHT I WAS GOING TO DROWN.
I'M SURFING, I'M SURFING.
[INDISTINCT] I'M SURFING.
I LOVE IT.
YOU DON'T LIKE THEM HOS, EITHER, HUH, BED?
***, YOU GO TO WORK,
[INDISTINCT] HEY. [LAUGHS]
LOOK AT ME WHEN I WALKED IN.
LONG LEGS, CHECK.
NO MAKEUP, CHECK, CHECK. [LAUGHS]
BADDEST *** IN THIS HOUSE,
CHECK, CHECK, DOUBLE CHECK, CHECK, CHECK, CHECK.
ANYBODY GOING TO PUT ME OUT? NO.
CAMILLA'S SAYING THINGS AND SAYING COMMENTS.
SUBLIMINAL, YOU KNOW, JUST OUT THERE.
NOT REALLY DIRECTING IT TOWARDS ANYBODY.
I'M LIKE, WHEN YOU SAY THINGS OUT LOUD,
YOU JUST LOOK IGNORANT,
AND NOBODY PAYS YOU NO MIND.
YOU HAVING FUN TANNING, CAMILLA?
MM-HMM.
AW, GOOD. YOU NEED ONE.
NO, YOU NEED ONE, ***.
YEAH, ***, YOU NEED ONE.
***, YOU STILL LOOK LIKE A MAN, JAY LENO'S SISTER.
YOU'RE WACK. YOUR WEAVE IS WACK.
YOUR WEAVE IS WACK, AND YOU'RE WACK.
AND I'M STILL IN THIS MOTHER [BLEEP].
AND Y'ALL NOT GOING TO PUSH ME NOWHERE.
***, YOU WANT TO MAKE IT TO L.A.
[LAUGHS]
IF YOU DON'T KNOCK IT THE [BLEEP] OFF--
GIRL, PLEASE.
I COME RUIN YOUR [BLEEP].
Y'ALL *** IS UGLY.
OK, DEMITRA, YOU GOT THIS.
JUST SNATCHED ME BALD, KNOW DAMN RIGHT I AIN'T GOT NO HAIRDRESSER OUT HERE.
I'M GOING AHEAD, AND I'M PUTTING MY FOREHEAD PIECES IN,
BECAUSE GUESS WHAT? YES, CAMILLA LIKES TO CALL ME A MUSHROOM,
BUT I'M THE WORLD'S CUTEST MUSHROOM,
IF THAT'S WHAT SHE WANTS TO CALL ME.
I DON'T REALLY CARE.
LET ME SEE YOUR HAIR.
OH, MY GOD, IT LOOKS BRAND NEW.
[LAUGHS]
I DIDN'T.
AND GUESS WHAT, ***?
IF SHE PULLS OUT MY HAIR AGAIN...
[LAUGHS]
I GOT HALF A WEAVE READY FOR HER ***! [LAUGHS]
I DON'T GIVE A [BLEEP]. PULL IT OUT AGAIN! JUST DO IT.
[LAUGHTER]
I DON'T GIVE A [BLEEP].
MIMI, YOU'RE WACK AS [BLEEP],
AND YOU'RE BALD-HEADED,
NOT TO MENTION TO TRY TO...
REALLY, Y'ALL,
HOW DO I LOOK?
[LAUGHS] OHH.
OH, MY GOD, NO, PLEASE, STOP!
OH, MY GOD, NO!
*** IS WACK.
[LINE RINGS]
YO.
WE ONLY HAVE LESS THAN 24 HOURS HERE.
OUR VEGAS FLING IS OVER.
STOP TALKING RECKLESS LIKE THAT.
YOU'RE MY BOYFRIEND FOR TWO MONTHS.
NOW YOU DON'T WANT TO BE MY BOYFRIEND ANYMORE.
I'M SAD THAT I'M SAYING
GOOD-BYE TO MATT, BUT I DEFINITELY WILL SEE MATT AGAIN,
AND I WILL DEFINITELY KEEP IN CONTACT WITH MATT.
DISTANCE MAKES THE HEART GROW FONDER,
AND WE CAN MAYBE ESTABLISH SOMETHING AFTER THIS.
DON'T BE SAD.
BYE, BABE. BYE.
I'M STARVING.
LEAVE OUR HOUSE THAT WE'VE BEEN IN AND NOT JUST MOVED IN 4 DAYS AGO.
GUESS WHAT? IT DOESN'T MATTER.
BYE!
HONESTLY, I THOUGHT SOMEBODY WILL COME AND TRY TO BEFRIEND ME,
JUST TO SEE THE REAL ME.
BUT NO ONE HAD THE GUTS, AND I JUST FEEL LIKE,
WELL, YOU GUYS JUST [BLEEP] UP FOR YOURSELF
TO HAVE A WONDERFUL FRIEND IN CALIFORNIA.
[INDISTINCT TALKING]
TIME IS FLYING.
SO EXCITING. BUT WHAT'S EVEN MORE EXCITING
IS THAT WE'RE GOING TO HAVE TO HIT CAMILLA.
I CAN'T WAIT TO HIT HER.
I'M GOING STRAIGHT FOR THE FACE.
MOUTH, TEETH, AND ALL.
I'M TRYING TO FIGURE OUT WHAT SHOES I WANT TO WEAR.
STILETTOS--
MY COMBAT BOOTS AIN'T GOING TO BE--
OR MY [INDISTINCT]. YEAH.
I MIGHT JUST STICK WITH MY [INDISTINCT].
BETTER FOR THE STOMPING.
ONCE SHE REALIZED THAT GIA AND ERICA WERE UNBREAKABLE,
AND THEN ME AND YOU HAD A FIGHT,
SHE THOUGHT SHE WAS GOING TO, I DON'T KNOW,
THAT SHE WAS GOING TO HAVE A BESTIE.
I JUST WANT TO KNOW WHAT IS IT EXACTLY
THAT CAMILLA THINKS SHE RUNS AROUND HERE.
WACK-*** HO.
DON'T WORRY, 'CAUSE YOUR DAY IS [BLEEP] COMING.
Announcer: COMING UP ON THE "BAD GIRLS CLUB..."
THERE'S NO POINT OF ARGUING.
THERE'S ME PUTTING OUT MORE ENERGY
THAT I COULD BE PUTTING INTO YOUR [BLEEP] FACE.
[ALL SHOUTING AT ONCE]
I'M FRUSTRATED, YO.
HOW MANY TIMES WE GOING TO LET HER [BLEEP] WITH US?
DON'T YOU NOTICE THAT EVERY TIME WE LEAVE THE HOUSE,
EVERY TIME I SAY LET'S LEAVE THE HOUSE,
YEAH.
BEING BY HERSELF REALLY PISSES HER THE [BLEEP] OFF.
SHE GOT TO GO, YO. I WISH SHE WOULD HAVE LEFT
INSTEAD OF DOLPHIN, FOR REAL.
ME, TOO.
WE WOULD HAVE HAD A LOT MORE FUN WITH DOLPHIN.
I THINK WE COULD HAVE MOLDED DOLPHIN
TO BE HOW WE WANTED HER TO BE, YOU KNOW WHAT I MEAN?
AFTER WE BEAT HER ***, WE MIGHT GET KICKED OUT, ALL OF US.
RIGHT. SO WHAT I WANT YOU TO KNOW IS,
I MADE A NEW RECORD IN THE STUDIO
WITH THE GUYS THAT I WAS TALKING TO,
AND THEY WANT ME TO PERFORM IT AT STRIP HOP ON SATURDAY.
OH, WE CAN GO. OH!
SO THAT WAS MY SURPRISE TO Y'ALL,
BUT I DON'T KNOW IF IT'S GOING TO HAPPEN 'CAUSE OF THIS ***.
I WANT Y'ALL TO KNOW.
EVEN IF WE GET KICKED OUT,
WE'RE STILL GOING TO DO THIS PERFORMANCE,
SO IT REALLY DOESN'T MATTER.
WE COME UP WITH THIS REALLY GOOD IDEA TO GO DUNE BUGGYING,
AND OF COURSE, IT'S ONLY GOING TO BE
THE 5 OF US, THE 5 THAT MATTER,
AND IT'S GOING TO BE A NICE AFTERNOON.
BYE-BYE, ROOMIE. HAVE FUN!
DIRTY-*** ***. UGH.
THE LADIES LEFT ME AGAIN,
AND THEY THINK THAT IT'S SOMETHING BIG
THAT THEY'RE DOING TO HURT ME,
BUT IT HAS NO EFFECTS ON ME.
SO I JUST STAYED HOME, LITTLE DRESS ON,
CHILLING, MAKING ME SOME SALMON.
I'M JUST HERE ALL ALONE ENJOYING IT,
AND IT FEELS GREAT.
IT'S ME, MY SALMON, AND I.
Mimi: IT'S ABOUT TO GET REAL.
YES?
HAVE YOU EVER ROLLED ONE OF THESE THINGS?
OH, [BLEEP].
I DON'T CARE IF WE ROLL.
NO, NO, NO. DON'T ROLL.
[ALL CHEERING]
Man: ♪ YOU GOT TO FIND ♪
♪ A WAY ♪
♪ YOU BETTER LIVE ♪
♪ FOR TODAY ♪
[ALL CHEERING]
THANKS SO MUCH!
THANK YOU!
[ALL TALKING AT ONCE]
BYE, GUYS.
THANK YOU GUYS!
THAT WAS BAD-***. I LIKE THAT [BLEEP].
YEAH, IT WAS COOL.
AW, OUR LITTLE DOG MUST BE SO BORED.
SHE DIDN'T GO IN MY ROOM TODAY.
YOU WOULDN'T EVEN HAVE TIME TO TALK [INDISTINCT]
AND SEE HOW MUCH FUN WE HAD.
I'M SCARED TO GO TO STRIP HOP.
WHY?
I'M SCARED TO GET ONSTAGE.
NO, YOU CAN'T CHICKEN OUT ON ME.
Y'ALL PROMISED.
ERICA HAS TO PERFORM.
AMY AND I ARE SUPPOSED TO BE DANCING IN BIKINIS.
ERICA WANTS TO PERFORM LIVE THIS WEEKEND,
SHE NEEDS TO BUCK UP. IF NOT,
WE HAVE A LOT OF, LIKE,
AD LIBBING AND GOOFING AROUND TO DO.
THE ONLY WAY I'M GOING TO BE ABLE TO GET LOOSE IS IF I'M DRINKING.
BUT YOU CAN'T GET DRUNK-DRUNK.
JUST HAVE TWO DRINKS. TWO SEX ON THE BEACH.
SEX ON THE BEACH TICKLES, GIA.
ARE YOU CRAZY?
SHE NEEDS TO TAKE TWO SHOTS. SHE'LL BE GOOD.
NEXT SHE'S GOING TO BE TAKING THE MIC--
YEAH.
♪ MY NAME IS GIA! ♪
SHE'S GOING TO BE FALLING AND GETTING IN THE BACK--
[LAUGHTER]
[INDISTINCT TALKING]
[LAUGHS]
OH, MY GOD.
OH, MY GOD! HOW ARE YOU?
I AM FABULOUS.
I'VE DECIDED TO JUST DO MY OWN THING,
SO I CALLED UP MY GIRL CRYSTAL,
AND YOU KNOW WHAT? ALL MY WORRIES ARE OUT THE WINDOW AT THIS POINT,
BECAUSE MY FRIEND IS HERE, AND WE'RE HAVING A GOOD TIME.
I'M ABOUT TO DIE OF HUNGER.
SOMEBODY GAVE ME A HEADACHE.
WE ARE GOING TO GO TO CAPO'S TONIGHT.
I CAN'T WAIT. IT'S BEEN A GREAT DAY,
FULL OF LOTS OF EXCITEMENT AND FUN.
NOW IT'S TIME TO KICK BACK AND RELAX AND GO ENJOY SOME NICE FOOD.
I LOVE THAT.
♪ YOU *** DON'T WANT TO [BLEEP] WITH ME ♪
♪ YOU *** NEED TO SUCK A [BLEEP] ♪
♪ BECAUSE THAT'S ALL Y'ALL DO ♪
I'M GOING OUT TONIGHT. Y'ALL STILL AIN'T STOPPING MY SHINE.
SO [BLEEP] YOU HOS, AND STAY TUNED,
BECAUSE I'M ONE OF THE HOTTEST GIRLS IN THE--
OH, SORRY! [LAUGHS] I'M GRABBING YOUR [BLEEP].
OUR PUPPY CAMILLA ALWAYS ACTS OUT EVERY TIME WE LEAVE HER.
OH, MY GOD.
SHE WON'T BE ACTING OUT ANYMORE.
I GIVE HER A GOOD WHUPPIN'.
I'M ABOUT TO GET A PACK OF PADS AND SOME RED FOOD COLORING
AND LEAVE THEM THROUGHOUT THE HOUSE.
OBVIOUSLY, IT BOTHERS HER.
TAKE SOME OF ELEASE'S BLACK HAIR AND STICK IT ON THERE?
THERE'S PADS IN THE CABINET.
PUT SOME RED ON 'EM AND STICK IT ON HER PICTURE.
MAKE HER GET REALLY DISGUSTED AND HIT US.
Woman: ♪ YOU LOVE SOMETHING ♪
♪ WOULD YOU RISK IT? ♪
♪ IT'S LIKE A STAR TREK VOYAGE WHEN WE KISS ♪
Man: ♪ YEAH, BABY ♪
OK ♪
I'M IN THIS HOUSE BY MYSELF,
AND I'M DOING WHAT I WANT BY MYSELF.
THESE *** ARE SO MAD THAT I'M NOT FOLLOWING THE OREGON TRAIL.
AWW, THE LITTLE [BLEEP] HORSES AND THE LITTLE CALVES.
[BLEEP] ***.
♪ YOU LOVE SOMETHING ♪
♪ WOULD YOU RISK IT? ♪
♪ YES ♪
[INDISTINCT TALKING]
GUYS, IT'S OUR LAST TIME TO EAT AT CAPO'S.
ARE YOU FEELING IT?
YOU REMEMBER THE FIRST TIME WE CAME?
[ALL TALKING AT ONCE]
LET GO, LET GO, LET GO.
AT LEAST THAT FIGHT HAS BEEN SAVED.
All: AWW.
WE'RE GOING TO MISS YOU.
I'M GOING TO MISS YOU.
All: AWW!
TONIGHT WE'RE HAVING A FAMILY DINNER,
AND I LOOK BACK, AND I THINK HOW SHOCKING IT IS
THAT I AM GETTING ALONG WITH THE GIRLS
THAT I NEVER THOUGHT I WAS GOING TO GET ALONG WITH.
IT'S JUST BEEN PROBLEM AFTER PROBLEM WITH THESE GIRLS,
AND TOWARDS THE END, EVERYTHING'S, LIKE,
PEACHES AND CREAM.
GIGI, YOU DON'T WANT YOUR ROSE?
TAKE IT!
NOT UNLESS IT'S FROM MY HUSBAND.
SHE'S RIDICULOUS.
SOMEBODY GIVES A [BLEEP] ABOUT ME, I'M TAKING THIS ROSE.
[LAUGHS]
PULL IT, PULL IT, PULL IT, PULL IT, PULL IT!
[GASPS]
[BLEEP] OHH.
I'M OUT OF BREATH.
WE SHOULD FIND ONE OF THE ENEMY TO HELP US.
MY GIRL FRIEND WANTED TO MEET YOU GUYS.
HI, GIRLS.
SO, WHO EXACTLY...
PUT THE BED IN THE POOL?
WHY DO YOU CARE?
I MEAN, THIS IS MY GIRL, SO I CARE--
BUT YOU'RE HER COMPANY, SO YOU SHOULD BE KEEPING HER COMPANY.
NO, SHE'S RIGHT HERE.
BUT YOU'RE BOTHERING US, THOUGH.
OH, I DON'T BOTHER PEOPLE. I'M SORRY. I DON'T.
I DON'T WANT ANY PROBLEMS.
THIS UGLY-*** TURTLE MONSTER GOBLIN THING...
OPENS OUR CURTAIN AND PEEKS HER HEAD THROUGH,
LIKE, "HI, GUYS."
SHE'S SCARY, SHE'S UGLY, AND THE *** GOT BRACES.
YOU GUYS LOOK LIKE THE HELPFUL TYPE.
NO. I'M WRONG?
WELL, IT WAS SUCH A PLEASURE MEETING YOU LADIES.
NIGHT-NIGHT.
[SNORTS]
THAT'S PERFECT.
I HAD A WONDERFUL TIME TONIGHT
WITH ONE OF MY OLD SCHOOL FRIENDS.
YAY!
I WAS HOPING THAT THESE *** WAS IN THE HOUSE
JUST WAITING FOR ME TO COME IN AND TALKING [BLEEP],
BECAUSE I'M READY FOR THE EAST SIDE LOVE.
THEY REALLY DON'T.
THEY DON'T WANT IT.
WACK.
[LAUGHS]
[INDISTINCT TALKING]
OF COURSE. I LOVE YOU SO MUCH. CALL ME ANYTIME, OK?
I WILL. I'LL CALL YOU IF THESE *** GET CRACKIN'.
♪ ABOUT TO HAVE FUN TODAY ♪
I DECIDED TO CALL MY FAMILY UP FROM LONG BEACH TO COME AND VISIT ME.
THESE *** WANT THE WRATH OF CAMILLA?
I'M GIVING THEM EVERY BIT AND PIECE OF ME.
WHERE ARE THEY? HURRY.
HO ♪
♪ HEY, HO, HEY ♪
♪ HEY, HO, HEY ♪
♪ HEY, HO, HEY ♪
♪ HEY, HO, HEY ♪
I'M SO GLAD MY FAMILY IS DOWN WITH THE BUSINESS,
BECAUSE I REALLY WANT TO BEAT THESE *** UP.
SERIOUSLY, I CANNOT WAIT.
YOU *** BROUGHT OUT THE DEVIL,
NOW YOU HAVE TO DEAL WITH IT.
LET THE GAMES BEGIN.
♪ HEY ♪
Announcer: STILL TO COME ON THE "BAD GIRLS CLUB"...
SASHA, I'M CAMILLA. NICE TO MEET YOU.
LET'S COME UPSTAIRS.
ERICA, WHY ARE YOU STILL [BLEEP] HATING ON ME,
TALKING TO YOUR FRIENDS?
MAN, I DON'T GIVE A [BLEEP] ABOUT THESE ***.
THEY AIN'T RUNNIN' UP NOTHIN'.
AND YOU NEED YOUR WEAVE SO BAD,
YOU WOULDN'T STOP TALKING [BLEEP]
UNTIL YOU GOT THAT WEAVE BACK IN YOUR HAIR.
WHOO!
SO GLAD YOU GUYS ARE HERE!
HEY!
THIS IS MY COUSIN FRED, MY AUNTIE'S SON.
THIS IS MY GODSISTER TY.
THIS IS MY MOMMY THAT MADE ME.
[LAUGHS]
AND THEN, THIS IS PEANUT.
THIS IS FRED'S BEST FRIEND.
AND THAT'S MY COUSIN, HIS WIFE.
NICE KITCHEN!
NICE KITCHEN, BUT DIRTY PEOPLE, AS YOU CAN SEE.
AND LOOK AT THESE. THESE BEEN HERE FOR 4 DAYS.
WHY CAN'T SOMEBODY WASH OUT THE [BLEEP] THEY USE?
BECAUSE THEY DON'T KNOW HOW TO CLEAN UP.
SO EVERYBODY JUST HOPPED IN THE FAMILY VAN
NO, THEY HAD A BMW.
IT'S PROBABLY RENTED, THOUGH.
WHILE CAMILLA'S FAMILY'S HERE,
EVERYONE DECIDES TO BE CONSERVATIVE,
BECAUSE WE DON'T EVER DISRESPECT ANYONE'S GUESTS IN THIS HOUSE.
WHATEVER HAPPENS IN THIS HOUSE HAPPENS BETWEEN US 6, AND THAT'S IT.
[LAUGHTER]
Erica: SHE TOLD ME TO GO BACK TO THE PROJECTS,
BUT OBVIOUSLY, SHE LEFT THE PROJECTS.
Amy: WHY'D SHE BRING THE PROJECTS TO US, OBVIOUSLY?
THIS IS PROBABLY THE FIRST THING HER AND HER FAMILY EVER HAD IN THEIR LIFE,
SO THEY'RE SO EXCITED.
WHOO!
LET'S SHOW YOU HOW I USED TO DO IT BACK IN THE DAY.
[CHEERING]
HOW YOU GOING TO SHOW YOUR MAMA A STRIPPER POLE?
ALL I HEAR IS A WHOLE BUNCH OF RATCHET VOICES.
WHO BRINGS THEIR MOTHER TO THE "BAD GIRLS CLUB"?
MMM. CAMILLA DOES. SERIOUSLY, CAMILLA?
YOU BROUGHT YOUR MOTHER TO THE "BAD GIRLS CLUB"?
HOW BAD ARE YOU?
THEY DON'T EVEN KNOW THAT YOU A COOL CHICK.
I KNOW.
NOT EVERYBODY. [LAUGHS]
BUT THEY DON'T-- I WAS COOL WITH THEM AT FIRST.
AND THEN, WHEN I MOVED THEY BED WHEN I FELT LIKE
THEY WAS BEING FAKE TO ME, I SAID,
WELL, WHY SHOULD I BE IN THE ROOM WITH Y'ALL
IF YOU'RE TALKING ABOUT ME BEHIND MY BACK?
THEY DON'T EVEN KNOW HOW TO BYPASS ALL THAT [BLEEP]?
MM-MMM.
MY AUNT AND MY MOM, THEY KNOW ME BEST,
SO THEY KNOW HOW MUCH I CAN HANDLE AND HOW MUCH I CAN'T,
AND THEY TOLD ME DON'T GO OUT OF MY CHARACTER FOR THESE HOS
JUST BECAUSE THEY DON'T KNOW HOW TO ACT.
JUST ALWAYS STAY CLEAN, BE A LADY,
AND IF THEY COME AND ATTACK YOU, YOU KNOW WHAT TO DO.
MY BABY GET ALONG WITH EVERYBODY.
ALL I SAY IS THEY BETTER NOT JUMP HER.
AND IF THEY DO, THEY'RE GOING TO GET A RUDE AWAKENING,
'CAUSE I ALREADY TOLD HER HOW TO HANDLE THAT
BECAUSE SHE'S AN ONLY CHILD,
AND WE HAD TO FIGHT PEOPLE BACK IN THE DAY,
AND WE HAD TO DO ALL THAT TIME,
PAYING $800, GOING TO COURT AND [BLEEP].
DON'T LET THE SMOOTH TASTE FOOL YOU.
SHE MIGHT BE A QUEEN AND ALL THAT ON THE OUTSIDE,
BUT HEY, SHE A TIGER ON THE INSIDE.
[INDISTINCT YELLING]
YOU GUYS, THEY JUST WANT ATTENTION. THEY JUST WANT ATTENTION, GUYS.
LET THEM BE LOUD. I DON'T CARE. IT DOESN'T BOTHER ME,
BECAUSE THEY GOT TO LEAVE. SHE STILL GONNA BE HERE.
YOU DON'T SEE ME BRINGING MY MAMA
TO THE "BAD GIRLS CLUB" TO FIGHT MY BATTLES
OR MY FAMILY TO INTIMIDATE PEOPLE.
SHE'S SO STUPID. I JUST CAN'T STAND THE ***.
[INDISTINCT]
GET THE BED!
[ALL TALKING AT ONCE]
[CHEERING]
OHH!
HAVING MY FAMILY OVER MADE ME REALIZE
THAT THESE GIRLS TALK A GOOD ONE,
BUT THEY DON'T BACK IT UP.
Y'ALL DIDN'T DO [BLEEP] WHEN MY FAMILY WAS HERE,
AND I DON'T CARE. NOW, IF THEY START TO DO SOMETHING,
I DON'T KNOW. I MIGHT JUST BUCK.
THE TALK, AT THIS POINT, IS JUST STUPID.
ALL RIGHT. Y'ALL GOT TO GO. I'M KICKING Y'ALL OUT.
GET OUT. GO.
IF YOU NEED US, CALL US. WE'LL BE BACK.
ALL RIGHT. Y'ALL HAVE FUN. LOVE YOU GUYS.
WHOO!
BYE. I LOVE YOU. BE CAREFUL.
Y'ALL CRAZY.
Y'ALL KNOW I DON'T DO WELL WITH GROUPS, MAN.
Gia: JUST CLOSE YOUR EYES. [LAUGHS]
YOU'RE NOT HELPING, GIA.
I'M GOING TO BE ON THERE WITH YOU.
THAT'S DIFFERENT. Y'ALL DANCING.
THAT'S MORE EMBARRASSING.
YOU EVER SEEN ME DANCE?
TONIGHT IS THE BIG NIGHT.
ERICA'S GOING TO RAP, RAP, RAP.
ME AND GIA ARE GOING TO DANCE IN THE BACKGROUND.
AND WE'RE LEAVING CAMILLA'S *** AT HOME.
I'M SO SCARED. I'M TEARING ALREADY.
NO, BECAUSE I DON'T KNOW IT ALL BY HEART.
Mimi: DON'T TEAR. YOU'LL RUIN YOUR MAKEUP. STOP IT.
JUST KEEP PLAYING IT. I'M TELLING YOU.
I'M GETTING SICK OF THE SONG,
AS MANY TIMES AS I'M PLAYING THE [BLEEP].
THAT'S GOOD, THOUGH.
♪ NOPE, THEY HOMIE HOPPERS, HOPPERS ♪
♪ STAY AT HOME BLOGGERS, BLOGGERS ♪
♪ WHY YOU AT HOME, HOME ♪
YEAH ♪
♪ I'M ON YOUR TV, TV ♪
♪ RIDING IN THE LAMBORGHINI, LAMBORGHINI ♪
♪ YOU PROBABLY SEEN ME, SEEN ME ♪
♪ IN THE ALL-RED BIKINI, KINI ♪
♪ NO POLKA DOTS, DOTS ♪
♪ BUT I'M ALL IN THE SPOTS ♪
[INDISTINCT TALKING]
HOW Y'ALL DOING?
I DON'T WANT TO GO TO THE BAR.
THEY'RE GOING TO BOO ME.
SO IT'S TIME FOR ERICA TO GET TO WORK, AND ERICA'S ACTING SHY.
I'M LIKE, ERICA, YOU DON'T ACT LIKE THIS AT HOME,
YOU DON'T ACT LIKE THIS WHEN YOU'RE CURSING PEOPLE OUT.
LET'S GET TO WORK. STOP [BLEEP] AROUND.
NO!
NO.
NO.
I DON'T KNOW THE WORDS.
I DON'T KNOW THE WORDS.
[INDISTINCT]
OK.
I'M GOING TO CRY.
ERICA BEING NERVOUS IS REALLY, REALLY DUMB.
YOU HAVE A BIG OPPORTUNITY IN FRONT OF YOU,
SO GET YOUR *** OUT THERE AND DON'T MESS IT UP.
[CHEERING]
LET'S HEAR IT.
THESE ARE MY GIRLS FROM THE "BAD GIRLS CLUB!"
VEGAS, MAKE SOME NOISE!
[CHEERING]
YEAH!
I'M, LIKE, IN THE MIDDLE OF ALL THIS STAGE FRIGHT,
AND I'M JUST SO NERVOUS, AND I'M LIKE,
I'M NOT GOING TO MAKE A FOOL OUT OF MYSELF. I'M NOT.
I'M JUST GOING TO GIVE IT MY ALL, SEE WHAT HAPPENS.
♪ HA, HA, HA ♪
[INDISTINCT]
♪ ALL THE BAD *** IN HERE, TURN IT UP, YEAH ♪
♪ AND IF YOU GOT A LOT OF MONEY, GIVE IT UP, YEAH ♪
♪ AND THROW AT THE STRIPPER WITH THE BIGGEST-- ♪
♪ YEAH, *** ♪
♪ WELCOME TO THE FLOOR, FLOOR ♪
♪ LET ME SEE YOU DROP IT LOW ♪
♪ LOW LIKE A PRO ♪
♪ I DONE MORE ♪ [INDISTINCT]
[INDISTINCT RAPPING]
♪ TELL ME LET THE FEELING ♪
♪ I'M WITH GIGI AND AMY, AMY ♪
♪ AND WE ARE GOING TO ENTERTAIN YOU ♪
♪ TURN IT UP, YEAH ♪
ERICA'S PERFORMING, THE CROWD IS GOING WILD.
GIA AND AMY ARE THE BACKGROUND DANCERS.
WE'RE CHEERING ON OUR ROOMMATES.
EVERYONE IS REALLY ENJOYING THIS.
MAKE SOME NOISE!
[CHEERING]
I'M JUST SO HIGH OFF OF PERFORMING,
I CAN'T GET ENOUGH OF IT RIGHT NOW.
I KILLED IT, IN A GOOD WAY.
[INDISTINCT TALKING]
[MUSIC PLAYING]
THESE MOTHER [BLEEP] [INDISTINCT].
[INDISTINCT TALKING]
ERICA SMASHED HER PERFORMANCE AT THE CLUB,
AND I'M JUST REALLY, REALLY PROUD OF HER.
I THINK SHE DID AN AWESOME JOB.
Erica: JAZZY, Y'ALL COMING RIGHT--RIGHT NOW?
TO THE HOUSE? OK.
Man: ♪ GOT TO BELIEVE IT ♪
♪ GOT TO BELIEVE IT ♪
♪ GOT TO BELIEVE IT ♪
♪ KEEP ON DREAMING ♪
♪ KEEP ON DREAMING ♪
♪ KEEP ON DREAMING ♪
♪ KEEP ON DREAMING, YEAH... ♪
DAMN. YOU GET 5 GIRLS IN A ROW.
DAMN, SHE'S OVER-EXED.
LOOK AT HER. LOOK AT HER.
SHE GOT, LIKE, 4 Xs.
LET'S SEE WHAT'S GOING ON.
DAMN, THEY AIN'T [BLEEP] WITH HER.
WE'RE TRYING TO SEE EXACTLY WHAT HAS HAPPENED HERE.
SO, WAIT, WAIT, WAIT.
WHAT'S THAT? WHAT DO YOU THINK THAT ONE MEANS?
MM-HMM.
I DID THAT.
LET'S COME UPSTAIRS.
I'M TALKING TO THESE GENTLEMEN,
AND WHO DO YOU KNOW COMES DOWN? ERICA,
CHIN FACE, LIKE, COME UPSTAIRS.
I'M LIKE, WHY ARE YOU SO [BLEEP] HATING ON ME
TALKING TO YOUR [BLEEP] FRIENDS?
THEY AIN'T EVEN THAT CUTE ANYWAY.
I'M JUST GIVING THEM CONVERSATION.
YEAH. GO UPSTAIRS WITH RATCHET.
YEAH, YOU THE RATCHET, HO.
YOU A PROJECT GIRL.
YOU'RE ALWAYS [BLEEP] TALKING [BLEEP], CAMILLA.
[INDISTINCT]
YOU'RE ALWAYS TALKING [BLEEP].
UGH. ALWAYS TALKING [BLEEP], MAN. ALWAYS.
WHAT'S THE PROBLEM?
I DIDN'T EVEN KNOW WHO THESE GUYS WERE.
I JUST SAID HELLO. THAT'S ALL.
JAZZY, THIS IS WHY WE DON'T HAVE COMPANY.
THIS IS EXACTLY WHY, BECAUSE EVERY DAY,
WE GOT TO [BLEEP] HAVE A SCUFFLE AND A FIGHT WITH EVERYBODY.
I'M SO TIRED OF THIS. CAMILLA IS JUST UPSET
BECAUSE SHE CAN'T FIT IN WITH NOBODY IN THE HOUSE.
AND GUESS WHAT, CAMILLA? I'M OVER IT.
SHE'S ACTING LIKE A [BLEEP] CHILD.
MAN, I DON'T GIVE A [BLEEP] ABOUT THESE ***.
THEY AIN'T RUNNING UP NOTHING.
NOBODY GIVES A [BLEEP] ABOUT YOU, EITHER.
***, ALL YOU [BLEEP]-- SO KNOCK IT OFF.
AND YOU NEED YOUR WEAVE SO BAD,
YOU WOULDN'T STOP WALKING AROUND TALKING [BLEEP]
UNTIL YOU GOT THAT [BLEEP] BACK IN YOUR HAIR.
WE'RE CHILLIN', AND I GUESS CAMILLA CAME OUT OF HER CAVE.
I DON'T THINK IT'S RIGHT THAT SHE JUST WANTS
TO TALK AND SHOW OFF IN FRONT OF EVERYBODY.
NOBODY CAME OUT WHEN YOUR COMPANY WAS OVER.
LIKE, SHE CAN'T GET AWAY WITH BEING THAT DISRESPECTFUL.
SHE NEEDS TO GO.
I'M STILL WALKING. I'M STILL TALKING.
BUT YOU AIN'T DOING [BLEEP]. ONE, NOTHING. WHOO!
BLAH, BLAH, BLAH.
Announcer: COMING UP ON THE "BAD GIRLS CLUB..."
I'M JUST GOING TO WALK IN, AND I'M GOING TO SAY,
"SINCE IT'S MOVING DAY..."
SHE'S PROBABLY GOING TO HIT ME. I'M AWARE OF THIS.
CAMILLA?
[GLASS SHATTERS]
I'M HERE, LADIES. WHAT Y'ALL *** WANT TO DO?
IF I SAY WHO THE [BLEEP] IS CAMILLA, YOU SAY NOBODY.
WHO THE [BLEEP] IS CAMILLA?
THAT GIRL I JUST MET DOWN THERE?
[LAUGHS]
NOBODY?
NOBODY.
Y'ALL CALL YOURSELF 5-STAR CHICKS,
Y'ALL CAN'T EVEN NAME 5-STAR RESTAURANTS.
I'M JUST SAYING, THOUGH. I MEAN--
NO. NOBODY.
NO [BLEEP] BODY.
THAT BAD?
SASHA. STOP IT. STOP.
NO, SHE'S A ***.
SHE WAS LOOKING AT ME LIKE SHE WAS ABOUT
TO KICK MY *** AND [BLEEP], AND I JUST MET HER.
NO, I'M JUST KIDDING.
THEY'RE GOING TO EDIT THE KIDDING PART OUT, THOUGH.
[LAUGHTER AND APPLAUSE]
Jazzy: RED.
WHEN Y'ALL COMING BACK? WHEN WE GOING TO SEE Y'ALL AGAIN?
YOU GOT TO SEE US SOON. WATCH.
JAZZY'S A REALLY GOOD ARTIST. I RESPECT HIM SO MUCH,
AND I REALLY FEEL LIKE THIS DAY WAS
ALL ABOUT ME AND MY MUSIC AND MY PASSION.
JUST BECAUSE I WAS A BAD GIRL DOESN'T MEAN
I CAN'T DO SOMETHING BETTER WITH MY LIFE, LIKE BECOME AN ARTIST.
OH, MY GOD. I'M SO SAD.
OH, MY GOD.
A GIRL CAN'T HAVE FEELINGS AROUND HERE.
TOMORROW'S THE LAST DAY FOR US TO BE IN THIS HOUSE.
I'M SAD, BUT I'M ALSO EXCITED,
BECAUSE I HAVE TO GET BACK TO MY LIFE
BACK IN MIAMI WHERE I BELONG.
SEE WHO'LL GET A LITTLE FROGGY
SINCE THEY KNOW THEY'RE GOING HOME.
I'M EXPECTING THAT
THESE HOS ARE TALKING BEHIND MY BACK,
PLOTTING AND GOING AGAINST ME
TO MAKE ME GET OUT THIS HOUSE.
WHATEVER HAPPENS, HAPPENS.
I BELIEVE I CAN HANDLE 5 ON ONE.
THOSE GIRLS ARE GOING TO JUST TRY TO SCRATCH ME
AND PULL MY HAIR.
AND IF THAT'S THE CASE, I'M A BAD-*** ***.
I GET TO BEAT A *** *** BEFORE LEAVE, THAT'S GOING TO BE PERFECT.
[THUNDER]
WE NEED AS MUCH PEOPLE TO DEFEAT THIS *** AS POSSIBLE.
BUT SHE NEEDS AN ***-WHUPPIN'.
SHE JUST KEEPS POPPING OFF. I MEAN,
IT'S GOING TO BE MESSED UP IF THE PERSON THAT DID
ALL THIS DRAMA, YOU KNOW, GOT AWAY WITH THIS.
THAT'S NOT GOING TO HAPPEN.
IT'S TIME FOR CAMILLA TO GO,
AND WE'RE GOING TO GET HER OUT THIS HOUSE.
TOMORROW'S THE LAST DAY FOR US TO BE IN THIS HOUSE.
WE DON'T WANT HER TO MAKE THE FINISH LINE.
AND I'M READY FOR HER TO GET OUT NOW.
I DON'T CARE IF IT'S TOMORROW MORNING OR TONIGHT.
WE NEED TO GET READY TO GO ON THIS ***.
Mimi: YOU STILL GOT THAT HOODIE?
NO, NO, NO. IT'S IN MY CARRY-ON STUFF.
Erica: [LAUGHS] YOU GOING TO GO IN THERE HITTING,
OR SHE'S GOING TO HIT YOU.
WHAT ARE WE GOING TO DO WHEN SHE--
NO, BUT I'M SAYING, WHAT IS YOUR PLAN--
I DON'T HAVE A PLAN.
I'M JUST GONNA WALK IN AND I'M GONNA TO SAY,
"SINCE IT'S MOVING DAY, I WANT TO HELP YOU MOVE."
SINCE IT'S GOING TO BE MOVING DAY,
I WANT TO TAKE ALL THE STUFF OUT FROM CAMILLA'S ROOM
THAT SHE STOLE FROM AROUND THE HOUSE.
I KNOW THAT I AM POSSIBLY RISKING MY LIFE
AND MAYBE A COUPLE OF LIMBS,
BUT IF I HAVE TO TAKE A PUNCH
TO GET THIS GIRL OUT OF MY HOUSE,
THEN THAT'S WHAT I'M GOING TO DO.
I MEAN, SHE'S PROBABLY GOING TO HIT ME.
[LAUGHTER]
WHY ARE Y'ALL LAUGHING AT ME?
MIMI'S *** THINKS, YOU KNOW WHAT? CAMILLA HAS TO GO.
I'M GOING TO PUT UP MY HAIR, PUT ON SOME BAGGY CLOTHES,
AND WAIT TO SEE IF SHE TOUCHES MIMI.
[THUNDER]
CAMILLA?
Camilla: WHAT?
YOU KNOW WHAT I WAS THINKING,
[LAUGHTER]
I THINK I WANT TO TAKE ALL THE STUFF
THAT YOU STOLE FROM OUR HOUSE
AND JUST PUT IT BACK WHERE IT WAS.
SO THIS WAS IN THE COMPUTER ROOM.
WHERE DID YOU EVEN GET ALL THIS FURNITURE?
GIRL, YOU GOT THE WHOLE FLEA MARKET IN HERE.
WHAT'S UP? Y'ALL READY? Y'ALL GOT ME UP.
ARE YOU ABOUT TO DO SOMETHING?
NO, I'M HERE TO MOVE THE STUFF LIKE I TOLD YOU.
WHY NOT?
YOU AIN'T DID IT THE WHOLE TIME.
I'M NOT THE TYPE THAT ARGUES,
'CAUSE THERE'S NO POINT OF ARGUING.
IT'S ME PUTTING OUT MORE ENERGY
THAT I COULD BE PUTTING INTO YOUR [BLEEP] FACE.
WHY NOT?
WHY NOT?
WHAT'S THE POINT?
LIKE A LITTLE CHILD.
WHAT'S THE POINT? WHAT'S THE POINT?
WHY NOT? WHY NOT?
[GLASS SHATTERS]
GET OUT OF HERE, ***. GET OUT OF HERE, ***!
[INDISTINCT TALKING]
***!
***!
[INDISTINCT SHOUTING AND GRUNTING]
NO.
[INDISTINCT SHOUTING CONTINUES]
I FELL DOWN BY MYSELF, HO.
***, YOU [BLEEP]--
[LAUGHTER]
IT'S JUST A RUG.
*** WANT TO THROW THEY SHOES WHILE A *** IS ASLEEP.
[SCREAMS INDISTINCTLY]
Gia: I'M ASLEEP, AND ALL I HEAR IS, LIKE, STUFF BREAKING,
AND CAMILLA'S JUST SCREAMING, ACTING LIKE A WILD-*** ANIMAL.
I'M LIKE, OK, WHAT HAPPENED?
MAMA, BRING YOURSELF BACK OUT HERE!
THEY TRIED TO JUMP ME WHILE I WAS ASLEEP!
THAT'S HOW COWARDS ARE. COWARDS.
COWARDS DO THIS.
SOMETHING NEEDED TO HAPPEN.
YOU KNOW WHAT I MEAN?
MAYBE IT WASN'T WHAT WE WANTED,
BUT SOMETHING NEEDED TO HAPPEN.
I SAY WE GO UNPLUG THE PHONE.
ME AND CAMILLA, WE FOUGHT, WE FOUGHT AGAIN,
AND I'LL DO IT AGAIN AND AGAIN AND AGAIN
TILL THE *** SHUTS HER MOUTH.
Camilla's mother: AND I'LL TELL YOU,
IF THEY TRY TO JUMP YOU WHILE YOU'RE UP,
YOU MAKE SURE THAT YOUR *** GO AGAINST THE WALL
AND DO THE WINDMILL ON THESE ***.
PUT RINGS ON YOUR FINGERS.
PUT YOUR TENNIS SHOES ON, TOO.
TELL THEM TO COME DOWN THERE WHILE YOU BE ON THE PHONE.
WHAT?
WHUP THAT ***. WHUP IT!
WHUP THAT ***.
GET HER. BEAT THAT ***.
WHUP THAT ***, CAMILLA.
Amy: LET GO OF MY ARMS! LET GO!
WHUP THAT *** AND HAVE YOUR AUNTIE [INDISTINCT] COME GET YOU.
[INDISTINCT] HE WAS HOLDING MY ARMS, ***!
HE WAS HOLDING MY ARMS, ***!
MY SHOE'S GOING TO BE UPSIDE YOUR MOTHER [BLEEP] HEAD.
THAT'S WHAT, THAT PUMP GOING TO BE UPSIDE YOUR HEAD, ***.
LOOK AT IT.
YOUR FACE LOOK LIKE A MOTHER [BLEEP] SHOE, ***.
FROM PAYLESS.
CAMILLA!
CAMILLA!
[DIAL TONE]
WHAT? WHAT?
WHY I GOT TO PACK MY [BLEEP]?
YOU KNOW WHAT? [BLEEP] Y'ALL.
LET ME GO.
ALL Y'ALL THAT'S HYENAS,
Y'ALL FINALLY GOT ME OUT
BECAUSE I TOOK OFF ON A ***. SO WHAT?
WHO THE [BLEEP] IS CAMILLA?
Bad Girls: NOBODY!
WHOO!
CAMILLA.
THE JOLLY GREEN GIANT,
STRETCH ARMSTRONG FROM THE HOOD,
IT'S BEEN REAL, BUT IT'S TIME FOR YOU TO GO.
I SAID YOU WEREN'T GOING TO FINISH,
AND YOU DIDN'T.
CAMILLA!
Man: ♪ IT'S OVER, IT'S OVER ♪
BYE!
♪ GET OVER YOURSELF, ROLL OVER YOURSELF ♪
♪ GET ON WITH YOURSELF, 'CAUSE IT'S OVER ♪
THEY FINALLY GOT ME OUT OF THIS HOUSE,
BUT IT WASN'T BECAUSE THEY KICKED ME OUT.
IT'S BECAUSE I HAD TO GO.
IT'S BECAUSE I PUT MY HANDS ON MIMI.
THEY THOUGHT THAT SHE WAS GOING TO COME IN MY ROOM,
AND I WASN'T GOING TO DO ANYTHING? PLEASE.
STUPID-*** HOS. ***.
THE BADDEST *** WON, AND THAT'S ME,
'MILLA FROM LBC.
Y'ALL AIN'T STOP NOTHING. COME TO L.A., HO!
COME TO L.A. ALL DAY.
STRAIGHT UP! Y'ALL DO IT [INDISTINCT].
"BAD GIRLS CLUB," YOU 5-STAR DIRTY ***!
AWW! LOOK AT US,
ALL 5 OF US.
VERY LONG.
IT WAS ROCKY FROM THE BEGINNING,
BUT THEN, WE MET SOME GOOD PEOPLE.
CAMILLA'S GONE, AND IT'S MOVE-OUT DAY.
IT'S THE LAST DAY HERE.
IT'S VERY EMOTIONAL FOR ME
BECAUSE I ESTABLISHED SOME TYPE OF RELATIONSHIP
WITH ALL 4 GIRLS.
I'M GOING TO MISS WAKING UP TO THEM.
I'M GOING TO MISS EATING WITH THEM,
GETTING READY WITH THEM.
NOT MANY PEOPLE GET TO EXPERIENCE THIS WHOLE THING.
[TELEPHONE RINGS]
HELLO?
Woman: HEY, IS ELEASE AVAILABLE?
I WAS JUST CALLING TO INFORM HER THAT
WE HAVE A LIMO STANDING BY OUTSIDE FOR HER.
AW. ALL RIGHT.
THANK YOU.
IT'S TIME FOR ELEASE TO LEAVE.
I REALLY DO LIKE ELEASE,
AND I THINK IT'S [BLEEP] UP HOW WE TREATED HER IN THE BEGINNING.
[ALL SHOUT AT ONCE]
GIGI!
I WILL, MY LOVE.
BE CAREFUL.
ELEASE IS MY BGC BFF,
SO OBVIOUSLY, IT SADDENS ME A LITTLE BIT TO SEE HER GO.
BUT WE LIVE IN THE SAME CITY. I'M GOING TO SEE HER AGAIN.
SO IT'S JUST A BITTERSWEET FEELING.
Gia: I REALLY CAN'T BELIEVE IT!
Elease: SEE YOU ON SOUTH BEACH.
SEE YOU, ELEASE. I'M REALLY CRYING!
I DON'T WANT TO SAY BYE. I'M SAD!
Woman: ♪ FUN WHILE IT LASTED ♪
♪ BUT IT'S TIME TO SHUT THE DOOR ♪
MY PATH HERE IN THIS HOUSE HAS BEEN A LONG, LONG JOURNEY.
♪ NEVER FORGET ♪
♪ WHO YOU ARE OR WHERE YOU'VE BEEN ♪
♪ BUT NOW, IT'S TIME TO LET GO ♪
WHAT I'VE LEARNED IS YOU CAN'T LET ANYONE GET UNDER YOUR SKIN.
KILLING PEOPLE WITH KINDNESS IS A LOT MORE EFFECTIVE.
NO MATTER HOW HARD THEY TRY,
YOU'RE GOING TO BE THE BIGGER PERSON
AND SHOW THEM YOU'RE NOT GOING TO GET THE BEST OF ME.
I'M STILL HERE.
I MADE IT ALL THE WAY THROUGH THIS
BECAUSE I'M A STRONG PERSON.
THIS EXPERIENCE HAS BEEN GREAT FOR ME.
I WOULD DO IT AGAIN IN A SECOND.
BYE, "BAD GIRLS CLUB."
[TELEPHONE RINGS]
Gia: GO ANSWER IT. I CAN'T DO IT ANYMORE.
OH, MY GOD. SERIOUSLY? CAN I FINISH MY [BLEEP] HAIR FIRST?
[CLICKS]
[SIGHS]
Mimi: IT'S ME.
Erica: THIS IS GOING TO BE THE SECOND TIME I SAY GOOD-BYE TO MIMI.
[INDISTINCT]
I PROMISE I WILL.
I CRIED THE FIRST TIME MIMI LEFT.
I'M NOT GOING TO CRY AGAIN.
I LOVE YOU, TOO.
I'LL BE IN MIAMI. KEEP IN TOUCH, PLEASE.
I WILL.
MMM.
MIMI AND I HAVE HAD THE MOST ROLLER COASTER RIDE.
YOU'RE JEALOUS.
OH, YOU ***! OH, NO, YOU DIDN'T JUST PUSH ME!
Mimi: WHO WANTS TO GO RUNNING NAKED?
[BOTH SCREAM]
MIMI IS SOMEONE I'M REALLY GOING TO MISS.
I WILL.
WE'LL PARTY LIKE ROCK STARS, SHOPPING,
[INDISTINCT] ALL THE [BLEEP] YOU EVER HEARD ABOUT.
Both: LOVE YOU, MIMI.
LOVE YOU, TOO.
LOVE YOU! YEAH!
I'VE BEEN PUNCHED IN THE FACE A COUPLE OF TIMES.
STOP!
CAN Y'ALL HELP ME?
I GOT MY FAVORITE NECKLACE BROKEN.
[LAUGHS] SHE BROKE IT!
I GOT MY WEAVE PULLED OUT IN FRONT OF THE WHOLE, ENTIRE WORLD.
OHO, YOU GETTING AN ***-WHUPPIN' NOW!
OH, MY WEAVE!
BUT I DON'T REGRET COMING HERE AT ALL.
Man: ♪ THIS IS THE START ♪
[LAUGHTER]
♪ OF SOMETHING GOOD ♪
♪ THIS IS THE PROMISE ♪
♪ OF WHAT WILL BE ♪
I'M PROUD OF EVERY LAST THING.
EVEN THE SHAMEFUL THINGS I DID IN THIS HOUSE, I'M STILL PROUD OF.
I'M A STRONGER PERSON FOR ALL OF THIS.
OPEN THIS DOOR!
I'M NOT PLAYING WITH YOU ***!
BYE-BYE, "BAD GIRLS CLUB."
I'M GOING BACK TO MIAMI AND GETTING MY LIFE CRACKIN'.
♪ TOMORROW LOOKS GOOD ♪
Amy: FIRST 3 IN...
Amy, Gia, and Erica: LAST 3 OUT!
Erica: TO THE BADDEST *** IN THE HOUSES ALREADY.
BRRRING!
[TELEPHONE RINGS]
HELLO?
THANK YOU.
YEAH. IT'S ME, RIGHT? OK.
CHILL OUT.
IT'S ERICA'S TURN, AND I'M BAWLING WITH TEARS.
I'M LIKE, OH, MY GOD.
I GIVE ERICA ONE LAST KISS.
I'M LIKE, BYE, ERICA, I'M GOING TO MISS YOU.
I'M GOING TO MISS WAKING UP TO YOUR LITTLE RED HAIR EVERY DAY
AND YOUR COOKING.
I LOVE YOU.
HAVE A SAFE FLIGHT.
I'LL EMAIL YOU.
ALL RIGHT.
HOW DID WE GET LEFT BEHIND?
AMY, I LOVE YOU, TOO, OK?
I LOVE YOU.
Y'ALL BE GOOD.
♪ I'M GOING HOME ♪
♪ I'M GOING HOME ♪
IT FEELS GREAT TO MAKE IT TO THE END OF "BAD GIRLS CLUB."
Man: ♪ YOU WON'T BE THE SAME ♪
♪ THIS MOMENT BEYOND ♪
♪ WILL SET US APART ♪
♪ WE CHANGE WHO WE ARE ♪
♪ TO WHO WE SHOULD BE ♪
LET'S GO. FIND YOUR SNEAKERS, ***.
A LOT OF BAD TIMES, A LOT OF HARD TIMES,
A LOT OF SAD TIMES, A LOT OF FUN TIMES,
A LOT OF CRAZY TIMES, FULL OF DRAMA.
DON'T TOUCH ME.
DO IT TO YOURSELF, ***. DO IT TO YOURSELF.
I'M NOT GOING TO SAY I RAN THE HOUSE,
BUT I DEFINITELY DID INFLUENCE THE HOUSE A LOT.
WE SHOULD KILL THE PALM TREES.
GOOD LUCK, PALMER.
[HOCKS AND SPITS] ***.
I FEEL LIKE I GRADUATED, YO.
GRADUATED WITH ALL HONORS, AND I'M ABOUT THAT LIFE. [LAUGHS]
Announcer: STILL TO COME ON THE "BAD GIRLS CLUB..."
I'M THE LAST ONE IN THE HOUSE.
AND I WANT TO GO STREAKING.
WHOO!
HELLO?
THE LIMO DRIVER'S HERE.
[LAUGHS] I DON'T HAVE A TOWEL!
[TELEPHONE RINGS]
[RING]
[RING]
[RING]
AMY, GET THAT.
[RING]
I CAN'T DEAL WITH THIS [BLEEP] ANYMORE.
[RING]
HELLO? YOU'RE LEAVING ME.
Woman: ♪ EVERYBODY'S TALKING ABOUT HER, SO WHAT? ♪
♪ WE ARE FIRECRACKERS, BABY ♪
[BOTH SQUEAL]
[INDISTINCT TALKING]
♪ THEY NEVER GET US, WE GO, GO, GO ♪
♪ WE'RE ON TOP OF THE WORLD, WORLD ♪
GIA AND I HAD PROBLEMS.
AND THEN, WE SMOOTHED IT OUT.
SHE'S MY DRINKING BUDDY, SHE SLEEPS NEXT TO ME.
I HAVE TO LOOK AT HER EVERY DAY WHEN I WAKE UP IN THE MORNING.
SO I'M GOING TO MISS HER.
AND SHE'S WALKING OUT THE DOOR,
AND THAT'S WHEN IT IS STARTING TO FEEL REAL.
WE'RE GOING HOME.
Woman: ♪ WE GO, GO, GO ♪
♪ LIKE WE'RE ON TOP OF THE WORLD, WORLD, WORLD ♪
♪ THEY KEEP BRINGING US DOWN ♪
♪ BUT WE GET UP, WE GET UP ♪
♪ WE GET UP AND WE GO, GO, GO ♪
♪ WE'RE ON TOP OF THE WORLD ♪
I'M EMOTIONAL BECAUSE I JUST GOT TO KNOW
A LOT ABOUT EVERY SINGLE ONE OF THE GIRLS IN THE HOUSE.
MY NAME'S GIA. HOW ARE YOU?
OH, MY GOD. MY *** JUST POPPED OUT!
I HAD A REALLY, REALLY ROUGH FIRST NIGHT.
I ALMOST HAD TO LEAVE.
BUT I DIDN'T, AND I'VE LEARNED
YOU HAVE TO HAVE YOUR OWN BACK,
STAND UP FOR WHAT YOU BELIEVE IN,
AND ONLY THE STRONG SURVIVE.
EVERYBODY IS GONE!
ALONE IN A BIG-*** HOUSE!
AS FAR AS I KNOW, I'M THE LAST ONE IN THE HOUSE.
I DON'T KNOW WHAT THAT MEANS,
BUT I'M GOING TO GO STREAKING.
WHOO!
WHOO!
HELLO?
THE LIMO DRIVER'S HERE. HELLO?
NICE PLACE.
I DON'T HAVE A TOWEL! [LAUGHS]
I DON'T HAVE A TOWEL!
HELLO? HELLO?
I'M LOOKING FOR AMY.
I'M HERE TO DRIVE HER TO THE AIRPORT.
YEP, THAT'S ME.
OH, IT'S GOOD TO SEE YOU.
I JUST GOT TO PUT SOME CLOTHES ON.
OK. NICE.
MY JOB IS DONE.
I DRANK, I PARTIED, I MADE OUT.
THERE'S BEEN FIGHTS. THERE'S BEEN DRAMA.
IT'S THE "BAD GIRLS CLUB," YOU ***.
THERE'S BEEN LAUGHS, CRIES, HOOK-UPS,
EVERYTHING POSSIBLE.
I LEARNED THAT I NEED TO HAVE A LITTLE MORE PATIENCE
AND CONTROL THAT TEMPER THAT I HAVE A LITTLE BIT,
BUT ALWAYS BE MYSELF AND STILL ALWAYS MAKE THE BEST OUT OF EVERYTHING.
[SCREAMS AND LAUGHS]
AND AS I WALK OUT, I'M TAKING IT ALL WITH ME.
WALKING OUT THAT DOOR IS JUST VICTORY. IT'S VICTORY.
BYE, "BAD GIRLS CLUB" HOUSE.
NEXT TIME, ON PART ONE OF A SPECIAL TWO-PART "BAD GIRLS CLUB" REUNION...
THE GIRLS HAVE GATHERED HERE TO SETTLE SOME OLD AND NEW SCORES.
YOU BECAME A FRIEND OF THE PEOPLE THAT JUMPED YOU. THAT'S STUPID.
I DON'T NEED A ARMY TO BACK ME UP!
YES, YOU DO, BECAUSE YOU'RE [BLEEP] BY YOURSELF.
[LAUGHING]
WHOO!
I NEED A MINUTE.
THERE'S A LOT OF HURT AND PAIN THERE, ERICA.
YOU REALLY THINK I'M GONNA ACCEPT YOUR APOLOGY?
YOU NEED TO GET UP AND HUG HER.
THAT'S WHAT I'M TELLING YOU, GABI, DON'T [BLEEP] DO IT!
FOR MORE INFORMATION ON "BAD GIRLS CLUB,"
GO TO OXYGEN.COM.
CAPTIONING MADE POSSIBLE BY BUNIM/MURRAY PRODUCTIONS
CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--