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- PREVIOUSLY ON GALLERY GIRLS:
- MAGGIE, ARE YOU UP TO DO SOME MORE WORK?
CHANGE THE DOG WATER OUTSIDE.
- ELI'S TREATING MAGGIE LIKE A SERVANT.
- HE DOESN'T WANT TO HIRE YOU OR PAY YOU.
HOW DOES HE GET AWAY WITH THIS? - I KEEP STAYING.
THAT'S WHY HE GETS AWAY WITH IT. - [laughs]
- WHAT'S YOUR LAST NAME? ARE YOU ON THE LIST?
- YOU KNOW WE HAVE A LOT OF BIG THINGS COMING UP.
- IF I'M NOT GETTING MY JOB DONE
WHILE JUGGLING THE INTERNSHIP WITH SHARON,
MY BOSS WOULD DEFINITELY REPLACE ME.
- WE SOLD THE NEW YORK APARTMENT.
ARE YOU GONNA BE ABLE TO SUPPORT YOURSELF?
- IT'S LIKE, OKAY, NOW I'VE JUST FOUND OUT THIS INFORMATION.
- YOU HAVE TWO WEEKS.
- WHAT ARE YOU DOING ON SATURDAY NIGHT?
- SATURDAY, I'VE GOT TO SPEAK IN A PANEL WITH BASEL.
- I'M JUST SICK OF TRYING.
- STOP, BOBBY. - SUCK MY [bleep].
- YOUR FRIEND GETS WASTED
AND MAKES ME LOOK LIKE AN [bleep],
AND THEN YOU GUYS DON'T TIP ON TOP OF THAT.
MY FRIENDS ARE SUPPOSED TO BE CLASSY INDIVIDUALS
WHO AREN'T GOING TO ACT LIKE MORONS.
- I'D LOVE TO HELP YOU WITH YOUR POP UP IN MIAMI.
- AMY, I'M TOTALLY GOING TO TAKE YOU UP ON THAT,
AND YOU'RE TOTALLY GONNA REGRET IT.
- I DON'T WANT ANY PART IN IT.
- CHANTAL IS A COMPLETE CONTROL FREAK.
- NO ONE'S COMING. - OH, IT'S TOTALLY SAD.
I DIDN'T WANT TO DO IT FROM DAY ONE.
I KNEW IT WOULDN'T WORK.
- WE HAVE NO MONEY, AND IT NEVER GETS ANY BETTER.
[Deidre & the Dark's Classic Girl]
- ♪ I SEE IN BLACK AND WHITE ♪
♪ WANT TO GO OUT EVERY NIGHT ♪
♪ AND I'M ALWAYS SO POLITE ♪
♪ IT'S ONLY LADY, LADY, LADYLIKE ♪
♪ I'VE BEEN THIS WAY ♪
♪ AND I WANT TO STAY A CLASSIC GIRL ♪
♪ SO I'M MAKING MY PLACE ♪
♪ IN THE MODERN WORLD ♪
♪ ♪
- ♪ RUN TO ME ♪
♪ WE'RE RUNNING ♪
♪ PICKING UP THE PACE ♪
♪ DON'T KNOW WHAT WE'RE CHASING ♪
- HI, HONEY. - HI, HOW ARE YOU?
- GOOD. THANKS FOR INVITING ME FOR COFFEE.
- YOU'RE WELCOME. DID YOU HAVE FUN AT--
WHEN DID YOU GET BACK FROM MIAMI?
- I, UH, JUST GOT BACK YESTERDAY.
- SERIOUSLY? - SO I STAYED A LITTLE LONGER
TO SEE MY FAMILY AND STUFF LIKE THAT.
- [sighs] I'M JEALOUS.
I WISH I COULD HAVE STAYED LONGER.
IT WAS SO MUCH, LIKE, GALLERY STUFF.
- SO, WAIT, DID YOU QUIT? WITH ELI?
- I'M GOING TO LEAVE ELI'S.
I JUST HAVEN'T SAID ANYTHING YET
BECAUSE I JUST CAN'T HANDLE HIM ANYMORE.
WHEN I--WHEN LIZ STARTED WORKING THERE,
ELI DIDN'T MAKE LIZ DO A SINGLE THING.
- SHE DIDN'T DO ANY WORK AT ALL? - MM-MMM.
I DON'T KNOW IF YOU DO KNOW,
LIKE, WHAT HAPPENED IN MIAMI WITH LIZ.
- YEAH. - JUST A LITTLE DRAMA.
- THE GUY GOT TOO DRUNK. BIG DEAL.
- THAT'S WHAT I SAID. - GET OVER IT.
- THAT'S WHAT I SAID TO LIZ, BUT WHATEVER.
IT MADE RYAN AND I REALIZE A LOT OF THINGS,
AND WE JUST WANTED TO APOLOGIZE.
LIKE, WE FEEL LIKE WE MIGHT HAVE PREMATURELY JUDGED YOU A LOT
BASED ON, LIKE, WHAT LIZ WAS TELLING US.
AND, LIKE, RYAN ESPECIALLY WANTED ME TO TELL YOU
THAT HE THINKS YOU'RE THE NICEST GIRLS
OUT OF ALL THE GIRLS, AND I AGREE.
AND WE JUST FELT REALLY BAD, AND WE--
[laughs] OH, AMY, STOP.
IT'S OKAY, AMY. - [sniffling, laughing]
- YOU KNOW WHAT...
I'M SORRY... [crying, indistinct]
[giggling]
- IT'S OKAY.
- NO, I'M HAPPY. - OKAY.
- BECAUSE--CAN I TELL YOU SOMETHING?
I AM SO HAPPY RIGHT NOW. - [laughs]
- I'M SO HAPPY. - THIS WHOLE SITUATION
HAS DEFINITELY TAUGHT ME TO NOT BELIEVE
WHAT EVERYBODY SAYS ABOUT OTHER PEOPLE,
BECAUSE LIZ ISN'T REALLY A GREAT FRIEND.
- IT'S BEEN SO WEIRD FOR ME,
BECAUSE I AM, LIKE, THE NICEST PERSON,
AND IT'S NOT NORMAL TO BE
THAT MEAN TO SOMEBODY OVER NOTHING.
- AND THAT--IT JUST TOOK LIZ TURNING ON ME LIKE THAT
TO BE LIKE, "WELL, MAYBE THIS IS
WHAT SHE'S BEEN DOING TO EVERYBODY ELSE."
WE JUST FELT BAD.
- THANK YOU. - STOP CRYING.
- THIS MEANS THE WORLD TO ME, THE REST OF MY LIFE.
IT'S NICE TO HAVE MAGGIE RECOGNIZE
THAT LIZ'S ACTIONS ARE VERY HURTFUL.
WE WERE BOTH TREATED VERY HARSHLY.
LET'S DO THIS AGAIN.
I WANT TO DO MORE MUSEUMS OR GALLERIES
AND TALK ABOUT ART. - WE WILL.
ALL RIGHT, READY, GIRL? - YEAH, I'M READY.
- COME ON, LET'S GO. - I HAVE A QUESTION FOR YOU.
IF YOU HAD TO MOVE, WOULD YOU MOVE ANYWHERE ELSE?
'CAUSE I MIGHT BE LOOKING FOR AN APARTMENT.
- I DON'T KNOW. I LIKE MURRAY HILL.
- I DO, TOO.
[rock music]
♪ ♪
- SO I GOT THE BILL YESTERDAY FOR THE LAST COUPLE OF MONTHS.
- WE HAVE TO PAY, LIKE, THIS BILL AND INTERNET.
- YEAH.
- BUT THIS MONTH, WE ONLY HAVE EXACT FOR RENT.
SO...I DON'T KNOW.
- THIS IS OUR SECOND FINAL TERMINATION NOTICE.
WE'VE GOT TO DO SOMETHING.
REALLY. - HEY, GUYS.
- HEY.
- I BROUGHT WINE. [laughs]
- IS THAT FUR FROM FRANCE? - IT IS.
- CHANTAL JUST SKIPPED OFF TO PARIS
AND ENDED UP HAVING TO STAY THERE LONGER
BECAUSE SHE GOT SICK AND WASN'T ALLOWED TO FLY BACK.
SO LARA AND I HAVE BEEN TAKING CARE OF THE STORE
FOR THE PAST TEN DAYS.
HOW ARE YOU FEELING?
- LIKE 90% BETTER.
WHAT ARE YOU GUYS TALKING ABOUT?
- WE'RE TALKING ABOUT OUR FINAL TERMINATION NOTICE
FROM CON ED.
- [laughs] I DON'T KNOW WHY I'M LAUGHING.
THAT'S NOT FUNNY. - I KNOW.
- IT'S GONNA MESS WITH OUR CREDIT
IF WE KEEP PUTTING THE THING OFF.
LIKE, I'M AT, LIKE, MY WIT'S END.
I'M GONNA BE HONEST.
LIKE, I'VE BEEN KIND OF LOOKING INTO, LIKE,
HOW WE CAN SUBLET THE STORE.
I, LIKE...
IT'S NOT FAIR.
LIKE, I'M WASTING ALL OF THIS MONEY,
AND, LIKE, WE'RE NOT MAKING ANYTHING. IT'S JUST--
- I MEAN, I'M THINKING ABOUT MOVING TO PARIS, HONESTLY.
- WE STILL HAVEN'T SOLD ANYTHING IN THIS SPACE AT ALL.
- PEOPLE DON'T BUY ART THE WAY THEY BUY CLOTHES.
IT'S JUST THE WAY IT IS. - AGREED.
BUT, LIKE, DON'T YOU THINK THERE SHOULD HAVE BEEN
SOME SORT OF PROGRESS BY NOW?
- WELL, I MEAN, LIKE, AS I'VE SAID, I'VE TRIED.
- WE SEND SO MUCH PROMOTION
AND, LIKE, SO MUCH THROUGH EVERYTHING
ABOUT ALL, LIKE, THE DESIGNERS
AND--AND EVERYTHING THE RETAIL SIDE.
LIKE, I JUST DON'T SEE THAT HAPPENING IN THE ART SIDE.
- WELL, I MEAN, LIKE, LARA, I'M HERE, TOO,
LIKE, SELLING THE CLOTHES THAT YOU PICK.
LIKE, IT DOESN'T--YOU'RE NOT SELLING THE ART THAT I PICK.
- I TRY. - WELL, I TRY, TOO.
- IT REQUIRES A LOT OF WORK TO SELL ART,
AND SHE NEEDS TO BE REACHING OUT TO PRESS
AND GOING TO A LOT OF OPENINGS AND MEETING PEOPLE EVERY NIGHT,
AND, LIKE, THAT'S WHAT GALLERY DIRECTORS DO,
AND SHE'S JUST THROWING UP A SHOW
AND HOPING IT SELLS ITSELF.
AND IT DOESN'T WORK LIKE THAT.
- I'M EXHAUSTED, TALKING ABOUT THIS.
- YES, BUT, LIKE, WE TALK ABOUT MONEY,
AND IT'S LIKE, I'M STRESSED ABOUT IT
AND YOU'RE LIKE, "WELL, YEAH, WE NEED TO PAY THAT," LIKE...
- WE'RE GONNA FIGURE IT OUT.
LIKE, WE CAN'T FIGURE IT OUT THIS SECOND,
SO WHY STRESS ABOUT IT?
SELL A PAINTING.
- [bleep] SELL MORE CLOTHES, THEN.
- I WILL. TOMORROW, I'LL BE HERE.
- PLEASE. I WOULD LOVE THAT.
I MEAN, I WOULD LOVE TO SEE EITHER OF YOU SELL A PAINTING.
ESPECIALLY YOU, LARA.
- YOU GUYS, I'M REALLY OVER THIS.
I REALLY WANT TO GO HOME.
- I THOUGHT THAT THESE GIRLS WERE MY FRIENDS
AND THAT THEY WOULD--
THEY WOULD CARE AND BE CONCERNED ABOUT THIS THING,
BUT IT JUST SEEMS LIKE I, LIKE, TRUSTED THE WRONG PEOPLE.
I JUST FEEL FOOLISH.
- TALK TO YOU GUYS TOMORROW.
- ALL RIGHT, BYE, LARA. - BYE.
- LOVE BEING A PART OF END OF CENTURY.
[pop music]
♪ ♪
- PUT THIS AWAY.
[phone rings]
HELLO? - MAGGIE?
- YES, THIS IS.
- FRANK BERNARDUCCI CALLING. - HI, HOW ARE YOU?
- SWELL, THANKS, AND YOU?
- I'M GREAT. - HOW WAS MIAMI?
- I HAD A LOT OF FUN IN MIAMI,
BUT I'M HAPPY TO BE BACK IN NEW YORK, THOUGH.
- DID HE PAY YOU TO GO DOWN THERE?
- NO, HE DIDN'T. [laughter]
YEAH, RIGHT.
- LET ME JUST SAY, WE'RE WARMING UP TO THE IDEA
OF POSSIBLY OFFERING YOU SOMETHING.
MAYBE YOU CAN HELP US OUT TOMORROW TO BEGIN WITH.
WE'LL TAKE IT FROM THERE, OKAY?
- OKAY, THAT SOUNDS SO GREAT.
- IT WOULD BE A GOOD WAY FOR US TO GET
A LITTLE MORE FAMILIAR WITH YOU AND YOU WITH US.
- YEAH, THAT SOUNDS GREAT TO ME.
- TOMORROW WE HAVE AN OPENING AT THE GALLERY
FROM 5:00 TO 7:00,
AND, UM, OBVIOUSLY WE WOULD PAY YOU...
[laughter] ACTUAL MONEY FOR WORKING.
- THAT'S... - ALL RIGHT, MAGGIE?
- YEAH, NO PROBLEM. - SO WE'LL SEE YOU TOMORROW.
- YEP, I'LL SEE YOU THEN. THANKS.
- GREAT. BYE-BYE. - BYE.
THANK GOD. I'M MOVING UP.
- HEY, BABE. - HI.
- GUESS WHO JUST CALLED. - WHO?
- THE GALLERY THAT I INTERVIEWED AT.
- OH, REALLY? HOW'D THAT GO? - GOOD.
THEY'RE THINKING ABOUT OFFERING ME A POSITION,
AND THEY WANT ME TO COME TOMORROW.
- GOOD. WELL, THEY SOUND LIKE THEY REALLY WANTED YOU OR...
- YEAH.
- OH, REALLY? - YEAH.
[laughter]
- YEAH, IT'S REALLY GOOD.
- ♪ HEY, WHAT YOU SAY? ♪
♪ GIVE IT ALL AWAY ♪
♪ ♪
♪ 'CAUSE WE'RE A WORK OF ART ♪
♪ 'CAUSE WE'RE A WORK OF ART ♪ - HELLO.
- HOW ARE YOU? - HOW ARE YOU?
- WHAT ARE YOU WEARING? - 1972. FLORAL.
- LOVE IT.
- APPARENTLY IT'S BEEN A WHILE SINCE I'VE SEEN SOME COLOR.
- CHEERS. - CHEERS.
TO DOUBLE-***. - TO FINDING A NEW MAN.
- BY THE WAY, I JUST MADE THE BIGGEST, MOST IMPORTANT,
ESSENTIAL PURCHASE OF MY LIFE.
I BOUGHT A GIVENCHY BAG YESTERDAY.
- YOU ARE SO SHALLOW.
- [laughs] I'M LIKE I'M RUBBING IT IN YOUR FACE.
NO, THIS IS IMPORTANT TO ME.
I'VE BEEN SAVING UP FOR THIS BAG,
LIKE, SAVING DOLLAR TIPS ON TABLES,
FOR, LIKE, A YEAR TO BUY THIS BAG,
AND I FINALLY BOUGHT IT.
- CONGRATULATIONS, ANGELA.
I HOPE THAT YOU'RE REALLY HAPPY WITH IT.
- I'M LIKE A REAL ADULT NOW.
I HAVE, LIKE, A REAL ADULT HANDBAG.
- IF ONLY YOU HAD A REAL ADULT JOB.
- [laughs]
WHAT'S GOING ON ON THE GALLERY SIDE OF THINGS?
LIKE, ARE YOU...
- I'M, LIKE, SO BURNT OUT.
LIKE, CHANTAL IS OUT OF CONTROL.
- WHAT'S WRONG WITH CHANTAL?
- SHE WENT TO PARIS FOR TEN DAYS.
- DID SHE JUST PICK UP AND GO WITHOUT SAYING ANYTHING OR--
- SHE JUST PICKED UP AND WENT WITHOUT SAYING ANYTHING.
I REALLY THINK THERE'S, LIKE,
SOMETHING VERY PATHOLOGICAL ABOUT THAT.
- I WOULDN'T PUT ANYTHING BACK--PAST HER.
I THINK THAT CHANTAL IS A PATHOLOGICAL LIAR
AND SHE DOESN'T CARE ABOUT ANYBODY ELSE BESIDES HERSELF.
IF, LIKE, HER PATHOLOGICAL LIES WERE ACTUALLY PAYING THE BILLS,
THEN I WOULDN'T BE SAYING THIS,
BUT, LIKE, I DON'T MAKE ANY MONEY WORKING THERE.
I CAN'T HANDLE IT ANYMORE. I'M DONE, I'M SORRY.
I'M SORRY YOU'RE-- - WAIT, ARE YOU QUITTING
END OF CENTURY? - I'M THINKING ABOUT IT.
- IT'S NOT EVEN BEEN A YEAR YET
AND YOU'RE ALREADY THINKING OF QUITTING?
- I MEAN, MY OTHER OPTION IS TO TAKE A FULL-TIME JOB,
SUBLET THE SPACE,
AND GIVE MY MOTHER BACK THE END OF CENTURY DEBT, SO...
- AND THEN JUST GET OUT OF IT? - YEAH, AND JUST GET OUT OF IT.
I'M THINKING ABOUT IT SERIOUSLY.
CHANTAL AND I WERE FRIENDS.
I DIDN'T KNOW WHAT IT WAS LIKE TO WORK WITH HER.
- HAVE YOU BEEN OUTSPOKEN ABOUT THINGS OR...
- NO, YOU KNOW HOW IT IS.
LIKE, WHEN I'M AROUND HER, I DON'T KNOW
IF, LIKE, WE'RE GOING TO START,
LIKE, BREAKING INTO HYSTERICAL LAUGHTER
OR, LIKE, BREAK OUT A FORK
AND STAB EACH OTHER IN THE THROAT.
LIKE, I JUST DON'T KNOW.
- YOU GUYS MIGHT HAVE BOTH VERY DIFFERENT VISIONS OF
WHERE END OF CENTURY IS GOING. YOU JUST WANT TO MAKE MONEY.
- I MEAN, YEAH, I JUST WANT TO MAKE MONEY.
- YEAH, AND I THINK CHANTAL WANTS TO ACHIEVE, LIKE,
CULT STATUS AMONGST, LIKE,
REAL FASHIONISTAS AND STUFF LIKE THAT.
- SHE LIKES TO PRETEND THAT SHE CAN BE A PART OF
THIS ESOTERIC PROJECT THAT,
LIKE, ISN'T INTERESTED IN MAKING ANY MONEY,
AND IT'S OFFENSIVE,
BECAUSE I ACTUALLY HAVE MONEY INVOLVED,
AND, LIKE, IN THE GALLERY,
AND SHE TRIES TO ACT LIKE MAKING THAT MONEY BACK
ISN'T A PRIORITY.
- IT'S JUST REALLY AN AWKWARD SITUATION WITH FRIENDS.
IT JUST, LIKE--AND IT MAKES ME REALLY UNCOMFORTABLE,
BECAUSE I'M STILL CHANTAL'S FRIEND,
BUT I SEE WHERE YOU'RE COMING FROM.
AND YOU SHOULD BE HAPPY.
LIKE, YOU CAN GO OFF AND DO YOUR OWN THING
AND THEY CAN STILL DO WHAT THEY WANT TO DO.
AND EVERYONE'S HAPPY.
- I WOULD MAKE SURE OF THAT. - WHY WOULD YOU SAY THAT?
THEY'RE OUR FRIENDS, AND WE'D WANT TO SEE IT SUCCEED.
- NO, REALLY...
- CLAUDIA PULLED ME ASIDE THE OTHER DAY
AND WANTED TO TALK ABOUT END OF CENTURY STUFF.
I THINK SHE CALLED YOU... A PATHOLOGICAL LIAR.
- ♪ EXTRA FEARLESS ♪
♪ WE'RE RECKLESS 'CAUSE WE'RE YOUNG ♪
♪ WE'RE TRACING ♪ - HOW ARE YOU?
- HI, I'M GOOD. HOW ARE YOU?
- NICE TO SEE YOU AGAIN. - YOU TOO.
- HI, MAGGIE. - HI.
- YOU REMEMBER MOOKIE.
YEAH, YOU CAN HOLD HER.
- YOU HAVE A POODLE?
- YOU HAVE TO GET ALONG WITH MOOKIE AROUND HERE.
SHE'S THE MASCOT.
- IT'S WEIRD FOR ME TO WALK INTO A TRIAL DAY AT A NEW GALLERY,
BUT I'M REALLY HOPING THIS WORKS OUT,
BECAUSE I DEFINITELY NEED A FRESH START.
- ALL RIGHT, SO WE HAVE TWO SHOWS UP RIGHT NOW.
- MM-HMM.
- A SOLO EXHIBITION BY SHARON MOODY...
AND THEY'RE BASED, OBVIOUSLY, ON COMICS.
THE OTHER TWO ROOMS ARE A GROUP EXHIBITION.
IT'S CALLED STAND STILL.
- HUH.
BERNARDUCCI MEISEL IS MODERN AND CONTEMPORARY,
AND I SPENT FOUR YEARS IN SCHOOL STUDYING ALL THAT STUFF.
BUT SINCE I'VE BEEN AT ELI'S,
I HAVEN'T BEEN INVOLVED IN OTHER MARKETS
OTHER THAN CHINESE ART.
SO THIS ART WILL TAKE A LITTLE BIT OF GETTING USED TO.
- THE THING ABOUT WORKING HERE IS EVERYONE DOES EVERYTHING.
THERE'S A PRICE LIST UP FRONT,
SO MAYBE YOU CAN GET ACQUAINTED WITH THAT A LITTLE BIT.
SHE BOUGHT NUMBER SIX.
- OKAY. - SO JUST PUT A RED DOT ON IT.
- MY NAILS ARE TOO LONG.
- OKAY, WAIT, POP QUIZ.
OUR TWO SHOWS ARE...
UGH.
EVENTUALLY, YOU'RE GONNA MEMORIZE EVERYTHING.
- MM-HMM.
- DO ME A FAVOR. IN MY OFFICE,
NEXT TO MY DESK, IN THE TOP LEFT-HAND DRAWER--
OR THE SECOND DRAWER DOWN, I DON'T KNOW WHICH--
YOU'LL SEE A BOX OF BUSINESS CARDS.
JUST BRING OUT A STACK LIKE THIS, WOULD YOU?
THANKS. - NEXT TO THE DESK,
ON THE LEFT-HAND SIDE. - YES.
YEAH, YOU'LL SEE THEM IN THERE. - OKAY.
- THANK YOU.
- BOX OF CARDS...
I CAN'T SEE IT.
AM I ON THE LEFT-HAND SIDE? YES.
IT'S SO WEIRD TO NOT KNOW THE PLACE
LIKE THE BACK OF MY HAND.
AT ELI'S, EVERYTHING WAS SECOND NATURE,
AND I SORT OF FEEL OUT OF PLACE.
- YOU FIND THE CARDS? - I GOT SOME OFF YOUR--
- THAT'S GREAT, THANK YOU. - I GOT THEM OFF THE DESK,
'CAUSE I COULDN'T FIND THEM WHEN I OPENED THE DRAWER,
AND I DIDN'T WANT TO KEEP GOING THROUGH THE DRAWERS,
'CAUSE I FELT AWKWARD, SO I JUST TOOK THEM...
- OKAY. - ALL OUT OF CARDS?
- YEAH, LET ME TELL YOU SOMETHING.
THERE'S NO DOORS IN THIS GALLERY
BECAUSE THERE'S NO SECRETS. - I KNOW, I JUST--
- SO I WANT YOU TO GO FIND THE CARDS FOR ME, WOULD YA?
GO AHEAD.
- YEAH...
FRANK, I NEED CARDS.
- [laughs]
DID YOU FIND THEM? ALL RIGHT, SEE?
- I FOUND THEM. - OKAY.
- YOU DON'T GIVE UP, SUGAR. YOU CAN'T GIVE UP.
YOU KNOW, I REALLY NEED TO MAKE MYSELF AN ESPRESSO.
MAYBE...WOULD YOU LIKE A MACCHIATO?
- I WOULD LOVE ONE, YEAH. - I'LL SHOW HER HOW TO DO IT.
- OH, THAT WOULD BE SO GOOD.
WE HAVE A LITTLE COMPETITION AROUND HERE,
WHO CAN MAKE THE BEST MACCHIATOS.
- YEAH.
- WE'LL SEE HOW YOU MAKE OUT WITH THAT.
- YOU WANT TO PUT A LITTLE MORE IN THERE,
BUT YOU WANT TO MAKE SURE YOU LET IT GO ENOUGH.
- LIKE RIGHT NOW? - NAH.
- THIS IS...DIFFICULT.
DON'T GET SCARED. JUST GET A FEEL FOR IT.
[hissing, rattling]
THIS IS, UM...WEIRD.
WE'RE GONNA TRY AGAIN.
- THANKS, MAN. GOOD LUCK. THANKS SO MUCH.
ALL RIGHT, DON'T GO AWAY. THIS IS MAGGIE.
SO SHE'S GONNA BE MAYBE HANDLING SOME OF THE PAPERWORK.
SO... - OKAY.
- I'M DYING TO GET A JOB OFFER HERE
BECAUSE MY FAMILY WILL DEFINITELY BE EXCITED
IF I GET A PAYING JOB.
THEY'VE WANTED ME TO HAVE THAT FOREVER.
- THAT'S COOL. - THANK YOU FOR HAVING ME.
AND I CAN'T WAIT TO TELL ELI THAT I'M LEAVING.
OH, MY FEET ARE KILLING ME.
[pop music]
♪ ♪
- GREAT TO SEE YOU. WORKING OUT?
- YEAH, I HAVE BEEN. I'VE BEEN RUNNING.
- LET ME SEE. OOH, THAT IS PRETTY GOOD.
- NOT BAD. - WOW.
- I TONE UP PRETTY FAST.
- YOU'RE GETTING A LITTLE THIN, THOUGH.
- NAH, IT'S JUST AN ILLUSION, I THINK.
YEAH. - SO WHAT HAVE YOU BEEN UP TO?
WHAT'S HAPPENING WITH THE INTERNSHIP?
WHAT'S GOING ON WITH THAT?
- UM, IT'S BEEN GREAT,
BUT I JUST DON'T KNOW HOW LONG I CAN JUGGLE BOTH ANYMORE.
BECAUSE IT'S A LOT OF WORK, AND I HAVE AN OBLIGATION
TO MY FULL-TIME JOB THAT'S PAYING ME
AS IF I'M A FULL-TIME EMPLOYEE...
- TRUE. - BUT I'M COMING AND GOING
AS IF I'M PART-TIME, YOU KNOW?
WHEN I'M AT SOMETHING WITH SHARON,
I DON'T WANT TO BE RUDE
AND LOOK AT MY PHONE, BUT IN THE HOSPITALITY BUSINESS,
I HAVE TO BE AVAILABLE ALL THE TIME.
- RIGHT.
- AS MUCH AS I'M LOVING DOING THE ART INTERNSHIP,
IT DOESN'T PAY ME, DOESN'T NEED AN INTERN FOREVER EITHER.
- I MEAN, YOU GOTTA MAKE MONEY. YOU GOTTA BE ABLE TO SURVIVE.
RIGHT? I MEAN... - I KNOW. YEAH, EXACTLY.
AND I COME HOME,
I'M LIKE, OH, MY GOSH, LIKE, I CAN BREATHE.
- WHAT DO YOU MEAN?
- I DON'T KNOW. IT JUST NEVER ENDS.
I DON'T EVEN WANT TO TALK ABOUT WORK.
I FEEL LIKE THAT'S ALL I DO.
SOUND LIKE YOU.
- THAT'S WHAT WE DO. - [laughs]
I JUST WANT TO...
DO IT ALL.
- YEAH. - ME, TOO.
- MY DAD ALWAYS MAKES ME FEEL BETTER,
BUT HE'S WORKED SO HARD HIS ENTIRE LIFE,
AND I COULD SEE MYSELF FALLING IN THE SAME TRAP.
BUT I'M WILLING TO DO IT TO LIVE IN NEW YORK CITY
AND FOLLOW MY DREAMS.
- YOU'RE LOVING THE CITY, RIGHT?
- YEAH, I'M NOT LEAVING ANY TIME SOON.
[both chuckling]
[electronic music]
- ♪ STOPPING HEARTS ♪
♪ THEY SAY YOU'RE TO DIE FOR ♪
♪ STOPPING HEARTS ♪
♪ SAY YOU'RE TO DIE FOR ♪
♪ EVERYBODY WANTS ME 'CEPT THE ONE I WANT ♪
♪ EVERYBODY WANTS ME 'CEPT THE ONE I WANT ♪
♪ ♪
- I WAS PLACED IN A VERY AWKWARD POSITION,
BECAUSE CLAUDIA SAT ME DOWN AND VENTED HER FRUSTRATIONS
ABOUT END OF CENTURY AND CHANTAL.
CHANTAL IS A VERY GOOD FRIEND OF MINE,
AND IF CLAUDIA'S SERIOUSLY CONSIDERING
LEAVING END OF CENTURY,
THEN I FEEL LIKE I HAVE A RESPONSIBILITY
TO TELL MY BEST FRIEND.
- ♪ YOU AND ME, WE'VE GOT UNFINISHED BUSINESS ♪
♪ ♪
- WHAT THE HELL? SHE'S DRINKING STRAIGHT FROM THE BOTTLE AGAIN.
CHANTAL, YOU'RE DRINKING STRAIGHT FROM THE BOTTLE.
- I KNOW. I HAVE A DRINKING PROBLEM.
[laughter]
- ♪ I'M NOT THE ONLY ONE ♪
- CHANTAL... - YEAH, YEAH.
- CAN WE GO TALK OUTSIDE FOR A SECOND?
- YEAH, YEAH.
- UM, SO I'M JUST...
I DON'T WANT TO BE, LIKE, A GOSSIP OR A TATTLETALE
OR ANYTHING, BUT... - WHAT?
- CLAUDIA PULLED ME ASIDE THE OTHER DAY
AND WANTED TO TALK ABOUT END OF CENTURY STUFF.
- LIKE WHAT?
- THERE'S, LIKE...I KNOW THERE'S, LIKE, STRUGGLE THERE,
AND I THINK SHE THINKS THAT YOU'RE NOT PULLING YOUR WEIGHT.
- THAT'S RIDICULOUS. - I THINK SHE CALLED YOU...
A PATHOLOGICAL LIAR.
AND, UH, SAID THAT YOU FAKED ALL YOUR, LIKE,
PARIS MALADIES TO STAY THERE LONGER.
- THAT'S SO SAD. - AND, LIKE, LIED ABOUT
BEING IN THE HOSPITAL AND STUFF.
WHY WOULD SHE SAY THAT?
- THAT'S PRETTY [bleep], ACTUALLY.
BECAUSE I WAS REALLY SICK... IN THE HOSPITAL.
IT'S SAD, BECAUSE CLAUDIA'S MY FRIEND,
AND SHE'S ALSO MY BUSINESS PARTNER.
AND I DON'T FEEL LIKE I CAN TRUST HER.
SHE'S TALKING BEHIND MY BACK.
OKAY, I'M LEAVING. THIS IS SO WEIRD.
I MEAN, SHE KNOWS I'M GOING TO FIND OUT ABOUT IT.
AND I WISH SHE WOULD JUST CONFRONT ME TO MY FACE
IF SHE HAS A PROBLEM.
- I KNOW, I KNOW.
I KNOW. HERE.
- THIS SITUATION IS, LIKE, NOT WORKING OUT.
- MAYBE YOU'RE JUST NOT CUT OUT FOR THIS MUCH WORK.
- IT'S ONE THING TO WORK HARD,
AND IT'S ANOTHER THING TO BE COMPLETELY OUT OF YOUR MIND.
[Elaine Faye's Get Back Up]
- ♪ AND I HATE MY JOB, BUT I GOTTA PAY THE RENT ♪
♪ SO I SHOW UP AND SMILE AND I ACT AND PRETEND ♪
♪ YEAH ♪
- SAVE AS PDF.
HI, I RECENTLY SENT MY RESUME IN,
AND I'M JUST CURIOUS ON IF YOU'VE RECEIVED IT.
YES, MY NAME IS AMY POLIAKOFF.
SO MY DAD GAVE ME A VERY HARD ULTIMATUM.
I HAVE TO FIND A NEW APARTMENT AND A NEW JOB.
THIS IS ALMOST IMPOSSIBLE.
SO I SENT OUT RESUMES
TO BASICALLY EVERY GALLERY IN NEW YORK CITY,
HOPING THAT ONE WOULD CALL BACK.
ONE GALLERY ASKED ME TO DO A WRITING SAMPLE FOR THEM,
AND THEY'RE A REALLY GREAT GALLERY,
AND IT'S A HUGE OPPORTUNITY.
"BEST REGARDS..."
"IN ADDITION, I HAVE ATTACHED A WORKING PRESS RELEASE."
PERIOD. AND...SEND.
[sighs]
[funk music]
♪ ♪
- I THINK I DID ALL RIGHT FOR THE TRIAL DAY AT BERNARDUCCI.
I WAS AWESOME.
BUT EVEN THOUGH I DON'T HAVE THE JOB YET,
I'M GOING IN TO TELL ELI THAT I'M LEAVING.
- HI, MAGGIE.
- OH, GOD, I FEEL SO... BETTER SIT DOWN.
- SO YOU'RE COMING TOMORROW? - TO THE OPENING?
- MM-HMM. - YEAH.
- HOW LONG ARE YOU HERE?
- WELL, THAT'S ACTUALLY A GOOD THING TO TALK ABOUT,
BECAUSE I DON'T KNOW.
- OKAY. YOU MEAN TODAY?
- LIKE, FOREVER.
- [laughs] OKAY.
- I'VE BEEN INTERVIEWING AT PLACES
FOR, LIKE, FULL-TIME POSITIONS. - WHERE HAVE YOU INTERVIEWED?
- BERNARDUCCI MEISEL. - REALLY?
- YEAH, THEY REALLY WANT SOMEONE THAT WILL
WORK FOR THEM FOR MONEY.
- GOOD. - INSTEAD OF FOR FREE.
- I DON'T WANT PEOPLE WORKING FOR ME FOR FREE.
LOOK, WE HAVE INTERNS THAT WILL--
[phone rings]
TO VERY GOOD POSITIONS WITHIN THE ART WORLD.
THIS IS A CLIENT. I'M GONNA DEAL WITH IT.
ELI KLEIN.
HEY, WHAT'S UP? UM, IS EVERYTHING GOOD?
ALL RIGHT, TERRIFIC. IF--UH-HUH.
GREAT, GREAT, GREAT. I ALWAYS LOVE TO HEAR THAT.
CONGRATULATIONS. I'M REALLY HAPPY TO HEAR THAT.
I APPRECIATE YOUR CALL.
ALL RIGHT? ALL RIGHT, THANKS, BUDDY.
ALL RIGHT, BYE. UM...WHERE WERE YOU?
- JUST SAYING THAT I'M JUST PROBABLY GONNA
TAKE THAT OTHER POSITION. - YOU DIDN'T ASK ME FOR, UH,
A REFERENCE OR ANYTHING LIKE THAT?
- THEY DIDN'T WANT ONE. - OKAY.
- I JUST WENT ON THE INTERVIEW, AND THEY JUST LOVED ME.
- GOOD. WHO'D YOU INTERVIEW WITH?
- FRANK. - MR. BERNARDUCCI?
- YEAH. - GOOD.
- IT WAS FABULOUS. - GOOD.
I'M HAPPY FOR YOU. - THANK YOU.
- I'M HAPPY FOR HIM. I THINK HE'S GETTING A...
A GREAT ASSET. - OH, GOD.
- [laughs] - I THINK I'M GONNA GO NOW.
- OKAY. - HEAD OUT.
- OKAY. IF YOU NEED ANYTHING FROM ME, LET ME KNOW.
ANYTIME.
OKAY?
- I FEEL EXCITED TO BE LEAVING ELI'S
AND FINALLY TO DO SOMETHING DIFFERENT.
I JUST REALLY HOPE I GET THE JOB.
- ♪ GOOD-BYE TO YOU ♪
♪ I'VE HAD ENOUGH, I'M OVER IT ♪
♪ GONE FOR GOOD ♪
[indie rock music]
- ♪ RUN OUT INTO THE OPEN ♪
♪ THIS IS THE PLACE FOR YOU ♪
- HONESTLY, I THINK I HAVE WAY TOO MANY LITTLE BLACK DRESSES,
BUT I THINK I HAVE TO TRY ANOTHER LITTLE BLACK DRESS.
- WE HAVE A TWO AND A FOUR, I THINK.
DO YOU WANT TO TRY BOTH? - YEAH.
- YEAH. - THANK YOU.
- YEAH, THANK YOU.
ANGELA TEXTED ME AND LET ME KNOW
THAT SHE ENDED UP KIND OF SPILLING TO CHANTAL
A LOT OF THE STUFF THAT I TOLD HER THE OTHER NIGHT,
AND I'M FEELING PRETTY ANGRY WITH HER.
I DEFINITELY THINK I'VE LEARNED
TO NEVER TRUST ANGELA WITH A SECRET AGAIN.
I SAID SOME CRAZY, MEAN [bleep],
THE SORT OF [bleep] THAT YOU DO NOT SAY TO ANY FRIEND'S FACE.
OKAY, SO $283.06.
THERE YOU GO.
I FEEL LIKE I MIGHT HAVE REALLY DAMAGED OUR FRIENDSHIP
IN A REALLY PROFOUND WAY,
AND IF THINGS AREN'T WORKING WELL THERE,
IF WE HATE EACH OTHER,
THERE'S NO WAY THE BUSINESS IS GOING TO DO WELL.
[doorbell rings]
HEY.
HOW WAS YOUR DAY? - PRETTY OKAY, I GUESS.
UM... - [sighs]
- DO YOU WANT TO SIT DOWN? - SURE, YEAH.
- HOW WAS YOUR DAY? - IT WAS OKAY.
I WAS AT THE STORE FOR MOST OF IT.
UM...
I HOPE THAT, LIKE, EVERYTHING'S OKAY AFTER...
- YEAH... - YOU KNOW, LAST NIGHT,
AND I FEEL LIKE ANGELA WAS PROBABLY A LITTLE OUT OF PLACE.
I'M NOT REALLY SURE WHAT--
I KNOW YOU GUYS HAD SOME KIND OF CONVERSATION,
AND I'M NOT SURE WHAT WAS REALLY SAID. I--
- DO YOU WANT ME TO TELL YOU WHAT ANGELA SAID?
- YEAH. - ANGELA TOLD ME
THAT YOU SAID THAT YOU THOUGHT THE WHOLE TIME I WAS IN PARIS
I WAS MAKING IT UP THAT I WAS ACTUALLY SICK.
- I NEVER SAID THAT. I WOULD NEVER SAY THAT.
THAT'S, LIKE, ON, LIKE, ANOTHER MOON INSANE.
- [laughs]
WHY WOULD ANGELA JUST MAKE THAT UP?
- IF I SAID ANY KIND OF VERSION OF THAT,
IT WAS, LIKE, IN A JOKING MANNER.
IN FACT, WE WERE ALL VERY, VERY SCARED.
- YEAH, IT WAS REALLY HARD TO HEAR HER SAY THAT.
- I'M SORRY.
I FEEL LIKE I WAS PROBABLY VENTING TO ANGELA
IN A WAY THAT I WOULDN'T COMMUNICATE TO YOU
OR IN A WAY THAT, LIKE, YOU MIGHT VENT TO SPENCER.
I FEEL LIKE YOU'RE NOT REALLY SAYING
WHAT'S ON YOUR MIND RIGHT NOW.
- I MEAN, I JUST FEEL LIKE THERE'S NOT MUCH TO SAY.
I THINK YOU KNOW THAT YOU... ARE IN THE WRONG HERE,
AND YOU'RE APOLOGIZING, SO...APOLOGY ACCEPTED.
- THIS HAS OBVIOUSLY BEEN, LIKE,
A REALLY DIFFICULT, I THINK, TRANSITION FOR BOTH OF US,
TO GO FROM BEING FRIENDS TO BEING BUSINESS PARTNERS,
AND HAVING TO DEAL WITH EACH OTHER EVERY DAY.
I MEAN, IT'S A LOT TO TAKE ON, AND I THINK THAT...
- BUT I REALLY DO LOVE IT, AND DO--I DON'T KNOW,
SOMETIMES I DON'T KNOW IF YOU LOVE IT.
- IT CAN BE REALLY HARD, SITTING IN THE STORE
WITH, LIKE, AN OVERDUE ELECTRIC BILL.
AND THEN, LIKE, THE THOUGHT OF YOU IN PARIS--
LIKE, WHAT THE [bleep]?
LIKE, WHERE ARE MY BUSINESS PARTNERS RIGHT NOW?
LIKE, I DID NOT GET INTO THIS TO DO IT ALONE.
- MAYBE YOU'RE JUST NOT CUT OUT FOR THIS MUCH WORK.
NO ONE EVER SAID IT WAS GOING TO BE EASY.
- I FEEL LIKE THAT'S REALLY INSULTING,
BECAUSE I CAN--I AM ACTUALLY CUT OUT FOR A LOT OF WORK.
I FEEL LIKE IT'S THIS SITUATION IS, LIKE, NOT WORKING OUT.
LIKE, IT'S ONE THING TO WORK HARD,
AND IT'S ANOTHER THING TO BE COMPLETELY OUT OF YOUR MIND.
WE'RE IN DEBT. NONE OF US HAVE ANY MONEY.
LIKE, IT JUST SEEMS LIKE WE'RE ALL KILLING EACH OTHER.
LIKE, I DON'T SEE A PULL.
LIKE, I'VE LOST, LIKE, THE PASSION TO BE IN IT.
- THEN I THINK THAT... YEAH, I DON'T KNOW,
MAYBE YOU SHOULD-- IF YOU DON'T WANT TO DO IT,
CLAUDIA, MAYBE YOU SHOULD JUST...LEAVE.
- MY BIGGEST CONCERN IS THAT, LIKE,
IF WE ALL KEEP WORKING TOGETHER,
IS THAT WE ARE ALL GOING TO HATE EACH OTHER.
AND, LIKE, END OF CENTURY, WILL BE,
LIKE, THIS BIG, SAD THING,
AND, LIKE, NO ONE'S FRIENDS,
AND EVERYONE'S LIKE, "[bleep], I CAN'T BELIEVE THAT HAPPENED."
- IT'S STARTING TO FEEL LIKE THAT.
- IF I WERE TO LEAVE,
LIKE, HOW DO YOU FEEL LIKE WE WOULD HANDLE...
UM, HOW DO YOU FEEL LIKE WE WOULD HANDLE PAYING BACK THE...
- THAT'S HARD. WE'D HAVE TO FIGURE IT OUT.
YEAH, I MEAN, I DON'T THINK THAT SHOULD BE
THE HEIGHT OF OUR WORRIES.
- WELL, IT'S A BIG WORRY.
I JUST... I DON'T WANT TO LEAVE.
I JUST DON'T WANT TO, LIKE...
- I DON'T KNOW. - ♪ WE COULD TRY ♪
- I DON'T KNOW EITHER. - ♪ WE COULD TRY ♪
♪ OH, COULD WE ♪
- YEAH.
- ♪ TRY ♪
[melancholy guitar melody]
♪ ♪
- LIZ WON'T EVEN COME OVER AND SAY HELLO,
'CAUSE SHE'S SUCH A DIVA.
- LOOK AT MAGGIE AND HER DISGUSTING BOYFRIEND.
- MY LIPS ARE SO CHAPPED.
I REALLY HOPE I BROUGHT CHAPSTICK WITH ME.
RYAN REALLY WANTS TO GO SURFING
ONE LAST TIME BEFORE IT GETS COLD OUT,
SO WE'RE GONNA HEAD OVER
TO LONG ISLAND FOR THE DAY AND SURF.
[upbeat pop music]
[seagull squawks, Maggie gasps]
I DON'T LIKE THAT BIRD. HE'S SCARY.
[shrieks]
IT'S NOT THAT I'M AFRAID OF NATURE.
I JUST DON'T LIKE IT.
[shrieking] A CRAB!
[gasps] OW.
BECAUSE I LIVE IN NEW YORK CITY,
THERE'S NOT A LOT OF NATURE AROUND,
SO WHEN I GET AROUND SQUIRRELS AND BIRDS
AND SEAGULLS, IT'S HARD.
[gasping] OH...
♪ ♪
DOES SOMEBODY, LIKE, PUT THESE SHELLS ON THE BEACH?
WHY ARE THERE SO MANY?
YOU SMELL LIKE A BIG ***.
[dance music]
- ♪ WE'RE GONNA MAKE IT BETTER NOW ♪
♪ ♪
- OKAY. - HI.
- HOW ARE YOU, SWEETIE? GOOD? - I'M GOOD.
♪ ♪
SO I HAVE AN INTERVIEW TODAY.
THAT'S WHY I'M HERE,
SO THAT YOU CAN MAKE ME LOOK GOOD.
- YOU WANT TO BE BEAUTIFUL. - I DO WANT TO BE BEAUTIFUL.
THE GALLERY WAS IMPRESSED WITH MY MARKETING WRITING SAMPLE.
THEY CALLED ME AND ASKED ME TO COME IN
FOR A ONE-DAY TRIAL RUN AND SEE IF I'M A GOOD FIT.
- ♪ WE'RE GONNA MAKE IT BETTER NOW ♪
- THAT'S AWESOME.
WAY TO GO. NICE JOB.
THANK YOU. - BYE.
ENJOY.
[rhythmic dance music]
♪ ♪
- THAT'S HILARIOUS. - YEAH.
- HI. - HI, HOW'S IT GOING, AMY?
- HOW ARE YOU? - WELCOME.
- NICE TO MEET YOU.
- COME ON, LET ME SHOW YOU...
- WAIT, YOU HAVE TO SAY HI TO MOOKIE FIRST.
- I KNOW, SHE'S BLENDING IN. YOU CAN'T SEE HER.
- YOU CAN'T BYPASS MOOKIE. - I LOVE IT.
SHE GOES WITH YOUR SHIRT. SHE'S SO CUTE.
- [chuckles] - SHE'S ADORABLE.
- I LIKED YOUR PAPER. IT WAS VERY GOOD.
- THANK YOU. - YEAH.
AT SOME POINT, I'LL SHOW YOU
SOME OF THE OTHER...[ahem] SUBMISSIONS WE HAD,
WHICH WERE... LESS--LESS STELLAR.
- THANK YOU SO MUCH. - YEAH.
- I LOVE THIS DOG. SHE'S SO CUTE.
- OKAY.
- BERNARDUCCI MEISEL GALLERY IS
ONE OF MY FAVORITE CONTEMPORARY PHOTO-REALIST GALLERIES.
- SO WE HAVE TWO SHOWS.
THIS ONE WE'RE CALLING BLACK AND BLUE.
- BEAUTIFUL.
THEY HAVE A LOT OF WORKS OF ART THAT REALLY CONNECT WITH ME.
- THIS IS PAINTED ON A DOOR.
- THAT'S SO COOL.
IF YOU HAVE TWO AND THEY OPENED UP...
AN ESCAPE. I LOVE IT. - [chuckles]
- I KNEW FROM THE MOMENT I GOT THERE
THIS WAS THE PLACE I WANTED TO BE.
I'M JUST GONNA TRY AND BRING IT AND HOPE I STAND OUT.
- OKAY, UM, COUPLE OF THINGS
THAT ARE GONNA BE THE MAIN FOCUS OF YOUR JOB.
- OKAY. - SHE TAKES NOTES?
- SHE TAKES NOTES. [laughter]
NO, IT'S VERY GOOD. WE APPRECIATE YOUR ENTHUSIASM.
- OKAY.
- SO, UM, I'M GONNA HAVE YOU GO MAKE FRANK A MACCHIATO.
- YES.
I'VE HAD A FEW YEARS OF GALLERY EXPERIENCE.
ONE THING I KNOW IS HOW TO MAKE A GOOD CUP OF COFFEE.
MACCHIATO, CAFE AU LAIT, ESPRESSO...
YOU NAME IT, I GOT IT.
- HEY, THANK YOU.
WHAT DO YOU THINK, MOOK?
YOU DIDN'T PUT ANY ARSENIC IN IT, DID YOU?
- A LITTLE. SHOULD I HAVE USED MORE?
- NO, NO, IT'S PERFECT. OH, MY GOD.
SHE'S GREAT.
- BILL'S HERE TO PHOTOGRAPH THE EXHIBITIONS.
- OH, GOOD. - AND MAYBE WE CAN GET--
- WOULD YOU MIND IF WE TAKE YOUR PICTURE?
- BECAUSE WE HAVE ALL OF OUR STAFF BIOS
AND IMAGES ON OUR WEBSITE. - OKAY.
- SO WE'D LOVE TO... - DID YOU NOTICE THAT?
- I DID NOTICE IT. I'M, UH...
I'VE SCRUTINIZED YOUR WEBSITE ON MANY, MANY OCCASIONS.
- YOU DID?
SEE, WHAT A DIFFERENCE. - YEAH.
- NIGHT AND DAY.
THERE WAS ANOTHER GIRL HERE, IS WHAT WE'RE ALLUDING TO.
- OKAY.
- AND IF SHE WAS ON THE BALL, THE JOB WOULD HAVE BEEN HERS.
BUT GUESS WHAT?
- HER ENTHUSIASM WAS, LIKE, AT ZERO.
- YEAH. - WHOA.
- GIVE ME YOUR FIERCEST EXPRESSION.
GOOD.
- I LOVE THIS. PHOTO SHOOT ON MY FIRST DAY.
IF THEY'RE LOOKING FOR SOMEBODY WITH A LOT OF ENERGY,
WE'RE DEFINITELY A GOOD FIT.
- THAT'S GOOD.
DO YOU HAVE ANY QUESTIONS SO FAR?
- WHAT'S THE--THE SCHEDULE?
- THURSDAY, FRIDAY, SATURDAY. - OKAY.
- SO, UH, ASSUMING YOU WANT THE POSITION, CONGRATULATIONS.
WE LOOK FORWARD TO HAVING YOU HERE.
- OKAY.
I'M SO EXCITED!
BALLER!
THANK YOU SO MUCH FOR THE OPPORTUNITY.
I'M--I REALLY LOOK FORWARD TO IT, SO...
- YOU'RE VERY WELCOME.
[rock music]
♪ ♪
- I GOT A CALL FROM FRANK, ASKING ME TO COME IN TOMORROW.
I'M REALLY EXCITED BECAUSE IT FEELS LIKE
I'M MOVING ON WITH MY LIFE.
BUT I'M STILL GONNA GO TO ELI'S OPENING TONIGHT,
BECAUSE I NEVER REALLY KNOW WHEN I MIGHT STILL NEED
A RECOMMENDATION FROM HIM.
HONESTLY, I JUST DON'T WANT TO BURN BRIDGES.
♪ ♪
- HI, HOW ARE YOU? - HEY, HOW'S IT GOING?
- WELCOME. HOW ARE YOU? - LONG TIME NO SEE.
- THANKS FOR COMING TO THE GALLERY.
- WANT TO TELL ME WHAT'S GOING ON HERE TONIGHT?
- IT'S A TWO PERSON SHOW
FOR CUI XIUWEN AND MIAO XIAOCHUN.
CUI XIUWEN IS HERE FROM BEIJING.
AND MIAO XIAOCHUN,
THIS IS A PHOTO FROM A VIDEO THAT HE DID
CALLED MICROCOSM. - OH, GREAT.
- UM, DO YOU WANNA GET DRINKS OVER THERE?
I WANT TO GIVE YOU A HUG. I HAVEN'T SEEN YOU IN SO LONG.
- OH, I KNOW.
- HI, I'M AARON. NICE TO MEET YOU.
- THIS IS MY GRANDSON. - HI.
- YEAH. - HI, I'M AARON.
- ARE YOU STILL WORKING HERE?
- UM, YEAH. YEAH.
I THINK MAGGIE QUIT, THOUGH.
- DID SHE GET ANOTHER JOB? - I DON'T KNOW.
I DON'T--I'M NOT REALLY TALKING TO HER, SO...
- UH-OH. [laughs]
- I DON'T KNOW--I DON'T KNOW WHAT'S GOING ON WITH HER.
- LOOK AT MAGGIE AND HER DISGUSTING BOYFRIEND.
- COME TALK TO US, COME ON.
- DID YOU SEE THAT?
- HOW ARE YOU? - HOW ARE YOU?
YOUR HAIR LOOKS SO MUCH LONGER.
HOW'S EVERYTHING BEEN GOING? - GOOD. I QUIT.
- REALLY? - I REALLY DID IT.
I THINK I GOT ANOTHER JOB. - OH, YEAH? WHERE YOU WORKING?
- UH, BERNARDUCCI MEISEL.
IT'S A REAL JOB. I'M ACTUALLY GETTING PAID.
- OH, GOOD. COOL.
IS LIZ STILL HERE? IS SHE WORKING HERE OR NO?
- OH, I DON'T KNOW. SHE'S NO LONGER SPEAKING TO ME.
- SHE'S STILL UPSET?
- SHE WON'T EVEN COME OVER AND SAY HELLO
BECAUSE SHE'S SUCH A DIVA.
I DON'T CARE IF SHE COMES OR NOT COMES OVER.
I REALLY DON'T. I WANT TO GET A DRINK,
BUT I DON'T WANT TO HAVE TO DEAL
WITH LIZ AND HER BABY BULL[bleep].
- DID YOU SEE ELI? I DIDN'T SAY HI TO ELI YET.
- HI, MAGGIE. WHAT'S UP, BUDDY? - HI.
- HOW ARE YOU? THANKS FOR COMING.
CONGRATULATIONS ON THE JOB. - THANK YOU, THANK YOU.
- NICE TO SEE YOU. - YOU LOOK CASUAL TONIGHT.
- I KNOW, I KNOW, I KNOW. - [laughs]
- I'M BEING SUMMONED OVER THERE.
I'LL BE--I'LL BE BACK IN A MINUTE, OKAY?
ALL RIGHT, ENJOY.
- I'VE LEARNED RECENTLY THAT
PEOPLE AREN'T REALLY GONNA CHANGE,
AND ELI'S JUST WEIRD AS HELL.
- BOBBY, HI. - HEY, HOW ARE YOU?
- HOW ARE YOU? - YOU LOOK GOOD.
- YOU, TOO.
[indistinct chatter]
- HOW'S IT GOING?
- HI. - IT'S, LIKE, HUGE.
IT'S, LIKE, SHEER. IT'S, LIKE...YEAH.
- HE JUST TALKED TO ME.
- THAT'S FUNNY.
- MAGGIE? - NO, RYAN.
JUST, LIKE, SAID "HEY," AND ACTED ALL, LIKE, HAPPY,
AND I'M LIKE...
WHY ARE YOU-- - HAVE YOU NOT SPOKEN TO HER?
- I MEAN, WE TALKED, LIKE,
ONCE BEFORE AFTER EVERYTHING HAPPENED,
AND THEN I HAVEN'T TALKED TO HER SINCE.
- WE'RE LEAVING. COME ON, BOO-BOO.
AS FAR AS I'M CONCERNED, LIZ CAN JUST STAY WITH ELI,
AND THE TWO OF THEM CAN LIVE HAPPILY EVER AFTER.
[background chatter]
- [bleep] LIKE DELETED ME ON FACEBOOK,
HE WAS, LIKE, HORRIBLE. - THEN HE SAID HI TO YOU?
- AND THEN HE WAS-- NO, AND THEN HE SAYS HI.
- HI. - AMY, HI!
HOW ARE YOU? - HOW ARE YOU?
- I'M GOOD. I, UH, GOT A JOB.
- YOU GOT A JOB?
- AT BERNARDUCCI MEISEL.
- GOOD, GOOD.
- TODAY WAS MY FIRST DAY.
- CONGRATULATIONS. - THANK YOU.
- NOW, KEEP ME POSTED. TELL ME HOW THE JOB'S GOING.
- I WILL. - ALL RIGHT.
- DEFINITELY WILL. - OKAY, ALL RIGHT.
- OKAY, BYE.
- AMY, AMY, AMY, AMY. - YES, YES.
- I HEARD YOU GOT A NEW JOB. CONGRATULATIONS.
- I GOT A JOB. TODAY WAS MY FIRST DAY.
IT WAS GREAT AT, UH--AT, UH, BERNARDUCCI MEISEL GALLERY.
- OH, YOU WORKED THERE TODAY?
- I DID, AND IT WAS REALLY, REALLY GREAT, AND--
- AT WHERE?
- BERNARDUCCI MEISEL.
- THAT'S THE SAME GALLERY THAT MAG--
YOU KNOW MAGGIE'S STARTING TO WORK THERE?
- YOU MEAN SHE WORKS THERE?
- SHE SAID-- - NO, BECAUSE I-I--
- SHE TOLD ME YESTERDAY.
- YOU KNOW WHAT, THEY TOLD ME.
THEY SAID THAT THERE WAS ANOTHER GIRL THERE,
AND THAT SHE WAS KIND OF IFFY,
AND THAT SHE JUST--THEY SEEMED THAT THEY LOVED MY ENERGY,
AND THEY HIRED ME. I--
- WELL, GOOD. I'M--I'M GLAD--
I'M GLAD YOU BOTH FOUND A NEW HOME.
- IF ELI'S RIGHT, THIS MEANS
MAGGIE IS THE OTHER GIRL THAT THEY DIDN'T LIKE.
I DON'T EVEN KNOW WHAT TO SAY TO HER.
THIS IS HORRIBLE.
- THEN YOU GUYS--YOU GUYS WILL GET ALONG FAMOUSLY.
- I KNOW, SHE'S GREAT.
[camera clicks]
[camera clicks]
- HI.
GOOD MORNING.
THIS IS SO AWKWARD. [door dings]
HI. - AMY.
- HOW ARE YOU? - GOOD, HOW ARE YOU?
- IT'S GOOD TO SEE YOU. - YOU TOO. WHAT ARE YOU DOING?
- I APPLIED TO LIKE 30 GALLERIES,
SENT IN MY RESUME,
AND THEY, LIKE, CALLED ME BACK HERE.
AND I JUST STARTED TODAY.
LIKE, I'M JUST HERE, LIKE, FOR A LITTLE BIT.
LIKE, IT'S A--I MEAN, I LIKE THIS GALLERY.
- OH, MY GOD. - SO IT'LL BE...
- THAT'S CRAZY. - YEAH.
- IS MARINA HERE?
- YEAH, SHE'S HERE, SO--
YOU LOOK REALLY CUTE. - THANK YOU.
I WANNA PUT MY STUFF DOWN. - OKAY.
- I HATE THIS COAT. [chuckles]
- YEAH, I HAVE THE SAME ONE AS YOU IN RED.
- WHERE IS YOURS? - I PUT IT IN THE BACK.
MINE'S IN THE BACK CLOSET. - OKAY, COOL.
- HI, MAGGIE, HOW ARE YOU? - HI, HI.
GOOD, HOW ARE YOU? - GOOD.
- JUST GONNA PUT MY STUFF DOWN.
- YEAH, UH, WHY DON'T YOU JUST HAVE A SEAT IN FRANK'S OFFICE?
- SO, LISTEN, WE WANTED YOU TO COME IN,
'CAUSE WE JUST WANTED TO, UM,
TALK TO YOU ABOUT, UM, EVERYTHING.
UH, SOME THINGS HAVE HAPPENED.
WE REALLY HAD SOME HOPES FOR YOU MAYBE WORKING HERE,
BUT I--WE DIDN'T REALLY GET THE SENSE THAT YOU WERE
THAT INTERESTED IN THE JOB.
AND, UM, YOU KNOW, I THINK
IT WAS MOSTLY DUE TO A CERTAIN LACK OF ENTHUSIASM.
AND I THINK YOU HAVE A LOT TO OFFER,
BUT I JUST DON'T EVEN KNOW
IF YOU'RE REALLY INTERESTED
IN WORKING IN THE ART WORLD.
I MEAN, THAT WAS THE IMPRESSION THAT I GOT.
- I MEAN, I DON'T UNDERST-- I DON'T, IT'S--
- I JUST GOT THE SENSE THAT WHEN YOU WERE HERE,
YOU WEREN'T REALLY INTERESTED
IN, YOU KNOW, LEARNING ANYTHING.
I-I JUST DON'T KNOW HOW TO--ELSE TO EXPLAIN IT.
IT'S--IT'S, UM--
AM I WRONG?
BY SOME WEIRD COINCIDENCE,
AMY APPLIED FOR A JOB THAT WE ADVERTISED FOR,
AND--AND I'M NOT COMPARING YOU TO AMY,
BUT I'LL JUST SAY THAT SHE REALLY WENT THE EXTRA MILE.
WE WANTED TO AT LEAST DO YOU THE COURTESY OF
LETTING YOU KNOW HOW WE FELT.
- [sniffles]
[whispers] OKAY.
[sniffles]
I JUST DON'T THINK IT'S TRUE,
WHAT YOU GUYS ARE SAYING.
I KNOW THAT'S NOT TRUE.
[sniffles, whispers indistinctly]
I CAN'T BELIEVE THAT THEY WOULD
TREAT ME THIS WAY, FOR NO REASON.
YOU KNOW? [sniffles]
I'M SORRY.
NO, BUT THE THING THAT THEY JUST SAID TO ME IS NOT TRUE,
AND I KNOW IT'S NOT TRUE.
- I KNOW YOU WORK HARD.
- I DID EVERY SINGLE THING THAT THEY ASKED ME TO DO.
[muffled speech]
SO SURPRISED WHEN I WALKED IN AND I SAW YOU.
THAT'S GOOD.
- I HOPE MY WORKING HERE
DOESN'T RUIN... - OH, IT'S NOT.
- ANYTHING, 'CAUSE I REALLY, LIKE,
HAVE COME TO REALLY LIKE YOU AND RESPECT YOU.
- ALL RIGHT, WELL-- - I DON'T KNOW.
ALL I KNOW IS THAT YOU'RE GONNA GET A JOB
AT A GOOD GALLERY.
I'M JUST-- I'M SORRY, THIS IS, LIKE,
AWKWARD. CALL ME LATER.
- OKAY. - OKAY, BYE.
THIS IS REALLY-- - HAVE A GOOD DAY.
- OH, I FEEL FOR YOU.
I'M JUST--I'M SO-- I'M TAKING THIS ALL IN.
[grating noise]
BYE. - BYE.
FRANK SAYS ALL THESE, LIKE,
THINGS THAT ARE JUST NOT TRUE.
TELL MY DAD THAT, AND HE'S GONNA BE SO DISAPP--
HE'S GONNA BE SO MAD.
[sniffles]
- OH, THERE'S ONE.
BRRRRR.
OH, MY GOD, YOU [bleep].
- ♪ YOU WERE SICK WITH GOD ONLY KNOWS ♪
♪ AND I STOOD CLOSE BY YOU ♪
♪ JUST COMES TO SHOW THAT THERE IS SOMETHING ♪
[line ringing] ♪ BIGGER THAN ME ♪
- HELLO? - HEY.
- HEY, WHAT'S UP?
- WELL, AS SOON AS I WALKED INTO THE GALLERY,
AMY'S SITTING AT THE DESK.
AND THEN, I HAD TO GO BACK TO TALK TO FRANK,
AND FRANK SAYS THAT--
THAT I DON'T EVEN WANT TO WORK IN THE ART WORLD,
AND THAT I NEVER SMILED WHEN I WORKED THERE,
AND ALL THESE, LIKE, THINGS THAT ARE JUST NOT TRUE.
[crying] MY DAD'S GONNA BE SO DISAPP--HE'S GONNA BE SO MAD.
[sniffles]
I HAVE, LIKE, SNOT RUNNING DOWN MY FACE.
- I'M SO SORRY.
- ALL RIGHT, I'LL TALK TO YOU LATER.
- ALL RIGHT, SEE YOU THEN. LOVE YOU.
- ME TOO. BYE.
- ♪ YOU CAN CALL IT WHATEVER YOU WANT ♪
♪ TO EACH HIS OWN IS ALL THAT WE'VE GOT BUT ♪
♪ THERE'S SOMETHING TO BE LEARNED ALL ALONG ♪
- I JUST ASSUMED THAT I'D BE ABLE TO DO IT, YOU KNOW?
I WOULD LIKE TO DO IT FOREVER,
BUT OBV--OBVIOUSLY YOU CAN'T HAVE A FULL-TIME JOB
AND AN INTERNSHIP FOREVER,
SO I JUST REALLY HAVE TO SIT DOWN
AND FIGURE OUT WHERE I WANT TO GO NEXT.
- I THINK THAT'S REALLY
SMART OF YOU, AND--AND CERTAINLY VERY, UM, RESPONSIBLE OF YOU,
SORT OF, LIKE, TO KIND OF MAKE THOSE KINDS OF LIFE DEMANDS.
- ♪ SUN'S COMING UP AND ♪
♪ I AM STILL HERE AND ♪
♪ HOW CAN A DREAM ♪
♪ BE FILLED WITH SUCH FEAR ♪
- PERFECT.
YOU LOOK LIKE YOU'RE GIVING A LECTURE TO THE DEAD BIRDS.
LIKE-- - YEAH, YEAH, YEAH.
- ♪ ONLY TWO AWAKE ♪
♪ WITH A NEED AND A SONG ♪ - HEY, DAD, IT'S ME.
I WAS JUST CALLING TO SAY HI
AND LET YOU KNOW WHAT WAS GOING ON,
AND JUST GIVE ME A CALL BACK WHEN YOU CAN.
ALL RIGHT, BYE.
- ♪ MANY TIMES I'VE WONDERED ♪
♪ AND I STILL DON'T KNOW WHY ♪
♪ I FEEL THE NEED TO HAVE SOMETHING TO SHOW AND ♪
♪ ALL I'VE GOT ♪
♪ IS A NEED AND A SONG ♪
♪ NOTHING WILL MAKE THIS UNTRUE ♪
♪ THERE'S NO ONE BETTER THAN YOU ♪
♪ ♪
- FOR MORE GALLERY GIRLS,
GO TO BRAVOTV.COM.