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Greetings. My name is Ian Bargo and I'm with theProAudioFiles.com and today
I'm going to be showing you about some techniques that you can use while
preparing your lead vocal track that will help you while mixing, okay?
So often times when you're mixing popular sounding music, you're going to
have multiple stages of compression and other processing like EQ or maybe
some distortion on the lead vocal. And what happens is that the brass ends
up being just as loud if not louder than the musical content of the
performance and we can't have that.
So let's have a listen to the original performance. This is before any
processing or De-breathing. The song is 'Do it in the Post-Apocalypse' by
Ugly Ugly Words. Make sure to check it out.
So this is a great performance but still very raw. Now I'm going to show
you what it sound like after it's mixed.
Definitely way smoother and just brings out the musical qualities in the
performance that we need, okay? So what I've done is, and I do this while
preparing every Pro-tool session that I work on, I create my own breath
track and on the original vocal performance the first thing I do, is put a
compressor on there. Could use any compressor. Let's go with something
pretty aggressive like this here, CLA-76 by waves.
So let's take a listen here. This is a good example because you are hearing
that there's not only some breath but a lot of noise in the vocal
performance so what I'm going to do is just select part of the clip that
you want, hit B to make a break, click and drag down to its own breath
track that you created. I don't put any EQ or compression or sends on this
breath track. Different engineers might have different techniques but this
works for me.
So what I like to do is make a little game out of it and I start at the
very beginning of the song and I hit play and I try to finish even before
the song is over. It's a great game if you're a huge loser like me.
If you're wondering, I'm using R and T to zoom out with R and T to zoom in
while the vocal is going, while the song is going. So I'm going to continue
to do this. It should take about 5 to 10 minutes, maybe 10 if you're slow.
But keep practicing. You'll get faster and it's a lot of fun.
So I'm going to drag the breaths and noise all onto their own track and it
just really helps out and gets rid of unwanted stuff.
Another thing that you can do is, of course we have de-essers that do a
great job but I really like to do my own sort of manual de-essing. So once
again make a game out of it. And as you see right here we've got these
fuzzy wave forms right here that represent the more [inaudible 00:04:18 ]
parts of the vocal. So any 's', 'ch' sounds are going to look a little
fuzzy.
So I hit play and just go. There's one here. So I just go through and bring
those down a couple db, however you feel and what it does is it means that
you don't have to do as much de-essing on the back end which helps out a
lot.
Sort of the final step is to make sure since you're doing all this breaking
in Pro-tools of clips that you can select everything, let's include this
here. Just hit command F and we'll create cross fades, hit okay and now
there are tiny little fades at the beginning of every clip that we have and
I use this technique while preparing my Pro-Tool sessions. More on that
during another tutorial. But I hope you've learned from this. If you have
any questions just email me.
Once again, this is Ian Bargo with TheProAudioFiles.com. Make sure to check
out Ugly Ugly Words' 'Do it in the Post-Apocalypse' on iTunes and
SoundCloud.
Thank you.