Behind Frenemy Lines

>> ON THIS EPISODE OF "JERSEYLICIOUS"... >> I WANTED TO SIT DOWN WITH OLIVIA AND TRACY TOGETHER. >> YOU BETTER SETTLE THIS ONCE AND FOR ALL. >> SHE CALLED YOU FAKE. CRACK HER. >> WHAT ARE YOU GONNA, LIKE HIT ME OR SOMETHING? >> YOU'RE LUCKY I HAVEN'T HIT YOU, TO BE HONEST. >> THIS PHOTO BOOK IS GOING TO CELEBRATE 225 YEARS OF NEW JERSEY. >> ANTHONY ASKED ME IF YOU GUYS WOULD BE INTERESTED IN HELPING OUT. >> I DON'T WANT TO DO THIS EVENT. I'M NOT GOING. >> ♪ TELL ME DO YOU WANT IT CAN YOU REALLY TAKE THE DRAMA OF A JERSEYLICIOUS GIRL LIKE ME? UH-OH ARE YOU CRAZYLICIOUS? ARE YOU SUPERLICIOUS? I'M THE JERSEYLICIOUS GIRL YOU NEED I'M WHAT YOU NEED ♪ >> YOU WANT TO PLAY FOR ICE CREAM? >> THAT'S THE BEST YOU COULD DO IS ICE CREAM? >> YOU WANT BIGGER STAKES? >> I DON'T WANT YOU TO HAVE TO BUY ME A STEAK. >> YOU'RE RIGHT, WE SHOULD PLAY FOR LESS BECAUSE I'LL FEEL BAD ONCE I WIN. >> YOU READY? BRACE YOURSELF. >> I'M READY. >> I'M PRETTY FREAKIN' GOOD. >> THAT'S ONE. >> I'VE BEEN SEEING NICK FOR A COUPLE OF WEEKS NOW. AND, YOU KNOW, I REALLY LIKE HANGING OUT WITH HIM, BUT I LIKE WHERE WE'RE AT, YOU KNOW. >> HOW VICIOUS IS THIS? >> I'M JUST NOT READY FOR, LIKE, A LONG-TERM COMMITTED RELATIONSHIP YET. THAT'S OK. WE'LL PLAY AGAIN. WHAT SPORTS ARE YOU GOOD IN? I'M SURE YOU'D BEAT ME AT LIKE BASKETBALL. >> YEAH, THAT'S A GIVEN. I MEAN, ANY PHYSICAL SPORT, I FEEL LIKE I WOULD BEAT YOU IN. >> AIR HOCKEY'S PHYSICAL. >> IS IT? >> WELL, I WAS PHYSICALLY MOVING. >> ALL RIGHT. >> LISTEN, I WORKED UP A SWEAT. THAT MEANS IT WAS A PHYSICAL SPORT. >> SWEAT IN YOUR CLOTHES? >> I NEED TO CHANGE ANYWAY, 'CAUSE THIS ISN'T REALLY, YOU KNOW, MEETING APPROPRIATE. >> WHAT'S YOUR MEETING ABOUT? >> WELL, ANTHONY HAS THIS WHOLE, LIKE, BOOK THAT HE WANTS TO MAKE, AND I'M PART OF IT. SO-- >> OH, REALLY? >> MM-HMM. >> WHAT KIND OF BOOK? >> IT'S NOT LIKE A STORYBOOK, MORE LIKE-- >> NOT LIKE "OLIVIA'S LIFE STORY"? >> NO. NO. NO ONE'S READY FOR THAT BOOK. NO, NO, NO. IT'S LIKE A--MORE LIKE A PICTURE BOOK, LIKE A COFFEE TABLE KIND OF BOOK. AND HE ASKED ME TO LIKE BE THE STYLIST AND HELP DO IT. HE WANTS TO BE A PARTNER WITH ME. I MEAN, I LOVE MAKEUP AND I WOULD TOTALLY HAVE NO PROBLEM DOING IT FOR THE LIKE THE REST OF MY LIFE, BUT I FEEL MORE OF A PASSION FOR STYLING THAN I DO MAKEUP. >> THAT'S GOOD. YOU SHOULD ALWAYS DO WHAT YOU HAVE A PASSION FOR. >> I THINK IT'S GONNA BE REALLY SOMETHING FUN AND GREAT FOR THE WHOLE SALON TO DO TOGETHER, YOU KNOW. >> YEAH. >> WE'RE ALL WORKING TOGETHER. >> TRACY? >> YEAH. WELL, HONESTLY, EVER SINCE I HAD THAT TALK WITH TRACY, NOW IT'S LIKE SHE HAS PROBLEMS WITH GIGI. SHE'S MOVED HER FOCUS. >> THE BEEF HAS SHIFTED. >> GIGI ACTUALLY CAME UP TO ME IN THE HALLWAY THE OTHER DAY IN MY APARTMENT. >> OH, REALLY? >> I REALLY WANT TO MEET WITH YOU AND TRACY. AND WHATEVER I HAVE TO SAY, I'M GONNA SAY IT. >> IF THAT'S WHAT YOU FEEL WILL SORT EVERYTHING OUT, THEN WE SHOULD DO THAT. >> OK. >> I'M JUST KIND OF IN THE MIDDLE BECAUSE-- >> YOU'RE ON A DIFFERENT SIDE OF THE FENCE. THAT'S PROBABLY BETTER, THOUGH, RIGHT? >> I JUST DON'T WANT TO BE ANY SIDE OF THE FENCE. I JUST WANT TO BE IN THE HOUSE. >> [LAUGHS] >> HOW'S EVERYBODY DOING TODAY? >> HOW YOU DOING? >> WE'RE DOING GOOD. >> THIS IS A REALLY IMPORTANT NIGHT. WE'RE GONNA GET SOME STUFF DONE. SAY HELLO TO KARL GIANT. HE'S A FRIEND OF OURS. HE'S A CELEBRITY PHOTOGRAPHER. AND HE'S AGREED TO HELP US ON THIS BOOK. AND HE'S PROBABLY ONE OF THE BEST AT WHAT HE DOES. SO I'M REALLY EXCITED TO HAVE HIM BE PART OF THIS. THIS PHOTO BOOK IS GOING TO CELEBRATE 225 YEARS OF NEW JERSEY AS SEEN THROUGH THE EYES OF HAIR, FASHION, AND BEAUTY. WE'RE GONNA TAKE IMAGES FROM THE BEGINNING WHEN NEW JERSEY FIRST BECAME A STATE. WE'RE GONNA WALK THE READER THROUGH UP UNTIL PRESENT DAY, FOCUSING ON ICONIC PEOPLE, ICONIC EVENTS. >> SO IT'S REALLY ICONIC PEOPLE THAT ARE GETTING-- >> YEAH, NOBODY WANTS TO SEE A BOOK WRITTEN ABOUT, LIKE, JEFF. I MEAN, YOU KNOW. >> NO, I'M JUST SAYING BECAUSE-- >> AW! >> HEY. >> I SHOULD SAY--I SHOULD SAY, NOT YET. WE DO NOT HAVE THE GIFT OF TIME ON OUR SIDE. >> OR THE GIFT OF A BIG BUDGET. >> IN ORDER TO MAKE THIS HAPPEN, WE NEED TWO DAYS TO SHOOT THIS BOOK. MAKING A BOOK HAS ALWAYS BEEN A DREAM OF MINE. IT WOULD LEAVE ME AN EVER-LASTING LEGACY. WELL, IF I WANT TO GET THIS BOOK OUT IN TIME TO CELEBRATE 225 YEARS OF NEW JERSEY, I GOTTA WORK FAST. >> OK, SO REALISTICALLY, HOW MANY MODELS WILL WE NEED? LIKE, 10? >> 25. CAN WE DO 25 LOOKS IN TWO DAYS? IS THAT POSSIBLE? >> WE CAN DO IT IF WE REUSE PEOPLE OVER AND OVER. >> EVERYONE SHOULD BE DIFFERENT BECAUSE THEY'RE ALL--LIKE, OTHERWISE IT LOOKS FAKE. WE WANT IT TO ALMOST LOOK LIKE YOU'RE LOOKING BACK INTO A HISTORY BOOK AND SEEING ALL THESE FRESH FACES, YOU KNOW. >> YEAH, BUT WE DON'T HAVE THE MONEY FOR THAT. >> WE DON'T HAVE THE MODELS, DON'T HAVE THE MONEY. WHY CAN'T WE-- >> 'CAUSE MODELS COST MONEY. >> TAKE MODELS AND MIX THEM IN WITH US? >> I THINK THAT WOULD BE FUNNY. I THINK THAT WOULD BE GREAT. >> YOU KNOW, INSTEAD OF USING ALL MODELS, YOU KNOW, WHY NOT USE SOME OF THE PEOPLE THAT ARE IN MY LIFE? THAT WOULD MAKE IT MEAN MORE TO ME THAN JUST, YOU KNOW, SOME MODEL ON A PAGE THAT I NEVER SAW BEFORE AND I PROBABLY WILL NEVER SEE AGAIN. >> DO WE KNOW WHICH EVENTS WE'RE GOING TO DO YET? >> LIKE, LET'S SAY YOU TOOK, FOR INSTANCE, WHERE IT WAS THE DUEL BETWEEN AARON BURR AND ALEXANDER HAMILTON. SO NOW THE WAY I'M SEEING IT IS YOU COULD HAVE LIKE TWO MODELS STANDING BACK TO BACK WITH THE GUNS UP LIKE THIS. YOU KNOW WHAT I'M SAYING? OR WALKING, TURNING-- >> LIKE, I WAS THINKING ABOUT IN THE SEVENTIES. FIRST PAGE YOU SEE SOMEBODY WITH A HUGE AFRO, THEN YOU TURN THE PAGE, AND THEN EVERYBODY'S LIKE DANCING. THEY'RE ALL LIKE BOOM BOOM BOOM. >> I LOVE THAT. >> WHAT WE'RE LOSING THAT THERE IS YES, YOU'RE TELLING THE STORY OF THE SEVENTIES, BUT NOW HOW DOES IT TELL THE STORY OF NEW JERSEY? >> IT HAS TO BE A SPECIFIC EVENT. >> THE WAY I SEE IT IN MY HEAD IS YOU WOULD TAKE--LIKE THE SINGER SEWING MACHINE WOULD BE THE PROP. >> RIGHT. >> SO YOU WOULD HAVE TO TAKE A GIRL, AND THEN YOU PUT THIS GIRL IN, LET'S SAY, A SEXY POSE IN A DRESS. AND YOU SEE THE SEWING MACHINE IN THE FOREGROUND. AND THEN, YOU KNOW, IN IT YOU'RE WRITING "THE FIRST SINGER SEWING MACHINE FACTORY WAS OPENED IN ELIZABETH IN 1873." >> I KNOW WHAT YOU'RE TRYING TO DO. YOU'RE TRYING TO INCORPORATE ALL THIS STUFF, AND IT'S MORE OF LIKE A HISTORY LESSON THE WAY YOU'RE DOING IT. BUT WE DO NOT HAVE TIME TO ADD THE TEXT AT ALL. THIS IS JUST A PURELY PICTURE BOOK. >> I MEAN, THERE'S GOT TO BE SOME SORT OF TEXT. NOBODY--I MEAN, LIKE I SAID, EVEN IF IT'S--EVEN IF IT'S SOMETHING-- >> YOU WANT A STORY TO THE PICTURE. >> SO, LIKE, SOMETHING HAS TO GIVE. EITHER WE HAVE TO--EITHER WE HAVE TO LIKE PLAN EVERYTHING, PRE-DO THINGS, JUST GET SET PIECES-- >> I DON'T WANT TO HEAR THIS, THIS, THIS, AND THIS. THIS IS WHAT WE'RE GONNA DO. KARL GIANT HAS A LOT OF EXPERIENCE PUTTING PHOTO SHOOTS TOGETHER, BUT I ASKED HIM TO COME ONBOARD TO TAKE THE PHOTOS FOR MY IDEAS FOR MY BOOK, NOT TO TURN THIS INTO A KARL GIANT PRODUCTION. WE HAVE EVERYBODY IN THIS ROOM THAT'S WILLING TO HELP OUT. I CAN CALL GAYLE. I KNOW SHE WOULD GIVE SOME OF HER PEOPLE. WE CAN CALL ALEXA. I KNOW SHE WOULD GIVE US SOME OF HER PEOPLE. AND I KNOW YOU'RE ALL GONNA SOMEHOW PULL THIS TOGETHER. I KNOW YOU'RE GONNA WALK OUT OF HERE RIGHT NOW SAYING, "MY GOD, ANTHONY'S CRAZY. HOW DOES HE THINK THIS IS GONNA HAPPEN?" WELL, YOU KNOW WHAT, IT'S GONNA. AND THAT'S JUST THE WAY IT IS, BECAUSE WE'RE MAKING A BOOK. AND IT'S GONNA BE FANTASTIC. ALL RIGHT? >> WE'LL MAKE IT WORK. >> ALL RIGHT? >> OH, MY GOD, YOU JUST SCARED ME. >> BOOK! >> WE'RE WRITING A BOOK. >> WE'RE MAKING A BOOK. >> SALUD. >> SALUD. >> COREY, I GOT ONE MORE. >> WHY WOULD YOU GRAB THE LIGHTEST BOX? >> 'CAUSE I'M NOT A--I DON'T DO MOVING. >> WATCH THE WALLS. >> OH, KITCHEN. KITCHEN. OK, PUT THAT UPSTAIRS. >> UPSTAIRS? >> YEAH. TODAY I'M OFFICIALLY A NEW YORKER. AND I'M REALLY EXCITED BECAUSE I CAN'T WAIT TO START OUR NEW LIFE ON STATEN ISLAND, 'CAUSE IT'S A PLACE THAT WE CAN CALL OURS. >> MORE SHOES. THESE ARE GOING IN THE KITCHEN? >> YEAH, KITCHEN. >> SO HOW FAR IS THE COMMUTE TO ANTHONY ROBERT'S NOW? >> HMM, IT'S LIKE A HALF HOUR NOW. >> WHAT ARE YOU GONNA DO ABOUT THAT? >> I DON'T KNOW. I'M NOT REALLY EVEN THINKING ABOUT THAT RIGHT NOW. >> I GOT A 60 INCH GOING HERE. >> OH, MY GOD. >> I GOT THE FULL LEATHER COUCH GOING THERE. PUTTING A BAR IN THERE. >> 60 IS BIG. >> 60. IT TAKES UP THE WHOLE WALL. >> AS SAD AS I AM FOR YOU TO BE MOVING AWAY FROM JERSEY, I'M JUST HAPPY THAT IT'S YOUR NEXT CHAPTER, IT'S YOUR NEXT STEP IN LIFE. AND THIS IS GOOD, YOU KNOW WHAT I MEAN. YOU'RE GETTING RID OF ALL THE FAKE, YOU'RE GETTING RID OF ALL THE NEGATIVITY, AND YOU'RE MOVING ON. >> YEAH. >> AND I'M HAPPY TO SEE THAT. >> I LITERALLY MOVED AWAY FROM IT. I DIDN'T JUST REMOVE MYSELF FROM THE SITUATION, BUT I LITERALLY TOOK ALL MY STUFF AND MOVED OUT OF THE STATE. LIKE, I HAD TO GET AWAY FROM IT. >> YEAH. OF COURSE. >> WHATEVER. >> THESE ARE ALL COREY'S, RIGHT? >> YEAH. >> HATERS GONNA HATE. >> LOOK AT THIS SHIRT. OH, GIGI, WE SHOULD GET THIS FOR YOU IN YOUR SIZE. OH, THIS IS PROBABLY YOUR SIZE, SO NEVER MIND. MY OLD APARTMENT OVERWHELMED ME WITH MEMORIES THAT I WANTED TO GET AWAY FROM, LIKE ALL THOSE TIMES WE USED TO HANG OUT WITH GIGI AND CARMINE. AND NOW THAT WE'RE HERE, I GET TO FOCUS ON MY FUTURE WITH COREY. >> TO A NEW HOUSE, NEW FRIENDS, NEW FAMILY. >> TO A HOME! [POP] >> OH! NICE, HUH? >> CHEERS. LOVE YOU GUYS. THANK YOU FOR HELPING. WE HAVE THE BEST BRIDAL PARTY EVER. >> SO WHEN SHOULD WE HAVE THE HOUSEWARMING PARTY? >> SOON. >> REALLY SOON. >> I'D LIKE TO DO IT BEFORE, LIKE, ALL THE COUCHES COME IN AND EVERYTHING, BECAUSE I DON'T-- >> WELL, THEN YOU'LL HAVE MORE ROOM AND YOU DON'T HAVE WORRY ABOUT THINGS GETTING BROKEN. AND THEN PEOPLE ARE GONNA SEE THAT YOU DON'T REALLY HAVE MUCH, AND THEN THEY'RE GONNA BUY YOU MORE STUFF. >> I LIKE THAT IDEA. LET'S DO THAT. I LIKE THAT. I'M GONNA NEED MORE ALCOHOL, I FEEL. >> YOU'RE ALL SET. >> THANK YOU. >> YOU LOOK GORGEOUS. HAVE A GOOD TIME TONIGHT. >> THANK YOU. >> ALWAYS GREAT SEEING YOU. TAKE CARE, BABE. >> ALL RIGHT, HONEY. BYE. >> OK, I DON'T KNOW IF ANYBODY NOTICED IN THE BACK COMPUTER YOUR SCHEDULES. >> YES. I WAS GONNA ASK YOU ABOUT THAT, ACTUALLY. >> OK. WELL, I SPOKE WITH ANTHONY, AND HE AND OLIVIA CAME UP WITH THIS FABULOUS IDEA. HE'S DOING LIKE A PHOTO BOOK ABOUT HISTORICAL THINGS THAT HAPPENED IN NEW JERSEY. SO HE ASKED ME IF YOU GUYS WOULD BE INTERESTED IN HELPING OUT. >> DO WE GET PAID? >> OK. OF COURSE YOU'RE GONNA BE PAID. ANTHONY'S GONNA TAKE CARE OF YOU. >> HE'LL BE INSTRUCTING US. MIGUEL MIGHT BE DOING HAIR AND MICHELLE MIGHT BE DOING MAKEUP FOR A CERTAIN LOOK, THEN YOU GUYS-- >> YOU KNOW, HE MIGHT SHOW YOU A PICTURE OR WHATEVER, AND YOU JUST RECREATE. >> I'M EXCITED. >> THAT'S FUN. >> LET'S DO IT. >> GOOD EXPOSURE FOR ALL OF US. OK? >> COUNT ME IN. I'M IN. >> ALL RIGHT, GOOD. >> I LOVE IT. >> THANKS. >> IT'S EXCITING, NO? >> IT IS EXCITING. I'M EXCITED TO SEE. I JUST WANT TO SEE WHAT HE HAS IN STORE. >> WELL, WHATEVER IT IS, YOU JUST DO WHAT HE WANTS. IT'S HIS BOOK. YOU'RE JUST THERE TO KIND OF HELP. >> I'M LIKE--I'M NOT FEELING IT. >> NO? >> I WANT TO HAVE THIS THREE-WAY TALK WITH TRACY AND OLIVIA, BUT WHEN I APPROACHED TRACY, SHE REFUSED AND WENT CRAZY ON ME. >> WHAT DID YOU JUST SAY ABOUT MY WEDDING? >> YOU'RE EVIL. >> WHAT DID YOU JUST SAY ABOUT MY WEDDING? >> FIRST OF ALL-- >> YOU'RE DISGUSTING FROM HEAD TO [BLEEP] TOE. YOU'RE DISGUSTING. >> IF THE NEXT TIME I SEE THE TWO OF THEM IS AT WORK AND I DON'T HAVE THIS TALK WITH THEM, THERE'S GONNA BE DRAMA. AND I DON'T THINK I COULD WORK WITH THE BOTH OF THEM UNTIL THIS TALK ACTUALLY HAPPENS. I DON'T WANT TO DO THIS EVENT. I'M NOT GOING. >> I DON'T WANT TO DO THIS EVENT. THE SITUATION THAT I'M AT RIGHT NOW, I DON'T THINK I'M OK WITH IT. >> I THINK YOU SHOULD GO, AND I THINK-- >> YEAH. >> LIKE, DON'T GIVE THEM THE SATISFACTION. >> THERE'S STILL NO SOLUTION. THAT'S WHY I REALLY NEED TO GET, LIKE, EVERYBODY TOGETHER AND TALK. ENOUGH IS ENOUGH ALREADY. >> NO, I KNOW. >> LIKE, LITERALLY SUCKING THE LIFE OUT OF ME. I WANT THIS THREE-WAY TALK TO HAPPEN. AND, LIKE, JUST SQUASH ALL THAT B.S. THAT HAS BEEN DONE IN THE PAST AND, LIKE, I JUST WANT TO MOVE FORWARD. >> RIGHT. SO DO WHAT YOU HAVE TO DO, AND THEN MOVE ON AND... >> WE REALLY WANT YOU TO BE THERE, SO. WELL, LISTEN, YOU KNOW WE'RE HERE. YOU COME LET US KNOW. >> OK. >> OK? >> MM-HMM. >> HAVE A GOOD NIGHT, GUYS. >> BYE. >> [SIGHS] >> NORTH BERGEN HAS THE NUMBER ONE UFO SIGHTINGS IN THE WORLD, OVER 700 SIGHTINGS SINCE 1975, WHICH IS MORE THAN ROSWELL, WHICH IS MORE THAN AREA 51. SO NORTH BERGEN SEEMS TO BE A HOT SPOT OF UFO ACTIVITY. NOBODY LOVES UFOs MORE THAN ALEXA, SO THAT WOULD BE AMAZING. >> SINCE-- >> YEAH. >> HEY. >> HEY. >> HEY. >> SPEAKING OF ALIENS. >> WHAT'S GOING ON? >> DOING YOUR HOMEWORK? >> I HAVE BEEN DOING MY HOMEWORK. I'VE BEEN DOING A LOT OF HOMEWORK. >> I HAVEN'T DONE THIS MUCH HOMEWORK SINCE HIGH SCHOOL. >> YEAH, TELL ME ABOUT IT. >> NEW JERSEY'S TURNING 225 IN A COUPLE OF MONTHS, AND I NEED TO GET THIS BOOK DONE BY THEN OR THIS WHOLE THINGS ENDS UP BEING WORTHLESS. >> I FEEL LIKE WHAT'S REALLY IMPORTANT AND WE HAVE TO FIGURE OUT IS WE NEED TO GET ALL THE PROPS AND COSTUMES, OUTFITS, EVERYTHING. WE NEED TO KNOW WHAT EXACTLY THE SCENES ARE SO THAT WAY WE CAN START COLLECTING EVERYTHING THAT WE NEED TO MAKE THEM. >> OF COURSE. WE HAVE TO AT LEAST CARVE OUT, YOU KNOW, A BUNCH. >> RIGHT. >> I HAVE THE BEACH SCENE WITH THE EDISON CAMERA AND THE MODELS. I HAVE MISS AMERICA, THE MISS AMERICA PAGEANT. I HAVE THE JERSEY DEVIL. AFTER WORLD WAR II, THAT'S WHEN THE SUBURBS REALLY STARTED TO EXPAND. >> RIGHT. >> SO I WAS ALMOST, LIKE, YOU COULD TAKE, LIKE, A "FATHER KNOWS BEST" SCENE. YOU KNOW, THERE'S THE WIFE, LIKE, YOU KNOW, COMING OUT WITH, LIKE, HER LEG KICKED UP IN THE AIR, LIKE, HOLDING, LIKE, A TRAY OF, LIKE, BROWNIES. REALLY MAKE IT, LIKE, REALLY PURE AND FUN AND THE FIFTIES. >> OH, WE COULD GET FRANKIE AND HIS FAMILY TO DO THAT ONE. >> BUT THEN THE MESSED UP PART CAN BE IN 1956, THEY INVENTED ***, WHICH WAS THE HOUSEWIVES, LIKE, LITTLE DRUG TO CHILL THEM OUT. THE WIFE SHOULD HAVE, LIKE, PILLS IN HER HAND. >> NO. I GET IT, BUT I THINK I WANT TO STAY AWAY--WE WANT TO SELL THIS BOOK TO CHILDREN. >> NO, NOT SEXY. ARE YOU READY FOR SHOW AND TELL? >> YEAH. SHOW, SHOW, SHOW. >> SO WE HAVE FILLY SURROUNDED BY ALL THESE WOMEN, SOME ARE YAWNING, SOME ARE BORED. WE COULD HAVE INDIANS CRYING. SEE, THE GREAT THING ABOUT IT IS IT DOESN'T HAVE TO BE IN ORDER. "IN 1951, WE DID THIS." THEN IT'S YOU AND TRACY SITTING ON HUGE TOMATOES IN PHOTO SHOP. MAYBE WE COULD USE CATHY AS MISS AMERICA, AND THEN THE MODELS MIXED WITH REAL PEOPLE IN THE BACK. GAYLE SHOULD BE THE DEVIL IN THE WOODS. SO IF SOMEBODY'S A BIG ***, COVER HER UP, MAKE A MARTHA STEWART WIG, AND THEY'RE ALL SERVING PIES. >> KARL MIGHT FEEL LIKE THIS IS STARTING TO BECOME KARL GIANT'S BOOK, BUT ANTHONY LOMBARDI HAS HIS OWN SENSE OF STYLE, AND THAT NEEDS TO BE PORTRAYED IN THIS BOOK AS WELL, NOT JUST KARL GIANT'S OVER-THE-TOP FLAMBOYANTNESS. >> I THOUGHT A GREAT TITLE FOR THE BOOK WAS "DID YOU KNOW? CELEBRATING 225 STYLISH YEARS OF INNOVATION." >> COVER'S IMPORTANT. THE ACTUAL TITLE OF THE BOOK IS "THE GARDEN/GLAMOUR STATE" WITH YOU ON THE COVER. >> SO THE ACTUAL TITLE WHEN PEOPLE LOOK AT IT IS CALLED "THE GLAMOUR STATE"? >> YEAH. >> FINE. GOT IT. >> NOW, WE SHOULD TALK ABOUT HOW IT'S GONNA BE CREDITED ON THE COVER. WHAT I THINK IT SHOULD SAY IS "THE GLAMOUR STATE," AND THEN IT SHOULD SAY "BY ANTHONY LOMBARDI, OLIVIA SHARPE, AND PHOTOGRAPHY BY"-- >> I THINK IT SHOULD BE BY JUST THE THREE OF US, NOT WHAT WE DID. I THINK IT SHOULD JUST BE ANTHONY, OLIVIA, KARL. AOK. A-OK. >> THIS BOOK IS MY DREAM, IT'S NOT KARL'S. I'M STILL THE BOSS OF THIS BOOK. I'M THE QUARTERBACK AND HE'S JUST, YOU KNOW, A MEMBER OF THE TEAM. DID I HEAR YOU SAY YOU'RE PICKING UP THE TAB? >> I'LL DO IT. I GET AN EXPENSE LIST. >> I'LL PAY. I GOT THE CHECK, HOW'S THAT? >> THANKS. >> DON'T YOU JUST LOVE WHEN A MAN PAYS? >> I KNOW. >> OH, MY GOD, THEY HAVE STROLLERS HERE. >> GOOD MORNING. >> HELLO. AHH, SHE'S HERE TODAY? SHE'S SO CUTE. >> YEAH. SAY HI, DARLING. >> NO. >> SHE'S IN NO MOOD. SHE WANTS HER LEOPARD BED. I DON'T BLAME HER. OH, MY GOD, LOOK. I THINK THIS WOULD FIT JUICY NICE. THIS WOULD BE CUTE FOR HER. >> YEAH. >> WE NEED TO GET HER A BIRTHDAY PRESENT. >> SO THAT'S GOOD. >> THESE ARE CUTE FOR HER. >> WHAT ELSE? ANYTHING ELSE? >> NO, I THINK WE DON'T NEED CLOTHES. WE HAVE STUFF FOR GIO, STUFF FROM ANT. THAT'S TOO TINY. I LOVE IT, BUT IT'S TOO TINY. >> WHAT ELSE DO WE NEED? ANYTHING? >> I DON'T KNOW. OH, MY GOD. >> IT'S OK. IT DIDN'T BREAK. WHAT YOU GETTING SO MAD FOR? >> I'M JUST FRUSTRATED IN GENERAL. >> ABOUT THE WHOLE THING? >> YEAH. >> DID YOU DECIDE WHAT YOU'RE GONNA DO? >> TO LIKE MEET UP WITH THE TWO OF THEM OR NOT? >> YEAH. >> NO, NOT REALLY, BECAUSE I'M MAD THAT SHE EVEN HAD THE BALLS TO SHOW UP AT MY WORK, AND THEN I'M MAD THAT THE WAY THAT SHE SPOKE TO ME. >> I THINK IT WOULD BE A GOOD IDEA TO SIT DOWN WITH THEM BECAUSE NUMBER ONE, YOU'D CALL GIGI OUT, BECAUSE OLIVIA'S IN NOW, SO GIGI CAN'T HIDE NOTHING. AND OLIVIA TOLD YOU THAT, WHAT, THAT SHE DIDN'T FINISH EVERYTHING THAT SHE HAD TO SAY? SO RIGHT THERE YOU'RE GETTING EVERYTHING ON THE TABLE. YOU KNOW, LET HER TALK. AND IF GIGI GETS EVEN A LITTLE BIT OUT OF HAND, CRACK HER. >> OK, YOU'RE RIGHT. I'M TEXTING GIGI THAT I'M IN. I'M GOING BECAUSE I WANT TO HEAR GIGI ADMIT THAT SHE'S A DISGUSTING PERSON AND THAT SHE LIED AND WAS FAKE AND TALKED BAD ABOUT ME. >> BUT DON'T EXPLAIN ANYTHING, JUST BE LIKE, I'M IN. THAT'S IT. DONE. >> OK. I'M GONNA GIVE GIGI ENOUGH ROPE TO HANG HERSELF WITH. I'M IN. >> IS THIS WHERE WE'RE GOING IN? >> I DON'T KNOW. IS THIS IT? >> HI, LADIES. WELCOME TO LIBERTY HALL MUSEUM. >> THANK YOU. >> THIS PLACE IS COOL. >> YEAH. >> THANK YOU. >> SO THE REASON WHY WE'RE HERE IS WE WANT TO PUT TOGETHER A BOOK BECAUSE THIS IS NEW JERSEY'S 225th BIRTHDAY THIS YEAR. I'M THE LEAD STYLIST OF THIS BOOK, WHICH MEANS I'M IN CHARGE OF EVERYTHING FROM PROPS TO WARDROBE. AND SINCE I SPENT MOST OF THE TIME IN HIGH SCHOOL SLEEPING, I NEED TO, LIKE, MAKE UP FOR IT BY DOING A LOT OF RESEARCH NOW BECAUSE I DON'T WANT THERE TO BE SOME CRAZY GLARING HISTORICAL ERROR WHEN SOMEONE LOOKS AT AN IMAGE. >> THE DRESSES THAT WE HAVE ON DISPLAY IN HERE ARE ALL FROM THE LATE 1940s. WE HAVE TWO CHRISTIAN DIORS. >> REALLY? I JUST WANT TO GET SOME PICTURES FOR, LIKE, INSPIRATION FOR THE LOOKS. [CAMERA CLICKS] >> THAT'S SO COOL. >> THAT LOOKS LIKE KATY PERRY'S EX-BOYFRIEND-- >> RUSSELL BRAND. >> RUSSELL BRAND, YEAH. LOOK AT THIS THING. >> THAT'S OUR CD PLAYER FROM THE 1890s. >> THIS IS HOW THEY USED TO LISTEN TO MUSIC. >> I FEEL SO AWESOME BEING IN THIS HOUSE WITH ALL THIS HISTORY. >> AND THAT'S SAYING A LOT, BECAUSE SHE'S NOT REALLY INTO IT. SHE'S NOT REALLY INTO HISTORY. BIG SURPRISE, I REALLY DON'T REMEMBER ANYTHING THAT I LEARNED ABOUT NEW JERSEY HISTORY WHEN I WAS IN SCHOOL, BUT THAT'S BECAUSE THEY NEVER TAUGHT US ABOUT JERSEY'S HISTORY OF FASHION. 'CAUSE IF THEY HAD TAUGHT US THAT, THEN I GUARANTEE I WOULD HAVE PAID ATTENTION. LIKE, EVERYTHING HERE WE CAN USE IN THE BOOK BECAUSE IT'S ALL RELATED TO JERSEY. THIS WHOLE HOUSE IS JERSEY HISTORY. I FEEL LIKE THINGS WERE SO SIMPLE AND EASY GOING. LIKE, I DOUBT THEY HAD ALL THE DRAMA THAT WE DEAL WITH TODAY. >> THAT DOESN'T SOUND GOOD. >> GIGI CONFRONTED ME THE OTHER DAY. AND SHE WAS LIKE, "I WANT TO TALK TO YOU AND TRACY. LIKE, I WANT TO SIT DOWN, THE THREE OF US." AND GIGI TEXTED ME THIS MORNING, AND WE'RE GONNA HAVE THE SIT DOWN IN A COUPLE OF DAYS. AND I SAID TO HER, I WAS LIKE, WELL, I DON'T KNOW IF THAT'S A GOOD IDEA BECAUSE I JUST FEEL LIKE THERE'S SO MUCH STUFF THAT GIGI HASN'T TOLD TRACY. I DON'T WANT TO BE THAT MIDDLE MAN. LIKE, THAT'S A CONVERSATION THAT THEY NEED TO HAVE. LIKE, GIGI NEEDS TO COME CLEAN WITH HER. >> I THINK THAT GIGI SHOULD JUST MAN UP AND APOLOGIZE TO BOTH OF YOU BECAUSE SHE WAS WRONG. I ALMOST WANT TO GO UP TO HER AND TELL HER LIKE, WAKE UP AND APOLOGIZE AND THIS WILL ALL BE OVER. >> LATER THIS WEEK, TRACY, GIGI, AND I ARE GONNA BE HAVING OUR THREE-WAY TALK, WHICH I WANT TO HAVE BECAUSE I WANT TO SEE IF ME AND GIGI'S FRIENDSHIP CAN BE SAVED, BUT AT THE SAME TIME, I DON'T WANT THIS TO BLOW UP IN MY FACE AND JUST HAVE EVERYONE HATING EVERYONE. THAT GUY HAS GOT A BIG-*** NOSE, THAT'S WHAT I DO KNOW, THOUGH. >> HE'S DEAD. DON'T SAY THAT. >> WHAT? >> 'CAUSE HIS GHOST COULD COME BACK AND HAUNT YOU. >> VERY NICE. >> I'M SURE YOU DID A VERY GOOD JOB. WHAT'S NEW? >> I DON'T KNOW EVEN WHERE TO BEGIN. WE HAVE COFFEE? >> YEAH. >> WE NEED LIKE COFFEE TALK RIGHT NOW. >> I HAVE IT MADE ALREADY. HOLD ON. HOLD ON. >> THERE'S NO PLACE LIKE HOME. AND I DON'T CARE--I COULD BE 50 YEARS OLD, AND I'M STILL GOING HOME TO MOMMY. YOU KNOW A LITTLE BIT OF WHAT'S GOING ON WITH ME, TRACY, AND OLIVIA, RIGHT? >> A LITTLE BIT. >> IT'S LIKE SUCH A MESS. TRACY'S GONE BEHIND MY BACK TALKING TO OLIVIA. LIKE, SHE'D NEVER DO THAT. >> SINCE WHEN IS TRACY FRIENDLY WITH OLIVIA? >> RIGHT. LET ME TELL YOU SOMETHING, YOU NEVER WANTED TO TALK TO THIS GIRL A DAY IN YOUR LIFE, NOW YOU'RE DOING IT ON PURPOSE, SPITEFULLY. THEY NEVER LIKED EACH OTHER. >> FROM DAY ONE. >> NOW YOU WANT TO LOOK LIKE THE GOOD ONE? AND MAKE ME LOOK LIKE I'M NOT A GOOD FRIEND. I WANTED TO SIT DOWN WITH OLIVIA AND TRACY TOGETHER SO I CAN SAY TO OLIVIA HOW I REALLY DO FEEL ABOUT TRACY. >> YOU'VE GOT TO SETTLE THIS ONCE AND FOR ALL. >> I KNOW. TRACY TEXTED ME AND SHE SAID SHE'S IN. >> ALL RIGHT. GOOD. THIS WAY ALL THREE OF YOU WILL SIT DOWN AND YOU'LL TALK ABOUT IT. >> I'M KIND OF NERVOUS TO SEE, LIKE, YOU KNOW, WHAT'S GONNA HAPPEN BECAUSE I WANT TO BE ABLE TO GET MY VOICE HEARD WITHOUT BEING TALKED OVER OR ATTACKED. TRACY'S GOT THIS MALICIOUS WAY ABOUT HER. SHE BEES REALLY, REALLY, REALLY NICE, AND AS SOON AS YOU DO HER WRONG, SHE TURNS AND SHE'S VINDICTIVE. I GET NERVOUS BECAUSE THAT'S HOW I'M FEELING RIGHT NOW. I'M FEELING VERY LIKE OLIVIA NEEDS TO HEAR IT. >> RIGHT. >> BUT, LIKE, THE OTHER ONE'S GONNA GET CRAZY. I DON'T KNOW. MAYBE IT WON'T, MAYBE IT WILL. I HAVE A FEELING IT WILL. >> OF COURSE YOU'RE GONNA BE ANXIOUS AND NERVOUS ABOUT IT. THAT'S NORMAL. >> GET IT OVER WITH. >> BECAUSE YOU DON'T KNOW WHAT PEOPLE--HOW THEIR REACTIONS ARE GONNA BE OR HOW THEY'RE GONNA ACT. I THINK YOU'RE DOING THE RIGHT THING. >> YOU THINK THAT'S GONNA WORK? >> IT HAS TO. >> JERSEY'S A SAGITTARIUS LIKE ME. I REMEMBER YOU TOLD ME THAT. >> YEAH. AND YOU KNOW HOW, LIKE, IT ACTUALLY MAKES SENSE THAT NEW JERSEY'S A SAGITTARIUS, 'CAUSE I WAS THINKING ABOUT IT. BECAUSE SAGITTARIUSES, AND YOU'RE JUST LIKE THIS, SAY LIKE YOU DON'T LIKE THEM FOR SOME REASON, THEY HAVE NO IDEA AND DON'T UNDERSTAND WHY YOU DON'T LIKE THEM AND THEY JUST GO ON THEIR MERRY LITTLE WAY. AND NEW JERSEY--I FEEL LIKE ALL THE OTHER STATES KIND OF HATE ON US AND JUST MAKE FUN OF US. AND WE'RE JUST LIKE, WHATEVER, WE'RE COOL. WE'RE THE BEST. SCREW YOU. YOU KNOW. WE DON'T UNDERSTAND WHY YOU DON'T LIKE US. >> THAT'S REAL--I KNEW I LIKED LIVING IN JERSEY. >> THERE YOU GO. >> ALL RIGHT. >> THIS COSTUME SHOP SPECIALIZES IN ERAS THAT I DON'T HAVE IN MY CLOSET. THINK LIKE A HISTORY BOOK. COSTUMES FOR LIKE... >> SO, LIKE, CHANNEL MY INNER HIGH SCHOOL RIGHT NOW, SCHOOL PLAYS. >> NO, BECAUSE OUR SCHOOL PLAY WAS "YOU'RE A GOOD MAN, CHARLIE BROWN." THAT HAS NOTHING TO DO WITH NEW JERSEY HISTORY. >> "YOU'RE A GOOD MAN, CHARLIE MAN," WASN'T IT WRITTEN IN LIKE THE 1700s? >> ABSOLUTELY NOT. >> BUT LOOK WHAT THEY USED TO WEAR, THE BIG, LONG STRIPED SHIRTS. THAT'S, LIKE, 1700s. >> NO, IT'S... >> DIDN'T THEY WEAR THOSE? >> JACKIE, HOW'D YOU GRADUATE? SO WE NEED TO FIND OPTIONS FOR THE AARON BURR DUEL, THE SINGER SEWING MACHINE MOMENT, AND OUR TAKE ON THE 1920s BOARDWALK. >> WHAT COLOR DO YOU WANT TO WORK WITH? >> I DON'T KNOW. I FEEL LIKE WHITE IS RIGHT. >> THAT ONE'S CUTE. IT'S KIND OF LIKE RAPUNZEL. 'CAUSE SHE COULD BE SEWING LIKE THIS, AND THEN THE DRESS CAN COME OUT. >> I LIKE THAT. >> ALL RIGHT. YOU WANT ME TO JUST HOLD THIS DRESS? >> YEAH. I MEAN, YOU'RE USED TO CARRYING A BABY ON YOUR ARM. >> YEAH. >> WE GOT THE SEWING MACHINE DRESS. >> ONE DOWN, 15 MORE TO GO. >> JACK, COME HERE, I FOUND, LIKE, 1920s BOARDWALK EMPIRE STUFF. >> [TRUMPETS] >> OH, MY GOD! >> AM I AT LEAST A CUTE ELEPHANT? OW. OH, MY GOD, IT OPENS. NO, JUST KIDDING. IT COMES OFF. GOD, IT WAS REALLY DARK IN THERE. >> LOOK, ISN'T THIS GOOD FOR, LIKE, THE 1920s BOARDWALK EMPIRE, LIKE ATLANTIC CITY? >> YEAH, THAT'S PERFECT. >> RIGHT? I LIKE IT. >> THAT'S PERFECT. >> I THINK WE GOT A GOOD START HERE. I DON'T THINK WE'RE ANYWHERE NEAR BEING DONE, AND I DEFINITELY NEED TO GO CHECK OUT MORE PLACES, BUT WE'RE IN THE RIGHT DIRECTION. >> I'M REALLY GOING WITH, LIKE, CHOCOLATE THEMED, LIKE, VERY, LIKE, CASUAL, BUT I DON'T WANT TO TAKE OVER WITH, LIKE, LEOPARD. NOW THAT COREY AND I ARE ALL MOVED IN TO OUR NEW PLACE IN STATEN ISLAND AND THE HOUSE WARMING PARTY IS RIGHT AROUND THE CORNER, I NEED TO FIND FURNITURE THAT KIND OF MESHES OUR STYLES TOGETHER. BUT IT'S HARD BECAUSE ALL HE EVER WANTS IS BABY BLUE. AND I PROMISE YOU THIS HOUSE WILL NOT BE DECORATED IN THAT COLOR. I DON'T WANT TO DO, LIKE, BLACK BECAUSE I THINK BLACK, IT PICKS UP EVERYTHING. I LOVE THIS. >> BRONZER WOULD GET ALL OVER THAT. >> NO, NO, NO, I CAN'T HAVE WHITE. >> NO. >> FOR THE HOUSE WARMING PARTY, I DON'T WANT IT TO BE LIKE, OH, WE HAVE TWO CHAIRS YOU CAN CHOOSE FROM. >> LET ME GIVE YOU MY FOLDING CHAIR. >> YEAH. >> WHAT ABOUT, LIKE, A SMALLER ONE FOR, LIKE, IN THE KITCHEN. >> LIKE WE'RE GONNA READ THE PAPER AND DRINK COFFEE IN THE MORNING. I NEVER READ A NEWSPAPER EVER, BUT I WOULD ASSUME THAT ON A TABLE LIKE THIS, THAT'S WHAT YOU DO. >> I WOULD READ A NEWSPAPER ON THE COUCH. >> OH. >> NO. >> AND THESE ARE ALL PEOPLE WHO DON'T READ THE NEWSPAPER, THOUGH. >> I READ THE NEWSPAPER. >> IT'S LIES, SAMMY. LIES. WHAT DO YOU THINK ABOUT THIS? OH, MY GOD! I LIKE BOUNCED OFF IT. >> OOH! >> MAYBE THAT'S A BETTER SPOT. MINE'S A LITTLE ROUGH. >> THIS IS GONNA BE MY POSITION, MY SPOT. >> BUT WE'RE ON STATEN ISLAND NOW, ***. >> I KNOW. OH, MY GOD, TARA, I DIDN'T TELL YOU YET ABOUT WHAT HAPPENED WITH GIGI. I WAS LEAVING WORK AT AR, AND SHE'S IN THE PARKING LOT WAITING FOR ME. SO NOW YOU'RE A STALKER. LITTLE CREEPY. >> YEAH. >> SO GIGI SAID THAT SHE WANTS TO HAVE A TALK WITH ME AND HER AND OLIVIA. AND AT FIRST I SAID NO, VERY ANGRILY. BUT THEN I'M LIKE, I WANT TO JUST CLEAR MY NAME, SAY WHAT I HAVE TO SAY, GIVE IT 5 MINUTES OF MY LIFE. >> TO BOTH OF THEM OR TO-- >> TO THE TWO OF THEM IN THE SAME ROOM. >> SAYING WHAT? >> THIS IS MY CLOSURE TO ANYTIME I'M EVER, LIKE, EVER GONNA SEE YOU. YOU'RE NOT AT MY HOUSE WARMING PARTY. YOU'RE NOT IN MY BRIDAL PARTY. I'M OVER YOU COMPLETELY. I'M THERE TO END MY RELATIONSHIP WITH GIGI. >> WHEN IS THIS SIT DOWN? >> THE SIT DOWN IS TOMORROW. >> I THINK YOU MIGHT NEED SOME BACKUP. >> NO, IT'S FINE. I CAN HANDLE MYSELF. THE THING IS, I'M NOT SCARED OF HER. SHE'S NOT GONNA CONTROL ME. SHE'S NOT GONNA TELL ME WHAT TO DO. I'M GOING THERE ON MY OWN TERMS. AND IT'S OVER. LIKE, ME AND HER FRIENDSHIP IS OVER. I WANT NOTHING TO DO WITH HER. I'M DONE. >> LIV, I THINK I FOUND SOME STUFF. >> OH, MY GOD! >> WHAT ARE YOU WEARING? IS THAT BASEBALL OR BASKETBALL? HE'S LIKE A KID IN A CANDY STORE. >> WE NEED PRETTY MUCH EVERYTHING. SO THIS PROP HOUSE IS GONNA BE OUR GO-TO PLACE. WE NEED A SEWING MACHINE. THIS ONE I THINK IS BETTER. IT'S DARKER. >> OH, MY GOD, THEY HAD TO DO IT BY HAND. THEY HAD TO ACTUALLY SPIN THIS WHEEL? >> WE NEED GUNS. SHOULD WE GET THESE? TWO OF THESE? >> YEAH, WE NEED THOSE. >> WE PRETTY MUCH NEED EVERYTHING THAT GOES INTO THIS BOOK. [BLOWS HORN] >> AHH! ANTHONY! GET THE HELL OUT OF HERE. >> BRING OUT YOUR DEAD. I COULD STAY HERE ALL DAY AND PLAY. IT'S LIKE A BIG PLAYHOUSE FOR ME. >> I KNOW IT. IT'S CRAZY HERE. >> SO EVERYTHING'S GOING GOOD. IT'S JUST FINDING THE PROPS NOW. >> WE WILL. WE'LL DO THAT. >> WE'RE PRETTY MUCH GOOD WITH A LOT OF THE CONTENT, BUT KARL'S STARTING TO, I THINK, TRY AND TAKE OVER A LITTLE BIT. >> ARE YOU--WHAT DO YOU MEAN TRYING TO TAKE OVER? WHAT IS HE DOING? >> HE'S GOT A LOT OF IDEAS. HE'S GOT A BETTER VISION ON A LOT OF THINGS THAN MYSELF. BUT IS THIS ME AND OLIVIA'S BOOK, OR IS THIS NOW BECOMING THE KARL GIANT BOOK? >> ABSOLUTELY NOT. IT'S YOURS AND OLIVIA'S BOOK. WHY WOULD HE EVEN THINK OR ATTEMPT TO TRY TO TAKE OVER? I HOPE YOU PUT HIM IN HIS PLACE. I HOPE YOU EXPLAINED TO HIM THAT THIS IS YOUR DREAM, YOUR VISION, YOUR BOOK. >> ME AND KARL WILL TALK, AND WE'LL COME TO--LET'S JUST--RIGHT NOW, LET'S FIND THE PROPS. >> I HOPE SO, ANTHONY. I HOPE SO. >> THIS IS NOT HE TIME OR THE PLACE. >> NO, I HOPE SO BECAUSE IT'S *** ME OFF. >> I'M NERVOUS ABOUT THIS THREE WAY TALK, BECAUSE I KNOW HOW TRACY CAN GET. I JUST WANT TO BE UP FRONT AND COME CLEAN ABOUT WHAT I DID SAY ABOUT TRACY SO OLIVIA CAN SEE I'M NOT A LIAR, AND WE CAN START REBUILDING OUR FRIENDSHIP. [KNOCK ON DOOR] HELLO. >> HEY. >> COME IN. TAKE A SEAT ON THE COUCH. JUST GOT TO WAIT FOR TRACY. >> I AGREED TO THE THREE WAY TALK BECAUSE I WANT TO WORK ON MY FRIENDSHIP WITH GIGI. AND, YOU KNOW, I DO WANT US TO REBUILD OUR FRIENDSHIP, YOU KNOW. BUT I CAN'T DO THAT UNTIL I KNOW THE TRUTH. AND I KNOW THAT I'LL BE ABLE TO FIND OUT THE TRUTH WITH TRACY AND GIGI BOTH SITTING IN A ROOM IN FRONT OF ME. >> I CANNOT WAIT TO SIT THERE AND LISTEN TO GIGI ADMIT SHE WAS FAKE AND THAT SHE USED TO TALK BAD ABOUT ME. I CAN'T WAIT TO HEAR IT. [KNOCK ON DOOR] HEY. >> COME IN. >> HI. >> HELLO. [DOOR CLOSES] >> COME TAKE A SEAT ON THE CHAIR. OK. >> I SAID FROM THE BEGINNING THAT I WOULD DO THIS, AND THE ONLY REASON IS, BECAUSE I HAVE NOTHING TO HIDE. SO I'M GETTING IT ALL OUT THERE. >> RIGHT. SAME HERE. >> BUT I REALLY JUST DON'T REALLY CARE WHAT YOU HAVE TO SAY ANYMORE, BECAUSE I DON'T TRUST YOU WHATSOEVER. >> THAT'S FINE. >> JUST SO YOU KNOW THAT. >> I'M HAPPY THAT YOU'RE BOTH HERE, BECAUSE I WANT TO BE ABLE TO TALK. I WANT TO BE ABLE TO SAY WHAT I HAVE TO SAY. AND I'VE HELD A LOT OF STUFF IN. AND I'D RATHER KEEP MY MOUTH SHUT THAN LIKE ADDRESSING A PROBLEM AND HURTING ANYBODY'S FEELINGS. >> SO THEN YOU CHOOSE TO DO IT IN THE MIDDLE OF THE STREET AND HURT PEOPLE'S FEELINGS? >> NO. YOU ACTUALLY WALKED AWAY FROM ME. >> RIGHT. I WALKED AWAY BECAUSE YOU TOLD ME THAT I WOULD BE THE KIND OF PERSON THAT WOULD TALK BAD ABOUT YOU AND HER. >> I UNDERSTAND THAT. >> AND OBVIOUSLY LOOKING BACK IN PRETENSES, I'M THINKING YOU'RE THE KIND OF PERSON THAT WOULD DO THAT. YOU'RE THE ONE WHO PRETENDED TO BE MY FRIEND FOR THREE YEARS. WHEN IN FACT YOU KNEW FROM THE BEGINNING I WAS A FAKE PERSON, YOU SAID. >> LISTEN... >> FROM THE DAY YOU MET ME. SO FOR THREE YEARS, YOU SAT THERE PRETENDING TO BE MY FRIEND, SISSY, I LOVE YOU. >> UH-HUH. YOU WERE MAKING PEOPLE LIKE BELIEVE THAT YOU WERE THAT CLOSE TO ME, YOU WERE SO MUCH OF MY FRIEND-- >> OH, MY GOD, YOU ARE SO SICK. >> I FEEL GOOD THAT I'M GETTING EVERYTHING OUT. >> GOOD, BECAUSE YOU FINALLY DON'T HAVE TO PRETEND ANYMORE. IT'S PROBABLY A WEIGHT LIFTED OFF YOUR SHOULDER. >> WITH YOU! YOU'RE THE ONLY PROBLEM. YOU'RE THE PROBLEM, TRACY. I NEVER HAD THIS PROBLEM WITH ANYBODY IN MY LIFE. >> IF I'M THE PROBLEM, WHY DID YOU WAIT SO LONG TO TELL ME? >> BECAUSE I WANTED TO AVOID CONFLICT. YOU COME WITH DRAMA AND YOU'RE THE TYPE OF PERSON, YOU GO BEHIND MY BACK TO TALK B.S. >> IF I DON'T LIKE SOMEBODY, I TELL THEM. YOU INTERNALIZE, HOLD IT IN-- >> WELL, THAT'S--I'M GROWING UP AND I'M REALIZING-- >> OK, WELL, YOU SHOULD GROW UP, BECAUSE IT'S A VERY SAD SITUATION, AND MY HEART BREAKS FOR YOU THAT YOU WERE ABLE-- >> OH, DON'T MAKE YOUR HEART BREAK. YOU DON'T EVEN HAVE A HEART. >> I DON'T HAVE A HEART. YOU'RE SUCH A DISGUSTING PERSON. I'M SO SAD THAT I WAS EVER YOUR FRIEND. AND I'M THANKFUL THAT I FOUND OUT BEFORE I LET YOU STAND ON THE ALTAR WITH ME THAT YOU WERE NOT MY FRIEND. >> I DIDN'T WANT TO. >> THEN WHY'D YOU GO ALONG WITH EVERYTHING? >> I DIDN'T! >> BECAUSE YOU ARE FAKE! OH, I LOVE YOU, SISSY. WE SAT IN YOUR APARTMENT TAKING VIDEOS DANCING ALL NIGHT. ALL FAKE, SWEETHEART, ALL FAKE. >> TRACY, IT'S YOU, HONEY. IT'S YOU. >> IT'S NOT ME. >> BUT WHY GO BEHIND MY BACK-- >> I DON'T OWE YOU [BLEEP], SWEETHEART. I DON'T OWE YOU [BLEEP]. I WENT TO HER BECAUSE-- >> YOU WERE TRYING TO TURN THE TABLES, TRYING TO MAKE ME LOOK LIKE I'M IN THE WRONG. >> I DON'T HAVE TO MAKE HER DO ANYTHING! SHE DOESN'T LIKE YOU BECAUSE SHE SEES HOW [BLEEP] FAKE YOU ARE! >> WHY ARE YOU YELLING? >> DO YOU UNDERSTAND HOW UPSET I WAS IN THE PARKING LOT WHEN YOU WERE YELLING AT ME? >> TRACY, YOU GOT IN MY FACE. WERE YOU GOING TO LIKE HIT ME OR SOMETHING? >> YOU'RE LUCKY I DIDN'T HIT YOU, TO BE HONEST. BECAUSE THE THINGS THAT YOU SAID ARE DISGUSTING BELOW ***. >> I THINK HONESTLY YOU HAVE AN ANGER PROBLEM. >> YOU'RE A BAD PERSON. >> THAT'S FINE. TRACY SAID-- WAS SAYING SOMETHING TO SOMEBODY-- >> LET OLIVIA SPEAK. SHE HASN'T SPOKEN. LET HER SPEAK. >> WE ARE. >> LET'S SEE WHAT SHE HAS TO SAY. >> I SEE HOW YOU WOULD HANG OUT WITH TRACY AND YOU WOULD BE SO FRIENDLY WITH HER, BUT THEN, LIKE, YOU WOULD SAY SOMETHING COMPLETELY DIFFERENT TO ME, THAT YOUR FRIENDSHIP WASN'T REAL. >> I DID. I DID. >> EXACTLY. SO YOU TALKED [BLEEP] ABOUT ME TO HER. >> YOU TALKED ABOUT ME, TOO. >> NOT TO OTHER PEOPLE, TO YOU. >> THE THING IS THOUGH, IS LIKE HOW CAN YOU NOT BASE YOUR OWN FRIENDSHIP WITH SOMEBODY ON HOW THEY TREAT THEIR OTHER FRIENDS, YOU KNOW? AND WHETHER OR NOT YOU DIDN'T FEEL LIKE YOUR RELATIONSHIP WAS REAL WITH TRACY OR NOT, TRACY DID. AND I FELT MY RELATIONSHIP WAS REAL WITH YOU, TOO. SO I STARTED THINKING, WHAT IF THE SAME THING THAT'S HAPPENING WITH ME AND YOU IS HAPPENING BETWEEN HER AND YOU? WHAT IF I WAS CONFIDING IN YOU WITH THINGS AND THEN YOU WERE TELLING HER, AND YOU WERE PRETENDING, OH, I'LL PRETEND TO BE OLIVIA'S FRIEND. I STARTED SPIRALING, BECAUSE WHO WOULDN'T THINK THAT? >> WHAT SHE'S SAYING IS THAT SHE FELT LIKE YOU WERE A FAKE FRIEND TO ME, SO SHE DIDN'T WANT THAT FOR HERSELF. AND THAT'S WHAT I'M FEELING. SO DON'T TELL ME I'M WRONG WHEN IT'S BEING SAID TWO TIMES AND YOU'RE THE ONLY PERSON ON THE OTHER SIDE. >> PLEASE, YOU WANT TO BE THIS, OH, I'M THIS GOOD FRIEND, PLEASE. YOU WOULD FREAKIN' DO WHAT YOU WERE DOING ALL ALONG. >> WHY DID WE MEET TODAY? SO YOU COULD PRETEND TO SEE, OH, I DIDN'T DO ANYTHING WRONG. NO, YOU DID-- >> NO! I ADMITTED I TALKED ABOUT YOU. >> SO SAY, "I'M SORRY"! YOU'RE NOT SORRY FOR IT BECAUSE YOU DON'T GET GIVE A [BLEEP] ABOUT ANYONE BUT YOURSELF. >> NO, THAT'S HOW I FELT AND I TOLD YOU. I HAVEN'T TRUSTED YOU SINCE THE BEGINNING. LIKE I SAID, AFTER THAT SITUATION-- >> THEN YOU'RE A SICK ***. AND I'M SORRY FOR YOU AND WHOEVER YOU'RE FRIENDS WITH. >> YOU KEEP SAYING THAT, AND YOU THINK-- >> YOU'RE SICK. I HAVE NO INTEREST. NO INTEREST. >> YOU KEEP--WALK AWAY. >> I AM WALKING AWAY, 'CAUSE I DON'T NEED TO SIT HERE AND HEAR WHAT YOU HAVE TO SAY. I'M SORRY THAT YOU HAVE TO SIT HERE. GOOD LUCK WITH EVERYTHING. YOU, GOOD LUCK WITH YOUR FUTURE AND YOUR BOYFRIEND, WHATEVER. I'M DONE WITH YOU. >> YOU, TOO. >> NO, I'M DONE WITH YOU! I DON'T NEED YOUR CONGRATULATIONS 'CAUSE IT'S PROBABLY FAKE. >> I DON'T NEED TO CONGRATULATE YOU. BUT YOU'RE LIVING YOUR OWN LIFE AND I HOPE THE BEST FOR YOU. >> I AM. WITHOUT YOU, THANK GOD FOR THAT. >> OK, THAT'S FINE. >> BYE, ***. [BLEEP] PSYCHO. I'M JUST REALLY THANKFUL THAT I FOUND OUT THE PERSON GIGI REALLY IS. BECAUSE SHE OBVIOUSLY IS A VERY TOXIC, NEGATIVE, DISGUSTING PERSON. AND I HAVE SO MUCH POSITIVE STUFF GOING ON IN MY LIFE RIGHT NOW THAT I DON'T NEED TO BE BROUGHT DOWN BY HER. THIS IS LIKE A MAZE. HOW THE [BLEEP] DO YOU GET OUT OF HERE? >> I MEAN, LISTEN, I JUST FELT LIKE IT COULD HAVE BEEN, YOU KNOW, MAYBE THE THREE OF US TALKING. BUT WE HAVE A LOT OF HOSTILITY TOWARD ONE ANOTHER. YOU KNOW, WHATEVER I SAID TO YOU IS REALLY HOW I FELT. AND I WANTED THIS FROM THE BEGINNING. SO YOU COULD HEAR ME TELLING HER THAT I DON'T TRUST HER. YOU, ON THE OTHER HAND, I ALWAYS TRUSTED. AND I FELT LIKE YOU COULD TRUST ME. 'CAUSE WHEN I CARE ABOUT SOMEBODY, LIKE, I HOLD ON TO THAT. >> I UNDERSTAND. YOU KNOW. I UNDERSTAND WHY YOU DID WHAT YOU DID. BUT NOW YOU HAVE TO DEAL WITH THE AFTERMATH. AND I CAN'T JUST SAY THAT I CAN BE FRIENDS RIGHT NOW. I DO WANT TO WORK THINGS OUT WITH GIGI, BUT I AM STILL CAUTIOUS. BECAUSE WHY WAS THIS THE FIRST TIME TRACY WAS HEARING ABOUT ANY OF THIS? AND WHY DID GIGI SAY THAT SHE WAS TRACY'S FRIEND FOR SO LONG? I NEED TO REGAIN THAT TRUST AND THAT LOYALTY. FROM IT BEING SO HIGH TO IT BEING SO LOW, LIKE, IT'S NOT JUST GOING TO GO UP AGAIN. >> IT'S JUST SOMETHING IN MY HEART THAT I KNOW THAT I--WE HAD SOMETHING SPECIAL. AND FOR THIS TO HAPPEN IS UNFORTUNATE BUT, LIKE, MAYBE YOU COULD LOOK BEYOND IT AND WE'LL SEE WHAT HAPPENS. >> I GOT TO GET GOING, BUT, YOU KNOW, I'M HERE. >> I'M SORRY FOR EVER MAKING YOU FEEL LIKE THAT. I NEVER THOUGHT IT WOULD HURT YOU. AND I'M SORRY IT DID. I WASN'T THINKING ABOUT HOW YOU FELT. >> I THINK IT'S SOMETHING THAT CAN BE FIXED IN TIME. >> MM-HMM. >> BYE, HONEY. >> THANKS. I THOUGHT COMING CLEAN TO WHAT I SAID ABOUT TRACY WOULD SOLVE ALL THE PROBLEMS OLIVIA HAD WITH ME. AND I GUESS TIME WILL HEAL OUR FRIENDSHIP. [EXHALES] OH, BOY. >> KARL'S STUDIO IS HUGE. ONCE YOU SEE IT, YOU'LL BE LIKE, WOW. THIS IS MORE THAN I EVER EXPECTED. IT'S ENORMOUS. >> IS KARL'S STUDIO GIANT? >> YEAH, KARL GIANT, YEAH, THAT'S A GOOD GONE. >> HELLO. >> HELLO! >> HOW ARE YOU? >> HI. >> HI. >> HERE, LET ME SHOW YOU AROUND. THIS GOING TO BE THE SHOOTING AREA, OBVIOUSLY. >> WHERE WILL THEY BE GETTING DRESSED? >> THIS WAY. THIS IS GOING TO BE THE WARDROBE PART. >> OK, KARL. >> MY CONCERN IS, IS IT GOING TO GET CLUTTERED? WHAT'D WE SAY, 50 PEOPLE COMING TO THIS THING? BETWEEN MODELS AND HAIRDRESSERS AND MAKE-UP ARTISTS AND STYLISTS AND ASSISTANTS. >> THAT'S A LOT OF PEOPLE. >> THE PHOTO SHOOT IS FIVE DAYS AWAY. AND EVEN THOUGH WE'VE BEEN WORKING REAL HARD TO PULL EVERYTHING TOGETHER, WE STILL HAVE A TON MORE TO DO TO TURN THIS BOOK INTO A REALITY. >> I JUST HOPE EVERYONE'S ALL ON THE SAME PAGE, AND EVERYONE PARTICIPATES. ESPECIALLY WITH THE BOOK THAT HAS YOUR NAME AND YOUR NAME ON IT. >> AND MINE, IS THE THIRD ONE. >> YES, YOU GET YOUR PHOTO CREDITS, FROM WHAT I UNDERSTAND. BUT THESE ARE THE TWO AUTHORS, AREN'T THEY? WHY WOULD YOU PUT THREE AUTHORS? >> BECAUSE IT'S US THREE CREATIVE PEOPLE COMING TOGETHER. >> NO, NO, NO. IT SHOULD SAY, ANTHONY, OLIVIA, AND THEN PHOTOS BY KARL GIANT. >> I'M CREATING THE WHOLE [BLEEP] THING IN MY HEAD VISUALLY. I DON'T WANT TO DO IT, THEN. >> WHOSE IDEA WAS THIS BOOK? >> MINE. >> THEN... >> I'VE GOT NO BUDGET. AND THE 225th BIRTHDAY OF NEW JERSEY IS RAPIDLY APPROACHING. IF KARL DROPS OUT, I HAVE NO BOOK. I DON'T WANT TO GIVE UP CONTROL OF MY DREAM, BUT I ALSO WANT TO MAKE A BOOK. I'M STUCK BETWEEN A ROCK AND A HARD PLACE. >> AT LEAST GIVE ME A CHANCE TO DEFEND SOMETHING. >> OH, YEAH, OF COURSE-- NO, I'M NOT GOING TO SAY THAT'S OUT. >> RIGHT, BECAUSE IT'S TAKING TOO MUCH OF MY TIME TO CREATE THESE IMAGES. LIKE SOME ARE 48 HOURS, LIKE THE ONES I DO TODAY. >> KARL, HE'S PUTTING A LOT MORE THAN JUST PHOTOS. I FEEL LIKE HE EQUALLY HAS A LOT OF-- >> RIGHT. AND I'M NOT SAYING HE DOESN'T DESERVE--YOU DEFINITELY DESERVE BILLING. >> BECAUSE FOR IT JUST TO SAY "PHOTOS BY KARL"... >> THE BOOK WAS YOUR DREAM. >> IT'S STILL MY DREAM. >> IF YOU DON'T MIND SHARING YOUR DREAM. >> I JUST WANT TO MAKE SURE THAT MYSELF AND OLIVIA HAVE THE FINAL SAY ON EVERY PICTURE THAT GOES INTO THIS BOOK. KARL'S GOING TO GET HIS NAME ON THE BOTTOM OF THAT BOOK BECAUSE OF THE WORK HE'S DOING FOR NOTHING. IF KARL'S THE DIFFERENCE IN MAKING MY DREAM COME TRUE OR NOT, I'M WILLING TO SHARE. AS LONG AS I DON'T HAVE TO GIVE UP MY VISION. >> OBVIOUSLY YOU ARE THE GUY WHO STARTED THIS. YOU'RE THE BOSS. >> OK, AS LONG AS WE'RE ALL COOL WITH THAT. >> I'LL TAKE IT. >> TUCK THE FREAKIN' TAGS. I DON'T UNDERSTAND WHY YOU DON'T SEE THAT. IT'S BRIGHT WHITE. >> I'M NOT PUTTING THE RED THERE AND THE BROWN THERE. I THINK IT LOOKS BETTER THE OTHER WAY. >> IT DOESN'T. >> I THINK IT DOES. >> IT DOESN'T. AND THESE FREAKIN' TAGS, I'M GOING TO LOSE MY MIND. AND THIS IS NOT EVEN. SO IF YOU'RE GOING TO TRY TO DECORATE THE COUCH, PLEASE MAKE THE BLANKET EVEN. >> IT LOOKS FINE, IT LOOKS GOOD. YOU JUST GOT TO RELAX. YOU'VE GOT TO LET GO OF OLIVIA AND GIGI. >> LIKE, YESTERDAY WITH THE CONVERSATION, IT WAS LIKE, ON MY MIND. >> RIGHT, BUT THAT'S THE THING. THAT WAS YESTERDAY, THIS IS TODAY. THIS IS A HAPPY MOMENT. >> I'M EXCITED ABOUT MY HOUSEWARMING PARTY, BUT I STILL HAVE THE THREE WAY TALK ON MY HEAD. AND LIKE, I'M TRYING TO LET THAT GO SO I CAN ENJOY MY PARTY AND JUST LIKE MOVE ON. I JUST WANT EVERYONE TO HAVE FUN TONIGHT. >> BE GOOD. [KNOCK ON DOOR] WHAT'S UP? >> HI, COREY! >> HOW'S EVERYTHING? >> CONGRATULATIONS. >> THANK YOU. >> THIS IS-- >> THANK YOU. >> BEAUTIFUL. >> THANK YOU! HI! >> I'M READY TO WARM UP THIS HOUSE. [LAUGHTER] SHOTS FOR THE BOYS. SALUD. WELCOME TO STATEN ISLAND. THANK YOU. BACHELOR PARTY COMING UP, RIGHT? >> MWAH. >> HEY, KIDS. >> OOH, THE PLACE IS BEAUTIFUL. >> I RECOGNIZE THOSE VOICES ANYWHERE! >> OHH. >> WOW. [INDISTINCT CHATTER] >> YOU GUYS GOOD? YEAH? >> LOOK AT YOU BEING A HOST. >> IT'S MY HOUSE NOW, I'VE GOT TO BE A HOST. >> I KNOW! >> THE MAN CAVE, THE CLOSET, THE MASTER. AND THIS IS THE MASTER BATHROOM. JACUZZI. BIDET. >> NOW YOU KNOW THAT'S NOT A JACUZZI FOR THE DOGS, RIGHT? >> YEAH, NO, I KNOW, I GOT THAT MEMO. >> OK. >> I THOUGHT IT WAS FOR SOMETHING ELSE, BUT IT'S NOT, SO... >> WHAT DID YOU THINK IT WAS FOR? >> I THOUGHT IT WAS FOR... TO CLEAN, LIKE...YOUR BUTT. >> IT IS. >> NO. NOT WHAT CATHY TOLD ME. >> YEAH, IT IS. >> I HEARD IT'S A ROLLER COASTER OF PLEASURE, IS WHAT I HEARD IT WAS. YEAH. [GLASSES CLINKING] >> I FEEL LIKE I'M AT A WEDDING, YOU KNOW, WHEN THEY HIT THE GLASS. >> MAZEL! MAZEL TOV. >> L'CHAIM. >> L'CHAIM. >> I JUST WANT TO THANK EVERYBODY FOR COMING, BECAUSE I KNOW EVERYONE HAD TO WORK. BUT YOU GUYS WERE ABLE TO GET OFF. AND COME DRINK WITH US AND EAT WITH US. SO, THANK YOU EVERYBODY THAT'S HERE BECAUSE IT MEANS A LOT TO US. I'M NOT LIVING IN NEW JERSEY ANYMORE, AND THAT'S NOT NORMAL, BUT... >> WELCOME TO STATEN ISLAND. >> THANK YOU. THANK YOU. >> VERY HAPPY TO HAVE YOU. >> BUT REMEMBER WHERE YOU COME FROM. >> DON'T EVER FORGET WHERE YOU COME FROM. >> YOU CAN TAKE THE GIRL OUT OF JERSEY, BUT NOW THAT SHE'S IN STATEN ISLAND... >> YOU CAN'T TAKE THE JERSEY OUT OF THE GIRL. SO I WILL BE HERE, BUT I STILL BE WEARING MY NEW JERSEY NECKLACES. >> HOME IS WHERE THE HEART IS. >> THAT'S RIGHT. >> AND WHERE'S THAT? >> HERE. >> EXACTLY. >> FOR NOW. [LAUGHS] I'M NOT A NEW YORKER. LIKE, I WILL NEVER BE A NEW YORKER. I'M A JERSEY GIRL LIVING IN NEW YORK AS OF RIGHT NOW. BUT I WILL ALWAYS BE A JERSEY GIRL AT HEART. [ALL CHEERING] >> TO SPACE! >> THANK YOU, COREY! >> CONGRATULATIONS! >> ON THE NEXT EPISODE OF "JERSEYLICIOUS"... >> WE'RE DOING A PHOTO SHOOT FOR A BOOK. YOU WOULD BE PERFECT FOR ONE OF THE SHOTS. >> HEY, GIRLS. THANK YOU FOR COMING. >> [BLEEP] GUY'S STILL AROUND. ENOUGH IS ENOUGH NOW, GET OUT OF HERE. >> HOW COULD YOU BE NOT SAYING EVEN TRACY WAS YOUR FRIEND? >> IT'S NONE OF YOUR BUSINESS AND IT'S NONE OF YOUR CONCERN. >> I CAN INTERFERE WHERE I WANT TO INTERFERE. >> DON'T GIVE ME THAT LOOK. >> OH, [BLEEP]. >> UH-OH. >> GET MORE OF THE STORY STRAIGHT FROM THE CAST. GO TO STYLENETWORK.COM/JERSEYLICIOUS.