Alright now, we're going to continue. We're going to talk about mixing the high hat. And the high hat is that thing in there, that tsk tsk tsk tsk tsk tsk tsk. It kind of keeps the...

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JOEL SIEGEL: Another aspect of the hi-hat and this is a very important one--you're going to find it a lot, especially in rock, pop music. This is your kinda half-open; you can call it the...
JOEL SIEGEL: So the next two aspects of the open hi-hat that I want to talk about--these are kind of more of accessory sounds. If you're trying to get a little out, they're not going...

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Hi, and welcome to the ValveTime news. Each week, we’ll bring you the biggest talking points regarding Valve and the community. This episode is a particularly special one, as it’s been exactly two...
JOEL SIEGEL: So, when approaching the hi-hat with your sticks, we'll start off with having the hi-hats closed so you're going to have a firm grip on it with your foot firmly down. To...

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JOEL SIEGEL: All right. So we're going to do our high hat lift on the downbeats of two, three, and four now, okay? So, mechanically, we're doing our left foot, we're coming...

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So what we really need to do to isolate the Hi-Hat is we need to have a main beat we're going to play, that's going to be the same through out the series so that we can really be...

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