Danny elfman
You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David...
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You have to write a good score that you feel good about. At least, you're supposed to. But, if the director hates it, it ain't going to be in the movie!
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The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that...
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Or certainly I would need time - which I would love to have but there almost never is on a film - to just spend a week with a roomful of guys laying down these patterns.
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You're allowed to rip-off another score so close that it's ridiculous. In my opinion it's ridiculous, how closely one can just rip-off a score that happened a year or two earlier.
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There's kind of a cool feel that happens every now and then. I guess that feel is the thing that makes the score its own score. But, I don't know exactly what that is. So, it's hard for me to answer...
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Kidnapper le perce-oreille ? J'vais m'en occuper On tire au sort Jack veut qu'on le fasse tous ensemble Qui se ressemble S'assemble toujours Pour les mauvais tours ! Kidnapper le...
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I Forget SOLO I had a thought that rapidly I lost, I ask here and there, where did I leave it? Not here, not there, CHORUS not there or over there, SOLO not in the garden nor in the attic, CHORUS...
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Have you heard the news? Bad things come in twos. But I never knew 'Bout the little things. Every single day Things get in my way. Someone has to pay For the little things. And I'm through with the...
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In just a few short days My world has tumbled upside down This boring life that I had known Was finally turning 'round And I had heard a call That I had met the one that I was meant for That I might...
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