When we moved to Seattle, everybody kind of disappeared into different corners of the city and it was a very difficult time for the band.

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To set the record straight for the God knows millionth time, we certainly didn't sign to Atlantic just for the money.

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What we aspired to in 1998, we have wildly surpassed. And I know we all feel incredibly grateful and lucky this band has been able to have the life that it's had.

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The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you're listening to the song because they're so seamless and clever.

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It's trippy to think we have an album that's 10 years old. It's even trippier to think we have a couple of albums older than that.

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I'm not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun. I hit 70 one time on a radar guy at one of those pitch-and-throw kind of things. I have a pretty good arm for somebody who's...

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We never sit down before we start making a record and talk about this new sonic palette that we are going to try to explore. We always let the record kind of reveal itself to us over time.

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Hall & Oates is one of the few musical groups as satisfying now as it was back then. There's something incredibly musically satisfying about their songs. Nothing has diminished my love for them.

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I feel that we are currently living in a world that is similar to late '50s, early '60s kind of world.

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The second 'Postal Service' album is threatening to become the 'Chinese Democracy' of indie rock. It will come out eventually, or maybe it won't.

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