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AR: Bergrosa by Sven Nyhus, arranged by Alexander Rybak
AR: Did it look ok? Harald Eia: Yes, it looked very good. It was very good, fantastic!
Bård Tufte Johansen: It was very good. Did something happen to it?
AR: No, I just made it look a bit nicer. HE: He did it after he had start playing. He just decorated it a bit..
He: The one you played now was Sven Nyhus's “Bergrosa”, and you will now play Vivaldi's "Winter" or "L'Inverno", and I wonder, you know I’m the educated one Bård.
BTJ: What? HE: Many people...There are many ways to play Vivaldi. Some are very keen to play authentic, which means real instruments Bård.
BTJ: Yeah, yeah. HE: From back then, and the way it was played at the time, called historical performance practice. You know about that I guess.
AR: Yes BTJ: What, what? HE: Are you concerned about that or are you just concerned that it should look nice.
AR: I'm concerned: you mean the instrument? HE: No, the whole thing - listen now...
BTJ: Do you have a girlfriend? That's what we really want to know. HE: Yes, that's what we really want to know.
AR: If I play on authentic instruments, you mean? HE: In the authentic way that was typical to play on Vivaldi's time back then.
AR: I am trying, but I will not brag about it before I finish playing. I don't like to talk about what I’m going to do before I have done it, in a way.
HE: You have to learn that Bård, not ask about this before the performance.
BTJ: But now he will play. HE: Yes, well, this is Vivaldi's "Winter".
AR: Thank you.
AR: This is the first part of Winter of Vivaldi..
AR: You now heard the first part of Winter from Vivaldi. Let’s take the next song.
AR: Yes. And that's my dad. Okay!