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♪♪
OH, (bleep)!
(growls)
(screeches)
I THOUGHT THIS (bleep) WAS SHUT DOWN.
(growls)
(groans)
MY NAME IS ZAK BAGANS.
I NEVER BELIEVED IN GHOSTS
UNTIL I CAME FACE-TO-FACE WITH ONE.
YOU WANTED US. YOU GOT US.
SO I SET OUT ON A QUEST
TO CAPTURE WHAT I ONCE SAW ONTO VIDEO.
GO, GO, GO!
WITH NO BIG CAMERA CREWS FOLLOWING US AROUND,
I AM JOINED ONLY
BY MY FELLOW INVESTIGATOR NICK GROFF
AND OUR EQUIPMENT TECH AARON GOODWIN.
THE THREE OF US WILL TRAVEL
TO SOME OF THE MOST HIGHLY ACTIVE PARANORMAL LOCATIONS
WHERE WE WILL SPEND AN ENTIRE NIGHT
BEING LOCKED DOWN FROM DUSK UNTIL DAWN.
YOU HAVE REACHED YOUR FINAL DESTINATION--
HELL.
OH! STOP!
(Aaron) HOLY (bleep)!
(Zak) STOP! (bleep) STOP RUNNING!
THESE ARE OUR GHOST ADVENTURES.
Closed Captions provided by Scripps Networks, LLC.
Captioned by Closed Captioning Services, Inc.
LAS VEGAS WAS BUILT BY THE MOB.
AND IF YOU LIVED BY THE MOB,
YOU MAY HAVE JUST DIED BY THE MOB.
(man screaming)
ON BOTH HANDS AND THROW THEM OUT.
WHEN YOU CROSS THAT LINE IS WHEN YOU--YOU'VE GOT TROUBLES.
WHEN IT COMES TO LAS VEGAS RESORT CASINOS,
ONLY ONE NAME STANDS ABOVE THE REST--THE SANDS.
ONLY THE COOLEST OF COOL
PLAYED IN THE RESORT'S COPA ROOM,
INCLUDING THE RAT PACK.
AND THAT IS WHERE
THE MADAME TUSSAUD'S WAX MUSEUM NOW SITS,
AND THAT'S WHERE WE'RE GONNA BE LOCKED DOWN.
LAS VEGAS CONSISTS OF HEAVY DOSES
(whip cracks)
(bells ringing)
AND ALL-AROUND GOOD TIMES.
THESE ARE ACTS OF HIGH EMOTION,
WHICH, IN TURN, CREATE RESIDUAL ENERGY,
WHICH SPIRITS FEED ON.
IN 1996,
THE SANDS AND THE COPA ROOM, WHICH WAS LODGED INSIDE,
WERE IMPLODED.
HOWEVER, ALL OF THE EMOTION
THAT WAS PLAYED OUT IN THE COPA ROOM
WAS NOT GOING TO DISAPPEAR WITH THE FLICK OF A SWITCH.
TODAY, ON THIS VERY SITE STANDS THE VENETIAN HOTEL.
AND WE'RE HERE, BECAUSE SECURITY GUARDS,
STAFF AT THE MADAME TUSSAUD'S WAX MUSEUM
THAT NOW SITS ON THE VENETIAN PROPERTY
RIGHT ON LAS VEGAS BOULEVARD,
ARE EXPERIENCING A TON
OF UNEXPLAINED ACTIVITY INSIDE THERE.
THEY'RE HEARING DISEMBODIED LAUGHTER,
GLASSES CLINKING AND CLINKING TOGETHER,
ALL KINDS OF THINGS THAT WOULD RESEMBLE
WHAT YOU WOULD HEAR IN AN AUDIENCE
BACK IN THE OLD COPA ROOM.
OUR MISSION IS TO CHASE THOSE SPIRITS DOWN.
RIGHT NOW, WE ARE AT THE PLANET HOLLYWOOD
ON THE LAS VEGAS STRIP.
AND WHY AM I STANDING ON THIS STAGE?
BECAUSE I'M AT THE DAVID SAXE THEATER
AND THAT NAME-- DAVID SAXE--
IS VERY SYMBOLIC
WITH WHERE WE ARE GOING TO BE
DOING OUR LOCKDOWN.
HEY. HOW ARE YOU DOIN'?
HOW YOU DOIN', MAN?
YEAH, I WAS BORN AND RAISED HERE.
MY MOM WAS A DANCER IN FOLLIES BERGERE.
MY DAD WAS A BAND LEADER FOR THE RAT PACK.
IT'S WEIRD TO SAY THAT WE'RE GONNA BE INVESTIGATING
MADAME TUSSAUD'S WAX MUSEUM AT THE VENETIAN.
WHY WOULD THAT BE HAUNTED?
BECAUSE OF WHERE IT'S AT.
AND, DAVID, YOU PORTRAY THAT IN YOUR SHOW.
YEAH.
I WORKED THERE.
I WAS--YEAH, I'VE BEEN THERE A LOT.
WE HAD SHOWS THERE. IT WAS A LITTLE CREEPY BACK THEN, TOO.
EVERY TIME MY SISTER WOULD GO OUT ONSTAGE,
THERE'D BE SOMETHING DIFFERENT WITH HER ILLUSIONS.
WAS IT STUFF
OH, YEAH, STUFF THAT COULD KILL HER.
THEY THOUGHT SOMEBODY WAS COMING IN EVERY NIGHT
AND MESSING WITH HER PROPS, SO THEY HIRED SECURITY.
WE COULD NEVER FIND OUT WHAT IT WAS.
WHO THE HELL DID THIS?
IS THAT WHY YOU LEAVE THE GHOST LIGHT ON
I DON'T--I DON'T REALLY BELIEVE IN GHOSTS.
BUT WE LEAVE THE GHOST LIGHT ON.
WE LEAVE IT ON JUST IN CASE.
IT'S FOR THE GHOSTS TO PERFORM WHEN YOU'RE GONE.
SO I DON'T BELIEVE IN ANYTHING,
HOLD ON NOW, DID I JUST HEAR YOU,
DAVID SAXE, SAY THAT YOU DON'T BELIEVE IN GHOSTS?
JUST IN CASE.
IN HIS OWN THEATER HERE, HE LEAVES A GHOST LIGHT ON,
SO THE GHOSTS DON'T MESS WITH THE STAGE, RIGHT?
IT'S OKAY, BRO. DON'T BE IN DENIAL, MAN.
WHEN YOU THINK ABOUT VEGAS,
YOU THINK ABOUT-- IS THAT SMOKE?
WHEN WE'RE DOING THIS,
THAT IS WEIRD.
WEIRD, EERIE, SMOKY FIRES
WHILE WE'RE INTERVIEWING IN THE NEON BONEYARD.
WHAT REALLY INSPIRED THIS SHOW?
GROWING UP HERE, THERE'S A SENSE OF--
FOR THE LOCALS-- LIKE, WHAT VEGAS IS ABOUT--
RAW TALENT, BIG LIVE BANDS, SHOWGIRLS, ELVIS, RAT PACK.
A LOT OF AUDIENCES TODAY JUST DON'T UNDERSTAND
THAT, UH, YOU KNOW, YOU USED TO HAVE TO GET DRESSED UP
TO GO TO A SHOW BACK IN VEGAS. IT WAS A BIG DEAL.
(Zak) THIS SHOW IS PRESERVING
WHAT WE'RE TRYING TO GO BACK AND CONTACT.
(Zac) DID ANY OF THE OLD
MOBSTERS AND STUFF GO TO THE SANDS?
OH, THAT WAS THE HANGOUT. YEAH, OF COURSE.
EVERYTHING WAS MOB-OWNED, MOB-RAN.
AND, UH, NOT THAT I'M ENDORSING THE MOB,
YEAH, I DO, TOO, MAN.
SO DID YOUR DAD--LIKE, WHEN HE WAS WORKING FOR THE RAT PACK...
DID HE EVER HAVE, LIKE, STORIES?
OH, YEAH. OBVIOUSLY, THEY ALL HAD GIRLFRIENDS,
ORDERING THE BOSSES AROUND.
THEY'D WALK IN AND SMACK 'EM UPSIDE THE HEAD
ARE YOU SERIOUS?
THEY DID. THEY RAN IT.
♪♪
I KNOW. OKAY, RIGHT NOW, I HAVE TO DO THIS.
I FEEL THAT A LOT OF HAUNTINGS
ARE PRODUCTS OF A LOT OF EMOTIONS.
EMOTIONS CREATE ENERGY.
AND WHAT PEOPLE KNOW ENERGY BETTER
THAN THESE STAGE PERFORMERS?
(Aaron) HURRY UP. HURRY. HURRY. HURRY UP.
(all) GOOD.
YOU GUYS HAVE THE AWESOME JOBS
OF--OF BEING THEM.
I'M TALKIN' ABOUT REAL VEGAS--
THE RAT PACK.
WE GOT OUR WAY INTO MADAME TUSSAUD'S WAX MUSEUM--
BIG, BIG, HUGE ACCOMPLISHMENT--
BECAUSE THAT IS WHERE
WHO YOU'RE PORTRAYING USED TO PERFORM.
ISN'T THAT WHERE THE--WHERE THE ACTUAL SHOWROOM WAS...
IN THAT LOCATION?
WITH A LOT OF THESE LOCATIONS THAT WE GO TO,
WE SEE THESE METAL PLATES ON THE BUILDINGS--
"HISTORICAL BUILDING. PRESERVE IT.
"LEARN ITS HISTORY.
"APPRECIATE WHAT THIS BUILDING DID
TO THE LAND THAT WE ARE NOW AT."
BUT WHAT DO WE DO IN VEGAS WITH THESE HISTORICAL BUILDINGS
WHERE THE RAT PACK USED TO PLAY?
KNOCKING SOMETHING DOWN WITH THE, UM,
YOU KNOW, QUICKNESS OF AN IMPLOSION LIKE THAT--
OF COURSE THERE ARE GONNA BE SPIRITS
THAT ARE GONNA BE LEFT THERE,
(man) TRAPPED.
AND NOW THEY'RE JUST GONE.
RIGHT NOW, WE'RE GONNA GO TALK TO SOMEBODY
THAT IS REALLY WELL-KNOWN HERE IN LAS VEGAS.
LEGENDARY VEGAS RESIDENT ROBIN LEACH
IS WELL-KNOWN FOR HIS KNOWLEDGE OF ALL THINGS CELEBRITY.
NOT REALLY.
THAT'S RIGHT.
AND THE VENETIAN,
WHERE WE'RE GONNA DO OUR INVESTIGATION, ROBIN,
THAT'S RIGHT.
WHEN WE TRAVEL AROUND, WE GO TO LOCATIONS
THAT PRESERVE THOSE BUILDINGS
AND STAMP 'EM AS HISTORICAL LANDMARKS.
BUT HERE IN VEGAS,
WE JUST KINDA BLOW 'EM UP AND PUT A NEW CASINO THERE.
NO, THEY DON'T.
RIGHT.
(sighs)
THIS IS A FRIEND--YEAH.
DID IT EVER OCCUR TO YOU THAT THE SPIRITS ARE COMING BACK
NO.
YOU WONDER WHETHER THE GHOSTS, OR GHOST SPIRITS,
WHAT DID THEY LOOK LIKE?
THAT IS A LOT OF AWESOME STUFF
PARTICULARLY IN FRONT OF A GIRL IN FISHNETS.
I KNOW. THAT'S THE HARD PART.
WE'VE GOT THIS RECORDED, RIGHT?
NO, I JUST REALLY--
I REALLY LIKE YOUR THEORIES ON THIS STUFF.
AS WE LEFT THE STRIPPER BAR,
NICK DUG THROUGH HIS SECRET STASH OF PHONE NUMBERS,
AND CONTACTED EDDIE MAZZOLA,
AN OLD-SCHOOL LAS VEGAS JEWELER
THAT KNOWS OF VEGAS'S DARKNESS AS WELL AS ITS GLITTER.
EDDIE WILL HELP US GET A FEEL
FOR WHAT A MOB-RUN SANDS-ERA VEGAS WAS ALL ABOUT.
HE SAID, YEAH, HE'LL MEET US.
THEY'LL MEET US AT AN ITALIAN RESTAURANT THAT I SAW
(Zak) YOU SAID "THEY." WHO'S THEY?
WELL, EDDIE AND, UH, THIS GUY ANTHONY.
I KNOW 'EM THROUGH, UH, A GUY I KNOW.
WHAT IF I ASK THE WRONG QUESTION?
WELL, DON'T ASK THE WRONG QUESTION.
IS THERE A WRONG QUESTION? THAT'S WHAT YOU GOTTA
PUT IN YOUR HEAD BEFORE YOU TALK, YOU KNOW?
(Zak) IS IT TRUE-- YOU GO INTO A CASINO
BACK IN THE '60s AND '70s,
(man) OH, YOU'D BE DONE.
THEY WOULD PUT THE MAN'S HANDS ON THE TABLE,
BREAK FINGERS IN BOTH HANDS, AND THROW HIM OUT.
♪♪
SO WE'RE AT AN OLD ITALIAN RESTAURANT HERE
SERGIO'S, YEAH.
IT DID.
NICK SCORED BIG-TIME.
HE'S HOOKED US UP WITH TWO CLOSE FRIENDS
OF LEGENDARY VEGAS KINGPIN ANTHONY SPILOTRO.
SPILOTRO'S EXPLOITS ARE SO STORIED,
HE WAS THE INSPIRATION FOR JOE PESCI'S BRUTAL CHARACTER
IN MARTIN SCORSESE'S VEGAS CLASSIC "CASINO."
SPILOTRO LITERALLY RAN VEGAS FOR YEARS
BEFORE POLICE FOUND HIM
AT THE BOTTOM OF A SHALLOW GRAVE
IN AN INDIANA CORNFIELD IN 1986.
WE'RE ABOUT TO SPEAK
TO SPILOTRO'S JEWELER EDDIE MAZZOLA
AND A CLOSE FRIEND OF SPILOTRO'S
ANTHONY DeLULIO.
OUR INTENTIONS ARE TWOFOLD--
TO GET INSIDE BOTH THE HEADS OF THE MOBSTERS
THAT RULED THE SANDS AS WELL AS THEIR VICTIMS.
YEAH.
YEAH, THEY'RE IN THE BACK.
EDDIE, GOOD TO SEE YOU AGAIN.
HOW YOU BEEN?
HEY, EDDIE, GOOD TO SEE YOU AGAIN.
WE KNOW THE SANDS WAS OPENED UP THROUGH THE MOB.
UH, WE KNOW THAT VEGAS WAS REALLY BUILT BY THE MOB.
AND I KNOW I CAN'T ASK YOU EVERYTHING THAT YOU EXPERIENCED,
BUT AS MUCH AS WE COULD SEE THROUGH YOUR EYES,
(speaking indistinctly)
OH, REALLY? OKAY.
UH, DID YOU WORK WITH SPILOTRO, FOR HIM, WITH HIM?
YOU KNEW HIM.
YEAH, I JUST KNEW HIM AS A FRIEND.
I PLAYED GIN WITH HIM 'TIL 3:00 OR 4:00 IN THE MORNING.
HE CHEATS LIKE CRAZY, BUT... SO NOW, I START CHEATIN'.
SO YOU WOULD CHEAT AGAINST TONY SPILOTRO.
HE'S MY--
THIS IS MY HERO-- HE CHEATED AGAINST TONY SPILOTRO, WOW.
WELL THEY WERE GOOD FRIENDS.
NOT TOO MANY PEOPLE WHO COULD CHEAT AGAINST HIM.
NO, I WAS A PRETTY GOOD FRIEND, I GOT PRETTY CLOSE TO HIM.
HOW DID HE TREAT HIS FRIENDS, GOOD?
AND WHAT ABOUT HIS ENEMIES?
GREATER.
IS IT TRUE, THE CLICHE,
YOU GO IN A CASINO BACK IN THE '60s AND '70s,
YOU GET CAUGHT CHEATING, AND YOU'RE WHACKED?
YOU WOULD GET TOSSED OUT PRETTY QUICK--
NOT OUT OF THE PLACE, OUT OF TOWN--PRETTY QUICK...
YOU KNOW, WITH A GOOD BEATIN'.
BUT, UH, OH, YOU'D BE DONE.
(Nick) DID THAT HAPPEN-- A LOT OF GUYS COME BACK
NOT TOO MANY CAME BACK.
(Zak) YEAH.
THERE'S AN IMAGINARY LINE THERE
THAT YOU DON'T CROSS FOR NOTHIN'--FOR NOTHIN'.
YOU KNOW, AND WHEN YOU CROSS THAT LINE
IS WHEN YOU-- YOU'VE GOT TROUBLES.
I'M 60 YEARS OLD.
I FEEL LIKE I HAVE NEVER CROSSED THAT LINE,
MM-HMM.
I BELIEVE PEOPLE THAT CROSS THAT LINE...
ARE NOT HERE ANYMORE.
RIGHT.
BACK TO THEN?
AND LIVING 40 YEARS AGO IN VEGAS--
IT'S HORRIBLE.
IT'S HORRIBLE.
ALL RIGHT, SO BACK THEN, IT WAS MORE ORGANIZED.
IT WAS MORE-- ANY THUGS COMING IN...
THEY'D BE HANDLED, BECAUSE IT WOULDN'T HAPPEN.
THERE WASN'T TOO MANY THAT DID MOVE IN.
YOU KNOW WHAT I MEAN? YOU WEREN'T JUST GONNA COME HERE
AND DO WHAT YOU WANTED TO DO. YOU WEREN'T GONNA MAKE IT.
ANTHONY, DID YOU WORK DIRECTLY IN THAT DEPARTMENT?
UH...
OR AS MUCH AS YOU CAN TELL US.
KIND OF. YEAH, I WAS, UH...
I WAS, UH, KIND OF A RENEGADE WHEN I WAS YOUNGER.
100%
100%?
YEAH, 100%. PEOPLE THAT ARE COMING TO THE TOWN,
THE FIRST THING THEY ASK--
IF YOU TRY TO DO BUSINESS,
MM-HMM.
RIGHT. RIGHT, RIGHT.
WHY WOULD YOU THINK THAT THERE WOULD BE GHOSTS
AT THE SITE OF THE OLD SANDS HOTEL?
JUST THE FELLAS GETTIN' BACK TOGETHER,
YEAH?
DO YOU BELIEVE IN GHOSTS?
DO YOU?
YEAH-- THEY THINK YOU'RE CRAZY WHEN YOU SAY THAT,
BUT I MEAN, I FEEL THAT I'VE FELT PEOPLE BEHIND ME.
I BELIEVE IT 100%.
WHAT WOULD YOU DO IF YOU CAME INTO CONTACT
I'D RUN.
RUN.
WHAT DO YOU FEAR?
DO YOU?
IT'S CRAZY, MAN. YOU NEVER KNOW WHO IS...
FEARFUL OF-- OF GHOSTS...
WHO DOESN'T BELIEVE IN 'EM,
OH, I-I BELIEVE IN 'EM.
MIGHT BE AN ENEMY.
YOU KNOW, I DON'T KNOW WHO IT IS.
IT'S, UH, MIGHT BE EDDIE.
TALK TO EDDIE. IS EDDIE HERE?
YEAH, YOU'RE REAL.
I DON'T KNOW. OH, MAN.
I'D ABOUT TO (bleep) MYSELF RIGHT NOW, AND I'D BE LIKE...
"ANTHONY, TAKE CARE OF THIS GUY OVER HERE."
I DON'T KNOW, MAN.
WE FEEL THAT WE FINALLY HAVE ENOUGH BACKGROUND INTELLIGENCE
TO HEAD TO TONIGHT'S LOCKDOWN LOCATION--
MADAME TUSSAUD'S WAX MUSEUM.
I WANT TO SPEAK TO A MOB EXPERT
ON THE ACTUAL GROUNDS THAT DECEASED MOB MEMBERS
AND THEIR VICTIMS MAY STILL BE VISITING
TO LOOK FOR A PARTY OR RELIVE THEIR FINAL HOURS.
AS FAR AS THE MOB AND VIOLENCE ASSOCIATED WITH THE MOB,
A LOT OF IT ORIGINATED AT THE SANDS.
IF THEY CAUGHT CARD CHEATS, THE CASINO HOST,
(Zak) RIGHT.
(man grunts)
WHEN THEY GOT TO THE MANAGER'S OFFICE,
(loud smack)
(man screaming)
AND WE LEARNED FROM, UH, ANTHONY TODAY THAT
THAT IS CROSSING THE LINE.
WHEN YOU CROSS THAT LINE IS WHEN YOU--YOU'VE GOT TROUBLES.
WHEN THERE WAS INTERNAL THEFT,
WHAT THEY WOULD DO IS TAKE THEM OUT IN THE DESERT,
ROUGH 'EM UP A LITTLE BIT, STRIP 'EM NAKED.
IF YOU MAKE IT BACK SOMEWHERE TO A CITY, FINE.
IF YOU DON'T, THEY'LL FIND YOUR BONES OUT HERE SOME YEAR.
AND, UH, I ASKED THE FELLOW,
I SAID, "WELL, DID YOU GO BACK LATER AND CHECK ON HIM,
YOU KNOW, GIVE HIM A COUPLE HOURS IN THE SUN, THEN GO OUT?"
HE SAID, "NO." HE SAID, "WE NEVER CHECKED,
'CAUSE WE DIDN'T CARE WHAT HAPPENED TO HIM."
HE SUSPECTED THEY PROBABLY ENDED UP CHANGING THEIR NAMES
AND DIDN'T EVEN WANT ANYBODY TO KNOW THEY WERE STILL ALIVE,
AFRAID THERE WOULD BE A FOLLOW-UP VISIT, SO, UH...
SOME DISAPPEARANCES.
IT'S REALLY WEIRD,
BECAUSE AS I'M LOOKING AT YOU,
I DON'T KNOW IF SHE'S REAL.
THESE ARE SO REALISTIC.
(chuckling)
YOU ARE LOOKIN' HOT TODAY, GIRL.
NOW THE THING IS--
IS THAT IF YOU'RE A LOST SOUL,
AND YOU'RE STILL SEARCHING FOR YOUR BODY,
WHAT IF SOME OF THE WAX FIGURES THAT ARE HERE ON DISPLAY
MM-HMM. MM-HMM.
THEY WANT TO COME BACK AND MAYBE REPOSSESS THEIR OLD BODY?
WELL, IT TIES IN
TO MADAME TUSSAUD HERSELF, YOU KNOW?
HER WHOLE HISTORY BEGAN WITH THE FRENCH REVOLUTION.
WHEN THE KING FELL, SHE WAS KIND OF FORCED INTO DUTY
TO GO INTO THE-- THE PILES OF BODIES
(slicing sounds)
WE DO HAVE DEATH MASKS,
SO IF YOU'D LIKE TO SEE SOME OF THOSE,
DO YOU WANT TO GO SEE THOSE?
SHE'S A BIG FAN OF 'EM. YEAH, I KNOW.
I KNOW.
THAT'S RIGHT. THAT'S TRUE, YEAH, EXACTLY.
DEATH MASKS ARE PLASTER CASTS
THAT ARE MADE FROM FRESH CORPSES
THAT WERE MEANT TO CAPTURE THE LOOK ON A PERSON'S FACE
AT THE VERY MOMENT OF THEIR PASSING.
SO SHE WAS FORCED TO GO THROUGH THESE BODIES AND HEADS
AND FIND THESE PEOPLE.
AND, YOU KNOW, IT WASN'T A VERY PLEASANT EXPERIENCE FOR HER.
THIS IS ACTUALLY A TRIBUTE OF MADAME TUSSAUD'S HISTORY
DEATH MASKS.
YEAH, YEAH.
BUT THIS IS THE CURRENT INCANTATION OF IT--
RIGHT.
ALL RIGHT, FIRST PERSON WHO JUMPS
(Chris laughs)
(growls)
(Nick) ZAK'S THE FIRST ONE!
THAT'S THE FIRST!
IT WAS A POSE.
(groaning)
OH, (bleep)!
GOOSE 2! GOOSE 2!
(snarling)
YOU MAY HAVE JUST SAW ME
KURT.
KURT.
(Aaron) WHAT THE (bleep)?
I THOUGHT THIS (bleep) WAS SHUT DOWN, MAN. GOD.
I HIT IT, BUT IT'S SUPPOSED TO BE SHUT DOWN.
THAT'S NUMBER 3!
THAT'S NUMBER 3!
HAVE YOU EXPERIENCED THINGS IN THIS MAZE
TONS OF STUFF.
EARLY ON IN THE SHOW, OUT OF THAT BATHROOM RIGHT OVER THERE
MARCHES OUT THIS OLDER GENTLEMAN
UH-HUH.
COMES WALKIN' RIGHT BY AND GOES...
FULL GHOST?
THAT'S THE-- THAT'S THE MOTHER LODE.
THAT'S--THAT'S THE HOLY GRAIL TO SEE.
MM-HMM.
JUST KINDA... (groans)
THE NEXT THING I KNOW, SOMETHING TAPS ME
(snarling)
BACK HERE, I SEE AN OLD MAN
WITH, UH, GREEN PANTS, WHITE SHIRT.
HMM.
AND I'M GOING, "NAH."
SO THE NEXT DAY, A GENTLEMAN WHO DOESN'T WORK HERE ANYMORE--
WE BOTH SEE THIS GUY COMING UPSTAIRS
WOW.
SO WHAT YOU SAW--
THIS GUY WITH THE GREEN PANTS AND WHITE SHIRT--
YEP. YEP.
NOW WHAT EXACTLY HAPPENED TO YOU IN THIS ROOM?
(Stephanie) ABOUT SIX YEARS AGO,
THEY RECONSTRUCTED THIS ROOM.
IT WAS VERY DARK AND DUSTY.
ONE NIGHT, I WAS CLOSING,
AND I HAD A COUPLE OTHER MANAGERS WITH ME,
AND I WAS DOWN IN THE RETAIL AREA.
AT CLOSING EVERY NIGHT, WHEN WE GET THE LAST GUEST TO LEAVE,
WE NORMALLY CALL OVER THE RADIO TO LET THE OTHER MANAGER KNOW.
AND AS I SAID THAT, I HEARD SOME MUSIC IN THE BACKGROUND.
YOU'RE NOT GONNA BELIEVE THIS.
IF YOU COULD GET DOWN HERE NOW, PLEASE.
IT WAS FAINT AT FIRST. AND IT GOT LOUDER AND LOUDER.
AS I APPROACHED THE DOORS HERE,
I REALIZED THAT IT WAS THE VOICE OF ELVIS.
SO WE APPROACHED THE DOOR. WE ACTUALLY OPENED THE DOOR.
AND WHEN WE DID, THERE WAS A VERY COLD CHILL,
VERY, VERY, VERY DARK,
AND ELVIS WAS SINGING LOUDER THAN EVER.
YES, HE DID.
YEAH.
THIS IS LIKE, UH,
YOU KNOW HOW MANY ELVIS, LIKE, ENTHUSIASTS
WOULD'VE LOVED TO BE IN YOUR BLUE SUEDE SHOES
OH, GOSH.
I MEAN, THEY WOULD'VE LOVED THAT.
YES.
(indistinct conversation)
(glasses clinking)
OR THEY WERE DRINKING ALMOST LIKE THEY WERE IN A LOUNGE.
MAYBE AT THE SANDS-- I DON'T KNOW.
THE COPA ROOM.
SO IT WAS LIKE YOU WERE HEARING THOSE RESIDUAL SOUNDS
OF THESE PEOPLE HAVING FUN.
(Aaron) YOU KNOW WHAT'S CRAZY?
THEY USED TO GET DRESSED UP IN THIS AREA,
AND NOW THEY HAVE A STATUE IN THIS AREA.
AND SO, LIKE, THEY PROBABLY DO COME BACK
YEAH.
AND YOU KNOW WHAT, AARON?
YEP.
TO TRIGGER THE SPIRITS TO THOSE OBJECTS,
WELL, NOW WE KNOW.
NOT ONLY ARE WE IN THE SAME AREA WHERE THE COPA ROOM USED TO BE
FROM THE SANDS,
BUT WE HAVE THREE PEOPLE BEHIND ME THAT ARE DECEASED
THAT USED TO PLAY IN THE COPA ROOM.
WE HAVE A LOT OF HISTORY WITH THE SANDS
THAT WAS BLOWN UP ON THIS SITE.
AND IF THERE ARE SOULS HERE,
WHETHER IT BE RESIDUAL OR INTELLIGENT,
OH, YEAH.
YES.
YEAH, THAT'S RIGHT.
♪♪
(beep)
(cheers and applause)
(Zak) THAT'S WHAT I JUST HEARD.
♪♪
IT'S TIME TO GET LOCKED DOWN
INSIDE MADAME TUSSAUD'S WAX MUSEUM.
AND, UH, ALL THREE OF US BEING LOCALS OF LAS VEGAS,
MAN, THIS IS ICONIC IN ITSELF.
THIS SITE WAS THE SITE OF THE OLD SANDS HOTEL,
WHERE THE RAT PACK, ELVIS PRESLEY, JUDY GARLAND--
THEY USED TO PERFORM IN THE COPA ROOM
WHERE THIS NOW SITS.
NOW IT'S JUST A MEMORY, LITERALLY--A PHYSICAL MEMORY,
(Chris) YEAH.
BUT A LOT OF STUFF HERE-- WE TALKED TO CHRIS EARLIER,
WHO'S THE MANAGER HERE OF SHOW SERVICES--
YEAH.
SOME OF THE PEOPLE THAT WORK IN THERE HAVE HAD EXPERIENCES.
A LOT OF PEOPLE, SO WE ARE GONNA DO OUR BEST
TO TRY AND DOCUMENT YOUR EXPERIENCES
YEAH, WELL, WE'RE LOOKING FORWARD TO SEEING
THANK YOU SO MUCH.
OKAY.
ALL RIGHT, WE'RE READY TO START OUR INVESTIGATION.
ALL LIGHTS ARE OFF. IF YOU WANT TO SEE
HOW ABSOLUTELY DARK IT IS IN HERE,
THEN JUST LOOK AT AARON'S P.O.V. CAMERA RIGHT THERE,
BECAUSE THAT POINT-OF-VIEW CAMERA
THAT'S ON HIS SHOULDER
IS SHOOTING JUST IN REGULAR VISION.
HERE ON THE FIRST FLOOR, WE DECIDE TO SET UP
TWO STATIC NIGHT VISION CAMERAS,
ONE IN THE VIVA LAS VEGAS ROOM
AND THE OTHER COVERING THE STAIRCASE
WHERE WE ALSO SET UP REM PODS THAT WILL ALARM
WHEN THEY DETECT THE PRESENCE OF ELECTROMAGNETIC ENERGY,
WHICH GHOSTS ARE SAID TO BE MADE UP OF.
GUYS, LET'S JUST START OFF-- JUST WALK AROUND.
LET'S USE OUR BODIES
TO TRY AND PICK UP ON ANY TYPE OF ENERGIES,
'CAUSE WHEN THAT HAPPENS, WE'VE GOTTEN E.V.P.s RIGHT AWAY.
AND, UH, AND READINGS ON OUR SCIENTIFIC EQUIPMENT
GO.
WE'RE NOW HEADING UP TO THE SECOND FLOOR,
WHERE EARLIER, WE LEARNED THAT THERE ARE SEVERAL WAX FIGURES
THAT REPRESENT PEOPLE WHO HAVE RECENTLY PASSED AWAY.
WE INTERVIEWED ROBIN LEACH TODAY,
AND HE HAD A GOOD POINT ABOUT SOME OF THESE WAX FIGURES.
DID IT EVER OCCUR TO YOU THAT THE SPIRITS ARE COMING BACK
TO SEE WHAT THEY USED TO LOOK LIKE?
(Nick) IT'S SO HARD TO SEE IN HERE.
IT'S LIKE A MAZE.
(laughter)
WHAT THE HELL?
THAT--THAT'S WHAT I HEARD.
THAT'S WHAT I JUST HEARD.
WE BELIEVE THAT WHAT AARON JUST HEARD
WAS ALSO CAPTURED ON OUR STATIC NIGHT VISION CAMERA
COVERING THE STAIRCASE.
WHAT MAKES THIS EVEN MORE INTERESTING
IS THAT RIGHT AFTER THE LAUGH IS CAPTURED,
ONE OF OUR REM PODS BEGINS TO LIGHT UP,
DETECTING A PRESENCE OF ELECTROMAGNETIC ENERGY.
IS THERE SOMEONE LAUGHING AT US?
AND THAT LAUGHTER
IS WHAT WE'RE TRYING TO CAPTURE,
BECAUSE THAT LAUGHTER
I DON'T THINK IS LAUGHING AT US.
I THINK THE LAUGHTER IS RESIDUAL
FROM WHAT YOU WOULD HEAR IN THE COPA ROOM
FROM SAMMY DAVIS JR. MAKING A JOKE
AND THE AUDIENCE LAUGHING.
MAYBE THE EMOTIONS,
THOSE MOMENTS,
ARE STILL HERE,
AND THAT'S THE LAUGHTER THAT WE MAY HAVE JUST HEARD.
DID THE MAFIA TIE YOU UP?
(electronic voice) CONTRACT.
"CONTRACT." HOLY (bleep).
♪♪
(Zak) WE'RE AT MADAME TUSSAUD'S WAX MUSEUM IN LAS VEGAS,
AND WE'RE JUST SETTLING IN FOR A LONG NIGHT
AMONGST THE WAX LIKENESS OF MANY DECEASED CELEBRITIES.
IT'S WEIRD. I JUST HAVE, LIKE, THAT FEELING
LIKE SOMETHING'S FOLLOWING US.
(Zak) TAKE OFF NIGHT VISION.
(Aaron) DAMN, DUDE, IT LOOKS LIKE WE'RE GOING TO THE WAR.
OH, MY GOSH, GUYS.
IT'S JUST A VERY EERIE FEELING
BEING IN HERE,
KNOWING SOME OF THESE WAX FIGURES ARE DEAD NOW,
AND KNOWING THAT A LOT OF THESE FAMOUS PEOPLE IN HERE
HAVE COME THROUGH THIS MUSEUM
AND HAVE LOOKED AT THEIR OWN WAX FIGURES IN THEIR EYES,
INCLUDING MICHAEL JACKSON.
I'M GONNA PLACE
THIS RECORDING DEVICE
ON THE TABLE.
I'LL TELL YOU WHAT,
I'VE GOT SOME CASINO CHIPS HERE FROM THE SANDS.
OKAY, I BELIEVE THESE ARE FROM THE 1960s
(recorder clicks)
I'M ALSO GONNA USE THIS E.M.F. DETECTOR.
I'M GONNA PLACE IT NEXT TO THE CASINO CHIPS
AND NEXT TO THE DIGITAL RECORDER.
YOU'LL SEE RIGHT NOW THAT IT'S BASICALLY LYING AT A 0.0.,
(device beeping)
TO THIS ANTENNA LIKE THIS,
IT'LL MAKE THAT NOISE.
(beeping stops)
I'LL GIVE YOU THESE CASINO CHIPS,
FREE AND CLEAR.
ALL YOU GOTTA DO IS WALK OVER TO 'EM.
CAN YOU COME OVER AND GRAB THOSE CASINO CHIPS
OR SAY SOMETHING TO US?
WHAT?
I THOUGHT I HEARD MUSIC.
NO, THERE'S NOTHING ON.
THIS WHOLE PLACE. THAT'S--
(device beeping)
THIS ALARM IS INDICATING
THAT SOMETHING WITH ENOUGH ELECTROMAGNETIC ENERGY
JUST CAME NEAR THESE CASINO CHIPS
AND INTERRUPTED THE ELECTROMAGNETIC FIELD
BEING GENERATED BY THE ANTENNA.
DID A SPIRIT JUST PUT ITS ARM OUT IN AN ATTEMPT
TO GRAB THE OLD SANDS CHIPS?
ARE YOU OVER HERE?
WHOA, WHOA, WHOA, WHOA!
WHOA, WHOA, WHOA, WHOA!
WHOA, WHOA, WHOA, WHOA!
GO AHEAD.
TALK INTO THAT RECORDER.
ARE YOU PART OF THE MAFIA?
WERE YOU KILLED BY THE MAFIA?
WE RECEIVE NO UNEXPLAINED VOICES
ON THE DIGITAL RECORDER,
SO WE DECIDE TO HEAD DOWNSTAIRS
WHERE WE WERE EARLIER TOLD THAT THE MAJORITY
OF THE UNEXPLAINED ACTIVITY OCCURS.
WE'RE ALSO GOING TO BEGIN USING A NEW PIECE OF EQUIPMENT,
THE OVILUS II, WHICH CONTAINS A PHONETIC GENERATOR
THAT SPIRITS CAN MANIPULATE AND CHOOSE SPECIFIC WORDS
BY USING THEIR ENERGY.
(Nick) IS THERE SOMEONE IN THIS ROOM?
(electronic voice) NOAH.
WHAT DID IT SAY?
"NOAH"?
NOAH.
NOAH.
WHAT DID IT SAY?
I DON'T KNOW.
I'M TRYING TO FIGURE IT OUT.
IS YOUR NAME NOAH?
IS THERE ANY PERFORMERS
GETTING READY IN THIS ROOM?
DID YOU USED TO COME TO THE SANDS?
WHO IS YOUR FAVORITE PERSON TO SEE AT THE SANDS?
RAT PACK, SAMMY, FRANK,
JUDY GARLAND--
GIVE US A NAME OF WHAT SOUND YOU LIKED, NOAH.
WE INTERVIEWED A LADY EARLIER
WHO HEARD ELVIS PRESLEY SINGING IN HERE
WHEN EVERYTHING WAS CLOSED.
(Stephanie) AS I APPROACHED THE DOORS HERE,
I REALIZED THAT IT WAS THE VOICE OF ELVIS.
WHO WAS JUST TALKIN' TO US?
CAN YOU SAY SOMETHING ELSE?
WHAT IS THIS?
KEEP GOING IN. MAKE A RIGHT.
WHAT DID IT SAY?
CORNER.
TIED.
"TIED."
DID YOU GET CAUGHT PLAYING IN THE CORNER,
AND NOW YOU-- AND THEN YOU GOT TIED UP?
WHAT HAPPENED WHEN YOU GOT TIED UP?
DID THE MAFIA TIE YOU UP?
CONTRACT.
(Nick) UM, IT'S A HIT. A CONTRACT IS A HIT.
LIKE, I'M GONNA PUT A CONTRACT OUT ON SOME RANDOM GUY
FOR DOING SOME BAD THING, YOU KNOW,
LIKE CROSSING A LINE AND (bleep).
SO, NOAH, DID SOMEONE PUT A CONTRACT HIT ON YOU?
YOU GOT CAUGHT PLAYING IN THE CORNER.
WHAT HAPPENED AFTER YOU GOT TIED UP?
A CAVE.
WHAT HAPPENED AT THAT CAVE?
YEAH, YEAH.
OSCAR GOODMAN BEHIND ME.
WHAT HAPPENED AFTER YOU GOT TAKEN TO THE CAVE?
NOAH, TALK TO US. YOU'RE DOING GOOD.
"DIG." IT SAYS "DIG."
DID THEY MAKE YOU DIG YOUR OWN GRAVE?
YOUR THROAT?
DID THEY STRANGLE YOU?
THEY--THEY TOOK YOU TO A CAVE.
THEN THEY MADE YOU DIG.
LASH.
"LASH." LIKE, DID YOU GET LASHED?
DID YOU DIE?
OR DID THEY LEAVE YOU THERE?
"ALIVE."
HOLY (bleep).
WERE YOU STILL ALIVE WHEN THEY LEFT YOU IN THE CAVE?
THAT'S A LOT OF MOBSTERS, YOU KNOW?
LIKE TONY SPILOTRO-- HIM AND HIS BROTHER
WERE--WERE LEFT ALIVE BURIED IN THE DITCH.
REMEMBER THE GUY DENNY WAS TELLIN' US--'MEMBER?
YEAH.
UH, ROUGH 'EM UP A LITTLE BIT, STRIP 'EM NAKED.
IF YOU MAKE IT BACK SOMEWHERE TO A CITY, FINE.
IF YOU DON'T, THEY'LL FIND YOUR BONES OUT HERE SOME YEAR.
AND I GOT ENERGIZED OVER THIS, MAN.
THE MORE AND MORE I STARTED SAYING THESE WORDS
AND PIECING IT TOGETHER,
THE MORE ENERGY I STARTED FEELING.
(Zak) AS WE PIECED TOGETHER ALL OF THE WORDS
SPOKEN BY THIS DEVICE,
WE RECALLED THE COUNTLESS SIGHTINGS
IN THIS EXACT SPOT
MADE BY THE STAFF AND SECURITY WHO HAVE SEEN AN APPARITION
WEARING GREEN PANTS AND A WHITE SHIRT
FROM THE '70s ERA.
WE NOW WANT TO DISCOVER IF THIS APPARITION IS NOAH,
WHO WE BELIEVE WAS CAUGHT PLAYING IN THE CORNER
WITH SOMETHING WE HAVE YET TO FIGURE OUT,
WHETHER IT WAS COUNTING CARDS OR STEALING MONEY
OR HAVING AN AFFAIR WITH A MOBSTER'S WOMAN.
WE LEARNED EARLIER FROM SOMEONE THAT WAS AFFILIATED
WITH THE MAFIA BACK IN THAT TIME
DOING SOMETHING LIKE THIS WAS A NO-NO.
WHEN YOU CROSS THAT LINE IS WHEN YOU--YOU'VE GOT TROUBLES.
AFTER NOAH GOT CAUGHT,
THERE WAS A CONTRACT HIT TAKEN OUT ON HIM.
THEN HE WAS TIED UP AND TAKEN TO A CAVE
WHERE HE WAS FORCED TO DIG HIS OWN GRAVE.
THEY LASHED HIM AND STRANGLED HIM BY THE THROAT
BUT LEFT HIM ALIVE,
ALTHOUGH WE FEEL HE NEVER MADE IT OUT OF THAT AREA.
(Aaron) OH, CRAP.
CAN YOU DO ANYTHING TO SHOW ME YOUR PRESENCE HERE?
OR A--SOMETHING JUST WENT THROUGH MY BODY.
♪♪
WE'RE AT MADAME TUSSAUD'S IN LAS VEGAS,
AND WE'RE ABOUT TO DIVIDE AND CONQUER.
ALL RIGHT, RIGHT NOW, UH, THE THREE OF US
ARE GONNA GO BY OURSELVES AND DO SEPARATE THINGS.
AARON, FIRST, WHY DON'T YOU GO BY YOURSELF
OKAY.
BECAUSE YOU LOOK LIKE THE BALD GUY
THAT WE INTERVIEWED TODAY THAT GOT TAPPED ON THE HEAD.
SO SEE IF YOU CAN BE THE BALD GUY
AND GET TAPPED ON YOUR HEAD.
WHILE AARON'S IN THE SCREAM MAZE,
I'M GONNA STAY DOWN ON THIS LEVEL HERE
DOWN IN THIS ROOM AND DO SOME, UH, THERMAL IMAGING CAMERA.
WHILE WE'RE DOWN HERE, NICK, YOU GO UPSTAIRS.
YOU'VE GOT ALL THAT HUGE AREA BY YOURSELF.
(Nick) YEP, COOL.
LET'S GO. LATER, DUDE. HAVE FUN.
(footsteps)
(Nick) IT'S CREEPY WALKING UP HERE IN PITCH DARKNESS.
YOU CAN'T EVEN SEE WHERE YOU'RE GOING.
WE'RE ROLLING MY DIGITAL RECORDER,
ROLLING.
HOPEFULLY, I CAN CAPTURE SOME E.V.P.s
OR ELECTRONIC VOICE PHENOMENA ON THIS THING.
I'M HOPING IT'S SOMETHING GOOD,
LIKE, MAYBE, UH, I DON'T KNOW, PERFORMERS HERE,
AND, UH, HOPEFULLY, NOTHING TOO EVIL OR BAD.
HERE WE GO.
AS I SCAN THE SPIRIT OF AMERICA ROOM
WITH MY THERMAL IMAGING CAMERA,
I'M LOOKING FOR HOT OR COLD TEMPERATURE SIGNATURES,
WHICH SPIRITS CAN CREATE WHEN MANIFESTING THEMSELVES.
ALL RIGHT, I'M GONNA WALK AROUND,
TAKE SOME INFRARED DIGITAL STILL PICTURES,
SEE WHAT WE CAN GET UP HERE,
(device beeps)
IS ANYONE UP HERE?
(beeps)
ARE YOU GETTING READY FOR THE COPA ROOM,
TO GO DOWN THERE
AND GET READY TO GO ON AND PERFORM ONSTAGE?
(Aaron) SEE, I DON'T KNOW IF I LIKE THAT.
LOOK HOW REAL...
DO YOU KNOW YOU'RE MADE OF WAX?
ANY WAX FIGURE
EVEN MOVES OR COMES AT ME,
I'M GETTING A LIGHTER,
AND I'M MELTING THEIR BUTT QUICK.
YOU GOT THAT?
RECEIVING NO UNEXPLAINED TEMPERATURE SPIKES
IN THE SPIRIT OF AMERICA ROOM,
I HEAD INTO THE VIVA LAS VEGAS ROOM.
DURING THE DAYS OF THE SANDS HOTEL,
THIS IS RIGHT WHERE
THE LEGENDARY COPA ROOM USED TO SIT.
(Nick) THIS PLACE IS PRETTY BIG,
A COUPLE FLOORS.
SHAQ.
OH, COMPLETE DARKNESS.
HERE'S WHAT I'M SEEING RIGHT NOW--
TAKE IT OFF NIGHT VISION--
THAT'S EXACTLY WHAT I'M SEEING RIGHT NOW
AS I WALK THROUGH THIS CREEPY HALLWAY.
(device beeps)
(Aaron) CAN YOU TAP ON MY HEAD,
LIKE YOU DID THAT ONE MAN'S?
(Kurt) NEXT THING I KNOW, SOMETHING TAPS ME
ON THE BACK OF MY BALD HEAD.
(Aaron) OH, CRAP.
WHAT DO YOU GOT HERE?
MMM, LOOKS LIKE DINNER.
RIGHT, SIR?
THIS IS, UH...
ARE THERE ANY SPIRITS HERE THAT ROAM AROUND
AND LIKE TO, UH, SCARE PEOPLE?
DO YOU GET A KICK OUT OF THAT-- SCARING PEOPLE
INSIDE THIS, UH, LITTLE SCREAM PART?
DO YOU GET A KICK OUT OF GETTING--
FEEDING OFF OF THEIR EMOTIONS?
CAN YOU DO ANYTHING TO SHOW ME YOUR PRESENCE HERE
OR A S--
WHOA.
SOMETHING JUST WENT THROUGH MY BODY.
LIKE, THAT WASN'T-- IT WAS, LIKE...
(exhales sharply)
ALL RIGHT, I-I KNOW SOMETHING'S HERE. I CAN FEEL IT.
WHY DO YOU GET A KICK OUT OF SCARING PEOPLE?
WERE YOU A BAD SPIRIT BACK IN THE DAY,
AND THAT'S WHAT YOU DID?
YEP, IT'S ZAK,
STILL HERE WITH THE THERMAL,
AND CAPTURING NOTHING BUT WAX FIGURES.
BUT THAT'S OKAY, BECAUSE NICK AND AARON
ARE SOON TO CAPTURE TWO PIECES
OF COMPELLING EVIDENCE.
LET'S LISTEN TO THIS FIRST.
(laughing)
NICK CAPTURED THE PHOTO UPSTAIRS--
PANTS AND THE SHIRT.
I THINK THERE'S SOMETHING GOING ON HERE
THERE IS NO DOUBT.
♪♪
WE'RE AT MADAME TUSSAUD'S WAX MUSEUM IN LAS VEGAS,
AND NICK IS FEELING SOMETHING OR SOMEONE IN HIS PRESENCE.
(Nick) A LITTLE NOISE RIGHT THERE.
IS THERE SOMEONE BACK THERE? I'LL GO RIGHT TO IT.
WHEN I HEAR NOISES, I'M GONNA GO RIGHT TO 'EM.
I'M NOT GONNA RUN AWAY.
YOU HEAR ME?
(device beeps)
AS NICK IS WALKING AROUND THIS ROOM SNAPPING PICTURES,
(beeps)
WHERE YOU CAN MAKE OUT A TRANSPARENT FIGURE
STANDING BEHIND THE RAIL AT THE BASE OF THESE STAIRS
WEARING WHAT LOOKS TO BE DARK PANTS AND A WHITE SHIRT.
YOU CAN SEE A VERY DISTINCT WAISTLINE, LEGS,
AND ARMS THAT ARE BEING HELD TOGETHER BEHIND THE BACK
IN A GUARD OR SECURITY-TYPE POSE,
AS IF PROTECTING SOMEBODY IMPORTANT.
THE MOST INTERESTING PART
IS THAT WHEN WE SEARCHED THROUGH OUR VIDEO
AND FOUND A SIMILAR ANGLE,
THERE WERE NO WAX FIGURES IN OR AROUND THIS SPOT.
IS THIS THE GREEN-PANTED, WHITE-SHIRTED MAN
THAT MANY PEOPLE HAVE SEEN HERE?
OR IS IT NOAH,
WHO HAS BEEN COMMUNICATING WITH US?
(Aaron) WHEN YOU, UH, PERFORMED HERE,
WHAT SHOW DID YOU PERFORM IN?
WERE YOU THE KING AND PERFORMED HERE?
WERE YOU IN A SHOW WITH THREE OTHER PEOPLE?
BESIDES THE DISEMBODIED LAUGHTER,
WE ONLY CATCH ONE OTHER E.V.P.,
BUT THIS E.V.P. AARON CATCHES AT THIS EXACT MOMENT
IS ABSOLUTE PAY DIRT.
WERE YOU IN A SHOW WITH THREE OTHER PEOPLE?
YOU KNOW WHAT I'M TALKING ABOUT.
THIS FEMALE VOICE CLEARLY SAYS, "SINGING IN THE RAIN."
AND AFTER FURTHER RESEARCH,
WE FOUND A COUPLE OF RELEVANT CONNECTIONS TO THIS VOICE.
IN 1952, THE SAME YEAR THE SANDS HOTEL
WAS BUILT ON THIS PROPERTY,
DEBBIE REYNOLDS, WHO ALSO HAS A WAX FIGURE
HERE AT MADAME TUSSAUD'S,
STARRED IN THE MUSICAL "SINGIN' IN THE RAIN."
WE ALSO LEARNED THAT JUDY GARLAND,
WHO PERFORMED WITH THE RAT PACK IN THE COPA ROOM,
WHICH ONCE SAT RIGHT WHERE AARON IS LOCATED,
USED TO PERFORM THE SONG "SINGIN' IN THE RAIN."
(woman) SINGING IN THE RAIN.
SINGING IN THE RAIN.
(Zak) THE NEXT DAY,
WE RUSH BACK TO MADAME TUSSAUD'S
TO GET THEIR REACTION TO OUR EVIDENCE.
KURT, LET'S LISTEN TO THIS FIRST.
(Aaron) YOU KNOW WHAT I'M TALKING ABOUT.
YOU KNOW WHAT I'M TALKING ABOUT.
(laughing)
DIDN'T KNOW ANY, UM, YOU KNOW, MUSICIANS DOWN THERE.
WHAT IS THIS S--
I KNOW.
OUTSIDE THAT DOOR WHERE YOU GO OUT,
MM-HMM.
IS LIZA MINNELLI.
THAT'S JUDY GARLAND'S DAUGHTER.
AND I WOULD BE SHOCKED IF AT SOME POINT
JUDY GARLAND DIDN'T SING THE SONG.
AND I'M SURE "SINGIN' IN THE RAIN"
WAS PERFORMED IN THE COPA ROOM AT SOME POINT.
RIGHT.
THE OTHER VOICE THAT WE GOT WAS AN UN--
UH, A DISEMBODIED LAUGHTER.
WE HEARD THE LAUGHTER DOWN THE STAIRS
MM-HMM.
WHEN YOU GUYS ARE CLOSED,
NOT A CHANCE.
NICK CAPTURED THE PHOTO UPSTAIRS,
AND I'M GONNA SHOW YOU THE PHOTO.
NO, YOU CAN--
YEP.
PANTS AND THE SHIRT STANDING THERE.
AND THIS IS ABOUT THE POSE
THAT THE FIGURE WAS STANDING
EXACTLY RIGHT HERE.
AND THE IRONIC PART IS, IT'S IN THE EXACT SPOT
MM-HMM.
SAW THE APPARITION
OF A GHOST WEARING A WHITE SHIRT
AND DARK PANTS.
I THINK THERE'S SOMETHING GOING ON HERE
THERE IS NO DOUBT.
THE SANDS WAS ONE OF LAS VEGAS'S
FIRST LUXURY HOTELS AND CASINOS.
ACTS LIKE FRANK SINATRA AND HIS RAT PACK
AND GUESTS LIKE PRESIDENT JOHN. F. KENNEDY
MADE THE SANDS VEGAS' MECCA OF COOL.
BUT IT ALL CAME TUMBLING DOWN IN 1996.
AND UNBEKNOWNST TO MOST,
THE PARTY KEPT RAGING UNDER THE RUBBLE...
(device beeps)
AND WE WERE ON THE GUEST LIST.