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THEATERS.ORG. >> HELLO, THANK YOU FOR JOINING
>> HELLO, THANK YOU FOR JOINING US HIM I AM YOUR HOST FOR AS
US HIM I AM YOUR HOST FOR AS ILLUSTRATED ART.
ILLUSTRATED ART. TONIGHT IF IT WORKS FOR FOOD
TONIGHT IF IT WORKS FOR FOOD TRUCKS, WHY NOT FOR A GALLERY?
TRUCKS, WHY NOT FOR A GALLERY? WE'LL MEET A LOCAL ARTIST WHO IS
WE'LL MEET A LOCAL ARTIST WHO IS TAKING ART TO THE STREETS.
TAKING ART TO THE STREETS. TO EXPROCEDURE MICROCINEMA, A
TO EXPROCEDURE MICROCINEMA, A WAY TO NARROW THE DISTANCE
WAY TO NARROW THE DISTANCE BETWEEN ARTISTS AND AN EXPLODED
BETWEEN ARTISTS AND AN EXPLODED VIEW.
VIEW. HE WILL TALK ABOUT HIS OWN
HE WILL TALK ABOUT HIS OWN SPIRIT SCHUL JOURNEY AND
SPIRIT SCHUL JOURNEY AND BLENDING TRADITIONS OLD AND NEW.
BLENDING TRADITIONS OLD AND NEW. WE WILL LOOK BACK AT A
WE WILL LOOK BACK AT A FRIENDSHIP BETWEEN TWO
FRIENDSHIP BETWEEN TWO PERFORMERS.
PERFORMERS. BUT FIRST TODAY'S TOP STORIES.
BUT FIRST TODAY'S TOP STORIES. >> THE WORST BOATING ACCESS IN
>> THE WORST BOATING ACCESS IN THE STATE IN THREE COUNTIES.
THE STATE IN THREE COUNTIES. UMA AND PINELLAS COUNTIES MADE
UMA AND PINELLAS COUNTIES MADE THE LIST DUE TO LOW VOTER
THE LIST DUE TO LOW VOTER REGISTRATION AND TURNOUT.
REGISTRATION AND TURNOUT. COCONINO HAD THE LOWEST
COCONINO HAD THE LOWEST PROVISIONAL BALLOT.
PROVISIONAL BALLOT. THE LOOI HIGHEST USE WAS IN
THE LOOI HIGHEST USE WAS IN MARICOPA COUNTY.
MARICOPA COUNTY. THEY WANT TO MAKE CHANGES WHERE
THEY WANT TO MAKE CHANGES WHERE PEOPLE CAN VOTE.
PEOPLE CAN VOTE. THOSE CHANGES WOULD HAVE TO BE
THOSE CHANGES WOULD HAVE TO BE APPROVED BY THE LEGISLATURE.
APPROVED BY THE LEGISLATURE. OFFICIALS AT TUCSON'S PARK SAY A
OFFICIALS AT TUCSON'S PARK SAY A MALE BORN TWO WEEK AGO HAS DIED,
MALE BORN TWO WEEK AGO HAS DIED, ACCORDING TO A STATEMENT, IT WAS
ACCORDING TO A STATEMENT, IT WAS REARED BY ZOOKEEPERS BECAUSE THE
REARED BY ZOOKEEPERS BECAUSE THE MOTHER WOULD NOT NURSE THE
MOTHER WOULD NOT NURSE THE NEWBORN.
NEWBORN. HE DEVELOPED PNEUMONIA AND DIED
HE DEVELOPED PNEUMONIA AND DIED YESTERDAY.
YESTERDAY. THE STATE DEPARTMENT OF HEALTH
THE STATE DEPARTMENT OF HEALTH SERVICES SAYS IN THE FIRST YEAR
SERVICES SAYS IN THE FIRST YEAR MEDICAL MAURNL WAS AVAILABLE IN
MEDICAL MAURNL WAS AVAILABLE IN ARIZONA, NEARLY 45,000 PEOPLE
ARIZONA, NEARLY 45,000 PEOPLE BECAME ACTIVE CARD HOLDERS T.
BECAME ACTIVE CARD HOLDERS T. VAST MAJORITY OF STATIONS WERE
VAST MAJORITY OF STATIONS WERE MEN ACCORDING TO REPORT.
MEN ACCORDING TO REPORT. NEARLY THREE-QUARTERS OF THE
NEARLY THREE-QUARTERS OF THE PATIENTS CITED CHRONIC PAIN AS A
PATIENTS CITED CHRONIC PAIN AS A REASON NEEDING MEDICAL
REASON NEEDING MEDICAL MARIJUANA.
MARIJUANA. THEY INDICATE THE CARD HOLDERS
THEY INDICATE THE CARD HOLDERS BOUGHT NEARLY 300 MARIJUANA FROM
BOUGHT NEARLY 300 MARIJUANA FROM 71 LICENSED DISPENSARIES IN 2013
71 LICENSED DISPENSARIES IN 2013 AND THAT'S A LOOK AT TONIGHT'S
AND THAT'S A LOOK AT TONIGHT'S HEADLINES.
. >> THE DIRECTOR OF A GALLERY AND
>> THE DIRECTOR OF A GALLERY AND WELL KNOWN TUCSON ARTIST IDEA
WELL KNOWN TUCSON ARTIST IDEA MAN, HE LOOKS FOR INNOVATIVE
MAN, HE LOOKS FOR INNOVATIVE PROJECTS TO BRING TO SOUTHERN
PROJECTS TO BRING TO SOUTHERN ARIZONA.
ARIZONA. NEXT, WE SHOW THE MOST RECENT
NEXT, WE SHOW THE MOST RECENT ENDEAVOR, PARKS IN DOWNTOWN
ENDEAVOR, PARKS IN DOWNTOWN TUCSO
TUCSO TUCSON.
TUCSON. >> TONIGHT, WE ARE LOCATED IN
>> TONIGHT, WE ARE LOCATED IN FRONT OF MAYNARD'S MARKET, RIGHT
FRONT OF MAYNARD'S MARKET, RIGHT ACROSS THE STREET FROM CONGRESS.
ACROSS THE STREET FROM CONGRESS. WE ARE SHOWING ARTWORK.
WE ARE SHOWING ARTWORK. WE ARE A MOBILE UNIT.
WE ARE A MOBILE UNIT. WE'RE LIKE A MASS UNIT.
WE'RE LIKE A MASS UNIT. WE'RE SHOWING HARDWARE.
WE'RE SHOWING HARDWARE. MY NAME IS DAVID AGARIY.
MY NAME IS DAVID AGARIY. I'M THE DIRECTOR OF AMONG OTHER
I'M THE DIRECTOR OF AMONG OTHER THINGS THE PLANET RABBIT MOBILE
THINGS THE PLANET RABBIT MOBILE ART GALLERY.
ART GALLERY. WE'RE MOBILE.
WE'RE MOBILE. WE'RE A MOBILE INSIDE AND OUT.
WE'RE A MOBILE INSIDE AND OUT. NOT ONLY IS THE GALLERY MOBILE,
NOT ONLY IS THE GALLERY MOBILE, WE'RE INSIDE AN ART GALLERY.
WE'RE INSIDE AN ART GALLERY. WE ARE PARKED BY THE CURB.
WE ARE PARKED BY THE CURB. CARS ARE PASSING US AS WE SPEAK.
CARS ARE PASSING US AS WE SPEAK. PEOPLE ARE WALKING AROUND THE
PEOPLE ARE WALKING AROUND THE SIDEWALK.
SIDEWALK. IT'S KIND OF THE WAY WE LIKE IT.
IT'S KIND OF THE WAY WE LIKE IT. THESE ARE ONE NIGHT EXHIBITS WE
THESE ARE ONE NIGHT EXHIBITS WE ARE DOING.
ARE DOING. FOREMAN WE WILL BE IN A
FOREMAN WE WILL BE IN A DIFFERENT LOCATION WITH
DIFFERENT LOCATION WITH DIFFERENT ARTWORK.
DIFFERENT ARTWORK. >> MY NAME IS CHRISTINE SHEARER,
>> MY NAME IS CHRISTINE SHEARER, I'M A TUCSON ARTIST.
I'M A TUCSON ARTIST. I HAVE BEEN LIVING HERE IN
I HAVE BEEN LIVING HERE IN TUCSON WELL SINCE 1996.
TUCSON WELL SINCE 1996. >> WELL, CHRISTINE HAS BEEN A
>> WELL, CHRISTINE HAS BEEN A FRIEND OF MINE FOR A LONG TIME,
FRIEND OF MINE FOR A LONG TIME, SHE'S BEEN A LOCAL ARTIST.
SHE'S BEEN A LOCAL ARTIST. COMPUTER NERD, SCIENCE IN OTHER
COMPUTER NERD, SCIENCE IN OTHER WORDS -- SCENES NERD AND ARTIST
WORDS -- SCENES NERD AND ARTIST ALSO.
ALSO. >> THIS IS THE FIRST I HAVE BEEN
>> THIS IS THE FIRST I HAVE BEEN HERE AT RABBIT GALLERIES.
HERE AT RABBIT GALLERIES. I REALLY ENJOY WORKING WITH ALL
I REALLY ENJOY WORKING WITH ALL DIFFERENT KIND OF MEDIA AND
DIFFERENT KIND OF MEDIA AND EXPERIMENTING WITH DIFFERENT
EXPERIMENTING WITH DIFFERENT EXPRESSIONS, NO MATTER WHAT KIND
EXPRESSIONS, NO MATTER WHAT KIND OF MEDIA IT IS.
OF MEDIA IT IS. SO FOR THIS PARTICULAR ART
SO FOR THIS PARTICULAR ART EXHIBIT, IT'S A LOT OF MEDIA
EXHIBIT, IT'S A LOT OF MEDIA WORK.
WORK. I LOVE EXHIBITING AT PLANET
I LOVE EXHIBITING AT PLANET RABBIT MOBILE GALLERY.
RABBIT MOBILE GALLERY. IT BRINGS ART TO PEOPLE ON THE
IT BRINGS ART TO PEOPLE ON THE STREET.
STREET. SO A LOT OF PEOPLE DON'T HAVE
SO A LOT OF PEOPLE DON'T HAVE THE TIME TO GO TO AN ART GALLERY
THE TIME TO GO TO AN ART GALLERY OR VISIT AN ART GALLERY.
OR VISIT AN ART GALLERY. HAVING THE LOCAL ART GALLERY TO
HAVING THE LOCAL ART GALLERY TO THEM IS AN EASY WAY FOR
THEM IS AN EASY WAY FOR EVERYBODY OFF THE STREET TO COME
EVERYBODY OFF THE STREET TO COME IN AND HAVE A LOOK AROUND.
IN AND HAVE A LOOK AROUND. THEY DON'T HAVE TO WORRY ABOUT
THEY DON'T HAVE TO WORRY ABOUT MAKING THE TIME TO GO TODAY.
MAKING THE TIME TO GO TODAY. >> ONE THING IS TO MOVE ART AWAY
>> ONE THING IS TO MOVE ART AWAY FROM THE DOWNTOWN AREA.
FROM THE DOWNTOWN AREA. HAVE YOU AN OUTLYING AREA.
HAVE YOU AN OUTLYING AREA. SO WE CAN EXPLORE OTHER AREAS,
SO WE CAN EXPLORE OTHER AREAS, GET TO MORE OF THE OUTSKIRTS
GET TO MORE OF THE OUTSKIRTS WHERE MAYBE WE HAVE A LITTLE
WHERE MAYBE WE HAVE A LITTLE MORE OF A SURPRISE DOWN THERE.
MORE OF A SURPRISE DOWN THERE. WE ARE LOOKING FOR ARTISTS TO
WE ARE LOOKING FOR ARTISTS TO SHOW WORK.
SHOW WORK. WE ARE LOOKING TO GET OUT THERE
WE ARE LOOKING TO GET OUT THERE AND GET OUR SEA LEGS GOING.
AND GET OUR SEA LEGS GOING. WE DON'T KNOW HOW IT WILL WORK.
WE DON'T KNOW HOW IT WILL WORK. WE HAD FUN MAKING IT.
WE HAD FUN MAKING IT. IT'S LIKE A ROLLING SCULPTURE.
IT'S LIKE A ROLLING SCULPTURE. PEOPLE STARE AT ME WHEN I DRIVE
PEOPLE STARE AT ME WHEN I DRIVE AROUND, THEY HOERL AND HONK AND
AROUND, THEY HOERL AND HONK AND WHISTLE.
WHISTLE. AND THEN JENNY, PEOPLE HONK
AND THEN JENNY, PEOPLE HONK THEIR HORNS AND YOU WANT TO BE A
THEIR HORNS AND YOU WANT TO BE A PART OF THE SHOW.
PART OF THE SHOW. IT'S REALLY FUN DRIVING AROUND.
IT'S REALLY FUN DRIVING AROUND. IT'S VERY UNUSUAL FOR TUCSON,
IT'S VERY UNUSUAL FOR TUCSON, WHICH GOES, BECAUSE IT'S A
WHICH GOES, BECAUSE IT'S A QUERKY YEAR.
QUERKY YEAR. THAT'S HOW WE LIKE IT I THINK.
THAT'S HOW WE LIKE IT I THINK. SO I'D LIKE TO HELP PROMOTE OUR
SO I'D LIKE TO HELP PROMOTE OUR QUERKINESS.
QUERKINESS.
[ MUSIC PLAYING ]
[ MUSIC PLAYING ] >> ESTABLISHED IN 2013 IN
>> ESTABLISHED IN 2013 IN DOWNTOWN TUCSON, EXPLODE A VIEW
DOWNTOWN TUCSON, EXPLODE A VIEW IS A STORE FRONT MICROCINEMA.
IS A STORE FRONT MICROCINEMA. THE GOAL IS TO PROVIDE A
THE GOAL IS TO PROVIDE A FLEXIBLE SPACE THAT ENCOURAGES
FLEXIBLE SPACE THAT ENCOURAGES EXPERIMENT AM AND INNOVATIVE
EXPERIMENT AM AND INNOVATIVE PROJECTION.
PROJECTION. JOINING ME ARE REBECCA BARTON
JOINING ME ARE REBECCA BARTON AND DAVID SHERMAN, THE FOUNDERS
AND DAVID SHERMAN, THE FOUNDERS OF EXPLODED VIEW.
OF EXPLODED VIEW. THANK YOU FOR JOINING ME TODAY.
THANK YOU FOR JOINING ME TODAY. >> THANK YOU FOR HAVING US.
>> THANK YOU FOR HAVING US. >> TELL US WHAT IS A
>> TELL US WHAT IS A MICROCINEMA?
MICROCINEMA? >> DAVID.
>> DAVID. >> A MICROCINEMA IS WE ACTUALLY
>> A MICROCINEMA IS WE ACTUALLY CAME UP WITH THE WORD IN SAN
CAME UP WITH THE WORD IN SAN FRANCISCO IN 1989.
FRANCISCO IN 1989. >> NO.
>> NO. 1994.
1994. >> '94.
>> '94. >> WE HAD A BASEMENT SPACE
>> WE HAD A BASEMENT SPACE UNDERNEATH A FLAT WE RENTED.
UNDERNEATH A FLAT WE RENTED. IT'S A VERY SMALL, IT ONLY HELD
IT'S A VERY SMALL, IT ONLY HELD ABOUT 30 PEOPLE.
ABOUT 30 PEOPLE. WHAT ARE YOU GOING TO CALL THIS
WHAT ARE YOU GOING TO CALL THIS PLACE?
PLACE? THE MICROBREWERY WAS STARTING.
THE MICROBREWERY WAS STARTING. SO MICROCINEMAS BECAME AN ACTUAL
SO MICROCINEMAS BECAME AN ACTUAL WORDING IN THE CERTAIN
WORDING IN THE CERTAIN DICTIONARY.
DICTIONARY. >> WHAT DO YOU THINK MAKES THE
>> WHAT DO YOU THINK MAKES THE SPACES OUTSIDE NEAT?
SPACES OUTSIDE NEAT? >> WELL, JUST, ALSO THE BACK
>> WELL, JUST, ALSO THE BACK TRACK.
TRACK. MICROCINEMA, THE TERM
MICROCINEMA, THE TERM MICRO DOESN'T ALWAYS REFER TO,
MICRO DOESN'T ALWAYS REFER TO, DOES NOT ONLY REFER TO THE SIZE
DOES NOT ONLY REFER TO THE SIZE OF THE CINEMA, BUT ALSO TO IMPLY
OF THE CINEMA, BUT ALSO TO IMPLY AN INTIMACY OR NARROWING THE
AN INTIMACY OR NARROWING THE DISTANCE BETWEEN ARTISTS AND
DISTANCE BETWEEN ARTISTS AND AUDIENCE AND THEN TO ANSWER WHAT
AUDIENCE AND THEN TO ANSWER WHAT MAKES THE SPACE UNIQUE, I WOULD
MAKES THE SPACE UNIQUE, I WOULD SAY A SIMULTANEOUS DEDICATION TO
SAY A SIMULTANEOUS DEDICATION TO A VERY, VERY HIGH QUALITY OF
A VERY, VERY HIGH QUALITY OF PROGRAMING AND PROJECTION,
PROGRAMING AND PROJECTION, DESPITE THE DI MINTIVE SIZE AND
DESPITE THE DI MINTIVE SIZE AND PERSONAL AND PUBLIC CYCLES OF
PERSONAL AND PUBLIC CYCLES OF CREATETIVETY.
CREATETIVETY. >> WHAT ARE THE TYPES OF
>> WHAT ARE THE TYPES OF PROGRAMS YOU ARE KUR EIGCURATIN
PROGRAMS YOU ARE KUR EIGCURATIN THAT RELATES TO THE GOALS YOU
THAT RELATES TO THE GOALS YOU ARE TALKING ABOUT.
ARE TALKING ABOUT. >> WE ARE NOT CURATING.
>> WE ARE NOT CURATING. WE ARE PROGRAMMING.
WE ARE PROGRAMMING. WHAT ARE SOME OF THE DIFFERENT
WHAT ARE SOME OF THE DIFFERENT VEINS OF FILM WE ARE INTERESTED
VEINS OF FILM WE ARE INTERESTED IN?
IN? THEY RANGE FROM THE EXTREMELY
THEY RANGE FROM THE EXTREMELY HAND-MADE PERSONALLY-DRIVEN
HAND-MADE PERSONALLY-DRIVEN FILMS, FILMS MADE COMPLETELY OUT
FILMS, FILMS MADE COMPLETELY OUT OF ARTIST'S ONLY FACILITIES TO
OF ARTIST'S ONLY FACILITIES TO HISTORICAL FILMS MADE IN THE
HISTORICAL FILMS MADE IN THE EARLY SILENT ERA, TO POLITICAL
EARLY SILENT ERA, TO POLITICAL CINEMA, YOU TAKE IT FROM THERE.
CINEMA, YOU TAKE IT FROM THERE. >> THERE IS A HUGE AMOUNT OF
>> THERE IS A HUGE AMOUNT OF FILMS THAT JUST DON'T GET SHOWN
FILMS THAT JUST DON'T GET SHOWN OR YOU CAN SEE THEM ON YOUTUBE
OR YOU CAN SEE THEM ON YOUTUBE OR SOMETHING LIKE THAT.
OR SOMETHING LIKE THAT. ONE OF THE THINGS THAT MIKE
ONE OF THE THINGS THAT MIKE MAKES MICROCINEMA SPECIAL IS
MAKES MICROCINEMA SPECIAL IS THAT ENGAGING OF COMMUNITY AND
THAT ENGAGING OF COMMUNITY AND PEOPLE, AUDIENCE MEMBERS AND
PEOPLE, AUDIENCE MEMBERS AND THUS MEETING NEW AUDIENCE
THUS MEETING NEW AUDIENCE MEMBERS AND THERE IS AN ASPECT
MEMBERS AND THERE IS AN ASPECT OF PEOPLE BEING ABLE TO HANG OUT
OF PEOPLE BEING ABLE TO HANG OUT AND CONVERSE ABOUT FILMS AND ET
AND CONVERSE ABOUT FILMS AND ET AT THE TIMICS AND ALL SORTS OF
AT THE TIMICS AND ALL SORTS OF THINGS.
THINGS. IT JUST DOESN'T HAPPEN IN A
IT JUST DOESN'T HAPPEN IN A NORMAL CINEMA.
NORMAL CINEMA. THEY HAVE TO TURN OVER AND DO
THEY HAVE TO TURN OVER AND DO ANOTHER SHOW THAT NIGHT OR IN A
ANOTHER SHOW THAT NIGHT OR IN A BAR IT'S FAR TOO NOISY AND STORM
BAR IT'S FAR TOO NOISY AND STORM TRACKER 2000ED.
TRACKER 2000ED. >> SO ONE SHOW A NIGHT IS ONE OF
>> SO ONE SHOW A NIGHT IS ONE OF THE CHARACTERISTICS THE
THE CHARACTERISTICS THE PROGRAMMING IS DOING THAT
PROGRAMMING IS DOING THAT ENCOURAGES PEOPLE TO LINGER?
ENCOURAGES PEOPLE TO LINGER? >> YES.
>> YES. >> AND IS WHAT'S ON THE SCREEN
>> AND IS WHAT'S ON THE SCREEN DESIGNED TO BE A CONVERSATION
DESIGNED TO BE A CONVERSATION STARTER AND FA FACILITATE
STARTER AND FA FACILITATE COMMUNITY?
COMMUNITY? HOW DO YOU SEE THAT PROCESS
HOW DO YOU SEE THAT PROCESS HAPPENING?
HAPPENING? >> IT'S INEVITABLE IN TERMS OF
>> IT'S INEVITABLE IN TERMS OF THE CHALLENGE OF THE WORK THAT
THE CHALLENGE OF THE WORK THAT WE ARE SHOWING, WHICH IS FAIRLY
WE ARE SHOWING, WHICH IS FAIRLY UNIQUE TO TUCSON.
UNIQUE TO TUCSON. >> YEAH.
>> YEAH. >> AND --
>> AND -- >> HOW IS IT UNIQUE?
>> HOW IS IT UNIQUE? HOW IS IT YOU INTO EC?
HOW IS IT YOU INTO EC? >> IT'S UNIQUE IN THE SENSE THAT
>> IT'S UNIQUE IN THE SENSE THAT IT DOESN'T GET SHOWN HERE.
IT DOESN'T GET SHOWN HERE. IT DOESN'T HAVE I MEAN OUR
IT DOESN'T HAVE I MEAN OUR BACKGROUND IS FROM FILM-MAKERS
BACKGROUND IS FROM FILM-MAKERS MAKING FROM SAN FRANCISCO, WHERE
MAKING FROM SAN FRANCISCO, WHERE THERE IS A LONG HISTORY THAT
THERE IS A LONG HISTORY THAT GOES BACK TO THE '40s OF
GOES BACK TO THE '40s OF ARTISTING MAKING THEIR OWN FILM
ARTISTING MAKING THEIR OWN FILM AND IN FILM AND VIDEO AND THE
AND IN FILM AND VIDEO AND THE INFRASTRUCTURE OF THE EDUCATION
INFRASTRUCTURE OF THE EDUCATION SYSTEM.
SYSTEM. THERE IS ART SCHOOLS AND ALL
THERE IS ART SCHOOLS AND ALL SORTS OF THINGS.
SORTS OF THINGS. IT'S NOT A PART OF TUCSON, SO IN
IT'S NOT A PART OF TUCSON, SO IN TERMS OF AESTHETICS OR NOT
TERMS OF AESTHETICS OR NOT NARRATIVE BASED THAT DEAL WITH
NARRATIVE BASED THAT DEAL WITH FORMS LEAK POETRY, ALSO LIKE
FORMS LEAK POETRY, ALSO LIKE ESSAY FILMS AND POLITICAL
ESSAY FILMS AND POLITICAL DOCUMENTARIES THAT MAYBE ARE
DOCUMENTARIES THAT MAYBE ARE FORMALLY TOO UNUSUAL TO GET
FORMALLY TOO UNUSUAL TO GET SCREENED AT A LOCAL CINEMA.
SCREENED AT A LOCAL CINEMA. >> AND ALSO TO GET BACK TO THE
>> AND ALSO TO GET BACK TO THE QUESTION ABOUT GENERATING
QUESTION ABOUT GENERATING CONVERSATION, IT MIGHT NOT EVEN
CONVERSATION, IT MIGHT NOT EVEN BE THE CONTENT OF ONE SPECIFIC
BE THE CONTENT OF ONE SPECIFIC FILM BUT THE WAY THAT A PROGRAM
FILM BUT THE WAY THAT A PROGRAM REVERB BRIGHTS WITHIN ITSELF SO
REVERB BRIGHTS WITHIN ITSELF SO THAT WE TREAT EVERY EVENING IN A
THAT WE TREAT EVERY EVENING IN A SENSE LIKE A CREATIVE COLLAGE
SENSE LIKE A CREATIVE COLLAGE WHERE WE'LL HAVE DIFFERENT
WHERE WE'LL HAVE DIFFERENT ASPECTS OF THE EVENING, WHETHER
ASPECTS OF THE EVENING, WHETHER THERE IS A FILM WHEN YOU WACK IN
THERE IS A FILM WHEN YOU WACK IN OR AN ENTRANCE PIECE OR ART ON
OR AN ENTRANCE PIECE OR ART ON THE WALL OR MAYBE SEVERAL
THE WALL OR MAYBE SEVERAL PROGRAMS IN THE FILM THAT FORM A
PROGRAMS IN THE FILM THAT FORM A MONTAGE.
MONTAGE. >> OR MUSIC.
>> OR MUSIC. >> OR LIVE MUSIC, YES.
>> OR LIVE MUSIC, YES. >> SO WHAT DO WE EXPECT TO SEE
>> SO WHAT DO WE EXPECT TO SEE IN THE SPRING, WHAT ARE YOU
IN THE SPRING, WHAT ARE YOU PROGRAMMING IN THE SPRING?
PROGRAMMING IN THE SPRING? >> ONE OF THE THINGS WE ARE
>> ONE OF THE THINGS WE ARE POST-EXCITED ABOUT A PROGRAM
POST-EXCITED ABOUT A PROGRAM CALLED AVANT A-Z WHICH IS A
CALLED AVANT A-Z WHICH IS A TAKEOFF OF AVANT-GARDE, JUST
TAKEOFF OF AVANT-GARDE, JUST SHOWING WORK MADE BY TUCSON
SHOWING WORK MADE BY TUCSON MAKERS.
MAKERS. THEY MAY NOT HAVE MADE IT IN
THEY MAY NOT HAVE MADE IT IN TUCSON, PEOPLE WHO LIVE IN
TUCSON, PEOPLE WHO LIVE IN TUCSON, THAT HAD SOME
TUCSON, THAT HAD SOME EXPERIMENTAL CHARACTERISTICS,
EXPERIMENTAL CHARACTERISTICS, EITHER FORMALLY OR IN TERMS OF
EITHER FORMALLY OR IN TERMS OF CONTENT AND THERE IS A LOT OF
CONTENT AND THERE IS A LOT OF PEOPLE HERE WHO TOUCHED ON
PEOPLE HERE WHO TOUCHED ON DIFFERENT REALMS OF CINEMA, WE
DIFFERENT REALMS OF CINEMA, WE WANT TO BRING OOEM PEOPLE TOWING
WANT TO BRING OOEM PEOPLE TOWING AND SEE WATER OUT THERE IN A
AND SEE WATER OUT THERE IN A VERY SPECIFIC KIND OF PROGRAM.
VERY SPECIFIC KIND OF PROGRAM. >> ARE THESE ALL SHORT FORM
>> ARE THESE ALL SHORT FORM WORK?
WORK? >> YEAH.
>> YEAH. USUALLY THINGS UNDER 12 MINUTES.
USUALLY THINGS UNDER 12 MINUTES. AT LEAST FOR THIS SHOW.
AT LEAST FOR THIS SHOW. SO THIS IS GOING TO BE A REALLY
SO THIS IS GOING TO BE A REALLY COMMUNITY-BASED SHOW.
COMMUNITY-BASED SHOW. WE ALL GET TO SEE WHAT PEOPLE
WE ALL GET TO SEE WHAT PEOPLE ARE DOING.
ARE DOING. SOME AT THE U OF A, OSOME
SOME AT THE U OF A, OSOME TEACHERS, SOME MAY BE
TEACHERS, SOME MAY BE TRANSPLANT.
TRANSPLANT. THERE IS NOT A CONTEXT OR FORM
THERE IS NOT A CONTEXT OR FORM FOR THAT THAT PEOPLE GET TO SEE,
FOR THAT THAT PEOPLE GET TO SEE, ESPECIALLY ARTISTS BECAUSE THERE
ESPECIALLY ARTISTS BECAUSE THERE IS SO MUCH CROSSOVER.
IS SO MUCH CROSSOVER. WITH REDOING A SHOW WITH THE
WITH REDOING A SHOW WITH THE COLLAGE, A DETAINER.
COLLAGE, A DETAINER. HE DID A WHOLE SERIES OF TIME
HE DID A WHOLE SERIES OF TIME LAPSED WORK IN NEW YORK OVER THE
LAPSED WORK IN NEW YORK OVER THE PAST YEAR, WHICH WERE FASCINATED
PAST YEAR, WHICH WERE FASCINATED BY.
BY. WE ARE DOUBLE BILLING THAT WITH
WE ARE DOUBLE BILLING THAT WITH A CHRIS MARKER FILM, A FRENCH
A CHRIS MARKER FILM, A FRENCH FILM ESAYIST LAST YEAR AND A
FILM ESAYIST LAST YEAR AND A FILM ABOUT A PHOTOGRAPHER.
FILM ABOUT A PHOTOGRAPHER. SO IT'S REALLY TRYING TO WORK
SO IT'S REALLY TRYING TO WORK WITH PROGRAMS ON DIFFERENT
WITH PROGRAMS ON DIFFERENT LEVELS IN TERMS OF TAPPING INTO
LEVELS IN TERMS OF TAPPING INTO DIFFERENT ASPECTS LIKE THE PHOTO
DIFFERENT ASPECTS LIKE THE PHOTO COMMUNITY T. PAYING COMMUNITY
COMMUNITY T. PAYING COMMUNITY AND TUCSON HAS A RICH CREATIVE
AND TUCSON HAS A RICH CREATIVE TRADITION.
TRADITION. SOMETIMES DISCIPLINES GET AS A
SOMETIMES DISCIPLINES GET AS A RESULT CANIZED.
RESULT CANIZED. >> WHAT ARE THE OTHER KIND OF
>> WHAT ARE THE OTHER KIND OF THINGS THAT YOU LOOK FOR WHEN
THINGS THAT YOU LOOK FOR WHEN YOU LOOK AT PROGRAMS BEYOND
YOU LOOK AT PROGRAMS BEYOND EXPERIMENTAL.
EXPERIMENTAL. IT SOUND LIKE YOU ARE TRYING TO
IT SOUND LIKE YOU ARE TRYING TO CATALYZE DIFFER THINGS COMING
CATALYZE DIFFER THINGS COMING TOGETHER.
TOGETHER. >> RIGHT.
>> RIGHT. WELL, I WOULD JUST SAY GIVEN
WELL, I WOULD JUST SAY GIVEN JUST THE VASTNESS OF OPTIONS
JUST THE VASTNESS OF OPTIONS THAT WE HAVE OUT THERE NOW, IT'S
THAT WE HAVE OUT THERE NOW, IT'S A VISUAL CULTURE.
A VISUAL CULTURE. MORE THAN WHAT WE ARE LOOKING
MORE THAN WHAT WE ARE LOOKING FOR.
FOR. WE ARE BRINGING BACK THE
WE ARE BRINGING BACK THE IRREPLACEABLE RARITY AND
IRREPLACEABLE RARITY AND PRECIOUSNESS OF FILM AS A LIVE
PRECIOUSNESS OF FILM AS A LIVE MEDIUM OR FILM IN A SHARED
MEDIUM OR FILM IN A SHARED PUBLIC SPACE, WHERE IT'S A
PUBLIC SPACE, WHERE IT'S A SOCIAL EVENT AS OPPOSED TO
SOCIAL EVENT AS OPPOSED TO SOMETHING THAT HAPPENS AND ONE
SOMETHING THAT HAPPENS AND ONE SOLITUDE WITH ONE'S COMPUTER,
SOLITUDE WITH ONE'S COMPUTER, WHERE THERE ARE SOMETIMES, YOU
WHERE THERE ARE SOMETIMES, YOU SAY THAT YOU CAN TELL THE SAME
SAY THAT YOU CAN TELL THE SAME STORY THE SAME WAY ON YOUR OWN
STORY THE SAME WAY ON YOUR OWN TINY COMPUTER, BUT WHAT YOU
TINY COMPUTER, BUT WHAT YOU CAN'T TELL THE SAME WAY IS BEING
CAN'T TELL THE SAME WAY IS BEING IN A GROUP OF PEOPLE AND HAVING
IN A GROUP OF PEOPLE AND HAVING IT AS A SHARED SOCIAL PHENOMENA.
IT AS A SHARED SOCIAL PHENOMENA. >> REBECCA, DAVID, THANK YOU SO
>> REBECCA, DAVID, THANK YOU SO MUCH FOR JOINING US.
>>> IRANS A PRESIDENT PUTS BACK AGAINST HARD LINE NUCLEAR DEAL
AGAINST HARD LINE NUCLEAR DEAL WITH THE WEST.
WITH THE WEST. OUR OWN WILLIAM BRENAM IS IN
OUR OWN WILLIAM BRENAM IS IN TEHRAN.
TEHRAN. GOOD EVENING, JUDY WOODRUFF IS
GOOD EVENING, JUDY WOODRUFF IS AWAY.
AWAY. ALSO AHEAD, GOOD WILL IS WELL
ALSO AHEAD, GOOD WILL IS WELL KNOWN FOR SELLING SEC-HAND
KNOWN FOR SELLING SEC-HAND GOODS, BUT IN INDIANAPOLIS, A
GOODS, BUT IN INDIANAPOLIS, A CHARITY IS OFFERING HIGH SCHOOL
CHARITY IS OFFERING HIGH SCHOOL DROPOUTS A DIFFERENT KIND OF
DROPOUTS A DIFFERENT KIND OF SECOND CHANCE, AT LIFE.
SECOND CHANCE, AT LIFE. >> I DIDN'T HAVE TO GO THROUGH
>> I DIDN'T HAVE TO GO THROUGH HIGH SCHOOL FROM THE BEGINNING
HIGH SCHOOL FROM THE BEGINNING TO END, EXACTLY FROM WHEN I
TO END, EXACTLY FROM WHEN I WALKED OUT THE DOOR TO WHERE I
WALKED OUT THE DOOR TO WHERE I WALKED BACK IN THEY TELL YOU
WALKED BACK IN THEY TELL YOU WHAT YOU NEED.
WHAT YOU NEED. THEY HELP YOU GET THERE.
THEY HELP YOU GET THERE. >> PLUS, U.S. CAR MAKERS BACK IN
>> PLUS, U.S. CAR MAKERS BACK IN THE FAST LANE.
THE FAST LANE. YOU LOOK AT THIS YEAR'S
YOU LOOK AT THIS YEAR'S DETROIT'S AUTO SHOW AND WHAT IS
DETROIT'S AUTO SHOW AND WHAT IS IN STAR FOR A ONCE BATTERED
IN STAR FOR A ONCE BATTERED INDUSTRY NOW ON THE RISE.
INDUSTRY NOW ON THE RISE. THOSE ARE JUST SOME OF THE
THOSE ARE JUST SOME OF THE STORIES WE ARE COVERING ON
STORIES WE ARE COVERING ON TONIGHT'S PBS NEWS HOUR.
TONIGHT'S PBS NEWS HOUR. >> AS A CHILD, DANIEL ESCAPED
>> AS A CHILD, DANIEL ESCAPED VIOLENCE AND LOST TOUCH WITH HIS
VIOLENCE AND LOST TOUCH WITH HIS FAMILY.
FAMILY. WHEN HE RETURNED AS AN ADULT, HE
WHEN HE RETURNED AS AN ADULT, HE WAS CAUGHT UP IN WAR AGAIN.
WAS CAUGHT UP IN WAR AGAIN. >> WE WERE CLOSE.
>> WE WERE CLOSE. IT'S JUST WHAT WE ASK ON OUR
IT'S JUST WHAT WE ASK ON OUR BODIES AND NO OTHER.
BODIES AND NO OTHER. >> I'M DAVID GREEN, A LOST BOY
>> I'M DAVID GREEN, A LOST BOY RETURNS TO SOUTH SUDAN ON THE
RETURNS TO SOUTH SUDAN ON THE NEXT MORNING EDITION.
>>> AWARD WINNING RECORDING ARTIST TONY REDHOUSE CONSIDERS
ARTIST TONY REDHOUSE CONSIDERS HIMSELF A NATIVE SOUND HEALER
HIMSELF A NATIVE SOUND HEALER AND SPIRIT CULL TEACHER WHO USES
AND SPIRIT CULL TEACHER WHO USES HIS VOICE AND MUSIC TO MOVE
HIS VOICE AND MUSIC TO MOVE COMMUNITY.
COMMUNITY. HE JOINS ME NOW TO SHARE MORE
HE JOINS ME NOW TO SHARE MORE ABOUT HIS VIEWS ON HOW MUSIC CAN
ABOUT HIS VIEWS ON HOW MUSIC CAN SOOTHE AND HEAL IF SOUL.
SOOTHE AND HEAL IF SOUL. TONY, THANK YOU SO MUCH FOR
TONY, THANK YOU SO MUCH FOR JOINING ME.
JOINING ME. >> OH, THANK YOU FOR HAVING ME.
>> OH, THANK YOU FOR HAVING ME. >> YOUR INTEREST IN PERCUSSION
>> YOUR INTEREST IN PERCUSSION STARTED EARLY.
STARTED EARLY. WHAT PROMPTED YOU TO BEGIN
WHAT PROMPTED YOU TO BEGIN PLAYING AND PERFORMING?
PLAYING AND PERFORMING? >> AS A CHILD, MY FATHER RAISED
>> AS A CHILD, MY FATHER RAISED US AROUND NATIVE AMERICAN DRUMS.
US AROUND NATIVE AMERICAN DRUMS. HE USED TO MAKE DRUMS IN THE
HE USED TO MAKE DRUMS IN THE BACK YARD, DRESSED THE SKINS.
BACK YARD, DRESSED THE SKINS. WE'D HEAR THE DRUMMING AND
WE'D HEAR THE DRUMMING AND SINGING.
SINGING. HE GOT US A SUDAN, NATIVE
HE GOT US A SUDAN, NATIVE AMERICAN MUSIC IN THAT WAY.
AMERICAN MUSIC IN THAT WAY. SO I WAS AROUND THAT HEARTBEAT
SO I WAS AROUND THAT HEARTBEAT AND AROUND THAT PULSE.
AND AROUND THAT PULSE. SO THAT CREATED AND IN ME.
SO THAT CREATED AND IN ME. THEN I BEGAN AS A CHILD IN THE
THEN I BEGAN AS A CHILD IN THE CATHOLIC CHURCH.
CATHOLIC CHURCH. MY PARENTS MADE ME BECOME ***
MY PARENTS MADE ME BECOME *** AR BOY.
AR BOY. I WAS BACK THERE DOING YOU CAN
I WAS BACK THERE DOING YOU CAN RIS, RINGING OOO DOING THE
RIS, RINGING OOO DOING THE EUCHARIST.
EUCHARIST. I WAS DOING MY PERCUSSION GIG AS
I WAS DOING MY PERCUSSION GIG AS A LITTLE BOY.
A LITTLE BOY. >> HOW DO YOU THINK THAT
>> HOW DO YOU THINK THAT INFORMED YOUR LATER MUSICAL LIFE
INFORMED YOUR LATER MUSICAL LIFE OR YOUR MUSIC CAREER?
OR YOUR MUSIC CAREER? >> THAT BEGINNING ACTUALLY, AS I
>> THAT BEGINNING ACTUALLY, AS I THINK BACK, USING PERCUSSION IN
THINK BACK, USING PERCUSSION IN A CEREMONY IN A RITUAL THAT
A CEREMONY IN A RITUAL THAT TAKES YOU INTO A CEREMONY A PART
TAKES YOU INTO A CEREMONY A PART OF THAT AND USING SOUND TO
OF THAT AND USING SOUND TO IGNITE AND TOO WAKE UP PEOPLE,
IGNITE AND TOO WAKE UP PEOPLE, HEY, THIS IS HAPPENING, NOW I
HEY, THIS IS HAPPENING, NOW I THINK ABOUT IT.
THINK ABOUT IT. THAT WAS PREPARING ME FOR USING
THAT WAS PREPARING ME FOR USING SOUND IN THAT WAY TO WAKE PEOPLE
SOUND IN THAT WAY TO WAKE PEOPLE UP.
UP. >> LET'S TALK ABOUT YOUR MUSICAL
>> LET'S TALK ABOUT YOUR MUSICAL JOURNALNY, IN LOOKING AT THE CDs
JOURNALNY, IN LOOKING AT THE CDs YOU PRODUCED, JOURNEY TO FOUR
YOU PRODUCED, JOURNEY TO FOUR WINDS IN 2001, TOTAL BLESSINGS
WINDS IN 2001, TOTAL BLESSINGS IN 2003.
IN 2003. RELEASED IN 2012.
RELEASED IN 2012. HOW WOULD YOU DESCRIBE THE
HOW WOULD YOU DESCRIBE THE PROGRESSION OF YOUR MUSIC?
PROGRESSION OF YOUR MUSIC? >> ACTUALLY PRIOR TO THAT, I
>> ACTUALLY PRIOR TO THAT, I COLLABORATED WITH ARTISTS ALSO,
COLLABORATED WITH ARTISTS ALSO, I DID NATIVE FLAMENCO IN 2000.
I DID NATIVE FLAMENCO IN 2000. IN 1999, ROBERT CREED CODY ON
IN 1999, ROBERT CREED CODY ON FLUTS, A WELL PHONE FLAMENCO
FLUTS, A WELL PHONE FLAMENCO GUITARIST WHO PASSED AWAY.
GUITARIST WHO PASSED AWAY. WE CREATED FLAMENCO MUSIC.
WE CREATED FLAMENCO MUSIC. I HAVE ALSO DONE CONCERTS WITH
I HAVE ALSO DONE CONCERTS WITH VINCE WELLNECK OF GRATEFUL DEAD.
VINCE WELLNECK OF GRATEFUL DEAD. HE HIRED ME AS A PERCUSSIONIST
HE HIRED ME AS A PERCUSSIONIST IN TEMPE TO DO A CONCERT.
IN TEMPE TO DO A CONCERT. I HAVE DONE MUSIC FOR SEAL HAD A
I HAVE DONE MUSIC FOR SEAL HAD A GROUP CALLED GAME OF CHANCE.
GROUP CALLED GAME OF CHANCE. SACRED MUSIC AND HE, I DID MUSIC
SACRED MUSIC AND HE, I DID MUSIC FOR THAT CONCERT.
FOR THAT CONCERT. >> IT SEEMS LIKE A WIDE VARIETY
>> IT SEEMS LIKE A WIDE VARIETY OF GENRES.
OF GENRES. HOW DO YOU PULL ALL THOSE
HOW DO YOU PULL ALL THOSE TOGETHER INTO A UNIFIED CREATIVE
TOGETHER INTO A UNIFIED CREATIVE THREAD IN YOUR MIND?
THREAD IN YOUR MIND? >> FOR ME, EVERYTHING IS VERY
>> FOR ME, EVERYTHING IS VERY SIMPLE.
SIMPLE. YOU BREAK EVERYTHING DOWN,
YOU BREAK EVERYTHING DOWN, WHETHER IT'S PERCUSSION, VOICE,
WHETHER IT'S PERCUSSION, VOICE, WHETHER IT'S MELODY.
WHETHER IT'S MELODY. IT COMES DOWN TO ONE NOTE.
IT COMES DOWN TO ONE NOTE. IT COMES DOWN TO ONE BEAT.
IT COMES DOWN TO ONE BEAT. IT COMES DOWN TO ONE PULSE.
IT COMES DOWN TO ONE PULSE. IT COMES DOWN TO ONE THOUGHT.
IT COMES DOWN TO ONE THOUGHT. SO THAT'S WHERE I'M TAKING MUSIC
SO THAT'S WHERE I'M TAKING MUSIC NOW IS I MEAN I'VE DONE SALSA,
NOW IS I MEAN I'VE DONE SALSA, ARC STRA MUSIC WITH CPR IN
ARC STRA MUSIC WITH CPR IN PHOENIX.
PHOENIX. I DID PERCUSSION FOR THEM AND
I DID PERCUSSION FOR THEM AND NOW IT'S TAKING MUSIC DOWN TO
NOW IT'S TAKING MUSIC DOWN TO JUST ONE BEAT AND I AM FINDING
JUST ONE BEAT AND I AM FINDING THAT IN MY WORK WITH HOSPICE,
THAT IN MY WORK WITH HOSPICE, WHEN I'M WALKING DOWN THE HALL
WHEN I'M WALKING DOWN THE HALL LIKE A PIED PIPER, CREATING A
LIKE A PIED PIPER, CREATING A SACRED SPACE FOR PEOPLE TO
SACRED SPACE FOR PEOPLE TO TRANSITION IN THEIR LANE THERE
TRANSITION IN THEIR LANE THERE IN THE HOSPICE, THAT THE SIMPLE
IN THE HOSPICE, THAT THE SIMPLE HEARTBEAT, JUST THE SIMPLE
HEARTBEAT, JUST THE SIMPLE GENTLE HEARTBEAT WITH JUST A
GENTLE HEARTBEAT WITH JUST A SIMPLE MMMM A SIMPLE LULLABY IS
SIMPLE MMMM A SIMPLE LULLABY IS ALL THEY NEED
ALL THEY NEED [ MUSIC PLAYING ]
[ MUSIC PLAYING ] >> TELL ME A LITTLE MORE ABOUT
>> TELL ME A LITTLE MORE ABOUT WHY MUSIC AND IT SOUND LIKE A
WHY MUSIC AND IT SOUND LIKE A RITUAL WITH MUSIC INTO THOSE
RITUAL WITH MUSIC INTO THOSE SPACES, MOVING BEYOND MUSIC WHY
SPACES, MOVING BEYOND MUSIC WHY IN THOSE SETTINGS IN.
IN THOSE SETTINGS IN. >> BECAUSE I SEE PEOPLE THAT ARE
>> BECAUSE I SEE PEOPLE THAT ARE OPEN TO THE HEALING AND PEOPLE
OPEN TO THE HEALING AND PEOPLE THAT ARE OPENED TO RECEIVING A
THAT ARE OPENED TO RECEIVING A TOUCH AND RECEIVING INSPIRATION
TOUCH AND RECEIVING INSPIRATION THAT ARE AT THAT PLACE, WHETHER
THAT ARE AT THAT PLACE, WHETHER IT'S DRUG ADDICTION PROGRAMS,
IT'S DRUG ADDICTION PROGRAMS, YOU KNOW, HOSPICE, WHETHER IT'S
YOU KNOW, HOSPICE, WHETHER IT'S ONE TO ONE SEGS WITH CANCER
ONE TO ONE SEGS WITH CANCER PATIENTS.
PATIENTS. THEY'RE LOOKING FOR SOMETHING.
THEY'RE LOOKING FOR SOMETHING. THEY'RE LOOK FOR SOMETHING AND
THEY'RE LOOK FOR SOMETHING AND THEY'RE AT THAT CROSSROAD OR AT
THEY'RE AT THAT CROSSROAD OR AT THAT CRUX, WHERE THEY DON'T KNOW
THAT CRUX, WHERE THEY DON'T KNOW WHETHER THEY'RE GOING TO LIVER
WHETHER THEY'RE GOING TO LIVER OR DIE, YOU KNOW, AND IN
OR DIE, YOU KNOW, AND IN REALITY, ALL OF US ARE LOOKING
REALITY, ALL OF US ARE LOOKING FOR SOMETHING AND SO THAT'S WHAT
FOR SOMETHING AND SO THAT'S WHAT I'M SEEING IS THAT THE MUSIC
I'M SEEING IS THAT THE MUSIC THAT I'M SHARING WITH THESE
THAT I'M SHARING WITH THESE PEOPLE AND THE TRAINING THAT
PEOPLE AND THE TRAINING THAT I'VE GOTTEN IN DRUG
I'VE GOTTEN IN DRUG REHABILITATION PROGRAM IN TAKING
REHABILITATION PROGRAM IN TAKING WOMEN INTO MEDITATION, YOU KNOW
WOMEN INTO MEDITATION, YOU KNOW AND TEACHING SPIRITUALITY AND
AND TEACHING SPIRITUALITY AND THE TRAINING I'VE RECEIVED
THE TRAINING I'VE RECEIVED WORKING WITH CHILDREN IN INNER
WORKING WITH CHILDREN IN INNER PHOENIX AN DOING ASSEMBLIES AND
PHOENIX AN DOING ASSEMBLIES AND SHARING MUSIC TO KAUL THEM IS
SHARING MUSIC TO KAUL THEM IS REALLY WHAT HAS SHAPED ME TO
REALLY WHAT HAS SHAPED ME TO CREATE THE CDs.
CREATE THE CDs. >> HOW DO YOU THINK THAT MUSIC
>> HOW DO YOU THINK THAT MUSIC ALLOWS PEOPLE TO FIND WHAT IT IS
ALLOWS PEOPLE TO FIND WHAT IT IS THEY'RE SEEKING?
THEY'RE SEEKING? WHAT IS IT ABOUT IT THAT HELPED
WHAT IS IT ABOUT IT THAT HELPED THAT PROCESS.
THAT PROCESS. >> THE SIMPLE SOUND OF THE
>> THE SIMPLE SOUND OF THE FLUTES, BEFORE CIVILATION,
FLUTES, BEFORE CIVILATION, BEFORE TIME, BEFORE SPACE.
BEFORE TIME, BEFORE SPACE. BEFORE CULTURES, BEFORE
BEFORE CULTURES, BEFORE LANGUAGE.
LANGUAGE. WE HAVE THE SIMPLE SOUND OF THE
WE HAVE THE SIMPLE SOUND OF THE VOICE THE DRUM AND THE FLUTE
VOICE THE DRUM AND THE FLUTE THAT WE USE TO CREATE SACRED
THAT WE USE TO CREATE SACRED SPACE OR CEREMONY TO EMPTY A
SPACE OR CEREMONY TO EMPTY A PART OF OUR SOUL.
PART OF OUR SOUL. SO SIMPLE SOUNDS HAVE A WAY OF
SO SIMPLE SOUNDS HAVE A WAY OF TAKING EVERYBODY BACK AND
TAKING EVERYBODY BACK AND UNLAYERING THEIR LIFE BACK TO
UNLAYERING THEIR LIFE BACK TO THE VERY BEGINNING.
THE VERY BEGINNING. SO WE GO BACK TO THAT SIMPLE
SO WE GO BACK TO THAT SIMPLE SOUND, PEOPLE WANT TO HEAR IT.
SOUND, PEOPLE WANT TO HEAR IT. IT HAS A WAY OF TAKING THEM
IT HAS A WAY OF TAKING THEM THROUGH ALL OF THE COMPLICATIONS
THROUGH ALL OF THE COMPLICATIONS IN LIFE, UNLAYERING EVERYTHING
IN LIFE, UNLAYERING EVERYTHING THAT'S GOING ON, THEY GO BACK TO
THAT'S GOING ON, THEY GO BACK TO THAT SIMPLE SOUND, WHICH REMINDS
THAT SIMPLE SOUND, WHICH REMINDS THEM OF THEIR INTUITION, THEIR
THEM OF THEIR INTUITION, THEIR INTUITION IS THAT REFERENCE
INTUITION IS THAT REFERENCE POINT, THAT BEGINNING POINT FOR
POINT, THAT BEGINNING POINT FOR ALL OF US.
ALL OF US. SO WIN WE HAVE THAT TRUTH THAT
SO WIN WE HAVE THAT TRUTH THAT WE BECOME AWARE OF, THEN WE CAN
WE BECOME AWARE OF, THEN WE CAN BEGIN TO SEE CLEARLY WHAT OUR
BEGIN TO SEE CLEARLY WHAT OUR LIFE IS.
LIFE IS. >> MY UNDERSTANDING THAT YOU
>> MY UNDERSTANDING THAT YOU HAVE YEARS IN LONG-TERM RECOVERY
HAVE YEARS IN LONG-TERM RECOVERY FROM ALCOHOL AND DRUG ADDICTION.
FROM ALCOHOL AND DRUG ADDICTION. HOW DID MUSIC SUSTAIN THROUGH
HOW DID MUSIC SUSTAIN THROUGH THOSE TIMES AND WHAT HAS IT
THOSE TIMES AND WHAT HAS IT BROUGHT YOU IN RECOVERY AND HOW
BROUGHT YOU IN RECOVERY AND HOW IS THAT CHECKED TO WHAT YOU ARE
IS THAT CHECKED TO WHAT YOU ARE DOING TODAY?
DOING TODAY? >> ACTUALLY DEEP WITHIN, I
>> ACTUALLY DEEP WITHIN, I CREATED IN 2009, I ACTUALLY
CREATED IN 2009, I ACTUALLY COMPOSED THAT MUSIC WHILE I WAS
COMPOSED THAT MUSIC WHILE I WAS IN MEDICAL TREATMENT FOR 48
IN MEDICAL TREATMENT FOR 48 WEEVENLGS I HAD A 48 WEEK LEG OF
WEEVENLGS I HAD A 48 WEEK LEG OF INTERFERON.
INTERFERON. BECAUSE I HAD ACQUIRED A
BECAUSE I HAD ACQUIRED A HEPATITIS C THROUGH MY
HEPATITIS C THROUGH MY INTRAVENUS DIRTY NEEDLES,
INTRAVENUS DIRTY NEEDLES, ***, ***, SHOOTING WITH
***, ***, SHOOTING WITH PROSTITUTES AND DIFFERENT THINGS
PROSTITUTES AND DIFFERENT THINGS LIKE THAT.
LIKE THAT. IN THE ''80s IT CAUGHT UP WITH
IN THE ''80s IT CAUGHT UP WITH ME.
ME. SO I WAS DIAGNOSED IN 2000 WITH
SO I WAS DIAGNOSED IN 2000 WITH HEPATITIS C.
HEPATITIS C. SO DURING THAT TIME OF STROOEMT
SO DURING THAT TIME OF STROOEMT TREATMENT, I WAS NOT FEELING
TREATMENT, I WAS NOT FEELING GOOD.
GOOD. I MEAN, I WAS FATIGUE.
I MEAN, I WAS FATIGUE. I FELT SICK.
I FELT SICK. I HAD A METAL TASTE IN MY MOUTH.
I HAD A METAL TASTE IN MY MOUTH. I WAS LOSING SOME OF MY HAIR.
I WAS LOSING SOME OF MY HAIR. DURING THAT TIME I WENT WITHIN.
DURING THAT TIME I WENT WITHIN. THAT'S WHY IT'S CALLED DEEP
THAT'S WHY IT'S CALLED DEEP WITHIN.
WITHIN. I WENT TO A PLACE WHERE YOU KNOW
I WENT TO A PLACE WHERE YOU KNOW WHAT, I DIDN'T WANT TO DO
WHAT, I DIDN'T WANT TO DO ANYTHING.
ANYTHING. I DIDN'T WANT TO PERFORM I
I DIDN'T WANT TO PERFORM I DIDN'T WANT TO TEACH.
DIDN'T WANT TO TEACH. I WANTED TO CREATE.
I WANTED TO CREATE. I WANTED TO LAY UNDER MY COVERS
I WANTED TO LAY UNDER MY COVERS AND COMFORT MYSELF DURING THAT
AND COMFORT MYSELF DURING THAT TIME IS WHEN I THOUGHT ABOUT THE
TIME IS WHEN I THOUGHT ABOUT THE MOST IMPORTANT ESSENCE IN LIFE
MOST IMPORTANT ESSENCE IN LIFE IS THE HEART BEAT, THE BREATH,
IS THE HEART BEAT, THE BREATH, THAT'S IT.
THAT'S IT. THOSE ARE THE MOST PRECIOUS
THOSE ARE THE MOST PRECIOUS GIFTS.
GIFTS. IF I HAD NOTHING ELSE, THAT
IF I HAD NOTHING ELSE, THAT WOULD BE A MIRACLE IN ITSELF, SO
WOULD BE A MIRACLE IN ITSELF, SO THAT CD WAS VERY SIMPLE IN THAT
THAT CD WAS VERY SIMPLE IN THAT WAY, THE HEARTBEAT GOING
WAY, THE HEARTBEAT GOING THROUGHOUT THE WHOLE CITY.
THROUGHOUT THE WHOLE CITY. IT WAS TAKING PEOPLE INTO
IT WAS TAKING PEOPLE INTO MEDITATION.
MEDITATION. >> TONY REDHOUSE, THANK YOU SO
>> TONY REDHOUSE, THANK YOU SO MUCH FOR JOINING ME.
MUCH FOR JOINING ME. >> YOU ARE WELCOME.
. .
. >> UNFORCED ABILITY, RESPECT AND
>> UNFORCED ABILITY, RESPECT AND UNDERSTANDING WAS CREATED IF
UNDERSTANDING WAS CREATED IF RESPONSE TO THE TUCSON SHOOTINGS
RESPONSE TO THE TUCSON SHOOTINGS ON JANUARY 8th, 2011.
ON JANUARY 8th, 2011. THEY HAVE THIS YEAR FEATURING
THEY HAVE THIS YEAR FEATURING SERGIO MENDOZA, SALVADOR DURRON
SERGIO MENDOZA, SALVADOR DURRON AN JOEY BURNS.
AN JOEY BURNS. NEXT, WE LOOK BACK TO 2010 WHEN
NEXT, WE LOOK BACK TO 2010 WHEN THESE THREE ARTISTS WERE FORGING
THESE THREE ARTISTS WERE FORGING THEIR MUSIC AM FRIENDSHIPS.
THEIR MUSIC AM FRIENDSHIPS. [ MUSIC PLAYING ]
[ MUSIC PLAYING ] >> MOST OF THE MEMBERS IN THE
>> MOST OF THE MEMBERS IN THE BAND DID THE BIG BANDS IN HIGH
BAND DID THE BIG BANDS IN HIGH SCHOOL.
SCHOOL. SO WE ARE DOING THE DIXIELAND
SO WE ARE DOING THE DIXIELAND MUSIC, JAZZ COMBOS.
MUSIC, JAZZ COMBOS. [ MUSIC PLAYING ]
[ MUSIC PLAYING ] >> LEARNING THE STYLES WAS A BIG
>> LEARNING THE STYLES WAS A BIG CHALLENGE, ESPECIALLY FOR THE
CHALLENGE, ESPECIALLY FOR THE DRUMMER.
DRUMMER. BECAUSE IT'S REALLY FAST AND
BECAUSE IT'S REALLY FAST AND IT'S MAMBO.
IT'S MAMBO. IT'S A LITTLE FASTER.
IT'S A LITTLE FASTER. IT'S A BEAT.
IT'S A BEAT. I STUDIED IT, PROBABLY THREE
I STUDIED IT, PROBABLY THREE MONTHS BFRS WE DID THAT FIRST
MONTHS BFRS WE DID THAT FIRST SHOW.
SHOW. I HEARD THE SONGS OVER AND OVER
I HEARD THE SONGS OVER AND OVER AND LEARNED THE ARRANGEMENTS,
AND LEARNED THE ARRANGEMENTS, WROTE THEM OUT AND REALLY
WROTE THEM OUT AND REALLY FOCUSED ON LEARNING MYSELF, SO I
FOCUSED ON LEARNING MYSELF, SO I COULD BE READY TO HELP OTHERS.
COULD BE READY TO HELP OTHERS. >>
>> [ MUSIC PLAYING ]
[ MUSIC PLAYING ] >> HEY
>> HEY [ MUSIC PLAYING ]
[ MUSIC PLAYING ] [ MUSIC PLAYING ]
[ MUSIC PLAYING ] [ MUSIC PLAYING ]
[ MUSIC PLAYING ] SO EVERY GIG WE HAVE BEEN DOING
SO EVERY GIG WE HAVE BEEN DOING IS A PRETTY BIG SHOW, OPENING UP
IS A PRETTY BIG SHOW, OPENING UP FOR BIG BANDS.
FOR BIG BANDS. IT ALLOWS US TO DO OUR OWN SHOWS
IT ALLOWS US TO DO OUR OWN SHOWS AND, YOU KNOW, WE GOT LIKE 2,
AND, YOU KNOW, WE GOT LIKE 2, 230, 240 PEOPLE ON OUR OWN.
230, 240 PEOPLE ON OUR OWN. WE CAN'T GET THAT LIST WITH THE
WE CAN'T GET THAT LIST WITH THE BANDS WE HAVE BEEN IN FOR A
BANDS WE HAVE BEEN IN FOR A WHILE.
WHILE. [ MUSIC PLAYING ]
[ MUSIC PLAYING ] 6
[ MUSIC PLAYING [ MUSIC PLAYING ]
[ MUSIC PLAYING ] [ SPEAKING SPANISH ]
[ SPEAKING SPANISH ]
[ MUSIC PLAYING ]
THE CONCERT WILL BE SUNDAY FROM 2:00 TO 6:00 P.M. AT HOTEL
2:00 TO 6:00 P.M. AT HOTEL CONGRESS.
CONGRESS.