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Here, I have another version of a capelet. This one has more of a military inspired look.
I have right here, I did the closures on it with these being little. This would in my
head be chain, like some sort of metal clasping the buttons together. And, then I have it
with the riding pants that I have shown you earlier. Because, it does give it more of
a structured vibe. It's more, let's go fox hunting in the country. English countryside,
horse riding vibe. There's also a little bit of a British policeman bobby type look to
the cape. You also, when you're drawing like this cape if you look at it and you think
rationally about it, it's really the design of it it doesn't allow for much mobility.
So, it is for the look. It's for conveying to whoever is looking at it that, that's what
I mean to evoke in the mind. But, when you come down to it this kind of cape is too belled.
You're not going to be able to move. So, this presents the whole idea that your drawings
don't really have to be. You have an artistic license to have reality and then your drawing
actuality. What works in reality isn't necessarily going to work on your drawing and vice versa.
So, it's up to you as the designer to show what you want to work on this based on your
own concept based on the lines of the body and based on your overall theme for the collection
based on who you are as a designer. You should always, always show who you are.