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- PREVIOUSLY ON BETHENNY EVER AFTER...
EVERY TIME I MAKE A BUSINESS DEAL,
OR A DECISION, I DO TALK TO JASON.
BUT WE HADN'T TAKEN THE FULL STEP
OF REALLY FULLY WORKING TOGETHER.
- IS THAT SOMETHING YOU'RE GONNA DO?
- I THOUGHT WE WOULD'VE DONE IT BY NOW, RIGHT?
BUT I WANT TO MAKE SURE IT'S GOOD FOR THE RELATIONSHIP.
IT'S GOOD FOR THE BUSINESS, BUT I DON'T KNOW THAT IT'S GOOD
FOR THE RELATIONSHIP.
- I HAVE DECIDED
TO MOVE HOME TO PITTSBURGH AT THE END OF THE YEAR.
- NO WAY. YOU'RE [bleep] ME.
- ARE YOU EXCITED?
- OH, MY GOD, SO EXCITED. - GOOD.
- I'M A LITTLE NERVOUS, THOUGH.
- IT'S A TOUGH JOB. - YEAH.
- I THINK THESE GIRLS ARE GONNA BE ABLE TO HANDLE THE SCHEDULE.
ONLY THING I WORRY ABOUT IS A SCHEDULE.
- YES. - HOW OLD IS SHE?
- 23.
- WE'RE GONNA HAVE 23-AND 24-YEAR-OLDS
RUNNING THIS BUSINESS?
THAT'S CRAZY.
SHE WENT FOR WHAT SHE WANTED, SHE GOT IT.
SHE WENT FOR WHAT SHE WANTED, SHE GOT IT.
WE KNOW I'VE GONE FOR WHAT I WANTED, I'VE GOT IT.
YOU HAVE TO GO FOR WHAT YOU WANT AND GO GET IT.
[upbeat music]
♪ ♪
[doorbell ringing] - HI.
- HI, BROOKE.
BROOKE, YOU WANT SOME EGGS?
- NO, I'M GOOD, THANK YOU.
- YOU SURE? I MAKE GOOD OMELETS.
YOU HAD BREAKFAST?
- I DID.
- I WANT YOU TO LOOK AT HOW I LIVE,
SO YOU REALLY UNDERSTAND WHAT WE'RE DOING.
- RIGHT.
- LIKE, I WANT YOU TO GET WHAT'S GOING ON.
- YEAH, THAT STORE NEXT TO GEORGE SMITH,
I'VE NEVER WORKED WITH THEM BEFORE...
- IT'S BEAUTIFUL. - BUT THEY HAVE SOME REALLY
COOL--IT'S NOT CHEAP, THOUGH.
- NOTHING'S CHEAP. YOU ARE NOT CHEAP, BROOKE.
YOU ARE THE MOST EXPENSIVE HABIT I COULD POSSIBLY HAVE.
ON TOP OF PACKING FOR MEXICO,
I'M RUNNING MY BUSINESS,
TAKING CARE OF MY BABY,
AND, OH, BY THE WAY, I'M DOING A GUT RENOVATION.
I'M AN AMAZING MULTITASKER.
- I'M GONNA TAKE SOME NOTES. - YOU'RE THE MINUTES PERSON.
- I AM THE MEETING MINUTES.
- ACCORDING TO THAT WOMAN FROM THE ARMORY,
THOSE CABINETS ARE STILL AVAILABLE.
- I KNOW, AND SHE SAID THEY'RE WELL-PRICED AT $33,000.
- THERE ARE TWO OTHER DESIGNERS WHO ARE INTERESTED, THOUGH.
- MOMMY! - OH, NO, NO, NO.
WHY IS SHE COUGHING? I DON'T LIKE THE COUGH.
WE HAD THE COXSACKIE, BUT IT'S NOT THE COUGH.
PLEASE, GO TAKE A NAP, SUNSHINE BABY.
WHAT TIME IS IT?
- 11:15.
- OH, MY GOD, IT'S SO PAST YOUR NAP TIME.
- MAMA. - NO, NO, BABY, BUT I LOVE YOU.
- MAYBE SHE WANTS TO SIT IN ON THE MEETING.
SO WHERE DO YOU WANT TO START?
- FROM THE BEGINNING.
WALK IN THE APARTMENT.
- SO WE'RE AT THE FRONT DOOR.
THIS WAS ONE OF THE BENCHES THAT YOU SAW.
- GREAT, IT'S A BENCH, AND IT'S GONNA BE REASONABLE
IF IT'S AT HICKORY.
- RIGHT. - PICK IT, DONE.
- I LOVE THIS. WE'RE MAKING DECISIONS.
NOW, WHAT ABOUT THIS?
- $3,000 FOR A--
- $2,360 FOR THE PAIR.
- AX 'EM.
YOU KNOW YOU WANT EGGS. - IT'S A SHAME, THOUGH,
'CAUSE THEY'RE REALLY NICE.
[baby fussing] - YOU HAVE TO NAP.
JUST TAKE A TEN-MINUTE NAP.
- SO WE HAVE TO FIND BEDSIDE TABLES.
- BROOKE IS THE ULTIMATE SPENDER OF OTHER PEOPLE'S MONEY.
WHAT DOES SHE CARE?
SHE'S NOT REALLY THINKING ABOUT IT FOR HER.
WOULDN'T IT BE GREAT TO JUST BE LIKE, "OH, HERE, GO BUY THIS
$7,000 COMFORTER."
SO YOU'VE GOT TO WATCH.
- THIS IS ABOUT BALANCE.
- OKAY, SO LET'S FIND--
- THIS IS ABOUT BALANCE IN YOUR APARTMENT...
- RIGHT.
- THIS IS ABOUT BALANCE IN YOUR LIFE.
- SO WHERE AM I SUPPOSED TO SPEND THE BIG MONEY ON THINGS?
ISN'T IT ARTWORK?
AND THIS WAS THAT BAR.
THIS IS $3,000, THIS IS WHAT THIS IS.
THIS IS--THIS IS NOT $9,000 LESS THAN THAT OTHER ONE.
AS FAR AS VISUALS, IT'S AS NICE.
SO I LIKE THIS. A LOT.
- WAS IT FLASHY IN PERSON?
- IT WAS EXACTLY--HERE'S PERSON. THAT'S IT.
THAT'S WHAT IT LOOKS-- - I LOVE IT.
- JULIE AND JACKIE, COME HERE FOR A SEC.
WHAT DO YOU THINK ABOUT THIS?
DOING ONE NORMAL COUCH,
AND ONE BENCH.
I THINK IT'S NICE TO HAVE TWO DIFFERENT THINGS.
- I KIND OF LIKE THAT, 'CAUSE THEN IF YOU DO ENTERTAIN,
PEOPLE CAN SIT ON BOTH SIDES, AND, LIKE, TALK.
- OH, THAT'S A GOOD POINT.
- DONE. THANK YOU, JULIE. YOU'RE EXCUSED.
PERFECT, WE'RE GETTING THAT. - [laughing]
- JULIE, DO YOU WANT A JOB?
- JULIE'S LEAVING US.
SHE'S MOVING HOME WITH HER BOYFRIEND.
- WHEN IS THAT HAPPENING?
- RIGHT NOW.
- MY GOD.
I'LL HAVE MY DOCTOR CALL IN A PRESCRIPTION RIGHT NOW
FOR MY ULCER.
IT'S NOW GROWING AS WE SPEAK AT THIS TABLE.
- BROOKE IS DRAMATIC.
SHE'S HAVING ANXIETY ABOUT JULIE LEAVING,
BECAUSE SHE FEELS LIKE THAT'S HER POINT PERSON.
NOW SHE'S GOING TO HAVE TO DEAL WITH ME DIRECTLY,
WHICH IS A WHOLE DIFFERENT MEGILLAH.
- I MEAN, I THINK I NEED TO HAVE ANOTHER MEETING,
AND THAT'S, LIKE, ALREADY CAUSING ME, LIKE--
- MASSIVE ANXIETY? - AGITA.
- I KNOW.
- LIKE, IF I THOUGHT I HAD AN ULCER LAST WEEK,
I THINK I DEFINITELY AM GOING TO GET ONE NEXT WEEK.
- LET'S GET SOME SEDATIVES FOR BROOKE, ANYBODY?
[upbeat music]
♪ ♪
- HEY. - HI, HOW ARE YOU?
- HI. - GOOD TO SEE YOU.
- HOW ARE YOU? - OH, YOU LOOK NICE.
- THANK YOU. - I ORDERED YOU ONE.
- HOW ARE YOU?
- GOOD. I'M REALLY GOOD.
- HI. - HI.
- SO I'M HERE AT THE JIM BEAM MEETING, AND WE'RE DISCUSSING
SKINNYGIRL COCKTAILS AND WHERE IT'S GOING.
EVEN THOUGH JULIE'S LEAVING, I STILL INCLUDE HER IN MEETINGS,
BECAUSE THEY'RE INVALUABLE OPPORTUNITIES TO LEARN
INFORMATION WHEREVER SHE'S GOING IN THE FUTURE,
AND I ALSO WANT THE WHOLE TEAM TO BE THERE
BECAUSE EVERYONE NEEDS TO LEARN AS MUCH AS POSSIBLE.
- SO, AS YOU KNOW, SKINNYGIRL IS THE MARKET LEADER,
AND WE'RE THE FASTEST-GROWING READY-TO-DRINK ON THE MARKET.
BUT WHAT THAT MEANS IS THAT THERE'S A WHOLE HOST
OF CHEATER BRANDS THAT ARE TRYING TO NIP AT OUR HEELS
AND REALLY GET A PIECE OF THE PIE.
- THAT'S WHAT WE CALL THEM, "CHEATER BRANDS"?
- CHEATER BRANDS. - I LOVE IT, YEAH.
[all laughing]
WE'VE GOT TO BE WAY AHEAD OF EVERYBODY,
THAT'S THE ONLY BIG GOAL.
- AND MOVING INTO MARKETING ACTIVATION.
SO WE JUST WANTED TO SHOW YOU HOW WE'VE TAKEN
KIND OF THE LOOK AND FEEL OF THE BRAND, YOU KNOW, THE MARGARITA,
AND KIND OF TRANSITIONED IT OVER TO COCKTAILS.
- I CANNOT BELIEVE WE'RE STILL USING THIS PICTURE.
THAT DRESS WAS $27.
NO, I LOVE IT. THE DRESS WAS $27--
- YOU SHOULD AUCTION IT. DO YOU HAVE IT?
- WE KEPT IT. IT WILL GO IN, LIKE, YOU KNOW,
THE SMITHSONIAN ALCOHOL DEPARTMENT.
[laughter] I WAS SHOOTING THE COVER
OF MY BOOK, AND WE WERE LIKE, "JUST DO ONE MORE."
- I'M LIKE, YEAH, IT'S EVERYWHERE, SO...
- I KNOW, NO, IT'S A FUNNY STORY.
JUST I WANT TO ASK ONE QUESTION.
THE NEW BOTTLE THAT YOU SENT THE OTHER DAY,
IS THAT FINAL, OR NO, WE CAN STILL CHANGE IT?
- THAT'S IN THE MARKET.
SO THAT WAS OUR QUICK CHANGE ON IT.
THE MORE WE FROST IT, THE WORSE IT GETS, AND IT MAKES THE...
- CAN WE FROST IT IN A COLOR?
- THE PROBLEM IS IS THE LIQUID'S SO DARK--
- IT LOOKS LIKE PEE-PEE A LITTLE BIT.
- I KNOW, SO IT WAS LIKE, GET OUT OF THE GREEN BOTTLE,
SO IT DOESN'T LOOK LIKE GASOLINE AND PEE.
YOU KNOW, AND SO IT'S LIKE, GET INTO THE WHITER BOTTLE,
WHICH GIVES IT THAT GOLDEN GLOW TO IT, SO--
- GOLDEN GLOW, GREAT. - THANK YOU, GOLDEN GLOW.
- GOLDEN GLOW IS NOT HOW WE'RE GONNA MARKET IT,
'CAUSE THEN WE'RE BACK TO PEE-PEE.
I DON'T FEEL PRESSURE ABOUT THE MILLIONS OF DOLLARS
THAT JIM BEAM HAS INVESTED IN THIS COMPANY.
I WORRY THAT THEY NEED TO MAINTAIN THE INTEGRITY
OF MY BRAND BECAUSE IT FAR EXCEEDS ALCOHOL.
- SO DO YOU WANT TO DO THE TASTING
WHILE WE TALK ABOUT THE BOTTLE TOPS?
- YES, TASTING AND BOTTLE TOPS. - OKAY, LET'S DO IT.
- I'VE SENT THEM LISTS
OF FLAVORS THAT I WOULD LIKE TO TRY.
SO THEY HAVE TO GO BACK AND FORMULATE,
AND MAKE SURE THAT THEY CAN MAKE THOSE VISIONS A REALITY,
AND THAT THEY'LL ACTUALLY TASTE GOOD.
AND SOME WORK OUT BETTER THAN OTHERS.
NOT ALL FLAVORS ARE EASY TO CREATE,
AND IT'S A LONG AND ARDUOUS PROCESS.
- SO WHAT WE HAVE HERE, WE HAVE A LINEUP OF COSMOS.
THE NEXT LINEUP, SOME IDEAS OF WHERE WE CAN TAKE THE MARGARITA.
- MM-HMM. - THIS IS SO COOL.
- AND THEN OUR THIRD ONE IS PLAYING IN THAT ISLAND CATEGORY,
WHAT DOES SKINNYGIRL LOOK LIKE WITH RUM?
IF YOU START ON YOUR TOP LEFT... - OKAY.
- WE HAVE TWO DIFFERENT VERSIONS OF A WHITE CRANBERRY.
- I THINK I LIKE THE FIRST ONE THE BEST.
- YEAH. ABSOLUTELY.
- THE SECOND ONE TA-- ASPIRINY.
ALL RIGHT.
- SO WE HAVE A PINK LEMONADE COSMO,
AND THEN THE LAST ONE HERE, ON YOUR TOP RIGHT,
IS A RASPBERRY LIME.
- I DO NOT REALLY LIKE IT.
- NOT A FAN? - NOT THE FIRST ONE.
- [laughing] OKAY.
SO NOW THE BLOOD ORANGE MARGARITA?
- NO, THERE'S SOMETHING FUNKY IN IT.
NO. - ALL RIGHT.
- NOW WE'RE IN MY FAVORITE NEXT CATEGORY,
THE RUM CATEGORY.
- WELL, YOU KNOW WHAT, YOU'RE IN STORE,
'CAUSE I HAVE A PINA COLADA RIGHT HERE.
- I'M IN MEXICO ALREADY.
IT IS VERY--IT'S REALLY GREAT.
- THE PURPOSE OF THE MEETING IS TO DETERMINE NEW FLAVORS
AND WHETHER I WANT TO GET BEHIND THAT AND PROMOTE IT.
ALL RIGHT, SO THE THING IS
THAT WE NEED TO LAUNCH A COSMO.
WE NEED TO HAVE A *** DRINK RIGHT AWAY,
BECAUSE EVERYBODY'S ON OUR HEELS,
AND WE NEED TO BE WAY AHEAD OF IT.
SO WE NEED TO LAUNCH THIS.
THIS IS--THIS IS GREAT.
THIS IS EXACTLY WHAT IT'S SUPPOSED TO BE.
AND I THINK IT SHOULD BE CALLED THE WHITE CRANBERRY COSMO.
- YEAH, ABSOLUTELY.
- SO WHERE IS THE LAUNCH PARTY GONNA BE,
WHEN'S IT HAPPENING?
- WE'RE LOOKING AT ALL THE, LIKE, YOU KNOW, DIFFERENT
SKI TYPE OF RESORTS WHERE WE COULD HAVE
KIND OF A HOLIDAY-- - WE COULD DO ASPEN.
- WE COULD DO THAT. THAT'S ONE IN THE MIX.
WE'RE LOOKING, LIKE, DENVER OR ASPEN, LIKE,
THERE'S A BUNCH OF DIFFERENT-- - NO DENVER. ASPEN.
- OKAY, ALL RIGHT, WE'LL WORK--
- IT'S MORE LIKE WHITE SNOW BUNNY,
WHITE CRANBERRY--WHAT?
- I'VE NEVER BEEN TO THERE.
- I HAVEN'T EITHER, BUT WE CAN-- YEAH, WELL, I MEAN--
- YOU'VE NEVER BEEN TO ASPEN? - I HAVE.
- HAVE YOU?
WHO'S BEEN TO ASPEN? RAISE YOUR HAND.
WHAT DO YOU THINK?
- IT'S A FABULOUS PLACE. I WOULD DEFINITELY DO IT THERE.
- OKAY, WELL, DONE. WE DON'T--
LET'S DO ASPEN. WE HAVE TO DO ASPEN.
- OKAY, SO WE'LL JUST-- - AND I LIKE TO SNOWBOARD.
WE CAN HAVE A SKINNYGIRL SNOWBOARD
AND SKINNYGIRL OUTFITS.
- YOU SNOWBOARD? - YES, FOR YEARS.
- OH, OKAY, GOOD.
- YOU HAVEN'T SNOWBOARDED SINCE I STARTED WORKING FOR YOU.
- I KNOW, BECAUSE I HAVEN'T...
I HAVEN'T, LIKE... I HAVEN'T LIVED.
I HAVEN'T DONE ANYTHING
SINCE YOU STARTED WORKING FOR ME.
I HAVEN'T, I DON'T DO ANYTHING. - THAT'S TRUE.
- ALL RIGHT, SO MOVING ALONG. - OKAY.
- SO WHEN CAN WE LAUNCH THIS?
- SO THE IDEA FOR ALL OF THESE WAS TO LAUNCH, LIKE,
APRIL NEXT YEAR.
- APRIL NEXT YEAR, 0-12?
BUT WE NEED SOMETHING NOW. IT'S BEEN TOO MUCH TIME.
- WELL, IF WE CAN GET APPROVALS ON IT,
WE CAN POTENTIALLY DO IT FOR HOLIDAY.
IT'S JUST, WE'D HAVE TO PULL OFF MIRACLES TO GET IT DONE.
- AND WE GET LITTLE CRANBERRIES ON THE TOP.
- YEAH, THERE YOU GO. SAY--SO, YEAH, I MEAN,
WE'LL WORK THROUGH IT. I JUST CAN'T GUARANTEE IT, SO--
- WE CAN DO IT. WE CAN DO IT.
- I THINK WE CAN PULL IT OFF.
- ALL RIGHT, SO WE'RE LAUNCHING THIS IN--FOR HOLIDAY.
- OKAY.
- HOW DO YOU LIKE YOUR NEW JOB, MAGGIE?
COMING UP...
- ARE WE PLANNING ON THAT ENTIRE WALL BEING A MOSAIC?
- NO, I THINK JUST THE FLOOR SHOULD BE THE MOSAIC.
- ...IN THE SHOWER. - TELL HER ***.
- WALLS AND FLOORS? - WHAT IF I DISAGREE WITH HER?
- DISAGREE WITH HER!
[upbeat music]
[horns honking]
- HI. - HI, BETHENNY, HOW ARE YOU?
- HI, I'M BETHENNY.
- JOHN, FROM ABC STONE, TORONTO.
- NICE TO MEET YOU. YOU'RE THE STONE GUY?
- YES, I AM.
- ALL RIGHT, SO WHAT SHOULD WE DO?
- WE'RE LOOKING AT SLABS AND STONE TODAY.
- RIGHT, RIGHT, THIS IS FOR, LIKE, THE COUNTER--
- THIS IS FOR THE COUNTER TOPS,
THIS IS FOR WHAT'S IN THE SHOWER.
- WE ARE BUYING SLABS OF MARBLE
FOR A PLACE THAT SEEMS LIKE WE'LL NEVER MOVE INTO.
I THOUGHT WE WENT TO WATERWORKS
AND WE WERE KIND OF DONE, CHECK IT OFF.
I WOULDN'T BE OPPOSED TO SOMETHING LIKE THIS.
THIS IS TOO FANCY FOR ME.
THIS MAKES ME FEEL LIKE I'M PICKING OUT FLATWARE,
FOR SOME REASON.
I WANT TO BE THIS PERSON.
- OH, YOU WANT TO BE THAT PERSON.
- I DON'T WANT TO BE THAT PERSON.
IT FEELS LIKE I'M GOING THROUGH THE MOTIONS,
BUT THERE REALLY IS NO APARTMENT.
- YEAH, THAT'S BEAUTIFUL.
- I LOVE THAT.
- ALL OF THIS CAME FROM THE SAME CUT?
- NO, TWO DIFFERENT CUTS.
SAME AREA OF THE WORLD, TWO DIFFERENT CUTS.
- YEAH, IT HAS TO MATCH.
BECAUSE THE STUFF WE PICKED UP FOR THE TILE
IS ALSO GONNA BE ON THE FACE OF THE TUB.
- THAT'S CORRECT.
- SO THEN THE SLAB IS GONNA BE ON THE BACK OF THE TUB,
ON THE WALL. - RIGHT.
- AND THEN-- - WELL, YOU JUST SAID SOMETHING.
SO YOU'RE SAYING TO ME NOW THAT THE GOMEZ TWINS ARE PUTTING--
- WE'VE GOTTA CALL THE GOMEZ TWINS.
THERE'S JUST NO WAY TO DEAL WITH THIS.
- SLABS ON THE WALL OF THE SHOWER?
- WHY AREN'T THEY HERE?
- I DON'T KNOW. I DON'T KNOW WHY THEY'RE NOT HERE.
LET ME JUST CALL THEM.
LIKE, I THOUGHT WE DECIDED EVERYTHING YESTERDAY WITH THEM,
AND, LIKE, NOW IS ANOTHER CONVERSATION.
HEY, YOU GOTTA GET BROOKE GOMEZ TO CALL ME TODAY.
BECAUSE WHAT WE DECIDED AT WATERWORKS AFFECTS
WHAT WE'RE DOING TODAY, AND THIS IS LIKE...
A CIRCLE JERK.
BYE. OKAY, SHE'LL CALL US.
ALL RIGHT.
- ONCE YOU'VE PICKED THIS OUT, IT GOES TO PRO DESIGN,
AND THEN DAVID, IN HIS FACTORY, IS GOING TO ACTUALLY--
- WAIT, I DON'T--I KNOW-- YOU WORK HERE?
- NO, THAT'S DAVID, YOUR TILE MAN.
HE'S THE GUY DOING ALL YOUR TILE WORK.
- HE'S BEEN ON SITE WITH US, DON'T YOU RECOGNIZE DAVID?
- YEAH, NO, I DO. I WAS LIKE, "WHAT--"
HE NEEDS TO GET INVOLVED IN THE CONVERSATION.
HOW ARE YOU? GOOD TO SEE YOU AGAIN.
- THIS IS THE MAN WHO'S ACTUALLY PHYSICALLY DOING THE LABOR.
- YOU'RE PUTTING IT IN. DO YOU LIKE THAT?
- HE'S GONNA TAKE THIS STONE AND CUT THIS FOR YOU.
HE'S GOT A MILLION-DOLLAR SAW--
- I THINK I DO...
- NOBODY'S LISTENING TO ME.
- HE'S GOT A MILLION-DOLLAR SAW. - NOBODY'S LISTENING TO ME.
- AND HE'S GOT 'EM-- AND YOU HATE THAT.
- HE'S GOT A MILLION DOLLAR SAW, AND HE'S GONNA LASER CUT THIS
IN HIS FACTORY FOR YOU, AND YOU'RE GONNA GO THERE
AND ACTUALLY TELL HIM, "I HATE THIS PART."
- AND HE HAS TO KNOW WHAT WE PICKED AT WATERWORKS TOO,
THE TILES AND STUFF? - HE'S GOT TO KNOW EVERYTHING.
- YEAH, I NEED TO KNOW EVERYTHING.
- HE IS THE MAN-- - ♪ NOBODY'S WORKING TOGETHER ♪
YOU NEED TO TALK TO THE PEOPLE--THE GOMEZ TWINS.
IT NEVER CEASES TO AMAZE ME HOW PEOPLE CAN'T COMMUNICATE.
IT'S HOW YOU BUILD A BUSINESS,
IT'S HOW YOU OPERATE IN BUSINESS.
YOU JUST CONNECT.
WE NEED TO HAVE A HUB AND A CENTER,
AND I THINK I'M THAT CENTER NOW.
HOLD ON, THIS COULD BE THEM.
HELLO? - HI, BETHENNY, IT'S BROOKE.
- OH, BROOKE, HOLD ON!
BROOKE'S HERE. BROOKE? OKAY.
SO WE'RE PICKING OUT SLABS FOR THE THREE VANITIES
IN THE BATHROOM, CORRECT?
- WELL, YOU WANT TO REALLY MATCH THE FLOOR, SO--
- WELL, THEN, HOW COULD YOU THINK THAT THESE GUYS
WERE GOING TO KNOW WHAT THE FLOOR WAS
IF YOU DIDN'T TELL THEM WHAT WE ALREADY PICKED OUT?
LIKE, I COME IN HERE, AND THEY'RE LIKE,
"WHAT DO YOU MEAN YOU ALREADY PICKED OUT FLOOR?"
WE'RE COMING IN HERE WASTING PEOPLE'S TIME.
SO-- - I KNOW. WE ISSUED THE--
WE JUST APPROVED EVERYTHING LAST NIGHT.
- HERE'S THE OTHER THING,
ARE WE DOING THE MOSAIC IN THE WALL OF THE MASTER SHOWER?
- NO, WE'RE DOING A SLAB.
- THEY SAY WHAT SHE-- WE'RE DOING ALL SLAB
IN THE MASTER BATH, SO HAVE YOUR ARGUMENT
ABOUT THE MOSAIC.
- OKAY, IN THE MASTER SHOWER, ARE WE PLANNING ON
THAT ENTIRE WALL BEING A MOSAIC?
- NO, I THINK THAT THE FLOOR SHOULD BE THE MOSAIC.
- SO THE FLOOR IS NOT GOING TO BE A CANTED SLAB?
- NO.
- I NEED TO KNOW WHAT SLAB ON THE WALLS.
- IF YOU DISAGREE, SPEAK YOUR PIECE, GET IT OUT,
I DON'T WANT TO HEAR IT LATER.
- BROOKE, BROOKE, IT'S STEVEN. JUST TELL ME SOMETHING.
ALL I NEED TO KNOW IS... - SAY IT TO HER.
- WHERE AM I PUTTING SLABS?
AM I PUTTING SLABS... - SPEAK YOUR PIECE.
- ON COUNTER TOPS? - YOU'RE LOOKING FOR SLABS
FOR COUNTER TOPS.
- MEN VERSUS THE WOMEN, THIS IS WHAT'S GOING ON.
IT'S THE WOMEN, AND THESE TWO MEN, I TELL YOU RIGHT NOW.
- BUT SHE SAID THAT YOU-- - TELL HER ***.
TELL HER, DON'T TELL ME.
- WHAT IF I DISAGREE WITH HER? - DISAGREE WITH HER!
LET'S DO IT.
AT HOME AND IN MY OFFICE, I'VE ALWAYS BEEN
IN SOME SORT OF DECISIVE POSITION.
AND YET, AGAIN, IN THE RENOVATION PROCESS,
I FEEL LIKE THERE'S A LOT OF WAFFLING,
AND I HAVE TO REEL EVERYONE IN AND BE LIKE,
"OKAY, THIS IS WHAT WE'RE DOING."
OTHERWISE WE'LL BE HERE ALL DAY, AND WE DON'T HAVE TIME.
- I DON'T HAVE THE PLAN IN FRONT OF ME, MARK,
AND I'M WITH A CLIENT FROM BEL AIR RIGHT NOW, SO I--
- UH, MAKE AN EXECUTIVE DECISION.
THANK YOU, WE'RE GOOD. - WE'RE GOOD, THANK YOU.
WE'LL PUT SLAB ON THE WALL. - DONE, WE'RE DOING SLAB, OKAY.
- THERE'S GONNA BE A NICHE-- - THE WHOLE SHOWER WILL BE SLAB,
IT'LL BE BEAUTIFUL.
- THIS UNITED NATIONS SUMMIT IS ALL ABOUT
A PIECE OF MARBLE TO BE ON MY VANITY.
WE'VE GOT A LOT OF OTHER [bleep] TO DEAL WITH.
- ALL RIGHT, UNDERSTOOD, WE'VE GOT THAT.
- OKAY.
I'D LIKE--CAN WE PRAY TO THIS STATUE?
I JUST WANT TO SAY ONE PRAYER.
I JUST WANT TO PRAY THAT EVERYBODY GETS ALONG.
THAT WE GET INTO THE APARTMENT,
AND THAT THERE IS SOMEBODY THAT CAN DRIVE
THIS WHOLE PROCESS HOME.
- YOU DON'T PRAY TO OBJECTS ANYMORE, YOU'RE NOT EGYPTIAN.
- I'M PRAYING TO THE SILENT SOUL OF THE RISE OF MARS, ALL RIGHT?
LET ME BE, LET ME BE.
NAMASTE.
GOOD JOB, THANK YOU, EVERYONE.
- THANK YOU. - THANK YOU, LET'S DO IT.
- NAMASTE. - NOW WE'VE JUST GOT TO
MAKE SURE WE FINALIZE DESIGNS. AND, MARK, YOU'RE THE COP.
- NAMASTE. - ALL RIGHT, IS SOMEBODY
GOING TO PUT THIS DOWN ON PAPER?
[light instrumental music]
♪ ♪
- SO WE'LL DROP OFF THIS RING, - OKAY.
AND CHECK OUT SOME GOODIES FOR HER BIRTHDAY.
- OH, MY GOD, I HATE THIS TIME OF YEAR.
ESPECIALLY FROM LAST YEAR. - A LITTLE STRESSED?
- OH, MY GOD, I JUST SO DON'T LOOK FORWARD TO IT.
SO I'LL BE HONEST,
THE BIRTHDAY WAS VERY MUCH A DISASTER LAST YEAR.
SHE DIDN'T WANT US TO MAKE A BIG DEAL ABOUT IT,
BUT I'M YOUR HUSBAND NOW,
SO I'M GOING TO MAKE A BIG DEAL ABOUT YOUR BIRTHDAY.
- [crying] SORRY I'M BEING WEIRD.
I DON'T LIKE MY BIRTHDAY,
AND EVERYBODY'S MADE SUCH A BIG DEAL OF IT.
- OKAY, WE WON'T CELEBRATE YOUR BIRTHDAY ANYMORE, I'M SORRY.
- [crying]
- I'D LIKE TO CHANGE THAT THIS YEAR.
SO WE'RE DECIDING TO GO TO CABO
AND JUST HAVE A NICE RELAXING WEEK THERE
AND KIND OF RECONNECT.
IT'S BEEN A LITTLE BIT OF A ROUGH ROAD FOR US,
AS HUSBAND AND WIFE, AND I THINK
IT'S SOMETHING THAT WE REALLY, REALLY NEED.
THIS TIME AGAIN. ANOTHER YEAR?
- OH, MY GOD. - LAST YEAR WAS A MELTDOWN
FOR 40, FOR, YOU KNOW, A PARTY THAT SHE DIDN'T
NECESSARILY WANT, SO... - YEAH.
- I'M GONNA LISTEN THIS YEAR,
AND, YOU KNOW, HOPEFULLY GET HER SOMETHING NICE
WITH THE HELP OF YOU GUYS.
- YEAH, WE'D LOVE TO HELP YOU.
- WE'LL BE IN MEXICO, SO...
- THAT'S COOL.
- I DID BRING HER RING, 'CAUSE I KNOW SHE WAS TALKING TO YOU
A LITTLE BIT ABOUT A NEW SETTING.
- THERE ARE THINGS THAT WE CAN DO TO BRING OUT
ALL THE BEAUTY OF EACH STONE INDIVIDUALLY.
- SEE, THIS IS KIND OF MY THOUGHT WITH THIS WHOLE THING,
WE'RE NOT EVEN MARRIED TWO YEARS...
- RIGHT.
- AND SHE WANTS TO CHANGE THE SETTING.
MY THING IS, YOU KNOW, I'M KIND OF OLD-FASHIONED.
I WANT HER TO KEEP THE RING THAT I BOUGHT FOR HER,
AND NOW TO CHANGE IT... LESS THAN TWO YEARS?
- I MEAN, AT LEAST SHE'S NOT SAYING THE DIAMOND'S TOO SMALL.
SO THE MOUNTING, YOU KNOW, THE SETTING ITSELF,
IT DOESN'T CHANGE THE MEANING AT ALL.
- YEAH, I LIKE--
SEE, I LIKE THIS DAGGER, I KIND OF
EQUATE THIS TO HER SHARP TONGUE. [all chuckling]
WHICH SOMETIMES GETS HER IN TROUBLE.
- WE CAN KEEP SOME SHARPNESS TO THE RING.
- WHAT ABOUT THE PRONGS?
ARE THEY ALL GONNA BE DIAMONDED OUT TOO?
- OH, YEAH. I MEAN, IF YOU'RE GONNA DO IT,
YOU DO IT RIGHT. - OF COURSE.
- YOU DO DIAMONDS EVERYWHERE.
I MEAN, THIS RING WILL HAVE PROBABLY
OVER 250 DIAMONDS WHEN YOU'RE DONE.
- AND SOMEONE NEEDS THAT MANY DIAMONDS?
- [laughing] BETHENNY DOES, YEAH.
- 250 DIAMONDS AROUND THIS STONE
THAT WE'VE ONLY HAD FOR TWO YEARS NOW?
I-I-I'M AT A LOSS.
ALL RIGHT, SO LET'S PLACEHOLD THIS.
SHE MENTIONED NECKLACES.
- ONE OF KRISTEN'S FAVORITE PIECES...
- THIS ONE IS...YEAH. - YEAH, THAT'S PRETTY COOL.
- THIS ONE'S GOT THAT POINT FOR THE SHARP TONGUE
LIKE YOU WERE SAYING. [laughter]
- MIGHT BE A LITTLE TOO SHARP. - OR IF SHE GETS MAD, SHE CAN...
- YEAH, SHE'LL JAB ME WITH IT.
- THIS IS PART OF THE *** COLLECTION,
AND IT'S JUST ULTRA-SEXY, AND LIKE...
- THE *** COLLECTION? - YEAH.
- BETHENNY'S ALL ABOUT COMMUNICATING,
BUT WE HAVEN'T BEEN COMMUNICATING WELL,
SO THIS COULD BE
A NICE COMMUNICATING STARTER.
- IT'S VERY EYE-CATCHING. IT'S STUNNING.
- YEAH, I LIKE IT.
- ESPECIALLY GOING TO MEXICO, A NICE TAN, YELLOW GOLD,
IT'S GONNA LOOK GREAT. - OH, SHE'S GONNA WEAR IT
BEYOND MEXICO, WE'RE NOT JUST BUYING JEWELRY FOR THE OCCASION.
- TRUE, TRUE.
- SEE, THIS IS THE THING, TOO, IS
SHE'S EXPECTING THIS, AND I GO WITH THAT?
SHE'LL LOVE IT, BUT I THINK THERE'LL BE THAT "BUT."
LAST YEAR WAS A COMPLETE DISAPPOINTMENT,
SO, I DON'T KNOW IF I WANT TO DISAPPOINT HER AGAIN.
- YOU CAN'T--YOU CAN'T GO... - I CAN'T GO WRONG, RIGHT?
- WELL, I WOULD SAY YOU CAN'T GO WRONG, BUT MAYBE YOU CAN.
I DON'T KNOW. - NO, YOU CAN'T GO WRONG.
YOU CAN'T GO WRONG. - OH, YES I CAN.
- COMING UP...
ANY BOYS?
- OH, YES, DARLING.
I'M LOOKING FOR EITHER COMPLEXION FOR THE CONNECTION...
- YOU LIKE THE WHITE DUDE.
- OR A GOOD BLACK DUDE.
- SO YOU'RE LOOKING FOR SOMEONE WHITE OR BLACK.
YOU'RE VERY LIMITED.
[upbeat music]
♪ ♪
- BRYN, TELL ME WHO'S COMING OVER.
[doorbell ringing]
THIS IS CRAZY.
- HELLO. - [laughing]
- WOW,
SEXY LADY!
GINA AND I KEEP IN TOUCH, SPORADICALLY.
SHE'S VERY BUSY WITH HER DEMANDS FOR HER EMPLOYERS
AND TALKING ON THE PHONE AND WAKING UP LATE.
BUT WE DO GET TOGETHER A COUPLE TIMES A YEAR,
AND WHEN WE DO, IT IS FUN AND EMOTIONAL.
I'M--YOU LIKE IT.
WOW!
- YOU LOOK GOOD, GINA. - YOU LOOK GOOD.
- Y'ALL ARE GONNA MAKE ME CRY, PLEASE.
- LOOK AT THE BOO-BOO. - YOU'RE NOT GONNA CRY,
PUT YOUR STUFF DOWN. - BOO-BOO.
- SAY, "I LOVE GINA."
- I LOVE...GINA.
- AW, AWW. CAN I? - GO TO GINA.
- OH, MY GOD. - OH, MY GOSH.
- [baby talk]
- I LOVE YOU, DARLING.
I TALK ABOUT YOU ALL THE TIME.
- GINA. - THIS IS GINA!
- OH, MY GOD.
I WAS SO NERVOUS, I SAID, "OH, MY GOD,
I WONDER IF SHE'S GONNA COME TO ME."
- OF COURSE SHE IS. - MAMA.
- SHE LOOKS LIKE HER DADA. - I KNOW, BABA.
- YOU LOOK LIKE YOUR DADA. - OH, YOU KNOW--
GINA, DO YOU KNOW DAWA? DAWA, COME HERE.
- COME HERE, DAWA, THIS IS DAWA.
- THIS IS THE CRAZY GINA.
- HELLO. - HI.
- AH, DAWA'S NOT CRAZY.
DAWA'S NOT CRA--WELL, I THINK SHE IS WITH HER GIRLFRIENDS.
RIGHT? - YES.
- DO YOU GET CRAZY WITH YOUR GIRLFRIENDS?
- [chuckles] YEAH, SOMETIMES. - YEAH?
- BABA, WHERE'S COOKIE?
WHERE IS COOKIE?
- WHERE'S THE BOO-BOO? - YOU ARE BEAUTIFUL.
- THANK YOU.
- THAT'S FROM MY HEART, BEAUTIFUL, ALWAYS BEAUTIFUL.
- SAY--BRYN, SAY "THANK YOU."
- DANK OO.
- YOU LOOK LIKE A DADA. - YES, BABY.
- YOU LOOK GOOD MS. BETH. - OH, THANK YOU.
YOU WANT SOMETHING TO DRINK? WHAT DO YOU WANT?
COME SIT DOWN. - OH, I'LL TAKE A ***.
- REALLY? OH, YOU DRINK NOW! - NO, NO.
- OH, I WAS GONNA SAY.
GINA, GINA, GINA.
HOW DO YOU DESCRIBE ALL THAT IS GINA?
GINA.
- OH!
- YOU'RE A FREQUENT STONER?
- STONE YOUR ***! I'LL STONE.
- LOOK AT THIS NUN OVER HERE.
- I'M TALKING TO MY GIRL GLORIA.
- OH, EXCUSE ME, I DIDN'T MEAN TO INTERRUPT, CONTINUE.
- I'LL CALL YOU BACK A SECOND, OKAY?
DO YOU WAX THE VAGINAS ALSO?
- SHE WAS THIS LUNATIC LIVING IN THE OTHER ROOM
THAT WE HAD TO PUT UP WITH.
SAY, "WHAT'S UP, GINA?"
- WHAT'S UP?
- OH, YOU SO FRESH. - AH.
SO HOW ARE YOU?
SO, ON A JOB NOW?
- YES, IT'S, UH, SIX MONTHS. FIVE MONTHS, FIVE MONTHS.
- YOU'VE BEEN THERE FOR FIVE MONTHS?
- MM-HM. - HOW IS IT?
- GREAT. I HAVE TO SAY, I'M BLESSED WITH HAVING
ANOTHER BABY THAT'S GOOD LIKE HER.
- REALLY? - HONESTLY SPEAKING.
- REALLY?
- NO, DRESSES TO DRESS UP, AND, YOU KNOW, STUFF LIKE THAT.
- WE DO HAVE A SOFT SPOT FOR GINA.
SHE WAS THE BABY NURSE TO OUR BELOVED ANGEL, BRYN.
AND...THAT MAKES HER EVERYTHING.
- THE THING THAT YOU SENT ME, THAT WAS FROM YOUR LINE?
- THE SHAPEWEAR? - YEAH. THAT'S YOUR LINE?
- YEAH. - BUT IT COULDN'T FIT.
- WHY, WHAT DO YOU NEED, A BIGGER SIZE?
- SMALLER SIZE. - YOU NEED A SMALLER SIZE!
- YES. - MY BAD, GISELE.
OH, MY GOD, YOU WERE EXPENSIVE TO FEED.
YOU WERE LIKE HOUSING A HORSE. - YEAH?
- OH, MY GOD, YOU HAD-- - I ATE GOOD FOOD.
- I KNOW, BUT WE--IT WAS LIKE A FULL-TIME JOB, FEEDING YOU.
THIS WOLF--LOOK AT THE FOOD SHE HAS EVERYWHERE.
SHE HAS, LIKE, PIG'S FEET IN THIS FRIDGE.
- YOU THINK?
- YEAH. OH, YOU'RE SO PICKY.
"I DON'T EAT MANGOS, I ONLY--
THIS TOILET PAPER GIVES ME A RASH."
I MEAN, YOU WERE A PAIN IN THE ***.
BUT I LOVE YA. - I LIKE WHAT I LIKE.
YOU KNOW, YOU LIKE WHAT YOU LIKE.
- I KNOW, MOM.
DO THEY HAVE THE RIGHT KIND OF TOILET PAPER
IN THE HOUSE YOU'RE AT NOW?
THEY DO?
- I TOLD HER.
SO I HAVE THE RIGHT KIND OF TOILET PAPER.
- SO YOU DON'T GET A RASH ON YOUR WOO-WOO.
- NO, NO RASH ON THE WOO-WOO.
- SHE'S COMING OVER ASKING FOR STUFF ALREADY.
THE SHAPEWEAR WAS TOO BIG YOU SENT HER.
- YEAH. - WE DIDN'T--WHAT SIZE?
- UM...I THINK IT WAS A LARGE.
- SORRY. - AND WAY TOO BIG.
MS. JACKIE. - HOW ARE YOU?
- YOU'RE LOOKING FINE.
- SHE LIKES THE STUFF THAT SUCKS IT IN,
ALTHOUGH SHE'S GOT IT ALL SUCKED IN.
SHE LIKES THE, LIKE, SHAPING.
- OH, I'VE GOT TO LOOK GOOD FOR THE BOYS.
- WHAT ABOUT THE CAMIS? - YEAH, WHAT'S--ANY BOYS?
- THE CAMI. - I SAW ONE...
NICE LOOKING CHAP.
- OH, YEAH, WHAT HAPPENED-- YOUR HUSBAND?
NOTHING, HAVEN'T-- NOTHING, DONE, DONE, DONE?
- OH, I TALK TO HIM. WHEN HE SEE ME, I MAKE SURE
I WALK AND SHAKE MY ***.
- RIGHT, BUT--RIGHT. BUT YOU'RE DONE NOW.
- OH, YES, DARLING.
I'M LOOKING FOR EITHER COMPLEXION FOR THE CONNECTION,
OR A GOOD BLACK DUDE. MUSTN'T BE GAY.
- SO YOU'RE LOOKING FOR SOMEONE WHITE OR BLACK.
YOU'RE VERY LIMITED. - SHE GOES, "HE MUSTN'T BE GAY."
- YOU'RE LOOKING FOR SOMEONE WHITE, OR BLACK.
- BUT ALL THE GUYS, OR ALL THE ONES I SEEN IS GAY.
- WHERE ARE YOU SEEING ALL THESE GAY MEN?
WHERE ARE YOU HANGING OUT, IN CHELSEA?
- NO. BUT THERE'S A CUTE LOOKING ONE THAT I SAW.
- DO YOU DRIVE, GINA? - YOU SAW A GUY WHERE?
- WELL, I'M WORKING WITH HIM. BUT HE'S ALREADY TAKEN.
- WHAT DOES THAT MEAN? YOU'RE WORKING WITH HIM?
- THE BOSS, THE BOSS, THE BOSS.
- OH, THE FATHER OF THE CHILD YOU'RE TAKING CARE OF.
AND IT FIGURES! - A FINE LOOKING GUY, YOU KNOW?
BUT, YOU KNOW, YOU HAVE TO KEEP YOUR RESPECT, YOU KNOW?
- RIGHT, YEAH. - YOU KNOW, I WOULD HOPE SO.
- HE LOOKS FINE, THOUGH.
HE'S WALKING UP THE STAIRS SOMETIMES, AND I'M LIKE...
GUY LOOKS GOOD.
MMM-MMM-MMM. LOOKS GOOD.
- I WOULD IMAGINE YOU COULD FIND--
THERE'S ONE WHITE STRAIGHT GUY IN THE STATE OF NEW YORK
THAT WOULD BE WILLING TO SLEEP WITH YOU
IN THE *** SHAPER.
- THIS IS THE BUTT FLOSS?
- IT'S THE BUTT FLOSS. - I CALL IT THE BUTT FLOSS.
- YEAH, SO THAT'S YOURS. - THE BUTT FLOSS.
- OKAY, DAWA, SEE? THIS IS WHAT USED TO HAPPEN.
- THAT'S A LARGE, THOUGH.
- WE COULDN'T HANDLE HER FOR TOO LONG,
SO STAY JUST THE WAY YOU ARE.
IT WAS A LOT.
- THIS IS A MEDIUM. I DON'T KNOW.
- SO, GINA, SHE'S LEAVING. DID YOU KNOW THIS?
IT'S REALLY NOT EVEN-- I'M IN FULL DENIAL.
IT'S LIKE WHEN YOU'RE--
- I THOUGHT OF THAT THE OTHER DAY.
I DECIDED THAT'S WHAT IT WAS.
IT'S ALL RIGHT, I'M IN FULL DENIAL TOO, SO...
- SO YOU'LL CALL ME IF YOU'RE GETTING MARRIED.
WHEN YOU'RE GETTING MARRIED, I'D LIKE TO COME.
A BLACK CHICK COULD COME DOWN TO PENNSYLVANIA,
YOU KNOW. - WHAT THE HELL'D SHE JUST SAY?
A BLACK CHICK? WHAT DID YOU JUST SAY?
- SHE'S GETTING MARRIED. I'LL COME TO HER WEDDING.
A BLACK CHICK COULD COME DOWN TO PENNSYLVANIA.
- DO YOU THINK THEY ONLY HAVE WHITE PEOPLE IN PENNSYLVANIA?
NO, THERE ARE BLACK PEOPLE. THERE'S A COUPLE.
THERE'S A BAKER'S DOZEN... - PITTSBURGH.
- THERE NOW OF BLACK PEOPLE.
- I MISSED YOU.
- GOD LOVE HER, YOU CAN'T LIVE WITH HER,
AND YOU CAN'T LIVE WITH HER.
BYE, DAWA, THANK YOU.
- BYE. OKAY, NICE MEETING YOU HERE, BABY.
- SHE'S VERY PLEASANT.
QUIET.
- WHAT DO YOU THINK?
WE WERE IN CULTURE SHOCK AFTER YOU.
SHE'S NEVER PICKED UP A TELEPHONE ONE TIME.
DO YOU KNOW WHAT IT'S LIKE?
LIKE, GET OFF THE--
NOT ONCE. SHE'S NEVER ON THE PHONE.
AND NEVER TURNS ON THE TV.
I KNOW YOU THINK IT'S WEIRD.
NO MATTER HOW MUCH I'VE TRIED TO CORRUPT HER,
SHE REFUSES TO, LIKE, NOT BE AN APPROPRIATE EMPLOYEE.
YOU WERE--YOU CORRUPTED ME.
- GINA IS NO FLOWER.
- TRUE THAT.
BUT BETHENNY IS NOT EITHER.
- AND I WAS JUST GONNA SAY THAT.
BUT I MISS THE FUN IN THIS HOUSE, DO YOU KNOW?
NOBODY'S HOUSE,
NOBODY'S HOUSE IS, YOU KNOW,
SINGS AND HAVE FUN, AND, YOU KNOW.
EVERYBODY ELSE, IT'S TOTALLY DIFFERENT, YOU KNOW?
- I BELIEVE YOU.
- WHAT ARE WE GONNA DO WITHOUT MS. JULIE?
- SHE'S MOVING HOME TO PITTSBURGH
IN WITH HER PARENTS.
- SO IT'S ONLY JACKIE YOU'RE GONNA HAVE?
- AND MAYBE JASON.
- OH, OKAY, WELL, YEAH, YOU KNOW, HE'S...
- I DON'T MEAN AS MY HUSBAND, I MEAN AS PART OF THE JOB.
I MEAN, YES, AS MY HUSBAND, BUT I'M SAYING--
- HUSBAND, YEAH, BUT PART OF THE JOB.
- YEAH.
WHICH IS ITS OWN WHOLE THING. SO WE'LL SEE.
IT'S A LITTLE CRAZY.
I HAVE NO ONE TO TALK TO ANYMORE.
WHEN YOU WERE HERE THAT WAS ONE THING,
I DID TALK TO YOU ABOUT THIS KIND OF STUFF.
- YOU DON'T DO GOOD WITH CHANGES.
- NO.
- AND YOU CRY TOO MUCH.
- I HAVEN'T CRIED THAT MUCH LATELY, BUT I'M ABOUT TO.
- OH, GOD, DON'T DO THIS.
IT'S TOO MUCH.
- [crying] - YOU'RE DOING GREAT.
- I'M HAVING A ROUGH TIME, THOUGH.
- OH, MY GOD, COME ON, COME ON.
COME HERE.
[banging in background]
- DON'T MAKE ME CRY, PLEASE.
- OH...[mumbles]
- PLEASE, PLEASE. - I'M HAVING A ROUGH TIME.
- IT'S A WHOLE LOT.
- YOU'RE DOING GREAT.
- I DON'T EVEN KNOW WHAT I'M DOING.
- YOU'RE TIRED, YOU'RE EXHAUSTED.
- IT'S SO BEYOND THAT.
SO BEYOND TIRED. [baby laughing]
- IT'S TOO MUCH.
YOU NEED TO GO AWAY.
- IT'S, NO, I DO THAT, IT'S NOT THAT, IT'S NOT THAT.
- IT'S JUST TOO MUCH. - IT'S LIKE--IT'S NOT--
IT'S JUST, IT'S NOT EVEN THAT.
IT'S JUST OTHER THINGS. IT'S JUST EVERYTHING.
- IT'S ALL GOING ON, TOO MUCH AT ONE TIME.
- YEAH.
SO...ALL RIGHT, GO OUT TO DAUGHTER WITH YOUR--
GO OUT TO DINNER WITH YOUR DAUGHTER.
- OKAY, THANK YOU.
- YOU'RE MOST WELCOME.
I LOVE YOU, GINA.
- THANK YOU VERY MUCH, MY DEAR.
- THANK YOU.
UGH.
- BOO-BOO. BYE, BRYN!
BYE-BYE. - BYE-BYE.
- I LOVE YOU.
BYE.
[door closes]
- COMING UP...
- I DON'T REALLY DISCUSS ANYTHING WITH ANY OF MY FRIENDS
OR ANYTHING, LIKE, I AM JUST FEELING MORE AND MORE ALONE.
- BY ISOLATING YOURSELF, YOU'RE GONNA BE MISERABLE.
[upbeat music]
♪ ♪
- LET ME TEACH YOU SOMETHING.
YOU'VE GOT TO CLIMB UP THIS, OKAY?
COOKIE IS 11 1/2 YEARS OLD,
AND SHE CAN'T REALLY JUMP UP ON THE BED OR THE COUCH
AS EASILY AS BEFORE.
SO WE BOUGHT HER THESE LITTLE DOGGIE STEPS.
YOU CAN TEACH AN OLD DOG NEW TRICKS.
GO UP THE FIRST, UP THE STAIRS.
UP THE STA--YAY! TREAT.
OKAY? LET'S TRY THIS AGAIN.
GOOD GIRL. GOOD GIRL, ONE MORE.
GOOD GIRL, ONE MORE.
ONE MORE, GOOD GIRL.
YAY, COOK-- WELL, YOU ALMOST DID IT.
THAT WAS GOOD. ONE LAST ONE.
COOKS.
COME HERE, COME HERE.
COME HERE, IT'S GONNA WORK.
NOT EVEN A TREAT? ONE MORE.
OH, LORDY.
COOKS. IT'S STEPS.
[upbeat music]
♪ ♪
- THIS IS A ROUGH WEEK.
THEY'RE NOT ALL ROSES.
AND I'M HAVING A HARD TIME, I'M OVERWHELMED.
JASON AND I, WE'RE NOT CONNECTING.
IT FEELS SCARY.
AND ON TOP OF EVERYTHING ELSE THAT'S GOING ON,
NOW MATT HESSE'S COMING OVER
TO TEST BARS AND VITAMIN POWER PACKS.
AND IT'S ALL IMPORTANT.
[knock at door]
HI, MATT.
- HEY.
GOOD TO SEE YA, - YOU AS WELL.
- GOOD.
- HI. - HI.
- HOW'S LIVING IN NEW YORK NOW?
- I LOVE IT. IT'S BEEN REALLY GOOD.
I'M STILL TRYING TO FIND MY WAY AROUND, BUT--
- I STILL DON'T BELIEVE THAT YOU LIVE HERE.
- I DO.
- WHEN JASON'S NOT WORKING AND SOMETHING'S GOING ON,
THEN I LIKE HIM TO BE INVOLVED.
IN THIS BUSINESS, IT'S JUST CREATIVE,
AND EVERY DAY YOU CAN SEE THE FRUITS OF YOUR LABOR.
IT'S JUST VERY DIFFERENT THAN WORKING CORPORATE AMERICA.
- SO WE HAVE TO GO OVER BARS, THE VITAMIN POWER STICKS,
AND THEN YOU HAVE TO GIVE ME YOUR CHANGES, AND THEN
I DON'T THINK YOU'RE GONNA WANT TO CHANGE ANYTHING
ON EITHER ONE OF THESE, THEY'RE--
- THAT BETTER BE THE CASE, BECAUSE
I'M GOING TO ASPEN WITH BEAM
TO LAUNCH THE WHITE CRANBERRY COSMO,
AND THIS PRODUCT NEEDS TO BE MARKETED IN ASPEN.
LIKE, WE NEED TO HAVE A SKINNYGIRL BOOTH,
GIVING THESE OUT, GIVING OUT THE VITAMIN POWER PACKS.
LIKE, THIS NEEDS TO-- AS SOON AS THESE HAVE LABELS,
IT NEEDS TO BE, LIKE, TOGETHER.
- I MIGHT BE ABLE TO GET A SHORT RUN OF THESE,
OR WE CAN DO, MAYBE, SOME STICKER LABELING
ON THE FIRST RUN? - THAT'S FINE.
STICKER LABELING IS FINE. - STICKER LABELING?
WE CAN DEFINITELY PULL THAT OFF.
- ALL RIGHT. - ALL RIGHT.
SO HERE'S THE MOCK-UP.
- "FLAVOR YOUR WATER, ENRICH YOUR BODY."
- "ENRICH YOUR BODY."
- OKAY, WHAT'S THE INDIVIDUAL PACK GONNA LOOK LIKE?
- SO, THEY'LL BE ABOUT...
HALF THAT SIZE. IT'S--
- SO LISTEN, THAT GOES IN YOUR PURSE,
IT DISSOLVES IN WATER.
IT'S BETTER TO DO LIKE A REGULAR BOTTLE OF WATER.
I THINK WE SHOULD BE MORE SPECIFIC NEXT TIME, TOO,
ABOUT HOW MUCH WATER. - OKAY.
LET'S TRY THAT ORANGE AND VITALITY.
- OOH, IT'S NICE. - NICE?
- I WOULD DRINK THIS ALL DAY LONG.
- GOOD, RIGHT? - MM-HM.
- NO ARTIFICIAL SWEETENERS,
NO ARTIFICIAL COLORS. - AWESOME, PERFECT, GREAT, DONE.
- ALL RIGHT, COOL.
THIS ONE IS BERRY.
- THAT'S NATURAL COLOR?
- YEAH, YOU KNOW WHAT WE USE?
YOU KNOW WHAT WE USE IS BEET EXTRACT.
- DELIGHTFUL, PERFECT. NO, IT IS DELIGHTFUL.
- NICE.
TWO FOR TWO. - WHICH ONE IS THIS ONE AGAIN?
- THAT ONE IS THE... - HAIR, SKIN, AND NAILS.
- HAIR, SKIN, AND NAILS.
- IT'S TO MAKE YOUR *** LONGER.
- MM. HOLD ON. - [chuckling]
- IT'S TRUE, I'VE BEEN DRINKING IT FOR, LIKE, SIX MONTHS AND...
- THINGS ARE GOING WELL? - I'LL DRINK HALF.
YOU CAN SAVE SOME. - YEAH, IT'S AMAZING, AMAZING.
- I'LL BET YOU ANYTHING IT'S NOT.
- YOU WANNA BET?
- I DON'T THINK IT'S--
- HOW DO YOU KNOW HOW BIG HIS *** IS?
- HE JUST--OH, WAIT. I CHECKED BEFORE WE GOT HERE.
- BEFORE WE EVEN--BEFORE WE STARTED WORKING TOGETHER.
- NOW--NOW WE COULD HAVE A PROBLEM.
- QUIT GETTING ME IN TROUBLE.
- YOU AND I ARE NOT GOOD FOR EACH OTHER.
- YEAH, I KNOW.
AND NOW I LIVE HERE, SO WE'RE REALLY SCREWED.
- YEAH, I KNOW.
- I'M AT A POINT WITH BETHENNY AND HER PARTNERS
THAT I SHARE A LITTLE BIT OF INPUT,
BUT I DON'T THINK I'M QUITE THERE YET.
I THINK IT'S BEST FOR ME KIND OF JUST TO STEP BACK,
TAKE IT ALL IN, LEARN, AND WHEREVER I THINK
I COULD ADD VALUE, IS WHERE I DO.
- THESE ARE THE VEGAN BARS.
- OH, SWEET. - OKAY.
LOOK HOW GREAT, THAT THEY'RE SPLIT IN HALF.
- WELL TAKE IT ALL OUT, AND LET'S SEE.
- AND DO THEY BREAK EASILY? THAT'S THE NEXT QUESTION.
- WELL, THAT-- THAT'S NOT DRY YET,
BECAUSE WE JUST MADE IT YESTERDAY, BUT...
- OH, OKAY, YEAH. - THESE THINGS ARE AMAZING.
I'VE EATEN LIKE 45 OF THEM IN THE LAST THREE DAYS.
- EXCELLENT.
REALLY GOOD. - YEAH, IT'S NICE.
- YOU JUST HAD THE BIG NUTS.
- BIG NUTS.
- I KNEW YOU WERE GONNA SAY THAT.
- SHE LIKES BIG BALLS. - WELL, LET'S SEE.
I'M GONNA LET YOU KNOW IF I LIKE BIG NUTS.
- SO, THIS IS THE SMALL NUTS. SEE WHICH ONE YOU LIKE.
ACTUALLY, I'M SURE YOU'LL LIKE THE BIG NUTS.
- HOW MUCH OF A BIG NUT DO YOU NEED IN YOUR MOUTH?
- WOW. - DEPENDS WHO YOU ARE.
- THERE'S A BIG NUT AND A SMALL NUT.
WHAT DO YOU LIKE?
- I HAVE NO COMMENT.
- JUST--YOU HAVE TO COMMENT. THIS IS A TIME.
- I LIKE BIG NUTS.
- YOU LIKE BIG-- I LIKE BIG NUTS, TOO.
BIG NUTS! - BIG NUTS.
- BIG, GIANT NUTS.
- BIG NUTS, LET ME WRITE IT DOWN.
- ALL RIGHT. IT'S THIS--THIS IS IT.
I TOLD YOU, THIS IS GONNA BE VERY, VERY BIG.
VERY BIG.
VERY, VERY, VERY, VERY, VERY BIG.
- HI. - HI.
- HOW ARE YOU? - I'M GOOD, HOW ARE YOU DOING?
- OH, I'M GOOD.
- YOU LOOK TIRED. - I'M NOT THAT TIRED.
I'M, LIKE, WORN OUT, AS A PERSON,
BUT I'M NOT TIRED TIRED.
WE'RE GOING ON A VERY LONG VACATION TO MEXICO.
- WOW. - LIKE 12 DAYS.
FOR MY BIRTHDAY.
- THAT'S GREAT. - IT IS GREAT.
THE HOPE IS, I MEAN, IN MY DREAMS, I WANTED TO, LIKE,
RECONNECT WITH JASON AND JUST HAVE QUIET ALONE-TIME
AWAY FROM WORK, AND NOT BE ON THE BLACKBERRY,
AND NOT BE ON THE, YOU KNOW, COMPUTER,
AND JUST, YOU KNOW, RECONNECT.
WE'VE BEEN THROUGH A LOT OF...STUFF,
YOU SAW SOME OF IT ON THE BOAT. - MM-HMM.
AND JUST KIND OF LET GO A LITTLE BIT.
- WHAT'S GOING THROUGH YOUR MIND,
RIGHT NOW?
- I WAS THINKING ABOUT HOW
IF I FEEL DISCONNECTED,
THEN I EITHER DISCUSS IT,
AND IT ENDS UP IN A VERY, YOU KNOW, VERY HEATED ARGUMENT,
BECAUSE JASON'S NOT REALLY GREAT AT JUST KIND OF
ALLOWING FOR, LIKE, THINGS TO JUST BE DISCUSSED.
LIKE, I'M ONE OF THESE PEOPLE THAT COULD JUST--
I WANT TO TALK ABOUT IT, I DON'T WANT TO, LIKE--
I DON'T NEED TO ELEVATE.
LIKE, IF I SAY SOMETHING, AND EVEN IF YOU DON'T LOVE IT,
LIKE, JUST, LIKE, LET IT BREATHE AND LET'S--
SO THAT DOESN'T REALLY WORK.
SO I INSTEAD JUST KIND OF DON'T SAY SOMETHING, AND INTERNALIZE,
BECAUSE IT'S NOT WORTH IT. - MM-HMM.
- AND I, LIKE, HOLD IT IN AND HAVE ALL THESE THOUGHTS
IN MY HEAD, AND THEN I-- I'M FINDING I DON'T REALLY
DISCUSS ANYTHING WITH ANY OF MY FRIENDS OR ANYTHING.
LIKE, I AM JUST FEELING MORE AND MORE ALONE.
I FEEL VERY, VERY ALONE RIGHT NOW,
LIKE I DON'T HAVE ANYBODY TO TALK TO.
[sniffles]
- WHAT DO YOU WANT TO TALK ABOUT?
- I JUST THINK THAT EVERYTHING IS--MUST BE MY FAULT,
AND THAT I'M WRONG ABOUT EVERYTHING,
AND THAT I'M THE ONE WHO'S [bleep] UP...
BECAUSE OF MY LIFE,
SO EVERYTHING HAS TO BE MY FAULT,
SO THERE'S NO POINT IN TALKING ABOUT IT,
BECAUSE WE ALL KNOW THE ANSWER, THAT IT'S ME,
AND THAT IT'S MY FAULT, AND THAT EVERYTHING'S--
THAT I'M WRONG ABOUT EVERYTHING.
AND I SAY THAT TO JASON, I SAY, OKAY, LET'S JUST ASSUME
THAT EVERYTHING'S MY FAULT, AND I'M THE BROKEN ONE,
'CAUSE I--WE KNOW, BOTH HAVE ESTABLISHED
THAT I'M THE DAMAGED ONE.
BUT THEN, I DON'T KNOW WHAT TO DO WITH THAT INFORMATION.
LIKE, LET'S JUST EVEN SAY THAT THAT'S THE CASE,
I DON'T EVEN THEN KNOW WHAT TO DO ABOUT IT.
- MM-HMM.
WHEN YOU SAY TO SOMEONE, "OKAY, LET'S JUST ASSUME
"IT'S MY FAULT.
I'M THE ONE WHO'S ALL [bleep] UP, I'M THE ONE WHO'S AT FAULT,"
WHAT YOU'RE SAYING IN A WAY IS,
"YOU BEAT ME."
"YOU'VE BEAT ME DOWN."
THERE'S SOME TISSUE RIGHT BEHIND YOU.
CAN WE TALK ABOUT YOUR FEELING OF FEAR
THAT YOU CAN'T TALK TO HIM?
- LET'S JUST SAY THAT I'M THE SNAPPIEST,
WORST PERSON IN THE WORLD. LET'S JUST ASSUME THAT, OKAY?
- [ahem] OKAY. - IF I HAVE THIS CON--
LET'S JUST ASSUME THAT, LET'S TAKE THAT.
- YOU'RE A ***.
- I'M A TOTAL ***, AND I'M MOODY, AND I'M CONTROLLING,
AND HE WILL SAY TO ME, "BECAUSE YOU ARE DAMAGED,
"YOU WANT TO PULL ME TO THE PLACE
"WHERE YOU WANT ME TO BE AS DAMAGED AS YOU ARE
SO YOU FEEL BETTER ABOUT YOURSELF."
I'LL BE LIKE, "NO!"
AND HE'LL BE LIKE, "IT'S REALLY IMPORTANT TO YOU
THAT I'M NOT PERFECT, LIKE, YOU WANT TO PULL ME DOWN."
AND I'M LIKE, "I JUST WANT TO TALK ABOUT IT."
I JUST WANT TO SAY--HE'LL SAY, "YOU'RE SAYING I'M SIMPLE,"
AND LIKE THAT I'M SIM-- AND THAT YOU'RE, AND I'M--
AND "YOU'RE LIKE ATTACKING MY FAMILY,"
AND I'M LIKE, "I'M NOT, I'M JUST SAYING
I WANT TO TALK ABOUT IT," LIKE--
BUT, THE NEXT TIME I WON'T WANT TO BRING IT UP,
BECAUSE IT WILL GET HEATED, AND IT'S JUST--
IT'S LIKE, WE'RE NOT-- WE DON'T HEAR EACH OTHER.
MAYBE, I'M NOT--
HE MUST BELIEVE THAT I DON'T HEAR WHAT HE'S SAYING EITHER.
BUT HE DOES BELIEVE THAT MOST OF THIS IS REALLY ME.
AND SO, IN TURN, I BELIEVE THAT IT IS, 'CAUSE...
HE'S THE ONE WHO SEEMS LIKE THE MORE SENSIBLE PERSON
IN THE RELATIONSHIP. - OKAY, SO LET'S TAKE THAT.
- I MEAN, THAT'S THE TRUTH. THAT'S HOW I--
- SO THEN LET'S TAKE THAT TRUTH.
YOU'VE--YOU BELIEVE IT'S MOSTLY YOU.
"IT" BEING THE PROBLEMS BETWEEN YOU AND YOUR HUSBAND.
SO, WHAT IS IT ABOUT YOU THAT YOU CAN CHANGE?
- I WOULD HAVE TO BE A DIFFERENT PERSON.
- YOU FEEL LIKE HE WANTS YOU TO BE SOMEONE YOU'RE NOT.
- IN WAYS...AND I THINK I WANT HIM TO BE SOMEONE HE'S NOT, TOO.
- OKAY, FAIR ENOUGH.
THAT'S A LONELY PLACE.
RIGHT?
I THINK WHAT YOU'RE SAYING IS THAT WHEN YOU TRY
TO CONNECT WITH HIM,
THE END RESULT LEAVES YOU FEELING LONELY,
AMONG OTHER THINGS.
- WHA--VERY--YEAH. - YEAH.
WHEN YOU SAID, "LOOK, I'M DAMAGED,
"LET'S ASSUME I'M DAMAGED, LET'S ASSUME I'M THE ONE
WHO'S BRINGING ALL THE PROBLEMS TO BEAR,"
WHAT YOU'RE ALSO SAYING IS, "I AM COMPLETELY UNLOVABLE."
THERE'S NOTHING ABOUT ME... - I DON'T--I DON'T...
- THINK THAT THAT'S TRUE. - WORTH LOVING.
- I REALLY DON'T.
- I DON'T THINK THAT'S TRUE ABOUT YOU, EITHER.
BUT YOU'RE STUCK BETWEEN A ROCK AND A HARD PLACE,
BECAUSE WHEN YOU TALK TO ME ABOUT YOUR DIFFICULTIES
IN YOUR MARRIAGE, YOU TELL ME ABOUT YOUR FEELINGS,
BUT THEN YOU CUT YOURSELF OFF, AND YOU QUICKLY TELL ME,
"BUT JASON IS GOOD IN THIS WAY, AND THAT WAY," OKAY?
- OH, YOU DON'T EVEN-- IT GOES SO MUCH FURTHER.
IN MY HEAD RIGHT NOW, WHAT I WAS JUST THINKING
AS I WAS PLAYING WITH MY MITTEN, - YEAH, TELL ME.
- I WAS THINKING ABOUT THE FACT THAT I WILL THINK
WAY MORE THAN I WILL SAY TO JASON, LIKE, I CAN'T BELIEVE,
LIKE, THAT I FEEL BADLY
FOR HIM, BECAUSE...
[sniffles]
LIKE, I JUST...
SOMETIMES FEEL LIKE...
LIKE I SHOULD SET HIM FREE, BECAUSE HE...
- CAN I INTERJECT? - [sniffling]
- NO WONDER YOU DON'T WANT TO TALK ABOUT THIS
WITH OTHER PEOPLE.
LOOK AT HOW UNLOVABLE YOU ARE.
HE'S UNLUCKY TO HAVE FALLEN IN LOVE WITH YOU.
- I THINK THAT.
- I KNOW YOU DO. I HEAR IT.
DO YOU BELIEVE IT?
DO YOU REALLY BELIEVE IT?
- IT'S--IN MANY WAYS, YES.
- YOU'RE STUCK BEHIND ENEMY LINES.
YOU'RE STUCK BETWEEN YOUR EARS.
YOU'RE THINKING ABOUT WHAT HE'S THINKING, AND HE'S NOT--
YOU KNOW, AND I SEE YOU GOING AROUND AND AROUND,
AND IT'S ALL SPRINGING FROM THAT DECISION,
"I'M NOT GONNA TALK ABOUT IT,
BECAUSE I FEEL DEFEATED IF I EVEN TRY."
BY ISOLATING YOURSELF,
YOU'RE GONNA BE MISERABLE.
- COMING UP...
- IT'S BEEN, LIKE, ONE OF THE HARDEST YEARS OF MY LIFE.
- OKAY, SO THAT MAKES YOU HUMAN.
THE TRUE TEST OF CHARACTER ISN'T HOW YOU ARE ON YOUR BEST DAYS.
IT'S HOW ARE YOU ON YOUR WORST DAYS,
OR WHEN THINGS DON'T GO RIGHT.
- HELLO. - HI, HOW ARE YOU?
- HOW ARE YOU, BETHENNY?
IT'S SO NICE TO MEET YOU TOO. - IT'S SO NICE TO MEET YOU.
- GOOD, THANK YOU. - JACKIE.
- HEY, HOW ARE YOU? - HI, JACKIE, HOW ARE YOU?
IT'S NICE TO MEET YOU.
WE'RE SO EXCITED TO BE WORKING WITH YOU, YEAH.
- OH, THANK YOU.
TODAY IS MY SELF MAGAZINE PHOTO SHOOT.
SELF MAGAZINE ASKED ME TO BE ON THEIR COVER.
IT'S AN HONOR. IT'S REALLY EXCITING.
IT'S ANOTHER LEVEL FOR ME,
AND I'M NOT TAKING IT LIGHTLY.
- OOH, THIS FEELS LIKE A FRESH, ALL THOSE COLORS, LIKE SPRING,
LIKE A FRESH SIGN OF THE TIMES.
- WHERE'S OUR COVER GIRL? - HI.
- YOU LOOK SO GORGEOUS. - WAIT.
LUCY DANZIGER IS THE EDITOR-IN-CHIEF
OF SELF MAGAZINE.
SHE'S JUST A VERY POWERFUL WOMAN, INSIDE AND OUT,
AND SHE'S INSPIRING.
- WE'RE REALLY AN ADVOCATE FOR WOMEN,
SO WHEN WE ASKED YOU TO BE ON OUR COVER,
IT'S BECAUSE WE BELIEVE IN YOU,
AND YOUR MESSAGE, AND WE WANT YOU TO HELP US
HELP OTHER WOMEN BE THEIR BEST SELVES.
AND BEING FLAWED IS PART OF THAT.
- WELL, I'M VERY FLAWED.
LIKE, IRONICALLY, ALL THESE AMAZING THINGS HAPPENED,
BUT IT'S BEEN, LIKE, ONE OF THE HARDEST YEARS OF MY LIFE,
AND YOU'D NEVER BELIEVE THAT. - OKAY, SO THAT MAKES YOU HUMAN.
IF PEOPLE AREN'T READY TO BE VULNERABLE, AND SAY,
"I HAVE THESE WEAKNESSES, AND HERE IS HOW I OVERCAME THEM,"
THEN WE CAN NEVER TEACH EACH OTHER.
- ABSOLUTELY.
THE LAST COUPLE OF MONTHS HAS BEEN A LOT OF GROWING PAINS,
PERSONALLY AND PROFESSIONALLY.
JASON AND I HAVE GONE THROUGH AN EMOTIONAL PERIOD.
THE TRUTH OF THE MATTER IS, I DO NOT HAVE THE PERFECT MARRIAGE.
I DON'T KNOW THAT THERE IS SUCH A THING.
YOU KNOW, EVERYONE'S GOT THEIR STUFF.
EVERYONE'S JUST TRYING TO FIGURE IT OUT.
- AND YOU KNOW WHAT? HERE'S THE THING.
PEOPLE ARE SHOCKED WHEN I SAY, YOU KNOW, "I'VE BEEN FIRED,
AND I'VE BEEN FOLDED, AND, HEY, I'M BACK."
YOU'VE GOT TO LEARN HOW TO PICK YOURSELF UP,
AND DUST YOURSELF OFF, AND GET BACK AT IT,
WHATEVER YOU BELIEVE IN, YOU KNOW?
BECAUSE, THERE'S ALWAYS GONNA BE LUMPS.
- BUT YOU COULDN'T--I COULDN'T HAVE SAID IT BETTER MYSELF.
- THE TRUE TEST OF CHARACTER
ISN'T HOW YOU ARE ON YOUR BEST DAYS,
IT'S HOW ARE YOU ON YOUR WORST DAYS,
OR WHEN THINGS DON'T GO RIGHT.
HERE'S HOW I ANSWER CRITICISM,
HERE'S HOW I'M GONNA CHANGE WHAT I'M DOING,
OR, HERE'S HOW I'M NOT GONNA CHANGE WHAT I'M DOING,
'CAUSE I BELIEVE IN WHAT I'M DOING,
AND I WOULD LIKE YOU TO GET THAT MESSAGE.
- IT'S TRUE.
- WE WANT YOU TO DO THAT WITH SELF.
- IT'S TRUE. - WE--WE BELIEVE IN YOU.
- IT'S TRUE.
- WE BELIEVE IN EVERYTHING YOU'RE DOING.
- OH, SORRY. - WELL, THANK YOU FOR THE WINE.
OH, YOU'RE WELCOME. THANK YOU FOR THE COVER.
THAT'S THE BEST OF ALL THESE. - I LIKE THAT.
- YEAH, LET'S DO IT.
- I'M GOOD TO GO. READY?
- YOU LOOK BEAUTIFUL. - THANK YOU.
- NICE.
YUP, GOOD.
NICE.
VERY NICE. GOOD.
OH, MY GOD, THAT'S THE BEST SMILE.
VERY GOOD.
NICE, GOOD.
GORGEOUS.
- OH, MY GOD.
- WHAT, WE GOT IT?
- WE LOVE BETHENNY.
- THANK YOU, I'VE GOT IT.
- YAY! THANK YOU.
- THANK YOU.
THIS IS GONNA BE THE BEST-SELLING COVER IN HISTORY.
- NEXT ON BETHENNY EVER AFTER...
- WELCOME TO YOUR SUITE.
- WOW, WHAT A VIEW. - WOW.
I JUST WANT SOME--
LIKE, I WANT, LIKE, SOME CALM AND PEACE.
- I WANT THE SAME.
YOU THINK I WANT TO ARGUE WITH YOU ALL THE TIME?
- NO.
- HOUSTON, THIS IS BRYN, AND THAT'S...
- MEETING BOYFRIENDS ON VACATION,
THAT'S WHAT THEY'RE FOR.
LOOK AT THIS, LOOK AT HER GOING IN.
GET IN THERE. GET IN THERE, BRYN.
HE HAS SO MUCH ANGER TOWARDS ME,
HE HAS SO MUCH ANIMOSITY TOWARDS ME, THAT'S THE THING.
LIKE, I'M LOOKING AT HIM LIKE, "WHY DO YOU HATE ME SO MUCH?"
HE'S JUST SO ANGRY AT ME.
HE'LL SAY, "I HOPE YOU GET WHAT YOU DESERVE."
AND I'M LIKE, "THAT MEANS YOU'RE WISHING ME BAD."
LIKE, THAT'S BAD, THAT'S NOT GOOD.
I CAN'T, PHYSICALLY, ARGUE ANY MORE.
- 'CAUSE IT'S THE SAME NONSENSE.
- I DON'T SEE THAT CHANGING.
- WHY AM I HERE DOING THIS?
- YOU DON'T HAVE TO DO ANYTHING YOU DON'T WANT TO DO.
I KEEP TELLING YOU, "PLEASE STOP MAKING ME FEEL
LIKE I'M A BAD PERSON."
YOU DON'T HAVE TO BE HERE.
I'M JUST TRYING TO MAKE THE VACATION BETTER.
TO LEARN MORE ABOUT BETHENNY EVER AFTER, GO TO BRAVOTV.COM.