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- Years ago, I swear you said
You were just
a simple professor.
You left out
the top-secret warehouse
Full of madcap.
- Claudia.
You're the breach.
- Knock knock.
- Your brother Joshua
visits you
And tells you he's not dead?
- He's stuck.
Help me bring him back.
- Thanks.
For not giving up.
- Claudia learned a great deal
about the warehouse,
Which could become
problematic.
You know
what the options are.
- [speaking native language]
- And this.
And this.
- What artifact did that?
- Or is that the artifact?
- It was created by
a little-known sculptor
Walter Burleigh,
And it was stolen
late last night
From a high-end auction house
in New York.
But that's not the issue.
The issue is how this thing
was stolen, because--
- I'm trying to figure out why
After I just got back
into this world
You're in such a rush
to shove me out the door.
- Because I didn't spend half
my life trying to save your life
So you could surf the net
and watch youtube.
- well, excuse me for trying
to catch up on current events
And the state of the world
in the last 12 years.
- Hey, we're working.
We're working right here.
- Artie, i'm sorry,
But apparently
I have to find a job.
Don't know exactly
what I'm gonna put
In that little gap
in my resume.
- Well, hey, what about what got
you there in the first place?
- You!
- What?
- Don't you
have something to do?
Like stay out
of federal prison?
And aren't you supposed
to be writing me
A full technical schematic
on how you cracked my warehouse?
- Yeah, buddy.
It's upstairs.
it's almost finished.
- Well then,
I want you to finish it,
And I want every redirect
and every backslash.
Go.
Now.
And then after that,
you're going into the warehouse
And you're gonna re-wire what
you unwired when you broke in.
I'd like to unwire you.
Ah.
The patter of little feet.
All right, o, Artie,
Somebody boosts
an ugly sculpture.
Why does that involve us?
Okay, what is signifiant here
Is how this thing was stolen.
I mean,
this theft was�impossible.
There was
a high-end alarm system,
Eight-inch thick walls,
Sealed vault.
So one second
that sculpture was there,
Next second gone.
- But it's still just
a well-executed art theft.
I mean, it doesn't
automatically shout "warehouse,"
Does it?
- Things rarely
shout "warehouse.
"
They usually whisper,
"Hey, that's a little odd.
"
That's what they do.
Well, I could be wrong.
I mean, it could be nothing.
But I'm probably not wrong.
Last time I was wrong
was 1987, June.
- Stop right there.
That.
I want to hear more about that.
- Not a chance.
Go.
- Okay.
Here we go.
Going.
- Go, go, go, go.
- Hey, Artie.
- Yeah?
- Hey, uh, you know
I love New York.
- Oh, a great town.
- It is.
- Yeah.
- So i was just thinking
Maybe you guys could kick down
some tickets to a show, or?
- Well, it depends on the show.
- Really?
- No.
Get out of here.
Show.
Like you're even gonna have time
For a stupid musical.
Or that i'd even pay for it.
- Off broadway's
not that expensive.
- Carruther' auction house
Pride itself on security.
This theft has us stumped.
- Video surveillance
shows nothing.
- I'm assuming you use
an electronic lock
That records all activity.
- And it says the door
never opened.
- Who's selling the piece?
- Private estate.
He decided to auction
After he was approached
by two interested parties,
Both with deep pockets.
- When is this auction,
uh, scheduled?
- It was for today.
Uh, I hate to ask,
but would you mind?
- oh.
- you know, maybe one of these
interested parties
Hates competition.
- Which would mean
that said party
Has an artifact
that lets them pull off
An imposible heist.
- Or the simple answer,
An inside job.
- She does bear scrutiny.
- Follow me.
- Yes, ma'am.
- [clears throat]
- She's out of your league.
- How do you know
what my league is?
- Not that I ask for them,
But I've got season tickets.
- That's good.
I like it.
So the thief take one piece.
Was it the most valuable
one in here?
- Oh, far from it.
But there's no
accounting for taste.
- Oh, I don't know.
Some things
are just lassi.
- pete.
- yeah?
- [clears throat]
come here for a second?
- hmm?
- why don't i, uh,
stay here in the vault
And look for anything,
you know, "warehousey",
And you go heck out
thoe two interested partie?
- well, wouldn't things
go quicker
If we just worked together?
- well,
not if you're on a date.
Look, thi way we can cover
twie as much ground,
And maybe you'll even
get done in time
To take, uh, skirt girl
to a how.
- two interested parties, huh?
- i'll get their info.
- great.
i'll, uh, go with.
- batter up.
[workers houting]
- agent lattimer?
- hey.
- gilbert radburn.
- yeah, i've een your name
on a few buildings.
- good.
that's why
i put it up there.
What an i do for you?
- you were intereted
In the culpture
that was tolen last night,
The burleigh?
- i was.
And as you might guess,
I'm not fond of losing.
What's the eret servie's
interest?
- how it was tolen.
- whih was?
- you mind telling me
where you were last night?
- ha.
i have no need to steal.
- well, sometimes
it's not about stealing.
You know,
it's about onquering.
Like putting your name
on a building.
- i was with friends.
- all night?
- thi is the city
that never leeps.
You want names?
- yes, please.
that would be swell.
Also, why the burleigh?
What's o speial about it?
- eye of the beholder,
agent lattimer.
Eye of the beholder.
Yeah,
i'll get you those name.
- thank you, ir.
[cell phone rings]
What's up?
- you should get back here.
- you got something?
- i found something
behind one of the crates,
But it's easier
to how and tell.
- what is it?
- you're not gonna
believe this, but
I smell fudge.
- i'll be right there.
- what are we
talking about here?
- well, it's right here.
you can see it.
- [exhales]
- right?
- what the hell?
- okay.
- easy.
- oh.
Huh.
- pete, no.
No.
- artifact behavior
Usually require
a human element, right?
- yeah.
Just be careful.
- okay.
- okay?
- okay.
- [igh]
wow.
- oh, my god.
- chek it out.
- it's razy.
- okay, you see this
i one of thoe artifacts
That i'd really like to keep.
- pete, put it in.
- hey, roky, wath me pull
a rabbit out of my hat.
Now that's ool.
Ouch.
- that's what i thought.
- what?
that pinching cause pain?
- no.
no, i know that.
But the feather,
It only works
up to your elbow.
- so not enough to get
in and out with the sculpture.
- exactly, which means that thi
i only part of the artifact.
It's not the whole thing.
- oh.
at least
that narrow it down.
We're looking for
an arts-dealing bird
That walks through wall.
- like artie always says
- [both] never rule
anything out.
- show me.
- okay.
- looks native american.
- yeah, we think
it fell off something larger,
A ceremonial objet,
A walking stik,
a peace pipe maybe.
- or a bird.
- yeah.
any gues as to who
thi thing belonged to?
- uh, well, maybe
one of the two guys
Who wanted
to buy the culpture,
But we haven't interviewed
one of them yet.
- radburn's too rich to risk it.
He ould outbid donald trump.
I think we an rule him out.
- n-never rule anything out.
- okay, uh, well,
The second guy's a rih dude.
His name's jeffrey weaver.
- jeffrey weaver.
Is that the son
of alexander weaver?
- um, artie,
who i alexander weaver?
- yeah, was.
He was an extortionist,
A real estate swindler.
And a ravager of ultures.
Not a nice man.
Now deceased.
Andyes.
Son jeffrey lives in new york.
So
Look, unless the acorn
fell very far from the tree,
Wath your backs.
- hmm.
- whih one are you?
Let's see.
is it that one?
Whoa! oh.
geez.
Hey.
[blows]
chill, parky.
- uh, how's it going?
- you mean are you scared
i'm gonna burn the house down?
Emergency exits
are clearly marked.
- you think my oncern for you
i insincere?
- i think you should pass me
the cable shears.
Those.
- soanxious
to get on with your life?
- such hocking insight.
Did my aura tell you that?
- you're ertainly
pushing joshua.
- only 'cause he needs it.
- oh, you do
have a thing for him.
- you're hanging the subjet.
- you brought him up.
- now that you've saved him,
Your life's work is complete,
And that cares you.
So you're foring your own
need for a purpose onto him.
- genius.
and all done without a ouch.
How much do i owe you,
dr.
freud?
- if joshua
accomplishe great things,
Then your sacrifie
i justified.
But you're alo afraid
of being alone.
Truly alone.
- it's okay if i don't
like you, right?
- of oure.
But you do.
- [igh]
- mr.
weaver
will be right with you.
- thank you.
- wow.
- call the ops.
Crime solved.
- it's not what it looks like.
- no?
because what it looks like
I that you're in possesion
of tolen goods.
- take a loser looks.
That's not the one
that was tolen.
There were four in the eries,
Each named for one
of the four elements.
This one is fire.
The stolen one is wind.
Chek with the auction house.
- how can you tell 'em apart?
- you're a trained expert
With a crupulous
eye for detail.
Or you read the brass plaque
on the base.
Jeff weaver.
Myka bering.
Pleasure.
- [clears throat]
uh, right.
Um, you mind telling us
where you were last night?
- hosting a charity event
For the children's hospital
in new orleans.
- rich, good looking,
likes kids.
Who's on a date now?
- okay, uh, you said that
there were four sculpture--
Earth, wind, and fire?
- love those guys.
- rock, wind, and fire,
actually, and water.
- right.
- it's the artit's tribute
To native amerian
creation myth.
- native americans, huh?
You into that stuff?
- well, it's an interest.
- you wouldn't happen to be
missing a feather would you?
Maybe off something that lets
you walk through walls?
- what'd you just say?
- you got a lousy poker
face there, jeffy.
- new orleans is, what?
a three hour flight away?
You're till
on our uspect list.
- lacell, get in here.
- whoa.
hey.
hold it right there.
Don't move.
let me ee your hands.
- what is it?
- thi dude was at radburn's
Construction site.
Yeah, he was giving me
the stink-eye.
- it's all right.
his name is lacell.
He works for me.
- we'll decide
when it's all right, okay?
- he alo works for radburn.
It'sit's complicated.
- okay, wait.
you work for weaver and radburn?
- look,
lacell's not the problem.
If what you said about omeone
walking through walls i true,
The sculpture in't safe.
- you think they're coming after
this one next, don't you?
- we're standing right here.
I think we got it covered.
- thank you, but i an provide
my own protection.
- that's not an offer, okay?
If somebody's
walking through walls,
The united states government
needs to know who and how.
- all i can tell you
i that thi culpture
Is the next target,
So please let me move it
to a eure location.
- okay, well, hold on.
What's that, badgey?
hmm?
Oh, okay.
sorry.
Badgey ays
we tay with the sculpture.
So wherever it goes, we go.
- no, no, no, no.
Don't touch that
in the middle of the game.
- with whom?
- myself.
White's been backed
into a orner by black.
I'm waiting
for a eureka moment
To save white's butt.
- been waiting a while?
huh?
- three months.
Why?
- oh, claudia
was looking it over.
Noticed you were in
a bit of a pikle.
- she noticed
i was in a pikle.
Where i the little demon?
- oh, she's in there.
- she's got work to do.
she--
- artie--artie.
She's taking a break.
She's been working very hard.
- i hate that look.
- claudia
- here it comes.
- needs a home.
- this is not
the humane oiety.
- she's not a stray cat.
- she's not staying here.
- mrs.
frederic
i getting antsy as it is.
- i'm not suggeting
she stay here.
Artie, you an pull strings--
m.
i.
t.
, calteh.
- please.
- she needs a challenge.
- yeah.
- artie, he needs people.
- she's got joshua.
- and joshua's on his own path.
Yes, they're both brilliant,
But he's a researher,
and she's a doer.
She needs people like her.
- brash, rude,
anti-soial, impulsive?
- we're discussing laudia,
not you.
- see, that's kind of
a low blow.
- you're o brash, rude--
- what are you doing?
no, no, no, no!
- yeah, yeah,
yeah, yeah, yeah!
Chek.
[niffs]
- i'll be damned.
- well, maybe,
but i'm not one to judge.
White beats black
in nine moves.
- whoa.
- oh!
- ow.
- hey, is the sculpture
okay back there?
- yes, it's fine.
- i'm--i'm fine too,
by the way.
Thank you for asking.
Hey, would you tell
chief leadfoot to take it easy?
And how much longer till we
reach the airport, anyway?
- pete, i everything okay?
[grunting]
Pete.
Stop the truck.
stop the truck!
Aah!
[groaning]
- pete, are you okay?
Pete, look at me.
- hey, stop!
- pete?
- i need an ambulance
right away.
Pete.
- hey, partner.
- [exhales]
- how are you feeling?
- sore.
Everywhere.
Need ookie.
- you've been out for a while.
Remember anything?
- i had my moleule rearranged,
And got shoved out the ide
of a moving truck.
- that about ums it up.
- not surprisingly,
it give you quite a headache.
- you know, i told artie
what you aid
About the buckskin oat
before you passed out.
And the creation myth.
He's doing his thing.
- yeah, i don't get it.
I mean, thi guy
could be robbing fort knox.
Why the sculpture?
- gues that's
our little puzzle, isn't it?
Mm.
[laughs]
the pretty boy.
?boom chika boom boom ?
[chuckles]
what is he doing here?
- jeff got you a free,
multi-point inspetion.
Make ure all your part
are where they belong.
- oh, jeff did.
- yes, jeff did.
He, um, owns the hopital,
Or built it or omething.
- well, that's handy.
- ahem.
He asked me to dinner.
- it's 3:00 a.
m.
- well, in the afeteria.
- big spender.
- but i said no.
- ah, you should go.
- no, i should
stay here with you.
- nah.
no.
- i mean, pete--
- myka.
- pete.
- thi guy
knows what's going on.
Go for it.
You know,
use your feminine wiles.
Smile.
You're pretty when you mile.
- i am?
- yeah.
- so what does that mean
when i'm not smiling?
- kind of frightening.
Head injury.
nure.
- [laughs]
- something i said?
- i was just
gonna come tell you.
- here i am.
- yeah, you were right.
I have to go.
- wow.
Zero to 10.
I didn't mean today.
I was just looking
for some forward momentum.
- yeah, well,
artie made a few alls.
And, uh,
there's a position at cern.
I should take it.
It's once in a lifetime.
- you're going to switzerland?
- yeah.
- smashing atoms?
- like you aid,
Can't spend the rest of my life
Listening to pringsteen
and surfing the web.
Hey.
If an interdimensional rift
Can't keep me
from being in touch with you,
You think a few thousand
miles will?
- well, you better.
'cause i think
i've demonstrated
I will hunt you down.
- yeah.
- well, come here.
Come on.
- pete's fine, but omebody else
could get hurt.
I mean, where doe that
buckskin oat come from?
Is it conneted
to the culpture omehow?
- there are hundreds
Of these native amerian
creation myths.
- i know, i know.
I still think
that the feather, however,
Gives us our best clue.
Anyway, the feather
was predominantly used
By the delaware nations,
And also by the
Aha.
by the lenape tribe.
They're the one who old
manhattan to the dutch
For 2 bucks
worth of arts and craft.
- that's not a great deal.
- you had to be there.
- and according
to lenape legend,
The world was created through
the spirits of four element.
Four.
fire, whih gave us our soul.
Wind, our breath.
Water, death.
It's fascinating.
And rock, whih have the w--
Leena.
Rock gave the worldsolidity.
- so omeone has a buckskin coat
that manipulate olidity.
- no.
- i think that this whole thing
Could be a pattern.
Because if there are artifact
that ontrol the other elements,
And somebody were to
acquirethose artifacts,
That omebody would have
Immense power over
- the world.
- at the risk
of ounding dramati.
- that's never
stopped you before.
- that's true.
[farnworth beeps]
- mama?
Ow.
ooh, ooh.
a--ooh!
[groans]
- pete,
what took you so long?
Uh, listen.
Jeffery weaver
I think that that guy
needs a second look.
- myka's taking
a look at him now
Over dried turkey,
mushy vegetables,
And tapioa pudding.
- okay.
you're till in the hospital?
- i got pushed out
of the ide of a teel truck.
I'm recuperating.
- yeah, well,
recuperate later.
While myka's
keeping weaver busy,
Uh, i'm gonna need you
to tos his apartment.
- why steal his stuff
from himself?
I weaver our guy?
- well, tell me
what you find out,
And i will let you know.
- it's very romanti.
- i had, uh, verna
turn up the steam tables.
It's all about atmosphere.
- well, you sure know
how to wow a girl.
- it's my best move.
So what made you join
the secret ervice?
- [exhales] well, um
It was
either that or prison.
I'm kidding.
- what about you.
I mean, what is it
you do exactly?
- accrue interest.
Re-invest.
Try to do
something good with it.
- that's a nie life.
- yeah, well,
it depends on how you got it.
- your father.
- my father, yeah.
- and you don't--
You don't want
to follow in hi footteps.
I that it?
- i want
to erase hi footteps.
What?
What?
- i'm just trying to deide
If i'm itting here
with a good guy or a bad guy.
- you know who was in business
with radburn year ago?
- the other guy
who wanted the culpture?
- that's right.
jeffery weaver's father.
And both those guys tried
to push really hard at that time
To ell them,
all four of the sculptures.
- [sighs]
yeah.
What do they do?
- i don't know.
I gues, you know,
Something happens when you put
all four culptures together.
My best guess, omething
- bad.
- bad.
something bad.
- you find anything
at weaver's yet?
- no, i don't know.
Thi place is clean.
If he's the guy with the oat,
he probably
Oh, come on.
- what?
- it's probably nothing.
i'll all you back.
- no, no, no.
wait, wait.
what?
- you got to be kidding me.
what a hack.
Bingo mania.
- so what are you really after
in all this?
And don't tell me
the government needs to know.
- i'm here for the oat.
And, yeah, the government
actually does want it.
There are certain things
That just shouldn't
be out in the world.
- true.
- but, you, you're only
interested in the sculpture.
Why?
They're not that valuable.
- i think things
that were created together
Belong together.
- whoever's doing this,
And i haven't
ruled you out yet,
I alo colleting them.
What happens when the four
sculptures are together?
Seriously, jeff,
you should tell me,
Before omebody--
[cell phone rings]
Just give me a seond.
- pete?
i everything okay up there?
- yeah, i'm at weaver's.
- what? wh--what are you--
- the guy's got a secret room
that's a hrine to burleigh.
He must have bought up
everything the guy ever touched.
Whatever's going on,
Your boyfriend's
neck deep in it.
- i'll wrap thi up then.
[clears throat]
- so we should probably
head upstairs, huh?
- you know, i'd really rather
go back to your place.
- you know, it's funny.
I usually like it when
a beautiful woman says that.
- that is funny.
that is funny.
Because i never like it
when my date lies to me.
- you know, i don't--
Burleigh was married
to a lenape woman.
And the sculptures
Are some kind of a key
To a acred,
underground cave.
- to a sacred what?
- a cave.
Uh, it ays
it ontains four offerings
To the pirit of creation.
Somehow he hid the diretions
to the ave
In the culptures.
- so those four sculpture,
See, they're a map.
If you put
the four sculptures together,
They tell
you where thi ave i.
- yeah, but how, artie?
I mean,
we're missing something.
- mr.
radburn, we found
thi man trying to break in.
- it's lacell, right?
What do you do for me,
mr.
lacell?
- geologial urveys, sir.
- that's right.
you see
what's underground, don't you?
And yet here you are,
lurking very high above ground.
Find anything interesting?
- no, sir.
- you're not a very good liar,
mr.
lacell.
And you work for mr.
weaver.
Don't waste your breath
with denial.
Was he wearing it?
- yes, ir.
- let me have it.
Tell me about thi.
- it's nothing.
My father gave it to me.
- don't you mean your uncle?
As i aid before, deception
i not your strong suit.
Walter burleigh was your uncle,
wasn't he?
Why do you think
that i hired you?
I had hoped you would lead me
to the place.
Your uncle hid lue
to the sacred cave in his art.
What's this?
Water, rok, wind.
Well, that's helpful.
Now i know how
to arrange the culptures.
Wait for me outide.
But what then?
How does it work?
How will they lead me
to the place
Where the objects are hidden?
- i don't know.
Give that back.
You have what you want.
- do you want
to leave here alive,
Lacell?
Oh, i there more?
"the truth is in the dawn.
"
What does it mean?
- i don't know.
[groaning]
"the truth is in the dawn.
"
What does it mean?
- i don't know!
- i don't know.
- i suppoe you didn't know.
- "the truth is in the dawn.
The truth i in the dawn.
"
I--i don't know what that means,
But it's--it's written
all over burleigh's notes.
- what's--what's written?
- uhdawn.
Thi--i mean, i don't know.
Uh, creation, maybe.
tony orlando and.
- creationor destruction.
- yeah.
[igh]
Look, artie, how much of this
stuff do we really believe?
- well, enough that
if he's looking for thi ave,
It's better
that we find it firt.
- i would agree with that.
Your partner's already
got me overed.
- lucy, you've got
some 'splaining to do.
- so where's the ode?
- gilbert radburn
beat me to it,
Same way he's been
trying to find the ave.
- what ave?
- underground, sacred.
chek it out.
- we have to top him.
Like you said,
there are some things
That hould not be out
in the world.
- yeah, well, what about
that big guy
That works for the two of you?
- lacell is lenape.
He want to save the ave too.
He's been my eyes
at radburn's digs.
He hasn't cheked in either.
i think something's happened.
- okay, so we have to
find this cave
Before radburn does.
- well, if he's got
all four culptures,
He ould be there now.
- we've got all of
burleigh's note right here.
- well, that hasn't helped me
solve it yet.
- true, mr.
weaver.
Butyou're not me.
And right now we need to find
the location of that ave
Before radburn does.
- the truth i in the dawn.
Of oure.
it's a map.
Thank you.
- so burleigh stopped
taking note
When he got cloe
to finding the ave.
- yeah.
- it's like he realize
the stories were true
And stopped writing
anything down.
- well, you know, i think
it may be enough
Because i found all these
old maps, and i--
- knok knok.
- i wish you wouldn't do that.
- [guffaws]
- god! not funny.
H-h-hang on.
- i just ame by
to grab my tool
And then i'm hitting
the proverbial road.
I'm thinking vegas.
"really? vegas, claudia?
Remember, always hit
on 16, never on 1.
"
- there's gotta be a lenape
settlement here somewhere
And it's gotta be
somewhere safe.
- yeah, and they'd look
for a place
With special properties.
- it's gotta be--it's gotta
be omewhere afe.
Sono, this is not--
What--hey, hey!
- dude, have you onsidered
mathing these
Against magneti ley line?
- no, you don't
- one runs right along
the east edge of the island.
- right there.
- thi is the south--
- an underground ave
in manhattan, huh?
You know, if no one's run
into it
- in all these year,
then we can eliminate
Everywhere where they've dug
for major utility junctions
- and subways.
this looks right.
- indeed it does.
Guys, i think i've got it.
i've got it.
[chuckles] it i
lower east ide.
Corlear's hook.
that is, um
That is just south
of the williamsburg bridge,
And it's right near
the water,
And it's gotta be away
from the ubway lines.
And claudia
pointedout
Theuh
- radburn's building there.
He's been digging everywhere
that burleigh focused
Using new construction
to over his hunt.
- then he's cloe
to finding it.
Okay, artie,
we're heading out.
- yeah, okay,
feel free to hurry.
- yeah.
- all right, i need
to get right here.
Right next to thi ave.
how long will that take?
- we an blow it
in five minutes.
- i need the ontents
of the ave to be intact.
Nothing can be diturbed.
- content?
Well, if it's
a surgial blow,
I say we blast
right here next to it
And go ideways the last
couple of feet by jackhammer.
- you just get me
next to that ave.
I'll take care
of everything else.
- let's go.
- okay.
- your site's just 18 inche
the other side of that wall.
Let me get a ouple guys
with jackhammer.
- no one ome near here,
you undertand?
- it's true.
It's all true.
The water of eternal life.
Oh.
whoa!
- he shall have the power
of nature herelf.
[workers houting]
- hey, hey, hey, hey, hey!
Gilbert radburn.
where is he?
- down in the blast site.
but i'm getting out of here.
- unh.
Let's go.
- he hall have the strength
of a hundred men.
And he shall harness
the strength of the earth.
- hey, you kind of got
your hands full, don't you?
- don't, gil.
You don't know
what you're dealing with.
- you're too late, jeff.
Thi is what i was
meant to do.
- nut bag.
- the nuttiest.
Okay, radburn,
drop the arrow.
[both grunting]
- put it back, gil.
it's not for us.
- not for you, jeff.
you're weak.
And so was your father.
- unh!
- ohh!
- listen to me.
You don't know
what you're doing.
- the fourth element ompletes
the transformation.
Then nothing an top me.
How fitting that this place
should be your tomb.
- no, no, no,
it's not meant for you.
- they're meant for the man
Who's strong enough
to use them.
- argh!
- [creaming]
[all grunting]
- [exasperated igh]
- knok knok.
- oh, god.
don't do that!
- that just never stops
being funny, don't you think?
- oh, never.
what are you doing--
What happened with vegas?
- it was too easy.
- you didn't.
- just a little pocket money.
[both chuckle]
- shouldn't you be
in ollege or something?
Don't you want to be
with people your own age?
- artie, i'm not my own age.
Come on.
Writing englih paper
and going to frat parties?
Bor-ing!
I mean, at least here,
you know,
There's, um
there's a challenge.
- that there is.
You up for it?
- quetion is, geezer
Are you?
- oh, you are
so out of your league.