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Okay, now we are going to talk about some principles in the design of characters. And
there are sometimes less strokes, sometimes more strokes in a Chinese character. And so
to give you a reference of that, we still use a blank squid so, especially for words
with many strokes, like the traditional character of book, or part of calligraphy. Like this
one that's shu, ok, book. We want to go, one of the principle is the even distribution
of these strokes, so when we write it, notice that where you start the next stroke, okay?
You kind of find out where the two stroke is, and then here and here, so that you can
write it with spaces that's almost equal.